Joseph Kyle Selected work
Education
Education
Harvard Graduate School of Design | Cambridge, MA | 2020 - Present
Master of Architecture I | 3.5-Year Track
Expected Graduation 2025
Fifth Year Emerging Artist | Northfield, MN | 2018 - 2019
A yearlong artist-in-residence program at St. Olaf College focused on expanding depth and breadth of artistic portfolio and preparing for three public shows.
St. Olaf College | Northfield, MN | 2014 - 2018
BA in Studio Art with High Honors
BA in Architecture and Sustainability Studies (Independent Major) with High Honors
Harvard Graduate School of Design | Cambridge, MA | 2021 - Present
Woodshop Technical Assistant | Assisted students working in the GSD Woodshop while maintaining a safe, clean and organized work environment.
Digital Media Workshop Instructor | Cambridge, MA | 2021 - Present | Led comprehensive visualization workshops for current GSD students and held office hours on a variety of digital design tools.
Teaching Assistant - PRO 7121 (Professional Practice) | Cambridge, MA | 2024 - Present | Assisted three co-instructors in day-to-day in-class operations, visiting speaker logistics and virtual speaker setup, as well as light research.
Houser Walker Architecture | Atlanta, GA | 2022-2023, Summer 2024
Architectural Intern | Led and contributed to projects of various scales, ranging from single-family homes and in-house office renovations to large-scale, multi-firm state government initiatives.
Höweler + Yoon | Boston, MA | Summer 2022
Summer Intern | Collaborated in small teams on diverse projects, including exhibition design, a single-family residence, and a design provocation for a nonprofit organization.
Arvold Landscaping
| St. Paul, MN | 2016 - 2020
Foreman | Led an experienced crew on a variety of custom residential hardscaping projects. Interpreted professional landscape designs and made on-site design decisions when necessary. Held positions of increasing responsibility including foreman over two summers and three full seasons.
Recognition Awards
Thayer Award Scholarship | Harvard GSD | 2024
Distinction | Necessary Architecture Studio | Harvard GSD | 2023
Phi Beta Kappa | St. Olaf College | 2018
Magna Cum Lauda | St. Olaf College | 2018
Ken Bonde Award for Excellence in Independent Studies | St. Olaf College | 2018
Fifth Year Emerging Artist Selection | St. Olaf College | 2018
Distinction (Studio Art) | St. Olaf College | 2018
Dean’s List | St. Olaf College | 2014 - 2018
Publications
Group work published in Utzonia: From/To Denmark With Love | Office U67 ApS | 2021
Group work nominated for publication | Construction Systems | Harvard GSD | 2021
Partnered work nominated for publication | Core I Studio | Harvard GSD | 2020
Exhibitions
Independent Study Exhibition | Harvard GSD | 2024
Mind and Body | Truckstop Gallery | 2019
Unbound | Northfield Arts Guild | 2019
Fall 2024
Harvard GSD - M.Arch I Thesis
Advisor - Professor Eric Howeler
Contemporary building and design practices suffer from an inherent detachment from the harmful extractive processes that sustain them. To transition away from a carbon-based economy, architecture must become an active agent in narrowing the gap between itself and these hidden externalities elsewhere. The Center for Accountability seeks to address the issue of elsewhere by offering a new model for hyper-local mine governance in Minnesota’s Arrowhead Region, where several harmful copper and nickel mines await regulatory approval. What results is a regulatory facility that incentivises best practices, centers local and indigenous knowledge, and challenges the neoliberal underpinnings of contemporary extraction.
The center not only employs a Federal Land Trust model as its conceptual framework, but it architecturalizes the many regulatory and supporting bodies within it in functional and perceptual ways. Regulatory bodies shift, rotate and float around the user, who is given open access to the facility through a pedestrian circuit. Visitors may visit the Center to protest mine operations, collaborate with activists and scientists, or simply eat a meal alongside mine workers, all while bearing witness to the transforming landscape around them.
The Center’s largest components - its structure, cladding and foundation - reuse elements from the abundant shuttered mine facilities that dot its immediate site, allowing the building’s form to act as a floating datum against which the landscape might be measured.
