Full Score
Joseph Pereira Glimpse II for ensemble -10 players 2023
Glimpse "on the images that cannot be seen ...for an instant...compact brief Through the veilmovement derived from the Muse Mystical and sacred hybrid figures embrace every effort to grasp, the arrival still forthcoming.. . - inseparable from its own being insight into the past this time and in this place ..... memory transforms thoughts erased
- Joseph Pereira
Instrumentation Alto Flute Bass Clarinet Trumpet in C Trombone Percussion Piano Violin Viola Cello Double Bass Percussion Instruments Bass drum 5 octave Marimba Crotales Almglocken - C4, Eb4 Spring coil - suspended China Cymbal - med/large The setup of the ensemble is up to the conductor and performers, but the bass drum should be center and visable to the audience.
Written for the International Contemporary Ensemble (ICE) for the 2024 Hear Now Music Festival LA in April 2024. Duration 16mins.
Josephpereiramusic.com jpereira74@gmail.com 646 641-7616
General Notes The score is in C Double Bass sounds an octave lower than written. (also harmonics) Accidentals carry through the bar for octave specific pitches only, and are sometimes given again for clarity. All quarter tone notation is not meant to be precise and are used for color changes to make a pitch darker or brighter. Trills are always played a half step above unless indicated otherwise. Dashed slurs or arrow indicates a gradual change from one indication to the next. From niente - to niente Fermatas - short, medium, long Arrow notehead - play any pitch pitch very high or low
The five movements are not meant to be played attacca. Most techniques are explained in the parts and the performers are encouraged to interpret them to fit their own unique instrument and individual technique. In general the piece should have an improvisatory character, allowing the extended techniques to sound as natural as possible.
Alto Flute/Bass Clarinet All of the notations are sometimes explained again in the part for clarity since there are often some slight variations. Flz. = Fluttertongue Whistle Tone - the pitch is always meant to be unstable and fragile. Aeolian/air sound - the default is always more air than pitch but is often explained in the part. (A.fl.) Air with mouth as a resonator. Completely cover embouchure with mouth and roll tongue with no air blown through flute. Actual pitch sounds lower than indicated. Lip pizz. - softer than tongue ram Tongue Ram - force air by saying "Hut". Pitch should sound a major 7th lower. Air sound - mostly air with little pitch, but always explained in the part. Slap tongue (bcl.) - percussive short pitched attack by creating suction with tongue on mouthpiece and forcefully pulling away. "Scream" or "Growl" is used as a color to add more density to a pitch. These are voiced through the clarinet at the same time as the pitch is played. Unless indicated all spectral harmonics are left up to the performer. The fundamental pitch is always given.
Brass Mutes are indicated in the score - Harmon/Wha, Plunger, Cup Flz. = Fluttertongue
"trill" is with hand fast motion between open and closed on harmon mute. There is no trill between 1/2 step pitches.
Air sound with no ledger lines - air only and always explained in the part. Air sound can also be notated as just a stem with no notehead, usually for a short pickup note.
Tongue Rams - force tongue rapidly into the air stream for a short percussive pitched air sound.
Percussion Instruments
Bass drum, 5 octave Marimba, Crotales, Almglocken C4 and Eb4, Spring Coil suspended, China Cymbal (med/large) Mallets Soft/hard bass drum mallets, deck scrub brush, "hot rods", Vic Firth Dread Locks, hard xylophone mallets with thin rattan shafts for stick glissing, hard/soft marimba mallets, bow All instruments, mallets and techniques are explained in the part. The bass drum is often used a resonator for the smaller instruments. The drum should be tuned to a low pitch that enhances the resonance of the smaller instruments. A head with a rougher surface will help the "grip" of the friction sounds and will also help amplify the hand techniques. There are many improvisatory moments in the percussion part and the player should feel free to react in these moments.
Piano All of the notations are sometimes explained again in the part for clarity since there are often some slight variations. The pianist may choose to use a light towel to muffle the low strings for the 1st movement and use blu tac for the last movement. Stopped notes with fingertips on strings. All of these stopped notes are played in the small areas before the first metal bar, closest to the player. It is intended to be played mostly from the normal seating position, as to make any changes to normal playing more convenient.
Strings All of the notations are sometimes explained again in the part for clarity since there are often some slight variations. ST - sul tasto MST - molto sul tasto PP - poco pont SP - sul pont MSP - molto sul pont. CLB - col legno battuto Bow pressure, completely obscure pitch
Vertical bowing - while lightly muffling strings, move bow rapidly up and down (vertical) between tasto and pont positions for a pitchless air tremolo.
Circular bowing - while lightly muffling strings, move bow between tasto and pont positions in a circular motion, causing a filtering effect of some noise with harmonics squeeking out.
Very high fingered harmonic pitches, Ad lib
For the International Contemporary Ensemble at the Hear Now Music Festival Los Angeles 2024
Glimpse II 1. on the images that cannot be seen... Joseph Pereira
q=72 Restless, velato, quasi senza tempo
A. Fl.
° &
√ ∑
4 4
∑
∑
3 4
∑
4 4
Cover with mouth, roll tongue but no air through flute. Actual pitch sounds lower. flz.
Ó™
∑
‰
æj 6æ
pp
B. Cl.
¢
?
√ ∑
° C Tpt. &
√ ∑
?
√ ∑
Tbn.
Perc.
¢
{
Vln.
w
ppp
4 4
∑
4 4
?√ Ó™ ‹
‰ Uneven blurred trills in each hand with no discernible pitch. A light towel may be placed on the lowest strings to help with the soft dynamics.
‰ ‘ (“ )
* Ÿ~~~~~
7j # œ # œ-œ
4 j 4 7 œœœ
‰
∑
˙™
œ
ppp
∑
4 4
w
smorz.
∑
4 4
3 4 Œ
Ó
∑
Ÿ~~~~~ 4 (The lowest strings may be lightly muffled with a towel if needed.) Ó ∑ 4 7j ‰ Œ 7j œœœ b œœ-œ
√ ∑
*
4 4
√ ∑
*
? ?
√ ∑ √ ∑
* Should sound collectively as a
*
Flautando, Molto Tasto Extremely slow bow for unfocused granular sound
Bw
4 4 w
∑
low rumble with no discernible pitches dominating.
4 4
#w
w
pppp
pp
∑
Œ
∑
Œ
ææ O
pp
æ ‚æ
ææ O
ææ ‚
Low air gurgle 1/2 valve + flz.
Very low air gurgle flz.
3 4 3 4
4 4
∑
∑
Ó
Œ
∑
4 ≈ Ÿj~~~~~~~~~~~~~~~~~~ ≈ Ó 4 7 7j ## œœœ ™™™ œœœ ™™™
∑
∑
Œ
∑
4 ≈ Ÿj~~~~~~~~~~~~~~~~~~~~ ≈ Ó 4 7 7j b œœœ ™™™ œœœ ™™™
Ÿ~~~~~~~~~~ 7j ≈ ‰™ ™ # œ œ ™ # -œ ™ >
∑
3 4
˙™
4 4
Add some bow pressure so lower pitch sounds
w
˙™ @ ææ O
3 4 ˙™
4 4˙
w
3 4
˙™
4 4
Vertical bowing tremolo with some pressure
w
ææ O™
w
˙™
4 4
w
@ ææ œœ
Flautando, as before
œ
pppp
@ ææ ~
ææ ˙˙
ææ w w @ ææ œœ
˙™
Ÿ~~~~~~~~~~ 7j ≈ ‰™ b œœ-œ ™™™ >
Ÿ~~~~~~~~~~~ ™ r 7 r ‰ œœœ œœ7œ
Flautando, as before
<B> ˙
ææ ww
poco Add muffled G string for more distortion sound.
#œ
pppp
˙
@ #œœ
Add some bow pressure so lower pitch sounds
˙™
© Josephpereiramusic 2023.All Rights Reserved
œo
Add muffled G string for more distortion sound.
Add some bow pressure so lower pitch sounds
Flautando, as before
w
Œ
Vertical bowing Add muffled D string for more distortion sound.
poco
poco
3 4
∑
A ª
Ÿ~~~~~~~~~~ r 7 7r ‰ ™ œœœ œœœ
pp
poco
Flautando, Molto Tasto Extremely slow bow for unfocused granular sound
w
Ó
w
∑
Vertical bowing tremolo with some pressure
Flautando, Molto Tasto Extremely slow bow for unfocused granular sound
pppp
*
w
Flautando, Molto Tasto Extremely slow bow for unfocused granular sound
4 4
w
∑
q=72 Restless, velato, quasi senza tempo
B
¢
3 4
‰
add poco Flz.
p
∑
mp
æj 6æ
Sim.
pppp
Db.
3 4
ææj
ææ 6
æ )æ
pp
pppp
Vc.
∑
4 4
˙™
1/2 pedal Una Corda sempre
° &
Vla.
∑
Quasi "Tam Tam" For very soft dynamics the hammers barely graze the strings. Pitches sound always as if muffled.
pppp
3 4
w
o
√ Aª ª A Start very meditative and deliberate, use palms of both hands, rubbing -around head in large circles for a distant white noise 4 sound. ‰ œ / 4 o
?√ Ó™
Pno.
*
4 4
ææ )
ææ ˙
poco
ææ ˙™
mp
MSP
o
Œ
3
° & 9
A. Fl.
3 4
∑
4 4
∑
∑
3 4
∑
2 4‰
∑
ææ 6 ™ gliss. 6ææ
æj 6æ
flz.
ppp
f
#ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Add any spectral multiphonic with poco Flz. popping out. Produces a low warbly sound with unclear pitch. Sounds as if under water.
B. Cl.
C Tpt.
Tbn.
¢
?
Œ
œ
Œ
3 4
œ o
˙
Ϫ
° & ææ ‚
æ Oæ™
3 4 ææ O
ææ ‚™
æ ‚æ
æ Oæ™
3 4 ææ O
ææ ‚™
¢
?
To nails
Perc.
{
/
? ‰
Pno.
ppp
? ‰ ‹
° Vln. &
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ‰ 4 7 7™ 7j # œ ˙ œ ˙˙˙ œœœ ™™ # œ n œ # œ ™ ## œœœ pp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ‰ 4 7œj 7˙ 7œ ™ œ ˙ œ b œœ ˙˙ œœ ™™ œ bœ œ ™
3 4
<B> w
4 æ∫ 4 æ w
æ ‚.æ
4 4
æ ‚.æ
4 4
∑
o
2 ∫ 4 ææj œ™
3 4
∑
2 4 ‰™
∑
∑
3 4
∑
?
Db.
¢
?
<#>ww
º
To
Add quick random scrapes, ad lib.
>
œ 44 w
sfz
mf
4 4
> sfz
w
∑
>
>
sfz
sfz
> sfz
3 4 ˙™
∑
3 4
∑
3 4
>
sfz
Y
> ææ 2 4 œ™ > sfz
>
sfz
> sfz
> ≈
[ f ]
ø
4 4
∑
∑
sfz
∑
2 4
∑
2 4 ‰™
Echo
Œ
4 4 b~ bw
slow bow, unfocused/airy 4 bVery 4 b w~
Very slow bow, unfocused/airy
MSP
o
ppp
‰™
o SP IV
Attack string "noisy"
≈
4 4
‚
4
pp
≥ r œv
sffz
Release by flicking fingernails on head.
Œ
œ >
f
∑ (Muffle Strings)
+ r b OO v
Œ
sfz
ppp
3 4 Ó
œ
∑
catch, full pedal
j œœ ™™
+ r #œ
mf
‰™
3 4 #˙˙
Œ
2 4
∑
4 ≤ 4 w o
3
‚
2
‚
1
‚
‚
‚
‚
‚
ææ nœO
MST
w~
3 4 Ȯ ™ ™
2 4
w~
3 4 Ȯ ™™
2 4 œO ™™
mp
MSP -Flautando LH quickly fluttering light harmoninc fingerings on IV & III strings. Use all 4 fingers always moving slowly up strings.
Vc.
Harmon
≈
pp
MSP
˙
3 ∫ 4 ææ ˙™
∫ æ w
mf
Œ
3 4 ˙˙™™
B ww
Vla.
ææ (œ)
ppp
Ϫ
3 4 ˙
w
∫
Ord.
MSP
˙
˙
p
3 4
Œ
f
@
Muffle strings (in high position) for cresc. pressure sound
3 4
Continuous slow gliss up
nœO >
2≤ 4 œ™ œ™
Ϫ
‰ o
Œ
2 4Œ
œ œ
Œ
f
Pizz ord.
>œ
sfz
pp
4
° 4 Ó &4 15
A. Fl.
‰
ææj 6
ææ
sim.
ææ mp
pp
B. Cl.
?4 ¢ 4 ‰
ææ 6
ææ
Ó
7 8
∑
pp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Flz.
j œ
˙™
pp
poco
∑
˙™
œ
œ #œ #œ nœ
œ
#œ
œ
œ nœ #œ
œ
Ϫ
œ
œ
œ
œ bœ
œ #œ ™ œ
7 8
# ˙ ™™
poco
o+ Aª Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j œ ˙ œ
° 4 o C Tpt. & 4 <#> œ ™
Fast flutter with hand over mute /
mp
Harmon + Hand
?4 Tbn. ¢ 4 ‰
Perc.
{
œœ ™™
p
œœ
Left hand holds trigger. Use right forearm to hold slide in 3rd position while using hand to open/cose mute.
4 /4
o œœ
œœ
Ó
?4 ‰ ‹ 4
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ 7 7 7j œœœœ œœ7œœ ### œœœœ œœœœ
œœ
Ó
Œ
Ó
~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 œœœ n>œ b œœœ
1/2pedal
o
‰
Ó
Ó™
‰
‰
Œ
‰
‰
Œ
‰
B 44 ‰
j nœ
Flautando, Molto Tasto Extremely slow bow for unfocused sound
?4 ‰ 4
≤j
Flautando, as before
pp
j Bœ pp
Very slow bow
j #œ
ppp
Arco Ord.
Vc.
œœ
+ œœ
œœ
œœ ™™
Ÿ~~~~~~~~~~~~~ ™ 7 7 ‰ ## œœœ œœœ Ÿ~~~~~~~~~~~~~ ™ 7 7 ‰ b œœœ œœœ
Ÿr~~~~~~~~~~~~~~~~~~~ r ‰™ 7 7 œœœ œœœ Ÿr~~~~~~~~~~~~~~~~~~~ r ‰™ 7 7 œœœ œœœ
o œœ
∑ + œœ ™™
7 8 ˙˙
7 8
∑
7 8
∑
7 8
∑
(U. C.)
° 4 æ Vln. & 4 O ™™ œ
Vla.
œœ
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 œœœ #>œ ## œœœ
ppp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 7 ≈ 7j œ œœœœ œœœœ b œœœ b œœœœ
o œœ ™™
∑
Œ
7 8
∑
+ ˙˙
œœ
∑
?4 ‰ 4
Pno.
+ j b œ bœ
1/2 valve split tone
o
Œ
˙™
Ϫ
œ
Ϫ
œ.
To harm. fingering
Ϫ
j œ
˙™
œ
7 8 ˙ ™™
Jete
f
˙™
≥ ææ œ™ >
Add some bow pressure
œ
j
‰
Œ
Ó
Poco Pont.
7 8 BO
B~
˙
7 8
∑
Add some bow pressure
Ϫ
<B> œ
MST
pp
poco
Db.
?4 ¢ 4
J o
‰
Ó
∑
∑
7 8
∑
° 4 &4 19
A. Fl.
‰
Murmuring with some key sounds clicking is ok.
5
3 ® 4 6 6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6 6 6 b6 b6 6 n6 n6 6
3 4
mp
breathe where neccessary
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 3 ? B. Cl. 4 ¢ 4 <#> œ n O n O # O O # O b O O n O n O # O O # O b O O n O n O # O O # O b O O n O n O # O O O O O O #O bO O nO nO #O O O #O bO O nO nO #O O O #O bO O nO nO #O O O #O bO O nO nO #O O O
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Murmuring with some key sounds clicking is ok.
pp
mp
Ó™
∑
nœ
Ϫ
+ j bœ
3 4
˙
æ œæ™
+ j bœ
3 4˙
æ œæ™
Plunger Harmon mute
‰
pp
œœ
O bO O O nO #O O bO nO O bO
≈
Œ
Ó™
Ó
mp
Plunger Harmon mute
‰
pp
3 4
œ
mf
breathe where neccessary
° 4 C Tpt. & 4
? 4 <b>œ Tbn. ¢ 4<b> œ
≈
o
Add poco flz.
3 4
œ
mf
o œ
Add poco flz.
3 4
mf
sffz - Quick scrape across head and then starting from
6 7j ‰ œ>-
Scrub Brush
Perc.
?4 4
Pno.
‰
Vary speeds and circular motions to create uneven waves of sound
3 4œ
w
p/mp
### ˙˙-˙˙ ™™™™™™
∑
3 4Ó
b ˙˙-˙˙ ™™™™™™ ø Full ped.
∑
3 4Ó
‰
Ϫ
œ
mf
5
@ ° 4 & 4 <#> œ # œœ p
Vla.
B 44
‰
˙˙ ™™
Flautando, Molto Tasto Extremely slow bow for unfocused sound
j œ
pp
˙˙
j # œœ o
˙
#œœ ™™™™ Ord.
˙™
p
‰
5
@ r œ>œ
mp
@ œœ
?4 4 B˙ ™
?4 Db. ¢ 4
‰
w w
Flautando, Molto Tasto Slow bow for low dark sound
j œ œ>
‰
3 4 œœ
Œ
pp
˙™ ˙™
w w
3 4˙ ˙
œœ ™™
# œœ
3 4Œ
p
f
5
ø
Add G string for low scratch sound
Vc.
5
œ œ œ œ œ œ œ œ œ œ.
3 4Œ
Œ
sffz
#œ bœ bœ œ œ #œ bœ bœ œ œ .
Add D string for low scratch sound
Vln.
3 4
œ
Molto
∏∏∏∏
?4 ‹ 4
mf
˙™
∏∏∏∏
{
4 /4
one edge drag slowly and forcfully across diameter of head, slowing down until reaching near the opposite rim, pressing into head for a granular glissing.
o
≤ œj œ
Ϫ Ϫ
≤ Bœ ™
Ϫ Ϫ
(normal bow speed)
@
œœ >.
3 4 3 4
3 4
mf
√ œ œ >. mf
œ. >
3 4
3 4
sfz
@ œ >œ
mf
3 4
6
√ ∑
° 3 &4 22
A. Fl.
B. Cl.
Conductor cues Trpt when BD reaches slow grinding into head.
ææj O be
ææ
ææ
4 4
æj O
ææ O
ææ O
4 4
Flz., cover embourchure and blow air through flute as normal. Sounds M7th lower.
3 4‰
pp
√ ∑
?3 ¢ 4
Poco piu mosso q=76
Flz. 1/2 air + pitch
3 4‰
pp
√ ∑
° 3 C Tpt. & 4
Tbn.
(air only)
√ ∑
?3 ¢ 4
{
o
b O.
‚
ff
3
3
b O.
n O.
3 4
.
Grinding into head
O.
O.
≈ ‰
6
O O O >. . . #>O. O. O.
4 4
4 4
∑
End with a slow creaking sound from forcefull pressure of brush into head near rim.
3 4
Œ
Œ
4 4
pp
√ ∑
?3 4
Vln.
j ‚
3 4
T 10"
3 / 4 ˙™
Perc.
Pno.
Tongue Ram Senza mute
mp
3 4‰
√ ∑
?3 ‹ 4
3 4‰
Catch overtones in resonance
Poco piu mosso q=76
√ ∑
° 3 &4
Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 Œ œœœœ bbbbœœœœ ‘ “ ppp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ 7 7j œœœœ b œœœœ
3 4 ‰™
» r œ
4 4 4 4
Œ
Œ
4 4
Œ
Œ
4 4
Œ
Œ
4 4
sfz
√
≥æ æ œ™ œ™
Jete
Vla.
B 43 ≈
sfz
≥
sfz
Battuto
Vc.
?3 4
B œ. >
sfz
Db.
?3 ¢ 4
3 4‰
Jete
œ.
œ.
ææ œ. œ. œ. œ. o √ ∑
√
» j bœ » r bœ
3 4 ‰™
3 4‰
sfz
SP
fij
Flautando, Molto Tasto Extremely slow bow for unfocused sound
j œ
œ v sffz pp
˙
4 4
7
° 4 æ A. Fl. & 4 æ bO ne
Lip Pizz
24
‰
Ó
∑
5 4
∑
4 4
∑
sfz
mp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?4 æ B. Cl. ¢ 4 æ O
C Tpt.
Œ
b7 '
#œ
œ
pp
° 4 &4 j # O.
‰
˙™
œ
Œ
œ nœ œ bœ #œ >
Ó
˙
œ
Ÿ~~~~~~~~~
bœ nœ nœ œ #œ >
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 5 4 4 œ b œ n œ œ b œ œ n œ >œ ˙™ bœ nœ nœ œ #˙ >
5 4
∑
4 4
∑
mp
+ j 4 ? b œ ≈ Tbn. b œ ™™ ¢ 4
˙˙
j œ- ™
˙
Harmon + Hand 1/2 valve split tone
p
(Scrub Brush )
Perc.
{
4 ≈ /4
Pno.
## œœ. œ >
∏∏∏∏
?4 ≈ 4
mf
‰
≈
œœ
œ
w
pp
œœ ™™
+ œœ
˙˙
œœ
w
o œœ
˙˙
œœ
+ œœ ™™
5 4 ˙˙
j œœ
5 4˙
˙
‰
4 4
Ó
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 j 4 7˙ 7 7 7 7 7j b w w ˙˙˙ ˙˙˙˙ œœ7œœ w w b œœœœ ™™™ ˙˙˙˙ ww ww
∏∏∏∏
œ j Bœ ™
#
pp
˙™
w
w
5 4
˙
˙
œ
MST Extreme slow bow pressure Alternate slowly between normal and harmonic fingering
Vla.
B 44 ≈
œ j nœ ™
#
pp
˙™
w
w
w
w
5 4˙
˙
œ
˙
œ
MST Extreme slow bow pressure Alternate slowly between normal and harmonic fingering
Vc.
