JONGWOO KIM Personal Profile & Portfolio
PROFILE
Jongwoo Kim | 김종우 +61 416 056 597 +82 10 8696 6597 jkim930407@gmail.com
EDUCATION
RMIT University
Master of Architecture 2020-Present
RMIT University
Bachelor of Architectural Design with Distinction 2018-2019
The University of Auckland Bachelor of Architectural Studies 2012-2013
Massey High School
National Certificate of Educational Achievement Level 3 with Excellence 2007-2011
WORK EXPERIENCE
Freelancer
Graphic Designer | Creative Director
Jun 2016-Present | Melbourne, Victoria, Australia Overall Design Package (Logos | Posters | Flyers | Animations | Social Media) · Korea Festival in Melbourne 2019 (Consulate General of Republic of Korea in Melbourne) · Korea Festival at Home 2020 (Consulate General of Republic of Korea in Melbourne) Branding (Logos | Menu | Loyalty Card | Ads) · Deep Cafe (Cafe) · My Mom’s Kitchen (Restaurant) [Suspended] · Once in a Million (Cafe) [Suspended] Logos · Hey, Lucy. (Jewellery) · Covid-19 Zero (Disinfection Service) · Score (Clothing) Posters · 82PARTY@SIXFOUR (Concert) · RUKA 2018 (Party) · K-Next Online 2020 (Competition) [Suspended] Social Media Advertisements · Rivers Immigration & Education | Rivers Lawyers | Rivers Family Cover Arts · Various cover art designs for underground musicians in Korea and NZ Film & Photography (Shooting | Editing) · 2019 World-OKTA 차세대 글로벌 창업 무역스쿨 (3-Days Summary Film) · Korean Digital Healthcare Roadshow 2019 (Event Photography) Graphic Designer | Assistant Manager
KOTRA Melbourne
ACHIEVEMENTS & ACTIVITIES
Member
KIMOA ACE - Korean in Melbourne of Association Architecture, Construction & Engineering Melbourne, Victoria, Australia 2019-Present
Vice President
RMIT University Korean Student Association RMIT University 2018-2019
Board Member
Korean Architecture Student Association The University of Auckland 2013
New Zealand Scholarship
Design and Visual Communication New Zealand Qualifications Authority 2011
Jun 2019-Aug 2019 | Melbourne, Victoria, Australia Event management, design, marketing for ‘Australia - Korea Job Fair 2019’ · General Admin Work · Website Design and Management · Advertisement | Prints | Banner Design Architectural Designer
CTR Form Architects
Nov 2018-Feb 2019 | Seoul, South Korea Participated in various architectural projects: · New Gwanghwamun Square International Design Competition (Seoul, Korea) · Robot Science Museum International Design Competition (Seoul, Korea) Web Designer | Database Management
Changwon Cultural Foundation
Jan 2017-Jun 2017 | Changwon, South Korea Designed cultural information website for Changwon citizens and tourists. Managed every data & information on the website. Architecture Internship
Chang-jo Architects Inc.
Jun 2016-Nov 2016 | Seoul, South Korea
SKILLS
Computer Skills (Platform: Windows, macOS)
Autodesk AutoCAD, Revit, Maya | McNeel Rhinoceros 3D, Grasshopper Trimble SketchUp | Blender Foundation Blender | Pixologic ZBrush Chaos Group V-Ray | Altair Thea Render | Enscape | Act-3D Lumion Adobe Photoshop, Illustrator, InDesign, Lightroom, Premiere Pro Microsoft Word, Excel, Powerpoint, Publisher, Access
Practical Skills
Concept Development | Hand Drafting & Rendering | Physical Model Making | Photography | Filming | Music Production
Participated in various architectural projects: · NEXEN Tire R&D Centre (Seoul, Korea) · Shinsegae Starfield Shopping Complex in Magok (Seoul, Korea) · Cafe & Art Gallery (Yangpyeong, Korea) Petty Officer Second Class
Republic of Korea Navy
Jun 2014-May 2016 | South Korea Worked as Boatswain’s Mate (BM) & Translator on ROKS Dokdo (LPH-6111). Worked at Financial Department of ROK NETC (Republic of Korea Naval Education and Training Command).
