The Human Form by Berggruen Gallery

THE HUMAN FORM

It is with tremendous pleasure that we embark upon the next iteration of our gallery with the inauguration of a new space and the presentation of the exhibition, The Human Form. For us, in many ways, this exhibition embodies our dedication to exploring and unifying past, present, and future. In documenting John Berggruen Gallery archives from 1970 through 2016, a clear pattern emerged. Our timeline reminds us that our mission has always been one that reflected our interest in historical works, as well as our commitment to bringing new work (and often artists’ first shows) to the Bay Area. This pattern is anchored in and inspired by the European roots of John’s father and our natural identification with American post-war and contemporary art. The Human Form continues our fascination with presenting artists’ works from different decades and differing points of view in concert with one another. These juxtapositions afford an opportunity to reflect upon the wide variety of expressions artists have employed to explore humanity’s physical form, its essence, and its endless individuality. An exhibition of this quality would not have been possible without the remarkable generosity of private collectors, museums, and wonderful colleagues who have loaned extraordinary works to this show. For their support and belief in us we are deeply grateful. It is a wonderful reminder of how fortunate we have been to be surrounded by so many visionary friends. In the past year we have been asked many times why we are embarking on the adventure of relocating, rebuilding an historic building, and expanding our exhibition program. The answer is quite simply that we love what we do and have had the great fortune to work with remarkable artists and collectors. We look forward to continuing to be active participants in and contributors to the vibrant cultural life of San Francisco. We cannot overstate the inspiration that we have garnered from the accomplishment of the recent expansion of SFMOMA. The foresight and leadership of Director Neal Benezra and Board Chair Chuck Schwab, realized in Snøhetta’s soaring architecture and a new museum wing replete with the combined breadth and beauty of the museum’s permanent collection and the newly acquired Fisher Collection, expresses a true belief in the cultural well-being of San Francisco. We are thrilled to be SFMOMA’s neighbor and to continue to play an active role in the strong and flourishing art scene in San Francisco. A very special thanks to Dr. Steven A. Nash for so generously contributing an insightful and illuminating essay to this catalogue. The connections and parallels he draws for us make us feel like a favorite professor has just given us a private tour of our own exhibition, helping us to better see the nuances of so many works. We are both extremely grateful to our talented colleagues in the gallery, each of whom has contributed their innate intelligence, finely honed skills, hard work, and good humor to every challenge of this new venture. From relocation, to the exhibition’s organization and the catalogue’s production, they have all been unwaveringly devoted to assuring a smooth transition and an elegant exhibition. Our most sincere appreciation goes to Erin Cabral, Camille Gillett, Mary Patterson, Tatem Read, Becky Roberts-Ascher Heldfond, Lindsay Snyder Salamon, Morgann Trumbull, Sarah Wendell, Molli Wentworth, and Arielle Younger. For the beautiful contemporary renovation of our historic building, a special thanks goes to our architect Jennifer Weiss (Jennifer Weiss Architecture) and our brilliant project manager Penelope Robinson. The Human Form has been an exciting opportunity for us to unearth the various connections and interactions that artists have with each others’ work across time as amplified in the depiction of our most familiar form, the human body. As always, it has been a pleasure and a privilege for us to put this show together and to share it with you. We hope that you enjoy it as much as we do!

gretchen and john berggruen

THE HUMAN FORM

m i lt o n av e r y

roy lichtenstein

d av i d b at e s

h e n r i m at i s s e

max beckmann

barry mcgee

michaĂŤl borremans

henry moore

c e c i ly b r o w n

n at h a n o l i v e i r a

christopher brown

d av i d pa r k

n i c k c av e

elizabeth pey ton

chuck close

francis picabia

george condo

pa b l o p i c a s s o

james crosby

martin puryear

willem de kooning

gerhard richter

richard diebenkorn

tom sachs

peter doig

j e n n y s av i l l e

lucian freud

joel shapiro

alberto giacomet ti

kiki smith

antony gormley

way n e t h i e b a u d

e d wa r d h o p p e r

a d r i a n a va r e j ĂŁ o

chris johanson

k a r a wa l k e r

a l e x k at z

kehinde wiley

THE HUMAN FORM

1 0 h aw t h o r n e s t r e e t, s a n f r a n c i s c o berggruen.com

figuring figures Steven A. Nash

he human body has been a lightning rod for creative imagination since humankindâ&#x20AC;&#x2122;s earliest impulses toward graphic representation. As the most common attribute of our shared humanity, it provides a powerful channel for empathetic communication of ideas, emotions, ideals, and beliefs. Throughout the history of image-making, the body has inspired countless varieties of interpretation, but it is safe to say that no other period of art history has seen the inventive, radical, and expressive explorations of this human vessel that characterize the modern era starting in the early 20th-century. This exists despite the strongest possible objections of artists devoted to abstraction who attacked figuration as woefully conservative and representative of the outmoded conventions that modernism was then dismantling.

On the one hand, as progressive an artist as Francis Bacon could denounce abstraction as artistic nihilism, while those in the opposing camp such as Piet Mondrian and Kazimir Malevich claimed that figuration was totally inadequate to express the new realities of the modern age and was even morally debased. In essence, however, it was the intermixing of representational art and abstraction that opened the way to a vast new landscape of figural depiction, one that produced visions unimaginable in earlier periods, with the figure as a common touchstone of feeling and communication and abstraction providing the freedom to re-imagine the human body in limitless new ways. The broad sampling of modern artists and their works presented in the present exhibition provides a view of just how alive and well figurative art has remained since the time of those early, abstraction-obsessed doubters. The artist most responsible for ushering in this revolution was Pablo Picasso, whose vast range of styles and themes sometimes skirted the boundaries of abstraction, a line he never crossed due to his abiding dedication to a figurative basis of art. His early Le Nu Jaune (The Yellow Nude) from 1907 (Plate 1) shows him engaged in a structural investigation of the figure that led directly to the Cubist style he pioneered with Georges Braque, thus

pa b l o p i c a s s o in his studio in the Bateau-Lavoir, Paris, 1908. Photographer unknown/Hulton Archive/Getty Images

changing modern art forever. Anatomy is defined in

Just within this one exhibition, the long reach of

terms of fragments outlined with sharp arcs and linear

Picasso’s influence is clearly apparent, stretching even

vectors that anticipate the kaleidoscopic splintering of

to the work of contemporary artists. George Condo’s

form in fully-realized Cubism. At the same time, Picasso

Pilot from 2012 (Plate 31) is a frankly referential,

was also exploring the exotic and sometimes sinister

if somewhat parodic reboot of Picasso’s Cubist heads,

forms of African art, another revolutionary phenomenon.

and Antony Gormley’s cast iron figures, constructed

Picasso’s The Weeping Woman, one of his most famous prints (Plate 4), continues the mask-like distortions of the female face seen in Le Nu Jaune but now with a different expressive purpose. Produced in 1937 during

of blocks of metal proportioned according to his own body measurements, are unthinkable without the geometric stylizations introduced into sculpture by Picasso’s Cubism (Plates 26 and 35).

the Spanish Civil War, its sense of horrific anguish and

Even the powerful Grand Nu assis (Large Seated Nude)

suffering so graphically captured was essentially a shriek

by Henri Matisse, that other titan of modern art with

from the artist over the devastations suffered by family

whom Picasso maintained a friendly competition

and compatriots in his homeland, emotions unforgetta-

throughout their two lives, has a strong hint of Cubism

bly conveyed in his famous Guernica mural from the

(Plate 2). For anyone who thinks of Matisse in terms

same year.

of the softly colorful and lyrical paintings he produced

in Nice during the 1920s, this work comes as a punch to the aesthetic solar plexus. It is the paramount example of a distinctive shift in Matisse’s work around 1927, in which the contours of his figures are hardened, shapes are condensed and solidified, and his women take on a more masculine identity. In the Grand Nu assis, the model could be a weightlifter, so chiseled is her physique and muscled her proportions. The smoothly curvaceous outlines of many of Matisse’s sculptures of women are supplanted by faceted surfaces cut with a modeling knife, and there is an angularity to the model’s pose that also hints at Cubist roots. For other sculptors within the modernist tradition, such subjective interpretation of the figure takes on weighty emotional, psychological, and even political dimensions. Alberto Giacometti, for example, in his signature post–World War II work, focused on compositional tropes basic to sculpture since antiquity, the portrait bust and monolithically vertical figures, and invested them with qualities of mutability and tenuous psychological states new to sculptural expression. His Buste de Diego (Bust of Diego, Plate 9) is one of a great many portraits he modeled of his favorite sitter, his brother Diego, who worked alongside Alberto as studio assistant in addition to pursuing his own work as a designer. In sculpture after sculpture, Diego’s features are readily recognizable, but besides their differences in scale, there are ongoing variations of form reflecting Giacometti’s methodological responses to transient conditions of atmosphere, light, mood, and memory versus observation, as well as the intuitive rhythm of his fingers as he manipulated soft plaster or clay. He attempted to catch in material form his momentary sensations, producing portraits and figure studies that have the calm stateliness of Egyptian sculptures but at the same time are alive with a seismological record of subjective impressions. For Henry Moore, the primary aspiration in his mature

h e n r i m at i s s e at work on Grand Nu assis in his apartment in Nice, 1926.

work was the realization of new forms of coexistence

Photographer unknown

between abstraction and representation in an ongoing

principles. Among those active in the early part of the

investigation of the harmony between the human figure

20th-century, Edward Hopper holds special status.

and the grandeur of nature. His focus is on form, but

The formal rigor of his compositions, his dramatic use

his work is not without its humanistic concerns, as we

of light and shadow, and his moods of lonely isolation

see in Helmet Head, No. 3 of 1960 (Plate 14), part of

project a world freighted with searching and sometimes

a lengthy series of works on the helmet theme dating

disturbing insights into the modern human condition.

back to drawings and a sculpture from the time of the Spanish Civil War. These works typically combine rounded outer shells with a small interior figurine, often with big eyes staring out through a cavity in the outer form. The overall effect of the small surrealistic figures contained within the steely carapace of a military helmet and looking out at us with a wide-eyed stare is disarming and even troubling, and clearly is an expression of the wartime angst that was felt throughout the world in the late 1930s and ’40s.

Two Comedians (Plate 15) came late in Hopper’s life and represents a distillation of themes that had preoccupied him over many years. His propensity for geometrically structured settings is here reduced to the barest of essentials, a stark design consisting of a single vertical strut along the right side connected to the slicing foreground diagonal of a stage, all placed against a dark and empty background. His palette is the most minimal found in any of his large paintings, with just three basic colors: the black background, tan stage, and white cos-

Investiture of sociological and political content into

tumes of the two comedians. These lonely figures are

figurative sculpture takes a distinctively postmodern

not comics but comedians in an older sense, actors who

turn in James Crosby’s evocative wire and concrete

don clown or commedia dell’arte costumes and whose

deconstruction of a hoodie (Plate 46), in which a gar-

routines are not just mirthful but also infused with

ment (one with many societal associations) becomes

poignant reflections on life’s twists and turns. We sense

a surrogate for a young black man. The vacant hood

that perhaps Hopper was reflecting on his own life as

embodies a powerful poetic element, suggestive of

its inevitable conclusion approached and the role of the

loss or emptiness, while the unraveling of the garment

artist as an on-stage interpreter.

below carries a note of destruction, as does also the crumbled and cracked concrete out of which the object is shaped. Since concrete is normally a construction material, we get the feeling of a distressed structure existing perhaps as a memorial to the lost or missing.

