Architecture Portfolio 2015

Page 1

Jonathan BasseII

Architecture Portfolio



Jonathan BasseII

Architecture Portfolio Iowa State University jseldenbass@gmail.com (515).664.6937 www.issuu.com/jsbassett


Selected Works

05 13 19 25


29

35

39

45

49



[ Boston, MA ]

Boundary Waters

Year Five: Semester One Professor: Jungwoo Ji Partners: Eric Neuhaus, Brandon Persson Awards: CSI Competition Finalist - Ames, IA Today, Boston is confronted with three major urban issues, each at a different scale: a defunct vestige of the past, a transforming seaport district, and an inevitable rising sea level. The old Northern Avenue Bridge rests at the nexus of these issues, lying across the [ Boundary Waters ] of the Fort Point Channel. The bridge is no longer a conduit of urban progress but now acts as part of the problem: a sentimental urban relic. With Boston’s rapidly changing urban frontier, we found opportunity to re-activate the bridge by implanting an experimental music hall, a program inherently flexible to music’s constant shifting frontier. This architectural intervention transforms the infrastructure from an unused commercial conduit to a cultural container that responds to the evolving conditions of the city. Through this, we establish the Northern Avenue Bridge as Boston’s cultural Palimpsest.

5 6


e xp e ri m e nta l ha l l

Ou t door p e rf orm a nc e 10,000 ft2

CULTURE

7,345 ft2

A rt Ga lle ry 5,916 ft2

Existing

Re s ta u ra nt C a f e / ba r

NORTHERN AVE BRIDGE

4,623 ft2

Ki t c he n 1,000 ft2

Lobby / re c e p t i on 9,068 ft2

AMENITY

7,620 ft2

M e zza ni ne

Rotate Bridge - Connect Harborwalk

1,350 ft2

C i rc u lat i on 9,380 ft2 2,356 ft2

VI P 1,820 ft2

Of f i c e s

TURNED BRIDGE OVER MARINA

3,250 ft2

S t orage

BOSTON HARBOR

10,575 ft2

Implant Program

M e c ha ni c a l 7,500 ft2

L oa di ng / U npac ki ng

DOWNTOWN

12,400 ft2

FORT POINT CHANNEL

SEAPORT DISTRICT

Urban Canopy

Doc k / Re nta l 10,860 ft2

INFRASTRUCTURE

2,585 ft2

Ha rborwa l k

SITE PLAN

SUPPORT

Bat hroom s


VIEW FROM BOSTON HARBOR

7 8


Floor 5

16 17

18 13

Floor 4

13 12

10

Floor 3

13 13

12

13

12

10

9

2

Floor 2

15

Floor 1

8

14 13 11 13 14

2 8

1” = 125’ PERFORMANCE HALL

0’

40’

80’

Floor -1

LOBBY

9

16

16

15

13 13

4 1

7 5

3

7

6

9


MODEL PHOTOS

SECTIONS 1” = 75’ 0’

1. Exterior Harborwalk 2. Exterior Performance Space 3. Gallery

4. Cafe 5. Bar 6. Restaurant

7. Kitchen 8.Concessions 9. Stage

10. Performance Space 11. Lobby 12. Mezzanine

13. Bathrooms 14. Ticket Office 15. Office

20’

16. Storage / Mechanical 17. Practice Rooms 18. VIP Green Room

40’

9 10


HARBORWALK CIRCULATION

LOBBY CIRCULATION

OVERL AYS

Experimental Hall

OUTDOOR PERFORMANCE SPACE

LOADING CIRCULATION

Outdoor Performance

Harborwalk

Boat Rentals

Gallery


PERFORMANCE HALL

Cafe

Storage / Mechanical

VIP

Core

Exterior Skin

11 12



[ Ames, IA ]

Machine

Year Two: Semester Two Professor: Patrick Rhodes Partner: Kevin Wood Built of both natural and man-made materials, the machine project was designed as a “fear-inducing� mechanism. As a full-scale project meant to induce fear, the machine brought about a set of criteria unlike any other design intent. As a user operates the mechanism, a series of chain reactions ensue, encouraging distress. The [ Machine ] was built almost entirely of recycled materials at a total cost of $10. This project was a thorough exploration into materiality and the connections between two contradictory typologies.

