Condition Reports

from Art + Design — August 29, 2023 | John Moran Auctioneers

Overall good condition. Full margins. The colors fresh. The slightest time staining along the margin edges. The sheet is loose, not matted.

Framed under glass: 20.25” H x 27.25” W x 0.75” D

Overall good condition. Full margins. The colors fresh. The slightest time staining at the margin edges. A few unobtrusive pale stains, pinhead-sized or smaller, in the upper and right margins. The sheet is loose, not matted.

Framed under glass: 20.25” H x 27.25” W x 0.75” D

Overall good condition. Full margins. The slightest time staining at the margin edges. Very minor and unobtrusive surface abrasion along the extreme upper and lower margin edges. The sheet is loose, not matted.

Framed under glass: 20.25” H x 27.25” W x 0.75” D

Overall good condition. Full margins. Pale light staining. The sheet is loose, not matted.

Framed under glass: 27” H x 21” W x 0.75” D

Overall good condition. With margins. Time staining along the extreme margin edges. The sheet is loose, not matted.

Framed under glass: 20.25” H x 27.25” W x 0.75” D

Overall good condition with minor scuffs and oxidation to metal commensurate with age. Upholstery in overall good condition for each. One chair with a single hole approximately 1” in diameter and a similar circular bald spot on the seat back’s upholstery. Likewise, there is some matting to the sheep’s fur shag on each seat cushion.

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Mounting putty to the underside.

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With possibly ink mark to underside: 20.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There is sun fading and water rings to the top. As well, there is scattered ink and grease staining to the interiors of most drawers.

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, the finial appears to be missing. Wiring should be checked by a qualified electrician prior to use.

Overall good condition. With full margins. The sheet is framed floating and mounted to the back mat at the verso of each of the margin corners.

Framed under glass: 24” H x 21” W x 2” D

Overall good condition. With full margins. The sheet is framed floating and mounted to the back mat at the verso of each of the margin corners.

Framed under glass: 24” H x 21” W x 1.5” D

Overall good condition. With full margins. The sheet is framed floating and mounted to the back mat at the verso of each of the margin corners.

Framed under glass: 24” H x 21” W x 2” D

Overall good condition. Full margins with deckled edges. The colors fresh. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 39.5” H x 23” W 1.5” D

Overall good condition. With deckled edges. The colors fresh. The sheet is framed floating with each corner affixed to the frame’s backing board. Not examined outside of the frame.

Framed under glass: 56.5” H x 56.5” W x 2.25” D (as wired)

Overall good condition. With full margins. A 0.25” stray graphite mark near the signature in the margin, not affecting the image. Framed floating and mounted to the back mat at the verso of each of the margin corners.

Framed under glass: 29.75” H x 29.75” W x 2” D

Overall good condition. With full margins. The tips of the upper left and lower right margin corners ever so slightly dog-eared. The sheet is framed floating and hinged to the back mat in various places at the verso of the margin edges and corners.

Framed under Plexiglas: 22.25” H x 18.5” W x 1.75”

Overall good condition. The full sheet. A minor 1.5” diagonal crease in the upper right corner. The sheet is framed floating and mounted to the back mat. Not examined out of the frame.

Framed under Plexiglas: 41” H x 36.5” W x 2” D

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Each overall good condition with scattered scuffs and scratches to the metal bases commensurate with age. Upholstery in overall good condition with minor wear throughout. One with about 6 smalls stains to bottom area of back cushion recto. Each with applied barcode sticker to underside “Walt Disney Company.”

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

Overall good condition with minor scuffs and light scratches commensurate with age. Surface grime present throughout.

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Overall good condition with minor scuffs and light scratches commensurate with age. Mounting putty residue and surface grime present throughout.

Overall good condition with minor scuffs and oxidation to the frame commensurate with age. The upholstery in overall good condition with no rips or tears, but surface dust, grime, scattered minor staining, and sun fading throughout.

Each overall good condition with scattered scuffs and scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered crazing and losses to the lacquered surface throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronics. Felt pads applied to the underside.

Overall good condition. Full margins. The colors fresh. The slightest time staining in the extreme margin edges, not affecting the image. A slight handling crease in the pale pink pigment, at center. Pale staining in the lower margin, at left, attendant with the printer’s stamp, verso. A pea-sized foxmark in the lower margin, at right. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition. Full margins. The colors fresh. The slightest time staining in the extreme margin edges, not affecting the image. A minor handling crease in the upper margin edge, at center, not affecting the image. A speck of foxing in the lower margin edge, at center, verso. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition. Full margins. The colors fresh. The slightest time staining in the extreme margin edges, not affecting the image. A speck of foxing in the left margin edge, at center. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with a few scattered fleabite chips and mounting residue to undersides.

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Titled by repute.

Overall good condition with minor scuffs and light scratches commensurate with age. Several fleabite knicks along the upper edge of the foot.

Overall good condition. With full margins and deckled edges. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 42” H x 50” W x 2.25” D

Overall good condition. With margins. Very minor surface skinning in the extreme upper margin edge. Two 1” diagonal handling creases in the upper margin, at left, mostly visible in raking light. The sheet is loose, not matted.

Unframed

Overall good condition. With margins. The sheet is loose, not matted.

Unframed

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With fleabites to juncture and some chipping to bottom of stopper. Mounting putty to underside.

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The rider figure missing its head, with another conchoidal chip loss to stopper underside. Mounting putty to the juncture.

Overall good condition. Full margins. The colors fresh. The slightest hint of staining and wear to each of the extreme margin edges, possibly from previous framing. A speck of pale foxing in the lower margin edge, at left. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition. Full margins. Colors fresh. The slightest time staining in the extreme margin edges, not affecting the image. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition. Full margins. The colors fresh. The slightest time staining in the extreme margin edges, not affecting the image. A minute imperfection in the upper right of the green pigment. A very unobtrusive handling crease in the lighter blue pigment, at center. Minor mat staining, verso. The sheet is hinged to the back mat with archival tape at the verso of the upper margin corners.

Framed under Lucite: 19” H x 19” W x 1.75” D

Overall good condition. With margins. Small 0.5” creases on each corner of the sheet. A soft, unobtrusive horizontal bend through the center of the sheet, visible mostly in raking light. The sheet is loose, not matted.

Unframed

Each overall generally good condition. The full sheets and the colors fresh. The corners of most of the sheets are slightly bent and/or softly creased, and the tips of some of the corners are also slightly dog-eared. Loose, not matted.

10 pieces

Each unframed

Each overall good condition. The boxes with scattered shelf wear, scratches, scuffs, and indentations commensurate with age and storage. Figures not inspected outside of packaging.