?4 ≈ 4
œ j œ™
pp
?4 Db. ¢ 4
w
®
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 ≈ 7j j ® 7 7 7 7 4 ˙7˙ w w ˙˙˙˙ œœ7œœ # œœœœ ™™™ ˙˙˙˙ w w ww ww ˙˙
MST Extreme slow bow pressure Alternate slowly between normal and harmonic fingering
° 4 ≈ &4
4 4
œ
5
#œ bœ bœ œ
ppp
mp
?4 ≈ ‰ ‹ 4 b œœ. œ >
Vln.
o œœ
#
˙™
w
w
5 4
5 4
˙
˙™
j œ
‰
‰
MSP
4 4
poco
5
œ bœ nœ bœ
°
4 4
poco
@
œ >
≈
4 4
≈
4 4
mf
@ œ >
mf
@
œ >mf ≥ harmonic gliss #j
œ >
sfz
4 4
4 4
8
Poco piu mosso q=78
°28
Ad Lib.
4 & 4
A. Fl.
Sim.
bœ
œ
Bœ
Ó
3
j œ nœ
j
‰
( )
bœ œ œ
( )
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯j 4 ( Ó) ( ‰) &4 œ œ
Œ
Trumpet embouchore On A fingering, pitch always unstable and moving slowly to other low pitches as if very wide controlled vibrato in slow motion
Œ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ r 3 4 œ ˙™ w w Ad Lib. Sim.
‰™
∑
mp
B. Cl.
?4 ¢ 4bœ ™ p
poco
≈ j œ. œ ™ > sim.
≈ r œ. œ ™ > 3
j ≈ ≈ œ. b œ ™ œ. œ > >
° 41/2ævalve + flz. C Tpt. & 4 æ ~
œ
3
ææ ~
Low air sound
pp
Tbn.
œ # œ n œ. >
‰
+ ?4 ¢ 4b˙
+
o
b˙
˙
pp
≈ æj œ. b œæ™ >
ææ ™
æ æææ æ ‰ j œæb œæ œæ œæb œæ b O
æ Oæ +
o
Œ
o j œ.
Œ
o+
bœ
˙
æ ‚æ ‚. œ™
≈® ≈ O. b O O. O
3
O.
‰
®
æ ææ #On O # O O O n O nOb O n Oæ O™
(Key noise can be as loud as pitch)
mf
‰™
∑
Low air sound 1/2 valve + flz.
pp
∑
w
?4 ‹ 4nw >
w
3
3
3
‰
˙
Ÿ~~~~~~~~~ Ÿ~~~~~~~~ 7 ‰ ≈ ‰ ‰™ r ‰ 7 7j ≈ ≈ 7j ™™™ ## œœœ ™™™ œœœ œœœ œœœ # œ œ œ œ # œ œ œœœ œ . . >. Sempre
œœ œ œ œ œ œ œ œ œ œ œœ œ
sfz
Ÿ~~~~~~~~~ 7 Ÿ~~~~~~~~~ ‰ ≈ ‰ ‰™ r ‰ j ≈ ≈ j 7 7 7™ œ œ œ œ b œœœ œœœ ™™ œ œœœ b œœ ™™ œœ œ. œ œ. œ ™ >.
˙
catch overtones
Tasto Sul IV Press for low partials. Alla Punta
@ ° 4 æææ ææææ ™ æææææ ææææææ ≈ ® Vln. & 4
Ó
‰
( )
@ B 44 ® ææ ææææ® æææææ≈ ™ æææææææ
Vc.
@ ? 4 æææ æææææææ‰ 4
( )
j
Œ
sim. ad lib
Ó
‰
( )
( )
j
Œ
?4 Db. ¢ 4
o
3 ææ 4 ‚
Ó™
3 æ 4 ‚æ
Low air gurgle flz.
Senza mute
∑
‰
3 3 ‰ ‰ œj œ œ œ
Œ
ppp
Edge
œ
3
œ œ
3 3 j œ œ œ œœœ œ
Center
p
3
ppp
œ
Ÿ~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~ Ÿ~~ Ÿ~~~~~~~~~~ Ÿ~~~~~ Ÿ~~~ 7 7≈ 7 7 7≈ 7 7 7 j ≈ ≈≈ ≈ ≈ 7 7 7 7 7 7 ™ ™ œœ ™ œœ œœ œœ œœ œœ œœ œœ # œœ œœ œœ œœ ™ œœ œœ œœ ## œœœ œœ. œ >œ ™ >œ. œ œ œ œ œ œ. # œ œ œ œ ™ >œ. œ œ > Ÿ~~~~~~ ~~~~~~ Ÿ~~ Ÿ~~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~ Ÿj ~~~~~ ≈≈ Ÿ7 7 7 7≈ 7 7 7 7 ≈ ≈ ≈ ≈ 7 7 7 7 7 7 ™ ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œœ œ. œ œ ™ œ œ œ œ œ œ œ b œœ œœ œœ œœ ™™ œ. œ œœ œœœ >œ ™ >œ. œ œ œ œ œ œ. > > °
Crotales
3
&4
∑
Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~ ≈ 7j 7 ‰ 7 7 43 ### œœœœ ™™™ # œœœœ œœœ ˙˙˙ ≈
Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~ 3 7j 7 ‰ 7 7 4 b œœœœ ™™™ œœœœ œœœœ ˙˙˙˙
Gradually add 1/2 pedal
@ ææ æ æ æ æ
Ó™
‰™
3 4
@ ææ æ æ æ æ æ æ
Ó™
‰™
3 4
@ ææ æ æ æ æ æ æ æ æ
As before
æææææææ
sim. ad lib
Ó
‰
( )
( )
j
Œ
pp
j ‚
æ O™æ
As before
pp
Tasto Sul IV Press for low partials. Alla Punta
æ ‚æ
As before sim. ad lib
pp
Vla.
ppp
mp
pp
Poco piu mosso q=78
Tasto Sul IV Press for low partials. Alla Punta
j œ
3
Ó
pp
æ ‚æ
∏∏∏∏
w >
j œ
æ Oæ
add some growl with cresc.
p
∏∏∏
∑
∏∏∏∏
Pno.
Ó
3 4
Edge Edge
Center
∏∏∏ ∏∏∏∏
{
?4 4
Œ
æ æ n œ b œ b œ œ œæ œæ ˙ææ™
p
∏∏∏
4 r / 4 œ. ‰ ™ êf
æ œ™æ
∑
∏∏∏∏ ∏∏∏∏
Perc.
Edge
BD stick on stick
ææ O O #O bO O
æ ææ ‚æ ‚™
r æ ææ ‚ O™
Drag bottom stick across head while pressing to change pitches.
Stop abruptly
æ Oæ
æ Oæ
∑
Ó
‰
Ord.
bœ
3
MSP
6
6
p
6
3
œ o
Œ
Ó™
‰™ ∑
3 4 ∑
‰
MSP
Ord.
bœ
pp
p
œ o
Œ
Ó
3 4
9
Poco meno mosso q=66
A. Fl.
¯¯¯¯ 35 ° 3 &4 r ‰™ œ
(Ok for WT pitch to be a bit unstable) Colors/echoes string harmonics.
Whistle Tone
Œ
#œ pp
4 4
w
w
A Tempo q=78
Ϫ
˙
œ
Œ
∑
∑
∑
3 4
4 4
∑
mf
?3 ¢ 4
° 3 C Tpt. & 4
?3 Tbn. ¢ 4
Crot.
Vc.
Db.
4 4
™ ær ‰ ‚.æ
4 4
™ ær ‰ ‚.æ
4 4
æ ‚æ
æ ‚æ
# œ-œ > mp
{
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ?3 Œ 4 7 ‹ <b> ˙˙˙˙
?3 ¢ 4
Ó
Œ
mp
∑
∑
∑
∑
∑
o
PP Flautando very slow bow
OO
ppp
Œ
PP Flautando very slow bow II, III
O O
PP Flautando very slow bow
o
∑
r # O. O. O. O. > > > >
‰
3
# Oœ
ppp
3
Tongue Rams
Œ
‰™
3
‰
O O O >. >. >.
Bass Drum
4 4
∑
∑
Ó
4 4
∑
∑
Ó
4 4
∑
∑
Œ
+ A r * œ. ‰ ™ v
Œ
‰
4 ~ 4 ~
sfz
r ‰ œ œ b œ. œ >
4 ~~ 4
?
œ-
w
Ó™
œ-
w
mp
A ^
deep/pesante
œ >-
∑
mp
7 w w ww
7 w w ww
@ æ æ æ æ
‰
∑
∑
4 4
˙™
4 4
˙™
3 4
4 4
∑
4 4
7 ˙˙˙˙˙ ™™™ ™
3 4 b b ˙7˙ ™ n ˙˙˙ ™™™
poco
4 4
gradually add full Ped.
æ
æ æ æ æ æ æ æ æ æ ™ ® ≈
æ æ æ æ æ æ æ
≈
æ æ æ æ æ
æ æ æ æ
Sim. Ad lib.
‰
Ó
3 4
4 4
3 4
4 4
3 4
4 4
pp MST Sul IV Alla Punta
@ æ æ æ æ
‰
MST Sul IV Alla Punta
Ȯ ™™
~w
3 4
3 4
7 bnbn# w w w ww
7 w w ww
4 4
3 4
æ æ æ æ æ
æ æ≈
æ æ æ æ æ æ æ æ æ æ æ æ æ æ
æ æ æ æ æ æ æ æ ™ ≈
≈
Sim. Ad lib.
pp
4 ~w 4 4 4
Ó™
Ó™
7 w w ww
MST Sul IV Alla Punta
O ™™ O
~ ~
O O O >. >. >.
ppp
7j b œœœœ > 1/4 °
Pedal tone- dark and heavy. Breathe when necessary Its ok if pitch is unstable.
3 4 O7™ O™
A Tempo q=78
OO ™™
~~
3
Irregular trem. as before ‰ ™ b bœœr ‰ 7j 7 b b œ. œ #nn# œœ-œœ w >‘ ## w ww “ >
‰™
~7 ~
mp
∑
sffz
Ó
≈
O O >. >. #>O. >O.
f
ppp
Œ
Tongue Rams
Œ
∑
Poco meno mosso q=66
o
~7 ~
f
mf
Œ
~7 ~
j bO O
‰
f
< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? 3Ÿ Œ 4 7 <#><#> ˙˙˙
? 3 (Œ) 4
∑
f
æ ‚æ
Ó
B 43 ( Π)
∑
mf
æ ‚æ
° 3 Œ Vln. & 4 ( )
Vla.
r ‰™ œ.
∏∏∏∏∏
Pno.
3 &4
æ # ˙æ
∏∏∏∏
B. Cl.
Fast low key noise with very little pitch, between indicated pitch range. Key noise can be louder than pitches.
@ æ æ æ æ
‰ » r ‰ ™ bœ ‰ sfz
æ æ æ
‰
æ æ æ æ æ æ æ æ æ æ æ æ æ
pp
Arco Ord.
j bœ
pp
œ molto
@ r œ >
f
‰™
Ó
≈™
æ æ æ æ æ æ
æ æ æ æ
Sim. Ad lib.
≈
∑
∑
3 4
∑
4 4
10
Poco meno mosso
° 4 &4
Œ
?4 ¢ 4
bO7 O
43
B. Cl.
C Tpt.
Tbn.
Crot.
°? 4 4 ?4 ¢ 4
4 &4
?4 ‹ 4
° 4 Vln. & 4
Vla.
B 44
w
œ
Crotales
Œ
Vc.
?4 Db. ¢ 4
5 8
pp
Œ
Ó
∑
˙
‰
5Ó 8
∑
Œ
Ó
∑
5Π8
∑
Œ
Ó
∑
5Π8
∑
Œ
#>˙˙ ™™
∑
∑
5Π8
∑
∑
5Π8
BD
Œ
A ^
7 <b><b><#> œœœœœ
Œ
7 <b> œœœœœ
Œ
Ó Ó
∑
~7 ~
4 j 4 œ-
w
w
w
w
4 j 4 œ-
w
w
w
w
j œ 4 >- 4
Œ
O ™™ O
pppp
( Œ)
PP Flautando and very slow bow II, III
O ™™ O
pppp
( Œ)
n ˙o ™
~ ~
~ ~
5 OO 8
∑
p
‰
4 4
5 OO 8
O O
‰
‰
œo. J
‰
œo. J
‰
œo. J
5‰ 8
‰ œo. J
‰
œo. J
‰
4 4
4 4
&
7 ˙˙˙˙ ™™™
7 œœœœ œœœœ
&
7 ww w w
7 ww w w
7 ˙˙˙˙ ™™™
7 œœœœ œœœœ
&
Add Ped. to full
æ æ æ æ
bbœœ≤ ( ‰)
(
Ó)
@ >œ œ J
mf
≤ ‰ #nœœJ
Œ
mf
æ æ æ æ
molto
(
‰)
ppp
œœ≤ J molto
æ æ æ æ
Sim. Ad lib.
o 5˙ 8 œo. J
4 4
Crotales
∑
Sim. Ad lib.
ppp
“” o. œ J &‰
‰
f
7 w w ww
ppp
wo
Battuto
O O
f
7 w w ww
Sim. Ad lib.
~ ~
wo
Ó™
ppp
f
∑
A Tempo
~ ~
IV 8th partial
∑
4 j 4 7 b œœœœ bw w ww > 1/4 Pedal ° ø
Poco meno mosso PP Flautando and very slow bow II. III
∑
4 j 4 7 ### œœœœ ### w w ww > mp
5Π8
∑
∑
~7 ~
mp
Œ
∑
~7 ~
mp
/
∑
~7 ~
mp
Œ
∑
j 4 bO7 4 O Sim.
mp
( Œ)
4 4
p
PP Flautando and very slow bow
?4 4
w
∏∏∏∏
{
?4 4
Pno.
œ
A Tempo
∏∏∏∏
A. Fl.
#˙ ™
Whistle Tone
(
Ó)
ppp
œœ
@ >œ œ
@ >œœ J ‰
Œ
ff
Ó
f
≤ œ œ
œ œ
molto
∑
?
Ó™
≤ #œœ
œœ œœ Œ > mp
Ó
Ó
≤ #œ œ
œ œ molto
@
œ ≈ >œ
fff
@ œ >œ
fff
11
Poco più mosso (q=80)
o 51 ° #w A. Fl. &
wo
Flautando
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œo œo wo wo
˙o ™
wo
pp
B. Cl.
¢
?
∑
°? C Tpt.
Tbn.
¢
Ó™
∑
?
O
o
∑
∑
∑
O™
poco flz.
O æ
~
o/ + A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª Œ & Œ ˙ p
∑
p
Edge 2
& ## œœœœ >
{
&
Pno.
&
sfz
Ó
n
“” ^ bn œœ #œ
>^ # œœœœ
Vc.
Db.
¢
?
on BD Yarn Mallet
Œ
p
pp
pp
p
Ó
Œ
Ó
Edge 1
Edge 1
‰
Œ
pp
o+ Ÿ/~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ
Ó™
Ó
‰
j œ
Edge 2
œ o
œ
œ
œ
œ
œ œ
œ œ œ
mp
œ
œ
œ
œ
œ
œ o
Œ
Ó
∑
∑
∑
∑
∑
Œ
Ó
∑
∑
∑
∑
∑
sffz
L.V.
Poco più mosso (q=80)
ppp
?
˙
Place one lip of almglocken on BD head (player side edge) and play approximate rhythm with med/soft yarn mallet on alm., while sliding across head from one edge to the other and back, always going across center of head. Add pressure into head with cresc and relax with dim.
Tasto
B
∑
Ó
Œ
L.V.
Flautando ° Vln. & n ~~
Vla.
Bass Drum
∑
o+ A Ÿ/~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª pp
o/ + Aª Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ
Ó™
~
pp
C Almglocken
Œ
~
p
Edge 1
Perc
pp
p
Tasto Flautando IV
~
ppp
Ó
Tasto Flautando IV
˙o
~~
~~
~~
~
~
~
O™
O
w
w
œ
Ȯ ™™
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Oœ nO # ~w
ppp
∑
OO ™™
~~
∑
Ó
Tasto Flautando
&
“” ˙o pp
˙
Tasto Flautando
o
Œ
Œ
œ
# Oœ pp
œ. J
mf
O
Œ
~
~
mp
pp
‰
∑
SP
∑
12
° ‰ A. Fl. & 57
B. Cl.
¢
? OJ
bisbiglando œo œ # œo 5 5 J œ œ >œr œ œr œ œr œ R R R
3
p
¢
O æJ
Flz.
p
° C Tpt. &
Tbn.
pp
mp
O™ ‰ æ
œ J nœ 3
œ
‰
pp
3
œ j J œ
3
œ
œ J
# œo
œ
3
3
poco
> ≈ #œ œx œ œx œ œx œ œ ™
œ
bisbiglando
mp
Ϫ
pp
p
o+ Ÿ/~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ
? Ó™
pp
pp
p
3
j O
Ord.
Œ
‰
poco
œ J
œ
œ
pp
œ æ
flz.
Ϫ
œ
#œ J
Perc
&
Œ
Œ
Pno.
{
Jete
fz
Vc.
B Ó
O ææ
∑
™ œ œ
œ
fade out
˙ nO
o/ + A #Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª œ pp
p
pp
3
‰
pp
∑
Œ
Ó
o/ + Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ˙
Œ
∑
p
Tasto Flautando
O O
œ
œ
œ
œ
œ œ œ œ œ
œ
p
œ
œ
œ
o/ + Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙
Ó
œ
œ o
pp
Œ
PP Alternate on I & II
‰
œ œ œ œ œ œ
“” o ˙ pp
œ œ œ œ œ œ
p
o
pp
Tasto Flautando
‰
#œ J
˙
pp
>O œ J
ord.
fz
œ œ
Œ
Œ
(Sempre Flautando)
Ȯ
3
pp
&
œ
œ #œ œ
bœ
œ
œ
œ
‰
j œ
pp
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ j j œ O #O O O O
œ œ <#> œ (Ped. LV.)
∑
poco
&
SP (Sempre flautando)
Tasto Flautando
˙ Ó
Ȯ
w~
p
Ȯ ™ ™
>Ȯ
pp
fz mp
# Ȯ pp
˙™
## Ȯ ™™ ST
3
poco
poco
w
p
∑
∑
∑
O
pp
Edge 1
∑
fz
SP <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ <#> ? Ȯ ™
¢& Ó
>O ™ ææ
Sul D Jete
œ J
Edge 2
∑
œ œ™ J
3
O œ
fade in
pp
∑
Flautando
mp
Db.
œ o
∑
>Oo ææ ° Vln. &
Vla.
p
p
? ‹
œ
pp
pp
poco
Œ
∑
&
œ
pp
This phrase a little less active than the last one.
Ó
œ
œ
Edge 1
∑
3
œ
poco
o/+ A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª Ó ˙
∑
˙o
Gentle jet whistle
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 œ #œ œ œ ‰ J O
Œ
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ȯ #O n Oœ
SP
Ȯ
mp
poco
œ
Ϫ
SP
œ Œ
mf
Ó
‰
j O
ST
pp
Œ
˙o ™ pp
O
æ Oæ
13
° œ >œ œ œ œ œ œ œ œ œ & J 62
A. Fl.
œo
bisbigl.
5
5
œo
>œ œ œ œ œ
bisbigl.
‰
3
¢
?
5
5
æj œæ
add poco flutter with cresc.
Y
w
≈ #œJ ™
‰
∑
Ϫ
pp
mp
° C Tpt. &
3
‰
pp
mp
poco
B. Cl.
Ϫ
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ ‰ j j J O O ~ O™ O
æ æ nOæ Oæ
æ O™æ
flz.
æ Oæ
Ϫ
˙
pp
æ Oæ
mp
o+ Aª Ÿ/~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ó
Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ œo
Slow 1/4 vibrato very loose embochure
‰
æ Oæ
‰
Senza sord.
Ó
Ó
‰
pp
p
ppp
Air to Tongue Ram
6
‚
# O. O. O. O. O. >
pp
Tbn.
¢
?
∑
o/+ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ œ œ J
‰
pp
ææ O™ o
Low air gurgle flz.
Œ
o
mp
Ó™
mf
pp
‰
j ‚
‚
O. O. O. O. >
pp
∑
&
Perc
{
B Œ
Vla.
? æ Oæ
Vc.
Db.
¢
™ & ˙
#œ
œ
Sim.
? ‹
° Vln. & O œ
œ
∑
&
Pno.
∑
#œ
#œ nœ
ΠStrike BD head
fij œ > mf
œ o
œ
‰
#˙ ææ
œ œ œ œ œ œ œ œ œ œ œ œ pp
œ œ pp
mp
æ œæ
ææ nœ p
œ
æ œæ ˙
>O
œ
∑
Oœ quick
Œ
œ œ œ œ
œ
œ
œ
œ
œ
œ
pp
∑
bO ‰ bœJ
Ó
sfz
Circular bowing tremolo on indicated strings. Lightly muffle strings
Ó
Œ
O™
∑
‰ Ó
∑
pp
mf
fij œ-
o
∑
Œ
tasto
pp
##Ȯ ™™
æ ˙˙æ
∑
∑
∑ fifififi æ nnœœæ
Ó
Ó æ œœæ
æ ˙˙æ
pp
mp
~w
To Crot.
pp
Sweeping lowest strings wth flat part of fingers. Low rumble with no descernable pitches heard.
poco
PP Alternate on I & II
œ
∑
Ȯ
O O™
Ó
Strike BD head
Sul A Slow tril speed
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ord. œ bbOœ ≈ œO˙
non vib.
Edge 2
œ #œ<#>œ n œ
∑
œ O
3
Edge 1
Edge 1 (Less active than the last phrase)
≈ Œ
Air to Tongue Ram
Senza sord.
Œ
œ O
poco
j ‚
‰
poco
˙™
bisbigl.
Œ
3
ppp
#>œ œ œ œ œ mp
pp
Œ
° Œ
∑ Aª ææ ¤o
ææ ¤
mp
Ó
∑
~w
~w
pp
O
O ˙
PP
mp
O
j O ˙
‰
Œ
Circular bowing tremolo on indicated strings. Lightly muffle strings
Œ
o
Ó
fifififi ææ œ œ
pp
ææ œ œ
Ó
ææ œ ™™ œ
p
Circular bowing tremolo on indicated strings. Lightly muffle strings
pp
?
fifififi ææ ˙˙
pp
‰
very slow bow (tasto)
Ord.
œ-
p
w ææ ˙˙ ™™
p
˙
Πppp
O
ppp
∑
14
q=72
poco rall. Lontano
° & 68
A. Fl.
B. Cl.
¢
?
#O
W..T.
O™
~
~
O
° C Tpt. &
ææ O
ææ O
mp
Ó™
Harmon Mute
∑
Tbn.
