portfolio JOSEF POSPISIL by Josef Pospisil

Ing.arch. Josef POSPISIL

forename: surname:

Josef Pospisil

home address:

Ing.arch Josef Pospisil Pametice �� Czech Republic

home Contact:

Tel. +�� Email: pepepospisil@gmail.com

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Born in Boskovice, Czech Republic

Education: ��/�� /��

Work Experiences Secondary Technical School of Buildings and Constructions Kudelova � Brno Field of study: Building and Structural Construction Faculty of Civil engineering (University of technology in Brno, Czech Republic) Brno Field of study: Building and Structural Construction Web site: http://www.fce.vutbr.cz/

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Faculty of Architecture (University of technology in Brno, Czech Republic) Brno Field of study: Architecture and Urbanism (Student No. ��) Web site: http://fa.vutbr.cz/

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University of Bolton (University of Manchester), UK Field of study: Architectural Technology (Student No. ��/�) Web site: http://www.bolton.ac.uk/BEE/Home.aspx

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Private hours of fine arts by Ing.arch. Jirí Hloušek

��/�� • Design project of Family house for planning permission and construction works, main architect: Ing.arch. Jiri Hlousek contact: +��, investor: Mr Toman, contact: +��, building place: Kretin, Czech republic, site: ��/��.

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• Job in design studio of Ing. arch. Luboš Františák, Ph.D., contact: +�� , frantisak@fa.vutbr.cz - participation on landscape project of forest park • Job in design studio Atelier Habina, main architect: Ing. arch. Martin Habina, contact: +��, atelier@habina.cz, web site: http://www.habina.cz - participation on project of block of flats and family house

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• Job in design studio A.P.E. design s.r.o, main architect: Ing. arch. Davídek Petr, contact: +�� , davidek@arch.cz , web site: http://www.arch.cz/davidek - design of � blocks of flats inside old part of city Brno (Czech republic), approximate value of the project: �,�mil. €, - design of �� family houses in outskirt of city Brno (Czech republic), approximate value of the project: �,�mil. € - design of extension of family house in city Brno-Zabovresky, approximate value of the project: �� € - design of composition of � family houses in outskirt of city Brno, approximate value of the project: �� €

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• Job in design studio Swanke Hayden Connell Architects in London. Work on financial center Beltone Financial HQ CIRO and skyscraper of capital city Astana web site: http://www.shca.com/

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• Production of visualization for spanish atelier Kubiko (centre in Madrid) including blocks of flats, industrial buildings, schools, art centres etc. Next cooperation about design and establishment working group for Kubiko studio.

Computer skills: • AutoCAD - advanced (� years experience) • ArchiCAD - professional (� years experience) • Artlantis Studio - professional (� years experience) • Adobe Photoshop - highly advanced (� years experience), licensed • Adobe Ilustrator - advanced (� years experience), licensed • Rhinoceros�D –advanced (� years experience), licensed • Cinema �D - advanced (� years experience), licensed • Octane render - advanced (� years experience), license • prep �D models for �D printer or milling-cutter

Language skills:

Competitions

English language - intermediate Slovak language - fluent Czech language - native language Spanish language - basic

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• Design of FUNERAL HOUSE in Roudnice nad Labem (Czech republic), �th position from �� projects

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• Design of SERLACHIUS MUSEUM-GÖSTA EXTENSION in Mänttä (Finland)

COMPETITIONS

„Before we can feel the new spirit which must envelop the days to come we must prepare ourselves to use intelligently the knowledge derived from all sources. Nostalgic yearning for the ways of the past will find but few ineffectual supporters.“ LOUIS KAHN (Louis I Kahn, ��:��) „L’important dans la vie ce n’est point le triomphe, mais le combat, l’essentiel ce n’est pas d’avoir vaincu mais de s’être bien battu.“ Pierre de Coubertin Even thought victory is nice especially if the battle field is peaceful field of ideas and knowledge, we obtain new experience, knowledge and frequently new friendships with people participating on the competition. I have never regretted when I didn‘t win. New knowledge obtained during the work on a project will help next time to be better and build up buildings with higher qualities.

design, landscape architecture

SERLACHIUS MUSEUM Finland/Mänttä

The Gösta Serlachius art collection is one of the biggest museums in the Nordic countries; and it contains one of the most significant private collections of Finland. The Gösta Serlachius Fine Arts Foundation organised an open international competition for the design of an extension of their museum, the Joenniemi Manor. The extension was supposed to include new services for exhibitions; collections; conferences; offices as well as a restaurant with auxiliary spaces. A new main foyer and ticket sales facilities were also included in the new project. In total, the net floor area of the extension was about �,�� m�. The extension of the Museum was supposed to be compatible with its unique natural environment and it was also expected that it would keep a certain balance between the functional and technical characteristics of the existing building. In addition, the design should adhere to the principles of sustainable architecture. Therefore, the development of a good proposal was a sort of dare for me and the team of architects with whom I worked with. In order to connect the new building with the beautiful surrounding park, we decided to build up the new edifice in between an existing island and the mainland. Thus the building would replace a historical, but destroyed bridge that has previously connected the mainland with the isle. Our proposal allowed the practising of winter sports and the visitors could walk around the structure of the museum.

SERLACHIUS MUSEUM Location of Extension Gösta Serlachius Fine arts Foundation is result of studies of the territory, current buildings placed on that and all related historical , environmental and cultural significances. Solitary position of Taavetinsaari in the landscape, its distance from shore of mainland, good visual relation to manor, its surroundings and parking plus advantageous connection to original ways and new ones as well make the island Taavetinsaari suitable position to place new museum building. Final position is based on mergence architectural, functional and landscape aspects. Idea of usage of the new building like a bridge, usage water surface with part of island like landscape scenery of atrium in the new building and simple service connection to the each function of the museum required chosen location connecting island with the cape. Museum is next solitaire in net of current buildings of the cape. Thanks to the distance and connection to the original symmetrical plant-lined paths leading to manor is achieved harmonic coexistence Joenniemi manor, its surroundings and new museum. Architectural features are based on functional requirements of circulation motion of visitors in exhibition area. Also sizes of all functions including in the museum, lighting and harmony with the landscape influence the shape and architectural features of the building. Circulation motion is used like main concept of primary part of the museum. Infers circle form of outer coat. Requirements to lighting lead to creation of atrium. Its shape is formed by inserted functions which have different sizes. The different sizes generate curved shape of the atrium. Increasing height of the ring from entrance to its opposite side is based on different requirements of each function placed in the ring. The museum is arched from island to the mainland over the cove of the lake Melasjärvi. The building is carry by support plate with pillars. The shape of plate with pillars is designed according to the shape of liquid between two solid boards. Exterior facades are made by glass boards with increased reflective effect. The surrounding landscape is reflected in the exterior facades. Interior spaces are glassed-in to the atrium except the part of exhibition areas for paintings. Atrium includes a sculpture placed on the pillar of original bridge led from mainland to island. The pillar together with the sculpture is on axis manor – entrance – foyer – sculpture.