Overall good condition with scattered scuffs, scratches and abrasions commensurate with age. Legs very slightly bowed. One right side panel with an approximately 2”-long stress crack. Some localized dimpling to one upper slide door; second door with horizontal scratches. Lower door panels with scattered scratches. Three scattered nicks to drawer faces. Delamination to corners of two sliding door panels.

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with varying degrees of rubbed wear and scattered scratches commensurate with age and use, more concentrated on the seats.

Overall good condition with scattered minor scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The minor scuffs and scratches concentrated on shelves and most used surfaces. Some dust accumulation throughout. A 6” shallow scratch to left side. Working condition of speakers unknown. Moran’s does not guarantee the working condition of electronic equipment.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Minor soiling to interior of drawers with dust accumulation throughout. More concentrated minor scratches to top surface, including three 6” unobtrusive scuffs. One drink ring to front top right corner.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Minor soiling to bottom verso. Drawer pulls with rubbed wear to finish. One shelf missing three support pegs.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is some heavier nicking to the feet.

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each upholstered wool seat with minor thread pulls and slight yellowing.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scratches more prominent to top surface and some scratching and minor soiling to leather. One 2” long scratch to the bottom left of right side. One deep 2.5” long scratch/loss to wood, possibly inherent in the original construction. The catch-all tray with minor soiling, staining, and scuffing from use. The file cabinet is missing the two pieces that would have set in to support hanging file folders.

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Overall good condition. With deckled edges. The sheet is loose, not matted.

Unframed

Overall very good condition. The full sheet, laid down to the back mat. Very slight dust accumulation commensurate with age and the lack of glazing common with Serra’s etchings of this type.

Framed without glazing: 44.5” H x 44.5” W x 2” D

Overall very good condition. The colophon page within the information packet with a pea-sized area of darker fibers inherent in the manufacture of the paper. Some of the original interleaving tissues with occasional soft creases at the edges. Loose as issued.

Portfolio box: 12.25” H x 9.375” W x 1.25” D

Overall good condition with scuffs and minor oxidation to bronze commensurate with age. Palm frond verso with some losses to white paint from rubbing. Heat guard and palm frond verso with minor grey marks from heat of bulbs from use. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Overall good condition with minor scuffs and darkening/oxidation to metal commensurate with age. Scattered scratching to the brass exterior throughout each. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. As well, the leather upholstery in overall good condition with no rips, stains, or tears. Scattered minor abrasions to the leather throughout.

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Overall staining and soiling to upholstery, one with fraying, subsequently exposing the cotton padding. With rubbed wear and scratches to the lacquer finish throughout each chair, concentrated on the tops of the arm rests, and one chair with left rear leg with heavy wear and losses to the lacquer finish.

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The glass top with scattered minor scratches throughout.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Slight discoloration to the veneered surface on several shelves.

Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Scattered minor chips to several of the glass rods. One of the interior chromed metal tubes connecting the socket to the metal framing is dented, but not visible when fully assembled. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Each overall good condition with scattered scuffs, scratches, nicks, stress cracks, and indentations commensurate with age. Allover crazing and stress cracks to Lucite backs. Upholstery in overall good condition with no rips, stains, or tears. Two chairs with a loss of a tufting button. Each has been reupholstered. One chair with dust cover falling off on the underside, exposing the cotton batting and stitching.

Overall good condition with minor scuffs and oxidation to metal commensurate with age. As well, there is scattered pitting and rust to the chrome finish throughout the base.

Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. With scattered pitting to the chrome surfaces. The upholstery in overall good condition with scattered minor stains, light soiling, and scattered pulled threads, concentrated at arms and verso. Possibly reupholstered.

Overall good condition with scattered minor scuffs, scratches, and nicks commensurate with age. Appears to be lacking wall-mounting hardware.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is rubbed wear and scattered nicks to the lacquered surface throughout.

Overall good visual condition with minimal signs of wear commensurate with age. The box with minor shelf wear and minor scuffs.

Manufacturer’s packaging each: 15” H x 10.5” W x 7.25” D

Overall good visual condition with minimal signs of wear commensurate with age. The figure is still within the molded plastic packaging and was not removed for inspection.

Overall good visual condition with minimal signs of wear commensurate with age. In original artists’ packaging. The box with minor scratches and scuffs.

Each overall good condition. Both include original foam core packaging and box.

Overall good condition. The colors fresh. Two unobtrusive pinhead-sized flecks of grime in the lower right corner of the image. The sheet is framed floating and mounted to the back mat. Not examined out of the frame.

Framed under glass: 16.375” H x 18.125” W x 1.125” D

Overall good condition. The full sheet. The sheet is loose and not matted.

Unframed

Overall good condition. The full sheet. The sheet is loose and not matted.

Unframed

Overall good condition. With margins. Not examined out of the frame.

Framed under Plexiglas: 31” H x 27” W x 2” D

Overall good condition. With margins. Slightly uneven toning, mostly affecting the outer margin edges. Not examined out of the frame.

Frame: 21” H x 25.25” W x 0.75” D

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each piece was refinished in the artist’s studio in 2008. There is a repair to the interior of one of the left-side cabinet doors on one of the smaller storage units. As well, there is water damage to the interior of the cabinet doors of one of the smaller storage units.

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There are two different styles of later added feet, some of which are missing on each chair. As well, there is heavier wear the bottoms of the legs of each chair with fading, heavier nicking and scratching, and possible minor water damage.

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, several chair seats with heavier scratching.

Overall good condition with minor scuffs and darkening/oxidation to brass commensurate with age.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With an overall craquelure to goat skin with several areas of retouching. The interior with several loose mirrored panels and loss of silvering to several panels. Interior glass shelf with multiple nicks, chips, and scratches. Possible missing chair rail to top. Key is present. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. The upholstery fabric in overall good condition with no rips, tears, or stains.

Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

Each overall good condition with scattered scuffs and light scratches commensurate with age and use. Possibly reupholstered. Scattered loose fibers and wear to edges of seat cushions of each. Upholstery overall good condition with no rips, tears, or significant stains.

Each overall good condition. Not examined out of the frame.

Each framed under Plexiglas: Largest: 22.75” H x 37.75” W x 1” D

Each overall good condition. Full margins with deckled edges. Two with a pinhead-sized area of minor paper loss in the upper margin edge, at center. Two with pale foxing in the upper left and right margin corners, attendant with the hinging tape, verso. Hinged to the back mat in two places with archival tape at the verso of the upper margin corners.

