University of Hawai`i 2016 University of Oregon 2018
JONAH KENICHI JUMILA jonahjumila@gmail.com 808.895.9565
SELECTED WORKS 2012-2018
This image represents an abstraction of the letter J, in 3-dimensional form. It explores the volume from the interior and exterior . This was a design exercise that was intended to develop a personal logo, but also force myself to look at everything from a new perspective.
JONAH KENICHI JUMILA
BEEBE-SKIDMORE ARCHITECTS Architectural Intern June 2017 - September 2017 Prepared drawings in the construction document and design development phase of a multi-story adaptive-reuse building. Also refined drawings for presentation quality to be used for marketing and public relations purposes.
JONAHJUMILA@GMAIL.COM
UNIVERSITY OF OREGON, PORTLAND
808.895.9565
Architecture Office Asistant
PORTLAND, OR, 97202
April 2017 - Present Creation and management of an archiving system to catalog student work in preparation for review by the National Architectural Accrediting Board. Assisted
EDUCATION University of Oregon 2018
the Director of the Portland architecture program with planning and coordination for a showcase of student work in the Light Court Commons of the White Stag Building.
Master of Architecture Track II College of Design University of Hawaii at Manoa 2016 Bachelor of Environmental Design School of Architecture
AMERICAN INSTITUTE OF ARCHITECTS JAPAN Local Chaperone August 2017 - September 2017 Aided the program coordinator with accommodations and advising of 6
SKILLS Adobe Photoshop, Illustrator, Indesign Rhinoceros 5 Autodesk Autocad, Revit
students from respected universities in Tokyo, Japan. During their stay in Portland, duties included checking in with them at their host firms, advising them with their project assignment, and sharing knowledge about the culture and lifestyle of Portland, Oregon.
Tally Vectorworks Sketchup Nationbuilder Four Winds: Content Manager
UNLIMITED CONSTRUCTION SERVICES INC. Preconstruction//Estimating Intern June 2016 - September 2016 Assisted estimators with takeoffs for large scale residential development and a
VOLUNTEER
mixed use mid-rise project, helped with design layout of RFP’s, updated the
AIAS Hawaii 2014 - 2016
projects.
design of the marketing brochure to better represent the company’s recent
Graphic Illustrator
Okinawan Festival 2012-2015 Katsuren Chojin Kai Volunteer
Honolulu TOD Symposium 2015
UNIVERSITY OF HAWAI`I AT MANOA Graphic Illustrator
Chalk Infographic Volunteer
May 2015 - May 2016
Japanese Cultural Center Hilo 2014
ASUH events including UH Manoa Homecoming 2015 and Mahalo Manoa.
Archivist Volunteer
Maintained ASUH Website and created event logos, designs, banners, fliers for Office duties included, posting meeting notices on digital and physical bulletin board, answering phone calls, assisting students with questions and concerns.
REFERENCES Brook Muller, Director of Architecture University of Oregon Portland Heidi Beebe, Principal
Beebe-Skidmore Architects Maria Simon, Architect Minarik Architects
COUNTY OF HAWAII: PARKS AND RECREATION Office Intern June 2014 -August 2014 Monday -Friday internship that consisted of tasks such as following building inspectors to site inspections, scanning blueprints for various County of Hawaii projects, and photographing conditions at existing sites.
SELECTED WORKS I wanted to showcase 10 things that I am proud of and portrays my interests in design. Through these 10 projects/collections I hope that you will gain at least a brief understanding of my values as a person and as a designer.
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ORDER OF NATURE Attention to Detail - Connections University of Hawaii
TRANSITION TOD + Sea Level Rise University of Hawaii
WAIKIKI 2050 Aging Population + Sea Level Rise University of Hawaii
LAUNDRIFICATION Hydrologic Systems + Local Industry University of Oregon
ECO INDUSTRIAL PARK Bioligically Based - Industrial Park University of Oregon
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EXTENSION Performance Theater + Market Hall University of Oregon
MODULAR HOUSING Modular Construction + Lifestyle Psychology University of Oregon
ALT MEDIA Art in Various Mediums University of Hawaii + University of Oregon
GRAPHIC ARTS Graphic Design -Print Media University of Hawaii + University of Oregon
#ZEITGEIST Life of the Land Personal Photos
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O R D E R O F N AT U R E 2 N D Y E A R S T U D I O / S P R I N G 2014 PROFESSOR KRIS PALAGI AND HONGTAO ZHOU
The first half of the sixteen week course was used to explore the forests, beaches, and hiking trails in search of an artifact of nature that we would then implement an “intervention� that responds to the inherent beauty within the natural sculpture.
The project was designed to help us think through and explore the various scales of design, and create sculptures and drawings that emulated architectural qualities.