13 14


DETAIL

ASSEMBLE

STRIP DOWN

GATHER

FABRICATION


INTERACTION

A single user stands while pedaling the machine. The pedals power a gear, which drives a gear chain. This movement steadily tips the user back via the handrail on which they hold, all while they continue pedaling. Once the gear hits the end of the gear chain, it disengages the handrail from the system, jerking the user forward. Free of the mechanics, the user is thrown into chaos.

COMPLETED MACHINE

NATURAL TO ARTIFICIAL CONNECTION

15 16


Driftwood

Exercise Bike Pedal Gear Chain Gear Chain Metal Gear Exercise Bike Base Driftwood Exercise Bike Pedal Gear Chain

Vehicle Bullbar

Driftwood

EXPLODED AXON - PROCESS DRAWING


17 18



[ Columbus, IN ]

Crossroads

Year Four: Semester One Professor: Gregory Palermo Since the mid-1950’s, Columbus, Indiana has become an architectural and industrial Mecca, thanks largely to numerous innovative companies. By showcasing this innovative spirit in a museum, the city hopes to inspire a new generation of engineers and thinkers. The structure is located at a unique [ Crossroads ] between residential, civic, and commercial areas of the city. Separating the building into two L-shaped bars allows the building programs to extend into the communities in which they serve. Four folded entry points stress the programs within through materiality and fenestration. The galleries, which are visitor-oriented, are located on the West side of the site while the back of house, residency spaces, and education spaces which are community oriented, are placed to the East. This straightforward site strategy aims at simplifying an otherwise complex entry sequence and program make-up.

19 20


PUBLIC

ALLEY

FRANKLIN AVE

OUSE

IT Y

BACK OF H

COMMU N

EDUCA TION PEDESTRIAN

SITE VISIBILITY AND STRATEGY

WEST ELEVATION

6TH AVE

SITE PLAN

PEDESTRIAN 6TH ST


1. Galleries 2. Light-Sensitive Galleries 3. Innovator Residence

4. Innovation Labs 5. Administration 6. Public Archive Space

7. Archives 8. Free City Gallery 9. Lobby

10. Reception 11. Lobby 12. Cafe

13. Bathrooms 14. Education Rooms 15. Storage / Mechanical

12

16. Loading Dock 17. Roof Below 18. Open to Below

17

9

6

2

13

18

8

18

1

5

10 10 15

1

15

18 18

16

3

1

16

9

14

14

2 17

BASEMENT

LEVEL 1

4 13

14 15

1

2 17 LEVEL 2

LEVEL3 0’

PEDESTRIAN 6TH ST

17

10’

20’

1” = 30m

21 22 EAST SECTION SHOWING SUN PENETRATION


WALL DETAIL STUDY SECTION PERSPECTIVE

Facade Detail Sketch

Final Facade Detail Drawing


23 24 SECTION PERSPECTIVE



[ Chicago, IL ]

Remembrance

Year Two: Semester Two Professor: Patrick Rhodes Located in the dense urban fabric of downtown Chicago, the Mausoleum is a cry to the public from the homeless population of the city. Built to cremate and house remains of the homeless population of Chicago, the Mausoleum and adjacent blocks were designed to illuminate this ever-growing problem of homelessness in Chicago as well as across the globe. The reflection space overlooks the plaza which is suck into the earth and is made up of concrete blocks, referencing the urban grid in which the homeless are entrapped. Cutting across this grid is a series of paths that represent a natural anomaly, the Sailing Stones of Death Valley, CA. Misunderstood, these stones mysteriously move on their own in seemingly arbitrary directions while under numerous forces, similar to the homeless populations of the world. In [ Remembrance ], niches are built into the sunken walls to house the remains of the homeless.

