Portfolio Compilation by Jonathan Requillo

Shifting Perceptions GSAPP 2011足-2014 Jonathan I. A. Requillo

Shifting Perceptions Portfolio by: Jonathan Ivan Adamos Requillo Contains projects from GSAPP M.Arch Graduate program. 2011-2014 Critics: Janette Kim Christoph Kumpusch Hillary Sample Michael Morris Marc Tsurumaki Ada Tolla Guiseppe Lignano Thomas DeMonchaux

My journey of change, growth, and discovery.

Table Of Contents Obscure 1 Janette Kim

Mneme 31

Christoph Kumpusch

Zion 95

Hilary Sample

Reverie 127

Michael Morris

Dissonance 161 Marc Tsurumaki

2Â˝D 199 (Monograph Included) Ada Tolla Giuseppe Lignano Thomas DeMonchaux

The Obscure Lab

Manhattanville & Columbia Client: Monsanto 2 0 1 3 â&#x20AC;&#x201D; 2 0 ? ? The purpose of this project is to revolutionize the experimentation of GMO as per request of Monsanto. It transforms explicit experimentation into implicit experimentation (FIG A). Under the guise of a cafe, the GM coffee with be tested on strangers. These oblivious patients will be monitored for allergic reactions while consuming GM coffee while also being esposed to pollen and air sprayed coffee oils. respiratory and skin reactions are closely monitored to see the effect of GMO on people (FIG B). Human Experimentation has been done in current history. Based on current social and economic climates it is a opportune time to do so.

Can design influence perception? To what extent? Do architects have ethical responsibilities? 1

The History of Human Experimentation

1 9 2 1 — ? ? ? ? The Poison laboratory of the Soviet secret services also known as Laboratory 1, Laboratory 12 and “The Chamber”, was a covert poison research and development facility of the Soviet secret police agencies. The Soviets tested a number of deadly poisons on prisoners from the Gulag (“enemies of the people”), including mustard gas, ricin, digitoxin and many others. The goal of the experiments was to find a tasteless, odorless chemical that could not be detected post mortem. Candidate poisons were given to the victims, with a meal or drink, as “medication”. A preparation with the desired properties called C-2 was developed. According to witness testimonies, the victim changed physically, became shorter, weakened quickly, became calm and silent and died within 15 minutes. Mairanovsky brought to the laboratory people of varied physical condition and ages in order to have a more complete picture about the action of each poison. In addition to human ex peri m entation, Mairanovsky personally executed people with poisons, under the supervision of Pavel Sudoplatov.

The Node

The Pop-up Lab

1 9 3 2 — 1 9 7 2 The Tuskegee Study of Untreated Syphilis in the Negro Male was a clinical study, conducted between 1932 and 1972 in Tuskegee, Alabama, in which 399 (plus 201 control group without syphilis) poor — and mostly illiterate — African American sharecroppers were denied treatment for Syphilis. This study became notorious because it was conducted without due care to its subjects, and led to major changes in how patients are protected in clinical studies. Individuals enrolled in the Tuskegee Syphilis Study did not give informed consent and were not informed of their diagnosis; instead they were told they had “bad blood” and could receive free medical treatment, rides to the clinic, meals and burial insurance in case of death in return for participating. In 1932, when the study started, standard treatments for syphilis were toxic, dangerous, and of questionable effectiveness. Part of the original goal of the study was to determine if patients were better off not being treated with these toxic remedies. For many participants, treatment was intentionally denied. Many patients were lied to and given placebo treatments— in order to observe the fatal progression

The Cafe Lab The goal of the the cafe lab is to establish a stronger relationship of knowledge to the consumer. While inhabiting the cafe consumers are able to relax in the ambience of scientific research. Hopefully this juxtaposition makes research more open to the public. These cafes will be built into current subway spaces. These nodes with display current research being conducted and exhibited for the public. One example of this is a lab at the 125th and Broadway subway station.

FIG A Explicite vs. Implicit Experimentation E xplicit E xperimentation

I mplicit E xperimentation

of the disease. By the end of the study, only 74 of the test subjects were still alive. Twenty-eight of the men had died directly of syphilis, 100 were dead of related complications, 40 of their wives had been infected, and 19 of their children had been born with congenital syphilis.

125th & Broadway Lab

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1 9 3 7 â&#x20AC;&#x201D; 1 9 4 5 Unit 731 was a covert biological and chemical warfare research and development unit of the Imperial Japanese Army that undertook lethal human experimentation during the Second Sino-Japanese War (1937â&#x20AC;&#x201C;1945) and World War II. It was responsible for some of the most notorious war crimes carried out by Japanese personnel. Some of the numerous atrocities committed by the commander Shiro Ishii and others under his command in Unit 731 include: vivisection of living people (including pregnant women who were impregnated by the doctors), prisoners had limbs amputated and reattached to other parts of their body, some prisoners had parts of their bodies frozen and thawed to study the resulting untreated gangrene. Humans were also used as living test cases for grenades and flame throwers. Prisoners were injected with strains of diseases, disguised as vaccina-

Liquid Sprays

Surveillance Cameras

Pollen Blowers

The R eveal

FIG B Monitoring Allergic Reactions 7

tions, to study their effects. To study the effects of untreated venereal diseases, male and female prisoners were deliberately infected with syphilis and gonorrhea via rape, then studied. A complete list of these horrors can be found here. Having been granted immunity by the American Occupation Authorities at the end of the war, Ishii never spent any time in jail for his crimes and died at the age of 67 of throat cancer.

1 9 3 9 — 1 9 4 5 Nazi human experimentation was medical experimentation on large numbers of people by the German Nazi regime in its concentration camps during World War II. At Auschwitz, under the direction of Dr. Eduard Wirths, selected inmates were subjected to various experiments which were supposedly designed to help German military personnel in combat situations, to aid in the recovery of military personnel that had been injured, and to advance the racial ideology backed by the Third Reich. Experiments on twin children in concentration camps were created to show the similarities and differences in the genetics and eugenics of twins, as well as to see if the human body can be unnaturally manipulat-

The HUB

“Alice in Wonderland”

ed. The central leader of the experiments was Dr. Josef Mengele, who performed experiments on over 1,500 sets of imprisoned twins, of which fewer than 200 individuals survived the studies. Dr. Mengele organized the testing of genetics in twins. The twins were arranged by age and sex and kept in barracks in between the test, which ranged from the injection of different chemicals into the eyes of the twins to see if it would change their colors to literally sewing the twins together in hopes of creating conjoined twins. In 1942 the Luftwaffe conducted experiments to learn how to treat hypothermia. One study forced subjects to endure a tank of ice water for up to three hours (see image above). Another study placed prisoners naked in the open for several hours with temperatures below freezing. The experimenters assessed different ways of rewarming survivors. From about July 1942 to about September 1943, experiments to investigate the effectiveness of sulfonamide, a synthetic antimicrobial agent, were conducted at RavensbrĂźck. Wounds inflicted on the subjects were infected with bacteria such as Streptococcus, gas gangrene, and tetanus. Circulation of blood was interrupted by tying off blood vessels at both ends of the wound to create a condition similar to that of a battle-

Manhanttanville & Columbia University The location of the research HUB is located in Manhattanville. The research HUB is a joint project to expand Columbia Universityâ&#x20AC;&#x2122;s campus as well as to develop a gentrified hot spot for activity. Cafe nodes from all over the city report their findings to this central HUB. In addition to functioning as a gathering point for information it is also functions to provide classrooms for Columbia University students. The current site is a barren wasteland with very little activity aside from Riverside park that looks onto the New Jersey Skyline. The new HUB will help revitalize the area and connect the city to the park. The HUB provides a connection to city life and education.

Top A. Mapping before Manhattanville projects B. Mapping after Manhattanville projects. Bottom Figure ground studies of urban spaces.

field wound. Infection was aggravated by forcing wood shavings and ground glass into the wounds. The infection was treated with sulfonamide and other drugs to determine their effectiveness.