Milton Avery was another artist who came to acclaim in the decades leading up to World War II for figure paintings generally of a languorous quality with an atmosphere and soft hues influenced by Matisse’s work from the 1920s. In Girl with Folded Arms (Plate

For these various artists, figuration is tempered by

6), however, he flattened his figure into a bold and

various degrees of abstraction. Henry Moore once

nearly abstract pattern of strong colors, sacrificing the

famously said, “I see no reason why realistic art and

identity of his model for overall graphic impact. Com-

purely abstract art can’t exist in the world side by

parisons can be drawn to the jazzy colors and patterns

side … even in one artist at the same time.” And in

in the work of Avery’s contemporary, Stuart Davis,

truth, any depiction of the human body is an abstrac-

whose figural work often verged on abstraction and

tion, a reconstruction in artistic form of observed

seems retrospectively to be a precursor of Pop Art’s

information, but many figurative artists in the modernist

bold stylizations.

tradition have cleaved closely to the literal side of the abstract/representational equation, creating work that proudly, even defiantly, updates age-old realist

Hopper’s and Avery’s work preceded Abstract Expressionism, the dominant artistic force in American art

during the 1950s and into the 60's, while David Park’s

and 44) both feature a delicacy and probity of drafts-

Bathers on the Beach from 1956 and Richard Dieben-

manship that evoke such masters of line as J. A. D.

korn’s Woman with Newspaper from 1960, created at

Ingres and Albrecht Dürer. These images contribute to

the height of Ab Ex hegemony, represent a West Coast

themes in art exploring the mythic dimensions of

reaction against that largely East Coast movement

womanhood.Seville’s modern Venus is an object of

(Plates 16 and 17). Park and Diebenkorn helped lead a

desire but lies enmeshed and secluded in racing tracer-

figurative revolt premised on the continued viability

ies of line, while Smith’s contemplative figure sits

of representational art in the face of what they saw as

statuesquely, locking her gaze into ours and holding a

the increasingly mannered and academic nature of

bright red bouquet

Abstract Expressionism. Of course, lessons from that

of flowers. Bees swarming around her and the flowers

movement are clearly apparent in their gestural applica-

reinforce a symbolism of fertility and abundance.

tion of paint, bold compositional patterning, and often

Still other varieties of realism are seen in works by

vivid colors, but their work also references earlier,

Chuck Close, Kehinde Wiley, Lucian Freud, Gerhard

mostly European influences, with Diebenkorn’s debts

Richter, Wayne Thiebaud, and David Bates. What

to the interior scenes of Henri Matisse and the Nabi

would pioneers of pure abstraction such as Malevich,

artists and Park’s intimations in his figures of archaic

Kandinsky, and Mondrian have thought if they knew

stone carvings and debts in his dramatic landscape

that realism would be alive and well in 2017? The

settings to the Northern Romantic tradition.

contemporary painters just named are exemplary of

Two other artists in the exhibition who share connec-

just how diverse and strong the realist voice can be.

tions with old master traditions are Jenny Saville and

Among these, Close is the most literal in approach.

Kiki Smith, whose Ebb and Flow and Posie (Plates 25

The mezzotint printing technique is unusual in contemporary art, but in Keith (Plate 19) Close used it to achieve a remarkably dense, richly tonal portrait of his sitter, one with photo-like detail. Laboriously difficult, the mezzotint process involves removing or lessening the tooth on a prepared printing plate with a scraper and burnisher to attain lighter areas when inked and printed. The image is essentially drawn with these implements, with many trial proofs along the way to check progress. With the final print, we are fascinated by the degree of detail, but it is more the skilled orchestration of tonalities from velvety blacks to bright whites that gives the work its visual power. Richter’s Philodendron (Plate 27) is another study in tonalities, but in the grisaille palette typical of his early realist paintings. The underlying image— an interior with a woman standing beside a huge house plant—is lacking in narrative interest but, blurred by a powdery paint application and soft brushwork, takes on a

k e h i n d e w i l e y paints in his New York studio. Photograph by Jessica Chermayeff/Copyright Show of Force

dream-like character that some have likened to the obscuring effects of historical memory.

f r e u d with Martin Gayford, 2005. Photograph by David Dawson/Private Collection/Bridgeman Images

At the opposite end of the clarity spectrum, and with

With Freud’s Man in a Blue Scarf (Plate 13) and

a far more concrete message, is Wiley’s Portrait of

Thiebaud’s Girl with Four Hats (Plate 39) we see figure

Dacdjo Ndie Joseph from 2015 (Plate 40). Representa-

studies with similar formats—close-up views, frontal

tive of Wiley’s assertively political iconographies, a

poses, and quiet moods—by two artists renowned for

proud black man is posed in front of highly decorative

the painterly richness of their work. Both devoted their

wallpaper, standing tall, confidently staring out at

careers from early stages onward to examination of the

viewers, and making an outward rhetorical gesture with

visual worlds around them, but their temperaments and

his left arm and hand. He seems to be addressing us

interests differ markedly, with Freud most famous for

from an interior setting of historical vintage, perhaps

the confrontational realism of his nudes, and Thiebaud

18th or 19th century, with the pattern of the floral

particularly well known for his brightly colored, strongly

wallpaper forming a halo around his head. He is

brushed still lifes and landscapes with a distinctive Am-

absorbed into history, replacing the white male states-

erican ring. As evident in Man in a Blue Scarf, Freud’s

men we normally expect to find in portraits such as

stylistic roots run back to Rembrandt, with thickly

this, and asserting his own important place in our

painted surfaces and a dramatic build-up of spotlighted

national historical narratives.

form out of dark backgrounds. Thiebaud’s historical interests tend toward Chardin, Manet, and Morandi,

but in Girl with Four Hats a tip of the hat to Edward

Woman (Plate 4), shows how contemporary realism can

Hopper is also apparent in its solemnity, lighting, and

deal with national tragedy in a way that avoids bombast

composition. The painting is a hybrid between figure

and focuses instead on a direct and powerful sense of

study and still life, with a geometric substructure that

sorrow. It was painted soon after the Katrina disasters in

visually entraps the young woman, whose frozen pose

New Orleans, and owes debts in its stylistic vocabulary

makes her another part of the foreground assortment

to both American folk art and the German Expression-

of objects.

ism of Max Beckmann. Bates’s distinctive simplifications of form and dark, almost monochromatic color give his

Weeping Woman I by David Bates (Plate 32), a work

suffering woman a blunt strength of feeling that would

that has interesting ties to Picasso’s The Weeping

not be possible with a more literalist approach. For several artists in the exhibition, the abstract/figurative balance we have been exploring tips dramatically toward non-objectivity, to the point that figuration almost completely disappears. Consider the paintings by Cecily Brown, Willem de Kooning, and Roy Lichtenstein. In Brown’s Untitled from 2015 (Plate 23), we see a work heavily indebted to the Abstract Expressionist movement but full of gestures and strategies that give it a strong personal character. Produced on a large scale typical of Ab Ex pictures, it engages viewers in its flurry of brushwork and colors and an empathetic feel for the physical exertion that went into its creation. There are memories here of the work of Jackson Pollock and Willem de Kooning, but the cacophonous energy of colliding forms produces a special intensity. Another tell-tale stylistic hallmark is evident. Within the compositional whirlwind we slowly discern small fragments of recognizable animal and human forms, particularly in the left half of the painting, pulling our minds back to the natural world and creating a tension within the work that adds to its disruption of our visual and physical stability. De Kooning’s untitled painting from 1985 (Plate 21) is a prototypical example of this artist’s late work, in which the tempestuous flux of colors and brushwork characteristic of most earlier paintings is calmed to a serenely minimal flow of strokes that glide across white surfaces like the tracks of an expert figure skater. The female body was a frequent motif in de Kooning’s work

c e c i ly b r o w n . Photograph by Juergen Frank/Corbis via Getty Images

for most of his career, even in his notionally abstract

advances more diverse than found in any other 100-year

paintings of the 70’s which carry forward certain ana-

span of history has continuously stimulated viewers’

tomical forms and colors from his earlier nudes. An

minds and senses. We can only wonder, especially with

argument can be made that this is also the case with

new technologies entering the art world at a rapid rate,

the artist’s late paintings, although the references are

and artists trending more frequently toward installation

now distilled to a new-found purity. His palette of light

and multi-media work, where the future of art will lead.

pinks, yellows, and blues in this painting from 1985

One reliable bet is that the human figure will continue

recalls the colors of those earlier figurative or semi-figu-

to provide that inspiration for creativity that has always

rative pictures, and the curving strokes and organic

been its power. The modern sculptor Fritz Wotruba

forms in the late works can be interpreted as vestigial

summarized this power when he wrote that “the human

elements from his fleshy and fluidly brushed female

figure, now as much as ever, remains for me the starting

bodies, both reappearing in his working process as

point of my work… [F]or me as a sculptor, [the figure’s]

muscle memories and instinctive color choices. Is that

physical environment is never as important as the fact

a leg at the bottom middle of the composition? Under

that, because of humankind’s spiritual and physical

this analysis, these are figure paintings of the most

facts, it is the strongest stimulant among all existing

abstracted, and beautiful, variety.

objects and cannot be replaced by anything else.”

The idea of hidden or camouflaged figurative elements in seemingly abstract paintings appears again unexpectedly in Lichtenstein’s Fashionable Lady from 1986 (Plate 22). The background in this work is not exactly abstract, consisting instead of the brushstroke patterns that formed one of Lichtenstein’s favorite themes during that period, but here they read essentially as abstract flows of color, out of which emerges a woman’s head, with an eye and long eye lashes swinging to the right, and a mouth with brilliant red lipstick. Lichtenstein worked with a similar conceit of brush forms giving way to female figures in several of his sculptures, but here there is a more ambiguous spatial relationship between compositional elements and the positioning of figure versus ground. Overall the painting presents a lively medley of colors and forms and a rather mysterious figural presence. All three of these works by Brown, de Kooning, and Lichtenstein reflect a tenacious retention of figurative elements, no matter how minimal, perhaps as a way to ground abstract visions in real life. The period briefly surveyed here from Picasso to Wiley, Saville, and Crosby represents more than a century of artistic invention, in which a plethora of creative

PL ATES

PA BLO PICAS S O Le Nu Jaune, 1907

H ENRI MATIS S E

Grand Nu assis, 1922-29; cast 1952

FRA NCIS P ICABI A Edulis, c. 1930-33

PA BLO PICAS S O

La Femme Qui Pleure (The Weeping Woman), 1937

MA X B ECKMAN N Loge II, 1944

MILTON AV ERY

Girl with Folded Arms, 1944

H ENRY MOOR E

Family Group, 1945

A LBERTO GIACO M E T TI Portrait de femme, c. 1947

A LBERTO GIACO M E T TI Buste de Diego, 1950

LUCIA N F R EUD

Head (Napper Dean Paul), 1953-54

LUCIA N F R EUD

Naked Portrait, 2001

A LBERTO GIACO M E T TI

Annette a Table a Stampa (verso: Personnages a table), 1951

LUCIA N F R EUD

Man in a Blue Scarf, 2004

H ENRY MOOR E

Helmet Head, No. 3, 1960

EDWA RD H OP P E R Two Comedians, 1966

DAVI D PARK

Bathers on the Beach, 1956

RICH A RD DIE BE N KO R N Woman with Newspaper, 1960

WAY NE TH IEBAUD

Girl with Pink Hat, 1973

C HUCK CLOS E Keith, 1972

WILLEM DE KO O N I N G Untitled, c. 1967

WILLEM DE KO O N I N G <no title>, 1985

ROY LICH TEN STE I N Fashionable Lady, 1986

C ECILY B R OWN Untitled, 2015

G E ORG E CONDO

Abstracted Figures, 2011

J ENNY SAV IL L E Ebb and Flow, 2015

ANTONY G ORMLE Y Submit IV, 2011

GERHA RD R ICH TE R Philodendron, 1967

PETER DOIG

Orange Sunshine, 1997

MICHA Ã&#x2039;L BOR R E M AN S The Egg, 2012

ELIZA BETH P E Y TO N Laura, 2004

GEORGE CON DO The Pilot, 2012

DAVID B ATES

Weeping Woman I, 2006

BA RRY MCGE E Untitled, 2016

NICK CAVE

Soundsuit, 2005

A NTONY GOR M L E Y MEME XLII, 2009

J OEL SH AP IR O Untitled, 2000

NATHA N OL IV E I R A Cobalt Dancer, 2001

C HRISTOP H ER BR OWN Sailor Steps, 2016

WAY NE TH IEBAUD

Girl with Four Hats, 2014

KEH INDE WIL E Y

Portrait of Dacdjo Ndie Joseph, 2015

DAVID B ATES

The Oyster Shucker, 2016

KA RA WAL KE R Untitled, 1994

A LEX KAT Z

Eleanore, 2014

KI KI SMI TH Posie, 2016

100

KIKI SMITH

Maybe We Have Everything, 2007

102

JA MES CR OS BY ...thing is, he didnâ&#x20AC;&#x2122;t grow up around many black people, so when I was like, trying to chop it up with him, he was like what? His parents were trying to make him the best black person he could be. Tuesday 1:34 pm, 2015

