Portfolio Portfolio
Dong Juan juadon@umich.edu
01 WORK I [ACADEMIC] PROJECT NAME Super Abundance TYPE
Independent Undergraduate Design Practice REFERENCE In a Contemporary Mood Isa Caber “Modernism was good; the contemporary has a good fashion sense.” “To be contemporary is an ambition that requires the identification and activation of the field of exhibitable architectural effects.” “The best effects are special effects and contemporaneity relies on them.” “Through accumulation, lamination, decoration, coloration, agitation, plastification, and environmentalization, surfaces can curate effective moods, and when the effects are special, they catalyze the contemporary.”
To become contemporary, architects should take a brave move to seek new method of form formation logistics, new structure system, new building methods and so on. Therefore, we should embrace the technology which provides us a new tool and new method to realize space unable to be realized before. With the new technology, computer helps us to realize unlinear surfaces which distinguish themselves from original architectural design. Different curvatures in surfaces not only blends the boundary of traditional horizontal and vertical building elements, but they also give spaces these surfaces encompassed, or the openings thay formed, or the facades they generated a feeling that can not be realized before. And this new feeling, refered to as special effects in Isa Cabera’s article, is what gives the space a contemporary mood. In Isa Cabera’s article,contemporary mood can be accessed through different movements we take. My work can be seen just as several operation of movements, which are accumulation of a simple body, decoration gained through the feature of each body with agitation.
02
ISSUE & STRATEGY RESEARCH BROADER SITE PLAN 1:4000
I
WORK II [ACADEMIC] PROJECT NAME En-Counter the Post Office LOCATION Chicago, US TYPE Independent Graduate Design Studio
CURRENT SITE PLAN 1:2000
PRECEDENTS
Office 18.5% Industrial 24% Residential 7.5% Residential & Industrial 7.5% Commercial 28%
INTRODUCTION
This project explores the relations of big building, infrastructure, and city both in reaction to and in dialogue with the abandoned post-office. Reacting to how the post office + regional expressway divide the city into islands, this project explores the formal and programmatic drive-though possibilities of big building + infrastructure. It occupies the site of the new interchange on the east bank of the Chicago River. By echoing the scale of the post-office and deploying a landscape strategy across both banks, the building ties into the city grid and frames the river.
GRID OF CHICAGO CITY
STRATEGY
PROPOSAL IN P LAN
IN SECTION
o River Arch552 Network Studio
ELEMENTS ON SITE (and similar projects related)
TRATEGY
PROGRAM
FORM GENERATION
FORM GENERATION
PROGRAMS ON SECTION A-A
SOHO WORKING SUITE
BANK
RESTRAUNANTS
COMMERCIAL
SOHO
COFFEE
COFFEE RESTING SPACES
SOHO
RESTING SPACES
RESTRAUNANTS
ART GALLERY AND STAFF OFFICE
COMMERCIAL
COMMERCIAL
L L
COMMERCIAL
CINEMA
Big building
Metro
Highway
Railway
ART GALLERY COMMERCIAL
SPORTS CLUB
COMMERCIAL
DINNER SPACE
CINEMA
TEA HOUSE
COFFEE
COMMERCIAL
COMMERCIAL
MECHANICAL
COMMERCIAL
Water
PROGRAMS ON SECTION B-B
SOHO WORKING SUITE
HOTEL RESTAURANT COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL
RESTING SPACES MECHANICAL
RAMP
RAMP
CONFERENCE CENTER
BOOK STORE
RESTRAUNANTS
COMMERCIAL SPORTS CLUB
RESTING HALL & PARKING PARKING PARKING PARKING
SOHO RAMP
ART GALLERY COMMERCIAL COMMERCIAL COMMERCIAL
RESTING SPACES RESTING SPACES
PEDE S TRAIN SIT UATION C AR SIT UATION
SOHO PROGRAMSRAMP ON SECTION A-A
PROGRAM CONFERENCESOHO CENTER SOHO HOTEL COFFEE BOOK STORE 52 Network WORKING SUITE Studio RESTING SPACES RESTRAUNANTS PROGRAM WORKING SUITE
SOHO RAMP
FORM GENERATION
SOHO
DINNER SPACE
FIELD INTERVENTION BETWEEN PROJECT AND THE POST OFFICE
INTERVENTION
ART GALLERY RESTRAUNANTS COMMERCIAL COMMERCIAL COMMERCIAL SOHO SOHO SOHO COMMERCIAL ART GALLERY ART GALLERY AND STAFF OFFICE COFFEE COMMERCIAL COMMERCIAL SPORTS CLUB DINNER SPACE WORKING SUITE RESTING SPACES RESTRAUNANTS PROGRAM COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL RESTINGHALL SPACES RESTING & PARKING COFFEE BANK L RESTRAUNANTS COMMERCIAL COMMERCIAL COMMERCIAL SPORTS CLUB COMMERCIAL PARKING AND STAFF OFFICE RESTING COMMERCIAL ART GALLERY PROGRAMS ON SECTION A-A ART GALLERY L SPACES RESTING PARKING CINEMA CINEMA COMMERCIAL COMMERCIAL COMMERCIAL SOHO PROGRAMS RESTAURANT
BANK
ON SECTIONRESTRAUNANTS A-A COFFEE RESTING SPACES
SPACESL
PARKING SPORTS CLUB
COMMERCIAL TEA HOUSE MECHANICAL
L
RESTING COMMERCIAL SPACESCOFFEE
COMMERCIAL CINEMA
COMMERCIAL CINEMA
MECHANICAL
COMMERCIAL COFFEE
TEA HOUSE COMMERCIAL
COMMERCIAL
MECHANICAL ECTION REFERENCE
COMMERCIAL INTRODUCTION TO THE PROGRAMS
PROGRAMS ON SECTION A-A A A
The programs in this project are flexible and suitable for multiPROGRAMS ON SECTION B-B functions. Generally, on the lowRAMP er floors lays more public facility RAMP and, while on the upper floor, the WORKING SUITE CONFERENCE CENTER space become relativelyRAMP private. B B PROGRAMS ON SECTION B-B However, as the project provides HOTEL RAMP drive through experience, the RESTAURANT RESTRAUNANTSaprograms RAMP GALLERY scatters inART the whole WORKING SUITE CONFERENCE CENTER COMMERCIAL COMMERCIAL project, which varies onRAMP different COMMERCIAL C C HOTEL floors.