MPST219

SERLACHIUS MUSEUM

Elevation

+ 11.000 + 8.500

+ 8.500 + 6.000 storage

archive

exhibition

storage

0.000 = 103.0

Section 01

+ 11.000

+ 6.000

exhibition entrance

foyer 0.000 = 103.0

MPST219

Sauna

SERLACHIUS MUSEUM Section 02 handling

freezer waste Section 01

artwork storage

storage conservation

storage

preparation kitchen archives

service restaurant

toilets entrance

0.00 = 103.00 m.a.s.l.

equip. stor.

local stor.

Travelling Exhibitions 02

foyer tickets info

cloakroom

shop stor.

New sauna is situated on the foundations of old sauna. It is accessible by rowboat or by new building connection.

Manor building

storeroom

Collections

shop.

copy

Second floor

o ce library o ce

conference room break room

ce headmaster

secretary

lounge

o ce toilets

storage

shower.

toilets. st

First floor

.facil. breakroom Travelling Exhibitions 01

assembly hall

exhibition Gustaf Adolf Serlachius and Gรถsta Serlachius

Chill out

service sculptures exhibition reception toilets

cloakroom

auxiliary room

chair storage

Basement

pedagogy

Joenniemi Manor Collection

property control room

Civil defence shelter (storage)

storages

service

back. space, storage

additio na l el e trica storages

storages

bodega

l room s

service

The current exhibition in manor building is moved to the new building because of better conditions in new building. We propose offices and exhibition Gustaf Adolf Serlachius and Gรถsta Serlachius in the manor building.

MPST219 MPST219

Flows

3,3 1 103,5

SERLACHIUS MUSEUM

106

10 0

99,9

107,1

107,1 108,4 102,0

101,5

01 101 1

108 2 10

107,6

107,1

106,0 102,5

107,6

99,8

102 102,6

7 102

4 105,5 105,3 105,7

100

105,3 105,6

99,

103,5

103,1

102,8

100

103

10 107,1

106

101

101,8 104,7

104,2

99,9 102,3

104 100,2

102

99,8 101,4 99,8

103,7 100

02 102 1

The circulation in whole area works in closed loops. Rowboat can be used as an interesting way how to get to the new atrium and sauna. The new building is accessible also from ice during wintertime.

Land art concept 3,3 1 103,5

106

10 0

99,9

107,1

107,1 108,4 102,0

101,5

101

108 2

107,6

107,1

106,0 102,5

107,6

99,8

102,6

7 102

4 105,5 105,3 105,7

100

105,3 105,6

99,

103,5

103,1

102,8

100

103

10 107,1

106

101

101,8 104,7

104,2

99,9 102,3

104 100,2

102

99,8 101,4

unique trees

sauna

99,8

103,7 100

park

forest

water

parking

102

sculptures

The manor is sited at a visually prominent location in very high quality landscape. All the intersting points are scattered in area. We respect the manor and keep it dominant. The new building is another interesting point in area which is linked with the manor by original tree alley. There is a sculpture on the pilot of old bridge as a virtual end of main axis.

MPST219

Exhibition storage entrance

main entrance

storage entrance

SERLACHIUS MUSEUM

main entrance

T2 E2

storage entrance

main entrance

T2 E2

exhibition flow storage loading exhibition

T1 T2 E1 E2

traveling exhibition 1 traveling exhibition 2 Joenniemi collection (moved from manor) collections

treatment and storage facilities closed exhibition part

Exhibition space is divided into four parts and creates very flexible exhibition space. When T1 is closed the chill out area is used as a connection part. The rotatable panels makes the space maximum variable and flexible.

Rotatable panels

flexible panels_big formats small format people flow

view orientation

Materials

wooden ceiling

sandwich wall with heat insulation

exposed concrete

reflective glass

clear glass with reflective layer

system of rotatable lamelas

Last layer of the outer facade is reflective glass. The building reflects beautiful nature around and grows together with suroundings. When the weather and seasons is changing the museum is changing too.

MPST219

design, landscape architecture

FUNERAL HOUSE Roudnice/Czech republic

I decided to participate, collaborating with a team of architects, in a competition for the design of a funeral house. The project appealed to us since we should design a building figuratively neutral since it would be used by people belonging to different religions. However, the funeral house should contain a subtle symbolism strong enough to honour and commemorate the dead person. The space where the funeral house would be placed played an important role when we came to elaborate the design of the building. The area surrounding the building contributed to create the spiritual meaning that we pretended to associate with the funeral house. The access to the building includes a garden where people can spend some time in order to get calm, think and recall the dead person. The landscape architecture of the garden has been designed in order to reflect the feelings of desolation and mourning that the visitors experience at the funeral house. The building itself is divided into three areas. There is a low horizontal space where the preliminaries of the ceremony should take place. Other two conical spaces include the main foyer and the ceremony hall.

DETAILNÍ ŘEŠENÍ

ŘEZ PODÉLNÝ M 1: 100

POHLED ČELNÍ

VYSTAVENÍ ZESNULÉHO MÍSTNOST PRO NEJBLIŽŠÍ

HŘBITOV PŘÍCHOD

LEGENDA PROSTORY PRO VEŘEJNOST

1 2 3 4 5 6 7 8

8 6

VÝCHOD

SMUTEČNÍ SÍŇ VNITŘNÍ VESTIBUL KRYTÝ PŘEDPROSTOR MÍSTNOST PRO VYSTAVENÍ RAKVE MÍSTNOST PRO NEJBLIŽŠÍ POZŮSTALÉ MÍSTNOST PRO SETKÁNÍ PO KONDOLENCI PROSTOR PRO SETKÁNÍ/ODVOZ NEBOŽTÍKA WC

ZÁZEMÍ SMUTEČNÍ SÍNĚ 5

4 1

2 13

M 1: 100

SMUTEČNÍ SÍŇ DO ROUDNICE NAD LABEM

9 10 11 12 13 14 15 16 17 18 19 20 21 22

MÍSTNOST PRO JEDNÁNÍ S POZUSTALÍMI KANCELÁŘ ZÁZEMÍ KANCELÁŘE/SKLAD/KUCHYŇKA/W GARÁŽE VÝKLAD POHŘEBNÍCH VOZŮ KRYTÝ PROSTOR PRO VJEZD DO GARÁŽÍ KOMUNIKACE CHLAZENÝ SKLAD ZEMŘELÝCH PŘÍPRAVNA ZEMŘELÝCH ÚKLIDOVÁ KOMORA SKLAD ŠATNA STROJOVNA TZB SKLAD SKLAD ODPADKŮ

