JOHN_PAUL_PACELLI
SELECTED_WORKS
ARQUITECTUM COMPETITION_VERTICAL FASHION MUSEUM GIANT ROBOT: A TECHNOCRATIC TAKE ON CURITORIAL CONFIGURATION_OMOTESANDO, TOKYO, JAPAN SPRING 2010 P. 1 ARQUITECTUM COMPETITION DANCE SCHOOL FOR THE MOULIN ROUGE_PARIS, FRANCE SUMMER 2009 P. 7
COMPETITIONS
GIANT ROBOT: A TECHNOCRATIC TAKE ON CURATORIAL CONFIGURATION OMOTESANDO, TOKYO, JAPAN ARQUITECTUM COMPETITION: VERTICAL FASHION MUSEUM SPRING 2010 IN COLLABORATION WITH PROF. THADDEUS ZARSE AND CHRISTIAN RODRIGUEZ
FLEXIBILITY IS ACHIEVED THROUGH THE INCORPORATION OF PLUG-IN INFRASTRUCTURE ALLOWING FOR A SERIES OF INTERIOR PATHS TO BE CREATED THROUGH CURATORIAL CONFIGURATION. THE EXHIBITION SPACES ARE ORGANIZED CHRONOLOGICALLY, WITH VERTICAL CIRCULATION ALLOWING FROM A LINEAR PROGRESSION THROUGH TIME WHILE EACH EXHIBITION MAINTAINS A DEGREE OF AUTONOMY. IN ADDITION, THE BUILDING IS WRAPPED ON ALL FOUR SIDES WITH INFRASTRUCTURAL CIRCULATION: ONE SIDE WITH STATIC CIRCULATION (FIRE STAIR, ELEVATORS) AND THE FACADES VISIBLE FROM OMOTESANDO ST. WITH A ROBOTIC STAIR SYSTEM. THE ROBOTIC STAIRS SIMULTANEOUSLY FUNCTION AS EXHIBITION SPACE AND CIRCULATION. THIS ALLOWS THEM TO REFLECT THE NATURE OF FASHION WHERE TRENDS TEND TO REPEAT THEMSELVES, CREATING A CONFIGURAL AND CURATORIAL CONNECTION THAT MEANDERS OFF THE MAIN, LINEAR CIRCULATION. DURING A FASHION SHOW, THE ROBOTIC STAIR MOVES OVER THE CENTRAL VOID AND ACTS AS THE RUNWAY WHERE MODELS ARE THEN TRAVERSING ACROSS THE FACADE AND INTO THE SHOWROOM. THIS BECOMES A DISPLAY FOR BOTH THE STREET PUBLIC AND THE SEATED GUESTS
ROBOT STAIR AS EXHIBITION
VIEW FROM OMOTESANDO ST_1
SPRING 2010
2_RUNWAY LEVEL
346’-0”
314’-0”
SKY BAR, TERRACE, GARDEN
298’-0”
EXHIBITION GALLERY, RESTROOMS
282’-0”
EXHIBITION GALLERY
266’-0”
1990’s EXHIBITION ROOM
250’-0”
1990’s EXHIBITION ROOM, RESTROOMS
234’-0”
1980’s EXHIBITION ROOM
218’-0”
1980’s EXHIBITION ROOM
202’-0”
1970’s EXHIBITION ROOM
186’-0”
1970’s EXHIBITION ROOM, RESTROOMS
170’-0”
1960’s EXHIBITION ROOM
122’-0”
RUNWAY
106’-0”
1950’s EXHIBITION ROOM, RESTROOM
90’-0”
1940’s EXHIBITION ROOM
74’-0”
1930’s EXHIBITION ROOM
58’-0”
1920’s EXHIBITION ROOM
42’-0”
ADMINISTRATIVE, RESTROOMS
13’-0”
MEZZANINE, TERRACE RESTROOMS
