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Manual-Only

HYMNS for Organ

Simplified transcriptions of well-known LDS hymns by Daniel Kerr Brian Mathias Joseph Peeples Yevgeniya Tyltina Don Cook, general editor Robert Cundick and Richard Elliott, project coordinators John Longhurst, editing assistance

PREFACE A strong hymn accompaniment played with confidence and accuracy, led by an equally well prepared director, is essential for successful congregational singing. This book makes it possible for a person with modest keyboard skills to quickly become proficient in hymn accompaniment, as well as opening the door to continuing improvement in organ playing. Although the fingering is for organ, the arrangement can also be played at a piano with minor changes for piano fingering. However, a player who learns the printed fingering and does not use the damper (right) pedal can more easily shift to the organ when it becomes available. These arrangements have been carefully prepared by the organ departments at Brigham Young University, Brigham Young University-Idaho, and the organists at Temple Square, with the support and approval of the Music and Cultural Arts Division at Church headquarters.

iii

CONTENTS Preface................................................................................. ii Introduction ........................................................................ iv Acknowledgements ............................................................ iv Behold the Great Redeemer Die ....................... 22 Christ the Lord Is Risen Today ......................... 28 Come, Come, Ye Saints....................................... 7 Come, Ye Children of the Lord ......................... 10 Count Your Blessings ........................................ 32 Did You Think to Pray? .................................... 14 Do What Is Right .............................................. 31 Far, Far Away on Judea’s Plains........................ 30 God Be with You Till We Meet Again .............. 16 God, Our Father, Hear Us Pray ......................... 17 He Is Risen!....................................................... 27 High on the Mountain Top .................................. 1 How Firm a Foundation .................................... 11 How Great the Wisdom and the Love ............... 25 I Am a Child of God.......................................... 40 I Know My Father Lives ................................... 41 I Know That My Redeemer Lives..................... 13 I Need Thee Every Hour ................................... 12 I Stand All Amazed ........................................... 23 I’ll Go Where You Want Me to Go ................... 36 In Humility, Our Savior .................................... 19 Jesus, Once of Humble Birth ............................ 26 Joseph Smith’s First Prayer................................. 6 Let Us All Press On........................................... 34 Love at Home.................................................... 39 O God, the Eternal Father ................................. 20 O My Father ...................................................... 38 Oh Say, What Is Truth? ..................................... 35 Praise to the Man ................................................ 8 Redeemer of Israel .............................................. 4 Silent Night ....................................................... 29 The Spirit of God ................................................ 2 Sweet Is the Work ............................................. 15 Teach Me to Walk in the Light .......................... 42 There Is a Green Hill Far Away ........................ 24 We Thank Thee, O God, for a Prophet................ 5 We’ll Sing All Hail to Jesus’ Name .................. 21 With Humble Heart ........................................... 18 Appendix ............................................................................43 About These Arrangements.......................................43 How to Practice the Transcriptions ...........................45 Learning to Play the Organ: The Next Step ..............46

INTRODUCTION Manual-Only Hymns for Organ is designed to assist the LDS pianist in making the transition to the organ. With practice, the voice parts of these hymns can be played smoothly and with independence of line. This is enabled by eliminating the pedal parts, by reducing the voice parts from four to three, by arranging the hymns for ease of execution, and by providing organ fingering. When used to accompany congregations, these arrangements can support singing either in parts or in unison (melody only). Some hymns were transposed one or two steps lower to make them easier to play. The most noticeable difference between the sound of manual-only playing and standard four-part hymn playing is the absence of deep bass tone, which is normally produced by playing the bass line with the feet on a foundation of “sixteen-foot” (16') pedal stops. With this in mind, there are at least three basic options possible when choosing stops for congregational accompaniment using these arrangements: Option 1. True manual-only sound. Play both hands on the Great (lower) manual. For meditative hymns, choose principals 8' and 4' (the stops may be called Principal, Diapason, Octave, or Prestant). You may wish to replace the 4' principal with a 4' flute (Flute, Nachthorn, Koppelflöte, Bourdon, Gedackt). For jubilant hymns, add the Great 2' stop and possibly the chorus mixture (the stop with a Roman numeral III or higher). Option 2. Deep bass tone produced by playing the bass part on the Swell. Use this option only if there is a suitable 16' stop in the Swell division. Play the bass part with the left hand on the Swell (upper) manual. For meditative hymns, choose the 16' stop(s), one or two firm 8' stops (not the Celeste), and one or two 4' stops. For jubilant hymns, add the Swell 2' stop. Play the treble parts on the Great, with stops as described in Option 1 above. Option 3. Deep bass tone provided by the bass coupler. The bass coupler is a device provided on some organs that enables the Pedal stops to sound in the lowest note played on the Great. Although it does not always operate as intended, it may provide a satisfactory result in some cases. Sometimes results are improved by tying most repeated notes in the bass part, or by detaching ascending skips in the bass. For most hymns, choose one or two 16' stops in the Pedal division (Principal, Subbass, Bourdon, Gedackt), Great to Pedal, and select the “Bass” thumb piston or stop tab. Choose manual stops as described in Option 1 above, and then play all parts on the Great. This collection of simplified hymns is intended only to introduce organ playing to the pianist. The organist can become even better equipped to inspire the congregation to sing and to invite the Spirit of the Lord through effective preludes, postludes, hymns, and choir accompaniments by gaining additional skills: • Learn to play the upper three parts of four-part hymns or other music with the hands, and the bass part with the feet • Expand manual technique to include redistribution and thumb glissando • Become fully trained in organ registration (choosing the stops) • Learn hymn preludes and other appropriate music • Learn appropriate creative hymn-playing techniques The appendix contains a list of ways to continue training with the help of others or on your own. We strongly encourage LDS organists to magnify their calling by further developing their organ-playing skills.

ACKNOWLEDGEMENTS This collection was created by several individuals who are passionate about introducing pianists to the organ. Robert Cundick inspired the volume and, with the assistance of Richard Elliott, paved the way for its distribution. Daniel Kerr and Brian Mathias contributed arrangements and editing assistance. Joseph Peeples and Yevgeniya Tyltina also contributed arrangements. John Longhurst proofread the volume. Don Cook was the general editor.

High on the Mountain Top

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4. For there we shall be taught The law that will go forth, With truth and wisdom fraught, To govern all the earth. Forever there his ways we'll tread, And save ourselves with all our dead.

The Spirit of God »

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Redeemer of Israel »

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2. We know he is coming To gather his sheep And lead them to Zion in love, For why in the valley Of death should they weep Or in the lone wilderness rove? 3. How long we have wandered As strangers in sin And cried in the desert for thee! Our foes have rejoiced When our sorrows they've seen, But Israel will shortly be free.

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3. We'll sing of his goodness and mercy. We'll praise him by day and by night, Rejoice in his glorious gospel, And bask in its lifegiving light. Thus on to eternal perfection The honest and faithful will go, While they who reject this glad message Shall never such happiness know.

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Joseph Smith's First Prayer »

Simplified for organ in three parts

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2. Humbly kneeling, sweet appealing-'Twas the boy's first uttered prayer-When the pow'rs of sin assailing Filled his soul with deep despair; But undaunted, still he trusted In his Heav'nly Father's care.

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3. Suddenly a light descended, Brighter far than noonday sun, And a shining, glorious pillar O'er him fell, around him shone, While appeared two heav'nly beings, God the Father and the Son.

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Come, Come, Ye Saints

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2. Why should we mourn or think our lot is hard? 'Tis not so; all is right. Why should we think to earn a great reward If we now shun the fight? Gird up your loins; fresh courage take. Our God will never us forsake; And soon we'll have this tale to tell-All is well! All is well!

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toil nor la-bor fear;

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3. We'll find the place 4. And should we die which God for us prepared, before our journey's through, Far away in the West, Happy day! All is well! Where none shall come We then are free to hurt or make afraid; from toil and sorrow, too; There the Saints will be blessed. With the just we shall dwell! We'll make the air with music ring, But if our lives are spared again Shout praises to our God and King; To see the Saints their rest obtain; Above the rest these words we'll tell-Oh, how we'll make this chorus swell-All is well! All is well! All is well! All is well!

Praise to the Man ย

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Death

2. Praise to his mem'ry, he died as a martyr; Honored and blest be his ever great name! Long shall his blood, which was shed by assassins, Plead unto heav'n while the earth lauds his fame.

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4. Sacrifice brings forth the blessings of heaven; Earth must atone for the blood of that man. Wake up the world for the conflict of justice. Millions shall know "Brother Joseph" again.

vain.

4 1

3. Great is his glory and endless his priesthood. Ever and ever the keys he will hold. Faithful and true, he will enter his kingdom, Crowned in the midst of the prophets of old.