WORKS

„No architect can rebuild a cathedral of another epoch embodying the desires, the aspirations, the love and hate of the people whose heritage it became. Therefore the images w have before us of monumental structures of the past cannot live again with the same intensity and meaning. Their faithful duplication is unreconcible. But we dare not discard the lessons these buildings teach for they have the common characteristics of greatness upon which the buildings of our future must, in one sence or another, rely.“ LOUIS KAHN (Louis I Kahn, ��:��) I consider that the responsibility of architects is to find a solution that combines the splendor of the past, the benefits of modern technology and the personal creativity and aspirations of the architect. As each proposal represents a sort of legacy for the future, we should insist on our attempts to find certain harmony between modern and ecological results without eliminating the functionality of the building. The coexistence of aesthetic values and the requirements of the users is fundamental to achieve a high-quality result. Thus, it is possible to state that modern technology and the “genius loci” are the answers for the design of the buildings of the future.

FAMILY HOUSE

reconstruction, extension

Brno/Czech republic

The original building is situated in the city of Brno at Horova Street. This part of the city is a calm neighbourhood with family houses and some gardens. The investor decided to reconstruct the original building by adding a new residential part. The shape of the parcel, its slant and orientation to the south were decisive aspects for the design of the new residential part. In my proposal, the new residential part is divided into few different levels according with the slant of the parcel. The fact that the narrow parcel in which the residential area should be built up is orientated to the south complicated the lighting of the rooms. Therefore, I decided to create a central hall and to connect the rooms with atriums that will allow the entry of the exterior light. To improve lighting in corridor and offer views to garden, the east facade is designed from ďż˝ parts â&#x20AC;&#x201C; panels. These panels change their position in turns regarding to the corridor. Two different positions of panels allows to make vacancy between them. This allows to get in more light and offer views to garden. The structure of the house is made up of cast-in-situ concrete and some parts are proposed as tilt-up constructions.

FAMILY HOUSE

design

Znojmo/Czech republic

This house is situated in the city of Znojmo. The historical center of the city includes few valuable historical monuments. One of the most important landmarks of Znojmo is the rotunda of Saint Katerina. The designed house is not placed in the city center, but it is situated in the south part of the city next to a park. The investor has asked for the design of family house for four members including a private space in his plot of land. The creation of a private space was a big challenge since the parcel is surrounded by high blocks of flats. In order to provide the house with certain privacy, my proposal uses the entrance corridor to the kitchen and the garage as a sort of shield against the lack of privacy caused by the blocks of flats and the presence of a road next to the house. Those rooms destined to the whole family and visitors are placed at the ground floor adjacent to the entrance. At the end of the ground floor we can find the rooms for children and a bathroom. In the first floor there is a spacious bedroom with bathroom and a cloakroom. Next to the bedroom there is an enclosed terrace that keeps the privacy of the room and offers an exterior sheltered space.

urbanism, design

NEW RESIDENCE AREA Brno-Lisen/Czech republic

The investor decided to build up a new residential area in a part of Brno called Lisen. The new residential area was supposed to contain a series of comfortable family houses. However, the slant of the terrain complicated the design of the residential area. Besides, the area should include a series of different house types with different levels of comfort and price. The variations in the styles of the houses avoid the monotony of a residential area with an unique patter for all the buildings. The final proposal contains ďż˝ďż˝ different kinds of houses with different designs and diverse prices. The most comfortable houses are situated on the north part of the land next to road in BLOCK II. These houses contain an atrium that can be adjusted according with the specifications of the investor. The houses at the south side in BLOCK I have a lower price since the residences are smaller. Nevertheless, these houses also include a small garden. Besides, a part of the roof is converted into a terrace. BLOCK III includes houses which have one floor made from wood. The specific slant land there causes the terraced lay-out of these houses. The new residential area includes a green park with trees and a playground.

SKYSCRAPER ASTANA

design

Astana/Kazakhstan

I participated on this project during my short term collaboration in atelier SHCA in London. This skyscraper is in Astana, capital city of Kazakhstan. I worked together with a group of architects and designers and our task was to provide other workgroup with visualizations, �D models and animations. I also cooperated as a consultant of mass and space arrangement of all the implied functions. The retail is located at low level and arranged to provide primary and secondary routes through the development to help orientation while encouraging a unique sequence of spaces of differing scales. Winter Gardens on the roofs are heavily planted, providing break out spaces from the mid level lobbies and linking the retail areas. The design of the retail with primary and secondary circulation routes provides maximum flexibility for the letting strategy and allows units to be combined and subdivided to respond to market conditions. Each of the uses is accessed through dedicated private space. A „necklace“ lobby space at level � will provide access to the towers for office and residential. This area will also link to the Wintergardens, and connect down to the retail bellow.

design

VISUALIZATION, GRAPHIC..... around the World

One of my hobbies is to work with ďż˝D models, visualizations and animations. As I consider that every experience is good to develop our skills I decided to cooperate with a few ateliers in order to help them to develop their ideas and to improve my abilities. The collaboration I offered to the different studios involved the selection of materials and the development of new products. Thus, I collaborated on the elaboration of basic drafts for new projects, on the creation of the ďż˝D model and on the making of photo-realistic images and physical models. My experience collaborating with different architecture studios was quite gratifying since people were satisfied after checking how I was able to represent their ideas in a clear, realistic and comprehensive way.

structural plans, technology

PROJECT DOCUMENTATION Czech Republic

In order to be able to give shape to a project according to his ideas, an architect requires to have a good knowledge of structural engineering, structural analysis, geology and chemistry among others. Not only because my design and graphic skills are appropriate, but also because I have studied four years of Civil Engineering at a specialized high school and I have graduated from the Brno University of Technology in Architecture and Urbanism, I consider I am able to offer to my customers a detailed project of a given building from the first sketches to each structural detail. Besides, my experience as a site engineer has helped me to understand the constructions in a more precise way and to be aware of the workflow involved in the construction of a building.