¢
{
Vln.
? ‹
~
pppp
˙™
Bœ
˙™
pp
œ
O
∑
ææ
¤ o
Œ
∑ Ó
∑
4 4
p
∑
3 4
∑
3 4Œ
~
Œ
~
ppp
∑ +
Lightly muffle string with finger
Œ
b>O
4 j 4œ
‰
4 œJ 4 o
‰
Œ
Ó
Œ
˙™
3 4
4 4
∑
3 4
∑
4 4
∑
3 4 ˙™
w
O
4U 4 ~
pppp
pp
∑
Ó
4 4
U ~
O
U ∑
Œ
U ∑
Œ
4U 4w
œ
4 4
∑
∑
3 4
∑
4 4
U ∑
?
4 4
∑
∑
3 4
∑
4 4
U ∑
? Ó
O
‰
ææ O
pizz
∑
Ó
Ȯ
Œ
#>œ J ‰
3 4
∑
sfz
∑
Ord. Flautando
Lontano
4O 4œ
ppp
3
3 4
∑
sfz
4‰ ‰ 4
∑
3
~
~
~
Very slow bow MST
‰ Ȯ ##œO. ™™ œO ##œO. 3
3 4 ##œOj ‰ O .
3
. ##Oœ ‰ Oœ
Oœ J
3
poco
3
. #Oœ Oœ J
. ##Oœ ‰ Oœ 3
3
3
. . ##Oœ ‰ Oœ ##Oœ ‰ Oœ 43 J J 3
3
sim.
4 4~
O
ppp
sim.
ppp
quick
3 4 O™
‰ O œ
poco
Ord. Flautando
j ‰3 Oj # O œ # œ.
3
Œ ##œO.
Lontano
Oœ Oœ≤ Oœ. ‰ J
Jet
j nO
Db.
¢
?
ææ >œ
∑
Ó
Œ
mp
“”o. œ ‰ J 44 ‰ Battuto
j ‰ Œ o
Ó
3 &4 Œ
Œ
pp
sfz
mf
Low air 1/2 valve + flz. Gliss air sound low to high
ææ
æ ‚æ
.
r
O bO
U ‰
ppp
U™ ‰
f
ææ
Low air + flz Gliss air sound low to high.
æ ‚æ
U™ ‰
R
>r œ bœ œ œ O
ææ O
.
r
U™ ‰
f
A Use ª Palm BD is the last sound U heard, but very breif like an exhale. œ > o mf
˙
Ÿ~~~~~~~~~ ‰ 7j 7r ### œœœœ œœœœ . p mf Ÿ~~~~~~~~~r ‰ 7j 7 b œœœœ œœ. œœ
Ó
3
. ##Oœ Œ J
4U 4~
4 4
O
æ Oœæ
O
poco
U ∑
Fast Trem. Add more bow pressure
##Oœ æ
Ó
ppp
poco
Fast Trem. Add more bow pressure
4U 4~
3 4 ˙™
~
Fast Trem. Add more bow pressure
O
ææ bœO
O
poco
Jete
U.
U™ ‰ U™ ‰
poco accel.
q=72
poco rall.
ppp
Vc.
3 4
O™
mp
B <#><#>~w
?
ææ O
O
4w 4
œ
3 4
poco flz.
o
7
6 3 Π/4
Bass Drum
~
pppp
™
Scrub Brush
# œœ
ææ O
ææ O
flz.
3˙ 4
pp
Crotales
4 4
3 4 ˙™
œ
ppp
∑
° &
Vla.
3 4
O™
pp
&
Pno.
Ó™
∑
&
Perc
Ó™
Harmon Mute
∑
Lontano
œ
ppp
?
3 4
ppp
flz.
Breathe wherever necessary
~
poco accel.
œo. J
‰
œo. J
‰
œo. J
‰
œo. J
‰
œo. J
‰
œo. J
‰
œo. J ‰
œo. J
œo. œo. 3 4 ‰ J ‰ J
pppp
Œ
4 4
U ∑
Ó
?
Arco Ord.
‰
j b œ-
@r ææ œO. > mp
U ‰™
>O@ . ææœ R
U™ ‰
@r æ bœOæ >. mp
U ‰™
@ r œ.
U™ ‰
mp
mp
15
2. Through the veil q.=112 Risoluto, commosso ma velato
° 12 ™ Alto Flute & 8 Œ
‰
Ϫ
œ
pp
Bass Clarinet
? 12 ¢ 8
9 j 8 b8 '
Mostly air sempre
Œ
Overblow
‰ j
b Ofi
molto
‰ ‰
O.
p
sffz
∑
+ bœ
Plunger
? 12 ™ Trombone ¢ 8 Ó
‰
Senza Mute
Ϫ
9 8
‰ Ofij O ‰ ‰ O O O . . p
pp
Bass Drum
ı
b O.
‰
O O >
#. #. #. #. #.
sfz
p
Ϊ
Ϊ
+ ^ b O 9 O 8
∑
sfz
°
O bO O O
ææ æ æ 6 ≈ 9 ≈ ‰ ‰ ≈ 8 j 8 æ æ b O O. O gliss. O. Ofi b O. O O O O O > > > p mp
‰
p
o nO ≈ ‰ ' ‰ mf
Ϊ
Ϊ
‰
#.
‰
Ϊ
Ϊ
poco
Flz.
>¿
‰
OO OO OO OO OO Œ ™
Sempre
mf
Ϊ
‰
bOO^ OO OO sfz
^ #. #. #.
#.
p
#. #.
Ϊ
mp
^ #. #. #.
#.
p
#. #.
Ϊ
OO ‰
mf
>¿
Ϊ
bOO^ OO OO sfz
mf
6 8
∑
6 8
∑
6 8
∑
^ #.
9 8
OO
sim.
OO OO Œ ™
6 8
#.
#.
#.
#.
^ #.
9 8
‰
‰
^ #. #. #. #.
‰
‰
p
> 9 ¿ 8
∑
^ #. #. #. #.
p
mp
sfz
sfz mf
mf
poco
sfz
Sim.
‰
ææ ææ j n O gliss. O. > pp Flz.
æ æ æ ‰ ‰ bO O O O ‰ Oæ æægliss. ææ O 68 ≈ bOfij O ‰ ‰ O O ≈ O O bO 98 ≈ bO bO ≈ ‰ nO ‰ bOæ ægliss. Oj . . . . . ' > > > pp p mf p mp
sfz
>. . . # # #
Air only without tone
Always played martellato, risoluto
? 12 Piano { 8
‰
p
sfz
* = Muffle strings lightly with fingers one inch in from the beginning of the strings, so pitches have a hollow tone.
#.
p
‰ ‰ Œ™
9 ¿ 8 >
Circular motion on head- press for cresc.
>. . . # # #
‰
mp
Hot Rod on rim Change beating spot on stick for descending pitch near hand Tip
fifififi ˙™
O O O mf
‰ ‰
p
‰ O ‰ bO O ‰ ‰ O O O ≈ . O. > '
sfz
Dread Lock on head
‰ ‰
mf
^ #.
o . 9 œ 8
‰
Flz.
Flz.
Air only without tone
Senza Mute
b O O O.
Mostly air sempre
9 bœ 8 œ Œ v ff
° 12 Trumpet in C & 8
Percussion
Ϫ
∑
12 / 8 Ó™
o n O. ' ≈
Energetic but with a very covered, distant sound.
> ‰ ¿
sfz
mf
^ 9 bOO 8
OO
‰
sfz
^ OO ‰ OO OO OO OO ‰
sempre
q.=112 Risoluto, commosso ma velato Violin
° 12 &8
9 8
pizz
∑
»
n œv
sffz
Viola
B 12 8
∑
? 12 ‰ ‰ œœ œœ ™™ 8 o
Double Bass
12 ¢& 8
pp
^ 9 bœœ 8 molto
ff
Arco Pont./Flautando
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ‰ ‰ ‰ bO nO O™ O™ O™ O O
9 bœ≤ ™ 8 pp
fz
pp
‰
p
gliss.
f
Œ
Arco Pont./Flautando
p
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ‰ ‰ BO µO O™ O™ O™ O O pp
œ. Œ ™
mp
fz
Ϊ
‰
bœ pp
gliss.
œ. ‰
mp
bœ ™
gliss.
œO
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 8 O O™ O O O O™
pp
Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 bO ™ 9 O bO O™ O™ O™ 8 8
Pont./Flautando Sul G
œ- œ
Arco Ord. Flautando
∑
mfz
III
sffz
˙˙ ™™
Arco Ord.
Violoncello
pizz » 9 8 bœ v
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 JeteæOrd. ‰ ‰ ‰ 8 ##œOæ™™ O bO O ™ O™ O™ O™ O™ O™ O™ > Arco Pont./Flautando
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 9 8 O™ 8 O™ µO ™ O™ O™ pp
gliss.
pp
© Josephpereiramusic 2023. All Rights Reserved
mp
œ. Œ ™
6 8
∑
9 bœ 8 Sim.
ææ ‰ bbœO ™™
f
Jete Ord.
fz
O™
pp
Œ™ Jete Ord. > bbOœ ‰ O ææ
mfz
j œ. ‰ œ
œ. ‰
16
° A. Fl. & ‰
‰ ææ ææ ææ ææ ææ æ j b O O O O O Oæ Ofi O. > >
æ Oæ
ææ ææ ææ æ æ æ 5 9 ? j æææ B. Cl. ¢ ‰ ObO ‰ ‰ ‰ O O O O ‰ ‰ 8 ObO ≈ O O ObO nO bO O 8 bO. ≈ ‰ ‰ bO nO ‰ O O ‰ ‰ ≈ OfiO. ‰ ObO O O O O > > > p
æ Oæ
7
bO O > p
‰ ‰ ‰
Tbn.
¢
? Ϊ
/ Ϊ
Perc.
{
? Ϊ
b O O O O O O O b O n O b O. >
p
^ #. #. ^ #. #.
>¿ sfz mf
Pno.
9 8
≈
≈‰ ‰
bOO^ OO
‰
‰
OO
‰
p
poco
p
° ™ C Tpt. & Œ
OOOO
‰ ‰ 58
OO
‰ ‰ ≈
(Overblow)
j 8. >
^ #. #. #.
> ‰ ¿
5 ‰ 8
5 ‰ 8
#.
>. #
pp
mf
#.
>. #
pp
mf
> 5 ‰ ¿ 8 sfz
sfz mf
‰
9‰ ‰ 8
#. #.
> b8. J
(Overblow)
‰
‰
#
#™
#™ ææ
Flz.
‰
9‰ ‰ 8
#. #.
#.
‰
‰
#
#™
#™ æ
Flz.
# ææ # æ
p
>¿
‰
> ‰ ¿
molto
Tongue Ram
sfz
^ 9 ‰ ‰bOO OO OO ‰ 8
O^ O ‰O O
j fifififi ‰ ‰ œ > pp
^ OObOO. ‰ OO OO OO OO OO OO
U ∑ L.V.
pp
Db.
¢
& Ϊ
Ϊ
Œ
bœ œ ‰ œ
p
f
j œ 58 ‰ bœ
p
Œ
œj ‰ > mf
Arco Pont./Flautando
9 Ϊ 8
mf
sfz
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MSP
Pizz Ord.
µO ™
O™
nO
pp
9 ‰ ‰ b>œ 8 fz
‰ ‰ n8 '
sfz
œ ‰
Ϊ
O™ Œ™
O™
<n> œo ™
Arco SP I
&
O ‰
bœ^
mf
sfz
œ
œ J
fz
8 '
‰ ™ bO O O O ≈ O O Œ ™
≈ ‰
ObO O O O O
‰
OOO
p
9 8œ Molto
sffz
‰
+ æj æ æ æ æ ‰ Œ™ b œ b œ œ œ œ œ. .. Fast double tonguing
Œ
OO OO ‰
sffz
9‰ ‰ 8
b œ^
Arco Pont.
‰ ‰
sffz
Ÿ~~~~~~~~~~~~~~~~ ≤ œ bœ œ
p
^ # Oœ ™™ 9‰ ‰ 8 æ ææ
j œ.
^ 9 &8 ‰ ‰ œ
>¿
Ϊ
bO>O OO OO OO OO OO ™ Œ
Ϊ
‰
U ∑
9 Ϊ 8
œœ ™™
‰ bœ pp
mp
6 Ϊ 8
+ æ9 ‰ ‰ 8 b >œ mp
sfz
bœ ™
mfz
‰™
œœ ™™
pp
gliss.
‰ 98
Jete Ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ææj 9 6 8 # O #œ 8 O O™ O™ O™ O™ O™ O
œœ œœ ‰ f
œ. ‰
p
Flautando Pont.
pp
gliss.
‰ 98
b >O O O b >O O O O O ‰ O O O ‰ ‰ 68 O O O O O ‰ 98 J
Ϊ
∑
Arco Ord.
OOO
> ‰ ‰ 68 ¿ J
bœœ ™™ MSP
œœ ™™
œœ ™™
pp
sffz
‰
p
Ϊ Arco
‰ Œ
> ‰ ¿
Ϊ
sfz
sfz
Ord. ? b œœ ™™
mf
bO
mp
sffz
U ∑
Ofi > p
o/d A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª 6 ™ 9 ‰ bœ ™ 8 œ ‰ 8
Ϊ
Jete Ord.
U ∑
6 ‰ 8 j
pp
mp
sfz
sfz
“” ^ # œœ b >O O #œ ? ‰ O O 9 &8 ‰ ‰
° U ∑
> ‰ ¿
# OÆ
mf
o/ d A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª Harmon Mute j Œ™ ‰ ‰ bœ ™ œ Œ™
>¿ J
‰
‰ bO O O O O O ‰ O O O ‰ j 68 ‰bOfij O ‰ O O O ‰ 98 œfi b œ > ' p
pp
sfz Pizz
OO
Œ
mp
f
Arco
OOOO
≈
sfz
Ϊ
9 Ϊ 8
U ∑
j O >.
Pont./Flautando Ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MSP n œ^ 5 O™ 9 O™ B bO ™ ‰ O™ O™ O O™ O™ O™ O™ O 8 8
? ™™
p
sfz
>. U Ó™
mf
Vc.
O O bO
≈
Bisbiglando 0-2 3
Pizz
b-œ 5 œ™ J 8
sfz
bO O O O
‰ ‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ‰ ‰ œ ˙™ œ ‰ ‰ Œ™ 8 ææ æ æ
Harmon mute
sffz
f
Arco Ord.
‰
9‰ ‰ 8 b œfij n œ v .
U ∑
j # O. >
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ord. œ^ MSP ° 5 9 ‰ Vln. & 8 8 O™ O™ O™ O™ O O™ O™ O™ O™ O™ O
Vla.
(Overblow)
sfz
Tongue Ram
> ‰ ¿
sfz
‰
O
# 8Æ J
sffz
9 fifififi 8 Ϫ
mf
U ∑
f
p
‰
O^ O O b O^ O ‰ O O O 58 ‰ O ‰ O
#.
9 8
f
poco
^ #. #. #.
U ∑
œ. Œ ™
mp
>™ O æ朙
mp
œœ ™™ 9 8
Flautando Pont.
Jete Ord.
gliss.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 9 B O 8 O™ 8 B œ BO nO O™ O™ p
mfz
? ‰™
œœ ™™ œœ ™™ 6 bœœ ™™ œœ ™™ œœ ™™ 8
MSP
#œœ ™™ pp
œœ ™™
œœ ™™
6 œœ ™™ œœ ™™ 8 #œœ ™™ œœ ™™ œœ ™™ mp
9 œœ ™™ 8
17
° 9 A. Fl. & 8 16
B. Cl.
Ÿ~~~~~~~~~~ O
j Πn 8. >
6 O O 8 O O b Oææ
Flz.
O b O O O™
p
sfz
æ O™æ
4 æ 8 æ O
nO
O O 68 O O Oææ
Flz.
æ O™æ
4 ææ 8O
≈ ‰ 98 Œ ™
Ϊ
6 8
4 8
∑
∑
Perc.
9 / 8 Ϊ
pp
o œ. ‰
> 6 ¿ 8 Œ
sfz
‰
sfz
?9 ™ Pno. { 8 Œ
4 gliss. 8
poco
>¿
‰ ‰
+ 6 b˙ ™ 8
b >O O O ‰ ‰ O O O ‰
Œ™ œ œ™ fifififi J
> 6 bOO OO OO Œ ™ 8
o
œ. > sffz
4Œ 8œ
^ ¿ œ
æ O b O Oæ™
‰
p
OÆ 9 œ ≈ ‰ 8 Œ™
pp
+ ‰ ‰ bœ
b O. n œ >
Ÿ~~~ æ O. bœ ‰ O O Oæ™ > p
sfz
sfz
?9 ™ Tbn. ¢ 8 Œ
Ÿ~~~~
sfz
~~~~~~~~~~ ?9 Ÿ j b8. ‰ ‰ nO O O O™ ¢ 8 bO > > p
° 9 æ æ æ æ æ C Tpt. & 8 b œ œ œ œ œ œ.
o # OÆ
+ 9 æ æ æ æ æ 8 b >œ œ œ œ œ œ. mp
‰ 98
‰
poco
+
Ϊ
‰ Œ™
‰
° 9 æ Vln. & 8 æ
œ.
‰ Œ™
‰
‰
f
Vla.
Vc.
mfz
bœœ ™™ œœ ™™ œœ ™™ œœ ™™ B 98 o
Ϊ
6 8
∑
4Π8
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ 6 4 ?9 j 8 <B>O 8 O™ O O O O O™ O™ 8 nO fz
p
?9 Db. ¢ 8 #œœ ™™ œœ ™™ œœ ™™ œœ ™™ o
Ϊ
6 8
∑
4 8
Pizz Ord.
>œ
‰&‰
sfz
Arco MSP
MSP
pp
bœœ ™™
œœ ™™ œœ ™™
œœ ™™
œœ ™™ œœ ™™
bœœ ™™
mf
Flautando
O
∑
œœ ™™
o
Ϊ
>¿ œ ‰ ‰ v sfz
Ϊ
Ϊ
Ϊ
9 ‰™ 8 #œœ ™™ œœ ™™ œœ ™™
Ϊ
pp
mf
œœ ™™ œœ ™™
œœ ™™
œœ ™™ œœ ™™
#œœ ™™
>
?b OO OO OO OO OO
»
bœ v
‰ ‰ ‰
Arco ord.
œ
»
œœ ™™ o
Ϊ
>-
? bœ
Sul D
f
Ÿ~~~
bO O O O O
O >.
p
> mf
æ æ 9 8 œ œ œ.
6 Ϊ 8
+ ‰ ‰ œ 98
‰
ObO
Ÿ~~~ bO. nœ ‰ O O >
p
+ 6 æ æ æ 8 b >œ œ œ
∑
pp
pp
b >O O O ‰ 68 O O O
+ + j ‰ ‰ œj #œ
o j poco
pp
p
9 8
∑
OO OO OO 9 8
∑
Flautando
6 j 8 Ϊ O
Sul A
pont.
œ
œ ‰ ‰ Œ™ v
Arco
9‰ ‰ 8
sim.
p
sffz
ff
#œœ ™™
Ϊ
O
sfz
sfz mf
Ϊ
œœ ™™ œœ ™™
p
Ofi > mf
> ‰ 68 ¿
Ϊ
sffz
MSP
p
MSP
OO
sffz
∑
Flick off head
Pont. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 O ‰ ‰ Ÿ j 8 BO ™ BO O™ O™ O™ O™ O O Œ™
sfz
bO
‰j
6 n8 ‰ 9 8 v #O O O ‰ Ofij O 8 ‰ ‰ #O O O O O
∑
Ϊ
ff
œœ ™™ œœ ™™
pp
sffz
p
bœœ ™™ œœ ™™ œœ ™™ ‰ 98 ‰ ™
œ™ æ
Flz.
sfz
◊ÿ # œ^ ‰ nn#œœœœœ Œ ™
Flautando
p
b˙ ™ æ
Ϊ
fifififi ‰ œ ˙™
Pont. Jete Ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 4 9 j ææ æ æ j Œ™ 8 8 8 ##œO O™ O™ O™ O O O œO O bO O ™ O™ O™ O™ O O
j Œ™ œO
sffz
‰
mp
(° ) Flautando Pont.
Ϊ
p
bO>O OO OO bOO OO OO OO OO OO OO OO
Ϊ
o
‰
sfz
‰ 98 Œ ™
pp
6 8
^ #8
sfz
>¿
Ϊ
œ™ æ
Flz.
sfz
poco Flz.
pp
Ϊ
ff
bœ
æ œæ™
+ bœ ™
8 b8 8 ≈ ‰ Œ ™ >
(Overblown)
o
ææ œ™
Ϫ
≈ ‰ Œ™
n˙ ™ æ
ff
poco Flz.
pp
∑
‰ 9 Œ™ ‰ 8
O O O b>8 8 8 >
O bO O O ‰ O O ‰ O O ‰ O O O > > > >
Ϊ
OO >
‰
poco
Ϊ
OO >
‰
bO O O O >
pp
f
^ 4 ‰ ‰bOO 8
(Overblown)
Pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b>O Oœ 9 O™ bO ™ nO O bœ ‰ 8 ææJ ææ
p
ff
6 #Oœ ™™ 8 æ æ Jete ord.
Œ
sfz
Jete œ b>O J ‰ ‰ æ ææ æ
sfz
∑
Jete Ord.
sfz
j bœ 98 ™ gliss.
Flautando Pont.
pp
œ ‰ Œ™
poco
Flautando
Pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ‰ 68 8 O™ BO O™ O™ O™ O™
pp
Arco Ord. Flautando
6
& 8 bœ
pp
™
gliss.
œ. 98
mp
∑
18
25
B. Cl.
¢
?
O bO O ™
O O™
O O O O O O O
O #O O™
O O™
O O O O O #O b O ‰
° ™ C Tpt. & Œ
+ æ ‰ b >œ
‰
mp
Tbn.
¢
™
?
æ œ
æ œ
Ÿ~~~~~ b>O bO ≈ O O O O
‰
æ œ
j œfi >
bO
≈
æ æ bœ œ
O O O O
œ.
‰
>O O ‰
O O >
Ϊ
‰
‰
>O O ‰
‰
O O >
‰
pp
6 bO bO. 8
6 8
+ æ 6 æ 8 b œ œ. >œ
‰
pp
6 ‰ 8
‰
‰
‰
‰ bO bO O O O
O.
bO bO O
O 98 bO ™
O O O O
bO O O O O ™
‰
‰
‰
‰
bO O O O O p
mp
æ æ æ æ æ >œ œ œ b œ œ œ.