1 9 3 9 â&#x20AC;&#x201D; 1 9 4 5 There have been many reports of North Korean human experimentation. These reports show human rights abuses similar to those of Nazi and Japanese human experimentation in World War II. These allegations of human rights abuses are denied by the North Korean government, who claim that all prisoners in North Korea are humanely treated. One former North Korean woman prisoner tells how 50 healthy women prisoners were selected and given poisoned cabbage leaves, which all the women had to eat despite cries of distress from those who had already eaten. All 50 were dead after 20 minutes of vomiting blood and anal bleeding. Refusing to eat would have meant reprisals against them and their families. Kwon Hyok, a former prison Head of Security at Camp 22, described laboratories equipped respectively for poison gas, suffocation gas and blood experiments, in which 3 or 4 people, normally a family, are the experimental subjects. After undergoing medical checks, the

Project MK-Alice Monsanto is a gigantic company that is constantly taking advantage of its consumers. from dangerous health risks and their treatment of farmers they still continue to grow under the radar of the public. How is it that such a large company can remain so hidden from the public eye? By looking at corporate trigger words we can start to see how large corporations can lull consumers into a sense of false security. Instead of engaging and providing for their consumers they are capturing and experimenting on them. Like trapped lab rats, people that consume and farmers that farm gm crops, are unknowingly experimented on. By getting into the mind of Monsanto we can see the dangers of the future. A future where people are explicitly being tested for allergic reactions to GM crops. Monsanto is redefining farming and because of that it requires redefining how they test their products. Why test on lab rats when human test subjects can more accurately gauge the effects of GM crops. Project MC-Alice attempts to visualize and manifest the dangers of a large corporation like Monsanto can cause. MC-Alice is the code name for the a future Monsanto testing tower. MC describes the Monsanto-Columbia University relationship and Alice refers to the â&#x20AC;&#x153;Alice in Wonderlandâ&#x20AC;? novels where an innocent girl is guided into a rabbit hole and experiences surreal adventures. MC-Alice strives to test on the human public while teaching future scientists from Columbia University techniques and reactions to GM foods. It turns Hydroponics into a novelty as mind-boggling experiences. The Hydroponic system stems from a waffle-lattice system that undulates through the building, gently coaxing you deeper and deeper 13

Streetview Render 14

chambers are sealed and poison is injected through a tube, while “scientists” observe from above through glass. Kwon Hyok claims to have watched one family of 2 parents, a son and a daughter die from suffocating gas, with the parents trying to save the children using mouth-tomouth resuscitation for as long as they had the strength.

9 3 9 The Monster Study was a stuttering experiment on 22 orphan children in Davenport, Iowa, in 1939 conducted by Wendell Johnson at the University of Iowa. Johnson chose one of his graduate students, Mary Tudor, to conduct the experiment and he supervised her research. After placing the children in control and experimental groups, Tudor gave positive speech therapy to half of the children, praising the fluency of their speech, and negative speech therapy to the other half, belittling the children for every speech imperfection and telling them they were stutterers. Many of the normal speaking orphan children who received negative therapy in the experiment suffered negative psychological effects and some retained speech problems during the course of their life. Dubbed “The Monster Study” by

into experimentation. This Lattice plays with the idea of landscape. Where the landscape amorphously transforms in each space as floor and overhead (Fig C). In each space different parts of the human body interact with the waffle hydroponic system giving scientist a view into any allergic reactions that occur. The exposure to the GM seeds and liquids in the Seed Nursery test for reactions in the skin, scientist look for lesions or boils. The Hydroponic Seed Library provides space to read and the cafe allows you to eat GM food products such as muffins and coffee, scientist look for any signs of sickness and urgency to use the restroom. The Pollen fields provide space for people to play, run, exercise all while breathing in GM Pollen, scientist look for reactions in the eyes, nose, and respiratory system. In the Rooting Lab mist is constantly being sprayed providing complete immersion into the skin, eyes, nose, mouth. Scientist look for any signs of reactions. One might think a reality like this is unbelievable, but it’s not the first time humans were unknowingly experimented on. In the 1960’s Project MK-ULTRA tested on Americans and Canadians on reactions to drugs in attempts to develop mind controlling agents.

FIG C Top to Bottom 1. Overhead 2. Screen 3. Landscape 4. Landscape & Overhead

some of Johnson’s peers who were horrified that he would experiment on orphan children to prove a theory, the experiment was kept hidden for fear Johnson’s reputation would be tarnished in the wake of human experiments conducted by the Nazis during World War II. The University of Iowa publicly apologized for the Monster Study in 2001.

Section L ooking E ast

4. Data Analysis

VII

1 9 5 0 — 1 9 6 0 Project MKULTRA, or MK-ULTRA, was the code name for a CIA mind-control research program, run by the Office of Scientific Intelligence, that began in the early 1950s and continued at least through the late 1960s. There is much published evidence that the project involved the surreptitious use of many types of drugs, as well as other methodologies, to manipulate individual mental states and to alter brain function. Experiments included administering LSD to CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public in order to study their reactions. LSD and other drugs were usually administered without the subject’s knowledge and informed consent, a violation of the Nurem-

Classrooms

Program List 1. Public Entrance 2. Seed Nursery 3. Seed Library/Cafe 4. Pollenation Fields 5. Observation Lecture Room 6. Rooting Room

Secret Entrance

berg Code that the U.S. agreed to follow after WWII. Efforts to “recruit” subjects were often illegal, even discounting the fact that drugs were being administered (though actual use of LSD, for example, was legal in the United States until October 6, 1966). In Operation Midnight Climax, the CIA set up several brothels to obtain a selection of men who would be too embarrassed to talk about the events. The men were dosed with LSD, and the brothels were equipped with one-way mirrors and the “sessions” were filmed for later viewing and study. In 1973, CIA Director Richard Helms ordered all MKULTRA files destroyed. Pursuant to this order, most CIA documents regarding the project were destroyed, making a full investigation of MKULTRA virtually impossible.

VIII

9 5 4 Project 4.1 was the designation for a medical study conducted by the United States of those residents of the Marshall Islands exposed to radioactive fallout from the March 1, 1954 Castle Bravo nuclear test at Bikini Atoll, which had an unexpectedly large yield. For the first decade after the test, the effects were ambiguous and statis-

1. P ublic Entrance

“Alice In Wonderland” The Public Entrance tries to lure unsuspecting people toward the building. The reflectivity of the bottom portion of the building is similar to the artwork of Amish Kapoor. Using the novelty of reflection and visual distortion it allows visitors to gather in this area and hopefully becomes the catalyst for them to enter the building. This is akin to Alice following the rabbit down the hole to Wonderland. Human curiosity makes these unsuspecting people go into the building. The seed nursery is one of the first experiential spaces. Water infused with additives and nutrients are flooded into the interior landscape forcing people to tredge through the puddles that form within the crevices. 19

2. Seed Nursery 20

tically difficult to correlate to radiation exposure: miscarriages and stillbirths among exposed Rongelap women doubled in the first five years after the accident, but then returned to normal; some developmental difficulties and impaired growth appeared in children, but in no clear-cut pattern. In the decades that followed, though, the effects were undeniable. Children began to suffer disproportionately from thyroid cancer (due to exposure to radioiodines), and almost a third of those exposed developed neoplasms by 1974. As a Department of Energy Committee writing on the human radiation experiments wrote, “It appears to have been almost immediately apparent to the AEC and the Joint Task Force running the Castle series that research on radiation effects could be done in conjunction with the medical treatment of the exposed populations.” The DOE report also concluded that “The dual purpose of what is now a DOE medical program has led to a view by the Marshallese that they were being used as ‘guinea pigs’ in a ‘radiation experiment.’”

1 9 7 0 — 1 9 8 0 The Aversion. South Africa’s apartheid army forced white lesbian and gay soldiers to undergo ‘sex-change’

3. Seed Library/Cafe

Further Into The Rabbit’s Hole The next space to enter is the Seed Library/ Cafe. This space functions not only as a catalog for genetically modified seeds but also functions as a traditional book library with accompanying cafe. This area funcations as a place of pause. The upward condition that the seed library creates makes people want to stop, read a book, and perhaps grab a snack and some coffee. What they don’t realize is that both snacks and coffee are made with GM products and they are being monitored for any allergic reactions. The next space are the pollenation fields. This space serves as an area to pollen GM plants while exposing people to GM pollen. It provides space to do various activities. The goal for this space is to expose as many people as possible. 21

4. Pollenation F ields 22

operations in the 1970’s and the 1980’s, and submitted many to chemical castration, electric shock, and other unethical medical experiments. Although the exact number is not known, former apartheid army surgeons estimate that as many as 900 forced ‘sexual reassignment’ operations may have been performed between 1971 and 1989 at military hospitals, as part of a top-secret program to root out homosexuality from the service. Army psychiatrists aided by chaplains aggressively ferreted out suspected homosexuals from the armed forces, sending them discretely to military psychiatric units, chiefly ward 22 of 1 Military Hospital at Voortrekkerhoogte, near Pretoria. Those who could not be ‘cured’ with drugs, aversion shock therapy, hormone treatment, and other radical ‘psychiatric’ means were chemically castrated or given sexchange operations. Although several cases of lesbian soldiers abused have been documented so far—including one botched sexchange operation—most of the victims appear to have been young, 16 to 24-year-old white males drafted into the apartheid army. Dr. Aubrey Levin (the head of the study) is now Clinical Professor in the Department of Psychiatry (Forensic Division) at the University of Calgary’s Medical School. He is

6. Rooting Room

A Journey’s End? The last space people experience is the Rooting Room. This space provides a hydroponic area for the rooting for GM plants. People are given raincoats and are able to wake through the mist. What they don’t realize that the liquid used for this process also has multiple additives and completely emerses the person. The immediate effects are monitored clossly but the long term effects are still unkown. One of the hidden areas of the HUB is the lecture room. Because this is a joint project between Monsanto and Columbia University, this area functions as a lecture hall where Monsanto scientists educate students about the experimentation process and what allergic reactions to look for. They’re training future Monsanto scientists. 23

5. Observation Lecture Room 24

also in private practice, as a member in good standing of the College of Physicians and Surgeons of Alberta.