A 17 585 200

1 700

A A

1 700

300

1 700

0,000

PRVNĚ OSADIT STAVEBNÍ POUZDRO, POTÉ VYBETONOVAT PILÍŘ

200

1 835

1 400 2675 (0)

1 850

300

1 400 2675 (0)

6 935

700

400

2 300 2 300 300

400

7 350

1 700

5 950

180 180

625

625 13 700 625

625 625

2 655

625 625

500

300

2 915

4 550 300

16 050 5 140

3 450 3 750

3 450 175

300

300 175

300

625

625 1 450 625 1 450

465 300 465

300

4 550

200

4 400

118 3 500

19 T

ŘEZ BB

280

130

250

60 905 100 35

3 K

480

290 50

150 130 75 200

-3,505

-0,205

30°

H 520

100

-2,685

2 SVAŘENÉ U č.12

-0,305

2 200

2 280

-2,505

-0,800

1000

+0,150

180

120

100

19 T

300

-3,505

+3,215

295 3040 150

150

0,000

+3,110

2 665

4 025

4 175

3 750

225 -1,200

D-02 Detail

360

150 100 1 415 300 850 -0,345

+2,815

2 280

-0,650

855

-0,150

1 K

1 000

460

+2,665

ŘEZ AA

+4,175 2 K

230

250

675

130

460 +3,425

225

420

+0,350

+4,175

120

1 250

2 850

0,000

1 050

550

500

54 %

3 425

7 K

16 x1 56 x2 88

2 050

1 850

250 2 750 150

-1,550

300

755

855

100

120

270

5 K

250

1 800

1 171

+2,700

OKAPOVÝ CHODNÍK

2 750

2 675 -1,200

-0,345

4 K

820

2 205

2 675 855

-1,550 -2,685

120 150 75

150

1 205 -1,200

-0,445

6 K

+3,155

230

250 230 60 150 100

+2,675

0,000

-0,225

900

1500 480

300 2 375 0,000

120

-1,200

2 305

250

1 010 1 110 2 815

400

605

100

150 120 75

345

2 665

1140 120 950

+0,150

8MM

2 665

+2,165

250

+2,815

KARI SIŤ 100x100MM

855

+2,515

280

250 230 530

100

+2,815

150

300

500

+2,665

+3,065

+4,250

OMÍTNUTÁ ČÁST ATIKY

OPLECHOVÁNÍ ATIKY

+4,175

300 500

230 90 100

13,5%

460 100

OPLECHOVÁNÍ ATIKY

+5,185

100 150 150 120 75

250 230 750 100 540 150 350

OMÍTNUTÁ ČÁST ATIKY

200 200 350 150

+5,755 +5,185

-1,050

5 600

5 000 5 600

5 250

1 545

2 915

500

B B

1 545

5 140

13 700

D4 D4

17 585

3 750

300

5 150

6 360

4 9 9

2 655

70 160 6 250 6 250

D3 D3

5 150

150

3 895

5 000

70 160 70

300

115 115300

300

360

200

300

3 810

360

150

1 1

4 030 4 030

3 895

300

1 950

300

250

20 x 250 5 250

6 360

7 250 2665 (0)

3 810 150 150

7 7

5 950

200

600

20 x 250

300

445

600

16 050

300

3 285 3 285

445

500 345

3 420

300

300 500 345

625 625

625 9 350

8 750 625

10 300 300

+0,150 200

300

590 590

625

9 350

8 750

1 000 1 000

6 000 6 000

625

70 70

625

233

625

625 625 300 380 625

1 300

300 200

200

100

233 100

24 x 250

625

1 100 1 200

5 000

6 000

1 400 500 (1865)

P1 5 T

B B

D-01 Detail

2 T

101

800 500 (1865)

4 T

P6 65

700 1970

P10

P11

300

475 200

900 2400+1025

160

200

2 575

1700

+0,150

1 765

115

KAMENNÝ OBKLAD

105

106

1 300

210

2 T

300

900

1 300 1 500

1 700

+0,150

16 T

770

+0,150 0,000

800

500

102 2 000 50

800

2 140 300 50 50

400

KAMENNÝ OBKLAD

4 285

104

500

200

5 000

5) 51 (+2,

KRBOVÁ VLOŽKA ZEUS 407

+0,150 0,000 7 770

3 T

4 330

17 T

1 200 2 050 655 65 200 300

600

1 030

1 030 1 480

ON RT KA RO ÁD D,S LE 165 DH PO

250

140 190 400

4 500

PŘÍVOD VZDUCHU KE KRBOVÉ VLOŽCE

300 300

380

8 920 300 17 T

65 1 200 2 050 65 1 080

1 375 7 T

655

P7 15 T 1 830 2 375 1 970

KAMENNÝ OBKLAD

500

2200

1 T

6 T

115

107

590 615

700

45 3 135

115

900 2665

115

540

E 1100 1970

1 750 3 425

100 800 1970+705 65

117

1100 1970

103 0,000

10 T 900 65 2540

300 200

200

1 T

2 500 2 425 (0)

3 260

900 2050

14 T 115 65

400 2 220

108

900 2375

900 2665

3 685

0,000

2 840

115

109

1 250

11 T 800 2050

10 T 900 65 2540

0,000

3 250

500

900 2675

800 1970

800 1970+705

65 2 065

4 260

800 1970 300 115

1 100

110

700 1970

65 900

116

0,000

12 T

(2675) NIKA PRO NÁDRŽKU WC ROZMĚRY DLE VÝROBCE

114

900 2050

115

111

112

2 330 1100

3 200

300

2 410

65 14 T P5 900 2050 200

800 1970

13 T

1 500

P4 9 T

1 200 500 (1925) 9 330

1 340

P4 9 T

10 330

1 200 500 (1925) 3 205

800

160

200

200 300

670

P2 8 T

113

515

1800 500 (1925)

3 485

2 385

100x100

6 24 250x 250

232

1 200

(2675)

115232

1 930

200

1 930

3 535

300

1 000

4 725

865 6 5465 6 250 5 865

3 420

300

2 290

4 590

16x156x288

300

6 465 300 300115

175

300

9 535

300

175

6 750

300

200

910

350 120 37 40 40

13 50 65 120

25 40

75 5

120

200

80 75 5 DŘEVĚNÁ Š. 100MM15 PŘIDRŽUJÍCÍ TI 20 TL.15MM300 120 200DESKA

900

530

300

25 530

120

100

80 415

300

15 55

730

15 55

TALÍŘOVÁ HMOŽDINKA S KOVOVÝM HROTEM DL. 260MM

15 55

KAMENNÝ OBKLAD WILD STONE-ŠTÍPANÝ PÍSKOVEC TL. 50-60MM LEPÍCÍ TMEL PRO KAMENNÉ OBKLADY WILD STONE ZDIVO KERATHERM TL. 300MM, MVC VNITŘNÍ OMÍTKA MVC

