Na [illustration Film Magazine]

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From departure to arrival, the world is my destination

Beyond 40 years


film samaria MYSASSAYGIRL

엽기적인그녀

T H E WAY

집으로...

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sunny ONCE IN A SUMMER

01


film

CONTENTS

05 - 13

samaria

15 - 16

MYSASSAYGIRL

엽기적인그녀

17 - 18

T H E WAY

집으로...

19 - 20

HOME

21 - 22 ONCE IN A SUMMER

23 - 24

02


Chiwaseon Jang Seung-up

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film samaria MYSASSAYGIRL

집으로... T H E WAY

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ONCE IN A SUMMER 04


Chihwaseon

취화선 .... 55년 칸영화제 `무관의 한’ 을 풀어준 「취화선」은 조선시대 말 천재화가 장승업 (張承業, 1843〜1897)의 일대기를 담은 작품이다. chihwaseon ...... Directed by Kwon-taek Im. With Min-sik Choi, Sung-kee Ahn, Ho-jeong Yu. In a time of political and social unrest in 19th century Korea. Jang Seung-up is a Korean painter who lived in the late 19th century, famed as much for his brilliant artwork as for his irreverent lifestyle. Born into the lower classes, he never felt at ease amidst the nobility who grew to covet his work, and his reputation for drinking and womanizing make up some of the few known details about his life. Only a fraction of his artworks remain, but although he is not as famous as some other Korean painters, art experts continue to hold his work in high regard.

a brush as it moves frantically and chaotically across a thin sheet of paper, creating gorgeous images at great haste. The film too is propelled forward at a similar speed, expressing the impatient creation of the artist rather than the leisurely consumption of the work by its patrons. Together with cinematographer Jung Il-sung, Im creates fantastic imagery in this film, from the many shots of the artwork itself to landscapes and costumes that burst with color. More than anything else this film succeeds as a rich visual feast.

Following the glittering international career of his 97th film Chunhyang, which competed at Cannes and performed well in a North American release, veteran director Im Kwon-taek turned to Jang Seung-up for the subject of his next feature. The relative lack of knowledge about the painter’s life provided scope for Im’s imagination to run free, and the end result is less a researched presentation of Jang’s life than it is a rumination on art, artists, and society. The film’s opening prepares us for the overall mood of the work: a closeup of

In terms of the story, the most striking aspect of the film is its romanticism, in its seeming desire to create a Korean Byron or Liszt. Jang’s rebellious nature and bellowing at the sky are echoed in other films about artists like Vincent & Theo and Camille Claudel. The film is set in the turbulent historical backdrop dissected by Im’s earlier film Kaebyok: Fly High, Run Far, but without a prior knowledge of Korean history viewers will gain little from the captions and references to China and Japan’s struggles over a weakened Korea.

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Jang is played by the immensely talented actor Choi Min-shik, and his performance is robust, although rumor has it he was not given free reign to portray the character as he might have wished. He is joined by an impressive supporting cast including Ahn Sung-ki as Jang’s mentor and actresses Kim Yeo-jin, Yoo Ho-jung and Son Yeh-jin as the various women in his life. I must say that personally I didn’t like this film, despite its strengths and the incredible artwork. Whereas Chunhyang could lay claim to presenting a new way of blending sound and story, Chihwaseon feels more like imitation, of reinforcing popular images of artists and Asian culture that already exist in people’s minds. The presentation of the Best Director award to Im at Cannes is a fitting recognition of his long and distinguished career, but he has produced much stronger work in the past, films that get under your skin rather than seducing you with its charms.