Ϊ
O bO O
O O bO O
Ϊ
‰
‰
+
+
∑
j œ
bœ
+ nœ
9 8
9 8
O™
b O O O O O™
Ϫ
bϪ
mp
9 8
Ϫ
p
o
b œ.
‰
6 8
‰
6 8
d >o. bœ J
6 8
f
o œ æ
œ™ æ ‰
‰
O O O O O
add poco Flz
pp
pp
mp
O
pp
f
ææ 6 8 bO Flz
O O O O O
p
pp
mp
‰
mp
O
∑
O.
O
O b O.
mp
o j œ
™
‰
mf quick gliss
Ϊ
Œ
gli ss.
° A. Fl. &
fz
mp Spring Coil
‰
Ϊ
>¿
Ϊ
sfz
Pno.
{
? ‰
bO>O OO
‰
sfz
OO OO
‰
Ϊ
6 8
∑
‰
sfz
bO>O OO
Ϊ
>¿
‰
>¿
‰
sfz
> OO OO
OO
6 8
9 8
‰
sfz
b >O O ‰ O O
∑
>¿
OO
OO
‰
bO>O
‰
Quick
ff
f
OO OO OO
OO
OO
9 bOO OO 8
OO
OO
OO OO
ææj 6 œ> 8
∏∏∏∏∏∏
>¿
/ ‰
Perc.
scrape with heavy tri beater or xylo mallets
OO
OO OO
6 8
ff (Ped.)
Vln.
Jete Ord.
fz
fp
Vla.
Vc.
B Ϊ
bœ ™ pp
œ.
Ϊ
Ϊ
¢& ‰
bœ
pp
gliss.
œ.
mp
‰
Ϊ
Ϊ
Ϊ
pp
Ϊ
‰
‰
pp
œ
‰
>O œ ææ
mp
‰
‰
fz
Oœ J
Arco Ord.
œ mp
j œ 68
‰
‰ bœ pp
MSP
ææj œ>O
ææ
‰
≤ b-œ
Jete Ord.
p
∑
Pizz
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O O O™ O™ O™ O™ O 9 ‰ 8
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 O 8 bO O™ O™ O™ O fz
bœ
œ
MSP
ff
Jete Ord.
™
6 8
‰ bœ
poco
< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ?Ÿ j O™ O™ O O O™
O œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Wideord.fast vibrato ¯¯¯ 6 O™ #O O™ O™ O™ O 9 O™ j 8 8 b œ p v
Sul E
fz
mf
Db.
Arco Ord.
> ° b>ŸO ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 O™ nO bO ™ O™ O b>O O O™ O™ bbOœ ™™ & ™ 8 ææ p Flautando Pont.
sfz
œ.
mf
##Oœ J
Arco Ord.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 8 O™ O™ bO O™ O p
>œ≤ Œ ™ J
MSP
fz
MSP
9 8
Ϊ
Ϊ
Œ
¯¯¯ j 6 œv 8
Pizz ord.
ff
ord. ¯¯¯ bœ^ 6 J 8 Pizz
ff
¯¯¯ œ^
Wide fast vibrato Pizz ord.
B J ff
6 8
19
Poco meno mosso Affretando
° 6 & 8 ææ
j æ O. b Oæ™ pp
31
A. Fl.
poco
? 6 bæO ™ B. Cl. ¢ 8æ Flz
pp
poco
° 6 C Tpt. & 8
Tbn.
ææ
sim.
O.
‰
ææ ™
9 bæO ™ 8æ
O. J
pp
sim.
9 8
∑
?6 ¢ 8
9 j ‰ æj 8 b Oæ O.
9 8
∑
j O.
‰
6 æj 8 æ O O.
O ‰ ææJ æ ™ æ
. 6 OJ 8
∑
6 8
6 8
∑
‰
æ b Oæ™
‰
O.
bO ‰ ææJ æ æ
O bO O.
non flz.
bO >
bO ™ ææ
Air Cresc. slap
j ΠO.
fij
b¿ V v
n¿Æ.
‰
æ b Oæ™
9 8
Flz
p
bO.
O O
pp
p
non flz.
nO
Ϊ
‰
fz
‰
mfz
‰
∑
‰
Air only
j
™
b O. >
Ϊ
‰
ff
Cup Mute
∑
n O b O b O O.
‰
‰
æ b Oæ
sim.
poco
nO O bO
pp
Tongue Rams
Senza mute
∑
‰
O >. bœ
‰
œ
9‰ 8
9 8
bFlzO ææ
pp
ææ
poco
4
b O. >
O O O >. >. >.
9 bœ 8
œ
œ
nO.
Ϊ
n O.
‰
ææ O
ææ
O.
‰
ææ bO
‰
O.
O™ ‰ æ
O bO O nO ‰
sim.
ææ
Ϊ
Ϊ
‰™
‰
œ bœ ‰
Ϊ
6 /8
∑
9 8
∑
6 8
∑
∑
∑
9 8
∑
∑
Pno.
?6 { 8
∑
9 8
∑
6 8
∑
∑
∑
9 8
∑
∑
œ
¯¯¯¯ j Œ œ
¯¯¯¯ 6 j 8 Œ™ œ
‰
9 8
∑
∑
¯¯¯¯ œ
¯¯¯ j œ Œ
¯¯¯ j 6 œ 8 Œ™
‰
¯¯¯¯ œ
¯¯¯¯ œ J Œ
¯¯¯¯ œJ 6 ™ 8Œ
‰
Vln.
° 6‰ &8
¯¯¯¯
b >œ
¯¯¯¯ >œ
‰
Vla.
¯¯¯¯ > ? 6 ‰ bœ 8
B6 Db. ¢ 8‰
¯¯¯¯ >œ
œ
‰
¯¯¯ ¯¯¯ ¯¯¯¯ 9 œ œ 8 œ
‰
‰
¯¯¯ œ ¯¯¯ œ 9 b¯¯¯¯ œ 8
‰
Wide fast vibrato
Vc.
œ
9 ¯¯¯¯ 8 bœ
‰
Wide fast vibrato
B 68 ‰
¯¯¯ ¯¯¯
‰
œ¯¯¯ œ¯¯¯
9 8
¯¯¯¯ œ
‰
¯¯¯¯
¯¯¯¯ œ
¯¯¯ œ J Œ
œ¯¯¯ J 68 Œ ™
¯¯¯¯
bœ
‰
mp
¯¯¯ œ
mp
b¯¯¯ œ
‰
‰
¯¯¯¯
bœ
‰
¯¯¯¯ œ ‰ b¯¯¯¯ œ
‰
‰
‰
‰
¯¯¯¯
œ
‰
¯¯¯ œ ‰ ¯¯¯¯ œ
‰
‰
‰
‰
‰
‰
‰
¯¯¯
bœ
‰
‰
‰ mp
œ
‰
‰
‰
¯¯¯ 9 œ 8
∑
∑
‰
‰
¯¯¯ œ 9 8
∑
∑
∑
∑
mp
¯¯¯ œ
¯¯¯ p
¯¯¯ œ ‰ ¯¯¯ bœ
‰
p
p
‰
¯¯¯¯ œ
‰
‰
œ¯¯¯
‰
‰
‰
¯¯¯ œ
‰
‰
‰
œ¯¯¯ p
9 8
bO ææ
™
‰
4
b O. O. O. >
sfz
œ
œ
sffz
pp
Perc.
Poco meno mosso Affretando
‰
‰
ppp
pp
O O.
Tongue Rams
Air
o œ œ œ œ œ œ
bO >
O >.
20
° ‰ & 38
A. Fl.
B. Cl.
ææ bO
¢
O. O. O. O.
Ϊ
ææ ‰ æ b O O. Oæ
O.
‰
ææ 6 æ 8 æ O
p
> . O O ‰ nO bO O O. ‰ ‰ 6 bæO ™ æ æ æ ææ 8æ p
fij
? bœ
œ œ
b O. O. >
p
O n O O.
≈ ‰
ææ O
p
mp
9 æ 8 æ bO
j ‰ ææ ææ ææ ‰ bO O O O O.
mp
p
p
f
‰
‰
mp
ææ
æ b Oæ p
j O.
poco
sim.
poco
sub.
sfz
Ϊ
6 8
ppp
ææ ‰ ‰ Œ™ œ>
Spring Coil Sim.
6 8
∑
6 ¯¯j ¯¯¯ 8 bœ œ
¯¯¯¯¯¯¯
¯¯¯ ¯¯¯ ¯¯¯ ¯¯¯ œv œ œ ‰ œ
¯¯¯¯¯¯ 6 œj œ 8
¯¯¯¯¯¯¯ œ
¯¯¯ œ^ œ¯¯¯ œ¯¯¯
¯¯ ¯¯¯ 6 bœJ œ 8
œ¯¯¯¯¯¯¯
∏∏∏∏∏∏
Ϊ
∑
∑
9 Ϊ 8
∑
9 8
Ϊ
O bO O
≈
mp
‰ ææ O™
O.
p
6 ‰ 8
‰
j
b¿ V v
9 #O nO 8 > p
‰ ‰
fz
mp
poco
∑
bœ ‰ œ o
œ bœ œ œ
œ œ œ
œ
œ
+
bϪ
nœ bœ œ
nœ
∑
+
o
Ϫ
p
œ
Ϫ
‰
ppp
pp
∑
f
o ææ œ™
Flz.
9 8
∑
≈
>o nO
> . nO. bO. #O 9 O > ‰ # O bO nO ‰ ≈ O O bO nO nO n O ‰ . . ≈ bœ œ 6 #œ 8 nœ bœ œ ‰ ‰ . bœ œ œ. œ. œ. ≈ œ. ‰ ™ nO 8 # ¿ œv æ > p pp
O O #O. ≈ 9 ‰ ‰ bO O. ‰ O™ æ ææ ææ 8
æ
O O O O
pp
œ œ œ nœ bœ œ ‰ Œ ™
œ œ
6 8
∑
O.
mp
/
Perc.
‰
o n>O
Pixie + Plunger
4
p
Tbn.
‰
bO ™ æ
Ϊ
nO. J
? ¢ æ
° C Tpt. &
O.
ææ æ O O.
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ϊ
o
Ϫ
6 8
+
bϪ
6 Ϊ 8
o
Ϫ
p
+
o
9 8
Ϫ
Ϫ
‰
pp
bœ
œ
9 8
pp
∑
6 8
∑
9 8
∑
6 8
∑
9 8
∑
6 8
∑
9 8
∑
6 8
∑
9 8
∑
6 8
∑
9 8
ff
Vln.
° Œ™ &
‰™
¯¯¯ j bœ™
mp
B Ϊ
Vla.
? Ϊ
Vc.
Db.
¢
B Ϊ
‰™
‰™
‰™
¯¯¯ ¯¯
Ϫ
Ϫ
¯¯¯ ¯¯ ¯¯¯ j œ™ œ™ œ™
mp
b¯¯¯ œ™ J
¯¯¯ ¯¯ œ™ œ™
mp
¯¯¯ œ™ J
mp
¯¯¯ ¯¯ œ™ œ™
‰
¯¯¯
bœ
¯¯¯ ‰ œ
‰
‰
bœ¯¯¯
¯¯¯ ¯¯¯ ¯¯¯
œv œ œ
sfz
¯¯¯
œ
sfz
sfz
œ¯¯¯
‰
¯¯¯ ¯¯¯ œ^ œ œ¯¯¯ sfz
‰
¯¯¯ œ
œ
9 ¯¯¯ 8 bœ
¯¯¯ ¯¯¯ j ‰ œ œ
‰
‰
¯¯¯ 9 œ 8
¯¯¯ ¯¯¯ j œ ‰ œ
¯¯¯ ‰ œ
‰
¯¯¯ 9 bœ 8
¯¯¯ ¯¯¯ œ œ J ‰
‰
‰
¯¯¯
œ
¯¯¯ œ
¯¯¯
bœ
‰
¯¯ œ
¯¯¯¯¯ ¯¯ ‰ œ œ
¯¯¯ bœ
‰
¯¯¯ œ
‰ ‰
‰
¯¯¯¯ œ
pp
‰ ‰
‰
‰ ‰
‰
¯¯¯¯ œ pp
¯¯¯¯¯ œ pp
‰
¯¯¯ œ
œ¯¯¯¯¯¯ œ 6 J 8
œ¯¯¯¯¯¯¯
‰
9 8
œ¯¯¯
œ¯¯¯ œ¯¯¯ J ‰
‰
œ¯¯¯
¯¯¯¯ œ
‰
¯¯¯ œ
‰ ‰
‰
¯¯¯¯ œ pp
21
° 9 A. Fl. & 8 45
B. Cl.
C Tpt.
bO
?9 ¢ 8 ‰
° 9 &8
≈
n O b O n O.
‰
ææ
ææ O
p
mp
‰™
bϪ
8 '
Ϊ
? 9 bœ ¢ 8
œ
o
‰™
bœ nœ
O.
6 8
Ϫ
œ #œ
#œ
nœ
+
bϪ
6 #œ 8
+
o
œ™ œ
œ™ œ Œ™
o
Ϫ
9 8
+
bϪ Ϫ p
9 8
o
+
Ϫ
o
∑
æ Oæ
‰
6 8
+
æ ‰ Oæ
ææ ™
pp
o
Ϫ
+
bϪ
pp
mfz
ææ bO. ‰ nO
ææ
sim.
‰
Ϊ
Ϫ
Ϊ
ppp
+
bϪ
pp
bœ œ œ œ œ œ œ
œ bœ
o
Ϫ
+
Ϫ
‰ b8 ‰ æ b Oæ 8 ' ' mfz p
12 ææ™ 8
æ j bO. ‰ nOæ
o
Ϫ
+
Ϫ
œ œ #œ nœ œ œ
o
Ϫ
12 8
p
+
bϪ
œ 12 œ #œ 8
pp
∑
9 8
∑
∑
ææ
mfz
‰ nOææ
bO.
12 8
ææ
poco
o
‰ ‰
O.
poco
ææ ææ O ™
∑
+
o
Ϫ
Ϫ
ææ æ 5:3æ æ æ æ æ æ 9 bœ œ œ n œ b œ 8 Flz.
‰
O.
ff
molto
≈
bO.
bœ nœ #œ œ
œ nœ nœ bœ nœ
9 bœ nœ bœ nœ 8 fff
molto
o
Ϫ
œ Œ™
+
Ϫ
‰™
Ϊ
9 8
ppp
Ϊ
œ
gliss.
ppp
9 n œ. 8 ff
Spring Coil
12 Ó™ 8
æ ˙™æ
Continuous scrapes with 2 xylo mallets
9 8
∏∏∏∏∏∏∏ ∏∏∏∏∏∏
Perc.
∑
æ æ ‰ æ j ‰ ‰ æ b8 O b Oæ™ O . ' sim.
poco
œ ™ œ™
ppp
9 /8
æ O™æ
pp
pp
œ
poco
j ‰ ææ O O.
‰ 98 æ bO
trill ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸDouble bœ ™ œ œ œ œ™ œ n œ b œ 9 œ #œ nœ 6 ‰ ‰ ‰ b œ 8 8 œ. œ. œ pp pp mf
ppp
Tbn.
6 æ 8 æ bO ™ p
fz
#œ. œ. œ. œ. ‰ œ. œ. ‰
+
‰
ææ
pp
Vln.
Vla.
Vc.
Db.
° 9 &8
B 98
?9 8
B9 ¢ 8
∑
∑
∑
∑
6 8
6 8
6 8
6 8
∑
∑
∑
∑
9 8
9 8
9 8
9 8
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Arco Harmonic gliss II III
12 Œ ™ 8
12 Ó™ 8
? 12 Ó™
8
? 12 Ó™
8
‚‚≤ ™™
™™
Add bow pressure with cresc.
™™
9 8
pp Arco Harmonic gliss I II
Add bow pressure with cresc. ‚‚≤ ™™ ™™
pp
Arco Harmonic gliss III IV
Œ
Add bow pressure with cresc. ™ ‚‚≤ ™ J
pp
Arco Harmonic gliss II III
Ϊ
with cresc. ‚‚≤ ™™
9 8
9 8
Add bow pressure
pp
9 8
22
q.=96 Risoluto ma velato
° 9 C Tpt. & 8 51
Ÿo~~~~~ œ. b œ v
‰ ‰ Œ™
Ϊ
∑
Ϊ
Ϊ
‰
Perc.
œ- b œ v
∑
‰
∑
‰™
f
sfz
Tbn.
Ÿo~~~~~~~~~
?9 ¢ 8
∑
∑
Ϊ
Ϊ
‰ bœ ™ œ > .
1/2 Valve
bœ >
o b>œ ™
f
Ϊ
9 / 8 Ϫ
Ϊ
∑
∑
f
"Broken Tremolo" Quasi Ad Lib.
Use hand to quickly muffle and always to "broken tremolo". poco (approximate rhythm) Ÿ^ ~~bœ + ™ O O œ O O O >O O O O O O bO O O O O >O O O O O O ?9 Pno. 8 {
sfz
nb œœ nb œœ
‰
j ‰ b œœ nb œœ b œœ
Œ
p
Ord.
p
Ped. Sempre
Ÿ~~~~~~~~~ + O bO O O >O O O >O O b>O O >œ O bO O >O O O >O O J Unmuffled normal trill
ff
Diamond shaped notes are approximate and ad lib sim. Normal noteheads always played as written.
Ϊ
Ϊ
6 8
o + œ ™ bœ ™
o + œ ™ bœ ™
+ 6 Ϫ 8
9 8
∑
o bœ ™
+ Ϫ
o bœ ™
∑
+ 9 Ϫ 8
o bœ ™
+ Ϫ
o bœ ™
+ œ. ™
"Broken Tremolo"
O O™
‰ ‰
6 8
‰
nb >œœ bn œœ b œœ nb œœ ™™
+
b œœ > fz
‰
‰
j nb œœ nb œœ p
Ÿ~~~ + O O bœ^ œ O O O O >O O O O >O 6 bO O >O O O O 8 ff
mp
‰™
pp
f
Marimba soft mallets
&
œ.
mp
9 8
b œœ ™™
# œœ nb œœ nb œœ
O O >O 9 O O bO >O ™ 8
‰
+
b œœ >
‰
fz
O O O O >O O O O™
q.=96 Risoluto ma velato
@ ° 9 œœ ‰ ‰ Œ ™ Vln. & 8
Ϊ
∑
æ B>˙æ™
∑
ff
Vla.
@ œ 9 B 8 œ ‰ ‰ Œ™
fp
Ϊ
∑
Ϊ
Ϊ
Pizz
‰ bœ >
ff
@
Vc.
?9 8 œ ‰ ‰ Œ™ œ
Db.
?9 ™ ¢ 8 œœ ‰ ‰ Œ
Ϊ
sfz
Ϊ
∑
µ>œ ™ ææ
∑
fp
Ϊ
∑
Ϊ
Ϊ
>œ
Pizz
‰
sfz
fp
ææ n>˙ ™
Arco Ord
fp
Arco Ord
ff
@
æj æ œæ >œæ
Arco Ord
Ϊ
6 æ 8 æ B>œ ™
æ œ™æ
æ œæ
ææ ™ >˙
æ œæ™
6 ˙ææ™ 8
˙™ ææ
œ ææ
µ>œ 6 œ ™ ææJ 8 ææ
fp
œ >œ ææJ ææ fp
Ϊ
æj æ B>œæ œ™æ
œ™ ææ
Pizz Pont.
‰ bbœO ‰ > f
Ϊ
Ϊ
fp
fp
bb>œO ‰
æ œ™æ
9 œææ™ 8> fp
œ ææJ
fp
‰ 68
∑
Wide fast vibrato with gliss
9 æ 8 æ ˙™
µ>œ ææ
fp
æj œæ b œ~~~~~~~~~~~~~
æ œæ
9 æ˙ ™ 8æ
9 ‰ 8
vibrato with æj ™ gliss >œ œ ~~~~~~~~~~~~~~~ Wide fast
fp
µ>œ ™ ææ
fp
‰ bbœO Œ ™ >
‰ œO >
‰
23
° ™ A. Fl. & Œ
Ϊ
58
‰
‰ æj 68 æ b œæ ˙™æ flz.
to overblow with cresc.
9 æ 8 æ œ™
p
B. Cl.
? Œ™ ¢
8v
‰ Œ™
‰
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ‰ #œj œ 68 ˙ ™ b8v 8 œ™
‰ Œ™
‰
Harmon Mute
∑
9 8
Ÿ~~~~~~
‰ Œ™
bœ >œ œ.
Ϊ
Ϊ
¢
?
6 8
∑
Quasi Tremolo
& ‰ ‰
Perc.
‰
bœ œ œ œ œ œ œ œ œ œ œ œ p
6‰ ‰ 8
p
mp
9 ‰™ 8
∑
bœ œnœ œ
‰ O7
bœ œ œbœ Continue broken
ff
° Vln. & ~~~~~~~~™ ~~~~~~~~~~~~~~~~~~~~~~~~~ ™ ~~~~~~~~~~~~~~~ b œ ™ ~~~~~~~~~~~ nœ B ~~~~~~~~~~ mp
æ ? æ™
Vc.
Db.
¢
?
‰
6 Ϊ 8
‰
‰
‰
ææ ™
Œ™ ææ
mp
∑
6 Œ™ 8 j 6 ™ nœ 8 Œ
6 8
‰
#O 9 O™ 8
mp
O™
p
pp
mf
Vla.
‰
ord. I
‰
∑
bœ ™
Ϫ
œ J
‰
‰ O 98 O ™ ord. III
bœ œ œ œ œ œ nœbœbœnœ bœbœ œ œ
O™ Oœ ™™
p
9 Ϊ 8
OO ™™ 7
O
O
Oœ f
Ϊ
9 8
O™
p
6 7 8 O™
O™7
9 7 8 O™
mp
+ æ æ æ æ æ ‰ ‰ ‰ Œ™ b >œ œ b œ œ œ œ.