0’-0”
LOBBY | ENTRANCE GIFT SHOP
-11’-0”
PARKING
CURATORIAL CONFIGURATION 01: RUNWAY SHOW
CURATORIAL CONFIGURATION 02: HAT EXHIBITION 90’S+70’S, 40’S+20’S
CURATORIAL CONFIGURATION 03: EXPANDED 70’S 20’S+50’S
SECTION / PLANS / STAIR CONFIGURATIONS_3
SPRING 2010
4_SKY BAR / TEMPORARY EXHIBIT
5
DANCE SCHOOL FOR THE MOULIN ROUGE MONTMARTRE DISTRICT, PARIS, FRANCE ARQUITECTUM COMPETITION SUMMER 2009 THE SCHEME FACILITATES MOVEMENT AS VISITOR AND DANCER TRAVERSE ACROSS FLOORS AND ARE PULLED IN, UP, AND THROUGH THE BUILDING: ONE BECOMES A PARTICIPANT IN THE CONSTANT ART OF MOTION. ONE IS PULLED FROM THE EXTERIOR INTO A DYNAMIC INTERIOR EXPERIENCE BY MEANS OF THE PUBLIC VOID SPACE WHICH CARVES ITS WAY THROUGH THE MASSING OF THE BUILDING. THE INTERNAL DYNAMISM IS ACCENTUATED BY AN ATRIUM LINKING THE PUBLIC STREET LEVEL WITH THE PUBLIC TOP LEVEL CREATING A VERTICAL SPACE ALLOWING FOR POWERFUL DIAGONAL VIEWS INTO AND THROUGH THE TRAINING SPACES. THE CIRCULATION CORE IS AN EVENT SPACE WHEREBY VISITORS ARE FULLY EXPOSED AND SURROUNDED BY DANCE IN ANY OF THE PUBLIC SPACES. IN ADDITION, THE ATRIUM ACTS AS VISUAL AND PHYSICALLY CONNECTS THE DISPARATE TRAINING AREAS DESPITE THEIR DIFFERING FLOOR LINES THE ENTRY COURT FACILITATES THIS THEATRICAL MILIEU HAVING OUTDOOR CAFÉ SEATING AND STAIRS FOR VISITORS TO SIT AND WATCH THE DANCERS PRACTICE: THE FACADE ITSELF BECOMES A STAGE. THE RESULT IS A PUBLIC URBAN THEATER WHERE THE ROLE OF AUDIENCE AND PERFORMER IS SKEWED; A VISITOR WATCHES A DANCER, A DANCER WATCHES A VISITOR: THE SPACE BECOMES A LIVELY DESTINATION AS A MEANS TO CATALYZE SOCIAL DISCOURSE AND CULTURAL INTERACTION.
PROGRAM: DANCE STUDIOS, 2 THEATERS, MUSEUM, BOOKSTORE, LOCKER ROOMS ADMINSTRATION
ENTRANCE / INTIAL CONCEPT SKETCH_7
SUMMER 2009 7) ROOF SPLIT AND FOLDED TO FORM SKYLIGHT ILLUMINATING VERTICAL CIRCULATION
7
UP DN
DN
6 UP
6) PRIVATE CIRCULATOIN CORES PROVIDED FOR DANCERS TO ACCESS TRAINING ROOMS DYNAMIC STAIR FROM MUSEUM TO ROOF
UP
1) ENTRY COURT 2) GYMNASIUM 3) LOBBY 4) CAFE 5) RECEPTION/OFFICES 6) AUDITORIUM 1 7) BACK OF HOUSE
5) BUFFER ZONE SUBTRACTED PROVIDING DYNAMIC DIAGONAL VIEWS FROM DIFFERENT TRAINING AND PUBLIC ZONES
DN
5
UP
DN
DN
3 4
UP