9 7 1 The Stanford prison experiment was a psychological study of human responses to captivity and its behavioral effects on both authorities and inmates in prison. The experiment was conducted in 1971 by a team of researchers led by psychologist Philip Zimbardo at StanSocial Climate and Human ford University. UnderExperimentation graduate volunteers played the roles of both guards and prisoners living in a mock prison in the basement of the Stanford psychology building. Prisoners and guards rapidly adapted to their roles, stepping beyond the boundaries of what had been predicted and leading to dangerous and psychologically damaging situations. One-third of the guards were judged to have exhibited â&#x20AC;&#x153;genuineâ&#x20AC;? sadistic tendencies, while many prisoners were emotionally traumatized and two had to be removed from the experiment early. Finally, Zimbardo, alarmed at the increasingly abusive anti-social behavior from his subjects, terminated the entire experiment early.

Social Climate and Experimentation I II III IV V VI

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Mneme Bank

Are childhood memories worth preserving? How important are childhood mementos? Can architecture influence the act of remembering? 31

“I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don’t have complete emotions about the present, only about the past.” ― Virginia Woolf

Memory

Mneme - Memory

The notion of memory is celebrated in our culture. From ancient greece to present day, memory continues to be an interesting and important subject inboth art and science. This narrative is an overview of how memory can be treated and provides a basic understanding of the physiology of memory.

age system that moves with the passage of time. Starting at the lower level it ends at the top. The height of the tower is related to the average lifespan of a human. After depositing their childhood toy the child is not allowed to interact with the toy until they reach a certain age of seniority, for example age 80. It is only during this time that they are allowed to return to the bank to start the next phase and complete the banking process. This next phase is the retrieval stage. This transitory stage heightlights a certain time in an individualâ&#x20AC;&#x2122;s life as the intiation of â&#x20AC;&#x153;growing upâ&#x20AC;?. Retrieval: When the individual, now old, is of the age, they undergo the ritual of retrieving their childhood toy at the top of the tower. Starting at the base of the tower as children, their pilgrimage to the top signifies their life; everything that happened from when they were children up to the very moment they journey to the top of the tower. This pilgrimage functions as a catalyst for remembrance. With everystep they remember their lives. All their hopes, dreams, sucesses, and failures. It is a time for self judgement and allows the individual to dertermine how to carry out their days until their time has expired. Once reaching the summit of tower they are able to pass down their toys as legacies for the next generation to undergo the journey of life.

Left: 1st Floor Right: Section looking Northeast

Left: Final Model Close-up Right: Overall Final Model

Memory & Mythos

Mneme - Memory

Mnemosyne (1881) A Pre-Raphaelite interpretation of the goddess by Dante Gabriel Rossetti.

THE TOWER The program of the bank is almost ritualistic in the way it treats its customers and how it functions as a bank. The program consists of two phases. The first phase is the imprinting phase. During this time the child is first exposed to the bank. Imprinting: The first phase starts the process of remembering. In order to remember something you must first imprint it into your mind. This imprinting process consists of bring the child with his or her toy to the lower playground. Each time they play with their toys in this level they are making a memory. This memory is crucial for the next and final phase of the banking process. After the child â&#x20AC;&#x153;outgrowsâ&#x20AC;? their toy they deposit their toy into the storage gear. Storage: The storage gear is a dynamic stor-

Left: Ground Floor Right: Section looking Northwest

DEPRECATION OF CHILDCARE THE DEPRECIATION OF CHILD CARE

SITE

LAFAYETTE & GREAT LAFAYETTE LAFAYETTE && JONES GREAT GREAT JONES JONES ST, ST, NOHO NOHO

HHO OUU SSTT O ONN

SITE SITE BBLL EEEE CCKK EERR

SSTT

2ND AV E

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GGRR EEAA TT JJ O ONN EESS SSTT

BOWE RY ST

LAF AY ET TE ST

The project mediates between 2 value systems, financial banking (adulthood) and childcare (childhood.

SSTT

BANKING BANKING SERVICES SERVICES CHILD CHILD CARE CARE SERVICES SERVICES

Mnemosyne

Mneme - Memory

Mnemosyne source of the word mnemonic, was the personiﬁcation of memory in Greek mythology. The titaness was the daughter of Gaia and Uranus and the mother of the nine Muses by Zeus: Calliope (Epic Poetry) Clio (History) Erato (Love Poetry) Euterpe (Music) Melpomene (Tragedy) Polyhymnia (Hymns) Terpsichore (Dance) Thalia (Comedy) Urania (Astronomy)

In Hesiod’s Theogony, kings and poets receive their powers of authoritative speech from their possession of Mnemosyne and their special relationship with the Muses. Zeus and Mnemosyne slept together for nine consecutive nights, thus birthing the nine Muses. Mnemosyne also presided over a pool in Hades, counterpart to the river Lethe, according to a series of 4th century BC Greek funerary inscriptions in dactylic hexameter. Dead souls drank from Lethe so they would not remember their past lives when reincarnated. Initiates were encouraged to drink from the river Mnemosyne when they died, instead of Lethe. These inscriptions may have been connected with Orphic poetry. Similarly, those who wished to consult the oracle of Trophonius in Boeotia were made to drink alternately from two springs called “Lethe” and “Mnemosyne”. An analogous setup is described in the Myth of Er at the end of Plato’s Republic.

recall CONCEPT This project attempts to physicalize the process of memory and remembrance. Architecture becomes a means of encoding epxeriences, storage of triggers, and recalling these experiences at a different time..

= RECALL

store

recall

encode

STORE

store

recall

ENCODE

THE BANK OF CHILDHOOD MEMORIES NoHO, NY Mneme:noun \’ne-(?)me\ The persistent or recurrent effect of past experience of the individual or of the race The Purpose of this bank to reaffirm the worth and value of your childhood. All your hopes, wishes, and desires are put upon a childhood memento. This memento is a childhood toy that is stored within the bank. The personal memories associated with these mementos establishes the bank’s worth. In a world where digital reigns, this bank attempts to re-think the value of the physical object by creating spaces for the ritualistic act of remembering one’s memories. The memories of life. Are childhood memories worth preserving? How important are childhood mementos? Can architecture influence the act of remembering?

Left: “Reflection” Material Reflection + Figurative Reflection

Memory & Mind

Mneme - Memory

Left: Upclose Wire Tower Right: Overall Wire Tower

Physiology

Mneme - Memory

In psychology, memory is the process in which information is encoded, stored, and retrieved. Encoding allows information that is from the outside world to reach our senses in the forms of chemical and physical stimuli. In this ďŹ rst stage we must change the information so that we may put the memory into the encoding process. Storage is the second memory stage or process. This entails that we maintain information over periods of time. Finally the third process is the retrieval of information that we have stored. We must locate it and return it to our consciousness. Some retrieval attempts may be effortless due to the type of information. From an information processing perspective there are three main stages in the formation and retrieval of memory: Encoding or registration: receiving, procesing and combining of received information Storage: creation of a permanent record of the encoded information Retrieval, recall or recognition: calling back the stored information in response to some cue for use in a process or activity.

encode

store

recall

Left: Latex Wire Models Right: Interior Wire Models

Left: Bristol Model Right: Bristol Models

Contextual Relationships

Mneme - Memory

CONTEXTUAL RELATIONSHIPS: memory & senses MEMORY MEMORY && SENSES SENSES

Right Right Palm Palm

Mouth Mouth Nose Nose Sensory Sensory Cortex Cortex

Taste Taste Eyes Eyes

Sensory Sensory Cortex Cortex Auditory Auditory Cortex Cortex

Optical Optical Cortex Cortex Hippocampus Hippocampus

Sensory Sensory Cortex Cortex

LEFT LEFT HEMISPHERE HEMISPHERE

Ears Ears

20-30 20-30 mm mm

Optic Optic Nerve Nerve

Individually Individually based based

Sensory Sensory Nerves Nerves Glossophyrangeal Glossophyrangeal

Individually based based Individually

Cochlear Cochlear Nerve Nerve

10-17 10-17 mm mm Olfactory Olfactory Bulb Bulb

12 12 mm mm

Top: Wire & Chipboard Model (Top View) Bottom: Wire & Chipboard Model (Side View)

Memory in “La Jetee”

Mneme - Memory

Top: Wire & Chipboard Model (Interior View) Bottom: Wire & Chipboard Model (Side View)