25 26


‘SAILING STONES’

TRAJECTORY

BREAKING THE GRID

Photo Credit: Mysterious Planet

NOMADIC STONES


Van Buren Ave

SITE PLAN

Wabash Ave 0’

50’

100’

1” = 100’

El Train Loop

SITE SECTION

27 28 SITE PANORAMA



[ Madison County, IA ]

Retreat

Year Three: Semester One Professor: Pete GochĂŠ Placed within the rolling hills of Madison County, the [ Retreat ] is a place for the medical community to come and be healed themselves. The property is a diverse combination of forests, rolling hills, grasslands, and tilled land. The retreat takes into account the entirety of this diverse landscape. By engaging the landscape as a driver directly, the visitors can begin to be healed themselves. Leaving the car on the edge of the property and walking through the landscape, one can begin to disengage from the hectic life of a medical professional and begin to form a more ideal relationship with the landscape, and therefore themselves. The retreat is composed of twelve over-night stay units that are fanned out along the perimeter of the largest hill on the property. Separated into individual buildings allows guests a more individualized connection with the landscape. There is also an assembly building located up the hill from the housing units.

29 30


LIDAR TOPOGRAPHY OF SITE

SITE STUDIES

SITE


1. Individual Living Units 2. Bathroom 3. Walkway 4. Grand Hall 5. Breakout Spaces 6. Lobby 7. Administration 8. Storage / Mechanical

8 5

4

8 8

7

5

6

7

3

2

2

3

1

2 1

2 1

2 1

2 1

2

2

2

1

1

1

2

2 1

1

2 1

1

PLAN 0’

12’

24’

1” = 24’

31 32 SITE SECTION


1ST ITERATION

INDIVIDUAL LIVING UNITS

COMMUNITY BUILDING

BUILDING SECTION


2ND ITERATION

3RD ITERATION

33 34



[ Korean Peninsula ]

Cultural Scars

Year Five: Semester One Professor: Jungwoo Ji Partners: Eric Neuhaus, Brandon Persson This project originates from SPACE Magazine’s international competition for resolutions to Korean tensions along the DMZ. The prolonged conflict on the Korean peninsula has produced two defining territorial conditions within the DMZ: an Intentional Military Infrastructure and an Inadvertent Wildlife Sanctuary. With human occupation and observation perpetuating the political tension, a conventional architectural intervention may only stand as a political symbol that deepens the two nation’s [ Cultural Scars ]. We can re-appropriate this existing infrastructure to establish a self-sustaining system of bio-mineralization that transforms the military network into a living armature ecologically rooted and politically disassociated. The DMZ can now be used as a research platform for testing the abundant potential of emergent protocellular technology.

35 36


RE APPROPRIATED GUARD TOWERS Protocell Data Transmitter

Incubation

TYPOLOGY Wind Sensor Humidity & Temperature Sensor

PV Arrays Generator Housing

Equipment Storage

EXISTING

FUTURE

1 POLITICAL BOUNDARY 430 GUARD POSTS 3.8 MILLION METERS OF BARBED WIRE 2,716 ENDANGERED SPECIES 980 KM2 OF CONTESTED TERRITORY 1 TERRITORIAL IDENTITY

1 LIVING ARMATURE 430 RESEARCH PLATFORM 3.8 MILLION METERS OF SCAR TISSUE 2,716 PROTECTED SPECIES 980 KM2 OF PROTECTED WILDLIFE ZONE MULTIPLE LOCAL VERNACULARS

RECONNECTION OF THE DMZ

PROTOCELL LATTICE These functions come together to form a symbolic scar tissue that stands testament to the Korean spirit of resiliency and re-imagination.

