Portfolio Architecture Jorge MartĂnez
CONTENTS 1. Introduction 2. Autobiography
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Introduction Awards Expectation
3. Projects The tree house
PG. 03
PG. 07
Mindo Lounge Restaurant and General Services
PG. 14
El Dorado housing Collective housing for small families
PG. 22
Liberty Park
UIO Campus
PG. 34
1.
INTRODUCTION
This portfolio is intended to present my most representative architectural work. Many of them have a contrast against the surrounding context. Similarly there is a great enhancement for traces of identity, due to the need to emphasize the history of the project to be undertaken. These resources, which have been used in these student projects, have generated changes in consmovision according to persepcion of the space.
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2. Jorge Arturo MartĂnez Rueda 28 / 03 / 93 Quito - Ecuador Hungria n31-75 and Vancouver jorge.martinez.imp@gmail.com https://www.youtube.com/channel/UCPElEFXWzkr8dMxopNLcVNQ
INTRODUCTION Since I was a child I have always had interest in the arts and I have committed to it through acting, dancing and drawing. The fact that I could support me in my artistic activities, has allowed me to develop a greater perception of the context surrounding me. My ability to analyze has been strengthened with the study of music and this has increased when I started studying architecture. Today I can admit that my projects show my personality, because I'm a very analytical about space where my projects are located and reaffirm identity remains rescuing the smallest detail.
AUTOBIOGRAPHY
AWARDS HONORIFIC MENTION - BEST PROJECT
The tree house August 2013
Mindo Lounge Community Pavilion Restaurant and General Services Community Center January 2014 August 2014
EXPECTATION My expectations are focused on developing my career in fields where music, art and architecture are complementary. The ability to create spaces where the experience of being in an art exhibition, a play or a concert can be maximized, catches my attention. The creation of recreational spaces where technology, space and human being can relate to each other, is the very near future and I would love to be part of this conformation. 03
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“Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.� John Portman
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3.
PROJECTS
The treehouse was a very inspiring project. The objective was to create a home that is activated according to the activities that may be performed. The tree, the center of the project, symbolizing the memory of the deceased mother of the family who will be using the house. This resource is used to solve the constant fights that existed in the family because of the family member was missing. This tree, the mother's favorite, is where the main activities arise and where all members interact, minimizing the individual spaces.
ANĂ LISIS FAMILAR
The tree house
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Reservado Consejero Consejero Trabajador Trabajador Edad: 51 años Edad: 51 años Ocupación: Ocupación: Empresario Empresario
USER ANALYSIS FLORES FAMILY Father Age: 51 years Occupation: businessman Reserved Counselor Working man
Daughter Age: 24 years Occupation: Student Problematic Closed off Independent
Son Age: 19 years Occupation: Student Open Sociable Explorer
Actividades en casa Actividades en casa Padre Padre
LACK OF COMMUNICATION
HOME ACTIVITIES Father Rest Prepare breakfasts
Daughter Homework Make lunch
• Descanzar. • Descanzar. • Cocinar el • Cocinar el desayuno. desayuno.
Relación Familiar Relación Familiar
Son Homework Make the dinner
-Pelear -Pele -Obligac -Obl del del hoga h
H M
ACTIVITY OF TRANSGRESSION HONOR THE MEMORY OF THEIR DECEASED MOTHER It allows them to communicate better and establish family values
STRUCTURING SITUATION
DESARROLLO DE PARTIDO ARQUITECTÓN Partido Arquitectónico en Terreno
Actividad dede transgresión. Actividad transgresión. Actividad de transgresión Actividad de transgresió
- Al intensificar el significado del símbolo Les permite Les permite principal, The family remembers her mother as a se reducen los comunicarse comunicarse mejor simple person and nature lover. Theespacios tree individuales a su mejor uso únicamente funcional allows to establish a point of mediation (dormir,and bañarse).
