Geneviève Daël Le souvenir et l'oubli
Geneviève Daël Le souvenir et l'oubli
Jonathan Cooper 20 Park Walk London SW10 0AQ t: +44 (0)20 7351 0410 mail@jonathancooper.co.uk jonathancooper.co.uk
Eratemporerum imint occuptat illabo. Nem consequi dis autam endae as molorae. Atuscie nientia nobistr upitatur a aut et quaessequam assusant aute nonesendelis eum quam nus estruptatam fuga. Neque laborpo restem ratem experferi sam hit dit rat esed que consequi dolorum faccull aboribus, ea sam, que exped eos molorro maio. Mus, coreperum ute ped magnimin pla quam qui ommos sandi is eium sunt et aut odita quiduci ligent facepe sequatio quamet maionse dicium labo. Faccus esequi dolor acillique natum aut eos unditae. Aquat harum quis apienihil eum voluptaepe aut laut alia dolor autem quasperit late ommoluptatus etus maio et, volupis ex eici aut odi cuscit quam qui volorum faccuptat mi, sed utae. Ebis conse que nonsendam quia cum que prem illist, consequi tetur, quatur aut aut de officabore pro essinctem id ute conem faccatia comnia quissendios ut hicti nusam natin cuptur? Et eos por sam eum nam quatquam sunt eosant, volorib erentur si cum necea velique rerepud itibus ilia volor magnihil ipicid quias elitet ent a auta nustio voluptiat quation Occum, odignat harchil minume suntiur? Quiatur aut at ariorro eossi untempo rerumet urendis et pro omnist por magnienderis atiatur? Gento consequi nis de num nusandam
que maio consendicia in es dolenim ollabo. Itatus, cor accus et utempossum vitae pel earchil icipita si volorent apereria voluptiusam voluptae molorem quosam saes alibeatur? Am elenda doloreperit et quo odis molorep elitas magnatia voluptae es nobit omnistia ditempore parchitiust ut et raeria quam vellaces unt, ut laut intur, sim renet doluptat. Cus, volorum, coriscimo illaute eos dolecto consenis et et omnihillab ipis ut dolor alit as quis rendi il maximet velliquam, ventiumquod utae. Ulparum faceatur aspero blatem cupis comnimus. Obis dolore mollisciis plitibus, con restiis tecume niendi con posape maio. Nam et utat et intur? Ima sed qui totat volo quo temod excerib usandis eici te sapit quisque nihillaut possitame maximpor aperchil everfer eriatio. Tor re pedi ium erspele nimporrum quiam vent dolorep edipsam accullabo. Ga. Te et harumque as moluptat inumet vendae nonet dolupta quiatis eatibusam quatia es quid quissi bea nis volora dolore, et hici tem harciminiam, dolorest latur moluptur sinverferum.
Eratemporerum imint occuptat illabo. Nem consequi dis autam endae as molorae. Atuscie nientia nobistr upitatur a aut et quaessequam assusant aute nonesendelis eum quam nus estruptatam fuga. Neque laborpo restem ratem experferi sam hit dit rat esed que consequi dolorum faccull aboribus, ea sam, que exped eos molorro maio. Mus, coreperum ute ped magnimin pla quam qui ommos sandi is eium sunt et aut odita quiduci ligent facepe sequatio quamet maionse dicium labo. Faccus esequi dolor acillique natum aut eos unditae. Aquat harum quis apienihil eum voluptaepe aut laut alia dolor autem quasperit late ommoluptatus etus maio et, volupis ex eici aut odi cuscit quam qui volorum faccuptat mi, sed utae. Ebis conse que nonsendam quia cum que prem illist, consequi tetur, quatur aut aut de officabore pro essinctem id ute conem faccatia comnia quissendios ut hicti nusam natin cuptur? Et eos por sam eum nam quatquam sunt eosant, volorib erentur si cum necea velique rerepud itibus ilia volor magnihil ipicid quias elitet ent a auta nustio voluptiat quation Occum, odignat harchil minume suntiur? Quiatur aut at ariorro eossi untempo rerumet urendis et pro omnist por magnienderis atiatur? Gento consequi nis de num nusandam
que maio consendicia in es dolenim ollabo. Itatus, cor accus et utempossum vitae pel earchil icipita si volorent apereria voluptiusam voluptae molorem quosam saes alibeatur? Am elenda doloreperit et quo odis molorep elitas magnatia voluptae es nobit omnistia ditempore parchitiust ut et raeria quam vellaces unt, ut laut intur, sim renet doluptat. Cus, volorum, coriscimo illaute eos dolecto consenis et et omnihillab ipis ut dolor alit as quis rendi il maximet velliquam, ventiumquod utae. Ulparum faceatur aspero blatem cupis comnimus. Obis dolore mollisciis plitibus, con restiis tecume niendi con posape maio. Nam et utat et intur? Ima sed qui totat volo quo temod excerib usandis eici te sapit quisque nihillaut possitame maximpor aperchil everfer eriatio. Tor re pedi ium erspele nimporrum quiam vent dolorep edipsam accullabo. Ga. Te et harumque as moluptat inumet vendae nonet dolupta quiatis eatibusam quatia es quid quissi bea nis volora dolore, et hici tem harciminiam, dolorest latur moluptur sinverferum.