GRAPHIC DESIGN
Selected Design Works & Miscellaneous Projects
Branding | Logos | Loyalty Card | Menu | Social Media Ads
DEEP CAFE
Project Title: Topic: Location: Year: Client:
deep Cafe Auckland, New Zealand 2020 Danny Lee
Poster | Flyers | Banners | Social Media Templates | Screen Animations
2019 KOREA FESTIVAL IN MELBOURNE FESTIVAL EVENT Project Title: Topic: Location: Year: Client:
2019 Korea Festival in Melbourne Festival Event Federation Square, Melbourne, Australia 2019 The Consulate General of Republic of Korea in Melbourne
Social Media Design Templates
RIVERS LAWYERS IMMIGRATION & EDUCATION AGENCY Project Title: Topic: Location: Year: Client:
Rivers Lawyers Social Media Design Templates Melbourne, Australia 2019 Ji Sung Kang
Poster
Poster
Poster
K-POP DANCE COMPETITION
KOREAN HIPHOP CONCERT IN NEW ZEALAND
2020 KOREA FESTIVAL AT HOME
K-NEXT
Project Title: Topic: Location: Year: Client:
Project Title: Topic: Location: Year: Client:
FESTIVAL EVENT
2020 Korea Festival in Melbourne Festival Event Melbourne, Australia | Online 2020 The Consulate General of Republic of Korea in Melbourne
K-Next K-Pop Dance Competition Melbourne, Australia | Online 2020 The Consulate General of Republic of Korea in Melbourne
82PARTY@SIXFOUR Project Title: Topic: Location: Year: Client:
82PARTY@SIXFOUR Korean Hiphop Concert in New Zealand Auckland, New Zealand 2019 KNZ Bank Crew
Web Design | Content Management | Prints | Social Media Ads | Banners | Name Plates
AUSTRALIA - KOREA JOB FAIR JOB FAIR EVENT
Project Title: Australia - Korea Job Fair 2019 Topic: Job Fair Event Location: MCEC, South Bank, Australia Year: 2019 Client: KOTRA Melbourne & The Consulate General of Republic of Korea in Melbourne
Web Design | Content Management
창원시 문화 지도 이음
WEBSITE FOR CHANGWON CITIZENS & TOURISTS Project Title: 창원시 문화 지도 이음 Brief Topic: Website for Changwon Citizens Site Location: Changwon, Gyeonsangnam-do, South Korea Year: 2017 Client: Changwon Cultural Foundation Website: http://cwcfmap.or.kr/
Logo
Logo
Logo | Sticker
JEWELLERY ONLINE STORE
STREET CLOTHING BRAND
DISINFECTION SERVICE
HEY, LUCY. Project Title: Topic: Location: Year: Client:
Hey, Lucy. Jewellery Online Store Melbourne, Australia 2019 Hanbyeol Cho
SCORE Project Title: Topic: Location: Year: Client:
Score Street Clothing Brand Auckland, New Zealand 2020 James Choe
COVID-19 ZERO Project Title: Topic: Location: Year: Client:
COVID-19 Zero Disinfection Service Melbourne, Australia 2020 Jihoon Yoo
Logo | Poster
Logo | Menu
Film | Production
CAFE
KOREAN RESTAURANT
3-Days Event
ONCE IN A MILLION Project Title: Topic: Location: Year: Client:
Once in a Million Cafe Auckland, New Zealand 2018 Sean Park
MY MOM’S KITCHEN Project Title: Topic: Location: Year: Client:
My Mom’s Kitchen Korean Restaurant Glen Waverly, Victoria, Australia 2020 Haejoo Noh
2019 World-OKTA School Project Title: Topic: Location: Year: Client: URL:
2019 World-OKTA School 3-Days Event Melbourne, Victoria, Australia 2019 John Park https://youtu.be/SPEeqa9GBAw
Artworks
COVER ARTWORKS UNDERGROUND HIPHOP & RNB Project Title: Topic: Location: Year: Client:
Cover Artworks Underground Hiphop & RnB South Korea, Australia & New Zealand 2016-2020 Various Artists
ARCHITECTURE Selected Works
2016 | Architectural Competition Project
TOKYO VERTICAL CEMETERY
Introduction It is important to understand that life and death are not two opposites. The opposite of LIFE is AFTERLIFE and death is merely the celebratory threshold.
Project Title: Brief Topic: Site Location: Year:
By conceptualizing death as the celebratory achievement for arriving at the final destination of life, LIFE:AFTERLIFE establishes a new paradigm where ‘death architecture’ is not unwelcomed by the city, but in reverse, is a celebrative and positive entity contributing to the liveliness of energetic urban fabric.