Each framed under Plexiglas: 18” H x 14.75” W x 1.5” D

Overall good condition. With full margins. A 2” soft crease in the lower right margin corner and a 1” crease at the top left margin corner, neither of which affect the image. The original printed paper folder with soft creases at the outermost corners, corresponding with the soft creases to the inner sheet as already described. The sheet is loose, not matted.

Unframed

Each overall good condition. With full margins. The Tomaselli with an unobtrusive, minute crease at the tip of the lower left margin corner, not affecting the image. The sheet is loose, not matted.

Each unframed

Overall good condition.

Framed under Plexiglas: 22.25” H x 18.25” W x 1.5”

Overall good condition. With margins. Not examined out of the frame.

Framed under glass: 28” H x 28” W x 1” D

Overall good condition. With margins. Stray specks of white pigment adhered to the sheet surface, mostly in the left and upper edges of the image. Not examined out of the frame.

Framed under glass: 26.5” H x 26.5” W x 1” D

Overall good condition. With margins. Not examined out of the frame.

Framed under glass: 25” H x 25” W x 1” D

Overall good condition. A 2.5” diagonal surface scratch, with attendant pigment loss, near the center, at right. Not examined out of the frame.

Framed under glass: 30.5” H x 30.5” W x 1” D

Overall good condition. Full margins with deckled edges. Framed floating and mounted to the back mat. Not examined out of the frame.

Framed under 43.5” H x 35” W x 1.5” D

100

Overall good condition with minor scuffs and oxidation to metal commensurate with age.

101

Overall good condition. The full sheet with deckled edges. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 70” H x 45” W x 3.5” D

102

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered nicking and losses to the lacquered finish throughout.

103

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered chips to the lacquered finish, primarily concentrated along the edges.

104

Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. Brass with light oxidation. Each ottoman with minimal scuffs and spots of soiling from use, each with lost stiches to side seams, one with 3” split to underside dust cover.

105

Each overall good condition with minor scuffs, scratches, and nicks as well as oxidation to the metal commensurate with age. One red sconce with a loss of enamel in the corner approximately 0.75” long, exposing the metal beneath. As well, one black sconce with a rice-sized loss to the enamel, exposing the metal beneath. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

106

Overall good condition. The full sheet with deckled edges. A soft and very unobtrusive handling crease at left, visible only in raking light. Framed floating and hinged to the back mat at the verso of the sheet corners and in one place at the verso of both the left and right sheet edges.

Framed under Plexiglas: 30” H x 36” W x 1” D

107

Overall good condition with minor shelf wear, scuffs, and scratches commensurate with age. The top with heavier scratching from use. Some moderate rubbed wear to the reverse painting. The foot’s rim with a small chip.

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear to the highpoints of the decoration throughout, concentrated on the underside. As well, the cabinet doors are slow to open. Drilling to the verso indicates this cabinet may have been wall-mounted previously and the metal base may be a later addition.

109

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each chair with later added plastic feet to each leg. Upholstery for each in overall good condition with no rips, stains, or tears.

110

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

111

Overall good condition. With margins. Trimmed approximately 0.5” at the left and right margin edges. Slight remnants of old adhesive at the verso of the upper margin corners. The sheet is loose, and secured with four clear archival corners to the back mat.

Framed under glass: 18.75” H x 22.25” W x 1.5” D

112

Overall good condition. Pale light staining in the margins. Trimmed on the left and right margins 0.25” each and on the upper and lower margins 0.375” each. Hinged to the back mat by three pieces of archival tape affixed to the verso of the sheet.

Framed under glass: 23.5” H x 19.75” W x 1.25” D

113

With margins. Light staining throughout. Mat burn in the margins, just right outside of the image edges, and at the opening of the mat. Slight rippling at the upper and lower edges of the sheet. Taped to the overmat with strips of brown tape along the verso of each sheet edge.

Framed under glass: 20.75” H x 16.75” W x 1” D

114

Overall good condition with tarnishing and light scratches commensurate with age. Scattered inherent casting holes at the edges of the rim of the body. Likewise, there are several small knicks to the silver finish throughout. As well, two of the tips of the talons are flattened.

115

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One crack in the plaster on the interior of the ‘shade,’ behind the socket. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

116

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Adhesive felt pads to underside.

117

Overall good condition. The sheet is loose, attached to the back mat with clear archival corners.

Framed under Plexiglas: 16.5” H x 17.5” W x 1” D

118

Overall good condition. Not examined out of the frame.

Framed under Plexiglas: 20.75” H x 17.5” W x 1” D

119

Overall good condition. The softest 2” diagonal crease in the upper left corner. Not examined out of the frame.

Framed under glass: 25” H x 21.25” W x 1.25” D

120

Overall good condition. A few pale foxmarks showing primarily in the background. Mat staining showing slightly in the margins. Not examined out of the frame.

Framed under Plexiglas: 23” H x 15.5” W x 1” D

121

Overall good condition. Full margins with deckled edges. Light stained throughout. The right margin edge is folded under 0.375” for framing. Hinged to the overmat with two pieces of Japanese tissue from the verso of the upper margin edge.

Unframed

122

Overall good condition. Full margins with deckled edges. Hinged to the back mat in various places at the verso of the margin edges.

Framed under glass: 32.25” H x 30.5” W x 2” D

Each overall good condition. A rich impression. Full margins with deckled edges. Light staining commensurate with age. Three of the sheets are framed floating, with one under an overmat. Pale mat burning on the print framed under an overmat. Not examined outside of the frame.

Each framed under glass: Largest: 25.5” H x 29” W x 1.5” D

124

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

125

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there are several hairline cracks radiating from the center that may be inherent to the firing process. Lastly, there is a small, circular spot of yellow on the underside, possibly glaze that darkened during firing, approximately 0.25” wide.

126

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with black felt applied to the underside of the foot.

127

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

128

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Surface dust and grime throughout. Found objects with wear inherent to the fabrication process.

129

Overall good condition. With margins. The sheet is loose and secured to the back mat with four clear archival corners.

Framed under Plexiglas: 18.5” H x 22” W x 1.5” D

130

Overall good condition. Hinged to the back mat by two pieces of archival tape affixed to the verso of the sheet.

Unframed

131

Overall good condition. With margins. A faint 5” horizontal surface scratch in the lower half of the image through the glass on the table and the figure’s feet, mostly visible in raking light. The sheet is loose, not matted.

Unframed

132

Overall good condition. With margins. Occasional very minor rippling at the margin edges. Hinged to the back mat at the verso of the upper margin corners.

Framed under glass: 23.5” H x 19.5” W x 0.75” D

133

Overall good condition. Minor surface soiling and edge wear, together with toning throughout, all to the mat board support, commensurate with age.