6 8
œ
6 Ϊ 8
sfz
6 8
∑
pp
OO ™™ 7
‰
‰
‰
‰
œœ^ ™™ ? æ æ
‰
‰
Ϊ
Œ
mp
f
j œO œO ™™
p
Ϊ
Œ
OO ™™ 7
Ϊ
Œ
OO ™™ 7
OO ™™ 7
6 OO ™™ 87
pp
‰ ‰ œ 98 œ™ pp
∑
9 Ϊ 8
OO ™™ 7
9 OO ™™ 87
flz.
pp
mf
6 8
∑
9 8
6 j 8 bœ
‰ ‰ #œ ™
9 8
pp
mp
œ
‰ ‰ ‰ ‰ æOJ 98 O bO
j œ ™
gliss.
mp
pp
With soft light bass drum mallets
Ϊ
Œ
A?^ ^ A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 6 j j 98 bœ- 8 gliss. bœ 1/2 step
pp
OO ™™ 7
mp
pp
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ bœ 6 œ ™ œ œ 9 8 #œJ œ 8 œ ™ œJ œ
OO 7
pp
mf Una Corda (for all normal trills)
œO
##Oœ Oœ ™™ J
Oœ
Oœ Oœ™™ J
Oœ
p
j ™ œO Œ
‰ æ B Oæ >
6 æ 8 æ O™
9 æ æ æ æ æ æ Œ™ 8 æ Oæ æ æ æ æ O BO b O O BO
Oœ Œ ™ J
æ bOæ™ >
6 O™ææ 8
9 Oææ nOææ bOææ Oææ BOææ bOææ ‰ 8
Oœ J Œ™
Ϊ
Pont. > 6 µæO ™ 8æ
9 æO bæO µæO næO BO O Œ ™ 8æ æ æ æ æ æ
Pont.
f
mp
Pont.
mp
f
p
f
> ‚‚
6 Ϊ 8
quasi gliss.
pizz
‰ ‰
mf
‰
n>œ
sfz
quasi gliss.
mp
9 8
f
Pizz Ord
quasi gliss.
mf
nœ
6 8
6 ‰ 8
mf
9 8
∑ Ÿ~~~~~~~~~~~~~~~~~~~~~ O
p
bO
O™
ff
9 8 p
Harm fingering
Jete
sfz
Ÿ>~~~~~ b +O ™ œ O™ 7
(Normal)
OO 7J
v¿
sffz
d/ o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª A 9 j 8 ™ nœ ™ bœ
∑
Ÿ~~~~~~~~~~~~~~ 9 8 œ bO ™
6 Ϊ 8
6 bO bO nO O O O 8
O™7
pp
∑
‰ Œ™
O™
‰
pp
pp
‰ ‰
nO ™
‰
mf
f
ord. O O™ ‰ #œ 98 œ ™
œ æ
≈
f
p
‰
Ϫ
Ϫ
molto
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (trem. + as before.O ™ <b>O O ™ œ bœ ˙ ™ ˙™ œ bOO) O™ 6 9 ? Pno. 8 8J 7 7 { pp
O™7
p
Ϊ
pp
p
Sneak in normal trill by gradually releasing left hand.
Ϫ
O™
Irregular continous soundSmorzato. Uneven air stream
mf
œ ™ bœ ™
‰ ‰ 98 Œ ™
O™
pp
∑
sfz
Tbn.
BO ™
6 8
non flz.
sffz
6 8
∑
flz.
sffz
p
° C Tpt. &
‰ æj æ O O™ >
‰
mf
to overblow with cresc.
Ϊ
Ϊ
Œ
‰
Ϊ
Ϊ
>≥ ‰ ‰ ##œœ
MSP
Arco
f
J
≤ ‚‚
p
‰ ‰ 68
∑
9 Ϊ 8
b>œ ™ ææ æ
MST
‰ ‰
mf
gliss.
6 bœ 8 æ p
‰ ‰ Œ™
9 8
24
° 9<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A. Fl. & 8 j <b> O ™ O™ O rall.
66
?9 O ¢ 8 æ
O™ æ
O æJ
mp
° 9 ™ C Tpt. & 8 Œ
Tbn.
Perc.
Vc.
Db.
O™
pp
O™
O™
O™
O
6 8
U ∑
6 8 o
U ∑
∑
6 8
U ∑
∑
6 8
U ∑
∑
‰
Ϊ
‰
Ϊ
?
o
pp
mf
pp
poco
j œ
Ϊ
Ϊ
o/ d Aª Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n˙ ™ Œ™ o o pp
∑
∑
∑
Ϊ
∑
Ϊ
Sim.
A^ ^ A
To muffled irregular broken trem. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ bœ œ ™ œ™ ˙™ œ™ ˙™ bœ ™ b˙ ™ J 7 7 7
<<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~œ ?9 œ 8<#>œ œJ
O™
pp
mp
∑
pp
Ϊ
Ϊ
∑
∑
O™
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -j 6 ‰ 8 œœ ppp o pp
+ b‚‚ ™™ 7
U 6 bOO>™™ 8 æ
"Broken Trem" as before
p
mf
>
>
>
Solo Ad lib
>>
> >
U ∑
6 8
∑
U™ Œ
p
rall.
° 9 ™ Vln. & 8 Œ
Vla.
O™
non flz.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ œ™
?9 8
{
> ‰ & bO æ
Bisbig.
™
9 &8 Œ
Pno.
pp
Ϊ
™
?9 ¢ 8
O æ
Ϊ
pp
mp
pp
mp
B. Cl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nO O O™ O™ O™ O™ Œ™
B 98 ‰
Œ
bœ J III
Ϫ
Ϫ
Ϫ
To harmonic fingering
Ϫ
Ϫ
p
III
‰
Tasto flautando
>œ
Pizz Ord
‰
sfz
? 9 Ϊ 8
?9 ™ ¢ 8 Œ
ArcoTasto flautando
Œ
Tasto flautando
B œo ™
Arco Ord. II 7th part.
&
pp
‰
œ J
bO ™
O™
O™
O™
O™
O™
O™
mp
Ϫ
Ϫ
Ϫ
To harmonic fingering
Ϫ
p
nœ J
Ϫ
Ϫ
O™
mp
Ϫ
To harmonic fingering
Ϫ
Ϫ
p
Ϫ
O™
ppp
O™
O™
O™ ppp
mp
Ϫ
>œ f
‰
‰
Ϊ
Ϊ
∑
æ œ™æ
Pizz 2 Fingers
? ppp
Ϊ
6 O 8 J
U™ Œ
Œ
ppp
Ϊ
6 8
U ∑
Ϊ
6 Ϊ 8
U Œ
?
Ÿ~~~~~~~~~~~ j B O bO MSP
pp
æ œ™æ
pp
æ œ™æ
æ 6 œæ 8 o
‰
‰
U™ Œ
25
A tempo
° A. Fl. & 71
B. Cl.
¢
Ϊ
Œ
¢
?
fij 7 œ bO ™
∑
?
{
° Vln. &
O7™
∑
∑
∑
∑
∑
∑
∑
>
> > OO ™™ 7
p
∑
O™ 7
9 7O™ 8
7 Ϫ
œ™ æ
O™ 7
O™ 7
O
7
‰
6 æ˙™ 8 molto
‰
Ϊ
Ϊ
6Π8
Growl
j #œ œ™
mp
molto
o/ d A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª 9 ˙™ ˙™ Œ™ 8 Œ™
‰
9 8 #œ
œ
pp
œ
9 8
∑
Ϊ
pp
mp
œ
œ
pp
j œ
j
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ™ 6œ 8
Bisbig.
œ
mp
œ
#œ
∑
‰
Ϊ
‰
pp
6 8œ
œ
6 8
∑
œ
#œ
∑
/
∑
mp
∑
p
Ÿ~~~~~~~~~~~~~~~~~~ 9 ‰ #œ œ 8
Ϊ
p
mf
Ó™
∑
‰
‰
Ϊ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ 6 ˙™ 8
pp
poco
ff
A tempo
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ™ j BO O O O
‰
>œ
sul IV
Pont.
‰
mp
pp
ff
Ϊ
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 O™ ‰ bœ nœ b˙ ™ ˙ ™ To harm. fingering O™ O 8 Tasto
MSP.
< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ?Ÿ j j <B> O O O
¢
O™ 7
7 Ϫ
‰
molto
molto
Db.
p
7 Ϫ
> œ™ æ flz.
7 ‰ œ
each register blends into the next. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ œ ™™ ˙ ™™ œ 9 j bœ nœ bœ ™ bœ œ œ œ™ œ™ œ œ œ ˙ œ œ 68 œ ‰ 8 J J bœ ™ ™ ™ œ œ œ œ œ œ œ p mp
Œ
sul IV
Ϊ
‰
‰
Bœ ™
Ϊ
MSP
?
Ϫ
pp
bœ ™
Ϫ f
bœ ™
To harm. fingering
pp
mp
Wide vibrato gliss
pp
mp
œ bœ
Ϊ
pp
‰
∑
pp
sul II
‰
Ϊ
pp
mf
pp
Pont. Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 œ ™ ™ œ œ ˙ O™ O™ 8 O™
˙™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Bœ
Flautando poco pont.
pp
ff
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ œ™ O™ O™ 6O J ‰ 8
Tasto
∑
sfz
?
O7
j b O7 bœ
7 nœ ™
9 8 7 Ϫ
Always a covered dark sound throughout trills-
Pizz Ord.
Vc.
fz
∑
to normal trill unmuffled.
pp
B
Ϊ
#O. J
Smorzato Irregular, quick uneven air stream
p
?
Vla.
Smorzato Irregular, quick uneven air stream
fz pp
> >> > > & <b><b>OO ™™ 7
Pno.
O ææ
p
Ϊ
∑
?
Perc.
O #O >
fz
° C Tpt. &
Tbn.
æ O #O O O Oæ O ™ ææ flz.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ bœ nœ œ ™ O™ O 6O 8 mf
pp
Pont. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 9 6 8O #œ nœ 8 ˙ ™ #O ™ O O™ O™ O™ To harm. fingering
Ϊ
Tasto
‰
‰
‰
sul IV
‰ ?
p
Pizz Pont
> ‰ #œ sfz
œ
∑
‰
pp
mp
9 8
‰
∑
6 8
∑
‰
‰
26
° & 78
A. Fl.
8^
Overblow
o O æJ
‰
‰
Ϊ
∑
9 8
∑
‰
‰
Ϊ
∑
9 8
∑
Ϊ
+ æ b >œ
æ œ
æ œ
∑
Ϊ
‰
‰
Ϊ
flz.
B. Cl.
¢
Overblow
mf
¢
?
#œ. >
æ œ
æ œ
æ bœ
æ œ
Ϊ
œ.
9 8
9 Ó™ 8
∑
{
/ fifififi ˙™ > fp
Hard LH muffle
>+ ? bOOJ
° &
OO 7
Irregular Trem.
p
OO ™™ 7
OO ™™ 7
æ B>˙æ™
æj œæ
B œææ™ >
æj œæ
fp
Vc.
> ? µæ˙ ™
ææ >œ
fp
OO ™™ 7
æ B>œæ
æj œæ
fp
æ ˙æ™
» r ? ≈ Db. ¢ #œ sfz
‰
‰
Ϊ
ææ >œ
fp
µ>œ ™ æ
fp
‰
bb>œO sfz
Ϊ
sfz
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o + d bœ œ ‰
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
6 O™ 8
O
6 8
∑
6 bœ 8
>
Ϊ
Ϊ
œ
Ϊ
9 ææ 8 ™
ææ ™
9æ 8 9 ™ &8 Œ
bO>O
OO
mf
ææ nœ
‰
µœ æ
µ>œ æ
fp
Arco Ord.
ææ
™
bœ ™ p
OO
œ æ
f
9 8
œ
9 8
9 8
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >œ œ ™™ > 6œ 9 bœ œ™ œ œ 8 8 J mf
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ^ #O O O ™ J J pp pont.
ord.
‰
‰
Œ
pizz
‰
‰
‰
# œ^
‰
Ϊ
‰
?‰
Sul G
6 Ϊ 8
III
‰
‰
‰
n œ^
‰
mf
‰
b>O
≥ b>œ
MSP
œ
ff
‰
‰
O J pp
6 ææ 8 nO IV
J
fp
sffz
œ
Arco Pont.
sfz
molto
Ϊ
9 8
e O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O ™ 9 8
mf
6 8
sfz
sffz
pizz
n>O ™
Arco pont.
Ϊ
Trill between normal and harmonic fingering.
sffz
mf
Ϫ
œ J
>Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ™ 6œ ‰ J 8
OO
mf
ææ bœ
œ
6 8
f
OO ™™ 7
Ÿ~~~~~~~~~ #O 9 J 8
f
∑
9 OO ™™ 87
9 8
p
mf
sfz
fp
Pizz Pont
‰
mf
bœ ™
Ϊ
>¿
9 ˙ææ™ 8>
œ™ æ
fp
O™
‰
Hot Rod on Rim
9 8
∑
fp
Vla.
mf
poco
∑
j œ.
bœ
9 8 ˙™
˙™
&
B>O ™
fp
mf
sfz
Perc.
Vln.
&
o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o #O oO O #>O 6 O™ æJ 8
O J
pp
Dread Lock
Pno.
O™
ff
° ‰ C Tpt. &
Tbn.
O
fpp
ff
^ ? 8
ord.
6 8
æ Oæ
æ Oæ
Œ™ O æ
∑
9 8 # OI æ
‰
9 8
mp
?9
8
27
molto rall. al fine
° 9<#>O ™ A. Fl. & 8
O™
83
O™
O J
O™
o µO
O™
Ó™
Pno.
{
pp
Ÿ~~~~~~~~~~~~~~~~~~~~~ œ™ œ
° 9 ™ C Tpt. & 8 Œ
Perc.
O™
O™
Bisbi.
pp
bœ
mp
pp
œ
œ
9 /8
‰
‰
‰
‰
∑
9 &8
∑
‰
‰
o/ d Aª Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ pp
bœ J o
œ J
J
Ϊ
‰
o
pp
∑
‹ 9 &8
Ϊ
ppp
mp
?9 œ ¢ 8
O™
mp
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <#>O ™ O™ O™ O™ O™ O 9 B. Cl. & 8 ¢
Tbn.
O™
Ϊ
sounding pitch
Ó™
Spectral harmonic trill. Slow trem. speed increases with cresc.
Ϊ
& Ϫ
Ϫ
?
µO ™
O™ o ¯ - ï ïï -ïï ï e ï
Ϫ
O™
Ϫ
µO ™
Ϫ
O™
O™
p
Ϊ
6 Ϊ 8
Ϫ
O™
pp
∑ Crotale
– Bowed & ‰ ‰
œ o
Ϫ
6 Ϫ 8
O™
6 8
O™
˙™
Ϫ
L.V.
mp
Vla.
Vc.
? 9 Ϊ 8 Harmonic gliss
≥ OO ™™ 9 ? Db. ¢ 8 > I II
ff
Ϊ
MSP
O™
mp
#O ™
O™ I
mp
11
& #O ™
‰
O™
æ OæO fifififi ‰ œœ ™™ pp
O™
#O ™ O™
O™
O™
Ϫ
O™
pp
∑
∑
O™
™
™
™
™
oo 11
ppp
#O ™
™
™
™
™
oo 11
ppp
p
Circular fast bowing between tasto and pont. LH light harmonic finger pressure in high position while glissing down indicated strings.
‰ ‰ Œ™ ‰ ‰ Œ™
O™ O™ æ
Molto Tasto
Ϊ
mf
Ÿ~~~~~~~~~~~~~~~~~~~~ ≤ j ? nO O O III
mf
œœ o
Ϊ
µO ™
Ϊ
∑
∑
∑
U ∑
∑
∑
∑
∑
U ∑
o
6 8
∑
∑
∑
∑
∑
U ∑
(Trem. between pitches as before-uneven) Use hand to unpitched
+ bn ‚‚ ‚‚ ™™ 7J 7
OO ™™ 7
Pitches squeak out until the end
OO ™™ 7
OO ™™ 7
OU O ™™ 7
Unpitched clicking -----------------solo
o
pp
6 8
∑
∑
∑
∑
∑
U ∑
6 8
∑
∑
∑
∑
∑
U ∑
∑
U ∑
∑
U ∑
OO™™ æ
O™ 6 O™ 8æ
Col Legno Tratto Fast Tremolo
OO ™™ ‰ æ
OO ™™ æ
OO ™™ æ
O™ O™ æ
O™ O™ æ
O™ O™ æ
O ™ MSP O™ Œ™ æ o
OO™™ æ
OO™™ æ
p
(Actual sound is less.)
(always with airy sound)
(always with airy sound)
6 8
OO ™™ æ
Bow right up against fingers.
(Actual sound is less.)
∑
U ∑
U ∑
O™ æ
mp
∑
∑
O™ 6 O™ 8æ
B O™
∑
∑
O™ O™ æ
(Actual sound is less.)
∑
∑
O™ O™ æ
Col Legno Tratto Fast Tremolo Molto Bow right up Tasto against fingers.
Ϊ
∑
ppp
Col Legno Tratto Fast Tremolo Bow right up against fingers.
Ϫ
∑
e O ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸIO #O O ™ O™ O™ O™ O™ O <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #IIO O ™ O™ O ° 9<#>O ™ O™ O™ O 6 J J ‰ Vln. & 8 8 B 98 Œ ™
µO ™
Ϫ
6 8
al fine
MSP
Ϫ
p
p
Sul I
Ϫ
p
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ #œ œ œ ˙™ œ™ ˙™ J Œ™
<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <Ÿ>~~~~~~~~~~~~~~~~ œ™ œ™ œ™ ˙™ œ 9 ‰ & 8 <b>œ ™ molto rall.
n O ™ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ o
:“”; Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b œ nœ ˙ ™ œ™ ˙™ œ™ ˙™ œ 6 ‰ ‰ 8
Ó™
U ∑
Air (toneless)+WT
o /d A Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª 6œ ‰ œ ‰ Œ™ 8 o o pp
ppp
∑
∑
Ϫ
Bisbiglando Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ ‰ æœ ææ ææJ Œ æ
Ϊ
ppp
Ϊ
Ϊ
Continuous air stream of slowly changing timbres from turnng flute, and allowing high whistle tones to slip out. (Mostly air sounds)
∑
(always with airy sound)
MSP
OO ™™ æ
OO ™™ æ
MSP
Ϊ
o ∑
Col Legno Bow moves in circular motion on all strings between tasto and pont. (Med/slow speed)
fifififi ™
∑
U ∑
Lightly muffle all strings
o ∑
∑
∑
U ∑
28
3. Mystical and sacred hybrid figures embrace ° 4 Alto Flute & 4
* All pitches should come out of piano sound and blend in a way that gives the illusion of molto sostenuto. All air sounds that follow should be heard clearly as a color change.
q=50 Cantabile, molto sostenuto Alto Flute
?4 Bass Clarinet ¢ 4
Trumpet in C
Trombone
Bass Clarinet
*
? Ó
Œ
*
3 ‰ ‰ #œJ o NV sempre
#w
5 4
w
5 4
Trumpet
?4 ¢ 4
Trombone
4 /4
Percussion
{
molto espressivo
4 & 4 Ó™ ? 4 Ó™ 4
° 4 Violin & 4
Viola
Œ
° 4 &4
Percussion
Piano
#-œ o
NV sempre
& Ó
œ œ™ 5
with a lopsided but fluid feel
mp
‰ #œ
5
œ
œ
5
œ
r œ œ
°
b>œ 5
œ nœ
Ϫ 5
≈ #œ œ 5
> 5 nœ œ #œ R #œ
nœ ™
œ œ 5 5
ŠϪ Ϫ
œ
5
#œ
5
#œ
5
r œ œ >
œ bœ 5
œ œ™ R 5
?4 4
Double Bass
?4 ¢ 4
œ
>œ 5
œ
œ
#œ ™
>œ
œ 5
œ™ œ
5
bœ
œ
œ
œ œ
5
nœ
4 5
&4
œ œ 5 #œ 5 4
5
œ
5
#œ
?5
bœ
Q
5 4
Quick light pedal with each slur so some notes bleed over.
q=50 Cantabile, molto sostenuto
ô
Mute on
Violin
B 44
Violoncello
#œ
5
&4
Viola
&
Ó
B Ó™
* IV
Tasto Flautando
-O o
*
ô
Mute on
ô
II
II
© Josephpereiramusic 2023. All Rights Reserved
? Ó
Œ
3
5 4
Tasto Flautando
-O o
Mute on
Violoncello
O
5 4
Tasto Flautando
-O O J o
?5
Double Bass
&4
4 5
≈ Œ
Aeolian, pitched air
° 5<#>œ &4 8
A. Fl.
-O bO O # O O b O
pp
(mf )
O #O
(Actual dynamic is less.)
≈ Œ ≈ Œ
Harmon Mute remove stem
?5 Tbn. ¢ 4 Ó Marimba With Fingers
Pno.
Vln.
5 &4 Œ
‰
bœ bœ œ œbœ œbœ bœ
{
≈ Œ
≈ œ
5
˙™ ˙™
b˙ o
pp
µ˙
˙
o
o
≈ Ó ≈ œ
œ
Ó
‰
o
Mandolin roll
∑
Ϫ
> œ bœ 5
≈ O
pp
œ J
pp
#œ œ
5
nœ ™ œ œ
5
œ
5
r nœ œ
œ
bϪ
≈ b-˙
5
æj ‰ O o
Flz. Air only
4 4
∑
4 4
∑
¡ ¡ ?4 æ 4 æ ˙
æ ˙æ
pp
mf
4 ˙ 4
œ
ppp
A tempo
O
O
O
O
O
≈ O
∑
Œ
‰
Œ
‰
æ œ™æ
5
bœ ™
4 4
∑
poco rall.
O
mf
(f )
Actual sound is less.
Marimba
∑
° 5 &4 O
Flz.
Vla.
Vc.
B 45
?5 4
O
O
O
O
O
O
O
4 O 4
≈ O
O
O
O
O
O
≈ O
pp
Tasto Flautando III 10th partial
ô µ œo œ 5 J Db. & 4 ‰ ¢ *
Mute on
pp
≈ ˙™
* All pitches should come out of piano sound and blend in a way that gives the illusion of molto sostenuto. All air sounds that follow should be heard clearly as a color change.
˙™
≈ ˙
ææj fifififi œ œ
Fast Circular Bowing Lightly muffle strings
o
O
3 4Œ
‰ ‰
æ Oæ
mp
Ϫ
œ
ææ fifififi O œœ
#œ ™
Bœ ˙ J o
3˙ 4
‰ Ó
3 & 4 Œ
æ Oæ
4 4
œ
4 4
5
nœ
O
O
p
‰
p
ææ 4 fifififi 4 œœ
ææ fifififi ˙™ ˙™
(f )
Actual sound is less.