2015

2025

2050

2075


LANDSCAPE ANALYSIS

GUARD TOWER EXISTING FENCE LATTICE PROTOCELL GROWTH

GRASSLANDS

WETLANDS

MOUNTAINS

EXPLODED SECTION OF FENCE

37 38 SECTION



[ SOHO - New York City, NY ]

Reinhabit

Year Three Semester Two Professor: Chamila Subasinghe Awards: BWBR Architects Prize Finalist - St. Paul, MN Located in the trendy NYC neighborhood of Soho, we were encouraged to design a housing project for an alternative lifestyle. Seeing that Manhattan lacks any in-patient physical rehabilitation facilities, this project facilitates as well as encourages physical rehabilitation at home. Eight stories of accessible living units sit atop two stories of gym and physical therapy spaces. To circulate throughout the building, residents are motivated to use a series of ramps that envelops the entire building. The building itself becomes a physical and emotional catalyst for those who have had a recent tragic event in their lives. The rooms and circulation systems are designed with this lifestyle and motivation in mind. Though this model of healing, residents learn to [ Reinhabit ] their surroundings and even their lives.

39 40


UNIT FLOOR PLAN 0’

5’

10’ Bath

Bed Kitchen

Soho

SECTION


Sprin

Broo

me

Lafa

yett e St .

Crosb y St.

Broa dway

g St.

St.

41 42

Corner of Broome & Crosby NEW STRUCTURE ALONG BROOME AVE


PLANS 1. Public Entrance 2. Private Entrance 3. Gym 4. Physical Therapy 5. Larger Rooms 6. Smaller Rooms 7. Ramps 0’

20’

4

3 3

7

3

3

2

40’

Level 1

EAST ELEVATION ALONG CROSBY AVE

3

5

3

1

1” = 75’

4

Level 2

Levels 3-7

5

5

7 4

4

6 6

7

Levels 8-10

4 7


Gym

Ramp Structure

Ramp Interior

43 44 View down Crosby



Malmo Copenhagen

Amsterdam Rotterdam Brussels

Geneva Lyon Saint - Etienne

Barcelona

Seville

Munich Vienna Ronchamp Salzburg Bratislava Basel Innsbruck Budapest Lucerne Vicenza Bern Verona Venice Cinque Terre Florence Perugia

Rome

Naples Salerno

Granada

Year Four: Semester Two Professors: Mark Engelbrecht, Francesco Mancini, Gregory Palermo

[Rome, Italy]

Semester Abroad

Madrid

Prague

From January to May 2014, I was able to study abroad in Rome through Iowa State University’s College of Design study abroad program. While in Rome we took numerous history and drawing classes with both Iowa State professors and professors numerous countries. I also participated in a three-day charrette project with Italian students and faculty from Roma Tre University. While in Rome I visited over thirty cities in fourteen different countries, shown above. The next pages show a few sketches from across Europe and a final drawing series from Rome.

45 46


Notre Dame du Haut - Ronchamp, France

(opposite) Hadrian’s Villa - Tivoli, Italy

Villa Muller - Prague, Czech Republic

Villa D’Este - Tivoli, Italy

Notre Dame du Haut - Ronchamp, France

Jubilee Church - Rome, Italy

ON-SITE SKETCHES


‘ROOF LINES OF ROME’ STUDY

San Ivo alla Sapienza

San Carlo alla Quattro Fontane

Via dell’ Arco Della Ciambella

Via della Missione

Piazza di Sant Ignazio

Piazza dei Cornari

Tempio Maggiore di Roma

Santa Maria della Pace

Tempietto - Chiesa di San Pietro in Montorio

Giardino degli Aranci

47 48



4

5

6

7

8

9

10

11

12

13

14

A

15

B

17'-6 1/4"

24'-0"

J8

L

6'-2"

X

XXX XXX

STRUCTURAL CONSULTANT

A2.10

P 515 243 4407 F 515 243 4692

3

1300 WALNUT STREET SUITE 201 DES MOINES IOWA 50309

2

P XXX XXX XXXX F XXX XXX XXXX

1

M

A3.01

1 1'-5 3/8"

G13 A3.01

Sim

G10

H1 3'-7 1/2"