LIFE:AFTERLIFE Life:Afterlife Tokyo Veritical Cemetery Shinjuku, Tokyo, Japan 2016
LIFE:AFTERLIFE addresses Tokyo’s spatial and cultural issues by providing an efficient columbarium embedded with moments of Zen and Pureland experiences. The Issue: Death in Context Tokyo, the worlds densest city is in need of spaces for the dead. Each year, new borns are decreasing and the percentage elderly population is rising, predicted to be 40% elders in 2060 (bbc.com). According to estimated death rate and populations in 2014, the death toll for Tokyo alone was 349,095
and rising. Considering the density and land values of Tokyo, efficiency is the key aspect when considering innovation in housing the dead.
for its customs and beliefs. LIFE:AFTERLIFE creates an environment of purity, landscapes, beautiful birds, palm trees; a depiction of the Pureland.
An Architecture for the dead is frowned upon but unavoidable. Tokyo requires a vertical architecture of death that mutually establishes itself into the urban fabric of the living and becomes a positive entity.
LIFE:AFTERLIFE provides the city the much needed encouragement to believe that their beloved deceased has travelled safely to the most preferred destination of the afterlife, the Pureland.
Culture: Death in Buddhism 90.1% of Japanese funerals are commenced in Buddhist customs(2015) so it is essential to account
7704 Urns, 9.88 urns/m2.
10278 Urns. 13.18 urns/m2.
COLUMBARIUM PLAN A : F3 - F12
COLUMBARIUM PLAN B : F13 - F22
LARGE HALL & LOBBY PLAN : F2
2019 | Studio 5 (ARCH1004)
VILLAGE FOR YOUNG FAMILIES URBAN GENEROSITY - MEDIUM DENSITY HOUSING SOLUTION Project Title: Brief Topic: Site Location: Year: School:
Village For Young Families and Individuals Urban Generosity - Medium Density Housings 734- 768 Nicholson Street, Fitzroy North Semester 1, 2019 RMIT University
Project Summary This is a medium density housing solution for young families and individuals. The whole site acts as a village for people to experience community based living style. The residents are encouraged to communicate, work together, help and assist each other for better living.
general public has access to open spaces within the site. Neighbourhoods in living in surrounding suburbs and general public are also encouraged to occupy lots of open spaces and facilities as the whole site is porous. By designing a porous architecture, it gives more freedom to the public. There are two main diagonal human-scale walk ways for convenience and a large central open space is designed at the intersection of the walkways. The central open space is the centre of the village where various events can be held such as a marketplace,
There are approximately 80 living units, 7 service/ amenity units and 10 communal courtyard/farms which will be shared between residents and public. The masterplan has been carefully designed where residents can keep their privacy while
OPEN SPACE TENNIS COURT
COMMUNAL SHELTERED SPACE
GYM & SWIMMING POOL
COMMUNAL FARM COMMUNAL FARM
OFFICES RETAIL
NICHOLSON ST
BASKETBALL COURT
CENTRAL OPEN SPACE FOR PUBLIC EVENTS RETAIL
COMMUNAL FARM
COMMUNAL FARM
COMMUNITY HALL & ART GALLERY
DAYCARE CENTRE
OPEN SPACE COMMUNAL FARM OPEN SPACE
OPEN SPACE
COMMUNAL FARM
MEDICAL CLINIC
SCOTCHMER ST
BICYCLE RACKS
performances and a place for outdoor activities. There is element of surprise by having a series of contraction and expansion of open spaces along walk ways within the village. Retail blocks are placed on Nicholson street as it is the main commercial street. Undulated edge is formed at the streetscape as all the units are rotated by 45 degrees angle. This undulation enhances the experience of pedestrians as it creates more variations of spaces. It also adds more privacy to the living units for the residents to feel more safe. Each living units are also facing towards each
other so that there are visual connection between residents. The living units have similar qualities to Victorian terraced houses that are existing around the site. Furthermore, the most significant design feature of the living units are the steel wire mesh which is a layer (porous fabric) that provides more security, air filteration and shading and allows more vegetations and plants to grow on it. The exsiting warehouse on the site is not demolished as it gives a sense of history of the context of the site and sustains the heritage of Fitzroy.