2 4) PUBLIC PROGRAM & CIRCULATION CARVES ITSELF THROUGH HEART OF MASS, CONNECTING ALL PROGRAM ELEMENTS
UP
1
N
UP
LEVEL_01
4’
16’
32’
3) AUDITORIUMS BECOME OPAQUE VOLUMES DEFINING VOIDS UNDERNEATH
2) AUDITORIUM 1: WALK IN ACCESS AUDITORIUM 2: RAISED, OPENS SPACE BELOW
1) SPACES EXTRUDED TO MAX. HEIGHT TRAINING AUDITORIUM PUBLIC
8_PROCESS DIAGRAMS / PLANS
MONTMARTRE DISTRICT, PARIS
DN
4
1) TRAINING ROOM 2) AUDITORIUM 2 3) SOUND/LIGHTS/ BALCONY LEVEL 4) TRAINING ROOM
1) ROOF TERRACE 2) READING ROOM 3) MUSEUM LEVEL ENTRANCE/ CAFE/ SOUVENIRS 4) MUSEUM
4
DN
UP
DN
UP
UP
DN
DN
DN
3
DN
2
3
DN
DN
1 DN
1 2
LEVEL_05
LEVEL_06
MUSEUM AND GREEN ROOF_9
SUMMER 2009
LOBBY_INTERIOR PIAZZA
10_FRONT ELEVATION FROM BOULEVARD DE CLICHY
ENTRANCE_OUTDOOR CAFE
CENTER-PIVOTING WINDOWS OPEN INTERIOR ENTRY TO OUTSIDE, SKEWING PERCEPTION OF INTERIOR-EXTERIOR SPACE CREATING AN INTERIOR PLAZA. ALSO ALLOWS FRESH AIR AND COOL BREEEZES INSIDE SUMMER SUN SHADED BY AUDITORIUM
LOW, WINTER SUN ABLE TO PENETRATE INTERIOR
AXON-SECTION_11
FLORENCE ABROAD PROGRAM EXITING THE UFFIZI_FLORENCE, ITALY FALL 2008 P. 15 JAPAN ABROAD PROGRAM LOOKING INWARD: A JAPANESE CONSULATE IN NEW ORLEANS_ NEW ORLEANS, LA SUMMER 2008 P. 21
ACADEMIC_WORK
EXITING THE UFFIZI FLORENCE, ITALY FALL 2008
THE UFFIZI GALLERY HOUSES SOME OF THE MOST NOTABLE ART IN THE WORLD BUT DOES NOT HAVE AN ICONIC, DOMINATING PRESENCE WORTHY OF A WORLD CLASS MUSEUM. THE STRATEGY ADDRESSES THE DESIRE FOR ICONOGRAPHY AND A STRONG PRESENCE WITH THE PROPOSAL OF A TOWER THAT PROVIDES A VISUAL CONNECTION TO PIAZZA DELLA SIGNORIA. THE SCHEME IS ALSO A HOMAGE TO THE TOWERS THAT ONCE COVERED FLORENCE CENTURIES AGO. THE DESIGN IS SENSITIVE TO THE HISTORICAL CONTEXT OF FLORENCE: THE TOWER INVISIBLE FROM THE HISTORIC VIEW AT VIA CALZAIUOLI, BUT REVEALS ITSELF WHILE WALKING TOWARD THE MUSEUM. THE ADDITIONAL EXHIBIT SPACE IS PLACED UNDERGROUND TO LIMIT ALTERATIONS TO VASARI’S ARCHITECTURE. THE EXIT RESULTS IN A PIAZZA PIVOTING ABOUT THE TOWER; THE TOWER COMMUNICATING TO THE CITY THAT IT IS A DESTINATION NOT JUST FOR THE GALLERY, BUT FOR THE PIAZZA AS A GATHERING SPACE TO ENGAGE IN SOCIAL DISCOURSE. STAIRS ACT AS SEATING IN THE URBAN THEATER THAT HAS BEEN CREATED; A SPACE THAT CAN STAGE ARTISTIC PERFORMANCES LIKE THE URBAN THEATERS OF OLD. PROGRAM: EXHIBITION SPACE, OUTDOOR THEATER, AUDITORIUM, PIAZZA