3 2

Gods,

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Come, Ye Children of the Lord 96-112

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all men

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2. Oh, how joyful it will be When our Savior we shall see! When in splendor he'll descend, Then all wickedness will end. Oh, what songs we then will sing To our Savior, Lord, and King! Oh, what love will then bear sway When our fears shall flee away!

4 1

sing with

5 2

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our

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Lord who

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5 2

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the Lord,

3 1

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this earth

Hymn 58

¡ ¡ ¡¡ ¡¡ ¡ ¡

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ye chil - dren

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4 2

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iq - ui - ty,

5 1

3 5 1

¡¡

love

3. All arrayed in spotless white, We will dwell 'mid truth and light. We will sing the songs of praise; We will shout in joyous lays. Earth shall then be cleansed from sin. Ev'ry living thing therein Shall in love and beauty dwell; Then with joy each heart will swell.

4 2

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5 1

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and peace.

How Firm a Foundation Simplified for organ in three parts

With dignity R 100-112

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ref

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ior

2. In ev'ry condition--in sickness, in health, In poverty's vale or abounding in wealth, At home or abroad, on the land or the sea-As thy days may demand, as thy days may demand, As thy days may demand, so thy succor shall be.

Lord,

Sav

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Hymn 85

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than to

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42 54

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3. Fear not, I am with thee; oh, be not dismayed, For I am thy God and will still give thee aid. I'll strengthen thee, help thee, and cause thee to stand, Upheld by my righteous, upheld by my righteous, Upheld by my righteous, omnipotent hand.

I Need Thee Every Hour »

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Fervently q 60-72

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2. I need thee ev'ry hour; Stay thou nearby. Temptations lose their pow'r When thou art nigh.

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Lord.

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ten - der voice like

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cious

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need thee ev-'ry

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Hymn 98

3 1

4 1

5 3

4 2

5 2

4 1

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() œœ œœ , œœ 2 1

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Sav - ior;

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come

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3. I need thee ev'ry hour, In joy or pain. Come quickly and abide, Or life is vain.

5 1 2

4 2

j œ œœ œ J 4 1

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Ç Ç thee!

4. I need thee ev'ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!

4 1

I Know That My Redeemer Lives Simplified for organ in three parts Peacefully R 72-84

3 ¡ " ¡

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to bless me with his

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my hun -gry soul to

2. He lives to grant me rich supply. He lives to guide me with his eye. He lives to comfort me when faint. He lives to hear my soul's complaint. He lives to silence all my fears. He lives to wipe away my tears. He lives to calm my troubled heart. He lives all blessings to impart.

1 2

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com - fort this sweet

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4 1

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to bless in time of

3. He lives, my kind, wise heav'nly Friend. He lives and loves me to the end. He lives, and while he lives, I'll sing. He lives, my Prophet, Priest, and King.

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K ¡ ¡¡ ¡ ¡¡ ¡ , ¡ 5 3

Head.

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He lives and grants me daily breath. He lives, and I shall conquer death. He lives my mansion to prepare. He lives to bring me safely there.

5 2

to plead for me a - bove.

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lives, my ev -er liv-ing

love.

4 1

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5 1 2

3 2

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sen - tence gives! He

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he lives who once was dead. ¡ ¡ ¡ " ¡ Ì lives,

5 1 2

Hymn 136

¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡

¡¡

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3 2

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know that my Re - deem - er lives. What

5 4 1 2 1 2 1

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Ì Ì need.

4. He lives! All glory to his name! He lives, my Savior, still the same. Oh, sweet the joy this sentence gives: "I know that my Redeemer lives!" He lives! All glory to his name! He lives, my Savior, still the same. Oh, sweet the joy this sentence gives: "I know that my Redeemer lives!"

Did You Think to Pray?

Simplified for organ in three parts

Thoughtfully R 72-88

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Hymn 140

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42 K 53 42 31 42 31 ¡¡ ¡¡ ¡¡ ¡¡ ¡ Ì ¡ Ì , ¡

will change the night to

when life gets dark and

2. When your heart was filled with anger, Did you think to pray? Did you plead for grace, my brother, That you might forgive another Who had crossed your way?

ÌÌ

53 21 ÌÌ ¡Ì

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drea - ry,

to - day?

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3. When sore trials came upon you, Did you think to pray? When your soul was full of sorrow, Balm of Gilead did you borrow At the gates of day?

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day.

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3 1

pray.

Sweet Is the Work ย

Simplified for organ in three parts

Hymn 147

Fervently R 84-96

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name,

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light,

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2. Sweet is the day of sacred rest. No mortal care shall seize my breast. Oh, may my heart in tune be found, Like David's harp of solemn sound! 3. My heart shall triumph in my Lord And bless his works and bless his word. Thy works of grace, how bright they shine! How deep thy counsels, how divine!

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4. But, oh what triumph shall I raise To thy dear name through endless days, When in the realms of joy I see Thy face in full felicity!

ร ร

night.

ร

God Be with You Till We Meet Again Simplified for organ in three parts

Reverently R 66-80

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2. God be with you till we meet again; When life's perils thick confound you, Put his arms unfailing round you. God be with you till we meet again.

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meet,

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meet a - gain;

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be with you till we

3 1

Hymn 152

meet a - gain.

3. God be with you till we meet again; Keep love's banner floating o'er you; Smite death's threat'ning wave before you. God be with you till we meet again.

¡ Ì

God, Our Father, Hear Us Pray Simplified for organ in three parts

ย

Worshipfully R 69-84

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2. Grant us, Father, grace divine; May thy smile upon us shine. As we eat the broken bread, Thine approval on us shed.

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3. As we drink the water clear, Let thy Spirit linger near. Pardon faults, O Lord, we pray; Bless our efforts day by day.

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day.

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hear

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Hymn 170

Prayerfully q

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2. Help me remember, I implore, Thou gav'st thy life on Calvary, That I might live forevermore And grow, dear Lord, to be like thee.

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Hymn 171

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5 1

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think

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hum

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4 3

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4 1

thy

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3. To be like thee! I lift my eyes 4. As I walk daily here on earth, From earth below toward heav'n above, Give me thy Spirit as I seek That I may learn from vaulted skies A change of heart, another birth, How I my worthiness can prove. And grow, dear Lord, to be like thee.

In Humility, Our Savior ย

Simplified for organ in three parts

Meekly R 72-84

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5 2

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4 2

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5 3

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5 1 2

5 3

ร ร ยกยก

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ร ยก ร ยก ร ยก

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ยกยก ยกยก ยกยก

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ยก ยก ยก ยก

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5 1

Hymn 172

4 1

ยกร ยก ยกยก

ร

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pray,

5 3

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here,

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name this

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5 3

2. Fill our hearts with sweet forgiving; Teach us tolerance and love. Let our prayers find access to thee In thy holy courts above. Then, when we have proven worthy Of thy sacrifice divine, Lord, let us regain thy presence; Let thy glory round us shine.

4 2

4 3

die

for

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and

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bro

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ยก ร

5 2

4 1 2

ร ร ยกยก ร ร 3 1

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Cal - va - ry.

O God, the Eternal Father »

Simplified for organ in three parts

Worshipfully q 69-84

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God,

3 1

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3. When Jesus, the Anointed, Descended from above And gave himself a ransom To win our souls with love-With no apparent beauty, That man should him desire-He was the promised Savior, To purify with fire.

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2. That sacred, holy off'ring, By man least understood, To have our sins remitted And take his flesh and blood, That we may ever witness The suff'ring of thy Son, And always have his Spirit To make our hearts as one.

we may all

5 2 1

3 5 ( ) 1 2 1 ## œ j & œœ œ œœ œÇ . œ Ç Ç. 3 1

j œ ÇÇ . 3

name

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4 1

5 1

5 3

Hymn 175

3 4 1

5 2

Ç. Ç. Ç.

di - vine--

4. How infinite that wisdom, The plan of holiness, That made salvation perfect And veiled the Lord in flesh, To walk upon his footstool And be like man, almost, In his exalted station, And die, or all was lost.

We'll Sing All Hail to Jesus' Name ย

Fervently R 76-88

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5 2 1

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and

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Cal

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hail

ยก

vary's

2. He passed the portals of the grave; Salvation was his song; He called upon the sin-bound soul To join the heav'nly throng.

ยก

4 1

ยก ยก ยก -

ร

5 1

5 3

3 1

ยก

3 1

D D ยกร ยก ยก ยก ยกยก 3 2 3

Hymn 182

Simplified for organ in three parts

ยก

4 2

ยกยก

ร

5 2

ยกร

ยกยก

ยกยก ยกยก ยกยก

ยก

ร

3 4 1 2

ยกยก

ร

give

ยก

And

4 2

ยกยก

sus'

name,

ยก

3 5 1 3

ยก

ร

5 4 1

ยก

4 5 1

And

ยก

5 3

ยกยก ยกยก ยกยก

ยกยก who

53 1 ยกยก ยกยก

ร

4 2

ยกยก ยกยก ยกยก him

ยกยก ยกยก ยกยก ยกยก ร

3 5 1 3

ยก

3 2

hill

3 4 1 2

bled

ร

ร ยก ยก ยกยก ยก

ร ร

ยกยก

ร ร

ยก ยก ยก ยก

ร

might

live.

died

that

3. He seized the keys of death and hell And bruised the serpent's head; He bid the prison doors unfold, The grave yield up her dead.