O J
o
‰
Jete > 4 bb-Ȯ 4 æ
mf
œ 4 J ‰ Œ 4 o
o
Ó
™
5
5
r bœ œ
5
Fingers
‰
3
6
œ bœ œ#œ bœ œ nœ bœ #œ
4 4
nœ 43 œ œ œ R 5
3 #œ 4
Œ
œ œ 5
5
#œ
b>œ
4 œ 4 4 4
Tasto Flautando
o
( mf )
‰
Jete
æj œæ œ >-
mf
Œ
æj œæ ‰ œ
Tasto Flautando
II 9th partial
‰
œo J o
3 4Ó
III IV
-O O
pp
Tasto Flautando
4 4
3 4 Ȯ ™ ™
4 4
3 ™ 4 Ȯ ™
4 4
ppp
3 ‰ ‰ ##Oœ Ȯ ™™ J
Ó
4 4
pp
ppp
Ó
4 4
pp
ææ ææ ææ fifififi fifififi fifififi œœ œœ ˙˙ ææj fifififi œ ‰ œ o
pp
mp
n>œ ™ œ
#œ 5
3 4 ˙™
o
BœJ
3
Fast Circular Bowing Lightly muffle strings
O
≈ O
pp
O
æ Oæ
j µœ ˙ o
Actual sound is less.
≈ O
3 4 ææ O
Poco Flz.
(Actual dynamic is less.)
5 & 4<#>œ ™ œ œ >
æ >O O O bO O O n O b O b Oæ
˙
≈ æ æ æ æ æ æ æ æ æ 4 œ bO O O bO O O bO nO b O 4 n Oææ™ > ( mf )
mp
(mf )
?5 4
4 w 4
œ
Mostly air and key noise with a hint of pitch.
pp
Harmon Mute remove stem
Add some pitch wth cresc.
sim.
ppp
ppp
? 5<#>˙ B. Cl. ¢ 4
Perc.
≈ œ
˙™
B˙
≈ ˙™
° 5 C Tpt. & 4 Ó
29
A tempo
poco rall.
œ
3 4
˙
œ pp
4 4
30
° 4 A. Fl. & 4 13
B. Cl.
more air than pitch
æ <b> Oæ™
o
4 &4
{
4 &4
Vln.
Ó
ppp
o
o
Œ
Ó
Œ
Œ
Ó
Œ
‰
‰
j bœ o
˙
œ J
˙
3 4
o
Vc.
OO
nœ ™ 5
5
5
#œ
OO
œ
OO
Ϫ
OO
w~
? 4<#><#>Ȯ 4
5
nœ bœ
OO
œ
5
bœ
OO
bœ ™
œ
œ
5
5
nœ
ææj ææ fifififi fifififi œ ˙ >œ ˙ Jete
w
‰
Ȯ
Oœ 3
4 Db. & 4 ¢
˙™
3 4Œ
∑
#œ œ™
ææj ææ fifififi fifififi œ œ >œ œ
ææ fifififi ˙ ˙
f
w
˙™
j œ o
˙™
œ J
p
Mandolin roll
Œ
‰
?
ææj œ
pp
bœ œ
Ϫ
3 4 3 4
œ
>™ œ
œ
5
bœ bœ
3 4 b >œ œ ææJ ææ
o
5
œ
#œ œ
∑
U Œ
3 4
5 ™ 4˙
œ
U œ
3 4
Œ
U Œ
3 4
Œ
U Œ
3 4
Œ
U Œ
3 4
o
æ ˙æ
æ œæœ
nœ
5
bœ
bœ œ 5
œ œ
U nœ
3 4
5
nœ
>œ ™ œ™ ææ
pp
‰
‰™
Œ
r r #œ œ
‰
Œ
5
5 4‰
o
œ
nœ bœ
æ æ œæ œæ
5 4 ææ ˙™
#>œ œ
5 ™ 4œ
5
‰
Œ
Œ
Œ
#œ J
‰
pp
5 ˙™ 4
ææj bO p
ææ gliss. mp
ææ
o
o
5
5 4
Tasto Flautando
Jete
Œ
pp
Air only Actual distant pitch sounds a whole step higher
Œ
ææ œœ
mp
nœ ™
ææ ææ 5 ææ ææ ææ ææ ææ ææ ææ ææ Œ O bO 4 n O O b O n O n O b O n O b O
p
æ œæœ
bœ5
Poco Flz. Very little tone- airy
#>œ ™ bœ
œ
5
œ #œ œ
O
nϪ
5
5
To harmonic fingering
3 4
#O
U O
O
U O
Oœ
U Oœ
3 4
mf
3 4 ‰™
Tasto Flautando
Tasto Flautando
3 4‰
3 4
˙™
r #œ- ˙
˙™
-O œ J
Oœ
pp
mf
Ó
Œ
˙
p
Ó
5 ™ nO O bO O b O O b O 4 Ó O >
ppp
pp
mf
œ
3 ‰ µœ
∑
O bO > nO bO O O O b O O # O
3 4 ˙™
f
B 44
‰™
Marimba
Œ
˙
mp
3œ 4
3
Vla.
˙™
mp
r ‰™ nœ
?4 4
° 4 &4
3 ˙™ 4
w
? 4 <B> œ Tbn. ¢ 4
Pno.
Œ
? 4 <B>w ¢ 4
° 4 C Tpt. & 4 <µ> œ
Mar.
3 ‰ ‰ BœJ œ non vib.
Ȯ
˙™
5 4œ
Ȯ ™™
5 Ȯ ™ 4 ™
To harmonic fingering
Ȯ
pp
˙
œ J
o
3 “”O
O
O
10th Part. (Sounding F#)
‰
Œ
Œ
Sul D
?
O J
pp
mf
5O 4
O
O
Sul G 5th partial
o
Œ
&
U B œo o
o
3 4
3 4
3 4
A tempo giusto
31
All players bring out individual rhythms clearly
poco rall.
White Noise Sweeps
A. Fl.
≈
Aeolian with pitch blow across hole for some pitch.
° 3 Ó &4 19
‰ ‰ j 44 #3 ~ 3
3 4 3
pp
B. Cl.
C Tpt.
Tbn.
Mar.
? 3 <µ>˙ ™ ¢ 4 ° 3 &4 ?3 ¢ 4
Œ
o
3
3
O bO O ææJ ‰ J 3
3
O
3
j 3 ‰
i mp
u
3
O
O
‰
j ~
~
#œ ‰ Œ æ o ppp o
≈ Œ
3 4
Œ
‰
Flz.
~ ææJ ~. p
∑
Œ
Œ
Senza mute Pitched Air
‰
p
3 ÷ 4
∑
senza mute
Œ
i f
u
~
ææj bO
æ
ææ f
O
~
~.
j O
ææ
5
bœ œ
?3 4
5
Ϫ
œ
5
b>œ 4 œ 4 nœ ™ œ œ
nœ
5
4 4
œ
5
œœ
≈ nœ ™
#œ
5
Ϫ
#>œ
3 4 nœ 3 œ 4
5
bœ
5
r bœ œ 5
Ϫ
nœ
bœ
œ 5
b>œ ™
pp
j
>
˙™
5
œœ
5
#œ œ
3
bO u
4 4
bO
O
i
~
u
~ ~ ææ
4 4 . ~
O i
3
O
∑
O
i
u
~
3
O
u
~ ææ
~.
O
O
i
~
~
4 4
Œ
– Bow China Cym perpendicular on BD head while sliding/pressing edge ı of cym across head from edge to edge in approximate rhythm. >œ > œ™ J / Œ J >
∑
4 4
i
~
f
ææ
O
u
f
æ ~æ
~.
3
~
~
Air sweeps Change color from high to low.
3 4 ‰
O
i
~
~
p
flz
O
Air Sweeps "Eat" mouthpiece and without losing seal, open mouth/throat as wide as possible to narrow for a continuos air sweep between low and high. Wide Narrow
pp
mp
j bO b O
3
mf
u
~ ~ ææ
~.
‰
3 4
U ∑
~
3 4
U ∑
‰
3 4
U ∑
3 4
U ∑
3
O
O
i
u
o
~
o
j ~.
ppp
∑
fl
Muffle
Rall independently slowing rhythm down - Ad lib.
4 4
o
4 ˙™ 4
œ
4 4
Fingers gliss on strings, lowest notes.
5
3 4
U ∑
3 4
U ∑
U 3 r 4 j ‰ Ó -p
poco rall.
o
æj ææ fifififi fifififi B 43 ‰ nœœ œœ >
? 3 Oœ 4
œO
Flautando
pp
<B> ˙ mp
4 Ó™ 4
ææ ææ fifififi fifififi œ œ >œ >œ
ææ 4 fifififi 4 ˙™ ˙™
œ J
4 Ϊ 4
f
3 Db. & 4 ¢
≈
4 bw 4w
Œ æj fifififi œ ‰ >œ o
f
Vc.
> 3 ( ) 4 ææO
≈ Œ
pp
4 4
∑
° 3<#>O Vln. & 4
Vla.
o
pp
˙ flz œ 4 ‰ æ ææ 4 æJ o
∑
?3 4
{
4 bæ˙ 4æ o flz
∑
3 ™ &4 œ
Pno.
flz ≈ œ nO ææ
4 ˙™ 4
b3
Mouth positions between "i" "u" for continuos air sweep between high and low air inside flute.
o
‰
Sul D 8th partial
Jete
≈ >-O™ ≈ ææJ mf
≈ Œ o œo J
Flautando
pp
˙
A tempo giusto
3 ˙™ 4 ˙™
Eb to false harmonic=muffle pitch/air. D string still sounds as normal.
Vertical Sweeping - more air/noise than circular bowing
O nœœLightly muffle strings. œ poco
O O O O J
Flautando
3 4 ‰
pp
O ™™ O
O O
b˙™ 3 ˙™ 4
œ œ
bO O
O O
Vertical Sweeping - more air/noise than circular bowing Lightly muffle strings.
Vertical Sweeping - more air/noise than circular bowing Lightly muffle strings.
˙™
˙™
3
p
4 4
6
6
U ∑
3 4
U ∑
3 4
U ∑
3 4
U ∑
o
f
œ œ
pp
3 4
4 4
œœ
O O
3 4 o
poco
poco
≈
4 4
f
p
p To light harmonic fingering, muffled pitches with air sound.
Flautando
bO ™ ˙™
6
6
6
3
f
o
Vertical Sweeping - more air/noise than circular bowing Lightly muffle strings.
3
?
o
‰
œœ
p
6
6
f
4 4
6
6
6
3
o
o
32
4. this time and in this place q = 56 Rubato, ad lib
√ Ú
° ™ Alto Flute & ™
™™
Approximate speed always independant from conductor until bar 20
Tempo giusto, martellato q = 68
∑
4 4
∑
∑
∑
∑
Pulsing Light pulsing of approximate 8th notes. Can vary lengths of each larger phrase/breathe. Continuous swells in one breathe, Ad Lib.
Bass Clarinet in Bb
Trumpet in C
Trombone
¢
? ™™
√
ppp
p
ppp
√ Ú
° ™ & ™ ¢
Continue in the same tempo independantly, always adding long swells.
Repeat 3 x's Approx. 30 Seconds
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™™ J J J J J J J J Bisbiglando
√ Ú
? ™™
4 œ œ œ œ œ œ œ œ ( 4 )œ œ J J J J J
œ
œ œ œ J J
p
œ
Sim.
œ J
ppp
™™
∑
4 4
∑
∑
∑
∑
™™
∑
4 4
∑
∑
∑
∑
Bass Drum
/ ™™
Percussion
Piano
™ {& ™
deep ritualistic pulse - tempo ad lib. A^ Slow independant from bass clarinet and conductor
˙-
ppp
˙-
˙√ Ú
≠ ™ ™ ™™
4 4
∑
◊ÿ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ>œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 4‰ 4 5
o
5
5
5
5
5
5
no Ped.
q = 56 Rubato, ad lib ° ™ Violin & ™
Viola
Violoncello
Double Bass
¢
√ Ú
B ™™
√ Ú
? ™™ ? ™™
™™
∑
Tempo giusto, martellato Fingernail pizz q = 68 ÿ
4Ó 4
5
Œ
◊ º bœ bœ œ J ‰
œ
œ >œ œ
pp
∑
√ Ú
™™
√ Ú
™™
5
5
5
5
5
5
5
œ
œ bœ œ
œ
œ œ œ
œ
œ bœ œ
œ
œ œ œ
o
º & Œ
“” b >œ J
œ œ J
bœ
œ J
œ œ J
œ
œ J
œ œ J
bœ
œ J
œ J
œ
œ
∑
∑
4 4
∑
∑
∑
∑
∑
4 4
∑
∑
∑
∑
© Josephpereiramusic 2023. All Rights Reserved
œ o
4 4
Ó
œ
mp
Fingernail pizz
™™
5
mp
3
mp
3
3
3
3
3
3
3
3
œ J
o
Œ
q = 68
√ ∑
° ™ & ™ 7
A. Fl.
q = 56 N)
(
B. Cl.
¢
? ™™
œ
ppp
œJ
œ
œJ
√
œ
p
Sim. ad lib.
C Tpt.
Tbn.
œJ
œ
œJ
ppp
∑
™™ ≠
∑
∑
∑
≠
Fade out covered by others
œ
œ J
p
Repeat a few times
œ
œ J
œ
œ J
œ
œ J
o
° ™ & ™
√ ∑
™™
∑
∑
∑
∑
? ™™
√ ∑
™™
∑
∑
∑
∑
¢
≠ / ™™
Perc.
Pno.
™™
33
As B. Cl. crescendos conductor starts new tempo for the rest of the ensemble.
™ {& ™
√
√ ∑
™™
o
™™
∑
◊ÿ ‰
œœ œœ œœ œœ 5
o
œœ œœ œœ œœ œœ œœ
5
5
œœ
Œ
œ
∑
œœ œœ
œœ œœ œœ
œœ œœ œœ
œœ œœ œœ
5
5
5
5
5
œœ
œœ œœ œœ œœ œœ 5
œœ œ>œ œœ
œœ œœ œœ
5
5
5
mf
no Ped.
° ™ Vln. & ™
√ ∑
™™
& ™™
√ ∑
™™
Vla.
Vc.
Db.
¢
? ™™
√ ∑
? ™™
√ ∑
q = 68
∑
∑
™™
∑
™™
∑
œœ
Ó
Œ
∑
∑
∑
º ‰
◊ÿ bœ J
bœ
œ
œ
œ
œ
œ
œ
œ
bœ
œ
œ
œ
o
>œ
œ
œ
œ
mf
Ó
º
& Œ
∑
∑
3
“” bœ J o
œ J
œ
bœ
3
3
œ J
œ J
œ
>œ
3
3
œ J
œ J
mf
Ó
Pizz SP Sul IV
O >
mf
∑
Sempre
O >
œ 3
34
° &
∑
∑
∑
∑
™™
U ∑
™™
?
∑
∑
∑
∑
™™
U ∑
™™
™™
U ∑
™™
™™
U ∑
™™
™™
U
™™
12
A. Fl.
B. Cl.
¢
-#
° C Tpt. &
∑
"i"
p
Tbn.
¢
? Ó™
Air only Clear high sound
-#
-#
o
j #.
3
Œ
"i"
"O"
-#
-#
-#
-#
:◊; ° bœ Vln. &
bœ
:“; bœ &
Vla.
? O >
Vc.
Db.
¢
?
5
5
œ
œ
"i"
"O"
-#
-#
3
-#
-#
"i"
"O"
mp
-#
-#
-#
-#
∑
œœ œœ œœ œœ œœ
œ
3
j #.
-#
Œ
œ
5
œ
j #.
3
-#
Œ
"i"
"O"
-#
-#
-#
-#
j #.
3
3
œ J
œ
œ
œ
3
3
O >
O > ∑
œ J
œ J
O >
"i"
"O"
-#
-#
-#
-#
œ
5
∑
œœ œœ œœ œœ œœ œœ œœ
5
5
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
5
5
5
œ
j #.
3
Œ
"O"
-#
-#
ppp
-# J o
‰
∑
5
œœ œœ œœ œœ œœ
5
5
œœ œœ œœ
œœ œœ œœ
5
5
5
œœ
™™
U
œœ œœ œœ œœ œœ œœ 5
Continue
5
™™
ppp
œ
œ
œ
œ
œ
œ
œ
bœ
œ
œ
œ
œ
œ
œ
œ
bœ
œ o
œ J
-#
Œ
mp
:◊; œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ Pno. & { 5
j #.
-#
Œ
sim.
poco
∑
/
Perc.
-#
Air only high air gliss to low
bœ
3
3
O >
œ J
œ J
œ
œ
3
3
œ J
œ J
œ
bœ
3
3
Ó
O > ∑
œ J
œ J
œ
œ
3
3
œ J
o
Œ
Œ
∑ Ó™
Finger drumming Fast fluttering motion with side of thumb + 4-5th fingers
æ œæ
pp
æ œæ
æ ˙™æ p
Ó
™™
U ∑
™™
∑
™™
U ∑
™™
∑
™™
U ∑
™™
™™ ˙ææ
1st x only
o
U Ó
™™
° A. Fl. & 17
∑
‰™
Œ
rΠ# -v
Lip pizz.
≈
sfz
-v
‰
‰™
r Π# -v
sfz
≈
sfz
‰
-v
‰™
r ‰™ # -v
r Π-v
sfz
sfz
35
Subito poco piu mosso q = 76
r ‰™ b¿ n œv
Tongue ram "Hut"
sfz
Œ
∑
∑
Œ
∑
∑
Œ
∑
∑
Œ
∑
∑
∑
∑
sffz
B. Cl.
¢
?
∑
Air only (high)
‰
#. #.
‰
#. #.
3
-# -#
¢
? Ó
o
-#
-#
-#
#. #. #. #. #. #. #. #. #. #. #. #. #. #. #. #. #. #. ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
‰
3
-#
-#
-#
-#
3
3
3
(slap)
-#
-#
-#
-#
3
3
-#
-# -#
#. #. #. #. #. #. Tongue Ram ‰ ‰ ‰ r ‰™ Ov 3 3
3
-#
-#
∑
sffz
molto
-#
-#
-#
f
sffz
‰
Tongue Ram
-# J f
∑
/
Perc.
-#
#. #.
‰
3
pp Air only (high)
#. #.
‰
r ‰™ b ¿. v
r œ œ o
° ™ C Tpt. & Ó
Tbn.
‰™
∑
∑
r ‰™ b Ov
sffz
Crotales
Ó
&
#b˙>˙˙ sfz
The alto flute should sound as a slight accent. :◊; œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœœ^ Pno. & { Balance dynamic between piano and strings so sounds as one..
5
5
5
5
5
5
5
5
5
5
5
5
5
5
poco a poco
° Vln. & Ó
◊ÿ bœ œ
?
Vc.
¢
?
œ
œ bœ
œ
œ
œ
œ
Œ
∑
œ
œ
œ bœ
p
(pizz)
∑
5
sfz
œœœ œœœ ™™™ œœœ œœœ œœœ ™™™ #œœœ œœœ #œœœ œœœ #œ^ nœœœ ™™™ 5
mf
5
5
5
#œœœ ™™™
œœœ
œœœ #œœœ ™™™ œœœ œ™ ^ nœœœ œœœ™™™ œœœ œœœ bœ^##nœœœ 5
5
sfz
Subito poco piu mosso q = 76
ppp
& Ó™
Vla.
Db.
(pizz)
mf
‰
3
“” b >œ œ b œ J J ppp
3
œ 3
œ
3
3
p
∑
œ
œ œ
œ
œ
œ
bœ
œ
œ
œ
>œ
>Ϫ
mf
sfz
mf
œ œ n>œ J J
‰
œ
poco a poco
œ œ œ J J
∑
œ
œ œ bœ J J 3
œ 3
œœ œ J J 3
œ 3
œ J
œ bœ J
œ
3
3
3
mf
poco a poco
∑
∑
Œ
Œ
Pizz SP
Œ
5
sfz
b >œ 3
mf
Oœ^ sfz
∑
≈™
gliss.
‰
Π3
J
gliss.
‰
≈™
‰ ≈
‰
> œ ‰ bœ™
3
3
Oœ
gliss.
mf
3
5
##>Oœ
3
‰J ‰
gliss. 3
‰
‰ 3
Oœ™™™
gliss. 5
∑
5
b >œ ™gliss. ® ≈ R ≈ ≈™ ≈™ J
≈ ™ œ ‰™
‰
5
5
∑
3
> ##Oœ gliss. J
Subito Poco piu mosso 36
° & 23
A. Fl.
o O æ
Flz.
Ó™
∑
O æ
p
¢
3
?
∑
Ó
‰
≈
v¿ v¿
Ó™
‰™
r O
pp
∑
‰
≈
v¿
sfz
b O^ ™ ææ
Œ
fp
sfz
Tbn.
¢
?
Ó™
∑
ÍÍÍÍÍÍÍÍ
~
œ œ ≈
≈ bœ œ ≈ œ œ œ œ ≈ ≈
œ
œ œ œ œ ≈ œ œ ≈ œ œ
œ ‰
œ œ
≈
≈
œ bœ
≈
œ œ œ œ
≈
œ
≈ ≈
œ
&
Perc.
Pno.
{
:◊;
(Both staves)
5
?
° Vln. &
&
5
∑
‰ gliss.
glis s.
#œ J
œ J
> ‰ nœJ ‰
3
‰
3
5
Db.
¢
?
5
>Ϫ
‰
?
Vc.
5
5
œœœ œœœ™™™
œœœ 5
5
∑
& ‰
mp
5
œ>œœ R nbœœ ™™ v
##nœœœ
+¿ J
‰
3
‰
œ œ œ œ
‰
+ ™ ≈ œJ
##œœœ ™™
œœœ
œœœ™™™
5
sfz
œ œ
≈
≈
™™
‰
‰
≈
J ‰
3
gliss.
J
™
gliss.
™
j3
3
3
™ arco - always poco pont.
‰ œj ‰ 3
‰
bœ J
‰
3
™™
œO
5
Ó
Œ
+¿ J
‰
3
3
œ œ
nbœœ
bb Oœ
Œ
œ
‰
+ #œ ™ ≈ J
œ
œ J
3
Oœ
Oœ J
Œ
œ
Pizz SP
‰
œ
≈
5
5
p
≈ Œ
≈™
+¿ J
3
‰
mp
+¿ J
‰
3
‰
3
>
& #œ
Ó
J
Œ
gliss.
‰
gliss.