2020 | Studio 7
QUEEN VIC MARKET DEV. MIXED-USE DEVELOPMENT PROPOSAL
Project Title: Brief Topic: Site Location: Year: School:
Queen Victoria Market Development Mixed-use Developement Proposal Melbourne, VIC, Australia 2020 RMIT University
This information is then used as a secondary layer to articulate the ribbons and strings as design elements within in ACCA. expansion “In my periphery,the beamsspace of light carve through theThe concrete creating circular windows to the outside, but also reorganising what’s inside. The light moves through the concrete whilst leading thethe shadows back home, itcircular runs over my skin.to A warmth thatbut I’ve also been reorganising seeking has found me with The a soft embrace.” “In my periphery, beams walls, of light carve through concrete creating windows the outside, what’s inside. light moves through the concrete walls, whilst leading the shadows back home, it runs over my skin. A warmth that I’ve been seeking has found me with a soft embrace.”
ENTRANCE ENTRANCE
FOYER FOYER
GALLERY GALLERY
THEATRE THEATRE
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FRAMES FRAMES
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HAND-DRAWN MOVEMENT & INTENSITY HAND-DRAWN MOVEMENT & INTENSITY
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INTENSITY OF SEQUENCE INTENSITY OF SEQUENCE
INTENSITY OF SEQUENCE (Lines Only)
BODY BODY
INTENSITY OF SEQUENCE (Lines Only)
ELEVATION
Arms Arms
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Legs Legs
ELEVATION
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Dance and Architecture Jo, the dancer, moves her body while a written score/story is being read. Her emotions are expressed through her motions and they are being captured as frames to collect data for generating
Architecturally, the ribbons hold the highest hierarchy within the space of ACCA, and so these connection points between the ribbon and the ACCA wall is significant, where the ribbon would deform the existing wall.
Right Right ArmArm
Entresort Dance & Architecture ACCA, Southbank, VIC, Australia Semester 1, 2018 RMIT University
contraction diagrams determins the thickness of the ribbons and the intensity diagrams determined the density of the strings.
By analysing Jo’s movements, it is able to diagram Jo’s movements as a whole as well as diagram them specifically, focusing on her intensity levels, as well as her levels of expansion and contraction during the dance.
PLAN PLAN
floor Area Occupied by Dancer floor Area Occupied by Dancer Area Area Occupied Occupied
Project Title: Brief Topic: Site Location: Year: School:
diagrams. The diagrams generated are being used as a tool to create space and atmosphere where spectators can feel and move with the dancer.
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DANCE & ARCHITECTURE
through space and time. This approach to architecture emphasises the importance of the interaction of people and architecture, as they create the space by using it. Essentially, ACCA becomes a space where spectators have the opportunity to dance with Jo, the dancer, and experience a space through her.
Area Area Occupied Occupied
ENTRESORT
Project Summary Using human motions, dance and forms, Australian Centre for Contemporary Art is renovated completely. This project has been started from the questions, “Are mind and body separate ways of engaging with and making sense of the world? How is it possible that architectural forms can express a mood / emotion?” This project aims to show how specific movements of the human body can be translated into an architectural form, and the linear transition between dance to architecture. This drives us to think of architecture in relation to the human body and its movement
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Expansion/Contraction and Distance from Ground of Body Parts (elevation) 2.0
ence round nd )res)
2018 | Studio 3 (ARCH1002)
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Expansion/Contraction and Distance from Ground of Body Parts (elevation)
2019 | Architectural Competition Project
NEW GWANGHWAMUN SQ. INTERNATIONAL DESIGN COMPETITION
Project Title: Brief Topic: Site Location: Year: Firm:
New Gwanghwamun Square Square Redevelopment Seoul, Korea 2019 CTR Form Architects
Coexistence of Continuance History and Systematic Balance Gwanghwamun area and nearby sites has been already distorted and developed differently from its historic original settings with high-rise buildings and vehicle oriented traffic systems. The current situation are read as a complicated mixture of the modern capitalism on the historic site with misleading development. However, we are to admit it as it is and take advantage of this indiscreet developments - this mixture is made in Seoul revealing the modern history of the city - whether it was a beauty or not, it was necessary for sure. In
conclusion, we suggest to avoid our past mistakes of repeating demolishing our trace and rebuilding it all the way again. The proposed platform will give multiple opportunities to be used as a square, pocket space, park, boulevard with the designated programs. Slow-down City with Human-scale and Maximized Spatial Experience The perspectives from the lower deck looking upward high-rises and the sky gives extraordinary views of city-scape. This visual and spatial contradiction is an unique experience where you
can encounter in Gwanghwamun Square.
seating, tracks, stages, open-air cafe and parks.