Framed under glass: 23.5” H x 18.25” W x 1” D

134

Overall good condition. With wide margins. Specks of occasional grime in the lower extreme margin edge. Minor handling creases and rippling along the outer margin edges. The lower left margin corner is slightly dog-eared. Two pieces of clear tape remnants in the upper left and right margin corners, and the right with attendant surface abrasion. The sheet is loose, not matted.

Unframed

135

Overall good condition. With margins. Minor handling creases, scattered mostly through the outer margin edges and corners. Two pieces of old clear tape remnants at the lower left and right margin corners. Specks of grime, verso, not affecting the image. The sheet is loose, not matted.

Unframed

136

Overall good condition. Rippling scattered mostly along the left edge. Minor handling creases scattered mostly throughout the outer edges and corners. The right edge is trimmed unevenly. The sheet is loose, not matted.

Unframed

Overall good condition. With margins. The faintest abrasion along the extreme lower margin sheet edge, not affecting the image. The sheet is loose and secured to the back mat with four clear archival corners.

Framed under glass: 25” H x 28” W x 1” D

138

Overall good condition. The full sheet. Framed floating and mounted to the back mat, as issued.

Unframed

139

Overall good condition. Presumably the full sheet. Framed floating and mounted to the back mat, as issued.

Unframed

140

Overall good condition. Two unobtrusive handling marks in the upper right and lower right corners, primarily visible in raking light.

Framed under Plexiglas: 24.25” H x 28.25” W x 1.5”

141

Overall good condition. A minute loss to the printed surface at the tip of the lower right corner of the image. The work is loose, and secured to the back mat with archival corners.

Framed under Plexiglas: 24.25” H x 28.25” W x 1.5”

142

Overall good condition. The full sheet. The mat board with minor time staining along the extreme edges. The faintest hairline of stray pigment in the lower left corner of the mat board, not affecting the image. Framed floating and mounted to the back board, as issued.

Unframed

143

Overall good condition. The full sheet. The mat board with minor time staining, primarily along the extreme edges, and two pinpoint-sized extremely pale foxmarks in the left edge, at center, and in the lower right edge, of the mat board. Framed floating and mounted to the back mat, as issued.

Unframed

144

Overall good condition. The full sheet. Minor time staining and a pinpoint-sized foxmark near the upper edge of the mat board, left of center, not affecting the image. Framed floating and mounted to the back mat, as issued.

Unframed

145

Overall good condition. The full sheet. A very unobtrusive speck adhered to the surface, on the upper left of the veiled figure, near the shoulder. The tips of the back mat’s corners are slightly dog-eared. Framed floating and mounted to the back mat, as issued.

Unframed

146

Overall good condition. The full sheet. The tips of the upper and lower right corners of the back mat are slightly dog-eared. Framed floating and mounted to the back mat, as issued.

Unframed

147

Overall good condition. The full sheet. Framed floating and mounted to the back mat, as issued.

Unframed

148

Overall good condition. Specks of pale foxing scattered mostly in the outer edges of the mount. Scattered areas of insect damage along the right edge of the mount. Two remnants of brown hinging at the upper edge of the mount, and with attendant surface skinning to the upper edge, verso, of the mount. The sheet is loose and secured to the back mat with three archival corners.

Unframed

149

Overall good condition. Very slight time staining along the extreme edges of the original mat board supports, commensurate with age. Remains of old, dry, masking tape residue around the edges of the original mat board supports, verso

Each framed under glass: 20.5” H x 15.25” W x 1” D

150

Overall good condition. The sheet is framed floating and mounted to the back mat. Not examined out of the frame.

Framed under Plexiglas: 37” H x 29.5” W x 1.5” D

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With minor soiling and dust accumulation from age and use.

152 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Patination to the seagrass throughout with scattered minor breaks to the weaving.

153

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is sun fading to the rosewood veneer along the edges that are framing the inset tiles. Two legs with water damage and losses to the Rosewood veneer, the largest loss approximately 6” long.

154

Each overall good condition. Handling creases and minor staining, scattered mostly throughout the outer edges. Each sheet is curled and with slightly uneven toning, attendant with previous rolling and storage. The first-floor plan with two 3” vertical bands of pale staining, possibly attendant with old tape. Each sheet is loose, not matted.

Each unframed

155

Each overall good condition. Two with colored pencil and graphite, and two with only graphite. Scattered soft handling creases and minor reverse staining and slight foxing, mostly throughout the outer edges, the largest measuring with a 13” vertical band of scattered reverse staining. Each sheet is curled and with slightly uneven toning, attendant with previous rolling and storage. Two out of the four stapled together along the right sheet edge. Each sheet is loose, not matted.

Each unframed

156

Each overall good condition. Scattered soft handling creases and areas of minor pale staining, showing mostly throughout the outer edges. Each sheet is curled and with slightly uneven toning, attendant with previous rolling and storage. The first sheet with pale darkening, attendant with the colored pencils used. Each sheet is loose, not matted.

Each unframed

157

Overall good condition with wear commensurate with age. Minor accretions throughout. Partial red plastic tape remnant along the upper edge, obscuring the “Fran” of “Frank”. The “paid” punctures indicating the check was cashed do not obscure the signature. Inscribed verso: “Deposit 5002107” with some bleeding of the ink appearing on the recto.

158

Each overall fair to good condition with wear commensurate with age. Issues include, but not limited to: creasing/folds, toning, tears, accretions, and multiple tape repairs throughout. As well, there are several small pieces of the blue enclosure document that have fully separated and are retained with the lot. The letter with deckling and several minor tears to the upper edge, as well as overall toning. As well, there is one tape repair to a tear radiating from the upper edge through the lion logo of the letterhead, which is also repaired with tape. Lastly, the letter was once folded into quarters and the creases of these folds remain.

159

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 28.25” H x 37.25” W x 1.25” D

160

Visual: Occasional craquelure showing primarily in the lower right quadrant. A scattered horizontal abrasion across the figure’s hair in the upper right quadrant, exposing the underlying gold leaf. A 0.5” diagonal hairline scratch in the gold background near the lower left corner, exposing the underlying gesso.

Blacklight: No evidence of restoration.

Frame: 12.5” H x 12.5” W x 1.5” D

161

Condition: Overall good condition. A few small areas of craquelure and paint shrinkage in the white pigments along the right edge and in the center of the vase.

Blacklight: No evidence of restoration.

Frame: 48.5” H x 38.5” W x 2.25” D

162

Overall good condition. Not examined out of the frame.

Framed under Plexiglas: 25.5” H x 21.5” W x 1.5” D

163

Overall good condition. Not examined out of the frame.

Framed under Plexiglas: 23.5” H x 20.5” W x 1.5” D

164

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Surface grime present throughout.