respect. The Arupo is a very dynamic -El árbolLes sepermite encuentra en Les permite tree and this requires care of crecer en el centro del crecer en espacio familia. all members. familia. multiuso. Cada actividad
Honrar Honrar la la memoria memoria de su de su madre madre y y esposa. esposa.
es realizada cuando se activan los espacios servidos. Estos espacios se Les permite activan cuando se Les permite recordar recordar expanden hacía el árbol o valores valores familiares de igual manera cuando familiares
Le
am
Problemática Cerrada Cerrada Independiente Independiente Edad: 24 años Edad: 24 años Ocupación: Estudiante ARCHETYPE Ocupación: Estudiante
Abierto Sociable Sociable Curioso Curioso Edad: 19 años Edad: 19 años Ocupación: Estudiante Ocupación: Estudiante
madre. madre. - Casa de campo: - Casa de campo: Característica Característica principal principal
Cenotaph: exalts the memory of the mother. Arquetipo: Templo Farm house: Main Feature Arquetipo: Templo
Griego, un lugar que a Griego, un lugar que a Archetype: Greek temple, a place that through its su composición través de través de su composición composition becomes sacred. Perforations that Hija mayor Hijo menor se convierta en sagrado. Hija mayor Hijo menor se convierta en sagrado. allow the entry of nature (sun - rain) Feelings. Perforaciones que • Realizar • Realizar Perforaciones que • Realizar • Realizar trabajos. trabajos. permiten de la la trabajos. trabajos. • Cocinar los • Cocinar las permiten el el ingreso ingreso de • Cocinar los • Cocinar las almuerzos. cenas. naturaleza, lluvia) almuerzos. cenas. naturaleza, (sol (sol –– lluvia) Sensaciones. Sensaciones.
ear ciones ligaciones ar hogar
HijaHija Mayor Mayor
NICO
n. ón.
Partido Partido Padre Padre
-- Actividades Actividades de de Activación: Activación: Cocinar Cocinar Estudiar Estudiar Trabajar Trabajar Comer. Comer.
-Deportes -Deportes -Películas -Películas
Falta dede Falta comunicación. comunicación.
ARCHITECTURAL MATCH - Activation Activities : Hijo Hijo To Cook Menor Menor To Study -Deberes To Work -Deberes -Obligaciones deldel -Las -Obligaciones -Las actividades actividades To Eat. hogar. hogar. familiares ACTIVACIÓN DE ESPACIOS familiares se realizan -The Family activities are conducted around alrededor alrededor del árbol y se Activación de Zonas the tree and are activated by its proximity to Situación Estructurante Situación Estructurante activan activan con con su cercanía it.
permite esLes permite llevar llevar un un ambiente mbiente de de pazpaz
Inactivity
Desactivado Desactivado
Activated Activado Activado
hacia el el mismo. mismo. hacia
-The Individual spaces are farther from the treeespacios -Los espacios -Los and thus light. individuales se individuales Union Union Familiar Familiar Rememebranza Rememebranza Simbolo deldel Simbolo Materno Materno Disdegración Disdegración familiar. familiar.
Símbolosde delala Símbolos Madre: Madre: Sencillez Sencillez Naturaleza Naturaleza Cocina, espacio activo. Vidade decampo campo Vida Vida relajada. Vida relajada.
encuentran mas lejos encuentran del árbol árbol y por ende de del la luz. la luz. Comedor, espacio activo Interior
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Partido Arquitectónico en Terreno
Inactivity
- Al intensificar el
significado del símbolo ARCHITECTURAL MATCH IN WORK PLACE principal, se reducen los
Activated
espacios individuales a su uso únicamente funcional (dormir, bañarse).