H8 A2.11

A3.01

H

A2.00

A2.00

H1 A5.51

8"

H9 H7 A5.51

19'-1 1/4"

LARGE CONFERENCE ROOM 5 467 SF

A2.00

STORAGE ROOM 2

A2.01

274 SF

H11

H1

E9

A2.00

A2.00

10'-2 1/2"

A1

A9

G10

A3.00

F13 A3.00

H4 A12 A5.52

20'-10 1/2"

9"

3"

1'-8 1/4"

A12

SHOP 3 161 SF

A1

8/15/2014 1:52:59 PM

C:\Users\jbassett\Documents\Substance Office 1st Floor_CF_jbassett.rvt

C

G4

Sim

A3.01

A3.01

A2.11

A13 A5.51

2'-2 1/2"

1'-1 1/4"

SMALL CONFERENCE SPACE

3'-8"

A3.01

A7 A5.51

D4

A13 A3.00

8'-3"

9'-2 1/2"

D7 A2.01

SMALL CONFERENCE ROOM 4 181 SF

5 1/2"

A3.00

A8

A2.01

A3.01 A4

A9

A2.11 9'-11 3/4"

SHOP

G7

A2.01 A10

1'-4 1/2"

6 1/4"

2 D1

D

1300 WALNUT STREET Des Moines, IA 50309

F10

A2.01

A3.00

1'-4 1/2"

E7 A5.51

F6

F3 A3.00

1'-1 1/4"

E1 A5.51

Substance Architecture 1ST FLOOR SUBSTANCE OFFICE

A3.01

E

PROJECT NO.: CLIENT NO.:

A2.00

# # 12 AUGUST 2014

DATE:

E1

P XXX XXX XXXX F XXX XXX XXXX

XXX XXX

LARGE CONFERENCE SPACE

D11

A2.11

11'-7"

D8

18'-5 3/4"

STORAGE F

REVISION

G1 A3.01

No. Description

Date

B

5"

A

11 5/8" 8'-10"

6'-3"

4'-9 3/4"

1'-6 1/4"

3'-4"

FIRST FLOOR PLAN A4 SCALE: 3/8" = 1'-0"

Summer 2013, Winter 2013, Summer 2014 Superiors: Paul Mankins FAIA, Tim Hickman AIA [ Des Moines, IA ]

Internship Documentation

G

P XXX XXX XXXX F XXX XXX XXXX

A13

K12 A5.52

P XXX XXX XXXX F XXX XXX XXXX

Sim

PRELIMINARY - NOT FOR CONSTRUCTION DRAWING SET

G5 A5.52

2 1/8"

D5 A5.52

XXX XXX

A10 A3.01

XXX XXX

M/E/P CONSULTANT

A2.10

X

A9

A7 A3.01 A3 A4.00

1'-6"

J

LANDSCAPE CONSULTANT

E9 A2.10

K1 A5.52

100 SF

X

ENTRY

ENTRY 1

CIVIL CONSULTANT

D4

A2.01

X

H4 A2.11

K

5'-2 1/2"

2'-2"

7'-2 1/4"

2'-5 1/4"

FIRST FLOOR PLAN

A1.01

As an intern with Substance Architecture, an award-winning Architecture and Design firm in Des Moines, Iowa, I was able to work on multiple projects of various scales. The following images illustrate the documentation of the most recent summer; the design and managing of Substance’s office expansion located a floor below the current office. With the recent growth of the past year, Substance has been looking forward to an office expansion project that would facilitate extra conference room space, a new material library, and an industrial shop.

49 50


Gyp Board Bulkheads

Gyp Board Backing Wall Birch Plywood ‘Fin’ Wall

Existing / Exposed Beam

Birch Plywood Pivot Door

ENTERING THE SPACE

Recessed TV Chair Rack

Influenced by the treatment of wood in Eero Saarinen’s Oreon E. Scott Chapel in Des Moines, a curved wall of Finnish Plywood was designed to wrap around and conceal the material library and shop. Two pivot doors to the shop and library disappear into the wooden “fin” wall while a series of sliding, tophung doors are able to slide into the conference spaces, separating them into distinct rooms or to provide extra pin-up space for the office. All doors within the wooden wall use “fin” handles in order to blend into the wall when not in use.

