Jeesoo Shin 2019 Portfolio

Page 1

JEESOO SHIN 2019 ARCHITECTURE PORTFOLIO

1


JEESOO SHIN (+1)818.967.9498 jeesoosh@usc.edu 1 1 5 0 W. 3 6 t h S t . L o s A n g e le s C A , 9 0 0 0 7 online portfolio link: https://issuu.com/jsooshin3923/docs/2019_new_3

EDUCATION

EXPERIENCE

ACHIEVEMENTS/ HONORS

University of Southern California- School of Architecture Bachelor of Architecture Current GPA: 3.50 Los Angeles, CA Expected Graduation: May, 2020 Kevin Tsai Architecture Los Angeles, CA Summer Intern Assisted construction drawings, schematic design, and digital modeling

May-Aug, 2018

Private house planning for Virgo Handojo Pasadena, CA Drew sets of plans for private residence. Discussed directions and potentials for remodeling. contact info: vhandojo@gmail.com

August, 2017

Michael Maltzan Architecture Los Angeles, CA Part- time intern Assisted model making

July, 2016

USC School of Architecture yearly selected works for publication Work selected for 2019 yearly publications and exhibition for prospective student tour dates. Will be published Fall2019

2019

USC School of Architecture’s yearly EXPO INDEX Two projects featured in yearly booklet as examples.

2015-2016

USC School of Architecture Website Projects featured on USC Architecture website as selected student works.

2016

Doug Moreland Scholarship in Architecture

2018 2017

Gudis Scholarship

SKILLS

August, 2015 - present

Rhinoceros

Adobe Suite

Grasshopper V-Ray

Autodesk

AutoCAD Revit 3dsMAX

Illustrator Photoshop InDesign After Effect Lightroom

MS Office

Word Powerpoint Excel

Others

SketchUp HEED

Languages

English Korean


table of contents 04-07

mosaic

08-11

the shell

12-15

one-wilshire

16-17

the crack

18-21

studies

3


4


mosaic supportive share housing for mothers and children

5

mosai c


floor plan and garden plan

The idea of a mosaic serves as a metaphor for a community of dwellings for homeless mothers and children. The project is located on a 50,000 square foot parking lot two blocks from Venice Beach, adjacent to the Venice Canal Historic District. Programmatically, the project is conceived as a small neighborhood or village of share houses, public facilities such as a clinic, classrooms, counseling lounges, recreational spaces and other communal spaces. Conceptually, the term mosaic not only defines the space that’s created by the mix of programs but also, refers to the diverse constituency and neighborhood fabric that has characterized Venice as a cultural hub, a tourist destination, a hangout for creatives and eccentrics as well as home to second largest homeless population in Los Angeles.

backyards frontyards and sideyards neightborhood morphology 1.2 sqft of green space svery 10sqft average far=1/1 insufficient garden space

a. programs placed on the grid of existing neighborhood

b. shifting programs

2.8 sqft of greenspace every 10sqft

6

c. 5.3 sqft of shared greenspace per 10 sqft

d. mosaic programs with backyards and sideyard distribution


unit type a single woman

unit type b woman and infant

unit type a woman and toddler

unit type a woman and child

exploded unit oblique

7

mosai c


the shell affordable housing and produce market

8


9


interior perspective

The shell house examines the physical and cultural context of a particular site in Los Angeles and a program density that requires the deployment of a complex organizational types. Co-Housing is understood as reduced footprint, fully private living spaces that are augmented by shared programs. The project includes facilities to support the Ron Finley Project - a nonprofit entity promoting community gardening and access to healthy, locally grown food. Located in the intersection of Exposition St. and Chesapeake Ave., the project promotes an open space that interacts with both public and the private apartment tenants. Having the garden as the most important program, the projects consists of different level of privacy. The pushed garden that faces the Chesapeake Ave. is completely open to the public given the corner condition. On the roof of the first floor programs, another level of semi public gardens exist with vertical gardens. For lighting, the apartment units are lifted up, which makes the garden the element that separates the residential and public programs.