To intensify the meaning of the principal -El árbol se encuentra en symbol, the individual spaces are reduced el centro del espacio to its functional use only (sleeping, bathing) . multiuso. Cada actividad es realizada cuando se -The Tree stands in the center of the multipuractivan los espacios servidos. Estos espacios se pose space. Eachactivan activity cuando se is performed when expanden hacía el árbol o the served spaces are de igual manera cuandoactivated. These se forman en su base. spaces are activated when the modules go Implantación into the tree or when leaving it.
Planta desactivada
Cocina, espacio activo.
Estudio, espacio activo
Comedor, espacio activo Interior
Comedor, espacio Esc activo 1:50 Exterior
Planta Activada
Esc 1:50
ACTIVACIÓN DE ESPACIOS Activación de Zonas
ACTIVACIÓ
Activación de Z Corte Espacio desactivado
Esc 1:50
Sala, espacio activo.
ACTIVACIÓN DE ESPACIOS
ACTIVACIÓN DE ESPACIOS Kitchen, active Dining, Interior active space Activación de Zonasspace Activación de Zonas
Comedor, espacio activo Comedor, espacio activo
Cocina, espacio activo.
Corte Espacio activado
Esc 1:50
Activación de dormitorios
Cocina, espacio activo.
Study, active space
Estudio, espacio activo
Comedor, Interior Cocina, es
Comedor,
Planta desactivada
Estudio, espacio activo
Comedor, espacio activo Exterior Esc 1:50
Planta Activada ACTIVACIÓN DE ESPACIOS ACTIVACIÓN DE ESPACIOS
Activación de Zonas
Corte Espacio desactivado
Cut
Inactivity Sala, espacio activo.
Esc 1:50
Esc 1:50
Activación de Zonas
Corte Espacio activado
Cut
Activated
Esc 1:50
Activación de dormitorios
Cocina, espacio activo.
ÓN DE ESPACIOS
Comedor, espacio activo Comedor, espacio activo Cocina, espacio activo. Interior Interior
Zonas
espacio activo
Comedor, espacio activo Exterior active space spacio activo. DiningInterior
Comedor, espacio activo Comedor, espacio activo Bedrooms Activation Exterior Planta Activada Planta Activada
Estudio, espacio activo Estudio, espacio activo Living room, active space. Exterior
Corte Espacio activado espacio activo
Comedor, espacio activo
Sala, espacio activo.
Activación de dormitoriosActivación de dormitorios Sala, espacio activo.
Corte Espacio a
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Comedor, espacio activo Exterior Comedor, espacio activo
Estudio, espacio activo
Estudio, espacio activo
Exterior
Sala, espacio activo.
Sala, esp Activaci贸
Planta Activada
Planta Activada
Corte Espacio activado Sala, espacio activo.
Sala, espacio activo.
Activaci贸n de dormitorios
Activaci贸n de dormitorios
Corte Espacio activado
Restaurant and General Services. This project took place in the town of Mindo, Ecuador. The main objective was to use the materials of the sector as a basis, for generating structures and coatings. Mindo is located in a tropical area so the main element of the structure is bamboo. The project was born after resolving the need to maintain a cool environment in a sustainably way. Start with the composition of the restaurant from the cover and simultaneously integrates the Department of General Services.
Corte Espacio activado
pacio activo. 贸n de dormitorios
Corte Espacio activado
Mindo Lounge Esc 1:50
Esc 1:50
Activaci贸n de dormitorios
Esc 1:50
Esc 1:50
Esc 1:50
Esc 1:50
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Mindo is a mountainous watershed situated in the western slopes of the Andes, where two of the most biologically diverse ecoregions in the world meet: the Chocoan lowlands and the Tropical Andes. In this transitional area three rivers (Mindo, Saloya and Cinto) and hundreds of streams irrigate the landscape, which consists of a patchwork of cloud forests, secondary forests, agricultural land, and human settlements.
The objective is to create a space where the restaurant takes hierarchy due to its various activities and everyday use. Spatial characteristics are linked to the open spaces and comuniaci贸n towards nature.