Advisor: Ewa Harabasz
Advisor: Ewa Harabasz
Carbon Form Study 4 (2024)
Conte on Gesso Board
Advisor: Ewa Harabasz
Federal Land Trust
Grantor
Satellite
Visiting Judge Litigants
Investors
(Under Authority of Federal Forest Service)
Accountability
Fall 2021
Harvard GSD - Core III Studio
Instructor - Professor Eric Höweler
Teaching Assistant - Rayshad Dorsey
The Active Slab Office provides a second home for the National Science Foundation in Boston, Massachusetts. It seeks to better integrate the independent federal agency with the general public and local academic research communities.
In order to achieve the public-facing character that the NSF desires, the design rejects the assumed neutrality of the conventional office floor slab, a commonplace building element that stratifies users, erodes collaboration and relegates the public to the elevator lobby. The design replaces the conventional floor slab with an “active slab,” which is characterized by a series of formal disruptions - division, projection, rotation and misalignment - to resolve some of the aforementioned issues.
A central ramp system indexes the slab’s activity as it meanders through the structure and links public programming (a library, exhibition space and lecture hall) to NSF and rental offices. This “urban hike” allows the public to experience how both science and the building itself function, thus pulling back the curtain on both disciplines.
Model Study 01 - Division & Rotation (1/32)
Model Study 02 - Structural Frame (1/32”)
Mid-Review - Atrium & Inner
Model Study 03 - Program Organization
Cable Glazing
Safety Railing
Fall 2023 (Module II)
Harvard GSD - Options Studio - Necessary Architecture Instructors - Diego Grass, Shingo Masuda
Partner - David Shim (M.Arch 25’)
To truly address the needs of unhoused individuals, architects and designers must look beyond providing housing. The challenges faced by this community extend beyond shelter, encompassing both tangible needs—such as food, water, and safety—and intangible needs, including community, dignity, and visibility. The Spare Change Totem seeks to address one of these intangible needs: visibility.
In collaboration with Spare Change News, an independent Cambridge newspaper produced and distributed by the local unhoused community, we found that as readership has declined, so too has public awareness of their experiences. In response, the totem serves as a billboard, kiosk, and art piece, designed to amplify their voices and raise visibility within the community.
Standing eight feet tall and twelve feet wide, the totem disrupts pedestrian flow, contrasting with typical newspaper boxes that fade into the urban fabric. As an urban-scale structure, it reshapes space, transforming pathways into courtyards or entrances into moments of pause. The totem takes on new urban responsibilities, acting both as a backdrop and a beacon to amplify the voice of Spare Change News.
To fulfill its diverse roles, the design embraces abstraction. It does not simply represent the newspaper or act as a direct billboard; rather, it aims to intrigue, sparking curiosity and fostering engagement.
Spring 2021
Harvard GSD - Core II Studio
Instructor - Professor Sean Canty
Teaching Assistant - Brayton Gregory
This triptych documents a contemporary courtyard in Atlanta, GA and speculates on its former and future states.
The contemporary courtyard condition (figure 02) emerges from a former industrial structure adjacent to an active railroad. A built wall separates the two, while a mezzanine-level terrace connects to a pedestrian bridge.
Identifying and extrapolating upon elements of the courtyard’s found condition creates a layered narrative. In its past state, a semi-enclosed courtyard served a meat packing and processing factory at train-level. In its present state, the courtyard encloses itself and activates a second level. In its future state, the courtyard is filled by a towering urban playscape, which spreads to fill other urban voids in the surrounding landscape.
Time:
Future | Present | Former
Courtyard Condition: Filled | Closed | Open
Level:
Purpose:
Sky | Street | Train Play | Leisure | Labor
2018 - 2019
St. Olaf College - Fifth Year Emerging Artist Advisor - Professor Michon Weeks
The Guts series emerged from my growing fascination with the inner-workings of heavy machinery - their pipes, gears and steel forms. While my initial interest concerned their form and structure, it evolved to include and investigate the abstract architectural spaces they create. Every alcove within a machine holds a unique set of contradictions - darkness and light, danger and safety, chaos and order. In this series, I seek to identify, sharpen and evoke these dualities.
I created this body of 17 works during my year in St. Olaf College’s Fifth Year Emerging Artist Program. Every year, Art Department faculty select four graduating studio art majors to return to campus for a fifth year of independent artistic development in this artist-in-residence program. Selected graduates share a studio and produce work for three public shows.