2015-2021
Original Title Academic Portfolio Text & diagramationJosé Miguel Torres Henao Copyright ©José Miguel Torres Henao All rights reserved. The total or partial reproduction of this work is not allowed, nor its incorporation into a computer system, nor its transmission in any medium without the prior written authorization of the copyright holders. The infringement of these rights may constitute a crime against intellectual property.
JO SE MIG UEL TORRES /architect
Mobile
(+57) 3008381155
jomitorresh@gmail.com
Age
23 years old
Nationality
Colombian
ED UCATI ON
Online portfolio
https://www.behance.net/josemtorres
IN T ERES T 2015-2021
Undergraduate Architecture Universidad Piloto de Colombia, Bogotá
2015-2021
High School Diploma Colegio de la Presentación-Centro emphasis on art and communication
Architectural visualization
Languages-English Languages Centre-Universidad Pedagógica Nacional
Art
Architecture design Interiorism
2015
EX P E RI E N C E
Investigation
L AN G UAG ES 2021 Currently
2020-2021 Ago-Feb
2020 May-Nov
2020 Feb-Mar
Colaboration Arq. Alejandro Mendez Architectural visualization, planimetric design and construction control of housing projects Research assistant /MARQ Universidad Piloto de Colombia Monitoring of research coloquios, support in writing and
SPANISH
100%
ENGLISH
70%
S KIL L S
graphic production of research articles in architecture.
Autocad
Colaboration Arq. Carlos Andres Rios
Revit
Graphic design and production of interior design projects
Illustrator
Architecture Intern /On vacation Hotels
Photoshop
Support in the design of remodeling works, adaptation and structural reinforcement of hotel spaces.
Sketchup 3Ds Max
ACH I E V E ME N TS
Rhinoceros 2016 2018
Mirada proyectual Magazine Recognition of the best projects in the University
V-ray Corona
2020
Nomination Students Aunal of students SCA Recognition of the best graduation projects in Colombia
Lumion
CON TENT
Contemplation Pavillion
2015
Culture House
2016
Coliving Siete Vueltas
2017
Metropolitan Music Conservatory
2019
1/ CONTEMPLATION PAVILLION La Calera-Colombia
The form implies a conception beyond the appearance of the architectural object. Since as Francis Ching says, the form relates the space with its spirit, associated with an experience that is established from perception. In the search for a harmony within the materiality, the route and the permanence. Where the senses play the leading role in the exercise of design. The form then expresses something beyond an aspect. It represents a symbolism, a memory, an intrinsic experience in the relationship with the landscape, thus establishing a pregnant space.
CONCEPT
Walk
Contemplate
Tree
Contemplate
Integrat
te
The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand landscape, which in this case is the Bogotá savanna.
Still
Walk
The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand passage, which in this case is the Bogotá savanna.
2/ CULTURE HOUSE La Vega-Colombia
The project arises from the need to integrate and link the living space with the public space, from the concept of dematerilization the limit. Normally urban housing in the context of Colombia, infers from the notion that housing should be introspective isolated from its context, generating feelings of security and intimacy, however this provision could be considered as selfish with its environment.
PROGRAM
On its first floor there is a cultural center with music rooms, a tiered outdoor events center, a cafeteria and 2 bathtubs. On its second floor is the house for musicians, which consists of two rooms, a social area and a music studio. The house of culture is projected from the solar and wind orientation where it seeks to "refresh" the space from the generation of patios and cross ventilation, strategies that make it a comfortable project taking into account the climatic conditions of the municipality.
First floor 1
2
3
Exterior view
Access to the project
Living space Conection with the city and the yard
3/ COLIVING 7V
Cajica-Colombia
Coliving is a new model for collective housing, specifically for the young university community and independent workers. A good combination of cheap housing and close coexistence with friends and colleagues. For a reasonable amount, it is possible to get a single room and share some common spaces.
contraction / expansion
Sky link
concatenation
CONCEPT
The ordering idea of the proposal is planted in establishing a game of circulations and stays where the traveled space is accompanied by a pregnant space, be it a contemplation patio, the distant landscape or a visual finish of the savannah. This strategy corresponds to a analogical association of the routes established by the architect Rogelio Salmona where the user receives stimuli, denying the frontal view, which increases the sensations of surprise by establishing a culmination of the route that connects with the lejand landscape, which in this case is the Bogotá savanna.
Phrame
Mesh with respect to sunlight
Section A-A’
Sessions
Session A & session B
Modulation
22 modules each with three types of housing
Natural Structure
Integration between ecological points
PROGRAM 5. 10. 4.
9. 2. 1. 3.
8. 7. 6.
1. Acceso
6. Patio
2. Sala de TV
7.
3. Parqueadero
8. Comedor
4. Sala de estar
9. Sala T1
5. Árbol
10. Balcón
Cocina
Tipología 1 65 m2
5.
4.
1. Estudio 2. Sala de TV
1.
3. Sala de estar 4. Baño
2.
5. Dormitorio 3.
1. Estudio 2. Baño 3. Dormitorio 4. Circulación 3.
2. 1.
4.
Tipología 2 40 m2
Tipología 3 35 m2 1. Estudio 2. Baño 4. 2. 3.
1.
3. Circulación 4. Dormitorio
4/ CMMB Bogotá-Colombia
The Metropolitan Conservatory of Music of Bogotá emerges from the need to supply and clean up the need for cultural and artistic spaces that complement the educational network of the town of San Cristóbal in the city of Bogotá. The architectural project together with the research base, part of the idea of matching architecture and music. This dialogue between disciplines is presented from a unique language, composition. A process that allows the transmission of ideas, traditions and sensations.
CONCEPT
When in the development of this idea within the exercise of architecture, one starts only from the appearance and the figure, a sense of order is denied in the relationship of the parts; the composition is not established within a logical formal structure that defines relationships between the container space and the contained activity.
ANALYSIS Integrate
cultural patrimony+equipment group
Conservatory Mexico Mario Pani
Isolate
strident area
Phrame
Mesh with respect to sunlight
From the analysis of projects in the fields of theory and practice, strategies are identified that address this correspondence. In the first place, the formal structure, in achieving a balance within the relationship between dual models of composition and, secondly, from the experience of the architectural space, in the variation of moments of tension in the transit through the project and tranquility in the moments of rest or permanence, which establish a living in architecture. These strategies allow a dialogue between form and experience, where the visitor manages to perceive the building as a harmonious place, a musical composition made into a building.
Conservatory Bilbao Roberto Ercilla
Musical School Bucarest LTFB Studio
Dutilleux Conservatory Dominique Coulon
First floor 1
2
3
Second floor 1
2
3
TRANSIT
inspiration
CHOOSE
experience
LIVE
framing the artist
PERCEPTION
The formal-spatial continuity of the urban plan from the management of the levels on the topography. Establishing a balance in the ascent and descent in the fluidity of the route through the public space that offers different activities to the user who circulates through it.