SOHO
BOOK STORE
RESTRAUNANTS
SOHO
COFFEE
COFFEE RESTING SPACES
SOHO
RESTING SPACES
RESTRAUNANTS
ART GALLERY AND STAFF OFFICE
COMMERCIAL
COMMERCIAL
L L
ART GALLERY COMMERCIAL
SPORTS CLUB
COMMERCIAL
DINNER SPACE
COMMERCIAL
CINEMA
CINEMA
TEA HOUSE
COFFEE
COMMERCIAL
COMMERCIAL
MECHANICAL
COMMERCIAL
SOHO
BOOK STORE SPORTS CLUB
COMMERCIAL RESTAURANT COMMERCIAL D COMMERCIAL COMMERCIAL COMMERCIAL
RESTRAUNANTS RESTING HALL & PARKING D COMMERCIAL PARKING
SPORTS CLUB
RESTING COMMERCIAL SPACES
RESTING HALL & PARKING PARKING PARKING
MECHANICAL E
E
RESTING PARKING PROGRAMS ON SECTION B-B PARKING SPACES MECHANICAL F
COMMERCIAL COMMERCIAL
RESTING SPACES COMMERCIAL RESTING RESTING SPACES SPACES RESTING SPACES
F
ECTION REFERENCE
PROGRAMS ON SECTION B-B
SOHO ART GALLERY COMMERCIAL COMMERCIAL
PARKING
COMMERCIAL
INTRODUCTION TO THE PROGRAMS
WORKING SUITE
HOTEL
RAMP
RAMP
CONFERENCE CENTER
BOOK STORE
RESTRAUNANTS
RESTAURANT
COMMERCIAL
COMMERCIAL COMMERCIAL
SPORTS CLUB
SOHO RAMP
ART GALLERY COMMERCIAL COMMERCIAL
COMMERCIAL RESTING HALL & PARKING SITE PLAN AND FIRST FLOOR PLAN - 1:1000 COMMERCIAL PARKING RESTING SPACES RESTING PARKING SITE PLAN AND FIRST FLOOR PLAN - 1:1000 SPACES RESTING PARKING SPACES MECHANICAL COMMERCIAL
SITE PLAN AND FIRST FLOOR PLAN - 1:1000
PERSPECTIVE OF DESIGH OF THE WETLAND ON SITE
A
A
B
B
C
C
D
D
A
A
A
A
The programs in this project are INTRODUCTION TO THE PROflexible and suitable for multiGRAMS PROGRAMS OF EACH FLOORFLOOR PROGRAMS OF EACH functions. Generally, on the lower floors lays more public facility A A The programs in this11F project are and, while on the upper floor, the flexible and suitable for multispace become relatively private. B B functions. Generally, on the lowHowever, as the project 10Fprovides COFFEE WORKING SUITE RESTRAUNANTS DINNER SPACE er floors lays more public facility a drive through experience, the and, while on the upper floor, the programs scatters in the whole private. B SPACE space become relatively B RESTRAUNANTS DINNER BANK project, which varies 9F on different However, as the project provides C C floors. a drive through experience, the 8F ART GALLERY AND STAFF OFFICE COMMERCIAL programs scatters in the whole project, which varies on different D D C C COMMERCIAL 7F floors. ECTION REFERENCE
SOHO
DRIVING SPORTS CLUB PARKING LOT THROUGH D D FACILITY CINEMA RESTING HALL & PARKING
COMMERCIAL
E
E
F
TEA HOUSE
RESTING SPACES
PARKING
RESTING SPACES
PARKING
IN PLAN
RESTING SPACES
6F 5F
E
COFFEE
B
ECTION REFERENCE A
INTRODUCTION TO THE PROGRAMS A
B
B
C
C
D
D
ELEVATION - 1:1000
3F
F
E
E
F
F
2F F
MECHANICAL ROOMS
1F 1B
PROGRAMS OF EACH FLOOR
SOHO
SECTION REFERENCE
4F
PARKING
E RESTING SPACES
F
BANK COMMERCIAL
INTERVENTION
SOHO
SOHO
CINEMA
WORKING SUITE
FORM GENERATION
INTERVENTION
11F
The programs in this project are flexible and suitable for multifunctions. Generally, on the lower floors lays more public facility and, while on the upper floor, the space become relatively private. However, as the project provides a drive through experience, the programs ELEVATION - 1:1000 scatters in the whole project, which varies on different floors.