“La Jetee” (1962) La Jetee is a 1962 French science fiction featurette by Chris Marker. Constructed almost entirely from still photos, it tells the story of a post-nuclear war experiment in time travel. The film runs for 28 minutes and is in black and white. It won the Prix Jean Vigo for short film. The 1995 science fiction film 12 Monkeys was inspired by, and takes several concepts directly from, La Jetée. A man (Davos Hanich) is a prisoner in the aftermath of the Third World War, in a destroyed, post-apocalyptic Paris where survivors live underground in the Palais de Chaillot galleries. Scientists research time travel, hoping to send test subjects to different time periods “to call past and future to the rescue of the present”. They have difficulty finding subjects who can mentally withstand the shock of time travel, but eventually settle upon the prisoner, whose key to the past is a vague but obsessive memory, from his pre-war childhood, of a woman (Hélène Chatelain) he had seen on the observation platform (‘the jetty’) at Orly Airport shortly before witnessing a

Mneme - Memory

startling incident there. He had not understood exactly what happened, but knew he had seen a man die. After several attempts, he reaches the pre-war period. He meets the woman from his memory, and they develop a romantic relationship. After his successful passages to the past, the experimenters attempt to send him into the far future. In a brief meeting with the technologically advanced people of the future, he is given a power unit sufficient to regenerate his own destroyed society. Upon his return, with his mission accomplished, he discerns that he is to be executed by his jailers. He is contacted by the people of the future, who offer to help him escape to their time permanently, but he asks instead to be returned to the pre-war time of his childhood, hoping to find the woman again. He is returned and does find her, on the jetty at the airport. However, as he rushes to her, he notices an agent of his jailers who has followed him and realises the agent is about to kill him. In his final moments, he comes to understand that the incident which he witnessed as a child, which has haunted him for his entire life, was his own death.

Top: Wire & Chipboard Model (Side View) Bottom: Wire & Chipboard Model (Overall View)

CINEMATIC TIME TRAVEL

Cinematic Time Travel

MEMORY MEMORY && TIME TIME IN IN“LA “LA JETEE” JETEE”

memory & time in “la jetee” FAR FAR FUTURE FUTURE

TRANSITIONAL TRANSITIONAL FADES FADES

Mneme - Memory THE THE MISSION MISSION

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AFTERMATH: AFTERMATH: DYSTOPIA DYSTOPIA

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WAR WAR

WWIII WWIII

CHILD CHILD HOOD HOOD

INTRO: INTRO:“LA “LA JETEE” JETEE”

END: END:‘LA ‘LA JETEE” JETEE”

THE THE MAN MAN

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ABRUPT TRANSITIONS ABRUPT ABRUPTTRANSITIONS TRANSITIONS

THE EXPERIMENT EXPERIMENTTRIALS TRIALS THE

INFATUATION INFATUATION

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Left: Wire & Chipboard Model Right: Wire & Chipboard Model (top view)

Memory & Creativity

Mneme - Memory

MODEL EXPLORATIONS Using what was learned in the previous excersizes make models that try to manifest ideas of memory. The explorative nature of model making with intuition allows for the subconscious mind to embue the models with meaning. These models explore how spatial conditions can be created and speculates on the ability of spatial experience as a catalyst for human thought.

Left: Wire & Chipboard Model

RECOMBINITION Now dissect these objects through drawing. Compressing these 3 dimensional objects into 2 dimensional representations allows for reinterpretation of the objects. The objects are no longer individual but transform into its own new entity.

Left: Found Objects Drawing

ENCODING: THE FOUND OBJECT The process of encoding starts with finding random objects that you will disect and reassemble into something new. For this step three objects were used. A broken bicycle handle bar, a broken bicycle gear with pedal, and an ipod shuffle with earphones. How can these objects come together? Can we make something significant from something insignificant through the process we impose on it?

Left: Found Objects Photo

Memory & Creativity “For Itten, creativity was a metaphysical experience and could be properly achieved only through purging and transcendental meditation. The objects of such meditation were highly sculptural constructions in mixed media that could be appropriated as architectural models (or designs for furniture, stage sets, the whole plastic output of the Bauhaus). The meditative ﬁt that conjured such objects (which Itten would then judge as being “vibrationally balanced”) was most easily enacted with the uninitiated, the new students of the Vorkurs. To tease out the students’ innate genius, which Itten truly believed in, he set up a number of what he called “guided chance” assignments, encouraging students to remember (that is, remember things that had not been taught, but things locked inside their subconscious) through the acts of drawing, painting and modeling.”

Mneme - Memory

“We believe that architecture can be seen as a container of consciouness as the reading of an architectural space occurs primarily in the subconscious in the space of a dream. In experiencing architecture, a rich web of associations, connotations, and abstractions are created within the mind of the observer. While many of these thoughts and memories are anticipated by the makers, many are not, but are the result of images, words, and ideas transcending their literal and logical meanings.”

MNEME BANK The notion of memory is celebrated in our culture. From ancient greece to present day, memory continues to be an interesting and important subject in both art and science. This narrative documents the process of the creation of a memory bank that physicalizes the act of remembrance of a personâ&#x20AC;&#x2122;s life from childhood to old age.

MNEME B ANK

Zion Housing

A Safe Haven Location: E. Harlem In collaboration with Martin Lodman III Zion: Noun \ṣiyôn\ An idealized, harmonious community; utopia. The goal of this project was to establish a safe haven for the demographic of East Harlem. East Harlem’s african american and hispanic tenants were pushed to its location due to socio-economic instigators. By creating spaces for communities and creating better living conditions we strived to help ease the stresses that the tenants experience in everyday life. Zion Housing is a place where you can destresss after a long day at work.

Can Architecture affect mental health? Can it generate community? Can architecture protect? 95

O Urban Structuring

East Harlem: Stress and Income

Stress M ap

Alice and Peter Smithson â&#x20AC;&#x153;Buildings should be thought of from the beginning as fragments; contaiing within themselves a capacity to act with other buildings; be themselves links in systems of access and servicing. This is the only viable mode of city-structuring: for all to develop a sense of structure.â&#x20AC;?

One of the first factors we researched was the status of the site. We looked at the economic distribution of manhattan as well as the mental health distribution. What we found was astounding. After overlapping the two maps together it seems like there is a correlation between the mental health and economic demographic. The areas that had lower income had a higher rate of mental distress, while the areas that had a higher income had a lower rate of mental distress.

O O O O O

African Americam Migration As far back as the 1850s there has been a population of African-Americans in East Harlem. A major migration occured between 19151920. African-Americans from the south migrated into East Harlem to captialize on jobs pertaining to the steel mill, packing and auto manufacturers. ( possilby due to the post war economic boom).

Hispanic Migration 1920s: First influx of Puerto Ricans into East Harlem. Becoming full citizens of the United States in 1917, much of the of Puerto Rican population moved to East Harlem to take advantage of the postwar economic boom around the same time as the migrationsAfrican-Americans.

O O

O Income & Stress M ap

Income M ap of M anhattan

$0 - $34,091 $34,091 - $59,313 $59,313 - $87,364

$87,364 - $142,022 $142,022 - $250,001

O O O O O

O O

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A frican A merican Population

Hispanic Population

E ast H arlem

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Salon Coordinate Map The salon is in interesting social activity for African-Americans. In addition to to providing a service, barber shops and salons provide a moment for lounginig and community news and gossip, becoming an Urban Forum. B-17. Letting My Hair Down Productions B-19. Amalia Hair Studio B-20. HT&V Nail Salon Inc. C-18. Alicia’s Hair Salon. C-18. Ive Beauty Salon D-16. Glamour Hair Salon D-16. Mail Hair Braiding D-17. Denny Moe’s Superstar Barbershop D-17. Keepin it Kinky Natural Hair D-25.Harvey’s Barbershop E-20. Jimmy’s Unisex Salon F-3. Sister’s Unisex F-16. A Touch of Glory F-17. Flo’s Beauty Salon F-19. TCR Beauty G-3.Margaret’s Beauty Spot G-4. Kidani Salon G-16.Shirley Beauty Salon G-17. Ana’s Hair Design Studio G-19. Salon for Unisex G-19. Salon Barbara G-19. Creative Source Braider G-25. Natural Hair Care Acres G-26.Amina’s Hair Braiding G-27. Pascual’s Beauty Salon H-10. Empress of Hair H-16. We Love Hair

H-17. GirlFriends Salon H-18. Salon for Unisex H-24. Gi Amoe’s Salon and Spa H-26. M&D Unisex Salon I-13. Salon 804 I-16. C4 Hair Solutions By Erica I-23. Andrea’s Natural Styles I-23. Ademola Mandella Natural Hair and Lock Master I-23. Nu Loca Natural Parlor J-5. Betty Hair Salon Corporation J-6. Redler’s Unisex Full Service J-6. Bamba’s African Hair Braiding J-12. Twisted J-12. Magic Finger’s Beauty j-13. Golden Comb Hair J-14. La Nueva Imagen Parlor J-14. Ken’s Uptown Cuts J-20. One Hundred Perfect Hair J-20. Joseph Beauty Salon J-20. A.N. Nails Inc K-4. Deirdre’s Hair Salon K-5. RWV Unisex Salon Inc. K-5. Galaxy Hair Salon K-11. Super Africa Braidind K-17. Regina Beauty Salon K-18. Nair Preofessional L-2. Fa Salon L-6. M & Kelly Beauty Salon L-7. Hair & Body Control L-9. Maria M Salon & Unisex L-10. Nails on 7th Ave. L-16. Daimond Lee Nail Salon L-16. Ana’s Hair Design Stuio M-6. African Hair