104

TOM SACH S

Man (Maquette), 2016

106

MA RTIN P URYE AR Face Down, 2008

108

A DRIA NA VAR E JĂ&#x192;O Kindred Spirits I, 2015

110

CH RI S J OH ANSON

Los Angeles Painting Number 1 of 2015, 2015

112

114

PL ATE L IST

PA BLO P I CAS S O

HENRY MO O R E

Le Nu Jaune, 1907 Watercolor, gouache and India ink on paper 23 3/4 x 17 1/4 inches Private Collection

Family Group, 1945 Bronze Height: 5 inches Edition of 7 Private Collection

H EN R I M ATIS S E

A L B ER TO G I AC O M E T T I

Grand Nu assis, 1922-29; cast 1952 Bronze 30 1/2 x 31 5⁄8 x 13 5⁄8 inches Raymond and Patsy Nasher Collection, Nasher Sculpture Center, Dallas

Portrait de femme, c. 1947 Oil on canvas 21 1/2 x 17 1/2 inches Private Collection

A L B ER TO G I AC O M E T T I

FRA N CIS P I CABI A Edulis, c. 1930-33 Oil on canvas 39 1/4 x 32 inches

Buste de Diego, 1950 Bronze with black patina Height: 14 1/4 inches Edition 3 of 6 Private Collection

PA BLO P I CAS S O La Femme Qui Pleure (The Weeping Woman), 1937 Etching, aquatint, drypoint and scraper on Montval Plate: 27 1⁄8 x 19 1⁄2 inches Private Collection

LUCIAN FREUD Head (Napper Dean Paul), 1953-54 Oil on canvas 14 1/2 x 10 1/4 inches Private Collection

MA X BECKM AN N Loge II, 1944 Oil on canvas 28 3⁄4 x 21 1⁄2 inches Private Collection

LUCIAN FREUD Naked Portrait, 2001 Oil on canvas 66 x 52 inches Private Collection

MILTON AV E RY Girl with Folded Arms, 1944 Oil on canvas 36 x 28 inches

A L B ER TO G I AC O M E T T I Annette a Table a Stampa (verso: Personnages a table), 1951 Pencil on paper (verso: Lithographic pencil on paper) 15 1/2 x 11 inches

116

LUCIAN F R E UD

C HU C K C LO S E

Man in a Blue Scarf, 2004 Oil on canvas 26 x 20 inches Private Collection

Keith, 1972 Mezzotint Image: 44 1⁄2 x 35 inches Sheet: 51 x 41 1⁄2 inches Edition of 10

H EN RY M O O R E Helmet Head, No. 3, 1960 Bronze with green patina Height: 11 1/2 inches Edition of 10

W I L L E M D E KO O NI NG Untitled, c. 1967 Oil on paper laid down on masonite 28 3/4 x 22 7⁄8 inches

EDWAR D H O P P E R

W I L L E M D E KO O NI NG

Two Comedians, 1966 Oil on canvas 29 x 40 inches Private Collection

<no title>, 1985 Oil on canvas 80 x 70 inches 22

DAV ID PAR K

R OY L I C HT E NST E I N

Bathers on the Beach, 1956 Oil on canvas 56 x 60 inches

Fashionable Lady, 1986 Magna and oil on canvas 60 x 31 inches Private Collection

RICH AR D DI E BE N KO R N

C E C I LY B R OW N

Woman with Newspaper, 1960 Oil on canvas 48 x 34 inches Private Collection

Untitled, 2015 Oil on linen 43 x 65 inches Private Collection

WAYN E TH I E BAUD

G EO R G E C O ND O

Girl with Pink Hat, 1973 Oil on canvas 36 x 29 1/2 inches San Francisco Museum of Modern Art, Gift of Jeannette Powell

Abstracted Figures, 2011 Acrylic, charcoal and pastel on linen 68 x 66 inches

JENN Y SAV IL L E

DAV I D B AT E S

Ebb and Flow, 2015 Oil stain, pastel and charcoal on canvas 63 x 102 3⁄8 inches Private Collection

Weeping Woman I, 2006 Oil on canvas 66 x 48 inches Private Collection

A NTON Y GO R M L E Y

B A R RY M C G EE

Submit IV, 2011 Cast iron 73 1/4 x 18 7⁄8 x 18 1/2 inches

Untitled, 2016 Acrylic on panel 78 x 66 x 2 inches

GER H AR D R I CH TE R

NI C K CAV E

Philodendron, 1967 Oil on canvas 31 7⁄16 x 36 9⁄16 inches Private Collection

Soundsuit, 2005 Mixed media, including found sequins and beads 100 x 26 x 14 inches 35

A NTO NY G O R M L E Y

PETER DO IG

MEME XLII, 2009 Cast iron Height: 15 inches

Orange Sunshine, 1997 Oil on paper 7 1/4 x 10 inches

J O E L S HA P I R O

MICH AËL BO R R E M AN S

Untitled, 2000 Painted aluminum 85 x 71 x 41 1/2 inches

The Egg, 2012 Oil on canvas 11 1⁄8 x 11 7⁄8 inches Private Collection

NAT HA N O L I V E I R A

Cobalt Dancer, 2001 Oil, alkyd and cold wax medium on canvas 84 x 70 inches

ELIZABE TH P E Y TO N Laura, 2004 Oil on board 9 x 7 inches

C HR I STO P HER B R OW N

Sailor Steps, 2016 Oil on linen 38 x 38 inches

GEOR GE CO N DO The Pilot, 2012 Acrylic, charcoal and pastel on linen 70 x 65 inches

118

WAYN E TH I E BAUD

JA ME S C R O S BY

Girl with Four Hats, 2014 Oil on canvas 40 1⁄8 x 30 inches

...thing is, he didn’t grow up around many black people, so when I was like, trying to chop it up with him, he was like what? His parents were trying to make him the best black person he could be. Tuesday 1:34 pm, 2015 Deconstructed hoodie, wire, concrete 46 x 12 x 5 inches

KEH IN DE WI L E Y Portrait of Dacdjo Ndie Joseph, 2015 Oil on canvas in artist’s frame 72 x 60 inches 41

DAV ID BATE S The Oyster Shucker, 2016 Oil on canvas 80 x 48 inches 42

KA RA WAL KE R Untitled, 1994 Paper and paint on panel 48 x 48 inches Private Collection 43

A LEX KAT Z Eleanore, 2014 Oil on linen 48 x 108 inches 44

KIKI S MITH Posie, 2016 Ink and collage on Nepal paper 71 x 57 inches 45

KIKI S MITH Maybe We Have Everything, 2007 Ink on Nepal paper with graphite, colored pencil and glitter 80 3/4 x 108 inches

TO M SAC HS Man (Maquette), 2016 ConEd barrier, steel hardware 30 3/4 x 9 7⁄8 x 6 inches 48

MA R T I N P U RY EA R Face Down, 2008 Bronze 15 x 28 x 11 inches Edition 4 of 4 49

A D R I A NA VA R E JÃO Kindred Spirits I, 2015 Oil on canvas in three parts Each: 20 1/2 x 17 7⁄8 x 1 3⁄8 inches Courtesy the Artist and Lehmann Maupin, New York and Hong Kong 50

C HR I S J O HA NS O N Los Angeles Painting Number 1 of 2015, 2015 Acrylic on found wood 80 x 57 inches

120

SE LE CT E D PU BL IC COL L ECTIONS

MILTO N AV E RY

DAV ID BAT ES

Born in 1885, Altmar, NY Died in 1965, Woodstock, NY

Born in 1952, Dallas, TX Lives and works in Dallas, TX

Ackland Art Museum, University of North Carolina,

Art Museum of Southeast Texas, Beaumont, TX

Art Museum of South Texas, Corpus Christi, TX

Chapel Hill, NC

Addison Gallery of American Art, Phillips Academy,

Carnegie Museum of Art, Pittsburgh, PA

Columbus Museum, Columbus, GA

Andover, MA

Albrightâ&#x20AC;&#x201C;Knox Art Gallery, Buffalo, NY

Honolulu Museum of Art, Honolulu, HI

The Art Institute of Chicago, Chicago, IL

The Corcoran Gallery of Art, Washington, D.C.

The Baltimore Museum of Art, Baltimore, MD

Dallas Museum of Art, Dallas, TX

Brooklyn Museum, Brooklyn, NY

Delaware Art Museum, Wilmington, DE

The Butler Institute of American Art, Youngstown, OH

Ellen Noel Art Museum of the Permian Basin, Odessa, TX

Carnegie Museum of Art, Pittsburgh, PA

El Paso Museum of Art, El Paso, TX

The Cleveland Museum of Art, Cleveland, OH

High Museum of Art, Atlanta, GA

The Dayton Art Institute, Dayton, OH

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Fine Arts Museums of San Francisco, San Francisco, CA

J. B. Speed Museum, Louisville, KY

Fogg Museum, Harvard University, Cambridge, MA

Kemper Museum of Contemporary Art, Kansas City, MO

Hammer Museum, Los Angeles, CA

Knoxville Museum of Art, Knoxville, TN

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Meadows Museum, Dallas, TX

Memorial Art Gallery of The University of Rochester,

Memphis Brooks Museum of Art, Memphis, TN

The Metropolitan Museum of Art, New York, NY

Rochester, NY

The Metropolitan Museum of Art, New York, NY

Modern Art Museum of Fort Worth, Fort Worth, TX

Morris Museum of Art, Augusta, GA

Museum of Fine Arts, Boston, MA

Museum of Fine Arts, Houston, TX

Museum of Modern Art, New York, NY

National Gallery of Art, Washington, D.C.

Museum of the Southwest, Midland, TX

National Gallery of Australia, Canberra, Australia

National Museum of American Art, Washington, D.C.

National Portrait Gallery, Washington, D.C.

New Britain Museum of American Art, New Britain, CT

Neuberger Museum of Art, State University of New York,

New Orleans Museum of Art, New Orleans, LA

Norton Gallery of Art, West Palm Beach, FL

Purchase, NY

Newark Museum, Newark, NJ

Ogden Museum of Southern Art, New Orleans, LA

New Britain Museum of American Art, New Britain, CT

The Phillips Collection, Washington, D.C.