Spatial Character Defined by the Way of Occupation The proposed Gwanghwamun Square is both a square and boulevard. The user choose its own usage of square or boulevard by their purpose of visit and the chosen activities such as a walk, jogging, cycling, resting, assembly, attending an event, visit the palace and so on. The user will take the designated paving to explore the square with their chosen activities and programs. The linear square has multiple layers which give pathways,
Ideals of Dynasty and Democratic Republic The hierarchy of scenery from Joseon dynasty such as sky-mountain-the palace-boulevard are restored. There are historic-longitudinal and interactive-horizontal axis. The longitudinal axis has a clean scenery toward Gwanghwamun representing visual representations of the authority of the Joseon kings. The series of horizontal axis are set up matching with the surrounding programs of the existing buildings, which can be occupied with active or passive interaction as the users’ intend.
2013 | Design 3 (ARCHDES200)
∞ HOUSE
Project Summary This house located in Ponsonby is designed for a family consisting 4 people; father, mother and 2 children.
Project Title: Brief Topic: Site Location: Year: School:
The main approach of the design is to have fluid connection, which is lost in modern day’s life, within family members in such space called ‘home’. In order to achieve this spatially, the internal layout of the building consists of a continuous loop where there is no specific end to the building so that every space is connected and linked. With this overall form, a courtyard is placed in the centre and this space would possibly be the
RESIDENTIAL PROJECT FOR A FAMILY OF FOUR ∞ House Residential Ponsonby, Auckland, New Zealand Semester 1, 2013 The University of Auckland
heart of the house in my perception. Within this big concept, there are small aspects to the design by having connections both visually and auditorily. Every family member, wherever they are in the house, except individual rooms where privacy is needed, they can see through openings to see outside/courtyard space and through to the other end of the house so it feels more open and connected even though they are surrounded by thick concrete envelopes. Ponsonby is quite vibrant than most places in Auckland even though it is littered with cars, shops, houses and people. It seems like a high
income area and has great accessibility to city centre. ∞ House is separated from the outside world and this would create more protected and private space. Every people need a place of their own where nothing would distract them in any way and this place is the house. Hence, there is a thick, cold and rather plain front façade, which gives off a protected feeling from the street view/ outside which can realistically protect the family members and the house from robberies, drunken people, unnecessary noise and people from other places (as there is a backpacker building right across the road).
2018 | Studio 4 (ARCH1003)
THE LOST CITIES
ARCHITECTURAL DESIGN USING ARTIFICIAL INTELLIGENCE Project Title: Brief Topic: Year: School:
The Lost Cities Architectural Design Using Artificial Intelligence Semester 2, 2018 RMIT University
Introduction This project is about the “Lost Cities”, where an alternate reality is created using ‘artificial intelligence’. The machine has been trained to synthesise images to create fake architectural scenes. By analysing and translating the architectural qualities of the AI outputs, it has been possible to design whole new urbanisms. The aim of this project is to explore the possibilities of using AI as a design tool, creating uncanny images which would give a different perception on the capabilities of the AI. In this project, ‘Generative Adversarial Network’ is used to
create fake inspirational images which allow me to read and interpret them to think and design in an architectural way. Also, ‘Recurrent Neural Network’ is used for the machine to generate text that would explain about specific designs. CycleGAN “Image-to-image translation is a class of vision and graphics problems where the goal is to learn the mapping between an input image and an output image using a training set of aligned image pairs. However, for many tasks, paired training data will not be available. We present an approach
for learning to translate an image from a source domain X to a target domain Y in the absence of paired examples. Our goal is to learn a mapping G : X → Y such that the distribution of images from G(X) is indistinguishable from the distribution Y using an adversarial loss. Because this mapping is highly under-constrained, we couple it with an inverse mapping F : Y → X and introduce a cycle consistency loss to push F(G(X)) ≈ X (and vice versa). Qualitative results are presented on several tasks where paired training data does not exist, including style transfer, object transfiguration, and season transfer. Quantitative comparisons
against several prior methods demonstrate the superiority of our approach.”
