Songs of Ophelia by Jonathan Posthuma

Songs of Ophelia for Treble Chorus (SSA), guitar, piano (opt.)

Jonathan Posthuma, 2012

How should I your true love know From another one? By his cockle hat and staﬀ, And his sandal shoon.

They bore him barefaced on the bier; Hey non, nonny, nonny, hey nonny. And his grave rained many a tear: Fare you well, my dove!

He is dead and gone, lady He is dead and gone, At his head a grass-green turf, At his heels a stone.

You must sing a-down a-down, --And you, Call him a-down-a--

White his shroud as the mountain snow--

O, how the wheel becomes it! It is the false Steward, that stole his master's daughter.

Larded with sweet ﬂowers Which bewept to the grave did go With true-love showers. Tomorrow is Saint Valentine's day, All in the morning betime, And I a maid at your window To be your Valentine. Then up he rose, and donn'd his clothes, And duppedthe chamber door; Let in the maid, that out a maid Never departed more. By Gis and by Saint Charity Alack, and ﬁe for shame! Young men will do't, if they come to't; By Cock, they are to blame. Quoth she, "Before you tumbled me, You promised me to wed." He answers, "So would I ha' done, by yonder sun, An thou hadst not come to my bed."

Spoken: There's rosemary, that's for rembrance. Pray you, love, remember. And there is pansies, that's for thoughts. There's fennel for you, a columbines. --There's rue for you, and here's some for me. We may call it "herb of grace" o' Sundays. --Oh, you must wear your rue with a diﬀerence. --There's a daisy. I would give you some violets, but they withered all when my father died. They say he made a good end. For bonny sweet Robin is all my joy-And will he not come again? And will he not come again? No, he is dead: Go to thy deathbed. He never will come again. His beard was as white as snow, All ﬂaxen was his poll: He is gone, he is gone, And we cast away moan: God ha' mercy on his soul.-And on all Christian souls, I pray God, God be wiye. -- William Shakespeare, excerpts from Hamlet Act IV, Scene 5

Songs of Ophelia dedicated to Jeni Kenis and April Hubbard William Shakespeare Hamlet, Act IV, Scene 5

Jonathan Posthuma, 2012

° 4 &4

Slow and Mournful; q = 100

SOPRANO 1

SOPRANO 2

∑

4 &4

∑

4 ¢& 4

∑

4 PIANO* & 4 {

∑

ALTO

GUITAR*

4 &4

° œ œ ˙ & 6

∑

A‹

E%™ %% %%

∑ ∑ ∑

A‹

e e E% %% %%

5fr

œ œ œ œœ w

∑

U ∑

∑ ∑ ∑

E% %%

5fr

Poco più mosso; q = 110

œ™ œ œ

U ∑

How mf

should

U ∑

How mf

should

U ∑

How

e™ e™

should

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e e #%% %% u

ee ee

œ œ

I your

œ œ

I your

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I your

% n%%%%

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œ œ œ œœ

true love know From a - no - ther one? p

By mf

his cock-le hat and staﬀ, And his san - dal

true love know From a - no - ther one? p

By mf

his cock -le hat and staﬀ, And his san - dal

& œ œ ˙ ¢& œ œ ˙

e e {& e e

E E

œ œ œ œœ w œ

œ œ œ w

ee & ee

e ee eee

EE EEE

œ œ œ œ

eÓe ee

ee e ee %

ee eee

eee ee e #eee e e

%% %%%

A‹ A‹/E E

eee ee

A‹

%%% %%

œ œ œ œœ

œ œ ˙ œ™ œ œ œ œ

true love know From a - no - ther one?

D‹

œ™ œ œ œ œ œ œ ˙

e ™ ee ee e ee ee ee E e E e™

eÓe ee ee e ee

his cock -le hat and staﬀ, And his san - dal

D‹

ee ee

ee ee ee

E #EE EE

EE EE EE

A‹/E E

eee ee ee #eee e e

* The guitar part is an approximation of chords, melodic and accompaniment ﬁgures and may be adapted or improvised in ﬁtting with a Renaissance style, or transcribed for lute or mandolin. The piano part provides a reduction of the vocal lines for rehearsal purposes, but may also be used as the basis for a suitable piano accompanient, which may be improvised from the guitar part and the provided chord changes.