165

Overall good condition with scattered scuffs, scratches, indentations, and separation at joints commensurate with age. The upholstery in overall good condition with no rips, tears, or stains. Some scattered pulls to the fabric throughout.

166

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some losses to the gilt finish exposing the red bole priming layer beneath.

167

Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. As well, the upholstery for each in overall good condition with no rips, tears, or stains. Scattered minor pulls throughout the fabric on each.

168

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 30.5” H x 36.5” W x 2” D

169

Overall good condition with shelf wear, scattered minor scuffs, and scratches flaws commensurate with age. With one area of helmet edge near eyebrow loose.

170

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Dimensions vary by piece.

171

Visual: Overall good condition. Dust accumulation commensurate with age. Artist pinholes at each of the four corners.

Blacklight: No evidence of restoration.

Frame: 19.5” H x 25.5” W x 2.5” D

172

Overall very good condition. The yellow paper still vibrant. Two extremely soft and unobtrusive handling-type bends in the paper near the left edge of the image, each approximately 2” H, visible primarily in raking light. Taped to the overmat with white archival tape along the extreme edge of the left margin, verso.

Framed under glass: 17.375” H x 22.375” W x 1.375” D

173

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Several larger scuffs and scratches to the legs, the largest of which is approx. 2.5” L. Tabletop with scattered small losses to veneer.

174

Each in overall good condition with scattered scuffs, scratches, nicks, and wear to leather commensurate with age and use. Usage wear to the seams and legs. Heavier scratching to the seats of some.

175

Each overall good condition with typical signs of wear, scattered scuffs, and scratches commensurate with age. Each with heavier scratching to the backrest.

176

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Gallery issued editions of this sculpture include a noose fashioned out of wire from which the bronze figure is suspended, but this sculpture lacks that component.

177

Overall good condition with light dust accumulation commensurate with age.

Frame: 19” H x 24.5” W x 2.875” D

178

Visual: Overall good condition. Dust accumulation and specks of occasional grime commensurate with age. Scattered surface scratches, primarily along the edge of the lower left quadrant, and mostly visible in raking light.

Blacklight: No evidence of restoration.

Unframed

Overall good condition. Artist pinholes at each of the four corners. The sheet is framed floating and mounted to the back mat. Not examined out of the framed.

Framed under Plexiglas: 66.5” H x 46.5” W x 1.5” D

180

Overall good condition. Very slight surface soiling along the extreme sheet edges. Hinged to the back mat at the verso of the upper sheet corners.

Framed under Plexiglas: 15.5” H x 12.5” W x 2” D

181

Overall good condition. Scattered smearing of the graphite in the lettering and images, in the hand of the artist. Very unobtrusive surface skinning in the lower right corner, verso, from previous mounting. Mounted in two places, along the upper sheet edge and the lower left corner.

Framed under Plexiglas: 13.75” H x 10.75” W x 2” D

182

Overall good condition. The sheet retains its original perforations along the upper edge. Taped to the back mat with three small pieces of masking tape at the upper edge.

Framed under glass: 13.5” H x 16.5” W x 1.25” D

183

Visual: Overall good condition. Occasional specks of grime, scattered surface scratches, mostly visible in raking light, and minor abrasion along the extreme edges, all commensurate with age.

Blacklight: No evidence of restoration.

Unframed

184

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 15.25” H x 13.25” W

185

Overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Minor scuffing to the finish of the fiberglass throughout. Please note: Plastic glides on the wood legs have been faux finished to match the surrounding walnut. Some faux finishing is flaking from the plastic.

186

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered hairline cracks throughout the plaster ground.

187

Overall good condition. The work is affixed in between three mat windows and a foamboard backing.

Framed under Plexiglas: 16” H x 17.5” W x 1.5” D

188

Visual: Overall good condition. Light and unobtrusive areas of craquelure throughout, primarily showing in the orange band of pigment in the upper half of the work.

Blacklight: Scattered areas of touchups throughout, the largest being a 3” H x 0.75” W area in the dark green pigment in the lower right quadrant.

Frame: 49.5” H x 61.25” W x 2.25” D

189

Visual: Overall good condition. A 0.25” hairline reverse pressure mark along the right edge, at center. An area of fine and unobtrusive craquelure near the lower right corner, underneath the furthest orange, and underneath the orange left of center.

Blacklight: No evidence of restoration.

Frame: 43.625” H x 48.625” W x 2.375” D

190

Overall good condition with scattered scuffs, scratches, soiling, and general wear commensurate with age. Upholstery in poor to fair condition with soiling, staining, separation at the seams, and degradation of the supporting foam. The base with scattered scuffs and oxidation commensurate with age and use.

191

Each overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Three with fading to upholstery, each with minor rubbed wear and soiling to upholstery concentrated at armrests and the front of the seats. Some scuffing to Lucite bases.

192

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered knicks to the tabletop.

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There are multiple repairs and restorations to the top and right-side cabinet door. As well, the finish on the top surface is uneven, varying between highly reflective to dull. Lastly, the left-side hinge in the central dropdown panel is bent and preventing the top drawer from fully opening.

194

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered scratching to the Formica surfaces throughout.

195

Each overall good condition with scattered chips, scuffs, and light scratches commensurate with age. Visible linear cracks in several glass tiles of each sconce. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

196

Visual: Overall good condition. Dust accumulation and a few specks of grime commensurate with age. Occasional craquelure showing primarily in the upper right corner.

Blacklight: No evidence of restoration.

Frame: 45.5” H x 67.5” W x 2” D

197

Visual: Overall good condition. Craquelure and crazing throughout. A few small areas of varnish discoloration scattered throughout the horse.

Blacklight: No evidence of restoration.

Frame: 39.25” H x 29.25” W x 1” D

198

Overall good condition. Unobtrusive and small paper losses in the extreme lower and right sheet edges. The sheet is laid to board, as mentioned, and sealed in the mat.

Framed under glass: 26.75” H x 19.25” W x 1.25” W

199

Overall good condition, particularly for a sheet of this size and date. Two pinhead-sized pressure marks with attendant pale staining at the figure’s chin line. Occasional very pale staining showing mostly in the lower blank to the left of the figure, the largest approximately 0.375” H x 1” W. A 2.25” diagonal crease with an attendant partial tear across the lower left corner, and a 0.75” horizontal tear near the bottom of the right edge, neither of which affecting the image, both reinforced on the verso with clear tape. A soft horizontal crease 0.5” above the lower sheet edge. Slight remains of paper and old glue residue in places along the verso of the sheet edges. The sheet is hinged to the back mat with three pieces of white paper tape at the verso of the upper sheet edge.