TYPOLOGY OF COVER SOLAR EXPOSURE
COLD WIND
HOT AIR Continuous air circulation
Difference of heights to generate more shadow
COVER TOP VIEW Compositional development Minimize the opening to generate more shadow
SECONDARY AREAS
Second Cover Opening external protection
Vehicular access
Accessibility -Nursing / Pedestrian access -Maintenance / Vehicular access -Dining / Pedestrian and vehicular access.
Pedestrian access
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MAIN SHAFT
SHAFT USED
N
EXTENSION OF THE SECOND COVER
Wind direction Wind direction
Sun direction Sun direction
FLOWS
Restaurant
Nursing & Mainte-
Square
TOP VIEW
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Front Facade
Cut A- A´
Cut B - B´
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The Collective Housing for short families was born in response to equipment previously built, the Community Pavilion. The Community Pavilion, meant to be a place of neighborhood integration, its initial concept is based on maintaining the Urban Shortcut forcing passers-by to learn about the activities of the place and therefore the user interacts with the user resident. Community housing maintains the concept ¨Urban Shortcut¨ , because this space generates a number of places that keep the path of Community Pavilion but equally creates interface spaces between user and user resident.
El Dorado housing
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LOCATION The work place is located in the El Dorado, Quito-Ecuador. It has direct access to Equipment, Community Pavilion. It is located between party walls and has exit to the streets Pedro Moncayo and Solano. Specifications: Area: 345.48 m Front side Dimension: 28m Dimension Left side: 8m
Due to the proximity to the street Yaguachi, public transport route, the sector has become a place of great affluence we find college students and short families. User: Short Families. Number of Families: 40-75 flies
INTENSITY OF ACTIVITIES IN HOME
13:00hrs
20:00hrs
Saturday - Sunday
7:00hrs
13:00hrs
Users working 50%
ISSUE The user turns his back to the street
Monday - Friday
7:00hrs
Users studying 50%
20:00hrs
URBAN SHORTCUT - FIRST FLOOR
PERMEABILITY ON DECK
Generate continuity and complement Public Spaces.
Continuity.
Permeability
Light Entries
Vertical and horizontal visual communication
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FREE FLOOR Resource to generate continuity in the path.
Based on the concept of FREE FLOOR we refer to the concept of permeability and we engage on two fronts in order to create public spaces for users of El Dorado
VERTICAL DESIGN CONTINUITY IN FACADE Continuity of travel due to the connection with the Community Pavilion is emphasized. A continuum of stroke is generated with FREE FLOOR and the second floor through CONTINUITY OF MATERIALS
Horizontality
Continuity of travel
Fusion Concepts
HOUSING MODULE BASIC MODULE Minimum Housing Unit. Total area 45 mts. Maximum capacity 3 people.
DUPLEX MODULE It is the union of two basic modules. Total Area 90 mts. Maximum capacity 4 people. Full module
Full module
Detail of spaces
Second floor Single floor
Detail of spaces
First floor Single floor
LINK BETWEEN SPACES
Community Pavilion EQUIPAMIENTO Public Space Route The Public space enters into the private space to generate a concexi贸n with Community Pavilion.