3/8” Homasote Panels Carpet

Existing Concrete Floor

Ceiling over Industrial Shop Existing / Exposed Beam Gyp Board Bulkheads

Birch Plywood Pivot Door Birch Plywood ‘Fin’ Wall Existing Concrete Floor Carpet

AXONOMETRIC VIEWS

Chair Rack


1"

1 1/8"

K

DETAIL - SLIDING DOOR REAR K7 PLAN SCALE: 6" = 1'-0"

E7 A5.80

12

Studded Wall ‘Fin’ Backing Acts as Door Stop Birch ‘Fin’ Pull for Door SCREWS OF TRUCK HANGER ASSEMBLY BEHIND WOOD

PLAN DETAIL - SLIDING DOOR FRONT K11 SCALE: 6" = 1'-0"

A1

A1

A5.80

A5.80

7

13

10

12 1 1/8"

2 3/8"

2 3/8" 12

7

Birch ‘Fin’ Handle

2 3/8"

2 3/8" 12

7

8

8

5

19

G

11

12

7

11

14

11

1-3/4” Wood Pivot Door Birch Plywd Backing

H

13 11

14

1 1/8"

2'-11"

J

5 11 7 1/2"

11

9

6

Alternating Birch ‘Fins’ 5

10

15

9'-9 3/8"

1 5/8"

1"

3

7

A7 A5.80

LEVEL 1 0'-0"

8 5

19

12

2 3/8"

2 3/8"

1

7

7

12

2 LEVEL 1 0'-0"

7 1/2"

SECTION DETAIL - SLIDING PARTITION BASE AT FRAMING A7 SCALE: 6" = 1'-0"

9

3/4"

1"

1 5/8"

2 3/4"

3/4"

SECTION DETAIL - SLIDING PARTITION HEAD AT GUIDE E11 SCALE: 6" = 1'-0"

A1

A1

A5.80 3/4"

A5.80

2 3/4" 7/8"

1"

1 5/8"

3/4"

3/4"

DETAIL - SLIDING PARTITION HEAD AT FRAMING E7 SECTION SCALE: 6" = 1'-0"

4

1"

Substance Architecture 1ST FLOOR SUBSTANCE OFFICE

1 5/8" 1 5/8" 3 LINE OF WOOD FRAME BEHIND PLYWOOD

E

3/4"

3/4"

7/8"

2 3/4" 7/8"

1"

3/4" 7/8"

D

9 10

6

6

5 A11

Sim

2

WALL SECTION - SLIDING PARTITION CROSS SECTION A1 SCALE: 1 1/2" = 1'-0"

16 A11 A5.80 A7 A5.80

1 2 LEVEL 1 0'-0"

WALL SECTION - SLIDING PARTITION A5 SCALE: 1 1/2" = 1'-0"

SLIDING PARTITION DETAIL

DATE:

P 515 243 4407 F 515 243 4692

1300 WALNUT STREET SUITE 201 DES MOINES IOWA 50309

# # 12 AUGUST 2014

REVISION No. Description

Date

7

17

17

7

PROJECT NO.: CLIENT NO.:

5

7

1

A5.80

1/2"

Sim

17 LEVEL 1 0'-0"

AS REQ'D

A7 A5.80

LEVEL 1 0'-0"

A

8

9 10

SECTION DETAIL - SLIDING PARTITION BASE AT FRAMING A7 SCALE: 6" = 1'-0"

17

16 1 2

LEVEL 1 0'-0"

AS REQ'D

2'-11"

1" NORMAL = VARIES ON FLOOR LEVEL

C:\Users\jbassett\Documents\Substance Office 1st Floor_CF_jbassett.rvt 8/15/2014 1:54:05 PM