Framed under Plexiglas: 35.5” H x 23’ x 2” D

200

Overall generally good condition. Pale mat and time staining, recto and verso. Scattered foxing showing primarily in the background at right. The tip of the upper left sheet corner dog-eared. Backboard staining, verso. The sheet is loose, and secured to the back mat with clear archival corners.

Framed under glass: 17” H x 20” W x 1” D

201

Visual: Overall good condition. Dust accumulation and grime commensurate with age. An unobtrusive, 6.5” vertical hairline surface scratch extending down from the upper edge in the background to the right of center. Areas of tiny frame abrasion near the upper right corner, and another at the lower right corner.

Blacklight: No evidence of restoration.

Frame: 32” H x 37” W x 2.5” D

202

Visual: Specks of occasional grime commensurate with age. Stretcher bar creases along all four sides. Craquelure throughout, some of which is unstable with attendant pigment losses, the largest area measuring approximately 3” H x 2” W near the upper edge of the upper right quadrant. Areas of pigment loss scattered throughout, the largest measuring 1.5” H x 5” W in the upper left quadrant.

Blacklight: No evidence of restoration.

Frame: 53” H x 83” W x 1.5” D

Visual: Overall good condition. Occasional specks of grime commensurate with age. A stretcher bar crease along the extreme upper edge. The faintest area of craquelure along the extreme right edge, and a minor 1.5” horizontal surface scuff, all in the upper right quadrant.

Blacklight: No evidence of restoration.

Unframed

204

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Rust and oxidation to the metal, possibly intentional. Each with allover dust and dirt, possibly from outdoor storage.

205

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. With allover dust and dirt accumulation and rust buildup. Uncertain if patina is intentional or due to storage and weathering. With felt feet applied to verso for wall mounting.

206

Visual: Overall good condition. A few pinhead-sized flecks of white pigment scattered in the lower right corner, by the head of the figure on the right, and towards the center.

Blacklight: No evidence of restoration. Some pigments fluoresce under blacklight.

Frame:

207

Visual: Overall good condition. Dust accumulation commensurate with age.

Blacklight: No evidence of restoration.

Frame: 28.5”

208

Visual: Overall good condition. Specks of occasional grime commensurate with age. Craquelure scattered primarily throughout the black pigment.

Blacklight: No evidence of restoration.

Frame: 40.5” H x 48.5” W x 1.5” D

209

Visual: Overall good condition. Occasional specks of grime commensurate with age. Two stray pinheadsized specks of black pigment near the extreme left edge, at center.

Blacklight: A 2.75” horizontal area of touch-up in the lower right quadrant, with an attendant patch, verso.

Unframed

210

Overall good condition. Areas of craquelure throughout. Pinhead-sized flecks of grime in the upper right quadrant towards the center, in the middle of the lower left quadrant, and in the upper left quadrant in the yellow pigment. Three small scuff marks, one towards the center at the upper edge and two in the upper right quadrant. A hairline 6” horizontal split in the canvas with attendant pigment loss towards the middle of the lower edge, in the blue pigment area.

Blacklight: No evidence of restoration.

Frame: 35” H x 55” W x 1.5” D

211

Overall good condition. The sheet is loose, not matted.

Unframed

212

Overall good condition. A vertical 14” crease with attendant pigment loss running through the work. The sheet is framed floating and hinged to the back mat.

Framed under glass: 16.25” H x 12.25” x 0.75” D

213

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age, primarily concentrated to the underside.

214

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Lid is affixed to the body with mounting putty. Visual inspection of the piece relegated to the exterior. With mounting putty to the underside.

215

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Mounting putty present on the underside.

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Mounting putty to the underside.

217

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With mounting putty to the underside.

218

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Mounting putty to the underside.

219

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Mounting putty present on the underside.

220

Overall good condition with scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. The stone base with minor scuffs and scratches.

221

Condition: Overall good condition. Dust accumulation, grime, and light discoloration commensurate with age.

Blacklight: No evidence of restoration.

Frame: 32” H x 38” W x 1” D

222

Visual: Overall good condition. Areas of fine craquelure throughout. A small pinhead-sized fleck of white pigment by the artist’s signature in the lower right quadrant.

Blacklight: No evidence of restoration.

Frame: 26.5” H x 30” W x 2.5” D

223

Visual: A 1” H x 2” W L-shaped split in the canvas to the right of center. Occasional paint shrinkage showing mostly in the two yellow forms at top. Stretcher bar creases showing along all four sides. Dust accumulation commensurate with age.

Blacklight: Occasional small dots and lines of touchup, the largest measuring approximately 2” H x 0.5” W along the uppermost portion of the extreme right edge, and another measuring approximately 0.5” H x 1” W in the green background of the lower left quadrant.

Frame: 19.5” H x 17.5” W x 2” D

224

Overall generally good condition. Dust accumulation, occasional specks of grime, and light surface scratches commensurate with age. Scattered areas of surface abrasions along the extreme edges of each of the wood construction pieces. Minor lifting at the upper right corner of the blue and the lower black wood construction pieces. Very fine craquelure scattered throughout the background of the white-painted Masonite.

Frame: 19.75” H x 14.75” W x 1.5” D

225

Visual: Overall good condition. Dust accumulation and grime commensurate with age. Occasional scattered craquelure with attendant pigment losses, rice-sized or smaller, primarily near the center.

Blacklight: Apparently no restoration, difficult to read under uneven varnish.

Frame: 7.5” H x 12” W x 1.5” D

226

Overall good condition. Artist pinholes near the upper left and right corners. Four remnants of old hinging tape along the upper and lower edges. The sheet is loose, not matted.

Framed under plastic: 17.25” H x 21.25” W x 1” D

227

Condition: Overall good condition. A thin 1” horizontal scratch with attendant paint loss near the center of the left edge. The canvas is loose, not on a stretcher.

Blacklight: Areas of touch-up on the white bird, and on the face and neck of the figure in the upper right quadrant, the largest being 1.75” H x 1.75” W..

Unframed

Visual: Overall good condition. Dust accumulation and grime commensurate with age. A 5.5” horizontal surface scratch with attendant pigment loss in the lower right quadrant. A small area of craquelure in the white pigment in the lower portion of the upper left quadrant, and in the multi-colored circle, at center.

Blacklight: No evidence of restoration.

Unframed

229

Surface scuffs, scratches, small pieces of wood and pigment loss, surface peeling, scattered pea-sized or smaller holes in the lighter purple pigment, and scattered craquelure in the lighter blue and purple pigments, all commensurate with age and wear.

Unframed

230

Condition: Overall good condition. Minor surface abrasion with attendant pigment loss at each corner.