15
FALL 2008 PIAZZA SAN MARCO IN VENICE HAS SIMILAR CONFIGURATION AS UFFIZI SITE
TOWER ACTS AS PIVOT POINT TO TURN CORNER, TRANSITIONS MAIN AND SECONDARY PIAZZAS PIAZZETTA SAN MARCO PIAZZA SAN MARCO, VENICE
FACILITATES COMPRESSION EMPHASIZING TRANSITIONAL SPACE
(1) PIAZZ
ALE D
EGLI
BRIDGE TO MUSEUM
VIA CALZAIUOLI
(2) UFFIZ
SITE
I
PIAZZA DELLA SIGNORIA
(3)
TOWER OF PALAZZO VECCHIO
PIAZZA
SCULPTURE GARDEN
EXHIBITION
AXON-SECTION
PIAZZA_EXIT B
A
BASEMENT PLAN
1) TOWER HIDDEN BEHIND PALAZZO VECCHIO TO MAINTAIN HISTORIC VIEW FROM VIA CALZAIUOLI
1) EXHIBIT 2) RUINS / SCULPTURE GARDEN 3) REFLECTION POOL/ SCULPTURE 4) PRE-FUNCTION 5) AUDITORIUM 6) PREP / STORAGE 7) MECHANICAL
7 UP
1 D
E
E
2
D
3 UP
2) WHILE MOVING AROUND PIAZZA TOWER REVEALS ITSELF
4
C
5
DN
DN
3) AS NEAR ENTRANCE, TOWER DISAPPEARS REESTABLISHING HISTORICAL CONTEXT OF PIAZZALE DEGLI UFFIZI
16_SITE-CONCEPT DIAGRAMS / PLANS / AXON-SECTION
B
A
6
C
OUTDOOR THEATER B
A
PIAZZA LEVEL
1) SECURITY 2) ENTRY / TICKETS/ BAG DROP-OFF 3) BAG PICK-UP 4) BOOK STORE 5) VASARI STAIR 6) CASHIER 7) STORAGE 8) PIAZZA 9) OUTDOOR THEATER
5 (EXIT FROM GALLERY)
1
2
3
4 6
4
7
DN
D
8
E
E
D
DN
UP
C
DN
C
DN DN
9
DN
DN
B
A
PIAZZA LEVEL PLAN_17
FALL 2008
18_LONGITUDINAL SECTION
BASEMENT LEVEL GALLERY_19
LOOKING INWARD: A JAPANESE CONSULATE IN NEW THE CHALLENGE OF THIS FOUR WEEK STUDIO WAS TO DEVELOP AN INWARDLY FOCUSED BUILDING WITHIN THE BUSY URBAN FABRIC OF NEW ORLEANS WHILE INTEGRATING INFLUENCES OF ZEN TEMPLES. SMALL PROGRAM ON A LARGE SITE ALLOWED FOR A THIN BAR SCHEME RESULTING IN A SEQUENCE OF INDOOR AND OUTDOOR SPACES MAXIMIZING DAYLIGHTING, CROSS VENTILATION, AND VISUAL AND SPATIAL CONNECTIVITY ON BOTH THE TRANSVERSE AND LONGITUDINAL AXIS. PROGRAMMATIC DIFFERENTIATION WAS ACHIEVED BY ALTERING FLOOR LINES AND VOLUMETRIC ATTRIBUTES TO A SPECIFIC SPACE. BY PERFORATING THE PERIMETER WALLS AND IMPLEMENTING AUDIAL COMPONENTS (SUCH AS THE OFFICE WATERFALL), THE BUILDING INTERACTS WITH PEDESTRIANS OUTSIDE THE COMPLEX, ALLOWING THEM VIEWS INTO THE GARDENS AND SUBSEQUENT CURIOSITY TO ENTER THE CONSULATE.