ยก

ยกยก on

ยก

5 2

2 1

ร

4. The bread and water represent His sacrifice for sin; Ye Saints, partake and testify Ye do remember him.

Behold the Great Redeemer Die »

Simplified for organ in three parts

Hymn 191

Reverently q 69-84

b 3 &b 4 œ œ Ç. 2 1

? b b 43 œ

Be - hold

b &b Ç Ç

Ç Ç.

the

great

? bb Ç

œ œ

Ç Ç

sat

4 2

3 1

? bb

ÇÇ fice

b & b Ç. Ç. 5 1

? bb Ç .

œœ

ÇÇ ..

for

sin,

2 1

œÇ Ç

sin,

That

œ œ

man

may

2. While guilty men his pains deride, They pierce his hands and feet and side; And with insulting scoffs and scorns, And with insulting scoffs and scorns, They crown his head with plaited thorns.

5 2

deem

3 1

Ç. Ç. Ç.

fy.

œ œ

œœ

dies

4 2

œœ

ÇÇ ..

Ç 3

œ 5

5 2

4 1

œ œ

dies

5 1

Ç Ç

ÇÇ

sac

5 2

2 1

and

5 2

Ç Ç Ç

4 2

œœ -

4 2

Ç Ç

n œœ

for

4 1

glo

fice

bro - ken

3 5 1

œœ œ

sac

5 2 1

œ œ

œÇ œ n œ œ , œ œ œ live

œÇ . œ

Ç.

œ œ

3 2

die,

4 1

œ nœ

5 1

4 2

3 1

5 1

œ œ

3 1

ÇÇ

4 1

5 1

4 2

5 1 2

law

5 2

4 1

5 1

4 1

Ç. Ç. win.

Ç.

3. Although in agony he hung, 4. "Father, from me remove this cup. No murm'ring word escaped his tongue. Yet, if thou wilt, I'll drink it up. His high commission to fulfill, I've done the work thou gavest me, His high commission to fulfill, I've done the work thou gavest me; He magnified his Father's will. Receive my spirit unto thee."

I Stand All Amazed 66-84

Simplified for organ in three parts

Thoughtfully R

1 ¡ ¡ 3

¡Ì ¡ ¡¡

" I

ful - ly he

4 3 2

3 1

¡¡ ¡¡ ¡¡ " Ì

sin - ner, he

trem - ble to

suf - fered, he

Ì 5

5 3

4 2

" ¡

bled and died.

E-nough to

5 2

die for me!

2. I marvel that he would descend from his throne divine To rescue a soul so rebellious and proud as mine, That he should extend his great love unto such as I, Sufficient to own, to redeem, and to justify.

5 3

4 5 4 1 1

¡¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡

Oh, it

3 2

for

me, a

2 5 2

4 1

¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡

won - der-ful that he should

5 2

¡¡ ¡ ÌÌ won - der-ful,

¡ ¡ Ì 3

¡ ¶

5 2

4 5

4 2

cru - ci -fied, That

¡ ¡ ¡ ¡ ¡ ¡ it

5 1

4 2

3 1

Oh,

¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡ ¡ Ì ¡ ¡ Ì

care for me

2 1

¡¡ ¡¡ O ÌÌ

3 5 4 1 2

me he was

3 1

4 2

5 25 1

2 3 4 1 2

know that for

53 42 51 ¡¡ ¡¡ ¡¡

¡ ¶

grace that so

3 53 1 3 2K ¡¡ ¡¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡¡ ¡¡ ¡¡ ¡Ì ¡ ¡ , 3 2

¡ ¶ Ì

41 21 ¡Ì ¡ ¡ ¡ 3 1

2 1

of - fers me, Con - fused at the

2 1

prof - fers me. I

4 2

love Je - sus

5 4 31 1 K ¡ ¡¡ D ¡ ¡¡ ¡¡ ¡Ì ¡¡ , 4 1

5 4 21 1 K ¡Ì ¡ ¡¡ ¡¡ ¡ ¡¡ ¡¡ ¡Ì ¡ ¡¡ , 3 1

5 2 5 1

¡¡ ¡ ¡¡ ¡

2 1

2 3 4 1 2

3 2

stand all a - mazed at the

¡Ì ¡ ¡¡ 5 2

4 1

Hymn 193

4 1

5 2

4 1

¡¡ ¡ ¡¡ ¡¡ 5 1

4 2

¡ ¡ ¡ ¡

won - der - ful to

4 5 1 2

5 1

Ì Ì me!

Ì 5

3. I think of his hands pierced and bleeding to pay the debt! Such mercy, such love and devotion can I forget? No, no, I will praise and adore at the mercy seat, Until at the glorified throne I kneel at his feet.

There Is a Green Hill Far Away ย

Simplified for organ in three parts

Hymn 194

Reverently R 72-84

ยก ยก 5 1

ยก ยก ร

" ยก

ร

There

4 3

ยกยก

" ยก

4 2

ยกร

the

ยก

hill

green

ยก

ยก ยกร ยก 5 1

ยก Oยก

Where

ยก ร

dear Lord was

2. We may not know, we cannot tell, What pains he had to bear, But we believe it was for us He hung and suffered there.

ยก

K ยก ยก ยก, ยก

5 2

4 1

ยก ยก

far

ยก

ยก ยก

ยก ยก ยก 5

3. There was no other good enough To pay the price of sin. He only could unlock the gate Of heav'n and let us in.

ยก ยก

ร

cru - ci - fied, Who

ร ร

ยก ยก ยกร ยก ร

3 5 4 53

1 2 ยกยก ยกยก ยก ยก ยก ยก

5 1

4 2

a - way, With - out

ร

ยก

5 1

cit - y

4 1

5 2

died

save

ยก ยก ยก ยก ยก ยก ร ร 2

ร

wall,

5 1 2

ยก ยก 3

5 1

ร ร ร

all.

4. Oh, dearly, dearly has he loved! And we must love him too, And trust in his redeeming blood, And try his works to do.

How Great the Wisdom and the Love ย

Simplified for organ in three parts

Calmly R 66-76

D ยก ยก

ยกร ยก 1 2

filled

ยก

4 1

D ยกยก

ยกยก D ยกยก

"D ร

ยก

from

dom

5 1

courts

high

ร

5 1

2. His precious blood he freely spilt; His life he freely gave, A sinless sacrifice for guilt, A dying world to save.

ร ร

bove

ร V

3 1

ยกยก

2 1

ยกร

suf

ยก

ร

ยกยก

4 1

5 2

3 1

ยกยก

ร ร

ยก

love

ร

the

That

ยก 3

ยก

4 5 1 2

4 1

5 1

ยก Oยก Dยก ยก ยก ยก sent

35 2 4 ยก ยกยก 3

ยก

ร

And

ร

ยก

ยกร

5 2 ยก ยก

4 2

ร ร

5 2

and

ยก

ยก ยก

ยกร ยก

3 2 2 1

wis

ร

5 3

ยก ยก

4 3 1

the

ร

the

ยกยก

5 3

ยก ยก

ยกยก

3 1

ยก ยก

great

4 1

ร

" D ยก

How

5 2

ยก ยก

2 1

Hymn 195

fer,

3. By strict obedience Jesus won The prize with glory rife: "Thy will, O God, not mine be done," Adorned his mortal life.

ยก

5 1

ยก ร bleed,

ร

ร ร ร

ยก

the

Sav

41 2 21 ยก ยก ยก

and

ยก

ยกยก -

ยก

ior

3 1

ร ร

die!

ร

4. He marked the path and led the way, And ev'ry point defines To light and life and endless day Where God's full presence shines.

Jesus, Once of Humble Birth

Simplified for organ in three parts

Solemnly R 76-88

ÌÌ ¡¡ 4 2

2 1

" Ì

Je - sus,

ÌÌ ¡¡ once

ÌÌ " Ì

earth.

Ì 2

" Ì

earth

2 1

ÌÌ ¡¡

Once

suf - fered

birth,

4 2

hum - ble

3 1

ÌÌ ¡¡

ÌÌ

42 31 52 ¡¡ ¡¡ ¡¡

reign.

2. Once a meek and lowly Lamb, Now the Lord, the great I Am. Once upon the cross he bowed; Now his chariot is the cloud. Now his chariot is the cloud.

42 31 ¡¡ ¡¡ ¡¡ Ì

grief

and

3 1

5 3

3 1

ÌÌ

¡¡

Now

Ì 2

4 2

comes

¡ 2

3. Once he groaned in blood and tears; Now in glory he appears. Once rejected by his own, Now their King he shall be known. Now their King he shall be known.