For Perusal Only - Do Not Copy

° & w

12 Slow and Mournful; q = 100

∑

U ∑

∑

shoon.

& w

∑

¢& w

∑

{& %

A‹

E%™ & %%% %

A‹ 5fr

ne e E %% %%

5fr

° & œ ™ œj œ œ w 18

E% %%

is dead and gone,

& œ ™ œj œ œ w

¢& œ ™ œj œ œ w

is dead and gone,

∑

U ∑

eee ™™™ eej ee e e

C/E

E & EEE

is dead and gone,

C/G

ee e e

e ee eee

%% %%%

e e #%% %% u

his head a

grass -green turf,

œ™ œj œ œ œ

his head a

e ™ ej e ee

D‹

EE EE EE

˙ ˙ EE E

C/E

E #EEE EE

lady,

œœ œ

lady,

œœ œ

lady,

eee eee eee

%% %% œ™ œj œ œ

his heels a

œ™ œj œ œ

his heels a

grass -green turf,

e e

j ee ee eee e

is dead and gone,

%% %%

œ™ œj œ œ œ

%% %%

ee ™™

œœ œ

is dead and gone, f

œ™ œj œ œ

5fr

j œ œ™ œ œ

U ∑

is dead and gone,

∑

œ™ œj œ œ œ

He mp

shoon.

∑

œ™ œj œ œ

U ∑

shoon.

Poco più mosso

œ™ œj œ œ

his heels a

e ™ ej e ee EE ™™ EE ™™

stone.

%% E

ee #%%% ee %

For Perusal Only - Do Not Copy

° ˙™ &

24 Slower

œœ ˙

White f

his shroud as the

White f

his shroud as the

& ˙™ ¢& ˙ ™

EE ™™™ & { E

White

% % & n%%

œœ ˙

ee ee EE ee E

ee ee e e

%% %%

° j & œ™ œ œ

moun - tain

œ œ ˙

his shroud as the

5fr

moun - tain

œ œ œ œ #˙

œœ ˙

œ œ œ œ ˙

Faster, Robustly; q = 116

œ ˙

moun - tain

eeE e #EEE

A‹/E

EE EE EE

E #EEE EE

Slow and Mournful; q = 100

snow mp

w %

A‹

E%™ %% %%

A‹ 5fr

ne e E %% %%

5fr

¢& # œ ™ œj œ

{ & # eee ™™™

œ ˙

% & #%%% % f

j eee ee e

eee EE

D‹

%% %%

U ∑

∑

U ∑

∑

U ∑

E% %%

e e #%% %% u

5fr

poco rall.

œ™ œj œ # œ ˙ ˙

œ n œ b œ ™ œj œ œ œ œ œ # ˙ j e ee ee bee ee E e ™ e Een e b ee ™™ e e e e e e # EE

Lar -ded with sweet ﬂo - wers

∑

j œ œ œ œ œ œ ˙ œ™

Which be -wept to thegrave did go

∑

œ™ œj œ œ ˙ ˙

Lar -ded with sweet ﬂo - wers

U ∑

œ™ œj œ œ œ bœ œ ˙

Which be -wept to thegrave did go

œ ˙

∑

snow

Lar -ded with sweet ﬂo - wers f

& œ ™ œj # œ

∑

Which be -wept to thegrave did go

B¨

b%%%% b%

G‹

bEEE b EEE

#EEE EE

With true -love sho - wers. mp

With true -love sho - wers.

œ™ n œj œ œ b ˙ ˙ eee ™™™ ej e e EE n e ee # ee b E

With true -love sho - wers.

D‹

EE EE

F/A

neeee e

#eee ee

B¨

b%%%% b% p

For Perusal Only - Do Not Copy

° &

j œ œ œ

™™ œ™ ™™ œ™

j œ œ œ j œ œ œ

mf happily To - mo - row is Saint mf accusatory (Then) up he rose, and f angrily (By) Gis and by Saint (Quoth) she, "Be - fore you f - p sadly

¢&

™™ œ™

Lightly; q = 120

œ œ

™™ e ™ ee ™™

U E™ & EEEE ™™™™ ° & ˙™ 41

ee eee

œ œ œ

Va-len -tine's Day, donn'd his clothes, Cha - ri - ty tumb - led me,

œ œ œ

j ee ee ee

D‹

F/C

ee e e

ee ee e

EE EEE

™™ %%%% %%

mf, mf, f, f-p, sotto voce

œ œ œ œ ˙ œ œ œœ œ

time, Am I a maid at your win - dow door; Let in the maid, that out a maid shame! Youngmen will do't, if they come to't; wed." So would I ha' done by yon - der sun,