ST. CHARLES AVENUE
CENTRAL BUSINESS DISTRICT, NEW ORLEANS, LA SUMMER 2008
ST. JOSEPH STREET
PROGRAM: GALLERY, LIBRARY, CONFERENCE ROOMS, MEETING ROOM, CONSULATE OFFICES, CONSULATE RESIDENCE, GUEST ROOMS, TEA HOUSE PERFORATED WALL ALLOWS VIEW INTO GARDEN FROM STREET
WATERFALL CREATES AUDIAL COMPONENT, GRABBING ATTENTION FROM STREET
21
SUMMER 2008 HUNG, WOOD-GRATED CEILING FACILITATES SPATIAL FLOW AND MOVEMENT THROUGH LOBBY, GALLERY, AND LIBRARY. CREATES THRESHOLD AND DEFINES EACH DIFFERENT SPACE WITHOUT USE OF PARTITION WALLS
ST CHARLES ELEVATION
10’
20’
30’
10’
20’
30’
10’
20’
30’
10’
20’
30’
PINCH ACTS AS THRESHOLD BETWEEN GALLERY AND LIBRARY SECTION A
SECTION B
OFFICES OFFICES INSTITUTIONAL INSTITUTIONAL RESIDENTIAL RESIDENTIAL SECTION C
LARGE SITE ALLOWS FOR LONG, THIN, STRIATED BAR MASSING SCHEME PERMITTING ADVANTAGES IN DAYLIGHTING, CIRCULATION, AIR AND SPATIAL FLOW
22_INITIAL CONCEPT SKETCHES / PROCESS DIAGRAMS
MASSES EXTRUDED, SOLID-VOID/ DARK-LIGHT SEQUENCE DEVELOPED THROUGH STRIATION OF SITE
GALLERY GALLERY OFFICES
ITUTIONAL
SECOND LEVEL ADDED TO INSTITUTIONAL BAR
MASSES SUBTRACTED FOR REQUIRED SQUARE FOOTAGE. OFFICE BAR ELEVATED, INSTITUTIONAL BAR BECOMES ANCHOR BETWEEN GROUNDED AND ELEVATED PROGRAM BARS.
VOLUMES MANIPULATED, ESTABLISHING PROGRAMMATIC HIERARCHY AND SPATIAL DIFFERENTIATION
ZEN TEMPLES & GARDENS_23
SUMMER 2008
BACK ENTRANCE C
7
C
B
1) LOBBY 2) GALLERY 3) LIBRARY 4) READING ROOM 5) TEA HOUSE 6) CONSULATE HOUSE 7) GUEST HOUSE 8) PARKING/ BACK ENTRANCE
1 5 2
6
B
A
A
8 1
9
A
A
3
4
8
FIRST FLOOR PLAN 24_PLANS
5
2
3
7
1) PREFUNCTION 2) MEETING ROOM 3) LARGE CONFERENCE 4) KITCHEN 5) STORAGE 6) SMALL CONFERENCE 7) CONSULATE OFFICE 8) RECEPTION 9) STAFF OFFICE
7
4
5
6
6
N C
B
10’
20’
30’
C SECOND FLOOR PLAN
B
10’
20’
30’
ST CHARLES ELEVATION
ST CHARLES ELEVATION
10’
20’
30’
ST. CHARLES ELEVATION_ENTRANCE
10’
10’
20’
20’
30’
30’
SECTION A
10’
SECTION A
20’
30’
TRANSVERSE SECTION
10’
20’
30’
SECTION B
10’
20’
30’
SECTION B
10’
20’
30’
SECTION C
10’
20’
30’
SECTION C
FRONT ENTRANCE_25
TULANE URBANbuild HOUSE PROTOTYPE 4_CENTRAL CITY, NEW ORLEANS, LA SPRING 2009 P. 29 TULANE URBANbuild MOBILE GOAT UNIT_LOWER 9TH WARD, NEW ORLEANS, FALL 2009 P. 33
DESIGN_BUILD
URBANbuild_PROTOTYPE 4 CENTRAL CITY, NEW OLREANS, LA SPRING 2009 URBANbuild IS A POST-KATRINA DESIGN/BUILD PROGRAM THAT ASSISTS DISTRESSED NEIGHBORHOODS OF NEW ORLEANS WITH AFFORDABLE AND SUSTAINABLE DESIGN. THIS IS THE FOURTH PROTOTYPE DESIGNED AND CONSTRUCTED BY TULANE ARCHITECTURE STUDENTS. THE SCHEME RESONATES WITH THE SURROUNDING CONTEXTUAL LANDSCAPE BOTH IN SCALE AND USAGE. GENEROUS FRONT AND BACK PORCHES ARE INCORPORATED EMPHASIZING THE IMPORTANCE OF THESE SPACES IN THE AREA AS GATHERING SPACES TO FACILITATE SOCIAL DISCOURSE.