415

15 55

900

SAMOŘEZNÝ VRUT 4MM, DL. 40MM

OHÝBANÁ PÁSOVINA 3MM, Š. 60MM

300

200

PÁSOVINA TL. 5MM, Š. 60MM PŘIVAŘENÁ K I NOSNÍKŮM PO 500MM

120

VÁLCOVANÉ NOSNÍKY I č. 32

±0,000= 577,000 M.N.M

OCELOVÁ PRÍPONKA TL. 2MM

535 120

VÁLCOVANÉ NOSNÍKY I č. 32

HLAVNÍ ARCHITEKT VYPRACOVAL

JOSEF POSPÍŠIL JOSEF POSPÍŠIL

systém: JTSK RodinnýSouřadný dům DOSTÁLOVI

85 25

LEPENÉ DŘEVĚNÉ NOSNÍKY

OCELOVÁ PRÍPONKA TL. 2MM

OHÝBANÁ PÁSOVINA

OPLECHOVÁNÍ Z TITANZINKOVÉHO PLECHU TL. 0,6MM HYDROIZOLACE Z MĚKČENÉHO PVC POJISTNÁ HYDROIZOLACE Z MODIFIKOVANÉHO ASF. PÁSU TYPU S DŘEVĚNÝ ZÁKLOP Z PRKEN TL. 15MM TL. 200MM 120 15 200 120 MINERÁLNÍ VLNA AIRROCK 535 85 25 EXTRUDOVANÝ POLYSTYREN TL. 40MM OHÝBANÁ PÁSOVINA PODBITÍ Z PRKEN TL. 15MM PÁSOVINA TL. 5MM, Š.DŘEVĚNÉ 60MM VNITŘNÍ OMÍTKA MVC PŘIVAŘENÁ K I NOSNÍKŮM LEPENÉ DŘEVĚNÉ NOSNÍKY PO 500MM

DATUM

DŘEVĚNÉ OKNO S TROJITÝM TEPELNĚ IZOLAČNÍM ZASKLENÍM

340

OCELOVÁ PRÍPONKA TL. 2MM

OCELOVÁ PŘÍPONKA TL. 2MM

VNITŘNÍ OMÍTKA MVC ZDIVO KERATHERM TL. 300MM OMÍTKA MVC TL. 20MM EXPANDOVANÝ FASÁDNÍ POLYSTYREN TL. 200 MM TENKOVRSTVÁ ŠLECHTĚNÁ OMÍTKA PROBARVENÁ S VÝSTUŽNOU SÍŤOVINOU VNITŘNÍ OMÍTKA MVC ZDIVO KERATHERM TL. 300MM OMÍTKA MVC TL. 20MM EXPANDOVANÝ FASÁDNÍ POLYSTYREN TL. 200 MM TENKOVRSTVÁ ŠLECHTĚNÁ OMÍTKA PROBARVENÁ S 50 VÝSTUŽNOU SÍŤOVINOU

OCELOVÁ PRÍPONKA TL. 2MM

DŘEVĚNÉ OKNO S TROJITÝM TEPELNĚ IZOLAČNÍM ZASKLENÍM

340

50 25

200

40 200 15

170

300 OCELOVÁ PŘÍPONKA TL. 2MM

238

40 200 15

238

100 12

200

300

170

100 12

320

300

320

TALÍŘOVÁ HMOŽDINKA S KOVOVÝM HROTEM DL. 260MM

KAMENNÝ OBKLAD WILD STONE-ŠTÍPANÝ PÍSKOVEC TL. 50-60MM LEPÍCÍ TMEL PRO KAMENNÉ OBKLADY WILD STONE KAMENNÝ OBKLAD WILDTENKOVRSTVÁ STONE-ŠTÍPANÝ PÍSKOVECOMÍTKA TL. 50-60MM ŠLECHTĚNÁ PROBARVENÁ S VÝSTUŽNOU ZDIVO Z CP TL. 65MM NA MC LEPÍCÍ TMEL PRO KAMENNÉ OBKLADY WILD STONE SÍŤOVINOU MINERÁLNÍ VLNA PŘIDRŽUJÍCÍ ROCKWOOL AIRROCK SL TL. 120MM DŘEVĚNÁ DESKA TL.15MM Š. 100MM TI ZDIVO KERATHERM TL. 300MM, MVC EXPANDOVANÝ FASÁDNÍ POLYSTYREN TL. 200 MM MINERÁLNÍ VLNA ROCKWOOL AIRROCK SL TL. 80MM VNITŘNÍ OMÍTKA MVC OMÍTKA MVC TL. 20MM DŘEVĚNÝ OBKLAD Z PALUBEK TL. 25MM Š. 120MM KAMENNÝ OBKLAD WILD STONE-ŠTÍPANÝ PÍSKOVEC TL. 50-60MM ZDIVO KERATHERM TL. 300MM LEPÍCÍ TMEL PRO KAMENNÉ OBKLADY WILD STONE VNITŘNÍ OMÍTKA MVC TENKOVRSTVÁ ŠLECHTĚNÁ OMÍTKA PROBARVENÁ S VÝSTUŽNOU ZDIVO Z CP TL. 65MM NA MC SÍŤOVINOU MINERÁLNÍ VLNA ROCKWOOL AIRROCK SL TL. 120MM EXPANDOVANÝ FASÁDNÍ POLYSTYREN TL. 200 MM MINERÁLNÍ VLNA ROCKWOOL AIRROCK SL TL. 80MM OMÍTKA MVC TL. 20MM DŘEVĚNÝ OBKLAD Z PALUBEK TL. 25MM Š. 120MM ZDIVO KERATHERM TL. 300MM VNITŘNÍ OMÍTKA MVC

910

VOLNÁ SPÁRA KAMENNÉHO OBKLADU WILD STONE

730

VOLNÁ SPÁRA KAMENNÉHO OBKLADU WILD STONE

50 13

120

25 120 15

100

13 50 65 300

75 10

DŘEVĚNÉ OKNO S TROJITÝM TEPELNĚ IZOLAČNÍM ZASKLENÍM

50 13 20

3MM, Š. 60MM

OPLECHOVÁNÍ Z TITANZINKOVÉHO PLECHU TL. 0,6MM HYDROIZOLACE Z MĚKČENÉHO PVC POJISTNÁ HYDROIZOLACE Z MODIFIKOVANÉHO ASF. PÁSU TYPU S DŘEVĚNÝ ZÁKLOP Z PRKEN TL. 15MM MINERÁLNÍ VLNA AIRROCK TL. 200MM EXTRUDOVANÝ POLYSTYREN TL. 40MM DŘEVĚNÉ PODBITÍ Z PRKEN TL. 15MM VNITŘNÍ OMÍTKA MVC

Souřadný systém: JTSK Výškový systém: BpV Doc.Ing. Maixner Csc

ZODP.PROJEKTANT

INVESTOR Dostálovi

±0,000= 577,000 M.N.M FORMÁT 26.LEDNA 2009

3MM, Š. 60MM

EDUCATION

„A man is always greater than his works because he can never trully express his aspirations. To express oneself in music or architecture, one must employ the measurable means of composition or design. The first line on paper is already a measure of what cannot be expressed fully. The first line on paper is less.“ LOUIS KAHN (Louis I Kahn, ��:��) Since the moment in which I became immersed in the study of architecture I was concerned with the idea of finding a way of expressing the immeasurable and represent on paper the designs conceived in my mind. As the previous quotation by Kahn indicates, one of the main problems of the architect is to overcome the restrictions imposed by our technological limitations; architecture can only be represented by the measurable means of composition and design. However, I was determined to use my knowledge of civil engineering together with my creative imagination in order to establish a sort of communion between my works and society and to transcend the restrictions of design. After several experiences, I came to understand that in order to provide with meaning a certain proposal, the architect should take into account not only his personal aspirations, but also the idiosyncrasy of the place in which the proposal will be set. By considering the place, time and circumstances connected with each of the proposals one will be able to become near to perfection and to provide the next generations with a marvelous legacy.