¡ ¡

comes

5 2

¡¡ ¡ ¡ ¡

earth

Ì Ì Ì

5 1

4 1

comes

5 2

Now

pain;

¡¡

¡¡ ¡ ¡¡

glo - ry

ÌÌ

3 1

¡¡

ÌÌ

¡¡

ÌÌ

Ì Ì

ÌÌ Ì

Hymn 196

4 1

Ì Ì

reign.

Ì 2

4. Once forsaken, left alone, Now exalted to a throne. Once all things he meekly bore, But he now will bear no more. But he now will bear no more.

He Is Risen! Simplified for organ in three parts

ย

With dignity R 92-104

ยก ยก 3 1

" ยก

" ยก He

5 1

ยก ยก " ยก

is ri - sen!

ยก ยก

5 3

K ยก ยก ยก

3 1

K ยกยก ยกยก ยก , 4 2

5 3

K ยก ยก ยกยก

ยก ยก ยก ยก

5 1

ยกยก ยกยก con - quered;

2. Come with high and holy hymning; Chant our Lord's triumphant lay. Not one darksome cloud is dimming Yonder glorious morning ray, Breaking o'er the purple east, Symbol of our Easter feast.

5 1

ยก ยกยก ยก ยก

man

4 3

ร ยก ยก

ยก ยก ร

free.

out

with

4 1

ยก ยก

3 2 2 1

ยก ยก ยก

the

whole

ยก ยก

Christ

ยกยก

ร ร

ยก

ร

5 3

4 1

ยก ยก

ยกยก ยกยก ร ร

wide

earth re - joice.

ยก 5

K ยก ยก ยก ยก ยก ยก 5 2

4 1

joy - ful voice.

ยก

ยก ยก ยกยก ยก

Let

ยก ยก

3 2 2 1

ยก ยก ยก

5 1

ยก

pri - son;

ยก ยก ร

Death

5 2

ยก ยก ยกยก ยก

Tell

ยก ยก ยก ยก

4 2

ยก ยก 2

three days'

4 1

5 1

ยก

ri - sen!

ยกร ยก ยกยก ยกยก

ยก

4 3

3 1

his

has burst

5 1

ยกร ยก ยกยก ยกยก

K ยกยก ยกยก ยก , 4 2

5 2

Hymn 199

4 2 1

ยก

has won

3. He is risen! He is risen! He hath opened heaven's gate. We are free from sin's dark prison, Risen to a holier state. And a brighter Easter beam On our longing eyes shall stream.

4 1

5 3

4 1

ยก ยก ร 5

5 3

4 1

ยก ยก

ยกยก ยก ร ยก ร

the

vic - to - ry.

5 4 2 1

ยก

5 2

ยก ยก ร 2

Christ the Lord is Risen Today With exultation R

ย 96-108

3 2 1

ยก ยกยก ยกยก 5

" ยก

Christ the

men

ยก ยก 4

ยก

and

an - gels

" ยก

ยก

joys

ยก ยก ยก ยก , 3

" ยก

Sing,

ยก

3 1

ยก Oยก ยก

and

ยกยก 5 3

ยก

ยก ยก ยก

say,

ยกยก ยกยก

ยกยก ยก ยก ยกยก ยก , Raise your

ยก

ยก ร

5 1

ยก ยก ร 3

3 1

ยก ยก ยก

to - day,

ยก ยก ร 1

and

5 1

ร ร

ร

ยก ยก

2. Love's redeeming work is done, Alleluia! Fought the fight, the vict'ry won, Alleluia! Jesus' agony is o'er, Alleluia! Darkness veils the earth no more, Alleluia!

earth re - ply,

ยก ยก ร 4

ยก ยก ร 1

ยก

ยก ยก ร

5 3

5 1

ร

ia!

4 1

4 2

5 2

ยก ยกยก ยกยก ยก ยกยก ยก ยกยก ยกยก ยก ยก ร ยก ยก ยก ร 3

4 5 1 2

ยกยกยกยกยกยกยกยก ยก ยก ร 5

3. Lives again our glorious King, Alleluia! Where, O death, is now thy sting? Alleluia! Once he died our souls to save, Alleluia! Where thy victory, O grave? Alleluia!

ia!

ยกร ยก ยกยก ยกยก

3 1 51 2 41 2 ยก ยก ยก ยก ยกยก ยกยก ร ยกร ยก ยก ยก ยกยก

3 1

ยก ยก ยก

ร

3 1

ยกยก

ยก

tri - umphs high,

2 1

heav'ns,

ยก

ia!

4 31 52 1 2 41 5 2 41 42 2 ยกยก ยก ยกยก ยกยก ยกยก ร ยก ยก ยก ยก ยกยก ยก ยกยก ยก ยกยก ยกยก ร

ยก ยก

Hymn 200

5 4 4 31 2 2 1 2 31

2 ยกยก ยกยก ยกยก ยกยก ยกร ยก ยก ยก ยกยก ยก ยกยก ยก ยกยก ยกยก ร

ris'n

ยก

ยกยก ยก ยก

ยกยก ยกยก "

4 5 1

3 1

Sons

Lord

ยก

Simplified for organ in three parts

ia!

Silent Night

Simplified for organ in three parts

Peacefully R 80-100

D K D ¡¡ ¡¡ ¡¡ Ì Ì , 4 2

" D D Ì

2 1

¡ Ì

Round yon

vir

" DD Ì

Sleep

5 1

¡ Ì

K ¡¡ ¡¡ , 5 3

4 2

gin

DD Ì ¡ ¡ ¡K ¡ Ì Ì 4 1

¡ Ì

D D ÌÌ ¡ ¡¡

K ¡ ¡¡ ¡ ¡¡ , 4 2

lent night!

4 2

" DD Ì

in heav - en - ly

2. Silent night! Holy night! Shepherds quake at the sight! Glories stream from heaven afar; Heav'nly hosts sing Alleluia! Christ, the Savior, is born! Christ, the Savior, is born!

21 ÌÌ

5 2

¡ Ì

K ¡ ¡¡ ¡ ¡¡ ÌÌ , 3 1

4 1

Ì Ì peace;

Ì Ì

All

is calm,

¡ Ì

5 2

Ì Ì

¡ Ì Ì

all

is bright

3 1

¡ Ì

54 53 42 31 2 1 K K Ì ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ Ì Ì Ì , , 4 2

Ì ¡ Ì

Ho - ly

¡ Ì

5 2

¡ Ì Ì

4 1

moth - er and Child.

Ì Ì 1

2 1

4 1

ly night!

Hymn 204

¡ Ì

In - fant, so

5 4 3 5 2

1 2 ¡ ¡K ¡ ¡K Ì ¡¡ ¡ ¡ ¡¡ , 5 2

Sleep

ten - der and mild,

3 1

2 1

heav - en - ly

¡ Ì

Ì Ì

peace.

3. Silent night! Holy night! Son of God, love's pure light Radiant beams from thy holy face, With the dawn of redeeming grace, Jesus, Lord, at thy birth; Jesus, Lord, at thy birth.

Ì Ì Ì

Far, Far Away on Judea's Plains

Simplified for organ in three parts

Joyfully R 92-112 2 D ¡

¡¡ ¡¡ ¡¡

¡ ¡¡ ¡¡

" D ¡

Far,

far

4 2

3 1

5 1

a-way

4 2

3 1

D ¡¡ ¡¡ ¡¡ ¡¡ ¡¡ "D

joy

ous

D ¡¡

5 1

4 2

¡¡

Ì Ì

will

men;

3 1

¡ ¡¡ 1

¡ ¡

the

1 5 1

¡ ¡

5 2

4 2

¡ ¡ ¡¡ ¡ 1

K ¡ ¡¡ ¡ ,

¡ ¡

2. Sweet are these strains of redeeming love, Message of mercy from heav'n above: 3. Lord, with the angels we too would rejoice; Help us to sing with the heart and voice:

¡¡

Peace

K ¡¡ , 4 2

on earth,

3 1

5 3

¡ ¡

¡ 3

5 1

the

to God,

est;

¡ ¡ ¡ ¡ ¡ ¡

Glo - ry

5 1

4 2

5 4 2

¡¡

earth,

good

4 2

3 1

¡¡

good

will

men!

¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡

Peace

heard

3 2

¡ ¡

¡ ¡ 3

ÌÌ

high

of old

5 1

to God,

4 2

¡ ¡ ¡

Glo - ry

¡¡ ¡¡

5 3

¡ ¡¡ ¡¡ ¡

¡¡ Ì

¡ ¡¡ ¡¡

4 2

3 1

Shep - herds

3 1

to God

D ¡¡ "D

¡ ¡ ¡ ¡ ¡

Glo

strains:

4 2

plains,

¡¡

¡ ¡ ¡¡ ¡ ¡

5 1

4 2

¡¡ ¡¡ ÌÌ

Ju - de - a's

Hymn 212

4. Hasten the time when, from ev'ry clime, Men shall unite in the strains sublime:

Ì Ì Ì

Do What Is Right

Hymn 237

Simplified for organ in three parts Resolutely q = 96-116

# 3 . j & 4 œÇ œ œ ÇÇ œ œœ œ œœ œœ Ç œ œ Ç 5 1

5 1 2

? # 43 Ç

Do what is

# . j œ œ œ Ç 5 1

5 4 2 1

œ . œj œ œ œ œ Ç œœ œ 5 2

5 4 2 1

œ Ç

si-lent notes

3 1

œœ œœ œœ œœ œœ œœ œœ œœ œœ Do what is

Ç 5

right; let the

œ Ç

# œ. j & Ç œ œ 5 1

5 2

day-dawn is

3 4

An - gels a - bove us are

right; the

œ Ç œ

4 1

break-ing,

œ Ç

œ Ç œ Ç tak-ing

œ Ç

œœ ÇÇ

con-se-quence fol-low.

œ Ç

œ . œj œ œ . œj œ œ Ç Ç œ. œ œ œ Ç J 3 4

5 2

œ Ç

5 4 2 1

œ œ Ç

And withstout hearts look ye forth till to - mor-row.

Ç 5

2. Do what is right; the shackles are falling. Chains of the bondsmen no longer are bright; Lightened by hope, soon they'll cease to be galling. Truth goeth onward; then do what is right!

j œœ .. œœj œœ œ œ œœ œÇ . œ œœ œ J 5 3

3 1

œ Ç

Hail - ing a

4 1

fu-ture of

4 5 1

5 2

Ç. Ç.

free-dom and light.

Ç.

j œœ .. œœj œœ œ œ œœ œÇ . œ œœ œ J 5 3

4 5 1

4 1

œ Ç

Of ev - 'ry

5 2

Ç. Ç.

ac-tion; then do what is

5 4 2 1

4 5 1 2

right!

Ç.

œ œ œ œ œj œ . œ œ œ œ œ œ œ œ # œ . , # œœ J 2

4 1

œ Ç

Bat-tle for

5 1

3 2

free-dom in

spir - it

œ Ç

2 4 1

5 2

Ç. Ç. Ç.

and might;

j œœ .. œœj œœ œ œ œœ œÇ . œ œœ Ç . œ Ç. J 5 3

4 1

œ Ç

4 5 1

œ Ç

5 2

œ Ç.

God will pro - tect you; then do what is

right!

3. Do what is right; be faithful and fearless. Onward, press onward, the goal is in sight. Eyes that are wet now ere long will be tearless. Blessings await you in doing what's right!

Count Your Blessings »

Simplified for organ in three parts

Hymn 241

Brightly q 80-96

& 42 œœ œœ œœ œœ 3 1

5 3

4 2

5 1

& œœ œœ œœ œœ ?

4 2

j œ œ.

4 1

& œœ # œœ ?

one

& œœ .. 2

tem - pest

one,

œœ

ÇÇ

all

lost,

œ.

j œ

j œ œ.

œœ

œœ , œ

j œ

œ.

5 1

œœ

will sur - prise you what

Name

them

5 3

one

œœ

5 1

œ œ œ œ

j œ

are

dis -

j œ œ. 5 1

œœ

the

Lord

5 1

Ç Ç

one.

œœ , œ

bless - ings; name them

4 2

œœ

has

œ œ œ œ

œœ œ œœ œ 2

3 2

5 1

œ.

j œ

œœ

When you

œ.

œœ

bless - ings;

- tossed,

Count your man - y

5 3 1

œœ œœ œœ

œœ

œœœœ Ç

And

j œœ œœ J

your

3 1

4 2

œ œœ œœ œœ

ÇÇ

œ œ œ œ

œ œœ œœ œœ

ÇÇ

? œ œ œ œ Count

bil - lows you are

œ œ œ œ Ç 2 1

œœ # œœ

3 1

cour - aged, think - ing

3 2

œœ œœ œœ , œ

j j œ œ œ.

? 42 œ .

When up - on life's

4 1

5 1

œœ .. Count

Ç done.

j œœ J 3 2

your

œ œ œ œ

33 5 3

& œœ ?

j œ

œœ

bless - ings;

œœ

ÇÇ

See

what

God

hath

done.

Count

œ.

rit. 4 1

œ œ œ œ

j œ œ J

5 1

œ. œ.

5 1

j œœ œœ .. J œ œ. J

your

bless-ings;

œ œ œ œ

a tempo

& œœ

œœ œœ œœ

? œ

œ œ œ

Name them one by

ÇÇ Ç

one.

5 1

œ œ

œ œ œ œ œ œ

2. Are you ever burdened with a load of care? Does the cross seem heavy you are called to bear? Count your many blessings; ev'ry doubt will fly, And you will be singing as the days go by. 3. When you look at others with their lands and gold, Think that Christ has promised you his wealth untold. Count your many blessings; money cannot buy You reward in heaven nor your home on high. 4. So amid the conflict, whether great or small, Do not be discouraged; God is over all. Count your many blessings; angels will attend, Help and comfort give you to your journey's end.

5 1

4 2

œœ œœ œ œ œ œ

j œ œ

Count your man - y

œ.

4 2

3 2

bless - ings; See what

4 1

3 2

œœ œœ œ

God hath

Ç done.

Let Us All Press On

Simplified for organ in three parts

Hymn 243

With vigor R 92-108

1 ¡ ¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡ 3 1

5 1

" ¡ ¡ ¡ ¡ ¡ ¡ Let

3 1

us all press on

the

4 2

5 1

" ¡ ¡ ¡ ¡ ¡ ¡ 3 5 gain

5 1

ÌÌ

a re-ward; In the

¡¡

" ¡ ¡ ¡ Fear

ÌÌ

¡ ¡¡ ¡ ¡

" ¡ ¡ ¡ ¡ heed

not what the

¡ ¡

fight for right let us wield

¡ ¡ ¡ ¡

Ì Ì

¡ ¡ ¡ ¡ ¡¡ ¡¡ ¡ ¡ Ì

¡ ¡

2 1

5 4 2

¡ ¡

sword,The might-y

sword of

truth.

¡ 2 1 5

¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡

Lord is on our side. We will

3 2

5 1

Cour - age, for the

¡¡ ¡ ¡¡ ¡ ¡¡ ¡ ¡¡ ¡ ¡

5 1

¡ ¡

¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡ ¡

5 1

3 1

wick

o'er we may

¡ ¡

5 2

¡ ¡¡ ¡ ¡

en - e-my deride;

5 2

¡¡ ¡ ¡¡ ¡ ¡¡ O ¡¡ ¡¡

not, though the

life

2 1

5 2

3 1

3 4 1

2 1

4 1 32

2 ¡¡ ¡¡ ¡¡ ¡¡ ¡ ¡¡ ¡ ¡¡ ¡ ¡¡ ¡¡ 5 1

¡¡ ¡¡ ¡¡ ¡¡ ¡¡ ¡ ¡ 4 2

4 2

of the Lord, That when

3 1

work

5 3

¡¡ ¡ ¡ ¡¡ ¡ ¡ ¡¡ ¡¡ ¡ ¡

3 1

¡¡ O ¡¡ ¡¡ ¡ ¡¡

2 1

- ed may say,

2. We will not retreat, though our numbers may be few When compared with the opposite host in view; But an unseen pow'r will aid me and you In the glorious cause of truth.

But

3 2

¡¡

the

Lord

¡ 1

3 2

¡ ¡

K ¡ ¡ ¡¡ ¡¡ ¡¡ ¡ ¡ , 5 1

5 2

4 2

¡ , ¡ ¡ ¡ ¡

Ì Ì

a - lone we will o - bey.

3. If we do what's right we have no need to fear, For the Lord, our helper, will ever be near; In the days of trial his Saints he will cheer, And prosper the cause of truth.

Oh Say, What Is Truth?

Simplified for organ in three parts

Firmly R 72-96

D ¡ 1

" D ¡

¡ ¡

say,

what

D ¡ ¡ 5 1

4 2

¡¡

truth

will

4 2

3 1

D ¡¡

¡¡

¡ ¡

be when

The

dem

'Tis

the

fair

3 1

¡ 2

2. Yes, say, what is truth? 'Tis the brightest prize To which mortals or Gods can aspire. Go search in the depths where it glittering lies, Or ascend in pursuit to the loftiest skies: 'Tis an aim for the noblest desire. 3. The sceptre may fall from the despot's grasp When with winds of stern justice he copes. But the pillar of truth will endure to the last, And its firm-rooted bulwarks outstand the rude blast And the wreck of the fell tyrant's hopes.