& ˙™

œ œ œœ œ œ œ œ œ ˙

¢& # ˙ ™ n œ œ œ œ œ œ œ œ œ ˙

{ & # EEE ™™™

E™ & #EEE ™™™ E™

neee n ee

ee ee ee ee ee ee eee e e F

%% %% %%

D‹

ee ee

F/C

ee ee e

eee eee e e

* text applies to all three voice parts

œ œ œ

EEE

EE EEE

EEE

œ œ œ œ

All in the morn -ing be And dopp'd the cham - ber A - lack, and ﬁe for You pro -mised me to

œ œ œ œ œ œ œ œ

G‹

ee e

ee ee ee ee e

ee ee ee e ee b eee

G‹

ee eee

ee ee ee

U œ œ œ œ œ ˙™

last time (molto rall.)

œ œ

To be your Val - len - tine. Then Ne - ver de - par - ted more. By By cock, they are to blame. Quoth And thou hadst not come to my bed.

last time (molto rall.)

œ œ

œ œ œ

œ œ

œ œ bœ

ee eee

D‹/F

EE EE EE

ee ee e e e be C7/G

ee e b eee

U # œ œ ˙™ n œ U œ œ ˙™ œ U # eee eee E ™ n e A

#eee e e

U EE ™™ EE ™™

™™ ™™ ™™ ™™

neee ™™ n ee

For Perusal Only - Do Not Copy

° & ˙™

46 Slow and Mournful; q = 100

œ œ ˙

They mf

bore himbare - faced f

They

bore himbare - faced

& ˙™ ¢& ˙™ mf

œ œ ˙

{& E ™

EE E

They

bore himbare - faced

A‹

E%™ & %%% % p

° & 52

rit.

E% %%

5fr

∑

¢&

∑

∑ ∑

C C/G

e & eee e p

EE EE EE

∑

F/A

ee ee e

EEE E E

∑

A‹

EEE EE

ee ee #EE ™™ E

œ œ œ œ œ œ œ ˙ e neee eee e e e e C

e e #%% %% u

˙™

e neeee

his grave

˙™ ˙™

œœ ˙

E™

ee E

And

his grave

A‹

his grave

A‹

5fr

rain'd f

˙ EE E

rain'd

e e E%% E %% % 5fr

C/G

ee eee

ee ee

ee e n ee

œ œ #w

F/A

ee eee e

ee ee e

A‹

EEE EE

Lightly; q = 120

∑

many_a tear:

rain'd

œœ ˙

And mf

E%™ %% %%

œœ ˙

Hey non, non - ny, non - ny, hey non - ny;

Slow and Mournful; q = 100

And

Hey non, non - ny, non - ny, hey non - ny;

on the bier;

5fr

˙ œ œ œ œ nœ œ œ

on the bier;

œ œ ˙™

e e E%% E %% %

5fr

Hey non, non - ny, non - ny, hey non - ny; p

EEE

˙ œ nœ œ œ œ œ œ

on the bier; mp

œ œ #˙ ™

e e E

œ œ #˙ ™

˙ ˙

Lightly; q = 120

œ œ #w

many_a tear: mp

ee ee #% %

many_a tear:

∑

œ œ w

EEE

E% %%

∑

5fr

e e #% %% % u p

∑

e neee e

C/G F/A

ee ee e

ee ee ee ee ne

ee ee ee

ee ee e

For Perusal Only - Do Not Copy

° &

Resolutely; q = 100

˙™

∑

¢&

∑

∑ C

EEE & EE

° & œ™

well, mf

dove!

you

well, mf

dove!

Fair

you

well,

dove!

F/A

EE E

F/C

EE EE E

%% %%%

Fair p

you

˙™

∑

œ œ

Fair p

˙™ EE ™™™ E

A‹

ee e

EEE ™™™ EE ™™

EEE EE

ee ee e

63 Mysterious and Aloof; q = 96

You

& œ™

j œ œ œ œ œ

must sing

You

must sing

¢& œ™ {& e ™ F

EE & EE

a - down a - down,

j œ œ œ œ œ

You p

EEE EE

%% %

very freely

œ œ œ

And you call

œ œ œ

U " œ œ œ œ

him

a - down - a.