Dataset A
Dataset B
CycleGAN Training
Fake A Images
Fake B Images
Analysing & Translating Architectural Qualities
Narratives & Diagrams
2019 | Architectural Competition Project
ROBOT SCIENCE MUSEUM INTERNATIONAL DESIGN COMPETITION Project Title: Brief Topic: Site Location: Year: Firm:
Robot Science Museum International Design Comp. Robot Science Museum Dobong-gu, Seoul, South Korea 2019 CTR Form Architects
새로운 전시 프로그램을 담는 유연한 공간 / 연계와 분리를 통한 유기적인 공간활용 1층 아레나 형태의 전시공간은 향후 로봇배틀, 드론레이싱, 로봇시뮬레이션등 로봇과학관에 맞는 미래의 전시가 가능한 공간을 제안한다. 제안된 로봇과학관에서는 보다 적극적인 참여를 유도하는 전시와 워크샵, 모임등이 일어나길 기대하며 이러한 프로그램을 담을 수 있는 가변적이고 확장가능한, 그리고 유연한 활용이 가능한새로운 형태의 전시 및 관람공간을 제안한다. 메인 전시장인 아레나는 높이 24.8m로 아레나 주변의 관객석뿐만 아니라 최상층인 4층과 옥상에서 까지 관람이 가능한 구조를 갖는다. 이는 로봇과학관의 새로운 유형의
전시물/전시이벤트에 맞게, 유연한 전시의 형태뿐 아니라 관람의 형태를 제안하며 이러한 공간구성이 반영되어있다. 최상층 로비를 통한 관람동선 / 전시형태에 따른 공간의 확장 및 가변적 활용 제안된 로봇과학관은 지하층의 주차장뿐 아니라 1층 진입도 가능하지만 메인로비이자 관람객을 위한 웰컴홀은 최상층인 4층에 위치하고 있다. 로봇과학관 외부로 연결되어 있는 에스컬레이터를 통해 4층의 로비까지 도달한 방문객들은 아레나 주변을 감싸고 있는 워크샵, 전시, 모임, 교육등의 프로그램 공간으로 연결되어 있는 여러 동선을 따라
내려가게 된다. 각 프로그램을 담는 공간의 일부는 착석이 가능한 의자/객석이자 강단/무대 그리고 특정한 프로그램으로의 연결통로 이기도 하다. 이는 주어진 모든 프로그램이 연계되어 CORE PROGRAM 으로서의 활용뿐 아니라 시간과 목적, 이벤트에 따라 확장된 프로그램 EXTENDED PROGRAM 을 담는 확장된 공간을 제공 한다. 목적과 쓰임새에 따라, 아레나의 전시공간과 프로그램 공간의 구분도 가능하며 특정한 이벤트에 따라 주어진 모든 공간이 전시공간으로 전환이 가능한 미래 지향적인 전시관의 구성을 제안한다. 타공된 알루미늄 시트의 입면은 내부 프로그램의 성격에 따라 타공의 밀도를 다르게 갖는다.
이는 빛의 유입, 차양, 조망, 환기등의 환경적인 기능성뿐 아니라, 내부의 프로그램을 반영하며 조성되어 전체적인 로봇과학관의 미래지향적이자 호기심유발이 가능한 건물이미지를 만든다. 더블 스킨으로 구성된 입면은 바깥쪽의 타공 알루미늄 패널에 의해 의도적인 폐쇄성과 신비로운 외관의 이미지를 만들며, 이는 건물외관의 에스컬레이터를 따라 건물내부로 진입했을때의 극적인 공간감을 제공하는 장치이기도 하다. 내부의 공간구성은 입면의 이미지와는 다르게 중정의 큰 보이드 공간을 비롯한 다양한 동선배치, 오픈형 공간배치등 계획된 모든 공간이 특정목적의 방문객뿐 아니라 시민들을 위한 놀이터이자 전시장, 배움터의 역할을 기대한다.
2019 | Design 6 (ARCH1005)
VORTEL
MASS CUSTOMISED HOTEL Project Title: Brief Topic: Site Location: Year: School:
Vortel Mass Customised Hotel 276 Russell St, Melbourne, VIC, Australia Semester 2, 2019 RMIT University
Introduction The design studio aims to critically assess the relevance of mass customisation in architecture. The cultural, economic, and foremost technological investigation will help to answer if architecture can be practiced as a product- and service design industry after all.
The Four Faces of Mass Customisation 1. Collaborative customisation • Manufacturers and consumers work together to design and create custom products • Today, this approach is often referred to as “Bespoke” customizationtrees; a depiction of the Pureland.