Route Private Area The private area is protected through filters that provide user safety. These filters are transparent materials that allow visual permeability
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1
2
4
A
B
3
C
D
E 5
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7
8
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Implantation 5
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7
8
9
10
N+7.00
N+3.00
N 0.00 N-1.00
Front facade
B
1
2
4
N -1.20
N -1.20
A
B
3
N -1.00
INGRESO A EQUIPAMIENTO
N -1.00
N -1.00
C N -1.00
D
GUARDIANIA
CAFETERIA
PLAZA CUBIERTA
A
N -1.20
A´
N -1.20 N -1.20
7
6
5
4
3
2 1
N -0.00
N -1.00
N -1.00 3 2 1
E
N -0.68
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6
7
B´
8
9
10
First floor A
B
C
D
E
F
N+8.00
N+7.00
N+5.00
N+3.00 N+2.00
N 0.00 N-1.00
N-1.00
Left Lateral Facade
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28
1
2
4
A
N +2.00
B
3
C Terraza Comunal
N +2.00
N +3.00
D
N 0.00
N +3.00
N +3.00
Ingreso a Equipamiento
PLAZA ELEVADA N +3.00
Cafeteria
N +3.00
E 5
6
7
8
9
10
Second floor 10
N+7.00
9
8
4
1
N+8.00
N+5.00 N+3.00
N+2.00
N-1.00
Back Facade
1
2
4
N +5.00
N +5.00
A
N +5.00
N +5.00
N +5.00
B
3
N +5.00
C N +5.00 N +5.00
D
E 5
6
7
8
9
10
Third floor F
E
D
C
B
A
N+8.00
N+7.00
N+5.00
N+3.00
Right lateral facade
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1
2
4
A
N + 8.00
N + 8.00
B
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INTRODUCTION
N + 8.00
C N + 8.00
N + 7.00
N + 7.00
Fourth floor A
B
C
D
E
F
N+8.00 N+7.00
N+5.00
N+3.00
N+2.00
N 0.00
N-4.00
Cut B-B'
INTRODUCTION
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7
8
9
10
N+7.00
N+3.00
N 0.00
N-1.00
Cut A-A'
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Liberty Park is part of the urban solution UIO CAMPUS. This urban solution is placed in the middle of the most controversial area of Quito, then it sits in the middle of the area, the first Heritage University of the city. All the streets become pedestrian and faculties are located along 3km, these are connected through a Tram. The Liberty Park is the faculty of Arts and Political Science, take this name to be located in a building where torture and political fraud existed, and here is where a transformation is made to the building to change the connotation of this story.
Liberty Park
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PLACE OF INTERVENTION
The place has the old building Regiment Quito. This place is known for having witnessed many tortures and several murders. The connotation of the building is very hard outwards, towards the environment. We consider equally the closest places to generate greater integration into the environment.
Julio CĂŠsar Hidalgo Coliseum
Sucre Nacional Theatre
The Central Market Hidalgo Stop Bus fast transit Parking Building Montufar
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DESTROYING A BARRIER TO CREATER A MEMORY
End with a period of oppression and injustice and begin a new period of conscience and freedom. We use the concept of vestige of identity, to show a past reality and a point of contrast to its new role. The project starts when the same citizenship and those most affected by this past destroy this barrier and these ruins are preserved. These ruins mark the start of the opening of public space, the opening of Liberty Park. This open and permeable faculty has the mission to show the community the new growth of art and political science.
MAIN GOAL EXPRESSION OF THE WALLS
FLOW ANALYSIS
Circulation flows
Eliminating barriers, circulation permeabilization
ANALYSIS OF VESTIGES OF IDENTITY AND USES
We keep the exterior facades and eliminate the central building forcreate a central platform PUBLIC SPACE
Square connection between Boulevard, University Department and Street Back
Central Platform Meeting point
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AT NA IO L
INTEGRATION OF PUBLIC SPACE
U OD PR
Using a grid (3mx3m), platforms that integrate the central platform horizontally and vertically are created
AN
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TO
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BY
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AU
PR
AN
UC OD
BY
TO
DE
SK
ED
UC
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NA
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PR
OD
UC
T
Esc 1:50
ED
ED
UC
INTEGRATION OF NATURE Esc 1:50
COMPOSITION OF COVERS
Transit Area
External flows
Type Covers Arboreal
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INTEGRATION OF VESTIGES IN PUBLIC SPACE Based on the grid of the integration platforms, we extend this pattern to the inner facades.
We integrate the side walls with the public square, using platforms projecting from them.
Implantation
Front Facade
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First Floor
Back Facade
Left Lateral Facade
Right Lateral Facade
Cut B-B'
Cut A-A'
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