ARCH 201
Hongtao Zhou Kris Palagi
Spring 2014
ORDER OF NATURE 7 weeks an elaborate collection/ land art/ intervention in nature Exploring the relationship between man-made and natural elements. Responding to nature is imperative in undetstanding the relationship between earth and architecture
H 201
ongtao Zhou Kris Palagi
Spring 2014
ntion in nature
n-made and
ORDER OF NATURE 7 weeks an elaborate collection/ land art/ intervention in nature Exploring the relationship between man-made and natural elements. Responding to nature is imperative in undetstanding the relationship between earth and architecture
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OBSERVATION DECK
HALLWAY
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THE OVERLOOK
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TRANSITION M A G I C I S L A N D 2100 PROFESSOR JUDITH STILGENBAUER UNIVERSITY OF HAWAII
In the year 2100, sea levels are predicted to rise 3 ft above it’s current state. For Magic Island, a man-made peninsula in the heart of Honolulu , Hawaii, things could be tragic. In order to think ahead, this landscape/urban design project focuses on the importance of Magic Island in the present day, and how to successfully transition the site into a major transit hub that still speaks to the spirit of the land and the people.
PHASING DIAGRAM
SEA INUNDATION MAP + TOPO DECISION DIAGRAM
FUTURE OF WAIKIKI
The basis of the design corresponds with predictions of sea inundation onto the site and an effort to bring a variety of transit options to the area.
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CONVERGENCE
Magic island is the heart of activity of Honolulu. Most bus lines make a stop at Ala Moana center, which is also the location of a future rail stop. The beach park also provides space for people of all ages to enjoy the natural beauty of Hawaii, juxtaposed against the high-rise boom that was sparked in the 60’s.
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TYPICAL FLOOR
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INTERIOR RENDERING
WA I K I K I 2 0 5 0 W A I K I K I 2050 / S P R I N G 2014 PROFESSOR MARTIN DESPANG
Meanwhile in the year 2050, Waikiki will have experienced about 1 foot of sea water inundation. This will cause major havoc on all existing infrastructure and buildings. To properly prepare for this , the building must somehow address sea level rise and consider how it will adapt in the future to the new sea level.
FUTURE OF WAIKIKI
The future of Waikiki includes mass transit and pedestrian-only streets, and green facades on every south facing facade
STUDIO SITE MODEL WAIKIKI, HAWAII
ATTACHING TO ADJACENT BUILDINGS
FLEXIBLE EVENT SPACE
LAYERS OF PROGRAM
FUTURE OF WAIKIKI SHADED PARK
The way the program is laid out reflects current and future issues relevant to the islands of Hawaii. The building is essentially elevated to accommodate the 3-foot sea level rise by 2050. Land is at a premium in the state, and amidst the housing crisis we need to build housing that adapts to future change The elderly population is continuing to increase statewide and with that being known, we can address a few issues with this residential tower. First is lack of exercise and social opportunities, and a larger conversation about elderly depression. Physical exercise and having opportunities to socialize can greatly reduce feelings of loneliness in the aging population.
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L A U N D R I F I C AT I O N H Y D R O L O G I C A L S T U D I O / W I N T E R 2017 PROFESSOR BROOK MULLER TEAM MEMBERS: BRANDON GLAVIANO, TAKANORI MIZUTANI
To combat gentrification from progressing, we decided to create a lifestyle centered around the idea of the social laundromat. The idea of socialization made it’s way into all facets of the building design. We were also tasked with incorporating water treatment systems, and we were able to do so with constructed wetlands on all balconies for aesthetic and functional purposes URBAN INTEGRATION
As we explored concepts related to water management, we proposed that the green loop become a linear wetland park, since it tends to be rainy in Portland for half of the year. This wetland park would filter water as it hits building and street surfaces, and safely return the water back to the river or let it naturally filtrate
GREEN LOOP, CITY PROPOSED PARK: SIX MILE LINEAR PARK IN PORTLAND INNER CITY
GREYWATER FILTRATION
The concept of our building is to express the process of water filtration in the form. As water gets pumped to the roof of the building, it mixes with the collected rainwater, and uses the logic of gravity to filter its way down through the constructed wetland balconies. The airation pond then becomes a public feature for the entire block of residences
CONCEPTUAL RENDERING OF ENERGY BLOCK WITH PROPOSED GREEN LOOP PATHWAY IN THE FOREGROUND
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HOUSING PROTOTYPE
We realized that the fundamental form of the building could be replicated onto other blocks of the green loop; then the housing prototype can be linked to a greater system of water CONNECTING TO THE GREEN LOOP
and energy management.