B
C
C E
E
D
D
F
SECTION SHPWING RELATIONSHIP OF DESIGN AND THE POST OFFICE ELEVATION - 1:1000
F
E
E
F
F
E
PLANS
SECTIONS Chicago River Arch552 Network Studio
En-Counter the Post Office Chicago River Arch552 Network Studio III
IV
Chicago River Arch552 Network Studio
IV
A-A SECTION 1:1000 A-A SECTION 1:1000
D-D SECTION 1:1000 D-D SECTION 1:1000
2 TH FLOOR 1:1000
3 TH FLOOR 1:1000
6 TH FLOOR 1:1000
7 TH FLOOR 1:1000
8 TH FLOOR 1:1000
4 TH FLOOR 1:1000
5 TH FLOOR 1:1000
9 TH FLOOR 1:1000
10 TH FLOOR 1:1000
11 TH FLOOR 1:1000
6 TH FLOOR 1:1000
9 TH FLOOR 1:1000
7 TH FLOOR 1:1000
10 TH FLOOR 1:1000
8 TH FLOOR 1:1000
B-B SECTION 1:1000
11 TH FLOOR 1:1000
E-E SECTION 1:1000
B-B SECTION 1:1000
C-C SECTION 1:1000
E-E SECTION 1:1000
F-F SECTION 1:1000
C-C SECTION 1:1000
F-F SECTION 1:1000
PERSPECTIVES FROM OUTDOOR
PERSPECTIVES FROM INDOOR
03 WORK III [ACADEMIC]
PROJECT NAME Rising Harmony - Collective Design of Commercial, Office and Hotel LOCATION Innermongolia, China TYPE Independent Undergraduate Design Studio
SITE PLAN
INTRODUCTION
Located at Hohhot, Innermongolia, this project is a concept design for the Hohhot government. The project contains three function parts - a shopping center for nearby residents, a luxury hotel, and an office tower. These three parts are aimed to generate flows of people at different time period of a day to keep the whole building alive with activity, which can also inhance security. Like Gallexy SOHO and Sanlitun Village at Beijing, this project tries to include both indoor and outdoor experience as well. Each building is treat as a sculpture with similar geometry while slightly different facade with its own feeling. Paths are scattered between buildings and outdoor plazas are created at different intercossing according to the spaces position to center space. The hotel has its own driving and parking path, which is a little seperated from the whole group deliberately.
DRIVING LANE - FOR HOTEL
DRIVING LANE - IN CASE OF FIRE
PEOPLE’S PASSING LANE
HOTEL FIRST FLOOR PLAN
HOTEL SECOND FLOOR PLAN
HOTEL THIRD FLOOR PLAN
HOTEL FORTH FLOOR PLAN
OFFICE TOWER SECTION
OVERALL PLAN -1F
西立面
北立面
南立面
东立面
ELEVATION 西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
西立面
北立面
南立面
东立面
OVERALL PLAN -2F
INTERIOR PERSPECTIVE
BALCONY PERSPECTIVE
OUTDOOR PERSPECTIVE
04 WORK IV [ACADEMIC] PROJECT NAME Theatre Design on Campus of Beijing Jiaotong University LOCATION Beijing, China TYPE Independent Undergraduate Design Practice
THE MISSION In this project, students are supposed to combine the current circumstance of the campus and find the latent problem of the site, so as to promote a thoughtful design method focusing on this issue. Located beside the student dormitories and teaching buildings, the requirement of this theatre is obviously different from ordinary theatres that surve for mainly entertainment and commertial goals. Meanwhile, as a terminal on the main axis of the university, it also possesses a memorial function.
METHODS USED So the strategy of this project focuses on the following 3 points: 1. Combine student activities and the performance use together. 2. Close reponse to the monumental purpose. 3. Take fully use of the advantage of the surrounding while making the theatre a compact space.
SITE ANALYSIS
SITE LOCATION
View from the existing theatre to the main axis on campus On the axis stands the statue of Tianyou Zhan, who graduates from BJTU and represents my school culture. This road is a main road both for trasportation and for monumental use.
Scenery to the north side of the site On the north side is the Jixiu Gardon, providing a fabulus view for the existing theater, with is also of insuficient use, this road is always quiet with many resting space that attracts a lot of students.