New York Public Library, New York, NY

Phoenix Art Museum, Phoenix, AZ

Philadelphia Museum of Art, Philadelphia, PA

San Francisco Museum of Modern Art, San Francisco, CA

The Phillips Collection, Washington, D.C.

Whitney Museum of American Art, New York, NY

Portland Art Museum, Portland, OR

Yale University Art Gallery, New Haven, CT

San Diego Museum of Art, San Diego, CA Santa Barbara Museum of Art, Santa Barbara, CA

M AX BECKM ANN

Sheldon Memorial Art Gallery & Sculpture Garden,

University of Nebraska, Lincoln, NE

Born in 1884, Leipzig, Germany Died in 1950, New York, NY

Smithsonian, Washington, D.C. Tate Gallery, London, United Kingdom Tel Aviv Museum of Art, Tel Aviv, Israel

The Art Institute of Chicago, Chicago, IL

Walker Art Center, Minneapolis, MN

Berlinische Galerie, Museum of Modern Art, Berlin, Germany

Whitney Museum of American Art, New York, NY

Kunsthaus Zurich, Zurich, Switzerland Kunstmuseum Basel, Basel, Switzerland Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY

122

Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France Museo Thyssen-Bornemisza, Madrid, Spain Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY

CH R ISTOPH ER BR OWN Born in 1951, Camp Lejeune, NC Lives and works in Berkeley, CA Berkeley Art Museum & Pacific Film Archive, University of

Neue Galerie, New York, NY

California, Berkeley, CA

San Francisco Museum of Modern Art, San Francisco, CA

Fine Arts Museums of San Francisco, San Francisco, CA

Städel Museum, Frankfurt, Germany

Grey Art Gallery, New York University, New York, NY

Tate Gallery, London, United Kingdom

Hood Museum of Art, Dartmouth College, NH Hughes Air West, Los Angeles, CA Kemper Museum of Contemporary Art, Kansas City, MO

MIC HAË L B O R R E M A N S

Krannert Art Museum, University of Illinois,

Born in 1963, Geraardsbergen, Belgium Lives and works in Ghent, Belgium

The Art Institute of Chicago, Chicago, IL

Modern Art Museum of Fort Worth, Fort Worth, TX

Dallas Museum of Art, Dallas, TX

New York Public Library, New York, NY

High Museum of Art, Atlanta, GA

Orlando Museum of Art, Orlando, FL

The Israel Museum, Jerusalem, Israel

Palm Springs Desert Art Museum, Palm Springs, CA

Musée d’Art Moderne de la Ville de Paris, Paris, France

Redding Museum, Redding, CA

Museum of Contemporary Art, Los Angeles, CA

San Francisco Museum of Modern Art, San Francisco, CA

Museum of Fine Arts, Boston, MA

San Jose Museum of Art, San Jose, CA

Museum of Modern Art, New York, NY

Santa Barbara Museum of Art, Santa Barbara, CA

National Gallery of Canada, Ottawa, Canada

Sheldon Memorial Art Gallery, Lincoln, NE

Champaign-Urbana, IL

Merrill Lynch Pierce Fenner & Smith, Inc., Los Angeles, CA The Metropolitan Museum of Art, New York, NY

San Francisco Museum of Modern Art, San Francisco, CA Stedelijk Museum voor Actuele Kunst (S.M.A.K.),

Ghent, Belgium

Walker Art Center, Minneapolis, MN

NICK CAV E Born in 1959, Fulton, MO Lives and works in Chicago, IL

C E C I LY B R OWN

The Baltimore Museum of Art, Baltimore, MD

Born in 1969, London, United Kingdom Lives and works in New York, NY

Birmingham Museum of Art, Birmingham, AL

Albright-Knox Art Gallery, Buffalo, NY

Cincinnati Art Museum, Cincinnati, OH

Deichtorhallen Hamburg, Germany

Crystal Bridges Museum of American Art, Bentonville, AR

Essel Museum Klosterneuburg, Austria

Denver Art Museum, Denver, CO

Galleria d’Arte Moderna, Torino, Italy

Des Moines Art Center, Des Moines, IA

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Detroit Institute of Arts, Detroit, MI

The Metropolitan Museum of Art, New York, NY

Fine Arts Museums of San Francisco, San Francisco, CA

Museum of Fine Arts, Boston, MA

High Museum of Art, Atlanta, GA

Museum of Modern Art, New York, NY

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

National Gallery of Art, Washington, D.C.

Indianapolis Museum of Art, Indianapolis, IN

Solomon R. Guggenheim Museum, New York, NY

Magasin III Museum & Foundation for Contemporary Art,

Tate Gallery, London, United Kingdom

Stockholm, Sweden

Whitney Museum of American Art, New York, NY

Milwaukee Art Museum, Milwaukee, WI

Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA

Minneapolis Institute of Arts, Minneapolis, MN Museum of Arts and Design, New York, NY Museum of Contemporary Art, Chicago, IL Museum of Fine Arts, Boston, MA

Museum of Fine Arts, Houston, TX

Museum of Fine Arts, Boston, MA

Museum of Modern Art, New York, NY

National Gallery of Canada, Ottawa, Canada

The Museum of Modern Art, Wakayama, Japan

The National Gallery of Victoria, Australia

National Gallery of Art, Washington, D.C.

Nelson-Atkins Museum of Art, Kansas City, MO

National Gallery of Australia, Canberra, Australia

Orlando Museum of Art, Orlando, FL

National Gallery of Canada, Ottawa, Canada

Peabody Essex Museum, Salem, MA

National Portrait Gallery, Washington, D.C.

Pennsylvania Academy of Fine Art, Philadelphia, PA

Neue Galerie, Aachen, Germany

Portland Art Museum, Portland, OR

Osaka City Museum, Osaka, Japan

Rhode Island School of Design Museum, Providence, RI

Philadelphia Museum of Art, Philadelphia, PA

Rubell Family Collection, Miami, FL

Saint Louis Art Museum, St. Louis, MO

San Francisco Museum of Modern Art, San Francisco, CA

Solomon R. Guggenheim Museum, New York, NY

School of The Art Institute of Chicago, Chicago, IL

Staatliche Museen, Berlin, Germany

Seattle Art Museum, Seattle, WA

Tate Gallery, London, United Kingdom

Trapholt Museum, Kolding, Denmark

Whitney Museum of American Art, New York, NY

Wadsworth Atheneum Museum of Art, Hartford, CT Weatherspoon Art Museum, Greensboro, NC

GEOR GE CONDO C H UC K C LO S E

Born in 1957, Concord, NH Lives and works in New York, NY

Born in 1940, Monroe, WA Lives and works in New York, NY

Albright-Knox Art Gallery, Buffalo, NY

The Corcoran Gallery of Art, Washington, D.C.

Art Gallery of Ontario, Toronto

Fonds National d’Art Contemporain, Ministère de la Culture,

Astrup Fearnley Museum of Modern Art, Oslo, Norway

The Art Institute of Chicago, Chicago, IL

Paris, France

Austin Museum of Art, Austin, TX

Fonds Regional d’Art Contemporain, Ile de France,

The Broad, Los Angeles, CA

The Cleveland Museum of Art, Cleveland, OH

Judith Rothschild Foundation, Philadelphia, PA

Crystal Bridges Museum of American Art, Bentonville, AR

Museu d’Art Contemporani, Barcelona, Spain

Essl Museum—Kunst der Gegenwart, Klosterneuburg, Austria

The Metropolitan Museum of Art, New York, NY

Hedendaagse Kunst, Utrecht, The Netherlands

Museum of Fine Arts, Houston, TX

Hiroshima City Museum of Contemporary Art, Japan

The Museum of Modern Art, New York, NY

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Norton Gallery, Palm Beach, FL

Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

The Solomon R. Guggenheim Museum, New York, NY

Kunsthaus Zurich, Zurich, Switzerland

Whitney Museum of American Art, New York, NY

Paris, France

Library of Congress, Washington, D.C. Ludwig-Forun, für Internationale Kunst, Aachen, Germany

JAM ES CR OSBY

The Metropolitan Museum of Art, New York, NY Milwaukee Art Museum, Milwaukee, WI

Born in 1974, Peekskill, NY Lives and works in Los Angeles, CA

Modern Art Museum of Fort Worth, Fort Worth, TX Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France Museum Boymans-van Beuningen, Rotterdam,

The Netherlands

Museum moderner Kunst, Palais Liechtenstein,

Vienna, Austria

Museum of Contemporary Art, Ludwig Museum

Budapest, Hungary

124

W IL L E M D E KO O N I N G Born in 1904, Rotterdam, Holland, The Netherlands Died in 1997, East Hampton, NY

Modern Art Museum of Fort Worth, Fort Worth, TX Moderna Museet, Stockholm, Sweden Musee National d’Art Moderne, Centre Georges Pompidou, Paris, France

Ackland Art Museum, Chapel Hill, NC

Museo Thyssen-Bornemisza, Madrid, Spain

Allen Memorial Art Museum, Oberlin College, Oberlin, OH

Museum Boijmans Van Beuningen, Rotterdam,

Arkansas Arts Center, Little Rock, AK

Art Gallery of Ontario, Toronto, Canada

Museum Frieder Burda, Baden-Baden, Germany

The Art Institute of Chicago, Chicago, IL

Museum Ludwig, Cologne, Germany

The Baltimore Museum of Art, Baltimore, MD

Museum of Contemporary Art Chicago, Chicago, IL

The British Museum, London, United Kingdom

Museum of Contemporary Art, Los Angeles, CA

Brooklyn Museum, Brooklyn, NY

Museum of Contemporary Art, Tokyo, Japan

The Butler Institute of American Art, Youngstown, OH

Museum of Fine Arts, Boston, MA

Carnegie Museum of Art, Pittsburgh, PA

Museum of Fine Arts, Houston, TX

Castellani Museum of Niagara University, NY

Museum of Modern Art, New York, NY

The Cleveland Museum of Art, Cleveland, OH

Museum of Moderner Kunst Stiftung Ludwig, Vienna, Austria

Cranbrook Art Museum, Bloomfield Hills, MI

National Gallery of Art, Washington, D.C.

Dallas Museum of Art, Dallas, TX

National Gallery of Australia, Canberra, Australia

Dayton Art Institute, Dayton, OH

National Gallery of Canada, Ottawa, Canada

Detroit Institute of Arts, Detroit, MI

The National Museum of Art, Osaka, Japan

Fine Arts Museums of San Francisco, San Francisco, CA

Nelson-Atkins Museum of Art, Kansas City, MO

Fogg Museum, Harvard University, Cambridge, MA

Neuberger Museum of Art, State University of New York,

Fundación Juan March, Madrid, Spain

Grand Rapids Art Museum, Grand Rapids, MI

Ohara Museum of Art, Kurashiki, Japan

Guggenheim Museum Bilbao, Bilbao, Spain

The Parrish Art Museum, Water Mill, NY

Guild Hall Museum, East Hampton, NY

Peggy Guggenheim Collection, Venice, Italy

Hammer Museum, Los Angeles, CA

Philadelphia Museum of Art, Philadelphia, PA

Herbert F. Johnson Museum of Art, Cornell University,

Pinakothek der Moderne, Munich, Germany

Queensland Art Gallery, South Brisbane, Australia

Ithaca, NY

The Netherlands

Purchase, NY

High Museum of Art, Atlanta, GA

The Rose Art Museum, Brandeis University, Waltham, MA

Hiroshima City Museum of Contemporary Art,

Saint Louis Art Museum, St. Louis, MO

San Francisco Museum of Modern Art, San Francisco, CA

Hiroshima, Japan

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

San Jose Museum of Art, San Jose, CA

Ho-Am Art Museum, Yongin, South Korea

Seattle Art Museum, Seattle, WA

Hood Museum of Art, Dartmouth College, Hanover, NH

Smithsonian, Washington, D.C.