*FEATURED IN DEC/JAN 2010 ISSUE OF DWELL MAGAZINE
29
SPRING 2009 SMALL SQUARE FOOTAGE REQUIRED AN EFFICIENT PLAN. THIS WAS EXECUTED BY ELIMINATING HALLWAYS AS MUCH AS POSSIBLE, CREATING LARGER SPACES THAT CAN BE USED FOR VARIOUS FUNCTIONS, SUBSEQUENTLY PROVIDING THE HOMEOWNER WITH GREATER FLEXIBILITY IN PROGRAMMING/ FURNISHING THE HOME.
KITCHEN LEADING INTO BACK PORCH, TAKEN FROM LIVING ROOM
30_CONSTRUCTION PROGRESS
FRONT CORNER
COMPLETION_31
URBANbuild_MOBILE GOAT UNIT [MGU] LOWER 9TH WARD, NEW OLREANS, LA FALL 2009 THIS URBANbuild SEMESTER WAS A COLLABORATION WITH THE NON-PROFIT MAKE IT RIGHT ORGANIZATION. THE ORGANIZATION HAS SPENT $100,000 ANNUALLY MAINTAINING THE LOTS THEY OWN IN THE LOWER 9TH WARD. THE STUDIO FUNCTIONED AS A THINK TANK TO PROVIDE STRATEGIES TO BEST DEPLOY RECENTLY ACQUIRED GOATS TO CURB THESE MAINTENANCE COSTS WHILE INITIATING IDEAS OF URBAN FARMING. STRATEGIES WERE DERIVED THAT WERE BOTH PRAGMATIC IN EXECUTION AND ARCHITECTURALLY INTRIGUING TO INCREASE AWARENESS AND MARKETABILITY OF MAKE IT RIGHT IN ORDER TO ATTRACT MORE DONATIONS.