Scenery to the west and south side of the site The road west to the site owes to both the theatre and students’ dormitory, it is a necessary road for students to go to the teaching buildings, while not that important in the composition of the surrounding invironment.
Scenery to the south side of the site This vacant place now belongs to part of the site and composes 1/2 of the supposing area, which enables multifuction for the theatre itself. Also, it alows a closer connection to the Little Forest to the east of the site. BIRDEYE OF THE SITE
CONCEPT DEVELOPMENT ON THE 1ST STAGE
INSERT
PATH
CONNECT
From different amount of people on the 4 roads in different direction shown on the above figure, we can carefully locate the main funtion of a theatre, the stage, that is , due to its relatively low frequency of use for audience and inability of view seeing, it should be assigned on the south side of the site.
From different amount of people on the 4 roads in different direction shown on the above figure, we can carefully locate the main funtion of a theatre, the stage, that is , due to its relatively low frequency of use for audience and inability of view seeing, it should be assigned on the south side of the site.
Since the landscape on north and east side is relatively better with trees and beautiful scenery. The space of the atrium and main entrance are arranged here, while space for transportation and the stage and the audience room are put inside and on the side of west and south.
PANETRATE Through different types of windows, the design aims to make a sensitive response to the people and environment, panetrates things from both inside and outside of the theatre.
MAP OF BJTU
Building Texture
Green Space
Service Area
CONCEPT MODEL
CONCEPT DEVELOPMENT ON THE 2ND STAGE BASIC SPACE ELEMENT In traditional type of architecture, wall is a significant element in forming a space, and 4 pieces of wall can enclosure a space.
METARIAL AND SPACE And always, the object itself could be a medium of forming space due to its nature of existance. The vacuum is the space.
TRANSFORM By giving the wall thickness, face becomes box, which takes up space,having the preference of room now.
FORMATION Becoming room, both the inside and outside have been used to their highest potential, and it allows different kinds of feeling too, making the experience colorful.
STEP 1
STEP 2
STEP 3
STEP 4
The east and north facades are selected to be thicken and to make transformation, in order to form 2 different kind of spaces - for atrium and students activities.
The corridors between the atrium and activity rooms serve as a bridge allowing light and scenery to pass through. Besides, these corridors form direct spaces that allows interaction of the two different functional spaces.
The thickened walls form the space one by one, while some of the rooms are enclosured to form the acticity rooms, others become the botanies for light and scenery to pass through. It enables ventilation as well.
The other part becomes the functional space of the theatre, with functional space inserted in different area to make a comfortable space.
N
FIRST FLOOR PLAN
14
SECOND FLOOR PLAN
THIRD FLOOR PLAN
FOURTH FLOOR PLAN
FIFTH FLOOR PLAN 15
ADS PUTTING ANALYSIS
WEST ELEVATION
Ads putting places on the west facade.
Ads putting places on the north facade.
Ads putting places on the south facade.
Ads putting places on the east facade.
EAST ELEVATION
SORTH ELEVATION
NORTH ELEVATION
SECTION PROSPECTIVE SECTION SECTION PROSPECTIVE A-A
SECTION B-B
SECTION A-A SECTION B-B
A
A
B A
B
A B
B
ISOMETRIC VIEW OF SECTIONS This is a general diagram of a series of sections from east-west direction, illustrating different functional zones and the multipal use of different areas. Besides, the different color lines represent for the paths of different uses: to the theatre to see performance, doing activities at the students activity center, or study in the study rooms here.
2
3
1
1. VIEW OF THE ATRIUM FROM THE RESTING AREA ON THE SECOND FLOOR 2. VIEW OF THE CORNER OF THE PASSAGE OF STUDENT ACTIVITY CENTER 3. PASSAGE BETWEEN THE STUDENTS’ ACTIVITY CENTER AND THE THEATRE 4. VIEW OF THE SIGHT OF THIRD FLOOR.
4
2
3
1
1. VIEW OF THE ATRIUM FROM THE PASSAGE OF STUDENTS’ ACTIVITY CENTER 2.VIEW OF THE ENTRANCE HALL ON THE SECOND FLOOR 3. STAIRS VIEW, THE STAIR IS MADE TO COMPENSATE THE HEIGHT DIFFERENCE OF THE FRONT ROW AND THE LAST ROW IN THE AUDITORIUM. 4. VIEW OF THE AUDITORIUM FROM THE PASSAGE OF STUDENTS’ ACTIVITY CENTER ON THE SECOND FLOOR
4
05 WORK V [ACADEMIC] PROJECT NAME Time Honored Museum Design LOCATION Beijing, China TYPE Independent Undergraduate Design Practice THE MISSION The connection of exhibition spaces is closely linked with the flowing groups of people. That is, due to the mobility of people, there will be mutual penetration and ablation of different types of spaces, resulting in blurred boundaries. In the design of this time honored museum of Chinese traditional handcrafts, the continuity of space between different functional parts becomes the design motif. In addition, the design needs to face the question: Seated in a background at the junction of Beijing Hutong’s texture and large-scale street fabric of a typical modern city, how to combine the traditional smallscale buildings and the large-scale museum also needs accurate orientation.