OLD CITY BRNO

urbanism proposal

city Brno

Originally, the old part of the city of Brno was an industrial area. In the course of time, the industrial factories were removed and one of the most important squares - Mendel square - was adapted to serve as traffic junction of the public transport. The adjustments made in order to readapt its function caused considerable damages in the original â&#x20AC;&#x153;faceâ&#x20AC;? and purpose of the square. The new function of the square restricted the potential uses of the public space since pedestrian uses were limited by the different bus and tram routes crossing the square. Cultural events and free time activities could not take place in a square whose main purpose was to serve as traffic junction. The new proposal solves the problem with public transport and offers a new urbanism master plan for the Mendel square. The solution for the transport junction is derived from the city plan of the old part of Brno. The current traffic solution uses one wide road crossing Mendel square for both directions. Consequently, the road takes the strain of a heavy volume of traffic. Conversely, the new proposal separates the different directions to individual roads on the west and east sides of the Mendel square. The new city is supposed to grow up in an area where there was a large factory. However, in the new proposal this area is destined to shops, offices, hotels and entertainment facilities. It is remarkable to highlight that the height regulation allows building up higher edifices in the new part of the city. The new proposal reduces the amount of traffic to a minimum. Thus, pedestrian areas are made primary and a public garden is included in order to give priority to leisure activities.

GREEN PARTS 640

1096/3

751/6

restaurace

643/1 751/7

Hli

751/3

643/2

643/3

955

1762

1095/1

1764

1095/8

1095/3

1096/5

944

1097 1096/2

1095/11

Anne

1755

1098

nska 1116 1095/14 1100

1757/1

956

1101

768/1

756/2

1107

1110

1102

757

nam.

763

756/1 768/2

767

1103 1757/3

Mendlovo

1105 1104

1099

1111

764

758

1106

954/2

954/3

954/4

759 644

1109

1108

Fakultni nemocnice u sv.Anny

1757/2

755

683

678

1095/12

1096/1

957

nam.

nky

754

654 645

600/1

1095/13

1096/4

642

601

HISTORICAL MAP 1400

751/4

689

Mendlovo

IMPORTANT PARTS

950 946/1

646/1

949

Hlin

760

646/2

Mendlovo nam.

948

765

772

954/12 954/11

951

806/2

681

1756 1761

952/1

809/1

761

653

954/1

953/1

762 809/5

769 686 650

600/2

954/9

679/2 688

947 687

ni 774 770

953/2

1758

954/10

946/3

952/2 809/4

808

Vystav

682 680

1765

954/8 954/6

952/3

809/3 946/4

652 651

648

954/7

954/5

773 766

647

599

679/1

809/6

771

1752/2 806/1

649

804/1

775

945/2

804/2

945/1

946/2 811/2

803

780

1759

811/1

776

nam.