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Chiwaseon Jang Seung-up

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그림에 취한 신선, 불꽃같은 천재화가 오원 장승업 1850년대, 청계천 거지소굴 근처에서 거지패들에게 죽도록 맞고있던 어린 승업을 김병문이 구해주고 승업은 맞은 내력을 설명하며 김선비에게 그림을 그려보인다. 세도정치에 편승하지 않고 새로운 세상을 꿈꾸던 김선비. 거칠지만 비범한 승업의 실력을 눈여겨 본다. 5년만에 재회한 승업을 엘리트이자 역관 이응헌에게 소개하는데... 승업에게 진정한 예술가의 자세를 추구할 것을 독려하고 선대의 명화가들처럼 훌륭한 화가가 되라는 뜻에서 오원이라는 호를 지어준 김선비는 승업의 피드백 역할을 해주는 평생의 조언자였고 그런 승업은 행운아였다. 이응헌의 집에서 머슴살이를 하면서 그림의 안목을 키워가는 중 이응헌의 여동생 소운에게한눈에 반해버리지만, 가슴 설레는 첫사랑은 소운의 결혼으로 끝나고... 화가로 자리잡기 시작할 무렵 병을 앓던 소운이 죽어가며 자신의 그림을 청한다는 이야기를 듣고 달려가는데...

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IM Kwon-taek’s ninety-fifth film tells the story of renowned nineteenthcentury painter JANG Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face of Korean art. CHIHWASEON (PAINTED FIRE) begins in the 1850s, when KIM Byung-moon (AHN Sung-ki) saves the young JANG Seung-up from being beaten by a group of drifters. In return, JANG draws him a picture, and as Kim carefully examines the child’s rough drawing, he notices the extraordinary potential of the young boy. Years later, KIM Byung-moon becomes JANG Seung-up’s mentor and encourages him to pursue the life of an artist. KIM eventually gives JANG the pen name of Oh-won. Later on his life, JANG Seung-up meets Mae-hyang, a daughter of a Yangban (social elite) who attracts him deeply. Although their passion is strong, they are eventually forced to separate when she runs away from catholic persecution....

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Dramas


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“‘‘If any one of you is without sin, let him be the fi rst to throw a stone at her.’’

Samaritan Girl (Samaria) Jae-young and Yeo-jin are high school girls. Jae-young manages her life by doing child prostitution, and Yeo-jin takes care of Jae-young’s money and her customers like a manager. However Jae-young falls down from a building and dies when she gets chased by the police. After Jae-young’s death, Yeo-jin decides to have sex with Jae-young’s customers and give the money back. Gradually, Yeo-jin meets men happily like Jae-young. One day, Yeo-jin’s father coincidentally spots Yeo-jin with a man and he starts to tail him. From that day on, he beats up those men and he ends up killing one of Yeo-jin’s men. One night, he asks Yeo-jin to go on a journey...

일단 김기덕감독님 영화니 이영화도 호불호가 많이 갈리겠지만 전 김기덕감독빠돌이라 뺄 수가 없네요. 그나마 봄,여름,가을,겨 울..... 이후부턴 폭력적인 성향이 많이 없어졌으니 대중들에겐 더 보기 편하지 않을까 싶네요. 이 영화는 원조교제하는 딸을 목 격한 아버지의 이야기에요. 너무나 사랑하는 딸의 비행을 어떻 게 해야하는지 고통스러워하다 용서와 사랑의 손길을 내민다고 할까요. 그 고통스런 감정이 다만 고통스러운 데서 끝나지 않고 새로운 발을 내딛는데 밑바탕이 되면서 마무리되요. 슬프고 고 통스럽달까요.

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Romantic Comedy


My Sassy Girl ( Yupgijugin Geunyu ) My Sassy Girl (엽기적인 그녀; literally, That Bizarre Girl) is a 2001 South Korean romantic comedy film directed by Kwak Jae-yong, in which the lead protagonist’s chance meeting with a drunk girl on the train changes his life. It is based on the true story told in a series of love letters written by Kim Ho-sik, a man who initially posted them on the Internet and later adapted them into a novel.

MYSASSYGIRL S H E ’ S B E A U T I F U L . S M A RT, F U N N Y A N D TOTA L LY C R A Z Y

《엽기적인 그녀》는 대한민국에서 2000년 출간된 책이자 2001년 나온 영화의 제목이다. 온라인으로 연재된 연애 회고록에 기반을 두고 있으며, 책은 연재분을, 영화는 연재분과는 차이를 보이는 각색된 내용을 담고 있다. 영화의 경우 곽재용이 감독, 차태현, 전지현이 주연했으며, 로맨틱 코미디를 표방한다. 원래의 내용은 “견우74”라는 필명의

작가가 자신의 연애담을 1999년 8월부터 나우누리 유머란에 연재한 것이며, 총 51 회의 연재로 되어있다. 《엽기적인 그녀》 라는 제목은 연재물에서 그녀를 만나는 과정인 1-3회의 제목으로부터 따온 것이다. 연재물의 인기로 말미암아 위작이 동일 게시판에 올라온 사건이 있었으며, 2000년 1월 22일에는 《엽기적인 그녀》라는 제목의 책으로 출간되었다. 2001년 개봉된 영화 《엽기적인 그녀》 는 국내에서 큰 성공을 거두었다.