METHODS USED 1.Rounded angles situated in the wall corners in exhibition spaces and collection chambers. 2.Glass roof to allow abundant natural light going through the spaces inside museum. 3.High exhibition spaces spattered in the museum with the size of traditional houses in the Hutongs, used for bigger art or craft pieces that need higher spaces.
ANALYSIS OF THE EXISTING COURTYARD IN THE SITE
SITE ANALYSIS The property of the site is that it has a focus - the courtyard.
This line is a bundary that divides the two different feature of the site open and more private, resulting in different functioning zones in the plan.
Two different texture belongs to the site - small hutong and big modern urban blocks.
Photographs from in and out of the existing coutyard 1. Roof line of the surrounding buildings along the site 2. A brief view of the courtyard in the site 3. Birdeye from the west side of the courtyard 4. south facade along the road of the existing courtyard 5. road to the west of the site
Two major direction of the coming visitors to the museum driving for the design of entrance on these two directions.
6. view from inside the courtyard
Surrounding hotong texture and the texture of modern city blocks.
Properties and advantage of the traditional courtyard Axises of the courtyard
Deeper color means higher availability for visitors, while, lighter places are suitable for collection chambers and offices.
1
The Site 2
5
3
4
6
The image of chinese traditional living
Plan of the courtyard
Surrounding hotong texture and the texture of modern city blocks
Route of heading for the rooms
Route of appreciating the scenery
The courtyard’s advantage is that it can combine basic living function while keeping a balance with the nature, coexisting with eath other.
FORM GENERATION
Different types of the newly built parts of the museum aimed at testing on the the basic boundary of three stripes around the exsisting courtyard:
RELATIONSHIPS BETWEEN THE NEW AND THE OLD
The newly built museum in the site with natural light
Connections between the new and the old
Traditional Chinese Courtyard in the site Basic form of three parts of the adding museum.
Establishing walls according to the existing context of the surrounding hotongs.
With yards inserted in or on side of the exhibition spaces.
Inserting different sizes of courtyards with rounded corners. Advantage Allowing easy flowing of people and blured the spaces bundary.
Rectangular yards inserted in exibition areas.
Routes from different directions cutts through the basic spaces for exhibition.
Stripes allowing for enter of natural light and ventilation.
Circular yards allowing views of equal quality from all directions.
Many yards making for spaces of passages of various routes for fresh experience.
Open yards connected closely to the outside, making it possible for people to view the exhibition without going into it.
The triangular shapes on the bundary makes views from corners more clearly, providing different sense of experience.
Big court yards for people’s gathering and holding open exhibitions and parties.
The new built museum in the site with higher and larger space
Different forms in the design of time honored museum
Layers and Components of the Museum
Steel meshes supporting the ceiling glasses - settled directly on the walls under themslves.
Glass inbeded in the steel frames, which can be different in material, opaque, translucent or transparent, making for different amount of natural light to come through according to the need of difficult exihibitions.
High exibition spaces and collecting chambers, which needs manmade light.
Flowing space for exibition, office, open-air exhibitions and other uses.
Perspective from Inside the museum The existing courtyard on the site.
FIRST FLOOR PLAN
MOVING LINE OF PEOPLE
Higher space for big stuff
Route for visitors Route for both visitors and working staffs
Lower space for smaller stuff
Route for working staffs
Corridors combining the old courtyard and the new museum Washrooms Rooms for special exhibition
Open exhibitions outdoor
PROSPECTIVES
WEST ELEVATION
PROSPECTIVES
06 WORK VI [ACADEMIC]
PROJECT NAME Poetic Living Residential Housing Design for middle aged and aged citizens LOCATION Beijing, China TYPE Coorporative Undergraduate Design Practice ROLE Team Leader responsible for promoting the design comcept, model building, rendering and house plan designing. All pictures put in this portfolio is made by myself. COWOKERS Wang Yuannan Wang Mengyuan
THE MISSION Heidegger said: poetically man dwells. This projects aimed at providing a spiritual and material home for citizens who rarely have time relaxing themselves by getting closer to nature through travelling or other ways. That is, to provide the residential with not only convinient infrastructures like shops, entertainment places and restaurants, but also with beautiful scenery which possess lakes, trees and gardens that gives residents here a feeling of they living in the nature instead of in a noisy urban background.
MAIN FEATURES OF THE DESIGN 1.about 70 homes, that is, 250 people a living group,whish is supposed to be the best number of living group. 2.gardern of two types - private gardens in each living group for crops cultivating and open gardens between the living groups with various functions. 3.water systems all over the communities. 4.roofs for gardening and entertaining on the top floors.