What is Mass Customisation? Mass Customisation is the cost effective manufacturing and delivery of goods and services to perople according to their individual tastes, need and desires.
2. Adaptive Customisation • A self-serve model where consumers can customize products to their liking during the order process or later in the field • Today, this approach is often referred to as “Mass Customization”
3. Cosmetic Customisation • Manufacturers present the products in unique ways through differentiated packaging and sales channels. 4. Transparent Customisation • Manufacturers create personalized product offerings based on their observations of individual customer needs. • Today, this approach is often referred to as “Mass Personalization”
Design System Design voronoi System
voronoi Design System
voronoi
VORONOI DIVISION VORONOI DIVISION
VORONOI DIVISION SEMI-ORTHOGONAL VORONOI DIVISION SEMI-ORTHOGONAL VORONOI DIVISION
SEMI-ORTHOGONAL VORONOI DIVISION 3D 3D SEMI-ORTHOGONAL VORONOI DIVISION SEMI-ORTHOGONAL VORONOI DIVISION
3D SEMI-ORTHOGONAL VORONOI DIVISION
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2017 | Architectural Competition Project
THE EYE OF JAHAN THE BLACK TAJ MAHAL Project Title: Brief Topic: Site Location: Year:
The Eye of Jahan The Black Taj Mahal Mehtab Bagh, Nagla Devjit, Agra, Uttar Pradesh, India 2017
Project Summary The Black Taj is not black, it is much more than a physical black version of the Taj Mahal. The Black Taj is more importantly a representation of Shah Jahans expression of devotion and mourning for his wife Mumtaz Mahal even after death. This project seeks to realize this and provide the experience of this devotion through reflections and moments of perspective.Visitors will see the Taj Mahal reflected on the surface of the Black Taj so they are able to sense Shah Jahan’s focus on the Taj Mahal. The Black Taj is not black, it is
much more than a physical black version of the Taj Mahal. The Black Taj is more importantly a representation of Shah Jahans expression of devotion and mourning for his wife Mumtaz Mahal even after death. This project seeks to realize this and provide the experience of this devotion through reflections and moments of perspective. Visitors will see the Taj Mahal reflected on the surface of the Black Taj so they are able to sense Shah Jahan’s focus on the Taj Mahal.
The Taj Mahal reflection appears and disappers on the surface of the Black Taj like a mirage, a sensation that lingers in the present but represents history. To allow this to happen one-waymirror consisting of silver font and black back film is used. This allows the light receiving side to behave like a mirror and the shaded side transparent(3)(4). This is used in combination of the 90 degree true-mirror composition where perfect non-reversed reflections can be experienced(2) where as the normal flat mirror will show right-left reversed, un-true, reflections.
Research says that the Mehtab Bagh landscape is not Shah jahan design due to its asymmetrical properties that do not align with the existing Taj Mahal Landscape. Shah Jahan’s obsession with symmetry leads us to believe that conceptually, the true ‘Shah jahanian’ Black Taj landscape should be exactly the same as the Taja Mahal but on the opposite side of the Yamuna river. Instead of using what Mahtab Bah is providing, this project reconstructs the true Shah Jahanian extension of the Taj Mahal by reinterprettying the existing landscape to its true proportions.
2016 | Participated Project
2016 | Participated Project
2019 | Architecture Technology 4 (ARCH1015)
NEXEN TIRE R&D CENTRE
ENTERTAINMENT AND SHOPPING COMPLEX
SPECULATIVE EDUCATION TOWER
Project Title: Brief Topic: Site Location: Year: Firm:
Project Title: Brief Topic: Site Location: Year: School:
Shinsegae Starfield Magok Entertainment and Shopping Complex Magok, Seoul, South Korea 2016 Changjo Architects Inc.