Hunter Museum of American Art, Chattanooga, TN

Solomon R. Guggenheim Museum, New York, NY

Ikeda Museum of Twentieth Century Art, Ito-shi, Japan

Staatliche Graphische Sammlung, Munich, Germany

Iris & B. Gerald Cantor Center for Visual Arts at Stanford

Staatsgalerie Stuttgart, Stuttgart, Germany

Stedelijk Museum, Amsterdam, The Netherlands

University, Stanford, CA

The Israel Museum, Jerusalem, Israel

Tate Gallery, London, United Kingdom

John Hopkins University, Baltimore, MD

Tehran Museum of Contemporary Art, Tehran, Iran

Kemper Museum of Contemporary Art, Kansas City, MO

Toledo Museum of Art, Toledo, OH

Kunsthalle Bielefeld, Bielefeld, Germany

Virginia Museum of Fine Arts, Richmond, VA

Kunstmuseum Liechtenstein, Vaduz, Liechtenstein

Wadsworth Atheneum Museum of Art, Hartford, CT

Leeum Samsung Museum of Art, Seoul, South Korea

Weatherspoon Art Museum, University of North Carolina

Los Angeles County Museum of Art, Los Angeles, CA

McNay Art Museum, San Antonio, TX

Whitney Museum of American Art, New York, NY

The Metropolitan Museum of Art, New York, NY Milwaukee Art Museum, Milwaukee, WI Minneapolis Institute of Arts, Minneapolis, MN

Greensboro, Greensboro, NC

RIC HARD D I E BE N KO R N

Dallas Museum of Art, Dallas, TX de la Cruz Collection, Miami, FL

Born in 1922, Portland, OR Died in 1993, Berkeley, CA

Deutsche Bank, Frankfurt, Germany Goetz Collection, Munich, Germany

Albright-Knox Art Gallery, Buffalo, NY

Kunsthalle zu Kiel, Germany

Anderson Collection, Stanford University, Stanford, CA

Los Angeles County Museum of Art, Los Angeles, CA

Art Gallery of Ontario, Toronto, Canada

Musée National d’Art Moderne, Centre Georges Pompidou,

The Art Institute of Chicago, Chicago, IL

Paris, France

The Baltimore Museum of Art, Baltimore, MD

Museum of Contemporary Art, Los Angeles, CA

The Broad, Los Angeles, CA

Museum of Modern Art, New York, NY

Brooklyn Museum, Brooklyn, NY

National Gallery of Canada, Ottawa, Canada

Chrysler Museum of Art, Norfolk, VA

Philadelphia Museum, Philadelphia, PA

Crocker Art Museum, Sacramento, CA

Pinakothek der Moderne, Munich, Germany

Dallas Museum of Art, Dallas, TX

Provinzial Versicherung, Düsseldorf, Germany

Fine Arts Museums of San Francisco, San Francisco, CA

Rubell Family Collection, Miami, FL

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Saatchi Collection, London, United Kingdom

Honolulu Museum of Art, Honolulu, HA

Sammlung Olbricht, Duisburg, Germany

Iris & B. Gerald Cantor Center for Visual Arts at Stanford

Southampton City Art Gallery, Southampton, United Kingdom

Tate Gallery, London, United Kingdom

University, Stanford, CA

Walker Art Gallery, Liverpool, United Kingdom

Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Modern Art Museum of Fort Worth, Fort Worth, TX Museum of Contemporary Art, Los Angeles, CA

L UCIAN FR EUD

Museum of Fine Arts, Boston, MA

Born in 1922, Berlin, Germany Died in 2011, London, United Kingdom

Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY National Gallery of Art, Washington, D.C.

The Art Institute of Chicago, Chicago, IL

Nelson-Atkins Museum of Art, Kansas City, MO

Arts Council Collection, Southbank Centre, London,

Norton Simon Museum, Pasadena, CA

Oakland Museum of California, Oakland, CA

Ashmolean Museum, Oxford, United Kingdom

Philadelphia Museum of Art, Philadelphia, PA

British Council Collection

The Phillips Collection, Washington, D.C.

The British Museum, London, United Kingdom

San Francisco Museum of Modern Art, San Francisco, CA

Carnegie Museum of Art, Pittsburgh, PA

Seattle Museum of Art, Seattle, WA

The Cleveland Museum of Art, Cleveland, OH

Solomon R. Guggenheim Museum, New York, NY

Fine Arts Museums of San Francisco, San Francisco, CA

Walker Art Center, Minneapolis, MN

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Whitney Museum of American Art, New York, NY

Irish Museum of Modern Art, Dublin, Ireland

United Kingdom

The Metropolitan Museum of Art, New York, NY Musée National d’Art Moderne, Centre Georges Pompidou,

PETER DOIG

Paris, France Museum für Gegensartkunst, Siegen, Germany

Born in 1959, Edinburgh, United Kingdom Lives and works in Trinidad and New York, NY

Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY

The Art Institute of Chicago, Chicago, IL

Museo Thyssen-Bornemisza, Madrid, Spain

Arts Council Collection, London, United Kingdom

National Gallery of Australia, Canberra, Australia

Bonnefanten Museum, The Netherlands

National Portrait Gallery, London, United Kingdom

British Council Collection

Queensland Art Gallery, Brisbane, Australia

The British Museum, London, United Kingdom

Royal College of Art, London, United Kingdom

Carnegie Museum of Art, Pittsburgh, PA

Saint Louis Art Museum, St. Louis, MO

César and Mima Reyes, Puerto Rico

126

The Scheringa Museum for Realism, North Holland,

San Francisco Museum of Modern Art, San Francisco, CA

Seattle Art Museum, Seattle, WA

The Netherlands

Scottish National Galleries of Art, Scottish National Gallery

Smith College Museum of Art, Northampton, MA

The Solomon R. Guggenheim Museum, New York, NY

of Modern Art, Edinburgh, United Kingdom

Tate Gallery, London, United Kingdom

Staatliche Graphische Sammlung, Munich Germany

Walker Art Gallery, Liverpool, United Kingdom

Stedelijk Museum, Amsterdam, The Netherlands

Victoria and Albert Museum, London, United Kingdom

Tate Gallery, London, United Kingdom Tehran Museum of Contemporary Art, Tehran, Iran University of Arizona, Museum of Art, Tucson, AZ

AL B ERTO GI AC O M E T T I Born in 1901, Borgonovo, Switzerland Died in 1966, Chur, Switzerland Albertina, Vienna, Austria Albright-Knox Art Gallery, Buffalo, NY Arkansas Art Center, Little Rock, AR The Art Institute of Chicago, Chicago, IL

Walker Art Center, Minneapolis, MN Yale University Art Gallery, New Haven, CT

ANTONY GOR M L EY Born in 1950, London, United Kingdom Lives and works in London, United Kingdom

Bechtler Museum of Modern Art, Charlotte, SC

Arken Museum of Modern Art, Denmark

Berggruen Museum, Berlin, Germany

Ashmolean Museum, Oxford, United Kingdom

Bibliothèque Nationale de France, Paris, France

Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway

Carnegie Institute, Pittsburgh, PA

The British Museum, London, United Kingdom

Dallas Museum of Art, Dallas, TX

deCordova Sculpture Park & Museum, Lincoln, MA

Fogg Museum, Harvard University, Cambridge, MA

Denver Art Museum, Denver, CO

Galleria Nazionale d’Arte Moderna, Rome, Italy

Frederik Meijer Gardens and Sculpture Park,

Gemeente Museum, Amsterdam, The Netherlands

High Museum of Art, Atlanta, GA

Fundação Berardo, Sintra, Portugal

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Fundação Calouste Gulbenkian, Lisbon, Portugal

The Israel Museum, Jerusalem, Israel

Galleria de Arte Moderna, Turin, Italy

Los Angeles County Museum of Art, Los Angeles, CA

Gemeentemuseum Den Haag, The Netherlands

The Menil Collection, Houston, TX

Guangdong Museum of Contemporary Art, Guangzhou, China

The Metropolitan Museum of Art, New York, NY

The Hakone Open-Air Museum, Japan

Moderna Museet, Stockholm, Sweden

HEART Herning Museum of Contemporary Art, Denmark

Musée National d’Art Moderne, Centre Georges Pompidou,

Henry Moore Foundation, Leeds, United Kingdom

Paris, France

Irish Museum of Modern Art, Dublin, Ireland

Museo Botero, Bogotá, Colombia

The Israel Museum, Jerusalem, Israel

Museo Thyssen-Bornemisza, Madrid, Spain

Iwaki City Art Museum, Fukushima, Japan

Museu de Arte Moderna, Rio de Janeiro, Brazil

Kirishima Sculpture Park, Japan

Museum of Fine Arts, Boston, MA

Koriyama City Museum of Art, Japan

Museum of Modern Art, New York, NY

Kunsthalle Bremen, Germany

Nasher Sculpture Center, Dallas, TX

Kunsthalle zu Kiel, Germany

National Galleries of Scotland, Edinburgh, United Kingdom

Kyung-Mee Park, PKM, South Korea

National Gallery of Art, Washington, D.C.

Lhoist Collection, Brussels, Belgium

Nelson-Atkins Museum of Art, Kansas City, MO

Louisiana Museum, Humblebaek, Denmark

New Orleans Museum of Art, New Orleans, LA

Malmo Konsthall, Malmo, Sweden

North Carolina Museum of Art, Raleigh, NC

Middelheim Museum, Antwerp, Belgium

Palm Springs Art Museum, Palm Springs, CA

Moderna Museet, Stockholm, Sweden

Peggy Guggenheim Collection, Venice, Italy

Montreal Musée des Beaux Arts, Canada

Philadelphia Museum of Art, Philadelphia, PA

Musée d’Art Classique de Mougins, France

The Phillips Collection, Washington, D.C.

Musée National d’Art Moderne, Centre Georges Pompidou,

Saint Louis Art Museum, St. Louis, MO

Paris, France

Grand Rapids, MI

Museet for Samtidskunst, Oslo, Norway

The Phillips Collection, Washington, D.C.

Museo de Arte Contemporaneo, Monterrey, Mexico

San Francisco Museum of Modern Art, San Francisco, CA

Museum of Contemporary Art, Los Angeles, CA

Smithsonian, Washington, D.C.