Blacklight: No evidence of restoration

Unframed

231

Overall good condition. The full sheet with deckled edges. The colors fresh. Scattered and very unobtrusive handling creases, primarily in the outer edges and corners, and mostly visible in raking light. The upper left corner is slightly dog-eared. The sheet is framed floating and hinged to a back mat with hinging tape in various places, near the edges, and the back mat is mounted to a larger back mat.

Framed under glass: 34.5” H x 26.5” W x 1.5” D

232

Two 1.5” H x 2” W areas of tearing, lifting, and paper loss in the upper left and right corners. Glue residue appears on the recto of the blue and white collage pieces in the upper half section of the work. The collage pieces of the pearls lifting and ever-soslightly affixed completely to the sheet. Abrasion, small tears, and old glue scattered in the outer edges. Skinning to the lower right corner, verso. A band of old white artist’s tape along the left edge, verso. Hinged to the back mat with white hinging tape along the upper edge, verso.

Framed under glass: 19.5” H x 23” W x 1.5” D

233

Overall good condition. Hinged to a black support sheet with linen hinges from the verso of the upper sheet corners.

Framed under glass: 16.25” H x 10.75” W x 1” D

234

Visual: Dust accumulation and grime commensurate with age. Craquelure throughout. A 1.75” H x 1” W area of paint loss in the trombone, and a small spot of stray paint in the upper left quadrant. The canvas is loose and bowed out across the center.

Blacklight: No evidence of restoration.

Frame: 27.25” H x 45.25” W x 2.5” D

235

Overall good condition. Slight rippling and creases throughout, the largest crease measuring 12,” horizontally, near the figure’s right eye. The sheet is loose, not matted.

Framed under glass: 47.25” H x 35.25” W x 1” D

236

Overall good condition. Very minor and unobtrusive handling creases, hairline tears, and flecks of black pigment loss of the spray paint to the stencil, commensurate with wear and use during the artist’s creative process.

Framed under Plexiglass: 51” H x 85” W x 1.5” D

237

Overall good condition. Pinpoint-sized foxmarks scattered throughout the lower half of the sheet. A 1” diagonal crease in the upper left corner. Minor toning and scattered pinhead-sized or smaller foxmarks, verso. Mounted to the overmat with pieces of white tape at the center and corners of the upper sheet edge, verso..

Unframed but matted

238

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 20.5” H x 27.25” W x 1.75” D

239

Visual: Overall good condition. Dust accumulation and specks of grime commensurate with age. Various scattered surface scuffs throughout the outer edges, the largest measuring 9” in the upper left quadrant.

Blacklight: No evidence of restoration.

Unframed

240 Condition: Overall good condition.

Blacklight: No evidence of restoration.

Unframed

241

Overall good condition. The sheet is framed floating, and hinged to the back mat in various places at the verso of the sheet edges.

Framed under Plexiglas: 34.5” H x 26.5” W x 1.5” D

242 Condition: Overall good condition. Dust accumulation and grime commensurate with age.

Blacklight: No evidence of restoration.

Frame: 28.25” H x 36” W x 1.125” D

243 Condition: Overall good condition. Dust accumulation and grime commensurate with age. A pea-sized puncture hole in the teal pigment near the lower edge, at center. A 1” surface abrasion line with attendant pigment loss in the upper edge, at right.

Blacklight: No evidence of restoration

Frame: 36” H x 28” W x 1.25” D

244

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

245

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Drawer pulls with rubbed wear to lacquer and soiling from use. Allover scuffs and scratches and chips to lacquer, concentrated at edges and corners. Lastly, there is one large loss to the lacquered wood at the left lower rear corner.

246

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Drawer pulls with rubbed wear to lacquer and soiling from use. Allover scuffs, scratches, and chips to lacquer, concentrated at edges and corners. One with added material/residue and possible repair to back, as well missing some nails to back panel.

247

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Several chairs with heavier nicking to the edges of the frame, exposing the raw wood beneath. As well, there are scattered minor breaks to the caning on the backrests of each. Lastly, the upholstery for each in overall good condition with minor thread pulls and loss to the pile.

248

Overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. This item has been tested and does not turn on when plugged in. As such, it is sold as-is. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronics.

249

Overall good condition. The full sheet with deckled edges. Very minor and unobtrusive handling marks scattered mostly in the outer edges. Minor rippling along the lower left edge, attendant with its hinging. The sheet is framed floating and hinged to the back mat.

Framed under Plexiglas: 54.5” H x 41” W x 2” D

250

Visual: Overall good condition. Dust accumulation and dirt commensurate with age. Minor abrasion to the white pigment along the extreme edges of the octagon panel.

Blacklight: No evidence of restoration.

Frame: 12.5” H x 12.5” W x 1.75” D

251

Condition: Overall good condition. Light dust accumulation and grime commensurate with age. Fine craquelure throughout. Frame abrasion across the upper and upper left edges.

Blacklight: Small pinhead-sized areas of touchup along the left edge, the largest measuring 0.25” H x 0.75” W 0.75” in the upper left corner.

Frame: 28.25” H x 16.25” W x 1.5” D

252

Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Very minor and unobtrusive frame abrasion along the edge of the lower right quadrant.

Blacklight: No evidence of restoration.

Frame: 23.5” H x 19.25” W x 0.75” D

253

Visual: Overall good condition. Dust accumulation and grime commensurate with age, primarily visible in the blue pigments. Fading to the darker purple outlining throughout. Stretcher bar crease in the upper left quadrant. Areas of craquelure in the upper left quadrant and in the magenta pigment, near the center. A small 0.25” H x 0.125” W area of pigment loss extending from the upper right edge.

Blacklight: Scattered areas of touchups through the upper left and right quadrants of the work, the largest measuring 0.5” H x 0.75” W.

Frame: 66” H x 74” W x 1.25” D

254

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Approximately two areas of pin-sized losses to the paint on the front signature. Adhesive rubber feet to underside.

255

Visual: Overall good condition. Dust, grime, and varnish discoloration commensurate with age. Occasional craquelure showing mostly in the upper quadrant and primarily in conjunction with the upper stretcher bar. The canvas is irregularly exposed around the outermost edges, which may indicate a combination of the artist’s own working methods and possible tiny pigment losses over time.

Blacklight: No evidence of restoration.

Frame: 18.75” H x 22.25” W x 1” D

256

Overall good condition with shelf wear, scuffs, and scratches commensurate with age. Scattered small chips and flea bites to edges with pitting throughout. The base in good condition with scattered scuffs, scratches, and nicks commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

257

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There is heavier scratching to the undersides of several of the modular units and one with localized circular area of what appears to be water damage. The verso of the two-door cabinet with a tear-out to the particleboard backing. Likewise, there is some tear-out to the mounting holes on the brackets. Lastly, the black painted backing of the interior of the glazed cabinet with several breaks and chips.