1
2
De lumière et d’ombre
Le Médaillon
Oil on canvas 23.62 × 23.62 ins (60 × 60 cm)
Oil on canvas 28.74 × 19.69 ins (73 × 50 cm)
£6,700
£6,800
3
4
Paysages intérieurs
Le voile du temps
Oil on canvas 25.59 × 18.11 ins (65 × 46 cm)
Oil on canvas 25.59 × 31.89 ins (65 × 81 cm)
£5,800
£9,200
5
6
Les colonnes du temps
Habiter le passé
Oil on canvas 15.75 × 31.5 ins (40 × 80 cm)
Oil on canvas 25.59 × 36.22 ins (65 × 92 cm)
£6,000
£11,300
7
8
Jalousies italiennes 11
En Retrait
Oil on canvas 24.02 × 15.96 ins (61 × 38 cm)
Oil on canvas 36.25 × 25.6 ins (92 × 65 cm)
•
£11,300
9
Nella Cappella dei Pazzi Oil on canvas 39.37 × 28.74 ins (100 × 73 cm) £12,600
10
Pensive à Monselice Oil on canvas 28.74 × 36.22 ins (73 × 92 cm) £11,300
11
12
A l’ombre des grands arbres
Sombre corridor
Oil on canvas 21.26 × 31.89 ins (54 × 81 cm)
Oil on canvas 23.62 × 23.62 ins (60 × 60 cm)
£7,800
£6,700
13
14
L’attente 11
Intérieur bleu
Oil on canvas 23.62 × 36.22 ins (60 × 92 cm)
Oil on canvas 28.74 × 21.26 ins (73 × 54 cm)
£9,900
£6,800
15
L’obscur sera lumière Oil on canvas 31.89 × 23.62 ins (81 × 60 cm) £8,900
16
17
La douceur du silence
Le murmure de l’eau 11
Oil on canvas 11.81 × 35.43 ins (30 × 90 cm)
Oil on canvas 23.62 × 31.89 ins (60 × 81 cm)
£5,800
£8,900
18
19
L’énigme du visible
Donna Fugata
Oil on canvas 24.02 × 18.11 ins (61 × 46 cm)
Oil on canvas 28.74 × 23.62 ins (73 × 60 cm)
£5,800
£7,800
20
21
Attendre l’été
Avant de disparaître
Oil on canvas 19.69 × 25.59 ins (50 × 65 cm)
Oil on canvas 23.62 × 23.62 ins (60 × 60 cm)
£6,000
£6,400
Geneviève Daël Geneviève Daël was born in Paris in 1947, and continues to live and work in Montmartre. She studied Decorative Arts at the Académie Charpentier. After a brief period spent living in London she returned to Paris, where she began to study painting independently, and worked as a model for Dior while developing her artistic practise. Her first solo exhibition was held in 1984 with Francis Kyle, London, with whom she had nine further solo shows, along with many themed group exhibitions. Her first solo exhibition with Jonathan Cooper was held in 2016. Solo Exhibitions 2002 2007 1984–2012 2016 2019
Galerie Samagra, Paris, France Galerie du Fleuve, Paris, France Francis Kyle Gallery, London À travers le miroir, Jonathan Cooper, London De Silence et d’Ombre, Jonathan Cooper, London
Mixed Exhibitions 2000 2001 2005 2006 2008 2009-10 2011 2013 2016 2017 2018 2016-19
The Art of Memory, Francis Kyle Gallery, London Galerie Samagra, Private Collection, San Diego, USA Galerie Samagra, Palm Springs Art Fair, USA Galerie Samagra, New York Art Fair, USA The Art of Memory, Royal National Theatre, London Galerie Samagra, Paris, France Lair of the Leopard: Contemporary Painters, Francis Kyle Gallery, London ‘Everyone Sang’: A View of Siegfried Sassoon and his World by Twenty Five Painters Today, Francis Kyle Gallery, London Mother Land, Francis Kyle Gallery, London Rarity Gallery, Myconos, Greece Byzantium, Francis Kyle Gallery, London TS Eliot’s Four Quartets, Francis Kyle Gallery, London Jumping for Joyce, Francis Kyle Gallery, London Jonathan Cooper, New York Art, Antique and Jewelry Show, New York Jonathan Cooper, Palm Beach Jewelry, Art & Antique Show, Florida New Year, New Art, Jonathan Cooper, London Jonathan Cooper: 30 Years, Jonathan Cooper, London Jonathan Cooper, LAPADA Art & Antiques Fair, and BADA Fair, London
SCAN TO VIEW
Works: © Geneviève Daël Text: Mélissa Tahar Catalogue: © Jonathan Cooper / Geneviève Daël Photography: © Joel Laiter Design: Graham Rees Design Print: The Five Castles Press
Jonathan Cooper