John Patangan: Architecture Selected Works by John Patangan

 

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

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

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 

Grounding Anchors proposes a building with a central agora and working spaces for the thriving tech startup sector in St. Louis. The agora creates a large, hybridized, interactive space for the intermingling of startup teams. It houses large events that range from product promotion, neighborhood gatherings, and local youth mentorship. Youth mentorship serves a social function that connects startup transplants to the local youth, exposing them of new technolgies that inspire their future endeavors.

’

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

 lecture space entry

central circulation “Agora”

after-school space interior courtyards exterior courtyard

existing boundary walls

volumetric carving

interior daylighting



 

 

 

 

’



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   

Bo the ll is a p r ag ma t i c 7 0 , 0 0 0 s qu a re f e e t ci v i c s p a ce p ro p o s a l , e x p lo r i ng the r e l a t i o n s h i p o f o p e n a n d e n cl o s e d s p a ce s i n a go ve r nm e nt s e t t i n g . It v e n t u re s b e y o n d i s s u e s o f p u b l i c a n d p r i va te typ o lo g i e s a n d a s s e s e s o t h e r wa v e l e n g t h s - h e i ra rch y a nd he te r a r c hy, t ra n s p a re n cy a n d t ra n s l u ci d i t y , h a rd s ca p e a n d s o f ts c a p e , a nd ord e r a n d d i s o rd e r.

residential

officeS

plaza + parking

 main movement

site



council chanmbers outdoor plaza

public building space private workplace

retail boulevard

!"#$%&'()#'*+,$-+$,&'.,&-&#&)+*' ' 

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council chambers access

vertical access

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private spaces: translucent

perforated steel 3-pane curtain wall

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 

public spaces: transparent

    

T he p r o je c t i s a ho u s i n g co mp l e x i n t h e o uts kir ts o f S t. Lo ui s . Co n v e rg e n t h o u s i n g is a nc ho r e d a t the th e f i n a l M e t ro l i n k s ta tio n o uts i de o f S t . L o u i s , M i s s o u ri , a c ting a s a c o nve r gi n g p o i n t f o r co mmu t e rs into the c i ty.



PAVED LOT

T he ve r ti c a l ho us ing b u i l d i n g s a re a t t h e c o r ne r o f the s ite to cre a t e a wa l k a b l e e nvi r o nm e nt f r o m t h e me t ro l i n k t o t h e s tr e e t, a c ti va ti ng th e s p a ce wi t h p e d e s t ri a n lif e .

building site

EXISTING PAVED PARKING

WETLAND SWAMP LAND dry land

river floodlines

RIVER LANDING

EXISTING ENVIRONMENT

MINIMAL bldg FOOTPRINT

CONCRETE REMOVAL

RESTORE ECOSYSTEM

river accessibility

 0’

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PROGRAM DISTRIBUTION

VERTICAL EGRESS

PRIVATE HOUSING

PUBLIC/RETAIL

PEDESTRIAN TRANSITION



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

  C o m p o s e d o f tho us a nds of l i g h t we i g h t , i n t e rl o c ki ng w ir e a nd p la s ti c pa n e l s , t h e wo rk i s p o s i ti o ne d w ithin the c a n t i l e v e re d s p a ce a b o v e the C o nte m p o r a r y A r t Mu s e u m S t . L o u i s e ntr yw a y. I ts c le a r , r e f le ct i v e , a n d s e mi - o p a qu e m a te r ia ls in va r ying s ha p e s i n t e ra ct wi t h c ha nging s unl ight thr o ugh o u t t h e d a y , d a p p l i n g the s i de w a l k a nd w a lls be l o w wi t h s h a d o ws a n d p r is m a tic e f f e c ts .



W i th its a c c um ula ti o n o f n u me ro u s s ma l l f o rms a nd te xtur e s , the ins ta lla t i o n p ro v i d e s a l ight- f ille d c o ntr a s t to the h e a v y a n d p l a n a r s ur f a c e s o f the Mus e um b u i l d i n g .

STRUCTURAL SUPPORT

 DRILLED HOOKS



!"#!$%&' '

grid reference

!""#$"!%$&'$(%#)!""#"$%&"'()%*(+,-".+)""'(%"" /+$'%01+)#)2"#)'"03*%30"*'4",+35*" "

!"#!$%&' '



 

family

module

17’-10”



58’-4”

12’-0”

1’-8”

 

massing boundary



 



 

!"#$%&'#$()#*$+)$+$ ,-.(/#$0&..&12$ )!'(3!('+.$&*#+$ $



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

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 

 

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 

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



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





 









 Set in a small mining town in Greece, this project proposes research “pods” that helps clean up waste produced from gold mining. Community protests of unethical mining ignited thoughts of symbiotic relationships and how it translates architecturally and programmatically.







exterior panels research huts

skin

bridges

openings

site topography

waste transport

 tailing ponds planters

site building skeleton

SEEPAGE TRANSPORT DAM DRAINAGE PIPES

TAILING SEDIMENTS

MATURE TAILINGS 

TAILING FLUIDS

TAILING POND DEPTH

     

Ex- P a de l a i is a ho u s i n g co o p e ra t i v e t h a t re p u rp o s e s a h i s t o ri c c a m p us into a c ulin a ry i n s t i t u t e a n d h o u s i n g wi t h s h a re d ki tc he ns . T he c ur r e nt c o o p s i t s wi t h i n a l o w i n co me , a rt i s t i c n e i g h b o rho o d in Bue no s A i re s , A rg e n t i n a a n d i s d e s i g n e d t o p ro v i d e s p a c e s f o r c o m m una l co o k i n g a n d e a t i n g , wh i ch h a s b e e n







BAT HRO OM

LIVIN

STR EET

BED ROO M

BED ROO M BAT HRO OM



LIVIN



YAR D

MU LT KITC I-FAMIL HEN Y



 0’

100

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



 





John Michael Patangan 

 

Education Employment

–



          –     

 

 ’’         

 

   –         ’   



  

   –

    

 –

    

 

  

   –   

John Michael Patangan 

Accolades Publications

    

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   ’  

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      ’  

 



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“” 

“”        

 

      



            

Skillsets

           







 







John Michael Patangan 

 