Museum of Contemporary Art, San Diego, CA

Toledo Museum of Art, Toledo, OH

Museum of Modern Art, Fort Worth, TX

Walker Art Center, Minneapolis, MN

Museum of Modern Art, Vienna, Austria

Whitney Museum of American Art, New York, NY

Museum Würth, Künzelsau, Germany

Yale University Art Gallery, New Haven, CT

Nagoya City Art Museum, Nagoya, Japan Nasher Sculpture Center, Dallas, TX

CH R IS J OH ANSON

National Gallery of Victoria, Melbourne, Australia The National Museum of Modern Art, Tokyo, Japan

Born in 1968, San Jose, CA Lives and works in Los Angeles, CA

Neue Galerie, Museumslandschaft Hessen Kassel,

Kassel, Germany

Phoenix Art Museum, Phoenix, AZ

Evn Sammlung, Maria Enzersdorf, Austria

Pinchuk Art Centre, Kiev, Ukraine

Fine Arts Museums of San Francisco, San Francisco, CA

Rupertinum Museum Moderne Kunst, Salzburg, Austria

Hammer Museum, Los Angeles, CA

Sammlung Essl, Klosterneuburg, Austria

Henry Art Gallery, University of Washington, Seattle, WA

San Francisco Museum of Modern Art, San Francisco, CA

Louisiana Museum of Modern Art, Humlebæk, Denmark

Sapporo Sculpture Park, Hokkaido, Japan

Museum of Contemporary Art, Chicago, IL

Scottish National Gallery of Modern Art, Edinburgh,

Nelson Gallery, University of California, Davis, CA

New Museum of Contemporary Art, New York, NY

United Kingdom

State Hermitage Museum, St. Petersburg, Russia

Oakland Museum of California, Oakland, CA

Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany

San Francisco Museum of Modern Art, San Francisco, CA

Takaoka Art Museum, Toyama, Japan

Schunck Collection, Heerlen, The Netherlands

Tate Gallery, London, United Kingdom

Whitney Museum of American Art, New York, NY

Taubman Museum of Art, Roanoke, VA Tokushima Art Museum, Japan Umedalen Sculpture Foundation, Umea, Sweden

AL EX KAT Z

Wakayama Prefectoral Museum, Japan

Born in 1927, Brooklyn, NY Lives and works in New York, NY

Weltkunst Foundation, Zurich, Switzerland

Albright-Knox Gallery, Buffalo, NY

E DWARD H O PPE R

The Art Institute of Chicago, Chicago, IL

Born in 1882, Upper Nyack, NY Died in 1967, New York, NY

Bayerische Staatsbibliothek Moderne Kunst, Munich, Germany

The Art Institute of Chicago, Chicago, IL

Graphische Sammlung Albertina, Vienna, Austria

Carnegie Institute, Pittsburgh, PA

Guggenheim Museum, Bilbao, Spain

Columbus Museum, Columbus, GA

The Israel Museum, Jerusalem, Israel

Dallas Museum of Art, Dallas, TX

Los Angeles County Museum of Art, Los Angeles, CA

Des Moines Art Center, Des Moines, IA

The Metropolitan Museum of Art, New York, NY

Fine Arts Museums of San Francisco, San Francisco, CA

Metropolitan Museum of Art, Tokyo, Japan

Iris & B. Gerald Cantor Center for Visual Arts at Stanford

Modern Art Museum of Fort Worth, Fort Worth, TX

Musée National d’Art Moderne, Centre Georges Pompidou,

Colby College Museum of Art, Waterville, ME Detroit Institute of Arts, Detroit, MI

University, Stanford, CA

The Metropolitan Museum of Art, New York, NY

Paris, France

Museo Thyssen-Bornemisza, Madrid, Spain

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

Museum of Fine Arts, Boston, MA

Museo Rufino Tamayo, Mexico City, Mexico

Museum of Modern Art, New York, NY

Museum Moderner Kunst, Vienna, Austria

National Gallery of Art, Washington, D.C.

Museum of Fine Arts, Boston, MA

Philadelphia Museum of Art, Philadelphia, PA

Museum of Modern Art, New York, NY

128

National Gallery of Art, Washington, D.C.

Nasher Sculpture Center, Dallas, TX

National Gallery of Scotland, Edinburgh, United Kingdom

National Gallery of Art, Washington, D.C.

Nelson-Atkins Museum of Art, Kansas City, MO

New Museum of Contemporary Art, New York, NY

Philadelphia Museum of Art, Philadelphia, PA

Niigata Prefectural Museum of Modern Art, Nagaoka, Japan

Portland Art Museum, Portland, OR

Norton Simon Museum, Pasadena, CA

Smithsonian, Washington, D.C.

Osaka Maritime Museum, Osaka, Japan

Tate Gallery, London, United Kingdom

Philadelphia Museum of Art, Philadelphia, PA

Whitney Museum of American Art, New York, NY

Rhode Island School of Design Museum, Providence, RI San Francisco Museum of Modern Art, San Francisco, CA Scottish National Gallery of Modern Art, Edinburgh, Scotland

ROY LICHTENSTEIN Born in 1923, New York, NY Died 1997, New York, NY

Seattle Art Museum, Seattle, WA Seibu Art Museum, Tokyo, Japan Solomon R. Guggenheim Museum, New York, NY State Museum of Russia, St. Petersburg, Russia

The Art Institute of Chicago, Chicago, IL

Stiftung Sammlung Marx (Hamburger Bahnhof ),

The Berardo Collection, Lisbon, Portugal

Cranbrook Art Museum, Bloomfield Hills, MI

Stuttgarter Staatsgalerie, Stuttgart, Germany

Des Moines Art Center, Des Moines, IA

Tate Gallery, London, United Kingdom

Fogg Museum, Harvard University, Cambridge, MA

Tel Aviv Museum of Art, Tel Aviv, Israel

Fondation Beyeler, Basel, Switzerland

The Thyssen-Bornemisza Collection, Madrid, Spain

Gori Collection, Pistoia, Italy

Whitney Museum of American Art, New York, NY

Hansol Sculpture Museum, Seoul, Korea

Yale University Art Gallery, New Haven, CT

Berlin, Germany

Hirshhorn Museum and Sculpture Garden, Washington, D.C. Kunsthaus Zürich, Zürich, Switzerland Kunstmuseum, St. Gallen, Switzerland

H ENR I M AT ISSE

Kunstmuseum Basel, Basel, Switzerland

Born in 1869, Le Cateau-Cambrésis, France Died in 1954, Nice, France

Kunstmuseum Liechtenstein, Vaduz, Liechtenstein Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany Louisiana Museum of Modern Art, Humlebæk, Denmark

Albright-Knox Gallery, Buffalo, NY

Lowe Art Museum, University of Miami, Miami, FL

The Art Institute of Chicago, Chicago, IL

Ludwig Forum für Internationale Kunst Aachen,

The Baltimore Museum of Art, Baltimore, MD

The Barnes Foundation, Merion, PA

Aachen, Germany

The Metropolitan Museum of Art, New York, NY

Dallas Museum of Art, Dallas, TX

Modern Art Museum of Fort Worth, Fort Worth, TX

Detroit Institute of Arts, Detroit, MI

Moderna Museet, Stockholm, Sweden

Fine Arts Museums of San Francisco, San Francisco, CA

Musée d’Art Contemporain de Montréal, Montréal, Canada

Hermitage Museum, St. Petersburg, Russia

Museo d’Arte Contemporanea (MADRE), Naples, Italy

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Museum Boymans-van-Beuningen, Rotterdam,

Kunstmuseum Basel, Basel, Switzerland

The Metropolitan Museum of Art, New York, NY

The Netherlands

Museum für Moderne Kunst, Frankfurt, Germany

Musée de Grenoble, Grenoble, France

Museum Ludwig, Budapest, Hungary

Musée d’Orsay, Paris, France

Museum Ludwig, Cologne, Germany

Musée Matisse, Nice, France

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Musée National d’Art Moderne, Centre Georges Pompidou,

Museum of Contemporary Art, Los Angeles, CA

Paris, France

Museum of Contemporary Art, San Diego, CA

Museum of Fine Arts, Boston, MA

Museum of Contemporary Art, Tehran, Iran

Museum of Fine Arts, Houston, TX

Museum of Contemporary Art, Tokyo, Japan

Museum of Modern Art, New York, NY

Museum of Fine Arts, Boston, MA

Nasher Sculpture Center, Dallas, TX

Museum of Modern Art, New York, NY

National Galleries of Scotland, Edinburgh, United Kingdom

Museum Wuerth, Kuenzelsau, Germany

The National Gallery, London, United Kingdom

Louisiana Museum of Modern Art, Humlebaek, Denmark

National Gallery of Art, Washington, D.C.

Middleheim Open Air Sculpture Museum, Antwerp, Belgium

National Gallery of Australia, Canberra, Australia

Musee Royaux des Beaux Arts, Brussels, Belgium

National Gallery of Canada, Ottawa, Canada

Musées D’art et D’histoire, Geneva, Switzerland

National Gallery of Denmark, Copenhagen, Denmark

Museum Ludwig, Cologne, Germany

Norton Simon Museum, Pasadena, CA

National Gallery for Foreign Art, Sofia, Bulgaria

The Phillips Collection, Washington, D.C.

National Museum of Contemporary Art, Bucharest, Romania

Royal Museum of Fine Arts, Copenhagen, Denmark

Northampton Central Museum and Art Gallery, Northampton,

Saint Louis Art Museum, St. Louis, MO

United Kingdom

San Francisco Museum of Modern Art, San Francisco, CA

Parque de los pueblos de Europa, Guernica, Spain

Solomon R. Guggenheim Museum, New York, NY

Peggy Guggenheim Collection, Venice, Italy

Tate Gallery, London, United Kingdom

Piazza San Marco, Prato, Italy Pinakothek der Moderne, Munich, Germany Rijksmuseum Kröller-Müller Museum, Otterlo,

B A RRY MC GE E

The Netherlands

Sara Hildén Art Museum, Tampere, Finland

Born in 1966, San Francisco, CA Lives and works in San Francisco, CA

Scottish National Gallery of Modern Art, Edinburgh,

United Kingdom

Berkeley Art Museum & Pacific Film Archive, University of

Stedelijk Museum, Amsterdam, The Netherlands

California, Berkeley, CA

Tel Aviv Museum of Art, Tel Aviv, Israel

Fondazione Prada, Venice, Italy

Tiergarten, Berlin, Germany

Iris & B. Gerald Cantor Center for Visual Arts at

Yorkshire Sculpture Park, Wakefield, United Kingdom

Stanford University, Stanford, CA

Museum of Modern Art, New York, NY

NAT H AN OL IV EIR A

The New Art Gallery, Walsall, United Kingdom San Francisco Museum of Modern Art, San Francisco, CA

Born in 1928, Oakland, CA Died in 2010, Stanford, CA

Walker Art Center, Minneapolis, MN

Academy of Art, Honolulu, HI

H E N RY MO O R E

Aldrich Museum of Contemporary Art, Ridgefield, CT The Art Institute of Chicago, Chicago, IL

Born in 1898, Castleford, United Kingdom Died 1986, Much Hadham, United Kingdom

Bibliotheque Nationale, Paris, France Brooklyn Museum, Brooklyn, NY

Abingdon Street Gardens, London, United Kingdom

Butler Institute of American Art, Youngstown, OH

Art Gallery of Ontario, Toronto, Canada

The Carnegie Institute, Pittsburgh, PA

Calouste Gulbenkian Foundation Modern Collection,

The Contemporary Museum, Honolulu, HI

Dallas Museum of Art, Dallas, TX

Lisbon, Portugal

Centro de Arte Reina Sofia, Madrid, Spain

De Saisset Museum, University of Santa Clara, CA

The F. Hoffmann-La Roche Foundation, Basel, Switzerland

Detroit Institute of Arts, Detroit, MI

The Fitzwilliam Museum, Cambridge, United Kingdom

Fine Arts Museums of San Francisco, San Francisco, CA

Foundation Pierre Gianadda, Martigny, Switzerland

Heckscher Museum, Huntington, NY

Galleria Nazionale d’Arte Moderna, Rome, Italy

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Germeente Museum, The Hague, The Netherlands

Herbert F. Johnson Museum of Art, Cornell University,

Henie-Onstad Kunstsenter, Hovikodden Norway

Henry Moore Studios and Gardens, Much Hadham,

Kemper Museum of Contemporary Art, Kansas City, MO

The Metropolitan Museum of Art, New York, NY

United Kingdom

Ithaca, NY

The Israel Museum, Jerusalem, Israel

Museum of Fine Arts, Boston, MA

The J. Paul Getty Museum, Los Angeles, CA

Museum of Modern Art, New York, NY

Karlskirche, Vienna, Austria

National Collection Australia, Melbourne, Australia

Lehmbruck Museum, Duisburg, Germany

130

National Collection of Fine Arts, Johnson Wax Collection,

San Francisco Museum of Modern Art, San Francisco, CA

Washington, D.C.