U " œ œ œ œ U " œ œ œ œ

And you call pp

him

a - down - a.

a - down a - down,

And you call

him

a - down - a.

j e e

EE EE

EE E

a - down a - down, mp

j œ œ œ œ œ

D‹

D‹/E

%% %% %%

œ œ œ e

U %% %

U " e e

For Perusal Only - Do Not Copy

≈, ≈, ° very freely j j & œ bœ œ œ ™ œ œ nœ ™ œ bœ œ nœ œ œ œ bœ bœ ™ bœj œ œ 66

Confused and Yearning; q = 116

O, how the wheel be comes it!

ff , ≈ ≈, j œj ™ & bœ ™ bœj œ œ ™ œ ¢ b œ œ œ œ n œ b œ n œ œ œ œ b œ œ œ O, how the wheel be comes it!

U b˙ b˙

≈ ≈ j j j { & e be e e ™ e e ne ™ e be e ne e e e be be ™ be e e O, how the wheel be comes it!

It is the false Ste ward, that stole his ma -ster's daugh - ter.

A¨

& bb%%% b %%

6 4

It is the false Ste ward, that stole his ma -ster's daugh - ter.

≈ EE EEE

6 4

It is the false Ste ward, that stole his ma -ster's daugh - ter.

≈, ≈, j j & bœ ™ bœj œ œ ™ œ ™ œ b œ œ œ œ n œ b œ n œ œ œ œ b œ œ œ mf

U b˙ b˙

, E bbbEEEE

A¨&

≈ ee bnEEE eee n EE

A¨7

ee b%%% be %

Spoken Narration (for next page) There's rosemary, that's for rembrance. Pray you, love, remember. And there is pansies, that's for thoughts. There's fennel for you, a columbines. --There's rue for you, and here's some for me. We may call it "herb of grace" o' Sundays. --Oh, you must wear your rue with a diﬀerence. --There's a daisy. I would give you some violets, but they withered all when my father died. They say he made a good end.

6 4

U bE bE

6 4

U %% %%

6 4

For Perusal Only - Do Not Copy

1st time, Soprano 1 (solo opt.) p and narration, repeat as needed / 2nd time, add all Soprano 1 and Alto, p 3rd time, all parts mp ¾ 4th time, all parts, cresc. to f

° ™6 Œ & ™4 nœ œ #˙ ™ 71

Mysterious and Flowing; q = 110

6 & ™™4 b˙

™6 ¢& ™4 b ˙

#˙

n˙

nœ ˙ ™

™6 { & ™4 bbEE ne nn#Eee #EE ™™nE Ah

A¨

6 bEE n#eee ™ ™ & 4 b EE e bE

F‹

bnEE ™™ nEE ™™

3fr

b˙

œ œ ˙

Œ œ œ œ œ œ #˙

#˙ nœ n˙ ™ Ah

n˙

b˙

D¨

G/B

¢& n w

#˙

n˙

bœ b œ œ ˙

b˙

#œ

#e ne E e { & nbE% ne #neE #enbnEeeb e nE E E E bbEE # e ne Ah

A¨

D/A F‹/C

D¨

#ee nEE bnee neee E b E & b E #ee bnEE bnbeee n ee b EE n e E e

nEE n EEE

F‹/C

E™ bEEE ™™™™ E

D¨

B¨/D

U #w ™

n˙

nœ #˙

A‹/C D¨

B¨/D

E/B

eee ee

nE e bbnbEEEE bnneee #n%%%% ™™™™ n% ™

™™

Up ™ œ ˙™ ™

U™ % n e ™ E ne nn Ee ##EE E e #%E ™ e E ™ u

#E n EEE

nE E bbnbEEEE bnnEEE #nEEEE nE E last time U ™™ w™

EEE ™™™ EE ™™

n˙

#œ w

Œ œ nœ #˙ ™

œ b˙ ˙

b˙

D A‹/C

E #e bEEE nn eee E

Ah * spoken text begins, 1st time

& b˙

nœ ˙ ™

F‹/C

E e bbbEEEE nneee nnEEEE ™™™™™ e E

#˙

% E e n#Ee eE ™ neE ne b##EEe nE bE E nE e bE n e

bEE n Ee e nnEE #E n e nE ™ Ah

° Œ #œ œ n˙ œ & # œ œ œ pp, p, mp, f sotto voce

™™ ™™

For Perusal Only - Do Not Copy

b%% b%%

A¨7

Solo (cont.) f not quite matching pitch, slightly sharp

nY ™

¿ ¿

will he

n˙ ™ E™

Mmm...

