Alison Saar

Grow’d monumentalizes the intersecting histories of cotton, slavery, and identity in the United States. Cast in bronze and life-sized, the statue depicts a wiser, more powerful adult version of Topsy, a young enslaved girl from Harriet Beecher Stowe’s Uncle Tom’s Cabin. A crown of cotton seems to lift her braided hair into a halo as she holds a cotton branch as a scepter in one hand and a scythe in the other, referencing life and death. Seated on a cotton bale throne, she is the nexus where the natural world and capitalism collide: a reminder that cotton production and capital have been entwined for centuries with the lives of Black people. Yet, her upright posturing and regal adornment implies that she is godlike, wielding mastery over the natural and man-made worlds, tipping the balance of power in her favor. When asked, “Do you know who made you?” Topsy replied,“ I spect I grow’d. Don’t think nobody never made me.”