RMIT Media and Communication Building Speculative Education Tower 81-89 Bouverie Street, Carlton, VIC, Australia Semester 1, 2019 RMIT University
BCA/NCC Report by KPA
Building Fabric J1.3 Roof and ceiling construction for Climate Zone 6 a) A roof or ceiling that is part of the envelope, must achieve the Total R-Value specified in Table J1.3a for the direction of heat flow. Minimum Total R-Value for a roof or ceiling = R3.2 d) A metal sheet roof that must have a thermal break, consisting of a material with an R-Value of not less than R0.2, installed between the metal sheet roofing and its supporting metal purlins, metal rafters or metal battens. J1.5 Walls Each part of an external wall that is part of the envelope, must satisfy one of the options in Table J1.5a except for opaque non-glazed openings in external walls such as doors (including garage doors), vents, penetrations, shutters and the like; glazing; and an earth retaining wall or earth-berm. J1.5a Each part of an external wall that is part of an envelope requires a minimum R2.8. Reduced to R2.3 if Southern facing. Reduced to R2.3 if shaded by projection shade of 30-60 degrees from vertical. Reduced to R1.8 if shaded by projection shade of over 60 degrees from vertical. Any wall, other than an external wall, that is part of the envelope must achieve the Total R-Value in Table J1.5b. J1.5b An envelope wall other than an external wall Glazing = R1.0 Other = R1.8 A lightweight external cladding must have a thermal break, consisting of a material with an R-Value of not less than R0.2, installed between the external cladding and the metal frame. J1.6 Floors For a floor that is part of the envelope of a building, including a floor above or below a carpark or a plant room, the minimum Total R-Value required may be reduced by R0.5 provided R0.75 is added to the Total R-Value required for the roof and ceiling construction. Slab on ground without an in-slab or in-screed heating or cooling system = R0.0 A suspended floor without an in-slab or in-screed heating or cooling system where the non-conditioned space is enclosed; and where mechanically ventilated by not more than 1.5 air changes per hour = R1.0 A suspended floor where the conditioned space is enclosed = R0.0
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dimensionsmust mustbebeverified verifiedononsite siteprior priortotocommencement commencementofofwork workoror AllAlldimensions establishmentofofany anyshop shopdrawings. drawings.Figured Figureddimensions dimensionsmust musttake takeprecedence precedence establishment overscaled scaleddimensions. dimensions.AllAllscaled scaleddimensions dimensionsmust mustbebeverified verifiedononsite. site.These These over drawingsare aretotobeberead readininconjunction conjunctionwith withallallspecifications, specifications,schedules, schedules,allallother other drawings consultantsdocumentation, documentation,Town TownPlanning Planningendorsed endorsedplans plansand andPlanning PlanningPermit. Permit. consultants DONOT NOTSCALE SCALEDRAWINGS. DRAWINGS. DO
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KPAPty PtyLtd Ltd ©©KPA rightsreserved. reserved.These Thesedrawings drawingsremain remainthe theproperty propertyofofKPA KPAand andisisonly onlytotobebe AllAllrights usedfor foritsitscommissioned commissionedpurpose. purpose.No Nopart partofofthis thisdocument documentmay maybebereproduced, reproduced, used modifiedorortransmitted transmittedininany anyform formororbybyany anymeans meanswithout withoutthe theexplicit explicitwritten written modified
BUILDING100 100VICTORIA VICTORIASTREET STREETCARLTON CARLTONVIC VIC3000 3000 BUILDING AUSTRALIA AUSTRALIA +61402 402738 738747 747 T T+61 www.kpa.com www.kpa.com info@kpa.com info@kpa.com ABN1717752 752364 364189 189 ABN
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D11 © KPA Pty Ltd All rights reserved. These drawings remain the property of KPA and is only to be used for its commissioned purpose. No part of this document may be reproduced, MAT modified or transmitted in any form or by any means without the explicit written RL +6.000 authority of KPA. Unauthorised use of this document in any form is2prohibited. ENTRANCE 1 (AIRLOCK) All dimensions must be verified on site prior to commencement of work or 00.01 establishment of any shop drawings. Figured dimensions D12 must take precedence over scaled dimensions. All scaled dimensions must be verified on site. These drawings are to be read in conjunction with all specifications, schedules, all other consultants documentation, Town Planning endorsed plans and Planning Permit. D12 DO NOT SCALE DRAWINGS.
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N.EXIT Nexen Tire R&D Centre Magok, Seoul, South Korea 2016 Changjo Architects Inc.
RMIT MEDIA & COMM. BUILDING
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Project Title: Brief Topic: Site Location: Year: Firm:
SHINSEGAE STARFIELD MAGOK
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Address Address
81-89Bouverie BouverieStreet, Street,Carlton CarltonVIC VIC3053 3053 81-89 Client Client
RMITUniversity University RMIT
1 : 50 DrawingTitle Title Drawing
RMITMEDIA MEDIAAND ANDCOMMUNICATION COMMUNICATIONBUILDING BUILDING RMIT NORTH NORTH
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1901 1901 DD CD
A102 A109 AA
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