A¨

œ œ ne e

& bb%%% b %%

not

E™

Mmm...

F‹

∏∏∏∏∏∏

% & b%%%% %

#% n %%%

come

j e

U %% %%

gain?

n%% n%%% n%

#% n %%%

˙ D

nœ œ

U bE

joy.

come

not

all

will

U b˙

n¿ ¿

∏∏∏∏∏∏

¢& n˙ ™

And

∏∏∏∏∏∏

° & nY ™

Choir (hummed, somewhat nasal)

slow arp.

Sorrowful, with an edge; q = 112

And

¢&

j e be

j œ bœ

#nn%%%% %

D¨

% bbb%%%%

∏∏∏∏∏∏

° &

bon - ny sweet Ro - bin

For

bœ

j œ bœ

∏∏∏∏∏∏

Solo mf

∏∏∏∏∏∏

gain?

w %

D¨

% bbb%%%%

∏∏∏∏∏∏

° ¢&

Freely and Sadly; q = 92

For Perusal Only - Do Not Copy

° & ˙

90 Darkly; q = 116

No, mf

bœ ™

j œ ˙

is dead:

& ˙

bœ ™

¢& ˙

is dead:

œ™

j œ ˙

No, mf

No,

{& E

C‹

j œ ˙

is dead:

j ee EE

bee ™™

à à

œ œ œ

˙™

œ œ nœ

˙™

œ bœ œ œ

˙™

bœ Go

to thydeath - bed; f

bœ Go

to thydeath - bed; f

He mf

ne - ver

will

He mf

œ bœ

ne - ver

will

ne - ver

will

to thydeath - bed;

bœ

F‹

bee bee e n ee e e

œ bœ

EEE ™™™

e b ee

ee be e b ee

œ ee e

E e EE e %% % e % e E e bEE be & b%% be e e e e EE e %% e e e e e e b%%% be e e e %e e EEe EEe e %e e %%e e e mf

° & b˙ come

& b˙

come

˙ a

¢& ˙

A¨

come

{ & bbEEE

˙™

His

˙™

, ff nœ

gain.

His

F‹

n˙ ™

gain.

EE ™™ E™

nœ

, ff nœ

gain.

Mournfully; q = 108

His

beard

was

beard

was

beard

was

EE E

A‹

œ #œ ™

white as snow,

œ #œ ™ œ

white as snow,

à j œ All

à j œ™ œ

white as snow,

à j œ

ee #ee ™™ E

All

j e

E EE E e E nE % e e E e & bbEEE be be EEE e e e EEE e e e#n EEE #e e %%% e e e eee e eee e EEEE e e #EEE e #e e EEe EEe b Ee %e e e Ee Ee n EEe e f

For Perusal Only - Do Not Copy

° œ™ & 98

ﬂax

& œ™ ﬂax

¢& œ ™

e™ { & ee ™™

ﬂax

A‹

œ œ J

- en was

œ œ J

- en was

j œ œ j ee ee

- en was

#˙

his

Darkly; q = 116

poll:

#˙

his

poll:

#EE

his

poll:

bœ ™

j œ ˙

bœ ™

j œ ˙

He is gone, mp cresc.

j e nEEE

is gone,

be ™

C/E

He is gone, mp cresc.

bœ ™

j œ n˙

C‹

EEE e e e EEE e e e EE EE e E ™™ e e e & E # E # e E n e n E e EE ™ E e E b E b e e e ™e E e E E Ee J Ee Ee Ee mp cresc.

° & bœ ™ 102

And f

& bœ ™

And

¢& œ ™

And

{ & bbeee ™™™ A¨

j œ œ we cast

j œ œ

we cast

œ œ

a -way moan:

œ œ

˙w

a -way moan:

j ee ee e e

a -way moan:

U bee ee n %%% D¨

ne & bbEEEE ™™™™bebe e e ebbbeeee b Ee ™ mf

˙w

U j œ œ bœ œ n w

we cast

U #˙

upper parts div.