¡ ¡

¡¡ ¡¡ ¡¡ ¡

mon

¡¡ -

¡ ¡

but dross

That the

5 2

¡¡ ¡¡ ¡¡

¡¡ ¡¡

¡ ¡ ¡

¡ ¡

the val - ue

4 2

5 1

4 2

5 1

¡¡ ¡¡ ¡¡ ¡¡ ¡¡

¡¡ ¡¡

¡ ¡

gem

3 2

arch's

3 4 1 2

¡¡ ¡¡

est

4 2

2 1

¡¡

price - less

count

And

proud

¡¡

¡ ¡

¡¡

4 2

5 2

¡¡

pro - duce,

¡¡ ¡¡

¡¡ -

¡ ¡

can

Hymn 272

¡¡

ÌÌ

¡¡ ¡¡

¡ ¡

¡¡ ¡¡

3 1

5 2

is truth?

4 2

¡ ¡ ¡

¡ D ¡

"D ¡

of worlds

5 1

3 1

¡ ¡ ¡ ¡

¡ ¡¡ ¡¡ ¡

"D ¡

4 1

4 3 2 1

rich - es

5 2

cost

5 1 2

¡ ¡ and

¡ ¡

4 1

li - est

3 1

¡ Ì ¡ Ì ¡ Ì

ref - use.

4. Then say, what is truth? 'Tis the last and the first, For the limits of time it steps o'er. Tho the heavens depart and the earth's fountains burst, Truth, the sum of existence, will weather the worst, Eternal, unchanged, evermore.

I'll Go Where You Want Me to Go ย 48-58

Resolutely RL

ยกK D ยก , 3 1

" D ยก ,

K ยก

ยก ยก ยกยก ยก ,

ยกยก ยก

not

ยกยก

K ยกยก ,

" D ยก sea,

4 2

D ยกยก "

Lord

D ยก

D ยกยก "D ยก

voice

K ยก

ยก 2 1

ยก ยกยก ,

ยก

may

K ยกยก ยกยก , he calls ยก ยก , 2 1

ยก ยก

K ยกยก , 5 2

ยก ,

ยก ยก paths

ยก

K ยกยก ยก ยก ,

ยก

me.

3 1

ยก ยกยก ,

ยก ,

But

ยกยก

K ยก ยก

that I

ยก

if,

ยก

ยก ,

ยก

K 7ยก ยก ยก ยก ,

tle's

3 1

ยก ยกยก ,

ยก

front

V 1

ยกยก ยก

K ยก ยก a

still,

K ยก ยก , K ยก

ยกยก ,

K ยก

small

ยกยก

not

know,

ยก

K ยก

ยก ,

storm - y

5 2

ยก ยก

ยก

bat

4 2

o - ver the

ยกยก

at the

4 5 1

5 2 1

ยก ,

3 1

K ยก

need

ยก ,

ยก ยกยก ,

ยก

ยก ,

4 2

ยกยก

4 1

not

K ยกยก ,

5 2

K ยก ยก

will have

K ยก ยกยก

ยกยก

ยก , ยก

moun - tain height

4 2

3 1

ยก

on the

53 42K ยกยก ยกยก ,

1 K ยกยก ยกยก ยกยก ยก ยก , 5 3

5 2 1

ยก ยก

ยก ,

Hymn 270

K ยก ยกยก

4 1

3 2

5 3

ยก ยก ,

may

D ยกยก

Simplified for organ in three parts

K ยก , 2

ยก ,

I'll

37 4 2

D ยกยก "D ยก

ยกยก

ยก ยกยก ,

ยก

ยก ,

ans - wer, dear

D ยก ยก " D ยก go.

D ยกยก "D ยก

D ยกยก "D

ยก

say,

Lord,

ยก

where you

3 1

ยก ยกยก ,

ยกยก

ยก

K ยก ยก

4 1

O ยก ยกยก ,

plain

ยก ยก

ยก ยก , V

dear Lord;

2. Perhaps today there are loving words Which Jesus would have me speak; There may be now in the paths of sin Some wand'rer whom I should seek. O Savior, if thou wilt be my guide, Tho dark and rugged the way, My voice shall echo the message sweet: I'll say what you want me to say.

want

ยก

ยกยก

sea;

ยก

ยก ,

go,

ยกยก

I'll

what

you

ยก

5 3

ยกยก ,

K ยก ยก

want

K ยก ยกยก ยก , dear Lord, ยก ยก ,

what you

ยกยก

ยก

5 1

ยกยก ยก

ยก

5 2

ยกยก ยก ,

2 1

ยก ,

say

4 2

K ยก ยก ยก

ยก ยกยก ,

ยก

I'll

ยกยก

K ยก

ยก

2 K ยก ยกยก ,

K ยกยก ,

go where you want me

ยกยก

K ยก

ยกยก

5 3

ยกยก ,

ยก

ยกยก

K ยก

I'll

ยกยก

K ยก

ยกยก

K ยก ยก

in thine:

ยก ยกยก ,

5 1 K 2 3 ยกยก ยกยก ยก ยก ยก ยก ยก ยก ยก ยก , 5 3

ยก ยก ,

hand

3 1

ยก ยก ,

I'll

ยก

ยก ,

4 1

ยก Oยก ยก ยก ยก ยก ยก ,

with my

K ยก ยก ยก ยก ,

ยก ยก

5 2 1

4 1

ยก ยกยก ,

5 2

moun - tain or

5 2 1

5 1

4 2

ยก ,

O - ver

4 1

ยก ยกยก , ยก ,

want

me to

ยก ยก

ยก

be.

ยก

3. There's surely somewhere a lowly place In earth's harvest fields so wide Where I may labor through life's short day For Jesus, the Crucified. So trusting my all to thy tender care, And knowing thou lovest me, I'll do thy will with a heart sincere: I'll be what you want me to be.

O My Father

ย

Fervently R 42-56 3

Simplified for organ in three parts

ยก ยก ยก ยกร ยก 3 ยก, 2 1

" ยก

5 4 2 1

ยก ยก ,

ยก ยก ยก ,ยก 3

ยก

Fa - ther,

ยกร

ยก ,

thou

that

ยก

place,

When

ร

ยก

2 1

ร ร

5 4 2 1

face?

ร

ยก ยก 5 1

" ยก

first

ยก

re - gain

ยกร

ยกยก

the

high

K ยกยก ยกยก ยก ยกยก , , 3

3 3 2

and glo - rious

ยก

ยก ยก ,

pres - ence

And

ยก

K ยก ยก ยก ยก ยก ยก ยก , 3 ,

a - gain

2 1

ยก 3 ยก ยก ยกK ยก ,

thy

K ยก ยก ยก ยก ยก ยก , ยก 3 , K ยก ยก

4 1

K ยก ยก ยก ยก

ho - ly hab - i - ta - tion, Did

5 2

ยก ยก ,

2. For a wise and glorious purpose Thou hast placed me here on earth And withheld the recollection Of my former friends and birth; Yet oft-times a secret something Whispered, "You're a stranger here," And I felt that I had wandered From a more exalted sphere.

ยก ร

ยก

child - hood

ยก

spir - it once

ยกยก ยกยก ยก ยก , 3 1

ยก

Was

ยก , I

re - side?

K ยกยก ยกยก ,

5 3

nur

ยก 2

3. I had learned to call thee Father, Thru thy Spirit from on high, But, until the key of knowledge Was restored, I knew not why. In the heav'ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I've a mother there.

5 1

ยก ยก ยกยก 3 , ยก3ยก ,

K ยกยก ร , 4 2

tured near

ยก ยก ,

ยก ,

ยก ยก ยก ยก 3ยก ยก ร , ,

thy

K ยก ยก

pri - me - val

5 1

34 12

be - hold

K K ยก ยก ยก ยก ยก ยก ยก ยก ยก ยก ยก ยก ยก ยก ยกยก ยก ยก ร ยก ยก ยก ยก ยกยก ยก ยกยก ร ร ยก , 3 , , 3, 3 , 3 5 2

ยก ,

5 2 1

4 1

5 2

ยก 3ยก ยกยก ยกยก ,

ยก

K ยก ยก

thy

3 2

ยก ,

5 1

K ยก ยก ยก

shall

ร ร

5 2

ยก

ยก ยก ยก ยก , 3

3 4 1

ยก

dwell - est

ยก ยก ยกยก ยก ยกยก ร , 3

4 1

ยก

ยก ยก ,ยกยก 3

5 1

Hymn 292

thy 3

ยก ,

side?

ร

4. When I leave this frail existence, When I lay this mortal by, Father, Mother, may I meet you In your royal courts on high? Then, at length, when I've completed All you sent me forth to do, With your mutual approbation Let me come and dwell with you.