781 802 791 777

805

942/1 1735/2

942/2

801

778

1729

ovo

785 786/1

1730

943

779

Hlinky

Mendl

786/2 798/1

800

1754

941

1736/7

1760

782

939

787

789

942/5

940

938

ni 783

1740/1

1721

942/6

1736/6

942/4

813/7

813/6

812

799

942/3

1752/3

1731/1

Vystav

1728

1735/3

784 1736/8

814

790 788

816

815 936/2

937/2

1741

1736/5 818

798/2

1752/1 935/2

813/5 933 817/2 817/1

810

794

Krizova

rzni Velet

793

819 796

795

813/4

792/2 932

792/1

1717/2

1720/3

1743

1720/1 1736/4

1719/1 934/1

1736/9

1720/2

1731/2

826/4

1744/1 1744/2

1735/1 1736/3

1722/2 1722/3

1719/2

1727

1745

934/2 792/3

813/3

1742

1720/4 931 817/3 817/9 817/8 817/6 817/7

821

1720/5

1746/2

1726

813/1

1722/1 1736/12

826/3

930/2

1722/7

1722/4

Veletrzni

1736/10

1732

1722/6

1717/1

1746/1

1740/2

1740/3 1736/1

1722/5

930/1

1724/2

1718

1569

813/2

Hybesova

928/2 929/2

1740/4

825 929/1

831/3

1568 1723

1570

826/2 831/2

831/1

Vaclavs

928/1 1692/3 830

1725

1724/1

1736/11 1734

927

1566/1

1736/2

1572

1702/1

1571/1

1703 1571/2

902/2 1692/2

Veletrzni

1704

824/2

828

1559

1575

1581

924 1716

832

926

1558

1737

829

Krid

834 923

a Krizov

824/1

835/1

897

1566/2

1577

1564

1580

1578

1582

1715 1713

1686

1579 1583

836/1

1588 1584

Kridlovicka 1694

901/2

846

iho

902/20 1688

902/19

1693

902/18 902/17 902/16

1669

1547/4

1667 1684

1586

1666

lant

ikov

902/21

901/8

894

1587

1672

1692/1

902/22

896/4

895

Ypsi

Zedn

898/1

rska Ryba

1554

1701 920 902/23

836/2

1546

1556

1673

1687

1696

901/1

837/3

842

845/2

nero

902/1 896/2

896/1

841

844

1557

1566/3

1574

1714

1709

1697/2

1695

922

ska

837/6

837/4

1576

1712

1707

1708

1697/1

Rybar

837/7

1705

837/2

837/5

837/1

1566/4

Hybe

ka 1711

1706

cka

839/5

1566/5

Vaclavs lovi

837/8 839/3

840

sova

1710

1700

posta

1698 925

835/2

Leit

837/9

839/2 839/4

847

1565

1702/2

1699

833/2 838

839/1

1573

826/1

833/1 843

1567

1739

1733 827

1560

1547/3

1563

1665

1544

1664 1683

1547/2

1671

1663 1670

1548/2 1590

1668

1533

1585

902/15 1685

848

902/14 901/6

902/13

893

845/1

902/12

Belid

902/11 899/3

909/1

902/10 912

902/9

1646/2

1532 1675/1 1594/1

902/8

1591

1647

901/3 900/2 901/7 900/15

892

1675/2

1690

902/5

1529/2 1547/1

lovi

1594/3

1528

1531

914/2 902/4 902/3

909/2

913

914/3

cka

1662

908/1

1529/1 1644

1648

914/1 916/4 914/4

891

1595/1

1548/1

1676

911

901/4 849/13

1682

1593/5

1553

910/1

900/1 900/7

1527/4 1527/3

906/3 905/4

849/12

1555 1561

1645

902/6

900/4

900/14 900/16

850/2

1562/1

Krid

1593/3

902/7

849/17

850/1

1562/2

1593/1 1589

1691

849/18 849/16

1689

Krizov

849/19

849/15

849/14

849/1

1649

910/2

851

908/3 905/3

849/2

1552

1643

1527/2

1526/2

908/2 1661

890

1550

1596/1

1592

1551 1677

849/11

854

900/3

905/2

1642

1650

1525

1549

882

849/10

1678

889/2

1595/5 907

1660/4 1680/2 1660/5 1652

1681/2

1660/1

1596/2 1641

1596/3 1524 1596/4

1598/2

1595/6 1639 1638 1595/4 1595/3

1595/2

1595/7 1596/5

1680/1 1636

900/9

1653

1637

887/2 888

900/20

zakladni skola

1599

1659

1456

cka

879/5 879/3 876/7

lovi

876/3 876/2

Krid

Porici

906/2

900/19

1523

1640

1646/1

1651

1681/1 906/1

905/1

905/5

900/8

904

885

883

Nadvorn

889/3

889/1

886

880

Zahradnick

884

Rybarska

900/5

900/11

881 872

ka ars Ryb

1619/2

879/6

1598/1

879/4

1635 1658

Svratka

887/1

1629/2

1629/1

1628

1619/4

1600

1634

1382/1

1656 1633

887/3

1627

877/1

Porici

Taborskeho

cne

nna

L.Kone

Kame

878/2 878/3 922/2

922/1

878/1

Kamenna

766 767/2 767/1

210

NOISE ANALYSIS 901

1428/7 1619/3

1632

1602/2

1631

1626

1621

mat.skola

1602/1 1603

1418/1 1428/6

1620 1619/1

1604

1630

1606

lav

1619/9

Nap

1608 1605

1419/4

1625 1619/7 1619/8

1619/6

1607/3

1419/1

1609/4 1624

1609/5 1609/2 1609/3 1610/7

1618/1

1610/4 1611

1610/3 1610/2 1622/3

1607/1

1610/1 1622/2

1607/2

1622/1

1419/3 1419/2 1612

1617

atk a

420/3

1614

1616

lav

1613 1615

419/2

1413

1610/5

1618/3 1618/4

Svr

420/1

1609/1

1610/6

1618/2 1623

Pori

764/2 765

769

768 874/36 874/10 874/33 874/11 874/12 874/37 874/13 874/14 874/38 874/15 874/16 874/39 874/17 874/18 874/31 874/32 874/19 874/40 874/20 874/21 874/22 874/23 874/1

Poric

426

ovick

192/2

640/3

Taborskeho nabrezi

700 693/3 427 425 703/3 640/4 703/1 743/3 742/1 742/2 428/2 tka 692 702 764/1 741 Svra 760 757/6 757/7 699 428/1 640/2 757/8 739 693/2 693/1 757/1 703/4 757/12 703/2 740 758 757/9 746/2 704 737 757/10 705 640/5 738 757/5 757/2 757/11 706 762 761 707 735 746/1 736 708 687/2 424 709 698 689 691 710/2 757/4 733 734 725 711/2 763 688/5 711/1 710/1 420/4 688/4 756754 688/1 752750 690 712 731 732 430 640/6 757/3 688/2 697/1 688/3 747 713 714 755753 729 730 697/3 640/13 751749 687/1 715 716 717 Kamenna 748 728 429 685 431 956/2 694 686 727 726 967/3 967/2 962/3 640/7 971/3 936 937/2 962/2 420/2 697/2 695 923 Kamenn 927928 943/2 718 723/1 723/2 942 696 684/2 935 937/1 722 a nna 949 950955 719 956/1 924 926929 961 962/1967/1 724 973 978/1 971/2 683 Kame 979 968 938 941944 721 943/1 432/1 kostel sv.Leopolda 934 672 674 931 980 432/2 720 932 983 978/2 682 925 974 945 930 984 948 951954 960 963 966 969 957 klaster milosrdnych bratri 671/1 673 675 661/2 977 971/1 972 661/1 667669670 981 671/2 933 421 681 939 940 946 nemocnice 676/2 676/1 Polni 666/1 975 668 660 947 952953 677 958959 964 965 970 976 982 666/2 666/4 679 985 666/3

Kridl

871/2

1601

1655

701 nabrezi

744743/1 743/5 743/2 743/4

759/1

Videnska

759/2

878/1

orni

879/2

877/2

Nadv

876/8

876/9 871/1

878/2

1448/1

1619/5

1654

1657

879/1

876/1

875/3 875/1

Nap

413/2

419/1 413/1 hala RONDO

412 418

zakl.skola 414

Por ici 1409

HISTORICAL MAP 1815

1 6 HEIGHT ANALYSIS

7 8

1 _exhibition center 2 _brewery 3 _monastery, cathedral 4 _hospital 5 _Mendel square 6 _parcels of previous factory 7 _production facilities, shops 8 _river Svratka PUBLIC SPACE

FUNCTIONS

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COMPLETED BLOCKS

Ke spracovnání urbanistického návrhu tak problemtatické casti jako je stará cast mesta Brno bylo nutné spracovat a obstarat si analyzy jednotlivych aspektu vstupujicich do usporadani hmot a komplexního fungování této casti Brna. Dve oblasti se ve stare casti vyzadovali zvysenou pozornost pri jejich reseni. Jednim byla oblast Mendlova namesti, kterou bylo nutne resit ve dvou rovinach - urbanisticke usporadani v souladu s dopravnim resenim. Druhou casti byla oblast byvaleho tovarniho arealu nabizejici moznost rustu moderniho centra ve stare casti mesta Brna. Dulezitym faktorem ovlivnujici cele reseni bylo dopravnim reseni protoze oblast Mendlova namesti tvorila dulezity dopravni uzel.