U n˙ ff

U n#EE E

bœ ™

is gone,

his soul!

j œ œ œ bœ- œ- ˙-

, ,

his soul!

j œ œ œ bœ- œ- ˙ -

have mer - cy

j e neee eee

j e EEE

j œ nœ œ bœ- œ- ˙-

C‹

j œ ˙

E™ e bEEE ™™™ e be e e e e J

have mer - cy

be ™

is gone,

C‹

God

j œ ˙

be ™

bœ ™

is gone,

bœ ™

have mer - cy

bœ ™

God f

bœ ™

j œ ˙

his soul!

be e EEE C‹

E™ e bEEE ™™™ e be e e e e J

For Perusal Only - Do Not Copy

° & bœ ™ 106

And

& œ™ And

¢& œ ™

And

{ & beee ™™™ F‹

j œ œ œ œ

˙˙ ™ ˙˙™

U , nœ nœ

on all Chri -stian souls,

j œ bœ œ œ

on all Chri -stian souls,

j œ œ

on all

j ee bee e e

EE ™™ b & EEE ™™™e ebe e Ee ™

U bœ œ ˙™ Chri -stian souls, U bee ee n EEE ™™™ D¨

ebeeee be

Mournfully q = 108 rall.

U , #œ nœ

upper parts div.

I f

pray God, God

I f

pray God, God

, nœ

U n#ee e I

˙ ˙ EE E

˙ ˙

pray God, God

EEE

A‹

EE EE

E EE e e#EEEE e#e e %%%E E n EE ne EEe % Ee f

U œ œ #w be wi - ye. p

U œ œ w

be wi - ye. p

U œ œ w

be wi - ye.

6 4 6 4 6 4

U ee ee #%% e e %

6 4

EE EE E

6 4

F/C

E/B

% E #%%% e#e e u %e p

For Perusal Only - Do Not Copy

1st time, all parts, mp ¾ 2nd time, only Soprano 1 and Alto, p 3rd time, Soprano 1 soloist on "Ah..." and Alto humming, pp 4th time, only Soprano 1 soloist on "Ah...", opt. accompaniment, pp

° & 111

Mysterious and Flowing q = 110

™™46 Œ œ œ #˙ ™

6 & ™™4 b˙

n˙

b˙

™™46 & ¢ b˙

nœ ˙ ™

™™46 n#Ee #E ™nE & b E n e { b E n e E™ Ah

A¨

6 bEE n#eee ™ ™ & 4b E e b EE

F‹

bnEE ™™ nEE ™™

3fr

˙ œ œ

n˙

b˙ n˙ Ah

#˙ nœ n˙ ™

& b˙

b˙

G/B

¢& n w

b˙

n˙

bœ b œ

œ ˙

A¨

& bbEEEE bE

D/A F‹/C

D¨

#ee nEE bnee neee #ee bnEEE bnbeee n ee ne e

nEE n EEE

#œ

B¨/D

w™

#w ™

˙ ˙

nœ #˙

A‹/C D¨

B¨/D

E/B

U œ ˙™

U™ % n e ™ E ne nn Ee ##EE E e #%E ™ e E ™ u

#E n EEE

eee ee

nE E bbnbEEEE bnnEEE #nEEEE n EE

EEE ™™™ EE ™™

n˙

EE ™™ bEE ™™™ E

b˙ n˙

D¨

Œ œ nœ #˙ ™

b˙

F‹/C

b˙

#œ w

D A‹/C

E #e bEEE nn eee E

œ b˙

nœ ˙ ™

F‹/C

#e ne E e { & nbE% ne #neE #enbnEeeb e nE E E E bbEE # e ne Ah

#˙

% E e n#Ee eE neE ne b##EEe nE bE E nE e bE n e ™ Ah

E e bbbEEEE nneee nnEEEE ™™™™™ e E

bE nE # EE nn Eee n eE ™ n E

° Œ #œ œ n˙ œ & # œ n œ œ mp, p, pp sotto voce

115

D¨

œ œ œ œ œ

nE e bbnbEEEE bnneee #n%%%% ™™™™ n% ™

™™ ™™ ™™ ™™ ™™