33
FALL 2009_FIRST ITERATION: UNFOLDING GOAT CUBE
TRASPARENT EXTERIOREXTERIOR TRANSPARENT OPAQUE INTERIOR_PROTECT FROM ELEMENTS OPAQUE FROM BOX WITHIN AINTERIOR_PROTECT BOX
DETACHED FROM ROOF PROVIDES VENTILATION
UNFOLDING OF BOX CREATES SHADE FROM ABOVE AND RELEASES GOATS
ELEMENTS: BOX WITHIN BOX
DETACHED FROM ROOF
DETACHMENT FROM ROOF PROVIDES VENTILATION PROVIDES VENTILATION
UNFOLDING OF BOX CREATES SHADE FROM ABOVE AND RELEASES GOATS
1) COMPACTED: NIGHT-TIME OR TRAVELING
UNFOLDING GOAT CUBE
UNFOLDING OF BOX CREATES SHADE FROM ABOVE AND RELEASES GOATS
UNFOLDING CUBE CREATES SHADE FROM ABOVE & RELEASES GOATS
CANA L LEVE E
A
LOWER 9TH WARD
B
B
PLAN
A
CANA L LEVE E
LOTS OWNED BY MAKE IT RIGHT
LOWER 9TH WARD
HAY
LOTS TO DEPLOY GOAT CUBES BEGIN TO OCCUPY LOT EVERY BLOCK ACROSS 9TH WARD WITH ABILITY TO ASSEMBLE ADN DISASSEMBLE QUICKLY
SECTION SECTIONBB
34_UNFOLDING GOAT CUBE / CONCEPT DIAGRAM / PLAN / SECTION
2) SEMI-UNFOLDED: ALLOWS FOR VENTILATION & SHADE
3) FULLY UNFOLDED: SHADE PROVIDED AND SYNTHETIC TOPOGRAPHY FOR GOATS TO PLAY/RUN ON
DEPLOYMENT_35
FALL 2009_SECOND ITERATION: MOBILE GOAT UNIT MAKE IT RIGHT ORGAZINATION AQUIRED A 48’ x 8’ TRAILER BED TO BE USED FOR GOAT HOUSE. CONCEPT OF UNFOLDING GOAT CUBE WAS THEN APPLIED TO SCHEME USING TRAILER BED
1) COMPACTED: NIGHT-TIME OR TRAVELING
2) SEMI-UNFOLDED: ALLOWS FOR VENTILATION & SHADE
MOBILE GOAT UNIT [MGU] PERSONAL DESIGN VOTED ON TO BE DEVELOPED
PHOTOVOLTAICS COLLECT SUNLIGHT SPLIT ROOF COLLECTS RAIN IN CENTER
STORAGE
WATER TROUGH
SECTION
SECTION REMAINS SAME BETWEEN ITERATIONS, BUT CLADDING SCHEME ALTERS
36_MOBILE GOAT UNIT / SECTION
3) FULLY UNFOLDED: SHADE PROVIDED AND SYNTHETIC TOPOGRAPHY FOR GOATS TO PLAY/RUN ON
EPL DOOR R SLIDING OORS D FOLDING
ACES
FINAL SCHEME TO BE BUILT
IN COLLABORATION WITH CHELSEA WILLIAMS & ANA BORJA
FINAL SCHEME_37
FALL 2009
38_CONSTRUCTION PROGRESS
COMPLETION_39
BOB WEIR_SOFT PASTEL SPRING 2006 P. 43 JERRY GARCIA_SOFT PASTEL FALL 2009 P. 44 IN FIELD TRAVEL SKETCHES_PENCIL SUMMER 2008-FALL 2008 P. 46
FREELANCE & SKETCHBOOK
SRPING 2006
BOB WEIR / SOFT PASTEL_43
FALL 2009
44_JERRY GARCIA / SOFT PASTEL
SUMMER-FALL 2008
DAITOKOJI MONASTERY_KYOTO, JAPAN
46_IN FIELD SKETCHBOOK / JAPAN ABROAD
LA PIEDRA_BARCELONA, SPAIN _ANTONI GAUDI
DAITOKOJI MONASTERY_KYOTO, JAPAN
TOSHOGU SHRINE_NIKKO, JAPAN
IN FIELD SKETCHBOOK / JAPAN ABROAD / FLORENCE ABROAD_47
FALL 2008
CONVENTO DI SAN BERNARDINO_URBINO, ITALY _DONATO BRAMANTE
48_IN FIELD SKETCHBOOK / FLORENCE ABROAD
VIA DELLA CONCILIAZIONE FROM CASTEL SANT’ANGELO_ROME, ITALY
IN FIELD SKETCHBOOK / FLORENCE ABROAD_49
JOHN PAUL PACELLI M. ARCH_TULANE UNIVERSITY_2010 630-390-8875 jpacelli@tulane.edu
CONTACT