10


ground floor plan

first floor plan

third floor plan

11 t he shell

roof plan

section


12


one wilshire multi-purpose residential tower

Utilyzing efficienct pre fabricating nature of GFRC, One-Wilshire proposes a multi purpose residential tower located in DTLA. The project site is an existing parking structure. Standarized parking structure dimension implies the duplication of the pre fabrication. This particular project embeds public and commercial programs in the parking lot segment and transitions to residential floors. Combination of duplicated unit modules create unique floor plan to be modified for different types of programs and users neesds.

group member: Jun Hyuk Choi, Do Kyung Hwang

13

one w i lshi re


5.6M M vehicles Vehicles 5.6

M Parking Spaces 18.618.6 M parking structure 27

'-0

residential floor 2

residential floor 1

"

9'-

0"

commercial floor 2

commercial floor 1

14100 ft²

Wilshire Blvd

Parking Structure

Building Area 14

Unit Plugin on Parking Space


view diagram

1

21'-1"

8'-7

"

"

36'-3"

unit plan

Subtract Units to form Space

Public Program Growth

15

one w i lshi re

Residential Unit

Stacked Units

1

1'-5 2"

3'-6

4'-9 2"

1"

44'-9 4

3

" 21'-5 4


the crevice cultural center for arts district GFRC is used for the facade system of the project as it works as a brilliant material for its lightness, strong durability, and sustainability. GFRC qualifies as sustainable because it uses less cement than equivalent concrete and also often uses significant quantities of recycled materials (as a pozzolan). The pattern that follows the system of the structure’s rafters casts different shadow throughout the day and performs as the fifth facade.

public- lobby, cafe, dining exhibition and library educational- classroom, lecture room private- archive, workshop

16


EDGE BEAM

1

ALUMINUM TUBING MULLION GUTTER C- channel beyond TUBE STEEL RAFTERS MOLDED GFRC RAINSCREEN PANELS

2

GYP BD. FASCIA BEYOND

WATERPROOF MEMBRANE RIGID BOARD THERMAL INSULATION STEEL TUBE VAPOR RETARDER PLYWOOD GYPSUM BOARD FINISH

1

GFRC P

CONCRETE FLOOR FINISH CONCRETE TRANSFER BEAM CONCRETE BEAM

CONCRETE COLUMNS HVAC DUCT SYSTEM 2 LAYERS 0F 5/8” TYPE X GYPBD.

GRADE BEAM

1

GFRC TILE ROOF ASSEMBLY

17

t he crack

2

2

GFRC TILE WALL ASSEMBLY -- CLIP SYSTEM

GF


18


colors of watts abastract site analysis of Central Ave. From the interest of examining Watts in the lens of color and art, the iconic mosaic from Watts tower was selected for further analysis. The analysis studies part-to-whole relationship of tiles and mosaic as a whole, network , and its relationship with the city for potential proposal for connecting the neighborhood together. Two dimensional studies were taken to create a three dimensional artifact using digital scripts.

19

st ud i es


THE FERAL OBJECT

precedent

buildilng analysis

transformation I

transformation II

Venturing into Los Angeles, an idiosyncratic building was found. he building was unique in that all of its edges and corners are obscured by ivy leaves, producing fuzzy, soft and blurry atmosphere as a whole. Shifting the notion from city-atlarge as a site to the forms themselves, the building was analyzed and modified through a series of drawing exercises. The study displays how a different reading of an object results in an abstract and atmostpheric architectural effects.

THE CAMPSITE Through surface operations such as bending and repetition, the design includes different modules with numerous scales that are for different programs. The project also investigates the relationship between the individual and the collective. The funnel shaped

schemetic studies

units create a campsite as a whole, where different orientation

serves

different

function

within

the

site. The study of the surface and its reaction to different programs was dominant in this project. 20

st ud i es


MICRO-ENVIRONMENT The scale of fabrication investigates the departure from the size of the architectural model to the size of the body. The concepts of topology as a reaction to the curves and organic nature of the body was introduced.The team designed and built a micro-environment that became a visual deterrent for an open-office like studio setting, using zipties. Total of 12,000 zipties were used to create the micro

environment

for

studio

desks.

Structural

supports were added to the seating while the zip ties worked as cushions for sitting and laying down. group members: Do Kyung Hwang, Alfonso Felipe

21




Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.