INVESTIGATION OF THE SURROUNDING FACILITIES
ANALYSIS OF THE SURROUNDING REGION
Industrial buildings
North-south road
Commercial buildings
East-west road
Poorly developed regions
Raiway
Residential
Minor road
Our site
Railway
Road east to the site View 1
Others
Site Location
Cmmercial Spaces
Main Roads in South-North Direction
Road east to the site View 2
Potential commertial types
Residential buildings
Educational Institutions
Main Streets in East-West Direction
Current view of the surrounding
Industrial Regions
Regions of Less Development
Educational facilities
FACILITY AVAILABILITY Commercial Space Available
Commercial Spaces -
no direct contact to the city ideal for entrances of the design On the west side - railway OUT OF REACH
Educational Spaces CONVINIENT and NEAR Availability of segregation from the bad factors
Abundant supply of facilities Special value of the site
Educational facilities nearby
On the east side - second level road
CHART ILLUSTRATION
Poor supply of facilities
From the diagrames listed below, advantages and disadvantages can be drawn clearly.
Minor Roads in the site
Transportation Transportation -
Scenery Scenery with water and plants
generating noise obstructing transportation
Poor living condition in other nearby residentials
On the south side - high rised residential blocking the sunlight small road lacking repairment
GOOD on the east side
FAR FROM THE RIVER NO LEISURE SPACES
On the north side - middle rised residential normal without feature our design must not block its sunlight
Poor leisure spaces in other nearby residentials
BIRDEYE OF THE SITE
CONCEPT DEVELOPMENT
LEARNING FROM THE TRADITIONAL COURTYARDS Inward Private Space Old Beijing’s map and texture in the Ming and Qing Dynasty
Outward Open Space
The traditional road meshes in a broad scope of view
The inspiration of this design is derived both from the form of Chinese courtyards and from the orderly arranged street meshes. Firstly, enclosure of the building gives the inward-yards a pravite feeling. Secondly,spaces outside the building group encourages insertion of various functions which allows for further communication.
Sunlight Analysis of the Site
SHAPE GENERATION PROCESS Abstraction of the road mesh, representing Beijing’s feature of urban plan-
Final texture of the design. Shadows on March 21th
Shadows on June 22th
Shadows on September 23th
Shadows on December 22th
Surroundings of the Current Site Low Rised Residential
High Rised Residential
Green Area in the Site
The massy types of buildings today that greatly damaged the old planning system. Drive the traditional building texture.
Define the area of environment.
Two basic elements without panetration.
Make it suitable to the ground.
Define the area of Residnetial buildings.
Insert opposite property in both the material and vacuum blocks.
Roads around
Plants on the Current Site
Building types that should be honored - closed and focusing on the inside life,while outside is more of public use. Poplars
Willows
Boxwoods
Ashes
LAYERS OF DIFFERENT ELEMENTS
Architecture Layer Residential Building Open Space with Shelter Service Center
Water System in the site
Plants as elements of scenery
Water Circle in four squares
Fruit Trees in the Pravite Yards
Water Park in the Central Area
Willows and Ashes
Lake in the South
Restaurant Shopping Space
Grassland and Crop Cultivation Area Crops needed Cultivating Grass Slopes allowing Different Activities
Grassland
Road Meshes
Elements Overlayed
Circulation of Cars Perdestrain Roads Roads with stairs paths on water
ISOMETRIC VIEW OF THE SITE PLAN
SITE PLAN
GARDEN ANALYSIS
Prospective of the Central Water Garden
16 Private Garden 1
01
05
10 06
02 09
11
Private Garden 2
12
Foods that can be Planted in the Private Gardens 03
The public garden serves as a central park that allows for amble and other kinds of activities without much strenuous exercise. The atmosphere is quiet and the scenery here is beautiful.
In the private gardens, each colour of stripe represents for unique kind of ediable plants, Providing vegetables and food supply for the residential community. 08
17
07
Perspective 1 15
04 14 Private Garden 3
13
16
Perspective 2
LEGEND 01
Car Entrance
09
Central Water Garden
02
Perdestrain Entrance I
10
Restaurant
03
Perdestrain Entrance II
11
Half Open Shelter for activities
04
Car Exit
12
Shopping Center
05
Private Garden I
13
Legacy of Ming Dynasty
06
Private Garden II
14
Lake
07
Private Garden III
15
Planting Zone
08
Private Garden IV
16
Parking Space
N
Private Garden 4
UNIT MODELS ON EACH COURTYARD OF THE DIFFERENT TYPES
COMMUNITY ONE TYPE 1
TYPE 2
TYPE 3
TYPE DISTRIBUTION
3
4
2 1
9 4
TYPE 4
TYPE 5
8
TYPE 6
6
7 Community One 5
1210 1310
TYPE 7
TYPE 8
1110
TYPE 9
1410
1010
TYPE 17
TYPE 18
TYPE 24
TYPE 25
TYPE 26
TYPE 19
TYPE 20
TYPE 27
TYPE 28
TYPE 29
TYPE 21
TYPE 22
TYPE 30
TYPE 31
TYPE 32
1510 Community Two
161
COMMUNITY TWO TYPE 10
TYPE 11
TYPE 12 171
19 19
181
20
22
23 Community Three
TYPE 13
TYPE 14
TYPE 15
21
27
28
26
29 30
TYPE 23
TYPE 33
(Similar to type 20)
25
TYPE 16 31
24
32 33
Community Four
COMMUNITY THREE
COMMUNITY FOUR
PERSPECTIVE OF YARD 11 WITH SQUARE AND SHADING
FACADE GENERATION
Besides the green roofs on the top of each building, which have different slopes allowing abundant sunlight and ventilation to go into each house, the main facades are made of three typical elements:
The quarter bricks that form the walls.