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Family/Drama



집으로...

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The Way Home ( Jiburo ) Sang-woos mom, who separated with her husband at Sang-woos birth, visits her mothers house to leave Sang-woo for a while. Her recent hardship makes it difficult for her to earn enough money to raise him. Upon parting with his mother, he seems not to miss her much. Hes already become used to being left alone while his mom is busy managing the household. But, this mundane rural life is really boring for him, as there is nothing to play with. His grandmother has a hunched over back and no teeth left, not to mention being mute. He has neither friends nor playthings here, only a portable game machine and character postcards brought from Seoul. It is strange as well as dull for him to stay here with his ancient grandma. 《 집으로...》는 이정향 감독의 두 번째 장편영화로 외할머니의 사랑을 그린 작품이다. 주인공 할머니 역을 비롯해 대부분의 배역이 산골에 살고 있는 현지 주민들이었으며, 많은 제작진이 영화 경력이 짧은 상태였다. 촬영이 중단되는

집 등 제작에 어려움이 있었으나, 400 만이 넘는 관객 동원으로 흥행에 성공이였으며, 대종상 영화제에서 최우상 작품상, 각본상, 기획상을 휩쓸었다.

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War / Love Story / drama


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Sunny, Someone Dear Is Far Away (Nimeun Meon Gose) Old-fashioned Soon-yi marries into a family in the country without love. But when her husband abandons her by enlisting into the Vietnam war, she wants to show that she is capable of loving him. She uses her vocal talent to join a band heading there and sings for the restless soldiers in hopes of meeting her husband while on tour.

1971년 베트남 전쟁, 그녀의 이야기가 시작된다...! 상길의 물음에 아무 말도 하지 못하고 돌아온 순이는 다음 달도 여느 때처럼 면회를 가지만, 상길이 베트남 전에 자원해 갔다는 소식을 통보 받는다. 행방조차 알길 없는 남편을 찾아 베트남으로 떠나기를 결심한 순이. 베트남을 갈 수 있다는 말에 무작정 ‘정만’을 쫓아 위문공연단의 보컬로 합류하여 ‘ 써니’란 새 이름을 얻은 그녀는 화염과 총성이 가득한 베트남, 그 전쟁의 한복판에 뛰어드는데...

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War / Love Story / drama



Once in A Summer

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Once in a Summer (Geu-hae YeoReum) In 1969, a group of college students comes to remote countryside for voluntary activity. Suk-young who just wanted to escape from his father’s sight, is not interested in the activity. However, when he sees Jung-in, he falls in love at first sight. About the time they get closed to each other, the summer is coming to an end. What they never expected is time is the least thing to do with their separation. After a long time, the story goes back on a long journey to find the girl…

일생동안 한 여자를 사랑했습니다 모두가 동경하는 ‘윤석영’ 교수(이병헌 分)의 첫사랑 ‘서정인’(수애 分)을 찾아 나선 TV교양프로그램의 덜렁이 작가 수진(이세은 分). 낭만이라고는 약에 쓸래도 없는 앙숙 김PD(유해진 分)와 취재길에 나선다. 윤석영 교수가 대학시절 농촌봉사활동을 위해 내려왔다는 시골마을 수내리. 그들은 정인의 행방을 찾지만 그 이름을 듣는 사람들의 얼굴이 예사롭지 않다. 취재가 깊어지면서 그들은 ‘서정인’ 의 절친한 사이였던 ‘엘레나’(이혜은 分) 와 당시 윤교수와 함께 농활을 내려왔던 ‘ 남균수’(오달수 分)교수를 만나게 된다. 그리고 상상조차 하지 못한 아련한 사랑의 이야기를 듣게 되는데...

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From departure to arrival, the world is my destination

Beyond 40 years




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