ENERGY BLOCKS:
A block of 4 buildings can create an energy block, where each building takes on a form of waste or energy management/production to create a self sufficient living environment. Solar-Wind-Water-Agriculture
CONNECTION TO GREEN LOOP WETLAND PARK; CLEAN WATER SYSTEM
WATER JOURNEY
Pumping water is a necessary evil at this point in technology; the greywater from the residents is collected in the basement, and pumped back through the building to properly filter the water through the
WATER AS A FOCAL POINT
The basement laundry facility, the social laundromat and the spa have the common element of water; in each scenario they are expressed in their entirety
constructed wetland balconies
WATER AS A PHYSICAL EMBODIMENT
The blue represents showers and kitchens, and when staggered in way that they are still connected, they create a cascading effect that lends itself to be more representative of natural landscape solutions.
“TYPICAL” FLOOR PLAN
GROUND FLOOR PLAN
SOCIAL LAUNDROMAT; PROVIDING THE ESSENTIALS
To combat gentrification from progressing, we decided to create a
EAST-WEST SECTION THROUGH PUBLIC SPACES
lifestyle centered around the idea of the social laundromat. The idea of socialization made it’s way into all facets of the building design. We were also tasked with incorporating water treatment systems, and we were able to do so with constructed wetlands on all balconies for aesthetic and functional purposes
PROMOTING SOCIAL COMMUNITIES
INDIVIDUAL RESIDENCE AS PART OF A LARGER COMMUNITY
INTERIOR SHARED SPACES
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E C O I N D U S T R I A L PA R K U R B A N D E S I G N S T U D I O / W I N T E R 2017 PROFESSOR TIM SMITH AND GIL WILLIAMS
The goal of this design project was to create a biologically based eco-industrial park to promote public health and environmental sustainability. Part of a larger research project that analyzed the south waterfront and eastbank next to OMSI, we proposed to have this eco-industrial park to provide a series of public spaces that focused around preservation, adaptive reuse, innovation, and waste + energy management and production. These are values that are inherently present in the culture of Portland, and to design space that does not cater to the existing and future culture would be a disservice.
DESIGN GUIDELINES
By having a range of design interventions from new construction, to adaptive reuse and repurpose, we can have much more thoughtful and vibrant public space. This is beneficial to humans and wildlife when we make eco-conscious decisions.
DESIGN PROPOSALS
A series of site proposals using the design elements guide
DESIGN ELEMENTS
As a guidebook for the urban design in this area of the omsi waterfront, and a desire to preserve the industrial character of the site we have created jumping points that we take advantage of open and existing spaces.
S U P P O R T
S P A C E S
M A R K E T
P R O M E N A D E
N A T U R E
W A L K
O U T D O O R P E R F O R M A N C E
T H E A T E R
G A R D E N
N U R S E R Y F O O D
L O B B Y
+
E X H I B I T I O N
O T H E R
C O R R I D O R
PERSPECTIVE OF
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MARKET HALL ENTRY
EXTENSION M A R K E T H A L L + P E R F O R M A N C E H A L L / F A L L 2016 PROFESSOR NICO LARCO AND CHRIS BROWN
The urban condition can be created in the strategic use of public space in architecture; an indoor market, an outdoor market and a performance space can all be combined to generate an interesting set of program with a sense of cohesion. Especially in the context of Portland, it is vital to carry the sense of nature throughout the building; figuratively or literally.
SPLIT CREATES LONG CORRIDORS
SEPARATE INDOOR FROM OUTDOOR
USE THEATER AS INDOOR MARKET ROOF
URBAN CONTEXT MAP
The sense of nature that can be felt in many areas of Portland, somehow gets lost in translation as it moves into the Old Town district. In an attempt to bring the greenery back, and make it the focus of attention, the greenway continues the nature from the north park blocks, through the building and directs visitors toward the waterfront. The building containing an indoor and outdoor market space, plus a performance hall can serve as the new entry promenade into the district.
S U P P O R T
S P A C E S
M A R K E T
P R O M E N A D E
N A T U R E
W A L K
O U T D O O R P E R F O R M A N C E
T H E A T E R
G A R D E N
N U R S E R Y F O O D
EXTENSION FROM THE PARK BLOCKS
C O R R I D O R
L O B B Y
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O T H E R
E X H I B I T I O N
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C O N C E P T D E S I G N F O R 4- S T O R Y MODULAR HOUSING COMPLEX DEKUM SITE
MODULAR HOUSING M O D U L A R H O U S I N G C O M P R E H E N S I V E S T U D I O / W I N T E R + S P R I N G 2018 PROFESSOR BRIAN CAVANAUGH AND YIANNI DOULIS
Most think of “Modular Housing” as an easy solution to fit the context of any site. But it is much more than that, not only does the module have to accommodate the functions of daily life, but must fit all specifications for construction purposes. We were tasked with designing a module that could adapt to any of the three sites. With that in mind I came up with three different design schemes that took advantage of the existing character of the site.