Santa Barbara Museum of Art, Santa Barbara, CA

Neuberger Museum of Art, State University of New York,

Sheldon Memorial Art Gallery, University of Nebraska,

Purchase, NY

Lincoln, NE

Norton Simon Museum, Pasadena, CA

Smithsonian, Washington, D.C.

Oakland Museum of California, Oakland, CA

University of New Mexico Art Museum, University of

Orange County Museum of Art, Orange County, CA

Palm Springs Desert Museum, Palm Springs, CA

Whitney Museum of American Art, New York, NY

Philadelphia Museum of Art, Philadelphia, PA

Williams College Museum of Art, Williamstown, VA

New Mexico, Albuquerque, NM

Portland Art Museum, Portland, OR San Antonio Museum Association, San Antonio, TX San Diego Museum of Contemporary Art, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA Schenectady Museum of Art, Schenectady, NY Smithsonian, Washington, D.C.

EL IZABET H PEY TON Born in 1965, Danbury, CT Lives and works in New York, NY

Solomon R. Guggenheim Museum, New York, NY

Kunstmuseum, Wolfsburg, Germany

Saint Louis Art Museum, St. Louis, MO

Musée National d’Art Moderne, Centre Georges Pompidou,

Tate Gallery, London, United Kingdom

Paris, France

Whitney Museum of American Art, New York, NY

Museum für Gegenwartskunst, Basel, Switzerland

Wichita Museum of Art, Wichita, KS

Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY San Francisco Museum of Modern Art, San Francisco, CA

DAVI D PA R K Born in 1911, Boston, MA Died in 1960, Berkeley, CA

Seattle Art Museum, Seattle, WA Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY

Ackland Art Museum, University of North Carolina,

Chapel Hill, NC

Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA The Chrysler Museum, Norfolk, VA

FR ANCIS PICABIA Born in 1879, Paris, France Died in 1953, Paris, France

The Corcoran Gallery of Art, Washington, D.C.

The Art Institute of Chicago, Chicago, IL

Crocker Art Museum, Sacramento, CA

The Israel Museum, Jerusalem, Israel

di Rosa Preserve: Art & Nature, Napa, CA

The Metropolitan Museum of Art, New York, NY

Fine Arts Museums of San Francisco, San Francisco, CA

Musée National d’Art Moderne, Centre Georges Pompidou,

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Paris, France

Hunter Museum of American Art, Chattanooga, TN

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

Iris & B. Gerald Cantor Center for Visual Arts at Stanford

Museum Boijmans Van Beuningen, Rotterdam,

University, Stanford, CA

Krannert Art Museum, University of Illinois,

Museum de Fundatie, Zwolle, The Netherlands

Museum of Modern Art, New York, NY

Urbana-Champaign, IL

The Netherlands

Lowe Art Museum, University of Miami, Coral Gables, FL

Peggy Guggenheim Collection, Venice, Italy

The Metropolitan Museum of Art, New York, NY

Philadelphia Museum of Art, Philadelphia, PA

Museum of Fine Arts, Boston, MA

Seattle Museum of Art, Seattle, WA

Museum of Modern Art, New York, NY

Solomon R. Guggenheim Museum, New York, NY

Newport Harbor Art Museum, Newport Beach, CA

Tate Gallery, London, United Kingdom

Oakland Museum of California, Oakland, CA Palmer Museum of Art, Pennsylvania State University,

University Park, PA

Portland Art Museum, Portland, OR

PAB LO PI CAS S O

GER H AR D R ICH T ER

Born in 1881, Málaga, Spain Died in 1973, Mougins, France

Born in 1932, Dresden, Germany Lives and works in Cologne, Germany

The Art Institute of Chicago, Chicago, IL

The Israel Museum, Jerusalem, Israel

Dallas Museum of Art, Dallas, TX

The Metropolitan Museum of Art, New York, NY

Guggenheim Museum, Bilbao, Spain

Musée National d’Art Moderne, Centre Georges Pompidou,

The Israel Museum, Jerusalem, Israel

Paris, France

Los Angeles County Museum of Art, Los Angeles, CA

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

The Metropolitan Museum of Art, New York, NY

Museum Boijmans Van Beuningen, Rotterdam,

Moderna Museet, Stockholm, Sweden

Museum Frieder Burda, Baden-Baden, Germany

The Netherlands

Museum de Fundatie, Zwolle, The Netherlands

Musée National d’Art Moderne, Centre Georges Pompidou,

Museum of Modern Art, New York, NY

Paris, France

Peggy Guggenheim Collection, Venice, Italy

Museum of Modern Art, New York, NY

Philadelphia Museum of Art, Philadelphia, PA

National Gallery of Art, Washington, D.C.

Seattle Museum of Art, Seattle, WA

National Gallery of Victoria in Melbourne, Australia

Solomon R. Guggenheim Museum, New York, NY

Neue Galerie, Museumslandschaft Hessen Kassel,

Tate Gallery, London, United Kingdom

Kassel, Germany

Osaka City Museum of Modern Art, Osaka, Japan Philadelphia Museum of Art, Philadelphia, PA

MART I N PURY E A R

San Francisco Museum of Modern Art, San Francisco, CA Solomon R. Guggenheim Museum, New York, NY

Born in 1941, Washington, D.C. Lives and works in the Hudson Valley region, NY

Stedelijk Museum voor Actuele Kunst, Ghent, Belgium Tate Gallery, London, United Kingdom Tel Aviv Museum of Art, Tel Aviv, Israel

The Art Institute of Chicago, Chicago, IL The Cleveland Museum of Art, Cleveland, OH Dallas Museum of Art, Dallas, TX

TOM SACH S

FAI, Villa Menafolgio Litta Panza, Biuma, Italy Fonds national d’art contemporain (FNAC), Paris, France

Born in 1966, New York, NY Lives and works in New York, NY

Hirshhorn Museum and Sculpture Garden, Washington, D.C. The J. Paul Getty Museum, Los Angeles, CA The Metropolitan Museum of Art, New York, NY

Albright-Knox Art Gallery, Buffalo, NY

Milwaukee Art Museum, Milwaukee, WI

The Art Institute of Chicago, Chicago, IL

Modern Art Museum of Fort Worth, Fort Worth, TX

Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway

Museum of Contemporary Art, Chicago, IL

Berkeley Art Museum & Pacific Film Archive, University of

Museum of Contemporary Art, Los Angeles, CA

California, Berkeley, CA

Museum of Modern Art, New York, NY

Bibliothèque Nationale de France, Paris, France

National Gallery of Art, Washington, D.C.

Crystal Bridges Museum of American Art, Bentonville, AR

Nelson-Atkins Museum of Art, Kansas City, MO

Ellipse Foundation, Contemporary Art Collection Arte Centre,

Philadelphia Museum of Art, Philadelphia, PA

Cascais, Portugal

San Francisco Museum of Modern Art, San Francisco, CA

Fondazione Prada, Milan, Italy

Seattle Art Museum, Seattle, WA

Hammer Museum, Los Angeles, CA

Smithsonian, Washington, D.C.

The J. Paul Getty Museum, Los Angeles, CA

Solomon R. Guggenheim Museum, New York, NY

Jewish Museum, New York, NY

Studio Museum in Harlem, New York, NY

Kunstmuseum Liechtenstein Collection, Liechtenstein

Tokyo International Forum, Tokyo, Japan

Los Angeles County Museum of Art, Los Angeles, CA

Walker Art Center, Minneapolis, MN

Maramotti Collection, Reggio Emilia, Italy

Whitney Museum of American Art, New York, NY

The Metropolitan Museum of Art, New York, NY Montblanc Art Collection, Hamburg, Germany

132

Musée National d’Art Moderne, Centre Georges Pompidou,

Moderna Museet, Stockholm, Sweden

Paris, France

The Morgan Library and Museum, New York, NY

Museum of Modern Art, New York, NY

Museum of Contemporary Art, Chicago, IL

Schauwerk Sindelfingen, Sindelfingen, Germany

Museum of Contemporary Art, Los Angeles, CA

San Francisco Museum of Modern Art, San Francisco, CA

Museum of Fine Arts, Boston, MA

Smithsonian, Washington, D.C.

Museum of Modern Art, Friuli, Italy

Solomon R. Guggenheim Museum, New York, NY

Museum of Modern Art, New York, NY

Vanhaerents Collection, Brussels, Belgium

Nasher Sculpture Center, Dallas, TX

Whitney Museum of American Art, New York, NY

National Gallery of Art, Washington, D.C. National Gallery of Australia, Canberra, Australia Nelson-Atkins Museum of Art, Kansas City, MO

J E N N Y SAV I L L E Born in 1970, Cambridge, United Kingdom Lives and works in Oxford, United Kingdom

Philadelphia Museum of Art, Philadelphia, PA Stedelijk Museum, Amsterdam, The Netherlands Storm King Art Center, New Windsor, NY Tate Gallery, London, United Kingdom

The Broad, Los Angeles, CA

United States Holocaust Memorial Museum,

The Metropolitan Museum of Art, New York, NY

Museum of Contemporary Art, San Diego, CA

Walker Art Center, Minneapolis, MN

Saatchi Collection, London, United Kingdom

Whitney Museum of American Art, NY

J OE L S H A PI R O

K IKI SM IT H

Born in 1941, New York, NY Lives and works in New York, NY

Born in 1954, Nuremberg, Germany Lives and works in New York, NY

Albright-Knox Art Gallery, Buffalo, NY

Art Gallery of Ontario, Toronto

The Art Institute of Chicago, Chicago, IL

Bonner Kunstverein, Bonn, Germany

BILBAO Ría 2000, Lasesarre Park, Barakaldo, Spain

Brooklyn Museum, Brooklyn, NY

The British Museum, London, United Kingdom

The Cleveland Museum of Art, Cleveland, OH

Brooklyn Museum, Brooklyn, NY

Contemporary Art Museum, Honolulu, HI

Musée National d’Art Moderne, Centre Georges Pompidou,

The Corcoran Gallery of Art, Washington, D.C.

Paris, France

Detroit Institute of Arts, Detroit, MI

The Corcoran Gallery of Art, Washington, D.C.

Fine Arts Museums of San Francisco, San Francisco, CA

Dallas Museum of Art, Dallas, TX

Irish Museum of Modern Art, Dublin, Ireland

Detroit Institute of Arts, Detroit, MI

The Israel Museum, Jerusalem, Israel

Fine Arts Museums of San Francisco, San Francisco, CA

LaM, Lille Métropole Musée d’art moderne, d’art

The J. Paul Getty Museum, Los Angeles, CA

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Long Museum, Shanghai, China

International Sculpture Collection Rotterdam,

Los Angeles County Museum of Art, Los Angeles, CA

Louisiana Museum of Modern Art, Humlebæk, Denmark

The Netherlands

Washington, D.C.

contemporain et d’art brut, Villeneuve-d’Ascq, France

The Israel Museum, Jerusalem, Israel

The Metropolitan Museum of Art, New York, NY

Kawamura Memorial Museum of Art, Chiba, Japan

Milwaukee Art Museum, Milwaukee, WI

Kiasma Museum of Contemporary Art, Helsinki, Finland

Moderna Museet, Stockholm, Sweden

Kunsthaus Zürich, Zurich, Switzerland

Musée départemental d’art contemporain de

Los Angeles County Museum of Art, Los Angeles, CA

Louisiana Museum for Moderne Kunst, Humlebaek, Denmark

Museum of Contemporary Art, Los Angeles, CA

The Menil Collection, Houston, TX

Museum of Contemporary Art, San Diego, CA

The Metropolitan Museum of Art, New York, NY

Museum of Fine Arts, Boston, MA

Modern Art Museum of Fort Worth, Fort Worth, TX

Museum Folkwang, Essen, Germany

Rochechouart, France

Museum of Modern Art, New York, NY

Richard L. Nelson Gallery and Fine Arts Collection,

National Gallery of Art, Washington, D.C.