SLIDING PARTITION POSITIONS

B

1 1/8" NORMAL = VARIES ON FLOOR LEVEL

8

C

XXX XXX

DETAIL - SLIDING PARTITION BASE AT GUIDE A11 SECTION SCALE: 6" = 1'-0"

9

10

15

9'-9 3/8"

4'-0"

9'-9 3/4"

2

17

LEV

1

12

7

5

10

5

2 3/8"

11

WALL SECTION - SLIDING PARTITION A5 SCALE: 1 1/2" = 1'-0"

6

F

16

LEVEL 1 0'-0"

2 3/8"

8

11

WALL SECTION - SLIDING PARTITION CROSS SECTION A1 SCALE: 1 1/2" = 1'-0"

17

11

16

12

A11 A5.80

7 11

17

14

17

11

2

H

5 11

1/2"

A5.80

A5.80

13

7

14

AS REQ'D

1

1 1/8"

13

10

1 1/8"

2'-11"

Sim

A11

Sim

X

6

5 A7

G

A

9 10

XXX XXX

A1 A5.80

P XXX XXX XXXX F XXX XXX XXXX

1"

1 1/8"

2'-11"

1" NORMAL = VARIES ON FLOOR LEVEL

1 1/8" NORMAL = VARIES ON FLOOR LEVEL

B

PLAN DETAIL - SLIDING DOOR FRONT K11 SCALE: 6" = 1'-0"

A1 A5.80

6

7

J

3/4"

8

7

DETAIL - SLIDING 9 DOOR REAR K7 PLAN SCALE: 6" = 1'-0" 10

4

7/8"

XXX XXX

E7 A5.80

9

1"

AS REQ'D

12

8

SCREWS OF TRUCK HANGER ASSEMBLY BEHIND WOOD

10'-0"

8/15/2014 1:54:05 PM

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C

5 1/4"

7/8"

XXX XXX

6

7

1/4"

7/8"

5

2 3/4"

P XXX XXX XXXX F XXX XXX XXXX

E11 A5.80

A1

A5.80

3/4"

5 1/8"

5 13

K

1 1/2"

3/4"

P XXX XXX XXXX F XXX XXX XXXX

7/8"

2 3/4"

SLIDING PARTITION HEAD DETAIL 1/8"

3/4"

4 1/4"

Sim

2 3/4"

STRUCTURAL CONSULTANT

A5.80

A5.80

3/4"

3/4" A1

A1

6

P XXX XXX XXXX F XXX XXX XXXX

10 9

3/4"

SECTION DETAIL - SLIDING PARTITION HEAD AT GUIDE E11 SCALE: 6" = 1'-0"

7/8"

EXTRA PLYWOOD BLKG AS REQ'D Sim

A5.80

1/4"

A11

A5.80

1 5/8"

X

A5.80

14

A5.80

A5.80

1"

3/4"

M/E/P CONSULTANT

5 1/4"

A7

19

A5.80

A1

A5.80

2'-10 3/8"

Sim

15

X

Sim

14

9 3/8"

LANDSCAPE CONSULTANT

3'-8"

E11

13

X

A5.80

A5.80 9 3/8"

Sim

12

3/4" Sim

A7

CIVIL CONSULTANT

A5

A1

Sim

DETAIL - SLIDING PARTITION HEAD AT FRAMING E7 SECTION SCALE: 6" = 1'-0"

18

3/8"

10

8

1 5/8" 11

2"

Sim

16 17 18 19

‘FIN’ DOOR DETAIL

1/2" PLYWOOD SHEET CONT WOOD BLKG AS REQ'D BOTTOM EDGE OF GYP BD BULKHEAD CENTER MOUNTED LOCK-JOINT BOX TYPE TRACK – NO. 376 TRACK - IN BULKHEAD LOCK-JOINT 3300 TRUCK ASSEMBLY FOR NO. 376 TRACK - IN BULKHEAD LOCK-JOINT 3300 HANGER ASSEMBLY FOR NO. 376 TRACK 4 - ROUTED INTO PLYWD - FLUSH W/ PLYWD SURFACE CARPET - SHAW WEFT -KOHL COLOR 5A160-60597 ALUMINUM SHLUTER STRIP - SCHIENE A45 DAMPENING MATERIAL LOCATION OF DOOR HANDLE WHEN IN RECIEVER