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Braiding M-9. Beat African Hair Braiding M-29. D’Oasis 2 N-5. Heredia Tomasa N-6. Carol’s Uptown Hair Design N-7. Lucky Beauty Salon N-7. Shashae Uptown Universe N-7. Jay’s Barbershop N-13. 333 Elegant Nail Salon N-25. Fancy Beauty Salon O-11. Diallo Beauty Supply Inc. O-12. Ralph and Son Barbershop O-12. Luz Beauty Salon O-12. Kashneek Hair Salon O-12. Lenox Beauty Salon O-12. Beauty Avenue Wig Salon P-9. Rainbow Nail Spe

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Unit Typologies

SHELVING PARTITION

LINE OF VIEWS

UNITS

2 BEDROOM UNIT

STUDIO UNIT

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MICRO UNIT

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Facade Articulation & Unit arrangment One of the goal of our project to provide enough differentiation between the unit types across the housing building. This differentiation allows for an enriched experience and mixing the different types of tenants. Hopefully this encourages a neighborhood identity and creates a stronger sense of community. Selective areas of the site are then taken out to provide porosity between the city and the housing site. These carved out areas become public community areas where people can gather and meet one another. The mesh skin adds another layer of experience and becomes a buffer for the surrouding city, protecting the community behind.

UNIT DIVERSIFICATION AND FACADE CARVING A

MICRO UNIT STUDIO UNIT

B C

2 BEDROOM UNIT

A A

B C

C A

B C

COMMERCIAL BASE

C B

C A

A B

A C

A A A

B C

C C

A A

C C

B A

C C

B A

C B

C A

B A

B C

C B

C C

B C

C B

A A

CARVED OUT VOIDS

A C

COMMERCIAL BASE

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C B

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COMMERCIAL BASE

B C

A B

B C

B A

C B

B A

TYPE I A

TYPE II A

B MICRO UNIT

A B

B C

TYPE I

STUDIO UNIT

TYPE I

B A A B

A C A

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B A

2 BEDROOM UNIT

TYPE II

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Heights & Proportion Considering the heights and proportion of the housing project was also important to us. It was important that we do not compete the taller housing structure on the northwest section of the site. It was also important to maintain the identity of the Housing complexâ&#x20AC;&#x2122;s skyline profile from across the river.

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Cinematic Progression “Coming Home”

South Entrance

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Cinematic Progression “Coming Home”

South Entrance

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P ublic Threshold

Civic Threshold

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Communal M eeting

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Home

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Home

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Interstellar

Dreaming in the Stars Location: Low Earth Orbit (300 miles) from Earth.

Reverie

Interstellar: adj. \in-ter-stel-er\ Among or between the stars. Reverie: noun \rev-uh-ree\ A state of dreamy meditation or fanciful musing: lost in reverie. A daydream. A fantastic, visionary, or impractical idea: reveries that will never come to fruition. Music. an instrumental composition of a vague and dreamy character. One of the main ideas behind this project was to combine the idea of space travel with architecture and the need to raise awareness about the impor-

Can Architecture be dynamic? Can Architecture be in space? Can space help cure mental illness? 127

tance of space exploration. By speculating on the idea of a health sanitorium in space provides meaning in the investing of space research. This particular project tries to rectify the negative relationship space has with mental illness and tries to setup spatial programatic conditions that make space exploration a worthwhile experience. After visiting NASA and listening to the stories of astronauts and their experience on space walks it is apparent that there is something both terrifying and awesome about flying above and seeing the earth. Can this awesome experience be activated through architecture and program?

ISS Research Research of the ISS and routine revealed a very monotonous experience. Is there a way to expand an astronauts experience while inside of the station?

Luna-tic “Lunatic” is an informal term referring to people who are considered mentally ill, dangerous, foolish or unpredictable; conditions once called lunacy. The term may be considered insulting in serious contexts, though is sometimes used in friendly jest. The word derives from lunaticus meaning “of the moon” or “moonstruck”. Philosophers such as Aristotle and Pliny the Elder argued that the full Moon induced insane individuals with bipolar disorder by providing light during nights which would otherwise have

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been dark, and affecting susceptible individuals through the well-known route of sleep deprivation. With the introduction of electric light, this effect would have gone away, as light would be available every night, explaining the negative results of modern studies. The authors suggested ways in which this hypothesis might be tested.

ISS Length: 238.845 ft Width: 355.97 ft Height: c. 65.61 ft Speed: 17,239.2 mph Days in Orbit: 5193 Days Occupied: 4480 Number of Orbits: 81512 The ISS (International Space Station) is a habitable artificial satellite flying in low Earth orbit. The first part of the station was launched in 1998. It had been in orbit for 14yrs and will continue to be added to. The ISS has a 3 main labs where experiments are conducted, Destiny, Columbus, and Kibo Destiny is the North American experimental lab, Columbus is the Europrean Lab, and Kibo is the Japanese lab. Numerous experiments are conducted to find implications of space travel on the human body and also to find uses of space findings for health on Earth. During astronautsâ&#x20AC;&#x2122; stay on the ISS their bodies underago many changes to adapt

Precedent Studies of Mental Hospitals There theories of spatial organization that can benefit the mental health of the patient. The kirkbride plan and the cottage plan were derived for this purpose. Space can have an impact on Mental illness. Paul Rudolphâ&#x20AC;&#x2122;s mental hospital is an example of the relationship the human mind has with space; it intensified and worsened mental illness. This building was the cause of many suicides. Precedent Studies

Lunatic Asylum

Kirkbride Plans

Cottage Plans

Hybrid Plan, JDS

Dormitory Plans

Architecture of Insanity Paul Rudolph Government Service Center

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to microgravity. These are considered serious because they affect the health of the astronauts when they travel back to earth. Astronauts have to underago physical therapy upon their return.

ISS Routine In Space

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Psych Ward Routine On E arth

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Psych Ward Routine In Space

Dining Food Dining Dining

Food

Dining

Exercise

420.00

ORBIT PATH PROGRAM

ISS 230 miles Reverie 300 miles

Treatment: Claustrophobia Agoraphobia 6 Month Treatment (182 Days) Spatial Exposure Therapy rTMS (transcranial magnetic simulation) via electromagnetic stimulation to the prefrontal cortex Exercise 420 x 360 (fully extended) 2 Kinetic membranes (patient units & therapy spaces) 408 Patient Units (12’x24’) (At full Capacity) 158 Staffing Units (12’x12’) 102 Medical Personel 34 Doctors 68 Nurses & Techs 6:24 Staff: Patient Ratio 5 conference rooms of varying sizes 56 Service Personel

Dock

Staff

Patients

Prepartion

Therapy

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Health

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The Patient

rTMS

HEART RATE MONITOR / RTMS ADMINISTRATION

PREFRONTAL CORTEX STIMULATION

RESPONSIVE ARCHITECTURE

ELECTROMAGNETISM Patient Treament Architecture

Therapy

6 Month Treatment (182 Days) Spatial Exposure Therapy rTMS (transcranial magnetic simulation) via electromagnetic stimulation to the prefrontal cortex Exercise Kinetic Architecture Membrane move based on magnetic field

Magnetism

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Treatment: Claustrophobia Agoraphobia

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The Unit

U n i t F ra m e

Unit & Body

Unit Morpholog y

U n i t , S h a d o w , & L i gh t

L a y e re d M e m b r n e s

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D ynamic A rchitecture and Program in Section

17.36

A - INITIATION

47.76

58.98

41.69

88.23

53.00

A - DAY 000

A Ship from earth carries 24 willing patients to the Reverie. After docking into the hospital the patients get situated into their units. The program initiates.

From Earth

B - MIDPOINT

Patients continue with their daily routine and treatment.

C - TERMINATION

A Ship from earth carries 24 willing patients from the Reverie back to Earth. Patients move out of units and the program terminates.