National Museum of Art, Osaka, Japan

San Antonio Museum of Art, San Antonio, TX

National Museum of Contemporary Art, Gwacheon,

San Diego Museum of Art, San Diego, CA

San Francisco Museum of Modern Art, San Francisco, CA

South Korea

University of California, Davis, CA

Pérez Art Museum Miami, Miami, FL

San Jose Museum of Art, San Jose, CA

Philadelphia Museum of Art, Philadelphia, PA

Santa Barbara Museum of Art, Santa Barbara, CA

San Francisco Museum of Modern Art, San Francisco, CA

Smithsonian, Washington, D.C.

Solomon R. Guggenheim Museum, New York, NY

Tate Gallery, London, United Kingdom

Walker Art Center, Minneapolis, MN

Victoria and Albert Museum, London, United Kingdom

Whitney Museum of American Art, New York, NY

Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY

ADR IANA VAR EJÃO WAYN E T H I E B AUD

Born in 1964, Rio de Janeiro, Brazil Lives and works in Rio de Janeiro, Brazil

Born in 1920, Mesa, AZ Lives and works in Sacramento, CA

Bouwsfonds Kunststichting, Hoevelaken, The Netherlands

The Albrecht-Kemper Museum of Art, St. Joseph, MO

Albright-Knox Art Gallery, Buffalo, NY

Coleção Patricia Phelps de Cisneros, Caracas, Venezuela

Anderson Collection, Stanford University, Stanford, CA

Ellipse Foundation, Cascais, Portugal

The Art Institute of Chicago, Chicago, IL

Fondation Cartier Pour l’Art Contemporain, Paris, France

Brooklyn Museum, Brooklyn, NY

Fundação Serralves, Porto, Portugal

The Cleveland Museum of Art, Cleveland, OH

Fundació “la Caixa,” Barcelona, Spain

Crocker Art Museum, Sacramento, CA

Hara Museum of Contemporary Art, Tokyo, Japan

Crystal Bridges Museum, Bentonville, AK

The Metropolitan Museum of Art, New York, NY

Fine Arts Museums of San Francisco, San Francisco, CA

Museu de Arte Moderna de São Paulo, São Paulo, Brazil

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Museu de Arte Moderna do Rio de Janeiro, Rio de

Iris & B. Gerald Cantor Center for Visual Arts at

Museum of Contemporary Art, San Diego, CA

Coleção Berardo, Museu de Arte Moderna de Sintra,

Stanford University, Stanford, CA

Sintra, Portugal

Janeiro, Brazil

Kemper Museum of Contemporary Art, Kansas City, MO

S.M.A.K. – Museum of Contemporary Art, Ghent, Belgium

Library of Congress, Prints and Photographs Division,

The Solomon R. Guggenheim Museum, New York, NY

Stedelijk Museum, Amsterdam, The Netherlands

Washington, D.C.

The Menil Collection, Houston, TX

Tate Modern, London, United Kingdom

The Metropolitan Museum of Art, New York, NY Minneapolis Institute of Arts, Minneapolis, MN

K AR A WAL KER

Museo Morandi, Bologna, Italy Museum Ludwig, Cologne, Germany

Born in 1969, Stockton, CA Lives and works in New York, NY

Museum of Contemporary Art, Los Angeles, CA Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY

Art Gallery of South Australia, Australia

National Gallery of Art, Washington, D.C.

The Art Institute of Chicago, Chicago, IL

Nelson-Atkins Museum of Art, Kansas City, MO

The Baltimore Museum of Art, Baltimore, MD

Norton Simon Museum, Pasadena, CA

Berger Collection, Zurich, Switzerland

Oakland Museum of California, Oakland, CA

The Broad, Los Angeles, CA

Philadelphia Museum of Art, Philadelphia, PA

Brooklyn Museum, Brooklyn, NY

The Phillips Collection, Washington, D.C.

Carnegie Museum of Art, Pittsburgh, PA

Phoenix Art Museum, Phoenix, AZ

Centro Nazionale per le Arti Contemporanee, Rome, Italy The Contemporary Museum, Honolulu, HI

134

The Corcoran Gallery of Art, Washington, D.C.

Pennsylvania Academy of the Fine Arts, Philadelphia, PA

Des Moines Art Center, Des Moines, IA

The Rubell Family Collection, Miami, FL

DESTE Foundation, Athens, Greece

San Antonio Museum of Art, San Antonio, TX

Indianapolis Museum of Art, Indianapolis, IN

San Francisco Museum of Modern Art, San Francisco, CA

Los Angeles County Museum of Art, Los Angeles, CA

Seattle Museum of Art, Seattle, WA

The Metropolitan Museum of Art, New York, NY

The Studio Museum of Harlem, New York, NY

Milwaukee Art Museum, Milwaukee, WI

Virginia Museum of Fine Arts, Richmond, VA

Mudam Luxembourg: Musée d’Art Moderne Grand-Duc

Walker Art Center, Minneapolis, MN

Zabludowicz Collection, London, United Kingdom

Jean, Luxembourg

Muscarelle Museum of Art at The College of William & Mary, Williamsburg, VA Museum of Contemporary Art, Chicago, IL Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY Princeton University Art Museum, Princeton, NJ The Rubell Family Collection, Miami, FL San Francisco Museum of Modern Art, San Francisco, CA Smithsonian, Washington, D.C. Solomon R. Guggenheim Museum, New York, NY Stedelijk Museum, Amsterdam, The Netherlands The Studio Museum in Harlem, New York, NY Tate Gallery, London, United Kingdom Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY Williams College Museum of Art, Williamstown, MA Yale University Art Gallery, New Haven, CT

K E H I N D E WI L E Y Born in 1977, Los Angeles, CA Lives and works in New York, NY, and Beijing, China Brooklyn Museum, Brooklyn, NY Columbus Museum of Art, Columbus, OH Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI The FLAG Art Foundation, New York, NY Hammer Museum, Los Angeles, CA High Museum of Art, Atlanta, GA Jewish Museum, New York, NY Kansas City Art Museum, Kansas City, MO Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Miami Art Museum, Miami, FL Minneapolis Institute of Art, Minneapolis, MN The Mint Museum, Charlotte, NC Modern Art Museum of Fort Worth, Fort Worth, TX Museum of Contemporary Art, Los Angeles, CA Museum of Fine Arts, Boston, MA

136

D R . ST EVE N N A S H served as The JoAnn McGrath Executive Director of the Palm Springs Art Museum from April 2007 until January 2015. Dr. Nash received his B.A. cum laude at Dartmouth College and his Ph.D. in art history at Stanford University. He was a museum professional for over 40 years, as Research Curator and Chief Curator at the Albright-Knox Art Gallery in Buffalo (1973-80), Deputy Director and Chief Curator at the Dallas Museum of Art (1980-88), Associate Director and Chief Curator at the Fine Arts Museums of San Francisco (1988-2001), and founding Director of the Nasher Sculpture Center in Dallas (20012007). Among the many exhibitions he organized or co-organized are surveys on the modern artists Ben Nicholson, Naum Gabo, Pierre Bonnard, Henry Moore, Wayne Thiebaud, Robert Arneson, Alberto Giacometti, Henri Matisse, and Richard Diebenkorn; several exhibitions on modern European sculpture, landscape art in California, masterworks from the Musee dâ&#x20AC;&#x2122;Orsay, the history of Crown Point Press in San Francisco, and numerous contemporary Californian artists. Each of these exhibitions featured catalogues that Dr. Nash authored solely or in part. His work on Pablo Picasso includes three exhibitions and catalogues: Picasso the Printmaker, Picasso the Sculptor, and Picasso and the War Years 1937-1945. During his career, Dr. Nash was responsible for the acquisition by his museums of literally thousands of works of art, from many eras and cultures. He participated in the design and installation of four new museums: the Dallas Museum of Art (1984), an expanded California Palace of the Legion of Honor (1995), the de Young Museum in San Francisco (2005), and the Nasher Sculpture Center (2003). He sits on various boards including those of the Nasher Sculpture Center, the Richard Diebenkorn Foundation, where he is President, and the Desert Biennial. Dr. Nash is now an art consultant working on research, writing, and exhibition projects.

138

We would like to thank the private collectors who graciously lent us works and our friends and colleagues whose generous collaboration made this exhibition possible. Acquavella Galleries Altman Siegel Gallery Gagosian Gallery Jeffrey H. Loria & Co., Inc. Lehmann Maupin Michael Werner Gallery Pace Gallery Ratio 3 Raymond and Patsy Nasher Collection, Nasher Sculpture Center, Dallas San Francisco Museum of Modern Art Team Gallery Timothy Taylor Gallery

And a very special thanks to Steven A. Nash for his insightful essay as well as his invaluable support and friendship.

THE HUMAN FORM m i lt o n av e r y

lucian freud

elizabeth pey ton

d av i d b at e s

alberto giacomet ti

francis picabia

max beckmann

antony gormley

pa b l o p i c a s s o

michaël borremans

e d wa r d h o p p e r

martin puryear

c e c i ly b r o w n

chris johanson

gerhard richter

christopher brown

a l e x k at z

tom sachs

n i c k c av e

roy lichtenstein

j e n n y s av i l l e

chuck close

h e n r i m at i s s e

joel shapiro

george condo

barry mcgee

kiki smith

james crosby

henry moore

way n e t h i e b a u d

willem de kooning

n at h a n o l i v e i r a

a d r i a n a va r e j ã o

richard diebenkorn

d av i d pa r k

k a r a wa l k e r

peter doig

kehinde wiley

JANUARY 13 – MARCH 4, 2017

1 0 h aw t h o r n e s t r e e t, s a n f r a n c i s c o berggruen.com Publication © 2017 Berggruen Gallery, San Francisco All rights reserved. No part of the contents of this catalogue may be reproduced without the written permission of Berggruen Gallery.

photography credits Plate 1, 4, 7, 9, 29 - Photograph by Phocasso/J.W. White Plate 2 - © 2003 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York. Photograph by David Heald Plate 10 - © The Lucian Freud Archive / Bridgeman Images Plate 14 - Photograph by Vieri Tomaselli Plate 18 - © Wayne Thiebaud / Licensed by VAGA, New York. Photograph by Katherine Du Tiel Plate 22 - © Estate of Roy Lichtenstein Plate 27 - © Gerhard Richter, courtesy of Gerhard Richter Images Plate 44 - © Kiki Smith, courtesy Pace Gallery. Photograph by Tom Barratt, courtesy Pace Gallery Plate 45 - © Kiki Smith, courtesy Pace Gallery. Photograph by Kerry Ryan McFate, courtesy Pace Gallery Plate 49 - Photo Elisabeth Bernstein, courtesy the artist and Lehmann Maupin, New York and Hong Kong

d e s i g n : Elixir Design p r i n t i n g : Hemlock Printers p r o j e c t c o o r d i n at i o n : Erin Cabral, Morgann Trumbull, Sarah Wendell, Arielle Younger

F RONT AND B ACK COV ER

g e o r g e c o n d o , Abstracted Figures (detail), 2011, Acrylic, charcoal and pastel on linen, 68 x 66 inches