≈
3
Œ
& ‰
“” >. BO ≈ fz
Ó
+¿ J
œ>œœ œ
5
#œ ™
™
J
R
‰ 3
‰ 3
5
mf
Pizz Sul G 7th Part.
3
mf
3
Pizz SP
‰
œœ 5
™
®
≈
poco
œ
#œ #œ
>o. œ
œ
mf
œœœ ™™™
5
>œ J
n>œ
ff
bœ
≈
œœœ
pizz
mf
ff
‰
>+¿
Ϫ
&
œ
+ Ϫ
5
5
ff
œ
>O. sfz
“” arco - always poco pont. œ
mf
p
Sim. (center)
n œœœ^
œœœ œœœ R
≈
mf
Œ
>o. œ ≈
œ
p
>o. œ
œ
sfz
p
p
?
‰
5
∑
Slide to mallet head on shaft
+ ™ ≈ œ
mf
sfz
n#nœœœ œœœ œœœ œœœ
5
p
arco - always poco pont.
CLB
∑
j ™
≈
j
Ù buzz on rim +¿ Near^ hand œ ‰ æ æ
°
K ≈™ r ‰
>o. œ ≈
œ
"Rattan Gliss" 2 Rattan xylo mallets in one hand
Edge (Low)
poco
Subito Poco piu mosso
:◊; :“;
#nœœœ œœœ œœœ™™™ œœœ œœœ #œœœ ™™
œœœ #œ^
+¿ J
3
sfz
œ œ™ œ œ œ™ & <#><#>œœ##œœ ™ œœ œœ œœ™™
Vla.
Û >+¿
/
f
p
On or near bell (dead stroke) (High)
Ó™
sfz
poco
mp
∑
¯¯¯¯¯¯¯¯¯¯¯ r ¤ >œ
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
O™™™
p
œ bœ
China Cym on BD Hard Yarn
sfz
Shake
mp Con Sord wha wha
œ ‰ ææ n^¿
poco
bœ œ ≈
Con Sord wha wha
‰ #^¿
Always gradually adding pitch and spectral harms with cresc., and especially with shakes.
sffz sffz
° C Tpt. &
Tongue Ram
Add multiphonic
Slap Tongue
B. Cl.
œ ææ
>. ≈ BO ‰ Sim.
Œ
37
° r ‰™ A. Fl. & ¿v 27
Œ
≈
¢
?
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j ˙
œ¤
p
¢
Perc.
Pno.
p
& ‰ :◊; œœœ &
{
&
3
&
"Rattan Gliss" 2 Rattan xylo mallets in one hand buzz on rim Near hand
œ^ ææ
sfz
ææ
‰™
+ Ϫ + Ϫ p
+ #œ ™ ≈ J
≈
Œ
3
>œ
+¿
œ
#œ
gliss.
≈
3
gliss.
j œ
œ
‰
Œ
œ J
Arco - PP
>œ ≈ ‰
nb œœœ ™™
3
&
:“; Db. & Œ ¢
œ
Œ
>o. œ
+ Ϫ
≈ ≈
≈
Œ
œœœ œœœ
5
Arco - PP
‰
œ
3
œ J
Œ
‰™
œ
p
>o. œ
+ #œ ™ ≈ J
‰
3
œ
œ
#œ J
Ó
bisbiglando (approx. 16th note speed)
˙ æ
Œ
mf
Slap Tongue
≈ ‰
œ
œ
3
Œ
≈
≈
#¿ '
B>O. ≈ Œ
+ Ϫ
≈ ≈
Œ
œœœ™™
nb œœ
≈
>œ
≈
™ #œ
f
+¿
3
‰
mp
‰
3
œ 3
Œ
J
œ J
‰
œœœ
‰
‰
3
+¿ J
‰
œœœ œœ œœœ
#œ
‰
3
Œ
‰
+ o + ≈ œ œ. ≈ œ
+ #œ
o œ.
+ œ
o œ.
+ o œ œ.
≈
‰
+¿ J
≈
≈
+ œ
O
>O
o + ≈ œ. œ
o œ.
o œ.
o œ.
≈
+ œ
On Shell
+¿
‰
sfz
^ #b œœœœ
œœœ 5
#œœ
##œœœ >
œ ff
3
j œ
sfz
3
Œ
mp
Arco PP
3
‰
#œ J
##œœœ
-œ -œ œ œ
-œ œ
3
-œ -œ œ œ 3
œ
œ
œ 3
p
œ
3
3
J
gliss.
#œ
Œ
?
œœ
œ- œœ œ 3
mp
B>O. ‰ ™ R
Œ
‰
ff
Arco PP
3
œœœœ
5
5
b -œ bœ
mp
f
œœœœ œœœœ ™™™
œœœœ œœœœ
PP
‰
with xylo mallets +¿ >+¿ >œ
œ æ ææ
3
5
3
mf
Ó
o œ.
Ϫ
œ
gliss.
Pizz SP
+ œ
œœœ™™
p
ff
>. ≈ BO ‰
3
nb œœœ
5
Arco PP
‰
o œ. ≈
poco
#œœ
‰
poco smorzato
3
>O
+ œ
‰
5
n#>œœ
œ
≈
3
mf
œœœ
5
>œ
>o. œ
œ
‰
sfz
≈
j >O >O
O
mf
p
>+¿
j #O >
sffz
>o. œ
œ
Sim.
Slide to mallet head on shaft
¿ '
Airy growl
‰
Pizz
p
‰
>o. œ mf
5
ff
œ
p
œ
œœœ™™
Pizz
œ
œ
mf
sfz
ff
œ
+ >o. œ ≈ ≈ œ™
p
5
p
‰
≈
œœ œœ > œ œ #œœ
p
arco
≈
&
3
>O. R
œœœ
∑
ff
B>O. ‰ ™ R
r ‰™ ¿v
≈ Œ
^ O. œ
O O œ œ
œ
+¿ Near^hand œ ææ ææ
‰
5
Œ
3
bœ ‰ J
‰
sffz
(Edge)
œœœ™™
n# œ>œ ™™
5
œ
‰
^ œ.
œ œ
^ O. œ ‰
+ ™ ≈ œJ
mf
+¿
ff
J
#O ™ ≈ œ™ J
mf
œ
p
mf
œœœ
Ϫ
3
Vc.
p
#œ
œ
≈
>o. œ
œ
poco
p
>œ
mf
+¿
Cresc. sempre
5
^ O. œ
O O œ œ
3
mp
5 5
œ
Œ
nb œœ^ ™
œœœ œœ nb œœœ
^ O. œ ‰
+ >o. œ ≈ ≈ œ™
œ
On Shell with xylo mallets
>+¿
Sim.
≈
^ œ.
Sim.
p
mf
Slide to mallet head on shaft
œœœ
>o. œ
‰
Ϫ ŠJ
sffz
+ ™ ≈ œJ p
^ œ.
œ œ
Sim.
sfz
mf
œ
^ œ.
O^. #O ™ œ ≈ ≈ œ™ J
O œ
>o. œ ≈
œ
Ϫ J
≈ ≈
sfz
#O œ R
sfz
œœœ ™™™
5
:“;
:“;
≈ ≈
mf
+¿
mf
p
>o. œ
œ
° ™ Vln. & ≈
Vla.
>o. œ ≈ ≈ mf
Edge
‰
^ œ.
œ
mf
œ
+ ™ ? ≈ # œJ
œ R
sffz
‰
sffz
mf
+ ° ≈ œ™ J C Tpt. &
Tbn.
^ œ. R
mf
sfz
B. Cl.
Ϫ J
‰™
>O. R
Œ
molto accel.
38
° A. Fl. & 31
B. Cl.
¢
?
w æ
w æ
O
<#> 6
#>O
66666 6
666 6
#6 6
(multi.)
Add overblow with cresc.
Flz.
œ™ ææ
˙ æ
Gradually add multiphonic+ growl
<#> O
Explosive gesture !!!
Accel. bisbi speed
œ bœ œ œ
œ bœ bœ
5 œ œ nœ 4
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ n>œ # œ n œ œ # œ n œ 66666 ™™™ œ œ #œ nœ nœ bœ œ #œ œ bœ œ nœ 6™ 5
5 bœ nœ n œ 4
ff
molto
Explosive gesture !!!
fff
Add more density to multi with dynamic.
° C Tpt. &
o
+ ≈ œ
≈
œ.
Ÿ^~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ^~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ^~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ fi b œ n œ ™ œ œ œ œ™ J ‰ œ œbœ
+ o + o œ œ. ≈ œ œ. ≈
Tbn.
&
{
≈
‰
:◊; <#><b> œœœœ &
Pno.
° Vln. &
:“;
Vla.
Vc.
&
?
≈ +¿ J
‰
3
+ o œ œ.
‰
+ o œ œ.
≈ +¿ J
‰ 3
nb œœœœ œœœœ ™™™
5
≈ +¿
‰
3
5
fij n œœœ
‰
5
bœœœœ
Œ
‰
˙™
œ J
˙™
p
ff
mf
Spring Coil
œ ææ ææ
Hard xylo mallets
∑
Œ
sfz
b œ>œœ ™™™ J
œœœ 5
œœœ R
5 œœœ ™™™ b œœœ
œœœ œœœ
œ>œœ ™™™
œ>œœ œœœ
œœœ œ>œœ
bbœœ>œœ
‰™
bbœœœœ
‰
> œœœœ
œ>œœ
b œ>œœ œ>œœ œ>œœ œœœ 5
5
5 5
mf
Œ
œ œ œ œ æ æ æ ææ ‰
f
sffz
f
> œœœœ ‰
œ>œœ ‰
5 4
Ó
ff
œ>œœ
œ>œœ
œ>œœ
œ>œœ
5
> œœœœ
‰™
bbœœ>œœ
‰
5 4
Œ
œ>œœ
œœœ
œ>œœ 5
5
bbœ>œœ
œœœ
œ>œœ
œ>œœ œ>œœ
œ>œœ
œœœ
œ>œœ
œ>œœ
œ>œœ
5 4 5 4
molto accel.
b -œ bœ
MSP
ff
‰ -œ œ
-œ œ
-œ œ
-œ œ
3
3
#œ æJ
-œ œ
-œ œ
‰
-œ œ
-œ œ
3
p
-œ œ
MSP
-œ œ ≈
-œ œ
-œ œ
-œ œ
‰
B>O. ≈ Ó
-œ œ
-œ -œ œ œ
‰
‰
˙ æ
&
3
p
#˙ ææ
œ ææ
f
p
” “Arco o PP µ>œ ‰ ææJ
Sul G 11th partial
f
œo ™ ææ
Œ
˙ æ
SP
Œ
˙ æ
‰
III
Oo æJ
Ord
5 4
ppp
SP
f
-œ œ
œ æ
f
>™ œ æ
3
3
#>˙ æ
œ ææ
˙ æ
ff
Œ
œ œ ææ ≈ æ SP
p
œ æ
3
:“; Db. & ¢
+ o œ œ.
poco
bœœœœ
& :“;
o œ.
Ÿ^~~~~~ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ™ 5 4
Fast wild trill
ff
∏∏∏ ∏∏∏ ∏∏∏∏ ∏∏∏∏
Perc.
¢
?
+ #œ
Ÿ^~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ fi ™ œbœb œ n œ
f mf
f mp
f
fp
Ÿ^~~~~~~~ fi b œ n œ œ œbœ
>œo ™ ææ
˙ æ
MSP
f
˙ ææ o µ>œ ™ æ
Œ
ff
molto
Poco pont. minimal finger pressure
5 4
? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5
BO
4
bO
ppp
>œo æJ
˙o æ
MSP
?5 ff
4
q = 72 Subito
° 5 r A. Fl. & 4 #œ
‰™
34
39
Œ
Œ
Aeolian
4 4
Ó
O #O #O O O O nO nO O ‰
∑
fff
add multi.
?5 B. Cl. ¢ 4
‰™
œ#œ
#O
pp
fff poss.
¯¯¯¯ ° 5 œ C Tpt. & 4
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 666 66666 4 66666 666 66 6 4 6 #6 6 6 6 6 mp
fij
¿ v
Ó
¤
≈
{
¿ sfz
:◊; b œœœ^ 5 &4 R
Pno.
ffff
bbbœœœœ^ 5 &4 R
° 5 Vln. & 4
4 4
o
pp
Poco Flz.+Growl
1/2 Air 1/2 Pitch
æ ‚æ
#‚
pp
mf
æ ‚æ
#O
pp
∑
4 4
a very tight embouchure as if playing a high note. R Use Then use maximum air flow with tightest possible embourachure.
∑
Senza Mute
Air to Tongue Ram
+
œ
‰
Ó
#
Œ
‰™
Senza Mute
6
¿. ¿. ¿. ¿. ¿. ¿.
# # R
Air gliss high to low flz.
pp
pp
mf
Ó
fij
Œ
Ó
4 4
Ó
∑
ææ 3 æj Ó #æ
gliss.
pp
mf
Rattan on rim of BD (use 2 mallets) Move from head to hand for high to low gliss.
Ó™
∑
>œ
mf
sffz
‰™
Œ
Ó™
4 4
∑
∑
∑
‰™
Œ
Ó™
4 4
∑
∑
∑
4 O 4æ
@ O O O æ æ ææ
Add pressure with Cresc.
O æ
O æ
O æ
(Ord)
O æ
O æ
MSP
mf
O æ
O æ
Normal pressure
O ææ
pp
Poco pont. flautando
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O bO r gliss. ≈ O o
‰™
6 poco
^ O. . . . .
CLB
Vc.
5 &4
∑
4 4
∑
Ó
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿflautando O bO gliss. r O pp o
< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ? 5Ÿ 4 4 <B> O O™ ~ O O O
?5 Db. ¢ 4
∑
Poco pont. minimal finger pressure
4 Π4
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O™ ~ O J
ppp
≈
#O^. . .
CLB
^ O bO. . . . . . R sfz CLB
gliss.
‰
.
sfz
Poco pont.
Vla.
bO
sfz
# Very high to lower pitches
q = 72 Subito
O æ
≈
mp sfz
China strike off drum in air and slam into BD head.
5 &4
¯¯¯¯¯¯¯
Very slow 1/4 vibrato loose emborchure
Poco
Ó
bœ œ bœ
p
Perc.
O O bO O bO O O b O r bv pp
Ó
sffz
6
Lip Pizz
Quasi trill random order of pitches
Overpressure Multiphonic
?5 Tbn. ¢ 4
#6 6
(air)
pp
Aeolian
Hut!
3
j ‰ ‰ #œ Ó sfz
q = 66
poco rall.
40
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j ° A. Fl. & œ 38
o
Add harmonic anywhere in this bar.
B. Cl.
C Tpt.
Tbn.
¢
? #O #O
p
#˙
∑
?
∑
Ó™
Œ
b>œJ
‰
œ
w
pp
O ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ mf
( )
nœ
mf
More air than pitch
#œ
œ
œ
œ
œ
bœ
O nO O b O O # O ≈
œ
&
Œ
p
∑
∑
Ó
Œ
‰
#œ 7J
œ 7
pp
f
Ó
Harmon
+ B˙
˙™
+ Bœ
µ ˙+
˙™
µ œ+
pp
3
Perc.
Shake O ¯¯¯¯¯¯
mp
o
° &
¢
Can add higher spectral with shake
‰
Sempre Flautando Hollow tone Non Vib.
∑
Ó
Harmon
pp
pp
pp
Œ Eb Almglocken- hold at 45º angle and press one lip edge on BD head. Strike in normal playing spot with med soft yarn mallet. ı Edge Center - starting from one edge slide straight across diameter of head always passing through the center while playing approximate rhythms. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ‰ & bœ œ œ œ œ œ œ œ œ
Ó
pp
Sim.
mp
Similar technique to Mvt 1, playing with soft yarn mallet while rubbing lip of alm into head. Ad lib slow-fast rhythm always going between pp to mp dynamics.
Pno.
{&
∑
∑
Ó
bœ-œ
° . Vln. &
(Π)
q = 66
Arco Poco pont. minimal finger pressure
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~j O O™ O. .
O.
.
‰
? .
Vc.
Db.
.
Œ
‰
¢
?
Pizz
.
( Œ)
.
.
.
.
.
Œ
Ó
∑
? ‹
‰ (8va basso)
Ó
bœ
mf
Pizz b>œ J
mf
nœ >
> 7 # OO ™™
+ 7j #n>OO
sfz p
° sempre
ppp
&
Œ
mp
poco rall.
Vla.
nbœœ -
Irregular "morse code" tremolo between the two pitches with short rests. Finger tips touching and moving to different areas on the strings to produce harmonics.
Œ
Œ
Arco MST II III
> #Oœ æ
Œ
sfz
¯¯¯¯¯¯¯¯¯¯¯ J ˙˙
j
j˙˙
pp
Arco Poco pont.
.
.
. bO.
minimal finger pressure Sul II ™ nO µŸO. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ppp
∑
‰
>O œ ææ
Jete
sfz
∑
Ó
Arco ord. Sul D 9th Partial
& ‰
“”o œ J p
œ
w
Pont. flautando
> ‰ nOœ æ 3
"Very Wide Vibrato" Continuously slide on G string very slow between E 3/4 tone flat and E 1/4 flat, just out of tune with D string. Very slow to avoid any obvious change in pitch. Ad lib.
J
?
ad lib
sim. ad lib
poco
Jete
( Œ)
>
‰
Ó
sfz mp
41
° <b>w & 42
A. Fl.
b>œ J
‰
? <#>w B. Cl. 7 ¢
˙™
w
Ϫ
œ 7J
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ ˙ J & ˙
Ϫ
add trill
ord.
w
O¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
Shake sim.
˙™
O¯¯¯¯¯¯¯¯¯¯¯¯¯¯
œ
p
3
mp
µ>œ J ï ïñ ï -ï ï̄ F
pp R
C Tpt.
Tbn.
Perc.
Pno.
° & <B>w
¢
?
&
o œ
˙™
˙™
+
? { <#> ~7~
∑
Œ
∑
pp
+ pp
7 ~~
Oœ ææ
Oœ ææJ
3
ææ #>œO
ææ œO
& ww > ? bȮ ™™ ææ
sfz mp
:“;
¢&
Œ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
Pont. flautando
Db.
˙™
mp
sim.
Vc.
˙™
mp
<µ> w
° O Vln. & œ ææ
Vla.
o œ
w
ææ œO
7 ~~
ææj #>œO
3
æ Ȯæ
ææ œ>O
ww b>Oœ ææ
sim.
3
ææj #>œO
æ Ȯæ
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O O O™ O O™ J J ‰
ppp
ww
Oœ ææ
‰
ææ œO
7 ~~
Oœ ææ “”o >œ J
˙™
3
> bbOœ æJ
Ȯ æ
Oœ æ w
mp
ww Oœ æJ
3
>O œ ææ
Oœ ææ
Oœ ææ
>O œ ææ
Ȯ ææ
w
‰
II
SP Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nO #O O J
pp
42
° <b>w & 46
A. Fl.
B. Cl.
¢&
‰
Ϫ
<µ>˙
Perc.
Pno.
¢
O
O
O
O
O
O
mp
O
‰
o
‰
µw
œ œ ææ ææ
poco flz.
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ bœ ™ œ œ bœ œ bœ œ œ œ œ œ œ œ œ œ pp
˙
œ
œ J
o
mp
Œ
?
‰
¯¯¯¯¯¯¯ ‰ & bœ o
Œ
Ó
?
Œ
Ó
o
œ æJ o
Flz.
œ æ
œ æ
pp
œ æ
Œ
o
Ó™
∑
{ <#> O7O
‰
Ó
o/ d A b Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ª œ œ œ œ J J ‰ J
3
3
pp
p
U ∑
∑
3
& bœœ
°
-
p
nbœ-œ J
Bœ æJ
∑
Ó
Œ
j >œ
‰
‰
mp
pp
U w 7
w 7
pp
∑
U ∑
∑
∑
U ∑
∑
∑
U ∑
‰
Œ
@ œ ææ
˙ ææ
Arco SP Pizz
nœ 7
pp
∑
Ó™
0-1 2
Œ
Bow pressure
° Vln. &
‰
Slow irregular Bisbiglando Always legato (Ad Lib)
° C Tpt. & Ó
Tbn.
O
(Continue slow irregular rhythm between pitches, Ad Lib)
Slow irregular rhythm between pitches. Always legato (Ad Lib)
MSP
f
Ord.
˙ ææ
œ ææ
œ æJ
SP
pp
U ∑
‰
(Continue slow irregular rhythm between pitches, Ad Lib)
Vla.
Vc.
˙˙ ™™
& ww
U o III ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Jœ œ œ œ bœ œ œ
Slow irregular rhythm. Always legato (Ad Lib)
pp
MSP SP <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? O O O O O O O O O Œ
pp
mf
:“;
Db.
¢&
w
˙™
œ 3
œ J
w
Œ
Sempre Flautando molto tasto
bbœO
pp
w~
U w~
w
U w
43
Piu mosso subito q=88 poco rall.
Slow irregular bisbiglando Sempre Flautando
° ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ bœ œ bœ & œ œ œ 7J 51
A. Fl.
w 7
Non Vib.
w 7
w 7
œ 7J o
pp
B. Cl.
¢&
° C Tpt. &
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
¢
Ó™
‰
pp
˙ 7
œ 7
?
&
œ 7J
Air Forceful
j
fij
‰
‰
. v
∑
Œ
Ó
∑
Touch with finger tips for more harmonic overtones in the area inbetween the metal bar and the hammers.
{&
≈
j Ϫ
Always moving to different areas on strings, to vary the sounding harmonics.
Œ
?‰ ‹
Ϫ
mf
‰
∑
° &
w
+ j # OvO
∑
Ó
≈
∑
+ j Œ # OvO ™™
Œ
‰™
‰
Vc.
Db.
¢&
<b><b> Ȯ ™™
˙™
j œœ ‰
œ J
‰
Arco SP
3
‰
#œ
Œ
#O O
Ó
O O
O O
O O ‰™ R
n Oœ
pp
fff
Oœ
SP
MSP
‰
3
Oœ J Œ
MSP
3 sim.
3
‰
œ
Œ
Œ
Arco SP
##Oœ pp
molto sempre
Oœ 3
## Oœ SP
Oœ J Œ
MSP
Œ
fff
Oœ
sim.
Oœ
Oœ
MSP
punta SP
Pizz
‰
#œ
sffz
≈ œ ‰ sffz
Ó
∑
∑
poco rall.
#O ™ ≈ œJ ™ o
punta ord.