A11

1300 WALNUT STREET Des Moines, IA 50309

E7

14 15

1" 2 3/4"

1/4"

A

D

10 11 12 13

3/4"

1/4"

L

STEEL PLATE WELDED TO TUBE STEEL - SAW CUT IN CONCRETE AS REQ'D TO KEEP STEEL FROM SCRAPING BOTTOM EXISTING CONCRETE SLAB - SAW CUT RECESSED CHANNEL FOR STL DOOR GUIDE BIRCH APPLEPLY FIN HANDLE IN BIRCH APPLEPLY FIN 1" TUBE STEEL AS REQ'D WOOD FRAMING AS REQ'D 3/8" WOOD FRAME LINE OF 3/8" WOOD FRAME BEYOND 3/8" SHEET OF HOMASOTE

NOTE

10

7/8"

3 4 5 6 7 8 9

9 8

3/4"

2

8

A

7/8"

1

7

1"

M

KEY

1 1/8"

E

NOTE

6

7/8"

KEY

3

5

SLIDING DOOR KEYNOTES LINE OF WOOD FRAME BEHIND PLYWOOD

2 3/4"

4

1 7/8"

3

3/4"

2

SLIDING DOOR KEYNOTES

2"

1 5/8" 1

PRELIMINARY - NOT FOR CONSTRUCTION DRAWING SET

4'-0"

10'-0"

9'-9 3/4"

F

9

10

DETAIL - SLIDING PARTITION BASE AT GUIDE A11 SECTION SCALE: 6" = 1'-0"

DETAILS - DOOR MILLWORK

A5.80

CONFERENCE SPACES

51 52


Jonathan BasseII

Architecture Portfolio


Education

Iowa State University • • • • • • •

Expected Graduation : May 2015 Bachelor of Architecture - Professional Degree Minor : History Cumulative GPA - 3.80 Deans List all 9 semesters Burnett Scholarship Award Winner 2010, 2011 President’s Award for Competitive Excellence 2010-2013

Semester Abroad in Rome

• January-May 2014 • Iowa State University • Workshop with Roma Tre University

Experience

Substance Architecture - Des Moines, IA - Summer Intern • • • • •

Summer 2013 Winter Break 2013 Summer 2014 Worked on numerous Office, University, and Residential projects Designed and managed recent office expansion

Iowa State University - Ames, IA - Peer Mentor

• Fall 2013 • Mentored 24 design students through freshmen design courses • Aided students with application portfolios for multiple programs

Design Awards / Honors • • • •

Finalist in CSI Competition - Fall 2014 Finalist in BWBR Competition - Spring 2013 Work featured in ISU student journal of Architecture: DATUM Work featured in ISU Student Newspaper: Iowa State Daily

Activities

Academic

• ‘Masterclass’ Workshop with Elia Zenghelis, OMA Founder Iowa State University - January 2015 • Participated in SPACE Magazine’s ‘Prize for International Students of Architecture Design’ in South Korea - Fall 2014 • Participated in d3 Unbuilt Visions International Competition - Fall 2014 • Participated in Track 1 Mentor Program - Iowa State • Intramural Sports

Pursuits

• Architectural and landscape photography • Camping, backpacking, and traveling

Proficiency • • • • •

Revit, Autocad, Sketchup Photoshop, Illustrator, InDesign Microsoft Office, Adobe products Model Making, Drawing, Sketching Architectural and landscape photography

53 54



Thank You Jonathan BasseII

jseldenbass@gmail.com (515).664.6937 www.issuu.com/jsbassett 55 56



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