65.04

99.54

B - DAY 091 PLAN

C 75.66

111.1

C - DAY 182

A Back to Earth

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Sectional Programatic Scheduling

PLAN

Taking the routine and scheduling studies a brand new schedule is created. This plays with the idea on what a “day” is and re-thinks the concept of time. Each wards day starts at a different time. This prevents over crowding and promotes relationships to develop with patients at varying phases of their treatment

SECTIONS

SPLAYED SECTIONS

WAKE

24 HRS

WAKE UP SCHEDULE

DAILY ROUTINE WAKE

SLEEP

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PREP

BFAST

THERAPY

LUNCH

THERAPY

EXERCISE

DINNER

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LEISURE

HYGIENE

PREP

O verall Section 17.36

47.76

58.98

41.69

88.23

53.00

A - DAY 000 CLAUSTROPHOBIA UNITS

HEART RATE MONITOR / RTMS ADMINISTRATION

PRESSURE RELEASE: O2

B - DAY 091 65.04

99.54

AGORAPHOBIA UNITS

53.05

72.67

42.44

360.10

138.89

53.05

TOTAL LENGTH

289.99 53.05

75.66

53.05

42.44

88.41

53.05

111.18 0 DAYS

C - DAY 182

6 HRS

ELECTROMAGNETIC NODE

6 HRS

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THE REVERIE

17.36

47.76

58.98

41.69

88.23

A - DAY 000

Patient Treament

Architecture

B - DAY 091

Therapy

Magnetism

75.66

111.18

C - DAY 182

147

148

53.00

41.69

88.23

53.00

CLAUSTROPHOBIA UNITS

HEART RATE MONITOR / RTMS ADMINISTRATION

65.04

AGORAPHOBIA UNITS

111.18

ELECTROMAGNETIC NODE

149

150

PRESSURE RELEASE: O2

99.54

53.05

72.67

42.44

360.10

138.89

53.05

TOTAL LENGTH

289.99 53.05

53.05

42.44

88.41

53.05

0 DAYS

6 HRS

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Interior: In Compression toward E xpansion

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Interior: In E xpansion toward Compression

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The Insitute of dissonant cognition

Can design influence belief systems? Can Architecture influence cognition? Can Art and Science work together?

researcher & subject

interesting...

Art & Science

artist & art

my masterpiece!!

LOL WUT?

...

:â&#x20AC;&#x2122;( researcher & subject

The institution strives to explore the connections between space and the act of creating. Partnered with MoMA, the institution provides live-work residencies for artist within the institution. Researchers observe what happens within the social creative process and document the appropriation of artwork into distorted spaces. Meanwhile, the public can meander through the institution and view the artists in their dosmetic lives as well as the researchers while they work. The institution explores the physicallity of dissonance through programatic juxtapositions, through obscuring contextual relationships, and through manipulations of itinerary. The ultimate goal being to instigate the questioning of the part-takers/inhabitants their relationships with one another. The researchers document the lives of 28 artists as they live and create within the live work residencies of the institution for 12 months. Four communal studios are provided for the artist and the artists are free to work in each studio they desire. The four studios are each different and are spatially distorted. Some examples of these distortions are material distortions playing with reflectivity, transparency and color. However, more instrusive distortions such as forced perspectives can also be constructed in the interiors. The goal of the researcher is to document and link spatial distortion with activity and art.

...

inhabitants & pedestrians

public & artwork

LOL WUT?

:â&#x20AC;&#x2122;(

inhabitants & pedestrians

public & artwork

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public?

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artist?

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researcher? ??????? ???????

researcher?

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artist & art

public?

? ?

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art? artist? ??????? ??????? art? subject?

inhabitants? pedestrians?

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Distortions in studios

Societal Hypocrisy

The voyeuristic quality of the Institution stems from current controversies with the NSA juxtaposed with the influx of social media. Society is angered by the surveillance and intrusion of the government into the private domain, yet millions of people post “private” information online in order to “connect” with their friends. Reflection

Color

Transparency

Perspective

One such case is the phenonmenon of the YouTube Vlogger in which reuglar people document their domestic lives for viewers to watch online. This form of entertainment is an evolution of Reality TV and opens the possibilties of who can be a “star”. This idea of the “YouTuber” has become so successful that “YouTubers” are now being recognized as minor celebrities being recognized by mainstream media. The Institution physicalizes this relationship to see how artist react to being viewed by the public, but also how the public responds to the viewing of such private affairs of not only the artist but also the researcher while they document the artist.

Cognitve Dissonance

The discomfort experienced when simultaneously holding two or more conflicting cognitions: ideas, beliefs, values or emotional reactions. In a state of dissonance, people may sometimes feel “disequilibrium”: frustration, hunger, dread, guilt, anger, embarrassment, anxiety, etc.

THE DUTCH BREAKFAST EXPERIMENT Experiments have shown that altering the sequences of a well known dutch breakfast sandwich increased cognitive flexible in research subjects.

The theory of cognitive dissonance in social psychology proposes that people have a motivational drive to reduce dissonance by altering existing cognitions, adding new ones to create a consistent belief system, or alternatively by reducing the importance of any one of the dissonant elements. Cognitive dissonance is the distressing mental state that people feel when they “find themselves doing things that don’t fit with what they know, or having opinions that do not fit with other opinions they hold.” Applications: Education, Therapy, Healthy Pro-social Behavior, Marketing, Architecture?

Normal sequence

Altered sequence

MOMA INSTITUTION SITES CE NT R

Spring & Mercer St.

MoMA

PS1 MANHATTAN

LONG ISLAND CITY

SoHo Judd Foundation

Addition of a MoMA institute in SoHO’s Cast Iron Architecture District.

There is a historic connection with SoHO and artist. After buildings were abandoned, artist started to move into the space for their large windows and cheaper rent. Artist like Donald Judd were the reason for the amendment to the Zoning Resolution in 1971 to Permit Live-in studios. SoHO is also is the Cast Iron Architecture Historic District the Donald Judd Estate is an example of the restoration and preservation of cast iron architecture. Conceptually the instituion funcstion simlarly to tours to see Donald Judd’s estate and how he lived. The Italian Philosophy of “La Bella Figura” is intrisic to the area due to it’s commercial appeal to tourists. People go to SoHO to buy the latest and best fashion in order to “look good”. This idea of social decorum and being observed, as well as observing others is part of the “hip” atmosphere of SoHO.

ILLUSION OF DEPTH

Envelope & Illusion

Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red-blue or red-green colors, but can also be perceived with red-grey or blue-grey images.Such illusions have been reported for over a century and have generally been attributed to some form of chromatic aberration. Chromostereopsis is usually observed using a target with red and blue bars and an achromatic background. Positive chromostereopsis is exhibited when the red bars are perceived in front of the blue and negative chromostereopsis is exhibited when the red bars are perceived behind the blue.

DEPTH DEPTH

Red mesh overlaid on blue.

FACADE + MASSING

Facade facing Judd Foundation

Facade facing Greene St.

Facade facing Spring St.

Facade facing Adjacent Building

2ND LEVEL

6TH LEVEL

1ST LEVEL

5TH LEVEL

GROUND LEVEL

4TH LEVEL

BASEMENT LEVEL

3RD LEVEL

2Â˝D Between Dimensions

Who am I? What are my obsessions? What is my design?

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2½D B E T W EEN D I M ENSI O NS

J o nathan I . A . R e quill o

Introduction

Architecture before it’s built, exists in the 2½ dimension. Architecture is a collection of 2 dimensional drawings and renderings. These drawings inform a 3 dimensional built form enveloping 3 dimensional space. It’s a paradoxical moment that all built architecture inherently passes through. When an architecture is built there is a moment of transcendence. The moment where architecture transcends its 2 dimensional experience into a 3 dimensional one. My explorations and obsessions; however, are to discover ways to hold this moment in suspense, to linger in this place. Where the experience of the architecture oscillates between the two dimensions. An experience not completely 3D and one not completely 2D. A 2½ dimension. There has always between an interesting relationship between art and architecture. Artist try to create the illusion of space through artistic technique. Architectects try to capture a proposed spatial experience through renders. However there is a disconnect in the translation for the proposed rendering and inhabitable experience.

One of my frustrations in trying to combine art and architecture is the preconception that many architects have; that artistic knowledge is only limited to the rendered image of a project. This is a superficial reading of artistic technique that is only limited to methods of architectural representation. What I desire is something more, something that is ingrained from the conception of a project. This requires starting from the beginning, by exploring some of the most basic artist techniques and artist glossary of terms. Looking at these terms we get the basic idea of a technique and what qualities it achieves. By understanding this, we as architects can start to interpret these effects into architectural experience. Understanding these terms and techniques is the key to the translation of artistic tools into architectural form. To study this I have employed basic artistic tools. One major example is the preparation of a canvas; in which the artist create a pristine field condition (the canvas) in order to make his brush strokes meaningful. In this way I have explored this idea of creating field conditions through employing the simple acts of repetition, linearity, and directionality, so

that the disruptions I make become special moments in the experience of the building. My desire for this monograph is to explore ways that art and architecture can have a stronger dialogue. To develop a stronger relationship between the two to create new, unexpected, creative experiences in architecture. I also wish to dispel preconceptions of artistic knowledge and its usefulness for conceiving space and experience. And lastly, to show the power artistic technique in the creation of visual/optic phenomena. Art has always been something that I have loved, but alone it does not satisfy my hunger to create and build. Architecture has satisfied this appetite but the artistic side and the architectural side of me have always been disparate. My monograph documents the process that I have taken into mediating between the two in order to make them work as one.

Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-Lâ&#x20AC;&#x2122;ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume

Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point VolumeMy Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space

Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Percep tual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

tary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

ro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque

Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translu-

cent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

Art Terms Chroma Perspective Proportion Gesture

Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity Art Terms Chroma Perspective Proportion Gesture Contour Illusion Chiaroscuro Sfumato Translucent Glaze Impasto Impressionistic Opaque Abstraction Composition Rendering Reflection Scumble Cogent Luminosity Synthetic Complementary Color Contiguous Colors Static Sgraffito Stipple Cliche Dappled Preconceive Close Composition Vermeer Glossary Aerial Perspective Ambiguity Caravaggism Chiaroscuro Color Harmony Color Temperature Complementary Color Composition Contraposto Contour Contrast Core Shadow Dood-Verf (Dead Color) Disegno Vs Clorito Doorkijkje (See Through Door) Doorsien Figurative Flat Or Flatness Focal Point Foreground Foreshortening Gesture Glaze Grisaille Houding Illusionim Impasto Kenlijckheyt (Perceptibility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage Blur Retroactive Continuity

bility) Landscape Line & Contour Mimesis/Diegesis Mise-En-Scene Monochrome Motif Naer Het Leven (From Life) Negative Shape Non-Finito Ordinantie (Composition) Overlap Pendant Pentimenti Perspective Perspective Box (Peep Box) Pictorial Space Picture Plane Positive Shape Proportion Raking Light Realism Repoussoir Scumble Seascape Sfumato Spatial Depth Sprezzatura Still Life Symmetry Trompe-L’ceil Turbid Medium Effect Underpainting Value Vanishing Point Volume My Terms Matrix Disruptions Repitition Regularity Lines Dynamic Forced Itinerary Urban Linearity Undo Understanding Dissonance Conceptual Framework Constraints Autonomy Perceptual Play Parallax Continuity Grid 2 Dimensional 3 Dimensional Form Geometry Slippage

table of contents sprezzatura/contrapposto

perspective/trompe l'oeil

chiaroscuro

stipple/scumble

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sfumato

151

40th ST

12th

11th

39th ST sprezzatura/contrapposto

perspective/trompe l'oeil

chiaroscuro

stipple/scumble

sfumato

hotel

storage

cult

retail Corner of 12th Ave. and 39th St.

performance

Corner of 11th Ave. and 40th St.

hotel contrapposto /sprezzatura contrapposto A representation of the human body in which the forms are organized on a varying or curving axis to provide an asymmetrical balance to the figure. sprezzatura A certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it

hotel hideaway contrapposto/sprezzatura Hotel:

Three folded planes disappear into striation. These three plans alternate to create variety upon its context. Different fantastical shapes become the rooms for the public. However, hidden in this jungle of striation and shapes exist obscuration chambers for social deviants to inhabit. The striation for the obscuration chambers are small only allowing for little peeks out and in. It obscures the activities as well as the people inside. The normal and deviant people mix and mingle in the shared areas above, never truly knowing who each other are or the secrets they harbor in their rooms.

Activity 128 Rooms Rooms For Social Deviants: 128 Obscuration rooms Ground level Solitude Exchange Itinerary For some of us, living can become monotonous at times. We go to our 9 to 5 jobs, or go to school all day (and if youâ&#x20AC;&#x2122;re an architecture student, all night). We repeat this process over and over, day after day. Vacations and holidays are the only way we break this chain and pretend to feel free. A Hotel is a place to get away; a place to hide from responsibilities. To pretend that you are free from your normal mundane lives. However, hotels are quite strange in that you are essentially living with strangers. Who are the people next door from your room? What are they doing? Why are they here? What are those noises? 7

6 disruptions are interchanged to create the building's different conditions.

Sprezzatura: A banal and repeated facade hides an interior condition. (12th Ave)

Contrapposto: Paths and spaces misalign and mislead.

Sprezzatura: A carved interior

Contrapposto: Paths and spaces misalign and mislead; a dead end.

Contrapposto: Paths and spaces merge to form units.

Contrapposto: Paths and spaces misalign and mislead.

Contrapposto: Paths and spaces merge to form units.

storage perspective /trompe l'oeil perspective The technique or process of representing on a plane or curved surface the spatial relation of objects as they might appear to the eye; specifically : representation in a drawing or painting of parallel lines as converging in order to give the illusion of depth and distance. The capacity to view things in their true relations or relative importance. trompe l'oeil Something that misleads or deceives the senses.

storage passport/imigration center perspective/trompe l'oeil V i ew in g sh e ds f o r w aitin g

The light bounced from the undulating surfaces illuminating the ground it towered. This was the new NYC Passport Agency were immigrants went to apply for their US Passports. It was required if they wanted to return from their visit to their home countries. They descended into the ground as if never to return, but miraculously emerged from the other corner of the building. Their heads held high looking up at the hieght they would have to endure on their journey for their new identities. With each step they grow weary but still determined to reach their destinations. Offices of Agents were scattered throughout the building, the waiting areas stored views out to the Hudson and New York. As they wait their turn; the sound of fluttering panels hummed while they peered into the sky line. The expressions on their faces mirrored the feelings they held inside, part sadness, part hope as they shed the last skins of their former selves and be reborn as Americans. The buildings’ panels moved as if sighing, acknowledging its visitors in their melancholic reverie. At that moment their memories were captured in the buildings’ folds and creases.

Passp o r t p ro cessin g ce nte r Imigr ati o n ce nte r B athro o ms Circulati o n Lo b by After living in America for 7 years returning to the Philippines was an exciting but strange experience. I was only 5 years old when I first went back after emigrating to Florida. I had so many exciting memories as a child, many adventures and explorations in my Grandparent’s farm on that small island of Samal. I was 12 now and everything seemed different; everything was different. The farm was a lot smaller than I remembered. The people I knew were no longer there. And even the island was renamed from the simple title of “Samal Island” to the “Island Garden City of Samal”. It was an odd feeling; familiar yet unfamiliar, native yet foreign. Caught in limbo. It’s a bittersweet moment once you’ve realized you no longer belong somewhere. It’s strange how perceptions change with time. 43

Perspective: View cones subtracted from walls create dynamic views.

Offices: Immigrants are interviewed for their passports.

Waiting area: Immigrants wait and contemplate their journeys

trompe l'oeil: Paths are manipulated to disceive your perception of depth.

Paths are manipulated to disceive your perception of depth.

b c

cult chiaroscuro

chiaroscuro Pictorial representation in terms of light and shade without regard to color. The arrangement or treatment of light and dark parts in a pictorial work of art. The interplay or contrast of dissimilar qualities (as of mood or character).

cult church of scientology chiaroscuro Lobby area

opinions and beliefs in the safety of their own home. The term “twitter-wars” exemplifies how this freedom has been twisted into a tool for the spreading of hate and dangerous ideals. In an extreme case, “beliebers” or fans of Justin Bieber have been documented to perform acts of self mutilation in the name of their love for Justin Bieber. The center provides a contained space for the organized gathering of today’s fanatics to do such rituals.

Auditorium seating Administration offices Open gathering spaces Restrooms Circulation IDOL An image used as an object of worship; One that is adored, often blindly or excessively; Something visible but without substance.

The term architectural enabler suggests that architecture too can be a tool for the spreading of dangerous ideas by providing spaces that allow such acts. The architecture itself is large and monumental focusing on the relationship between the crazed fanatic and the celebrity idol that they worship. A stage is provided for the idol while ample seating allows for up to 1,300 inhabitants. The vastness of the overhead space and the way that light filters into the spaces references the spiritual state that light is connected to, facilitating the blind belief that their crazed actions are somehow positive. Providing these gathering spaces strengthens the bonds these fanatics have not only with their idol, but also with each other.

ENABLER A person or thing that makes something possible; A person who encourages or enables negative or self-destructive behavior in another. The Center for Contemporary Idol Worship is a convention center that solely exist to provide a space for fanatics to gather. The CFCIW attempts to physicalize the “cult” following of many celebrities today. With the advancement of technology people are becoming more and more connected. This however, is not necessarily a positive thing. The freedom of the internet has allowed many to express their

Chiaroscuro: Light focuses into the interior auditorium in different ways...

b c

Chiaroscuro: Light focuses into the interior auditorium in different ways...

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retail stipple /scumble stipple To engrave by means of dots and flicks. To make by small short touches (as of paint or ink) that together produce an even or softly graded shadow. To apply (as paint) by repeated small touches. scumble To make (as color or a painting) less brilliant by covering with a thin coat of opaque or semiopaque color applied with a nearly dry brush. To soften the lines or colors of (a drawing) by rubbing lightly.

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retail shopping maze stipple/scumble Reception area

even function. I wonder what it would be like to physicalize online shopping, but instead of a reliance on convenience, focuses on the experience of searching and wandering. Like a quest, you search for your items and the items you find are your prizes.