1 FA I L I N G The smallest of the three sites. With code restrictions, applied, a total of 6 studio units are allowed.
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FIRST ITERATION OF BASE MODULE
M O N TA N A
3 DEKUM EXPLODED AXONOMETRIC OF BASE MODULE
DEKUM 30 units Large Site Park Strips between buildings Ground floor retail / building amenities Close to Woodlawn Elementary School
M O N TA N A 12 units Medium sized site Mini park between main buildings Not in close proximity to great public parks
FA I L I N G 6 units Smallest of three sites micro park between main buildings
NORTH ELEVATION
TYPICAL FLOOR PLAN
GROUND FLOOR PLAN
1 MODULE
3 STACKED STUDIOS
x3=
FAILING SITE
x2= studio
roof garden
micro park
studio
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WEST ELEVATION
TYPICAL FLOOR PLAN
THE THIRD PLACE MONTANA AVE.
First Place: Your Home Second Place: Your Work Third Place: A place where you can relax freely without the burden of responsibility.
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The layout of the courtyard was determined by tilting the negative space between the buildings and shifting it along the grid to create paths and landscape features that connect the building entrances and enhance their social energy.
LANDSCAPE AS A MEANS OF INTERCHANGE
The rising cost of homes in the city of Portland is a concern for many of the metropolitan residents. The site located along Montana Avenue is located next to the I-5 Freeway, and about a fifteen minute walk from the nearest public green space. Many residential areas of Portland can be characterized by their abundance of thriving natural landscaping features. Access to “nature” can be introduced to residents through various “green interventions” but is that enough?
COLLECTIONS = HAPPINESS
People have an affinity to collect things. These collections become a physical embodiment of one’s self identity. The reason why we feel such a strong need to return to home, is to regain that identity and be reminded of our sense of self. The storage wall that runs along the entire length of the module creates space where people can display their items. This is also meant to remind people of all the things they have acquired, in order to be mindful of their belongings and purchases.
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A LT M E D I A GRAPHITE / INK / CHARCOAL / WATERCOLOR / LASERCUTTING / 3D PRINTING / MIXED MEDIA
Representing ideas in a thoughtful analog composition was the basis for my design education. Exploring the physical outuputs of the human thought process is necessary in being able to fully represent your own ideas. If it is not presented well, nobody will understand your thought process. Compositions of layered objects, ideas and artifacts have proved to be the most compelling and insightful pieces.
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GRAPHIC ARTS AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS HAWAII CHAPTER ASSOCIATED STUDENTS OF THE UNIVERSITY OF HAWAII
As the 2015-2016 graphic artist for the Public Relations
It was important to capture the personality of each event
Committee, I needed to establish a cohesive theme for
that was hosted by ASUH, the student government at
the posters that captured students attention, but also
the University of Hawaii who made decisions on behalf of
relayed pertinent information as quick as possible. Simple geometries were used as the basis of the layout, and information and thematic design was layered behind as necessary. Each design is grounded in context that he viewer can find relatable, which is sometimes difficult to achieve in high design.
Poster Designs for the University of Hawaii at Manoa 2014-2016
over 14,000 full time undergraduates. Most importantly, we needed people to attend our events, which is why we needed graphics that promoted a sense of excitement
Rising Tides Sandcastle Esquisse University of Hawaii 2016
Future of the City University of Oregon 2017-2018
L I F E C Y C L E A N A LY S I S INFOGRAPHICS HACKER ARCHITECTS | UNIVERSITY OF OREGON
Richmond, British Columbia Distance: 309 Miles Penticton, British Columbia Distance: 463 Miles
For the “Design the Unseen� course taught at the University of Oregon, we were assigned to a team and
Portland, OR Durkee, OR Distance: 326 Miles
worked with local architecture firm Hacker Architects to explore the hypothesis that wood has less embodied
Reno, NV Distance: 578 Miles
energy than steel and concrete. We did this by evaluating the structural systems of three similarly sized builldings with the aforementioned structural materials. The life cycle analysis report was done using the software Tally, and gave us metrics used to evaluate the harm that each material would cause to the environment. Some categories included Ozone Depletion Potential, Eutrophication Potential, and Global Warming Potential.
wood
steel
concrete
material sourcing locations
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#ZEITGEIST PERSONAL PHOTOS FROM MY IPHONE
Some people say, that you can learn a lot about a person from what they photograph. I try to capture a calmness that resonates with stillness; a moment in time that cannot be replicated. I value the introspective mind. Being able to take a step back and ponder your own existence in this land. In different places. To just sit, or stand, and observe the functions of human life. To understand the spirit of the place.
JONAHJUMILA@GMAIL.COM