≈ & Ȯ æ o
Oœ æ
ô ˙o
w
Arco MST
‰
∑
sfffz
molto sempre
sffz
?
Ó
∑
Oœ
Ó
ppp
Ȯ
Oœ
SP
p
Sim.
Pizz
Œ
+ r Ó # OvO
sffz
Pizz
‰
o
f
° sempre lv
Piu mosso subito q=88
?
∑
w
ppp
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ & Jœ Jœ Jœ œ œ Jœ bœ œ œ œ œ Jœ œ œ œ œ œ œ bœ œ œ œ œ œ o ?
∑
pp
sffz
Vla.
Ó
∑ + ˙
Ó
sffz
Vln.
Œ
∑
Œ Slow ı Sim but more active and faster cresc./dims ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ bœv œ œ œ œ œ œ œ œ œ
‰™
ff
Pno.
∑
Harmon mute Non. Vib.
Œ
Ó™
Ó
Ó
o
p
Perc.
Œ
Slow irregular rhythm. Always legato (Ad Lib)
sffz
Tbn.
‰
Œ
Ó
Oœ Oœ æ ææ
Oœ™™ æ
MSP
mp
Oœ J o
ord.
‰
Ó
∑
ord.
‰ o
∑
w
44
Piu mosso subito q=88
accel.
° & 57
A. Fl.
B. Cl.
¢
Jet
∑
? Œ
1
fij
œ
o
œ
b˙ 7
Œ
o
w 7
&
bϪ
O O J
poco
1
Œ
Ó
∑
Ó
?‰
Œ
O ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ poco flz. Y Y œ
ppp
sfffz
molto
bœ
Slow gliss between high spectral harmonics
Scream!!
œ
bw
Change to more air than pitch
pp
∑
Senza mute
∑ Harmon mute multiphonics With fingers covering mute lift each one indiviually to get partials from the overtone series. 4 fingers = completly covered as normal.
¢
œ 7
b wo
poco
mp
Forced Air only Approxiamte pitched high, med, low
° C Tpt. &
Tbn.
w 7
b ˙o ™
b˙ ™
Slow irregular bisbiglando
sffz
explosive!
?
poco rall. Slow irregular alternating between pitches
? ˙™
o
3 1^. ‰ J ‰ .1™ > ff
>.
Ó
∑
∑
∑
∑
Number of fingers covering mute - always legato slowly and continuously moving up and down overtone series. 4 3 2 1 2 3 4
Œ
O
+
O
w
O O
O
O
O
w
mp
w
w
Œ
w
w
Stop on B nat. overtone 3 fingers covering mute.
O™
poco
∑
&
Perc.
Œ ı Sim but play on the side of alm. to get overtones and other pitches ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Ó ( Ó) & bœ œ œ œ œ œ œ œ œ œ o p mf
∑
∑
∑
∑
Sim. Ad Lib.
? Pno. {‹
(always moving fingers for different overtones)
+ j b OO v
∑
‰
Œ
Œ
‰™
+ r OvO
° Vln. &
Piu mosso subito q=88
“” bœ ‰ ææ Pont.
∑
f
&
Vla.
&
Vc.
Db.
¢
™ ? ˙
Ó
sffz
sfffz
accel.
∑
3
œ æ
nœ ææ
+ j ‰ Œ b OO v
∑
sfffz
poco rall.
3
œ ææ
ff
b œ II ææ Œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O #O O O R ‰™
pp
ff
pp
Ó
Ó
bSPOœ ™™ pp
Oœ J
MSP
Ó
ff
Œ
BB Oœ ‰ J
Oœ Oœ
p
ff
≈ Œ
Ó
∑
rall. alternating add A harmonic, sul D o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ O O O Jœ O Jœ Jœ O Jœ Jœ O œ œ œ œ œ œ œ œ Sim.
∑
pp
∑
&
SP
Œ ” “9th œo
#œO
pp
œO
MSP
œO œO ≈ ff
Ó
Œ
‰ b Oj bœ SP
pp
Ȯ
SP Jete
>. . . . . arco j Oœ ‰ ?‰ #Oœ O O #O O O O O
MSP
ff
sfz
3
3
O
O ‰ J
Part.
∑
pp
8th Part.
o o o o o o o o œo œo œo œ™ œo Œ & œ œ œ œ œ œ œ o ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ p Slow irregular rhythm. o Always legato (Ad Lib) Arco Ord.
∑
œo
MST
Œ
Œ
?
o
w
45
q=88 Subito 64 ° <b>O b O A. Fl. &
B. Cl.
¢
?
O™
O™ o
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ o
° C Tpt. &
Œ
Œ
U w
˙™
ppp
‰ b6ææ æ ææ æ ææ ‰ 6 6 b6 6 3
∑
3
U ∑
‰™
∑
Jet
w
Ó™
‰
Rip
bœ
w
b >œ
1> R
r ‰™ -> p
pizz
sffz
ff
w
∑
w
∑
œ
j œ ‰ o
Œ
∑
∑
U ∑
∑
∑
U ∑
∑
∑
U ∑
∑
∑
U ∑
U Œ
U Œ
ff
~ w
O œ
∑
&
Ó
overblow
mf
Non. Vib.
∑
? ~ Tbn. ¢ w
Perc.
Œ
U ∑
poco rall.
o
Œ
U Ó
U ∑
∑
∑
Ó
Hand pop on mouthpiece
Œ
‰
^f J
sfz
rocking motion to create vibrato. Œ large j¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ bœ v Strike alm. off drum and swing next to body in
Ó™
‰
LV
sfz
? Pno. {‹
∑
U ∑
∑
Ó
Œ
Up against other side of metal bar. (hammer side not player side)
‰
°
+ j OvO
sffz
q=88 Subito
° Vln. & Ó
Vla.
Œ
Db.
¢
Oœ ææ
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ O O & Jœ ™ œ
~
æj ? ‰ # Oæ &# œ o
ææ œO ™™
SP
Vc.
bb Oœ ææ o SP
? w
ææ œO
æ Ȯæ
MSP
mp
w ppp
Oœ ææ
MSP
p
Oœ ææ
Oœ ææ o SP
U ∑
Œ
U ∑
o
o
#O O ‰ œJ œ
‰™
Pizz
Oœ ™ R ‰
SP
MSP
pp
ff
>O
Jete
Œ
∑
sfz
>O
U ∑
Ó
Ó™
‰™
Pizz
∑
r œv Ó
sffz
U w
w
Œ
Ó
U ∑
Œ
Ó
U ∑
Œ
Ó
U ∑
Jete
r bœv
∑
sfz
sffz
SP
‰
poco rall.
∑
Ó™
∑
w
O
?œ SP
pp
Oœ MSP Oœ ‰ ff
Ó
w
r O œO &‰ ™ bbœ SP
pp
MSP
œO
ff
w
æ ≈ b Oæ b >œ Jete
sfz
œ
œ J ‰ o
Œ
U Œ
46
5. .... memory transforms thoughts erased
e=88 Senza tempo, scorrevole
Jet Approximate pitch High, med., low
Bar lines are meant only for coordination
° 4 Alto Flute & 8
5 8
∑
U ‰ Œ
Jet
b Ov
1^. >. 4 ≈ R ≈1 ‰ r ≈ 7 8 8 R >.
‰
U ∑
ff
sffz
‰ œœ œœ œœ o pp
œœ ™™
o
Œ
Œ
∑
‰ œœ œœ o
œœ
pp
œœ ™™
Ó o
∑
Ϊ
Œ
œœ o
œœ œœ œœ ™™ p
Register Key Close Open
Bass Clarinet
U 5 ?4 ¢ 8 ‰ œj œ 8 œr ≈ ‰ Œ o ff
4 8
‰
7 8
∑
U ∑
∑
∑
∑
∑
∑
∑
∑
Œ
Œ
° 4 &8 ?4 ¢ 8Œ
Percussion
4 /8
?4 Piano {‹ 8
Viola
Violoncello
Double Bass
4 &8
?4 ¢ 8
˙
Ϫ
∑
∑
∑
∑
∑
∑
∑
∑
∑
U 5 Œ œ 8 b œj
Œ
4 8
∑
7 8
U ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
™ œ
5 8
U ∑
7 8
U ∑
ff
4 8
Top of left hand middle finger plays on string or use Blu Tac on string and play as normal.
4 O e e e e e e e e e e e 8 be e e e
7 8
Marimba
∑
∑
∑
∑
∑
∑
with soft BD mallets
∑
∑
A A^ ^
Œ
step Ÿ1/2~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰? j ™ j Œ bœ ™ œb œo o pp
U
Approximate speed, continuous drone, regardless of tempo. Rhythm/pulse somewhat clear but not obvious for whole movement.
sempre
5 œ^ U 8 J Œ pizz
1 J
5 #œ^ U 8 J Œ pizz
‰
pp
1™ ≈ J
ff
5 »j U 8 œ Œ
ff
Arco SP
pp
sffz
5 j U 8 bœ Œ
1 4J 8
Arco SP
sffz
sffz
∑
U Start approx. 32nds during fermata.
mp
sfffz
∑
j œ œ œ œ
∑
5 ∑ 8 bO ( “‘) v
?4 ‰ 8 œ™ o
œ
U ∑
+
∑
Ϫ
œ œ
7 8
Muffle with hand
∑
˙
3
∑
e=88 Senza tempo, scorrevole
° 4 &8
œ
4 8
°
Violin
# O)™ #œ ™ o
œ™ œ
U ∑
p
∑
(
3
œ œ œ œ
5 8
∑ Senza mute
Trombone
Œ
œ
∑
Open and close register key at different slow speeds so overtones come in and out of fundamental. Also vary the wideness of the opening so extra harmonics emerge other than the 12th. This is most effective if kept at a delicate dynamic.
molto
Trumpet in C
Ad Lib.
Œ
Ϊ
œœ Œ o
1™ J &
ff
Arco SP
pp
Œ
ff
4 8
‰
7 8
U ∑
æær b O ≈ b œ 87 >
U ∑
7 8
U ∑
Œ
∑
≈ 48 Œ ™
4 8
7 8
U ∑
Jete
mp
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ϊ B Ϊ
? Ϊ
III IV
III IV
Arco Tasto Flautando Slow bow
‰ OO OO J o
Arco Tasto Flautando Slow bow
j ‰ OO OO o
Arco, Tasto Flautando Slow bow
‰##Oœ Oœ J o
OO OO OO OO J
OO ™™
j O O O O O O O O
O™ O™
pp
pp
Oœ Oœ Oœ Oœ J
∑
© Josephpereiramusic 2023. All Rights Reserved
pp
∑
Oœ™™
o
o
Ó
∑
OO OO OO ™™ o p
OO OO
OO ™™
Ó
∑
O O O™ O O O™ o p
O O O O
O™ O™
Ó o
∑
##Oœ Oœ Oœ™™ o p
Oœ Oœ
Oœ™™
∑
∑
æ Œ #Oæ™ o
Arco Tasto III
Œ
Flautando SP
æ æ Oæ Oæ
pp
æj Oæ Œ o
MSP
Ϊ
OO Πo
Ϊ
O Œ O o Oœ ‰ Ó o ∑
Ÿ~~ j œ-
ppp
47
° A. Fl. & 15
∑
∑
∑
5 8
∑
Air Only Completely cover embouchure hole with mouth for low air/pitch.
æj æ # Oæ Oæ o
7 8‰
∑
æ Oæ™
ææ ææ O o
mp
Œ
Œ
5 8
‰
7 8
∑
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Register key sim.
B. Cl.
¢
? #O <#>˙
Tbn.
¢
?
{
&
Vln.
∑
Ϫ
∑
˙
Harmon Mute
∑
∑
∑
Œ
œ™ +/ , A Ÿ~~~~~~~~ ª Œ ‰ #œ o pp o Harmon Mute
∑
∑
˙
Ϫ
+/ , Ÿ~~~~~~~~~~~~ ‰ ‰ Œ™ #œ o pp o Œ
o
pp
∑
° &
B
?
Vc.
¢
?
œ
+/ , 5 Ÿ~~~~ 8 # œj ‰ Œ ™ o ppp o
7 8˙
Ϫ
7 8
∑
∑
5 8
∑
7 8
∑
∑
5 8
∑
7 8
˙
o
‰ 58
∑
7 8
5 8
∑
7 8Œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ
‰
ppp
∑
∑
5 8 Ϫ
Ϫ
7 8
œ
Echo
+/ , A #Ÿœ~~~~~~~~~~~~~~~~~~ ª œ
? ææ ‹ be
Vla.
Db.
∑
˙
<Ÿ>~~~~ Ÿ~~~~~~~~~~~~~~~~~~r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ≈ ‰ # œ ™ nœ œ bœ ™ j œ œ #œ p pp o pp
Mrba.
Pno.
Ϫ
pp
° C Tpt. &
5 8 Ϫ
(Breathe where necessary)
5 8
∑
™ 78 œœ #œ œœœ ™™
dolce, espressivo
‰
ppp
p
Œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ LH quick gliss down 5 #œj jfi 8 bœ œ bœ
‰
L.V.
fz
poco
>
p
pp
‰
Ϊ
7 8
pp
5 8
∑
7 8
∑
pp
5 8
7 8
5 8 ‚ ‚ ‚ ‚ ‚ “” O O ≈ æ æ æ æ æ ææ æ
Pont. Alla punta
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
5 8
5 8
5 8
5 8
∑
∑
∑
∑
Light fingering very high ad lib pitches
7 8Ó
3
7 8Ó
7 8Ó
7 8Ó
3
pp
Jete
I
>œ œ ææJ
æR
O 5æ 8
o
Œ
‰
7 8
≈ ‰
‰ ≈™
>œ œ
Col Legno Battuto MSP
MST
>‹ J
> ‰ œœ
≈™
Col Legno Battuto
‰
5 8
∑
7 8
5 8
∑
7 8
ppp Col Legno Battuto Continuous tapping changing bow position gradually from tasto to pont on indicated strings. A rasing pitched bow glissando should sound. Left fingers muffle anywhere as if harmonics and do not move.
mf
Pizz behind bridge
MSP
Col Legno Battuto Continuous tapping changing bow position gradually from tasto to pont on indicated strings. A rasing pitched bow glissando should sound. Left fingers muffle anywhere as if harmonics and do not move.
mf
Pizz behind bridge
O™ æ
7 8
‰
MST
MSP
ppp
>‹ ≈ R ‰ I
mf
Arco Ord.
‰
Œ
Œ
Œ
≈
œ
ppp
5 8
7 8 pp
48
° 7 &8 23
A. Fl.
∑
‰
œœ o
œœ
œœ
pp
œœ ™™
Ó o
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?7 B. Cl. ¢ 8<#>˙
° 7 C Tpt. & 8 Œ
Tbn.
?7 ¢ 8 Œ
Ϫ
Normal
˙
Ϫ
+/ , Ÿ~~~~~~~~~~~ ‰ Œ #œ o pp o
∑
Œ
∑
+/ , ~~~~~~~~~ #Ÿœ ™
o
pp
o
∑
æ ˙æ
æj ‰ œæ o
poco flz.
Ϫ
‰
Ó
∑
∑
∑
∑
Ϊ
∑
Œ
ppp
pp
5 8
∑
7 8
∑
∑
∑
∑
5 8
∑
7 8
∑
∑
5 8
∑
7 8Œ
+/, Aª Ÿæ~~~~~~~~~~~~ Œ™ œæ o pp o
∑
≈
∑
Ÿ~~~~~~~~~~~~~ œ
Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~ r bœ ™ ≈ ‰ Œ bœ J œ .- bœ > ppp ∏∏∏∏∏∏
?7 8
∑
∑
This can be played free and out of time
Mrba.
∑
∑
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ bœ ‰ œ
∑
pp
sfz p
LH quick gliss down
Pno.
Vln.
Vla.
Vc.
∑
B 87
Œ
∑
?7 8
Œ
∑
ppp
∑
Ϊ
‰
Œ Œ
Œ
III IV
Œ
III IV
Œ
OO ™™ o
Arco Tasto Flautando Slow bow
Arco Tasto Flautando Slow bow
OO ™™ o
##Oœ ™™ o
Arco Tasto Flautando Slow bow
Œ ∑
OO
OO OO J
OO
pp
OO
j OO
bbOO ™™
pp
Oœ
OO ™™
Oœ Oœ J
pp
∑
Oœ
Oœ™™
o
o o
7 8
∑
"Blur Tremolo" Trem. all five notes in any order -
5 8
° 7 &8
?7 K ™ ¢ 8 b œr ≈ ‰
5 8
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > > j 5( ‰ ) ‰ #>œ bœ 8 œ J œ œ #œ nœ bœ mp o mf
? 7 ææ {‹ 8 b e
MSP
Db.
∑
+/ , Aª Ÿœ~~~~~~~~~~~~ B7 ‰ ‰ æ 8 o pp o
7 8
Ó
∑
∑
∑
5 8
∑
7 8
∑
Ó
∑
∑
∑
5 8
∑
7 8
∑
Ó
∑
∑
∑
5 8
∑
7 8
∑
∑
∑
∑
5 8
∑
7 8
∑
∑
+/, Ÿœ~~~~~~~ ‰ ææ o pp o
49
° & 32
A. Fl.
B. Cl.
¢
?
∑
∑
+/, Ÿ~~~~~~~ ° æ æ Ó C Tpt. & #œæ œæ ‰ o pp o
5 8
∑
5 8
∑
5 8
∑
?
{
&
Pno.
Vln.
(
ææ bO o
mp
n O) ™ œ™ o
7 8Œ
Œ
Air
fij
#
O. O b O b O > . . .
B
?
Vc.
Db.
¢
?
Ó
∑ O™ œ™
∑
O™ œ™
O ˙
pp
∑ O™ œ™
O ˙
O™ œ™
O ˙
Œ
∑
∑
∑
Œ
Œ
‰
Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
sfz
7 8Œ
‰
Air
Tongue Ram
b¿ ‚ .
sfz
5 8
∑
7 8
∑
∑
5 8
∑
™ 78 œœ #œ œœœ ™™
‰
Œ
p
5 8
∑
5 8
7 8
∑
7 8Ó
Pizz behind bridge
Œ
>‹ II ≈ R ≈ 3
Arco, Pont. Alla punta
‚ ‚ ‚ ‚ ‚ O O ≈ æ æ ææ æ æ ææJ ææ æ æ
‰
∑
∑
∑
5 8
5 8 5 8
∑
∑
∑
7 8
7 8Ó 7 8
Arco Jete
∑
Œ
∑
pp
##>Oœ ææ
>‹ J
mf
Oœ ™™
flautando SP
Oœ
O ææJ
æ
Oœ
pp
mp
Pizz behind bridge I
3
3
mf
Vla.
‰
O ˙
Slow Register key as before
∑
? ææ ‹ be
° &
7 8Ó
ææ
æj
Air
Tongue Ram
+ /, Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5œ ‰ ‰ Œ B œ œ œ™ Tbn. 8 ææJ ææ ¢ ‰ ææJ ææ o p o
Mrba.
ææ O o
7 8Ó
æ ≈ ææ æ O O >
Arco Jete IV
MSP
bO ææ
O ææ R o
Col Legno Battuto
MSP
MST
≈
® œœ >
ppp
mf
≈ ‰
Ó
∑
‰
Ó
∑
(sound is actually a lot less)
Col Legno Battuto MSP
MST
o
≈ nœœ >
Œ
ppp
mf
®‰
(sound is actually a lot less)
>œ ‰?œ
Col Legno Battuto
‰
Ó
mp
∑
Œ
MST
MSP
mf
ppp (sound is actually a lot less)
∑
®
∑
‰
∑
PP
œ
ppp
MSP
3
3
3
3
pp
3
3
3
bœ
ppp
‰ Œ
Ϊ
+/, Ÿ~~~~~~ œ o
50
° œœ A. Fl. & ‰ o 39
? B. Cl.
¢
œœ
pp
o
Approximate Sounding pitches
Ó
? O ˙
œœ ™™
œœ
‰
&
œ
Multiphonic spectral trills
‰ o , D
œ o s ss s ss s
œ
Bœ
œ
œ
œ
Bœ
œ
œ
pp
‰ Œ™
œ
œ
Ϫ
Ϫ
Ϫ o
Ϫ
< >~~~~~~~ ° Ÿ ‰ Ó C Tpt. & œ pp o +/ , Ÿ~~~~~~~~~~~~~~~~~~~ œ œ ? ‰ Œ Tbn. ¢ o pp o ?
Mrba.
∑
∑
˙
Œ
˙
œ œ
B˙
˙
œ
p
bœ
œ
Bœ
b˙
œ
œ o o
s ss s ss s D
,
˙
O™
O O O™ o ppp
"Lontano"
˙
B˙
œ
Ϫ
bœ œ
œ
O O ‰ o
Œ
Ϊ
b˙
˙
Ϫ
∑
U ∑
∑
U ∑
Ϫ o
Ϫ
B˙
˙
pp
Ϫ
Ϫ
o
∑
∑
∑
∑
∑
U ∑
∑
∑
∑
∑
∑
U ∑
∑
∑
∑
∑
∑
U ∑ ææ bE
? ææ Pno. {‹ b e
° Vln. &
Pizz behind bridge
Col Legno Battuto MSP
MST
∑
Ó
∑
œ >œ
ppp
mf
B Œ
Vla.
O O o
O O
j O O
j bO bO
pp
o
Tasto Sul IV
? Œ
Vc.
Db.
¢
?
#O
O
MST
o
O J
pp
∑
O
O
O J
Alla Punta Left hand fingering on lowest notes
o ∑
‰
ææ ææ ææ 3
-
ææ œ œ
ææ œ œ
ææ œ œ o
Œ
>‹
Col Legno Battuto
pp
ææ ææ ææ ææ ææ ææ ææ ææ 3
3
o
‰
∑
3
( ) ppp
∑
‰
≈ Ó
∑
∑
(sound is actually a lot less)
ææ œ œ
ppp
≈ ææ ææ ææ ææ ææ ææ ææ ææ ‰ o ppp Sim.
Ó
3
3
∑
U ∑
ææ œ œ
∑
U ∑
∑
U ∑
≈ ‰ Ó
U ∑
ppp
mp
ææ œ œ o
o
Œ
MSP
MST
≈ ®œ R >œ
p Vertical Bowing
MST
∑
II
U
3
o
Ϊ CLB Sul A 7th Partial
& ≈
BO. O. O. O. O. O. O. O. BO. O. O. O. O. 3
p
3
3
3
o
3