Love at Home

Simplified for organ in three parts

Fervently R 88-108

52 14 25 32 51 ¡ ¡¡ ¡¡ ¡ ¡¡ ¡ Ì ¡ ¡ Ì ¡ 2 1

" Ì

There

is beau-ty

all a-round

When there's love at

3 1

¡¡

" Ì

4 1

3 2

Time doth soft-ly,

Ì 3

Ì Ì ÌÌ

3 2 1

" Ì Ì love

2 1

sweet-ly

5 1

home.

K ¡¡ ¡¡ ¡¡ ¡ ¡ ¡¡ ÌÌ , 5 3

Ì Ì

5 2

home;

K ¡ ¡¡ ¡ , 3 1

glide

Hymn 294

5 4 3 25 1 24 1 K ¡2 1 32 21 42 ¡ ÌÌ ¡ ¡ ¡ ¡ ¡ ¡¡ ¡ Ì ¡ ¡ ¡¡ ÌÌ 3 2 1

ev - 'ry sound ¡ ¡ ¡ ¡ Ì , Ì Ì

When there's love at home;

5 4 4 2

1 K 1 1 ¡ ¡¡ ¡¡ ¡¡ Ì , Ì

" Ì

There is joy in

4 2

Peace and plen - ty

¡ Ì

When

5 3

4 2

5 3

4 1

Time doth soft-ly,

2. In the cottage there is joy When there's love at home; Hate and envy ne'er annoy When there's love at home. Roses bloom beneath our feet; All the earth's a garden sweet, Making life a bliss complete When there's love at home. Love at home, love at home; Making life a bliss complete When there's love at home.

3 2

2 1

sweet-ly

home.

K ¡ ¡¡ ¡¡ ¡ ¡¡ ¡¡ ¡ ÌÌ ¡ , 3 1

4 2

glide

Smil - ing sweet on ev - 'ry side.

52 41 52K 14 ¡ ¡ ¡ Ì ¡ ¡ ¡ Ì ,

there's love at

2 1

here a - bide,

5 3 3 42

1 KÌ ¡¡ ¡¡ ¡Ì ¡ ¡¡ ¡¡ Ì ,

KÌ ¡ ¡¡ ¡Ì ¡ ¡ ¡¡ Ì , ¡ 5 3

3 1

¡ Ì

Ì ÌÌ Ì

4 1

Ì Ì

home,

2 1

Love

Ì 3

¡ ¡

7 71 2 45 2

3 4

¡¡ ¡ ¡ ¡ ¡

when there's love at

5 1

Ì Ì Ì

home.

3. Kindly heaven smiles above When there's love at home; All the world is filled with love When there's love at home. Sweeter sings the brooklet by; Brighter beams the azure sky. Oh, there's One who smiles on high When there's love at home. Love at home, love at home; Oh, there's One who smiles on high When there's love at home.

I Am a Child of God »

Simplified for organ in three parts

Fervently q 80-96

## 4 & 4 œÇ 3 2

? # # 44 Ç I

? ##

œ œ

ÇÇ ..

God,

am a child

gi - ven

3 1

œœ

? ## Ç

Lead

2 1

œœ

? ## Ç

Teach

(35) œœ , œœ me,

() œœ , œœ 3 2

nallÇ 1

2. I am a child of God, And so my needs are great; Help me to understand his words Before it grows too late.

5 1

has sent

4 2

j œ œÇ J

œœ ..

œœ

() œ

home

2 1

3 1

With

par - ents

5 2

œ œ Ç

ÇÇ ..

œœ

here,

Ç.

Has

4 5 1 2

kind

œœ me,

œœ that

walk

5 2

be - side

Ç. Ç.

and

dear.

Ç.

j œœ ÇÇ .. J

4 1

U , 31 2 1

œ œ . œ œ œœ . do œI must œ œ. 2

u 5

5 3

me,

Help me

j œœ œÇ J 5 2

j œ Ç

live

œ with

3. I am a child of God. Rich blessings are in store; If I but learn to do his will I'll live with him once more.

find

the

4 2

œœ

3 5 1 2

œ œ

way.

Ç.

4 1

Ç.

Ç. Ç.

him some - day.

œ œ

2 ( ) , 52 œÇ œ œœ . œœ œœ , œ œœ . œ 3 2

4 1

2 1

5 3

œœ

earth - ly

guide

œœ ..

œœ And

j2 œœ œœ J

5 3

2 1

Ç.

œœ

œ #œ

3 1

5 3

# œÇ œ œœ œœ Ç

œ œ œœ

5 2

4 1

Hymn 301

I Know My Father Lives

Simplified for organ in three parts

Gently R 76-96

¡ " ¡ Ì¡ " ¡

too.

5 1

know

¡X

" Ì

tells

¡ 42

¡ ¡ it

ÌÌ

¡¡

lives

¡Ì

The

Spir

¡ ¡

5 1

2. He sent me here to earth, by faith to live his plan. The Spirit whispers this to me and tells me that I can, And tells me that I can.

* Do not use 16' stops in this hymn.

and

4 2

¡¡

¡ Ì Ì

And

tells

¡ ,

¡Ì

¡¡ me

4 2

¡¡ ¡ 2

¡Ì

5 2 1

¡Ì

31 5 42 ¡ ¡Ì me

5 1

loves

this

5 1

5 2

2 2 3 Ì ¡ 0 ¡ ¡¡ ¡

true,

whis - pers

5 1

1 31

¡¡ 1

K ¡ ¡¡

5 2

4 1

3 2

my Fa - ther

K ¡ Ì ¡ 5

¡¡

5 3

5 2

Hymn 302

¡ O ¡ it

32 31 K ¡ ÌÌ is

true.

¡ and

Teach Me to Walk in the Light Simplified for organ in three parts

ย

Hymn 304

Prayerfully R 84-100

ยกร 2 1

ยก

" ร

Teach

ยกร

" ร

Teach

ร

" ยก

Teach

pray

ร 2 1

ร

me,

ยก ยก ยกร

ยก

Dยก

the

ยก

ยกยก ยก ร

know

3 5 1

ยกยก ยก ยก

teach

2. Come, little child, and together we'll learn Of his commandments, that we may return Home to his presence, to live in his sight-Always, always to walk in the light.

ยกร

ยก

light

ร

ยกยก

fa - ther

ร

5 3

ยก

4 2

ยกยก ยก

ยก

ยกร

ยก

the

things

that

Oยก

ยก

K ยก ,

5 1

5 3

ยกยก ยก

walk

ยก

4 1

ยกยก ยก

4 2

ยก ยก

ร ร

his

love;

ยก

ร

ยก 2 1

4 2

2 1

4 1

Teach

ยก ร

ยก ยก

ยกร

5 1

ยก

ร

walk

ยกยก

ร

5 1

5 2

ยกยก ยก

ยก

2 1

4 1

5 1

4 2

ยกยก

ร ร

ยก

bove;

ร

5 1

ยก ยก

ร ร

are

right;

ยก

3 2

ยกยก

the

ยก

3 2

ร

ร light.

ร

3. Father in Heaven, we thank thee this day For loving guidance to show us the way. Grateful, we praise thee with songs of delight! Gladly, gladly we'll walk in the light.

APPENDIX ABOUT THESE ARRANGEMENTS These arrangements are designed to help a pianist adapt to the organ. With only minimal effort he or she may achieve more satisfying “organistic” results than might be achieved with standard four-part hymns. For those who intend to develop their organ playing skills more thoroughly, including polishing these arrangements, the information in this appendix may be helpful. Learning the new techniques and skills of the organist can be a stimulating and interesting endeavor. At the same time—especially for new organists who play regularly for church—it can be overwhelming. While you learn how to play hymns “like an organist,” be sure to allow yourself to continue doing the best you can with your current skills. You might consider a goal of working on just one hymn at a time in “polish mode” until it is truly finished, while at the same time playing all the other needed hymns in “shortcut mode”—that is, doing the best you can with your available preparation time. If you stick to the goal of polishing one hymn at a time, you will eventually learn to sight-read them to that high standard.

FINGERING This collection centers around playing hymns in legato style; that is, with smooth connections from note to note. Legato organ playing makes use of standard piano fingering methods and specialized organ fingerings. Some of these may be unfamiliar to the pianist, and will be explained briefly below. The fingers are numbered in organ playing as they are in piano, beginning with the thumb as finger 1. Some symbols, however, are unique to the organ, and refer to special fingering techniques.

D Ì ¡ 1 D Ì ¡ ¡¡ ¡¡ 4 2

Finger Crossing. In organ playing, fingers cross over and under one another much more often than in piano playing. Fingers 4 and 5 cross especially frequently. Use very curved fingers to execute finger crossings, and always listen for a good legato connection between the two tones.

Finger Substitution. The short curved line between two different finger numbers indicates a finger substitution. While holding the key down with the original finger, the substituting finger replaces it. For those with larger fingers, use the length of the key rather than substituting side-to-side. Curve the fingers for cleaner and easier substitutions. Be careful not to allow the key to come up during the substitution. When substitutions occur in two voice parts at the same time, they may need to be executed very quickly one after the other. Several substitutions can occur in sequence, sometimes in fast tempos. Learn to execute very quick, efficient substitutions, always listening for clean legato connections in both voice parts.