Waiting area A lot of storage (temperature controlled) Administration offices Restrooms

The facade has surface emerging and descending, it’s translucency only hints at the objects inside. Some shadows dance and move, while others are static patiently waiting for their turn to move. Upon entering, a piranesian labyrinth overwhelms sight, disorienting, and manipulating your views. Light pierces through the sky and illuminates the spaces, it hovers and floats like a cloud. Upon a high elevated area, people are peering into the space with the look of lostness and determination to find what they are searching for. With every step the forest of columns both hides and reveals. List in hand it’s time to start the journey; it’s time to start the hunt.

Loading dock Freight elevators Circulation I recently ordered new shoes in Amazon and I came to the realization how amazing online retail has become. There are no lines to wait in, no people to dodge, no cards to swipe. With just two clicks you are able to have items delivered to your door. Searching for items in a breeze, with Amazon’s advanced search algorithms you can find what you want and need in a matter of seconds. As much as I love this experience I can’t help but think that an over reliance on convenience may not be such a good thing. I don’t think many online shoppers even know what the warehouses their items come from look like or how they

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Stipple: NW facade illustrates the gradual scaling of objects sold in the building.

Stipple: Different sized shelving and different circulation are alternated to produce retail.

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Stipple: Smallest scale shelving is 1.5' for smaller items.

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Stipple: The next scale up are for items 3'.

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Stipple: The next scale up are for items 6'.

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Stipple: The next scale up is 12'; the size for pop-up booths for selling items.

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Scumble: Empty shelving units overlap filtering light in as well as obscures views through the building.

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Stipple: Items overlap filtering light in and obscures views through the building.

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performance sfumato

sfumato The definition of form in painting without abrupt outline by the blending of one tone into another

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performace dance theater sfumato Private performance spaces

create spaces for performances.

Public performance spaces

There are shadows of dances projected on the tall thin surfaces. As they perform, you also perform as you travel deeper and deeper into the building. Your sense of time disappears and you no longer know where you are. The view to the sky above is your only connection to the outside world.

Practice spaces Storage spaces Waiting spaces Where am I? I don’t know this place. Where are the people? It’s just me here. There are only shadows here. I see figures of strangers walking, talking, and laughing but instead of footsteps, voices, and laughter, there is only silence. Who are they? Where are they going? What are they talking about? What is so funny? This is what a performance should be. Wandering and wondering. Performing is creating the desire to know more. Performance is movement through space and expression. Shadows are obscurations of their true selves.

As you ascend into the building you realize you are emerging from it’s core and views of the city can be seen from the roof top. Feeling fulfilled you again wander into the depths of the building into your slow descent back to the “real” world.

The building is a translucent box, obscuring it’s true being. Dancing shadows are seen as you get lost, as you wander through the building. The building encloses all it’s spaces with 3 continuous surfaces that converge in the center. The folds and creases

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Sfumato: Steps gradually form both the dance stages as well as overhead conditions.

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Sfumato: Light diffuses through the stepped overhead conditions.

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Jonathan I. A. Requillo

2011-2014

Architecture Technology & Fabrication

Dimensions:

Group: onathan I. A. Requillo Martin Lodman Heeyun Kim Jose Cruz

Critics: Sandra McKee Jason Stone David Burrow

Architecture Technology 5

Render By Jonathan Requillo

Fashion Research Lab

Team JJMH proposes a Fashion Research Lab in the Bronx, New York. In attempts to encourage local awareness and motivate aspiring fashionistas, our concept is based around programmatic and architectural transparency that exhibits the fashion industry’s consistent innovation combined with the dynamic and ever-changing culture in the Bronx.

Vision Statement

Furthermore, we believe that the idea of spaces merging - or bleeding into the next - enables the individual to freely

Our program is organized in three parts: workshops, administrations, galleries. Rather than conceptualizing them as three disparate programs, our intentions are to consider how these three distinct activities merge to create one iconic entity that celebrates the design and production of clothes.

Furthermore, galleries, exhibits, showrooms, and runways will be dispersed throughout the building as a testament to the work being produced within the workshops. In effect, the open dialogue

explore both literally and/or visually. Consequently, most floors will house the studio spaces. The workstations and desks of the students will trickle down the building serving as the conceptual “connector” of the building.

between the production, exhibition, and administration of the Research Lab’s products promotes the exchange of ideas and merchandise..

Render By Jonathan Requillo

Ground Floor

Fifth Floor

Second Floor

Sixth Floor

Third Floor

Seventh Floor

Fourth Floor

Plans By Heeyun Kim

1 A101

Longitudinal Section

Revit Sections By Jonathan Requillo

Cross Section

1 A102

Revit Model Force Flow Diagram

Revit Sections/Model By Jonathan Requillo

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Columns above truss on 4th floor

Structural Plan 3rd Floor

Structural Plan 5th Floor Revit Structural Plans By Jonathan Requillo

East Elevation

North Elevation

West Elevation

South Elevation

Elevations By Jose Cruz

4-3/4” LONG STAINLES STEEL STANDOFF

STAINLES STEEL BUTTON HEAD ALLEN CAP SCREW

6” X 6” PANELS

1” X 1” STEEL FRAME HORIZONTAL MEMBERS

FULL VEIL UNIT VEIL COMPONENT PLAN

Curtain Wall Drawings By Martin Lodman

Belly Block Fabrication

Latent Productions:

Runner & Stone:

Gowanus 285, Brooklyn, Ny

Upper Left: Detail images of Completed Construction Right: Belly Block Wall Dring construction phase.

Design/Fabrication/Installation/Performance Art

New Territories:

Terra Insola

Xania, Crete, Greece

Upper Left: Assembled Installation 1,000+ hanging ceramic pieces Right: Actress & Installation piece

Upper Left: Performance Event Poster Right: Performance Night + Cabinet of curiosities

Upper Left and Right: Material Research

Upper Left: Preliminary Design Experiments Right: Final Ceramic Piece Creation

Upper Left: Miniature Design Tests Right: Final Ceramic Piece Creation

Drawing/Render By: Jonathan Requillo

Fuji Wall

Advanced Curtain Wall Design Critic: Robert Heintges

Passive Ventilation

Fuji-Wall utilizes double skin facade technologies in order to produce depth. Laminated oxidized copper mesh panels The Fuji-wall design is inspired by Gercreate rich colors, combined with verhard Richter’s “Fuji” painting. Gerhard tical frit patterns and mullions recreate Richter’s abstractions are interesting in the experience of the Gerhard Richters the way he is able to create stimulating painting. illusions of depth through the technique of paint smearing; layers of paint melt Ventilation incorporated in the mulinto one another. Fuji-Wall captures lion’s design. The mullion’s design and physicalizes this condition through incorporates sound dampening foam utilizing curtain wall technologies. for sound insulation while allowing

Vision Statement

for fresh air intake and exhaust of heat build-up without the need of physical vents which would ruin the facade experience. Fuji-Wall provides a stimulating and comfortable experience.

Gerhard Richter, Fuji, 1996

Double Skin Facade: Layering of laminated oxidized copper mesh, vertical frit, and mullions create depth.

Exterior Facade: Laminated oxidized copper mesh create reds and greens from the painting Fuji

Overlapping Layers of the Double Curtain Wall

Interior Facade: Vertical frit patterns and operable windows provide smaller scaled elements.

Ventilation Through Mullion Design:

Fresh Air Intake and Heat Exhaust:

Interior Fresh air in

Exterior Fresh air in

Exterior Facade: Ventilation Through Mullions Fresh air in, hot air out

Exterior Facade: Fresh Air Via Operable Windows

SECTION A

SECTION B

Facade Roadmap Sections: 5

PLAN A

Facade Roadmap Plan:

SECTION A DETAILS

Structural Outrigger Operable window Extruded Aluminum Mullion

Lamenated Oxidized Copper Mesh

Topping Slab

Exterior Extruded Aluminum Mullion

Structural Outrigger

Structural silicon

Slotted Aluminum Panel for Fire Separation

Spacer

Fire Safing

Backing rod Silicone Weatherseal sealant

Halfen Anchor

Slotted Aluminum Panel for Fire Separation

Sprinkler System Gasket Operable window

SECTION B DETAILS

Fire Seperation Asemblage 1. Top panels comes with units. 2. Gypsum installed with units. 3. Bottom panel installed at site after fire resistant joint filler is installed

Exterior Extruded Aluminum Mullion For Ventilation

IGU

Fresh Air

IGU spacer

3/16" catwalk Sound Insulating Material

Silicone IGU Seal Metal Spandrel Panel

Gypsum Board Panels

Stiffners Fire resistant joint filler

Monolithic Glass

Vertical Mullion Ventilation

Non-Operable window

PLAN A DETAILS

Aluminum Reinforcement

Operable window

Sound Insulating Material

Aluminum Reinforcement

Horizontal Mullion Ventilation

Exterior Extruded Aluminum Mullion For Ventilation

Heat Exhaust

Lamenated Oxidized Copper Mesh

Exterior Extruded Aluminum Mullion

Structural Outriggers