Glass windows with wooden frame
White plaster on the outer frame of the windows on the wall
COMPREHENSIVE ECOLOGICAL STRATEGIES
Natural Ventilation
Water Recycling Systems
With each house’s direct east-west or north-south ventilation, it is easy for the house to get fresh air and keep cool conditon during the hot summer.
Green Roof Garden
Garden on the roof provides a place for planting too, with encourage people growing flowers or vegetables for daily comsuming, which is economic and eco-friendly. Besides, the temperature in the house will also be modified by the roof gardens.
Water Recycling Systems
Artificial Ecological Wetlands and Water Ponds
Water is seperated into two kinds of use. One is for drinking and irrigation that provides foods; the other is for indirect interaction with people such as flushing the toilets, and washing the cars.
The inward gardens in each of the four building groups served as wetlands for crop planting, which also have trees for shading and area for playing and entertainments for residents living there.
07 WORK VII [ACADEMIC] PROJECT NAME Public Responsibility Commercial Complex Design LOCATION Beijing, China TYPE Independent Undergraduate Design Practice THE MISSION Architecture should not be constructed only for customers who invested in certain project, but also should be built with care for social responsibility, which means it should has special functions that can be used by the general public, providing positive space for them, to entertain, to reflect, and to relax. In the process, students were asked to design a commercial complex with the fuction of shoping and working. The proposed area is 38000m2, with the site area of 11000m2. In this project, I focused on the following four points to realize my goal stated above: 1. Increasing the green public space in this region, providing enough activity space along the river. 2. Creating another floor especially for sports and sight seeing, so that this commercial complex also serves as an energetic center. 3. Inserting green platforms and roof gardens in the working area, providing great working environment. 4. Using the double-curtain wall system to adjust ventilation and shading, make the project a eco-friendly design.
METHODS USED 1. Floating the building with as little connecting area to the ground as possible. 2. Extanding the ground into multipal layers and making them available to various kinds of people, to name a few: A The customers from the 1st floor to the 4th floor. B The working class from the 6th to the 15th floor. C All other people looking for entertainment. 3.Deviding working tower into 3 smaller ones for better light and ventilation.
Condition of the green areas along the region: Most of the green type are grassland and trees along the road, thus not directly available for the public to get them fully used.
Since the Industrial Revolution, the environment around us has been changed dramatically. Less trees, more poorly designed buildings of highrise has dominated the world. The space of natrural elements have shrinked sharply, and unfortunately, all of us lives in the builded boxes our whole life. So, we need change.
Direction of the winter wind. Less directly sunlight.
SITE ANALYSIS
The site is located along a branch of the river system in Beijing. Situated in the corner, the facades facing the river and the western road is more valuable. Scenery along the river bank is great but relatively lack of use, and the buildings along the river are mostly residentials. This place lack a commercial complex just to elevate image of the whole region, and it cannot help reminding me of the combination of scenery, commertial use, and the public’s participation.
Basic condition along the current site. Photographed as below.
1.Current use of the site as residentials 2.View of the river
1
2
3
3.Current use of the site as residentials 4.Crossroad at the south-west corner of the site 5.View of street on the west side. 6.Current use of the site as residentials
4
5
6
Direction of the summer wind. More directly sunlight.
CONCEPT DEVELOPMENT
Hand drawing of the original ideas
1
2
1. Birdeye Perspective 2. Site Plan 3. First Floor Plan
Main Tower
Commertial
SHAPE GENERATION Based on information got through investigation, I decide to divide a big main tower into three smaller ones, which can benefit a lot both in ventilation and in capturing of sunshine.
Lifting Up
Supporting System and Entrances
Generating Open Space on the Ground
GROUND FLOOR PLAN
3
Minimising Connection Area
Sports Layer
Threefloor-high Garden with Plants
Vertical Transportation
Roofs of the Towers becomes Gardens too.
PlANS OF EACH FLOOR
2ND FLOOR
5TH FLOOR
6TH FLOOR
7TH FLOOR
South Elevation
Skyline on West-East Direction
Night Perspective Facing the Main Street. 8TH FLOOR
9TH FLOOR
10TH FLOOR
11TH FLOOR
12TH FLOOR
13TH FLOOR
14TH FLOOR
15TH FLOOR
UNDERGROUND PARKING SYS-
A
B
Functioning Zone
Sections
Restaurant Bar Storage and Preparing Rooms Restaurant Resting Rooms Lobby Restaurant Art Gallery
Section A-A
Shop Smaller Shop Bigger Learning Center Corridor A
B
3RD FLOOR
4TH FLOOR
The third and fourth floors are utilized as commertial areas, serving as a shopping center in this region, with surrounding architecture mostly residential, it can provide a strong incentive for the local economy, improving the regions status in Beijing, and motivate people’s living standard.