# œ œ & œ œ 5 2

5 1 2

4 5 1 2

5 1

4 2

DD ¡ ¡K Ì 5 3 1

D D ¡¡ ÌÌ 5 2

4 5 4 5 1 2 1 2 4 1

œ œ œ œ œ œ œ œ

4 5 1 2

5 2

4 1

¡ ¡

˙. ˙.

As you try out these examples, note that they require some finger flexibility and stretching in order to achieve legato connections. While flexibility may increase with practice, if you have smaller hands you may find some of the given fingerings to be difficult. Feel free to adapt the fingerings to fit your hand. For example, if a finger crossing requires too much stretching between the fingers, you might try a finger substitution instead. If you simply cannot achieve legato in both voices played with the right hand, you might allow a single finger to â&#x20AC;&#x153;hopâ&#x20AC;? from key to key in the lower part. You can then preserve a smooth connection in the more prominent higher part. Finger Glissando. The straight line between the same two finger numbers indicates a glissandoâ&#x20AC;&#x201D;a slide from one key to another. A finger glissando occurs when a finger or thumb slides from a sharp (or flat) to a natural key. Use a quick, decisive finger action rather than jerking back the hand and arm. When done successfully, a good legato connection is heard.

ÂĄ ÂĄ ÂĄÂĄ ÂĄ Ă&#x152; ÂĄ

ÂĄ ÂĄÂĄ ÂĄ ÂĄÂĄ ÂĄÂĄ ÂĄÂĄ

5 5 4 2 1 3 4 Thumb Glissando. The thumb can also execute 1 2 1 1 1 legato â&#x20AC;&#x153;slidesâ&#x20AC;? in another way. It can rock back and 1 forth between the base and the tip of the thumb from one natural key to a neighboring sharp or natural. Because the thumb glissando is a rather advanced organ fingering technique, it is only used when absolutely necessary in these arrangements. It is indicated by a straight line between finger numbers 1 and 1, the first of which plays a natural key.

INDEPENDENCE OF LINE Most pianists notice the absence of the damper pedal at the organ, and they struggle to achieve smooth, sustained lines in hymn playing. A good legato becomes possible by mastering a few specialized fingering techniques (described above) and learning to listen for independence of line. The right-hand part usually consists of two independent voice parts or â&#x20AC;&#x153;lines.â&#x20AC;? Be particularly careful to preserve the integrity of each line, regardless of what the other is doing. A break in one line should not cause a break in the other line where a smooth connection or sustained 5 3 5 2 2 1 1 3 tone should occur. Likewise, sustained tone in one part should not cause 1 a tie in another part where a break should occur. For example, the passage to the right shows two points where a break occurs in one line (indicated by a comma), while the other line remains legato (indicated by an arrow).

ď ˘ ď&#x20AC;Ś ď ˘ ď&#x192;?ď&#x192;?

In these arrangements, occasionally a special form of notation is used as a reminder to listen for independence between the two right-hand parts. A line connects the notes that need to remain legato, and a comma indicates a break. In the second example, the connection between soprano f and d is legato (feel a â&#x20AC;&#x153;heavyâ&#x20AC;? hand), at the same time that the alto d breaks (a â&#x20AC;&#x153;lightâ&#x20AC;? hand).

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1 D 2 K D ÂĄÂĄ ÂĄÂĄ ÂĄÂĄ Ă&#x152; Ă&#x152; , 4

The left-hand line should also remain independent of the two right-hand lines. While this may seem impossible at first, it can become easy with practice. See â&#x20AC;&#x153;How to Practice the Arrangementsâ&#x20AC;? below.

D Ì D ÌÌ Ì

PHRASING Making natural breaks at the ends of musical or textual phrases is as important as the notes and rhythm. There are various ways to decide when to make a phrase break: • Rests are sometimes indicated in the hymn score itself. Break in all parts in which a rest appears.

" D D Ì Ì peace;

5 5 5 ( 2) 1 ,2 2 œ œ œ b & b œœ œ œ˙ œ œ 3 5 1

• Commas for phrasing are added in some of these arrangements. Break in all voice parts when the comma appears above the treble staff. Break in only one voice part when a comma appears within a staff. In the later verses, any phrasing indicated by commas in the hymn score may need to be reconsidered.

for - ev

? bb œ

er,

˙ ˙

A - men

œ œ œ œ 2

4 1

• Break at selected punctuation marks in the text (periods, commas, semicolons, colons, exclamation points). The organist can help clarify the meaning of the text by making breaks in all or some parts at strategic places. This is the approach that has been followed in these arrangements, indicated by large commas (see the example above). 5 5 5 • Breathe when the congregation breathes. This vocally-oriented approach is used by many excellent organists and directors. However, the textually-oriented approach described above does more to help “teach” the message of the hymn.

D D " D D

4 3 42 31 Ì ¡ Ì Ì ¡ ¡¡ ¡¡K ¡ ¡ ¡K Ì Ì Ì , ¡ ¡ ,¡ all is bright Round yon vir - gin mo - ther Ì Ì Ì Ì Ì 2

3 1

4 2

HOW TO PRACTICE THE TRANSCRIPTIONS Here is one possible outline for learning one of these arrangements in “polish mode”: 1. Choose a small section on which to focus (1-4 measures). 2. Learn the soprano part alone to a tempo that you choose, staying faithful to the indicated fingering and listening for perfect legato. Consider it adequately learned if you can play it three to five times in a row perfectly, nearly memorized. 3. Learn the alto part alone as described in step 2. 4. Reducing your tempo enough that you can stay in control, combine the soprano and alto parts. Remember to stay faithful to the fingering, always listening for perfect legato. This time listen also for independence of line—do not let the breaks in one line cause breaks in the other. Gradually increase the tempo as you are able, but always practice slowly enough to stay in control. 5. Learn the bass part as described in step 2. 6. Reducing your tempo once again, now combine all three parts as described in step 4. 7. Make note of the date, the voice parts, and the tempo that you reached. 8. Begin your next practice session by reviewing what you covered in the previous session, and either finish the old section or begin another. 9. Combine the sections as you are able, reviewing as needed, always being aware of perfect legato, independence of line, and fingering and pedaling. 10. Set small goals and reward yourself as you achieve them!

LEARNING TO PLAY THE ORGAN: THE NEXT STEP Learning to play the organ can be a most stimulating and exciting endeavor, whether it be for church service or for your own enjoyment. You might consider one of these ways to enhance and continue organ training: Transformations. A companion volume to Manual-Only Hymns that provides easy supplemental material to â&#x20AC;&#x153;transformâ&#x20AC;? the hymns into simple preludes or postludes. http://creativeworks.byu.edu/catalog The New LDS Organist. A free course of twelve lessons (podcasts) and 59-page packet, designed to help LDS pianists adapt their skills to the organ as soon as possible. http://www.organ.byu.edu/newldsorganist Ward and Stake Training Courses. Many LDS stakes and wards offer free organ training courses. Contact your local ward or stake music leaders for information. Private Organ Instruction. A competent private organ instructor can offer valuable personalized training. To find a teacher, you may wish to ask a respected organist for recommendations. If you are in a larger city, you may find well-trained organists associated with colleges, universities, or larger churches. Your local chapter of The American Guild of Organists (AGO) is well suited to make recommendations. To find a chapter in your area, visit the AGO web page. http://www.agohq.org OrganTutor Organ 101. A workbook and computer tutorial that offer instruction in organ technique, registration, hymn playing, and other general concepts. OrganTutor is designed to help students learn more effectively on their own between lessons. It has been used successfully by thousands of students in the BYU and University of Utah group organ classes (see above). http://organtutor.byu.edu BYU Organ Workshop and Young Musicians Summerfestival. Intensive and enjoyable 4- to 7-day events designed to help prepare organists for continued study during the year. The Workshop is primarily for adults and the Summerfestival is for young musicians ages 14-18. Both events are held on the Brigham Young Univeristy (Provo) campus. http://organworkshop.byu.edu http://summerfestival.byu.edu BYU Independent Study Organ Courses. Six courses designed to provide motivation and instruction for organists to improve their skills by working toward specific goals. Each course (level) covers organ repertoire, hymn playing, organ registration, music theory, sight-reading, transposition, and accompaniment appropriate to that level. Traditional instruction, assignments, and exams are offered through books and computer lessons, while performance instruction and assignments are coordinated with qualified local organ instructors. Credit and non-credit courses are available. Some courses are free (plus materials and lessons). http://organ.byu.edu/orcert.html Organ Courses Offered through Local Colleges. Some local colleges and universities offer organ classes for the local community. The University of Utah, for example, offers such a course as part of the Preparatory Division of the School of Music. http://www.music.utah.edu/preparatory_division/organ_program