PUBLIC TRANSPORT

tram bus trolleybus heliport

HISTORICAL MAP 1922

c.e. 932

c.e 3 . 77

c.e. 263 c.e .336

c.e. 40 c.e.3 5 c.e. 152 150 c. e.27 2

c.e.8 4

c.e. 375 c.e. 248

c.e. 156

c.e. 174 c. e.70 4

c.e. 250

c.e. 173 c.e.2 52 51

c.e. 93

c.e. 252

c.e. 419

c.e. 363 c.e. 241

c.e. 50

c.e. 1

c.e .256 c.e. 177

c. e.24 c.e. 128

c.e. 33

c. e.23 6 4

c.e. 254 c. e.17 0 c.e. 11 c.e. 178

c. e.25 5

c.e. 240 c.e .230

c.e. 357 c.e. 124 122 c.e .169

c.e. 236 c.e. 7

c.e. 295 c. e.5

c.e. 368

c.e. 238 237

. e. 148 c 147 . e. 418 c

c. e.33 4

c.e. 179

c.e. 154

c.e. 168

c.e.1 03

c.e. 338 c.e. 290 c. e.28 8 c.e. 287

c.e.9 8 c.e.1 50 48

c.e. 53

. e. 956 c c.e. 297 c.e.3 01 c.e .238 c.e. 181 c.e.8 c.e.4 17

c.e. 140

c.e. 125

c.e 9 . 42 2 c. e. 2

. e.3 65 c

c.e. 212

c.e 1 . 16 c.e. 911 c.e. 354 c.e 9 . 43

c.e .223

c.e.4 12

c.e. 213

c.e. 18 c. e.33 2

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PROPOSAL OF STRUCTURE OF BLOCKS

ELEVATION STRUCTURE

PROPOSAL FOR TROLLEYBUS

current roads proposed roads

current tracks proposed tracks

proposed buildings proposed buildings

current brewery and cathedral current buildings

sport center

spa office extension of hospital

shopping center

cathedral

shopping center

monastery

brewery

mediateca

office, shop, entertainment parking house

hotel

GALERY - originally factory

villa Mistrovskych

river Svratka

exhibition center

ORIGINAL STRUCTURE OF BLOCKS

MENDEL SQUARE

urbanism proposal

old city Brno

The new design of the Mendel square solves the problem with traffic and offers a new urbanism conception. The traffic flow of cars is reorganized in two individual roads situated at the east and west sides of the square. A tunnel placed at the west side of the square connects it (the square) with the upper part of the Uvoz Street. The public transport services are centralized in the south part of the square. Therefore, the north part of the square remains free for pedestrians and this makes possible the reorganization of the urbanism structure. The new urbanism structure allows the creation of three new squares surrounded by new buildings that insulate the square from the traffic noise of the nearby roads. Besides, two of these squares are also surrounded by some historical buildings that improve the aesthetics of the square.

KRIZOVA STREET

proposal of vacant lot

Mendel square

The complicated situation of the vacant lot at Krizova Street made from the design of the place a sort of challenge for the architect. On the one hand, the traffic of the street is quite heavy. On the other hand, the street is connected with a series of streets that make the reorganization of the urbanism a bit difficult. Besides, we should take into account the presence of private parcels and houses that could not be rearranged and the existence of an entrance to a private yard inside a block of flats. The changes made by my proposal are in accordance with the surrounding buildings. The project respects the proportions of the existing buildings, but for their construction modern materials and technology are used. The vacant lot was divided into four different parts in order to avoid the monotony of a single huge house and to respect the disposition of the adjacent buildings. Each of the four parts is appointed to fulfil a specific function in accordance with its position in relation to the Mendel Square. Thus, some office buildings and a hotel are placed next to the Mendel Square. Modern materials that fit with the function of the buildings are used. In opposition to these service buildings, I have design a number of blocks of flats that are situated in a distant position from the square. Traditional materials were used in order to decrease the price of these blocks of flats. Each of the blocks of flats includes a shop or a restaurant in the ground floor. They also provide a solution for the problem existing with the entrance to the yard. Inside the block there is designed a block of flats with better privacy. Glassed-in walls were designed in order to get in more sunlight. The ground floor is not used for flats, but it is a free open space. The next floors are supported by columns; this design allows us to use to use ground floor for leisure activities and it works as a shelter in case of rain. The garages are designed with a lift system and without long ramps

possible development of block

function scheme

office hotel

New urbanism propose adjusted Krizova street as a pedestrin zone. Only public transport is allowed there. The vacant lot was divided into four different parts in order to avoid the monotony of a single huge house and to respect the proportion of the adjacent buildings. The proportion used for the parts helps integrate new hi-tech facades into historical buildings. Each of the part includes specific function. A allocation of the functions is made according with profitability of the parts. The parts near to Mendel square contain a office building and hotel. A further parts contain blocks of flats. Facades were design according with the function of the building. Each function has different aesthetic and technological criteria. The office building and hotel have facade from modern materials and technologies suitable to their function. The blocks of flats use traditional, cheaper materials and technologies in order to be profitable.

flat parterre functions

development of house inside the block

vertical way

view from hotel's restaurant

distribution food in hotel

transport food by lifts to sixth floor with restaurant

section of block flats

view inside the courtyard

elevation from Krizova street

new block of flats in courtyard

section of hotel

design, landscape architecture

FLORAL GARDEN Kromeriz

The gardens of Kromeriz are declared patrimony of the humanity by the UNESCO. The landscaped area is divided into two different parts: a baroque garden known as the Floral Garden and a large manor house garden used liked a landscape park during the ďż˝ďż˝th c. The North-eastern part of the Floral Garden was strongly damaged during the last century and the intention of this project is to find a solution to solve the deterioration of the garden. It is important to bear in mind that for the reconstruction of the gardens the architect should take into account a series of circumstances. First of all, the proposed changes should be in accordance with the character of the garden. Secondly, my intention was to create an area trough which the visitors could walk around the garden. This area would offer a series of facilities for the access to the garden. The proposal keeps the original geometrical subdivision of the Floral Garden. However, three sections have been divided into smaller parts also following a geometrical pattern. The borders between the three sections are linked with the axes of the Floral Garden. Each of the sections has a particular design in accordance with its specific function. Thus, the northern section offers a sort of gallery and floral exposition. The middle section is occupied by a restaurant placed at a higher level than the water tank. The restaurant is surrounded by a line of trees which would offer shadow during summer. The southern part contains several glasshouses. In the project the original wall bordering wall of the garden has been removed in order to open the garden to the city. Instead of the wall, I have decided to limit the garden from the street by creating a water area with two small bridges. The proposal also includes the reconstruction of the central head-office building. Besides, a new center for garden and landscape architecture is created. At the southwest part of the garden, new facilities buildings such as glasshouses and an aviary have been added. At this area of the garden a labyrinth has been created in order to increase the beauty of the natural landscape.

plans of new design current building

master plan

plan of floral garden

sections and elevations of caffee

plan and section of galery