PORTFOLIO

Page 1

2015-2021


Original Title Academic Portfolio Text & diagramationJosé Miguel Torres Henao Copyright ©José Miguel Torres Henao All rights reserved. The total or partial reproduction of this work is not allowed, nor its incorporation into a computer system, nor its transmission in any medium without the prior written authorization of the copyright holders. The infringement of these rights may constitute a crime against intellectual property.


JO SE MIG UEL TORRES /architect

Mobile

(+57) 3008381155

E-mail

jomitorresh@gmail.com

Age

23 years old

Nationality

Colombian

ED UCATI ON

Online portfolio

https://www.behance.net/josemtorres

IN T ERES T 2015-2021

Undergraduate Architecture Universidad Piloto de Colombia, Bogotá

2015-2021

High School Diploma Colegio de la Presentación-Centro emphasis on art and communication

Architectural visualization

Languages-English Languages Centre-Universidad Pedagógica Nacional

Art

Architecture design Interiorism

2015

EX P E RI E N C E

Investigation

L AN G UAG ES 2021 Currently

2020-2021 Ago-Feb

2020 May-Nov

2020 Feb-Mar

Colaboration Arq. Alejandro Mendez Architectural visualization, planimetric design and construction control of housing projects Research assistant /MARQ Universidad Piloto de Colombia Monitoring of research coloquios, support in writing and

SPANISH

100%

ENGLISH

70%

S KIL L S

graphic production of research articles in architecture.

Autocad

Colaboration Arq. Carlos Andres Rios

Revit

Graphic design and production of interior design projects

Illustrator

Architecture Intern /On vacation Hotels

Photoshop

Support in the design of remodeling works, adaptation and structural reinforcement of hotel spaces.

Sketchup 3Ds Max

ACH I E V E ME N TS

Rhinoceros 2016 2018

Mirada proyectual Magazine Recognition of the best projects in the University

V-ray Corona

2020

Nomination Students Aunal of students SCA Recognition of the best graduation projects in Colombia

Lumion


CON TENT


Contemplation Pavillion

2015

Culture House

2016

Coliving Siete Vueltas

2017

Metropolitan Music Conservatory

2019


1/ CONTEMPLATION PAVILLION La Calera-Colombia


The form implies a conception beyond the appearance of the architectural object. Since as Francis Ching says, the form relates the space with its spirit, associated with an experience that is established from perception. In the search for a harmony within the materiality, the route and the permanence. Where the senses play the leading role in the exercise of design. The form then expresses something beyond an aspect. It represents a symbolism, a memory, an intrinsic experience in the relationship with the landscape, thus establishing a pregnant space.


CONCEPT

Walk

Contemplate

Tree

Contemplate

Integrat


te

The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand landscape, which in this case is the Bogotá savanna.

Still

Walk



The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand passage, which in this case is the Bogotá savanna.


2/ CULTURE HOUSE La Vega-Colombia


The project arises from the need to integrate and link the living space with the public space, from the concept of dematerilization the limit. Normally urban housing in the context of Colombia, infers from the notion that housing should be introspective isolated from its context, generating feelings of security and intimacy, however this provision could be considered as selfish with its environment.


PROGRAM


On its first floor there is a cultural center with music rooms, a tiered outdoor events center, a cafeteria and 2 bathtubs. On its second floor is the house for musicians, which consists of two rooms, a social area and a music studio. The house of culture is projected from the solar and wind orientation where it seeks to "refresh" the space from the generation of patios and cross ventilation, strategies that make it a comfortable project taking into account the climatic conditions of the municipality.


First floor 1

2

3


Exterior view

Access to the project

Living space Conection with the city and the yard


3/ COLIVING 7V

Cajica-Colombia


Coliving is a new model for collective housing, specifically for the young university community and independent workers. A good combination of cheap housing and close coexistence with friends and colleagues. For a reasonable amount, it is possible to get a single room and share some common spaces.

contraction / expansion

Sky link

concatenation


CONCEPT


The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand landscape, which in this case is the Bogotá savanna.


Phrame

Mesh with respect to sunlight

Section A-A’

Sessions

Session A & session B


Modulation

22 modules each with three types of housing

Natural Structure

Integration between ecological points


PROGRAM 5. 10. 4.

9. 2. 1. 3.

8. 7. 6.

1. Acceso

6. Patio

2. Sala de TV

7.

3. Parqueadero

8. Comedor

4. Sala de estar

9. Sala T1

5. Árbol

10. Balcón

Cocina


Tipología 1 65 m2

5.

4.

1. Estudio 2. Sala de TV

1.

3. Sala de estar 4. Baño

2.

5. Dormitorio 3.

1. Estudio 2. Baño 3. Dormitorio 4. Circulación 3.

2. 1.

4.

Tipología 2 40 m2

Tipología 3 35 m2 1. Estudio 2. Baño 4. 2. 3.

1.

3. Circulación 4. Dormitorio


4/ CMMB Bogotá-Colombia


The Metropolitan Conservatory of Music of Bogotá emerges from the need to supply and clean up the need for cultural and artistic spaces that complement the educational network of the town of San Cristóbal in the city of Bogotá. The architectural project together with the research base, part of the idea of matching architecture and music. This dialogue between disciplines is presented from a unique language, composition. A process that allows the transmission of ideas, traditions and sensations.



CONCEPT

When in the development of this idea within the exercise of architecture, one starts only from the appearance and the figure, a sense of order is denied in the relationship of the parts; the composition is not established within a logical formal structure that defines relationships between the container space and the contained activity.


ANALYSIS Integrate

cultural patrimony+equipment group

Conservatory Mexico Mario Pani

Isolate

strident area

Phrame

Mesh with respect to sunlight


From the analysis of projects in the fields of theory and practice, strategies are identified that address this correspondence. In the first place, the formal structure, in achieving a balance within the relationship between dual models of composition and, secondly, from the experience of the architectural space, in the variation of moments of tension in the transit through the project and tranquility in the moments of rest or permanence, which establish a living in architecture. These strategies allow a dialogue between form and experience, where the visitor manages to perceive the building as a harmonious place, a musical composition made into a building.

Conservatory Bilbao Roberto Ercilla

Musical School Bucarest LTFB Studio

Dutilleux Conservatory Dominique Coulon




First floor 1

2

3


Second floor 1

2

3


TRANSIT

inspiration

CHOOSE

experience

LIVE

framing the artist

PERCEPTION


The formal-spatial continuity of the urban plan from the management of the levels on the topography. Establishing a balance in the ascent and descent in the fluidity of the route through the public space that offers different activities to the user who circulates through it.


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