258

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. More concentrated scratches, scuffs, and drink rings to upper surface. One 0.75” loss to bottom of back right leg. Bottom right surface with some speckled residue at the edge, possibly paint flecks.

259

Overall good condition with scattered scuffs and scratches commensurate with age. The base with wear, dust accumulation, and minor scuffs commensurate with age. With a taped piece of paper to underside of base.

260

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The polished stone base with minor scratching scuffing.

261

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. As well, there is white adhesive residue and surface grime throughout.

262

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

263

Each overall generally good condition. Dust accumulation and grime commensurate with age.

Frame of larger under glass: 14.75” H x 12.5” W x 1” D

264

Light staining, surface soiling, and occasional foxing throughout. A 4” horizontal tear in the image at the center of the left edge, with attendant tape staining showing through from the verso. Hinged to the overmat by a long strip of masking tape at the verso along the upper sheet edge, with attendant staining.

Framed under glass: 25” H x 19” W x 1.25” D

265

Overall good condition. Sealed in the mat.

Framed under glass: 23.25” H x 29.25” W x 1.25” D

266

Overall good condition. Pale light staining throughout. Hinged to the overmat with three pieces of brown paper tape at the verso of the upper, left, and right sheet edges.

Unframed

267

Each overall good condition with minor scuffs and darkening/oxidation to metal frames commensurate with age. As well, each roped seat with staining. grime, and wear. Most with loosening to the rope seats.

268

Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age and outdoor use. Each with allover weathering and losses to the charcoal finish. The vinyl straps in good condition with some stiffness from outdoor use. The metal label is partially attached, bent, and faded from weathering.

269

270

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear to the seat of the bench commensurate with use.

271

Each overall good condition with scattered scuffs, scratches, nicks to edges, shrinkage cracks, indentations, and separation at joints commensurate with age. The middle table with a 3” x 2” faded stain, with smaller similar stains to the smallest piece. The middle with two 2” dia. patches of craquelure to enamel from moisture damage. Mild oxidation to wrought iron legs.

272

Overall good condition with tarnishing and light scratches commensurate with age. Marble base with scattered scuffs and minor fleabite chips. As well, there is surface grime and dirt present throughout the marble base.

273

Each overall good condition with oxidation, localized rust, and light scratches commensurate with age. Scattered nicks to and surface grime on the upholstery of each.

John Moran Auctioneers, Inc

Specialists

President, Auctioneer

Co-Head of Sale, Director, Fine Art

Co-Head of Sale, Specialist, Post-War & Contemporary Design

Senior Vice President, Director Trusts & Estates

Vice President, Specialist, Silver, Western, and American Indian

Associate Specialist, Fine Art

Senior Specialist, Fur niture & Decorative Arts

Department Administrator, Fine Art

Department Administrator, Furniture & Decorative Arts

Silver, Western and American Indian Cataloguer

Cataloguer, Fine Art

Cataloguer, Furniture & Decorative Arts

Director, Jewelry & Watches

Senior Specialist, Jewelryc& Watches

Regional Representative, Arizona

CLIENT SERVICES

Office Manager

Client Services

Finance Administrator

Client Services

OPERATIONS

Vice President, Business Director, Auctioneer

Finance & Human Resources Director

Consignment Coordinator

Warehouse Supervisor, Senior Art Handler

Transport Supervisor, Senior Art Handler

Art Handler

MARKETING

Director, Advertising & Marketing

Brenda Smith

Graphic Designer

PHOTOGRAPHY

Photographer

Photography Assistant

TRUSTS & ESTATES

Director, Appraisals

Administrator, Appraisals

Administrator, Trusts & Estates

Founders

Founder

Co-Founder

Jeffrey J. Moran

Jenny Wilson

Matthew Grayson

Morgana Blackwelder, ISA AM

Maranda Moran

Bobby Cullen

Angela Past

Ian Anderson

Alek Ellis

Sally Andrew

Anne Spink

Madison Ari

Clark Silva

Sarah Beaver

Grant Stevens

Tom Burstein

Peggy Gottlieb

Deborah Davis

Mario Esquivel

Ella Fountain

Jamie Holthauser

Bryan Ortega

Stephen Swan

Maha Darwish

Jean Rapagna

Richard Corral

Joe Miranda

Joseph Corcoran

Romero Corral

Nathan Martinez

PR Manager/Social Media

Brian Olivas

Keith Berson

Madison Torres

Michael Mizerowski

Jacob Baer

Mariam Whitten, ISA AM

Shannon Dailey

Melissa Brownell

John H. Moran (1942-2017)

Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

Conditions of Sale

These Terms and Conditions of Sale (“Terms“) set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. (“Moran”) will be governed. These Terms constitute a legal and binding agreement between You and Moran.

1. AUCTION HOUSE AS AGENT. Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

2. BEFORE THE AUCTION a. Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran.com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. b. Buyer’s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. c. Property Sold “As Is”: Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. All property IS sold “AS IS.” Condition reports are offered as a courtesy and are typically published in Moran’s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

3. AT THE AUCTION

a. Admission. Moran’s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

b. Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer’s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment.

c. Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or inter net, constitutes a bidder’s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and—in the case of error or dispute, whether during or after the sale—determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran’s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

d. Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

e. Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at their discretion or deem the lot unsold if a bid is not recognized.

4. AFTER THE AUCTION

a. Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 25% on the first $1,000,000 of the hammer price, plus 20% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Bidsquare platforms will be charged a Buyer’s Premium calculated as follows: 30% on the first $1,000,000 of the hammer price, plus 25% on any amount between $1,000,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

b. Collection. Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

c. Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the “Retrieval Period”), Moran may, without further notice, (a) continue to store the lot in Moran’s warehouse, or at the warehouse of a thirdparty, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer’s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

d. Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran’s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (“Abandoned Property”) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

e. Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

f. All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

5. LIABILITY AND LIMITED WARRANTY a. Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot. b. Limited Warranty. All property is sold as is. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability. c. Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. d. Estimates. All estimates provided are carefully considered opinions of Moran’s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. e. Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@ johnmoran.com.

6. ADDITIONAL MATTERS

a. Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

b. Buyer’s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

c. Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

d. Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction. This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision. In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration.

e. Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

John Moran Auctioneers, Inc

Specialists

Founders

Conditions of Sale

3. AT THE AUCTION

4. AFTER THE AUCTION

6. ADDITIONAL MATTERS

This article is from:

Art + Design — August 29, 2023 | John Moran Auctioneers