Perspective from the North-East Direction
Sports Center
Section B-B
Perspective of Roof Gardens
Elevations
Perspectives of the Sports Layer
West Elevation
North Elevation
East Elevation
Details 4 4
5
4 6
6
5
8
5 8
8
3 7 3
3
2 1 1
1
2
7
Detail Perspect
Details
Detail Perspect Detail Perspective
1
Glass Panel
1
Glass Panel 1 2
2
Double2GlazingDouble Glazing 3 Louvers
3
Louvers 3 4
Louvers Track
4
Track 4 5
Track Insulation
5
Insulation 5 6
Insulation Air Cavity
6
Air Cavity 6 7
Air Cavity Ceiling Panels
7
Ceiling Panels 7 Ceiling Panels 8 Pavings
8
Pavings 8
7
6
Details
2
Glass Panel Double Glazing
Pavings
The facade is comprised The facade is comprised a dy- louverred namic of vertical namic vertical louverred system.louvers a It’s facade operable The is comprised It’s operable louvers are much like venetian that namic verticalblinds louverred like venetian blindscupants that allow octo control viewsa It’s operable louvers cupants to control and views, shading into the co ventilation blinds that and ventilation intolike the venetian core of the building. relatively cupants toUsing control views building. Using relatively flexible fasteners, the panels and ventilation into theshi co fasteners, the panels shimmer as the wind hits the facade. building. Using relatively the wind hits the facade. fasteners, the panels shi the wind hits the facade.
Louvers in allow the closed posi Louvers in the closed position occupants to as operate the occupants to operate the facade a double in a double skin, whereas in the open Louvers inskin, the whereas closed posi position more direct view position more direct views of placoccupants to operate the esinner are possible. The inner es are possible. The skin is awhereas a double skin, in fixed with fixed glazing system withglazing operable position moresystem direct view features at certian es locations al- Thelocatio features atto certian are possible. inner low individual occupant control. low individual occupant co fixed glazing system with features at certian locatio low individual occupant co
08
WORK VIII [WORKSHOP] PROJECT NAME Empty Density LOCATION Chicago, US TYPE Collaborative Graduate Design Workshop
INTRODUCTION Located at the former empty land in downtown Chicago, the site itself is in large scale and the surroundings are pretty empty with low rise buildings and a residential community on east side of the lot. Our design tries to embrace the land’s quality of empty and build a manual relationship of the empty lot with the residential context next to it. Therefore, a grid system is established to echo with the grid of the residential and to bring in a human scale that interaction of land and people can easily be formed. This land is regarded as a garden, a playground, a sports center, and an exihbition place for multiple arts activity. One extinguish quality of the system is its transperancy. Although grids structure creates density that gives users a sense of dimension, the space can still be enlarged by its visual transparency.
HYPER ACTIVE URBAN PUBLIC SPACE TYPOLOGIES
HYPER ACTIVE URBAN 01 PUBLIC SPACE TYPOLOGIES02
MODEL PRESENTATION 03
DORMANT TO RECESIVE
001
002
003
CIITY BLOCK/ LAND DEVELOPMENT TYPOLOGY
CITY BLOCK / LAND DEVELOPMENT TYPOLOGY
Inactive Ground
Vacant Lot
Transient Public Space (Emergent Typology)
09 WORK IX [WORKSHOP] PROJECT NAME Bridge Design on Lake of Tshinghua Univ. LOCATION Beijing, China TYPE Cooperative Design Practice TUTOR Tong Xiaowei and other tutors TEAM MEMBER Wang Ling, Yu Chaoran ROLE Team leader YEAR Summer 2009
THE MISSION Located along the lake on campus of Tshinghua University, this project aims at creating a connection between the island in the pond and the mainland, that is making a connection between point A and point B. In this project, we want to creat a type of connection which allows diverse paths to cut accross the water, instead of boringly one path for people to pass by. Also, large number of lotus in the pond also serves as important scenery for people to stay, relax, and have a fun experience while going through the bridge, which becomes another mainly consideration in this design.
Methods Adopted 1.Using the vironoi patten to generate possible paths accrossing the lake. 2.Select the best possibility to further development. 3.Adjusting the shape and getting the result.
Web
Change the voronoi numbers
Pattens Generated by changing the voronoi points’ munbers in Grasshopper
Change the voronoi numbers Change the voronoi numbers
Change the curve numbers Change the curve numbers
Pattens Generated by changing the curves’ munbers in Grasshopper
Change the curve numbers
To complicate the control numbers To complicate the control numbers To complicate the control numbers Pattens Generated by changing the control point numbers in Grasshopper
SITE PLAN
SECTION PERSPECTIVE
We chose the south-west corner as the site of the bridge, forming the third bridge linking the island and the mainland. The bridge undertakes three responsibilities. 1. Passing 2. Resting and relaxing 3. Lotus’ growing boundary.
We chose the south-west corner as the site of the bridge, forming the third bridge linking the island and the mainland. The bridge undertakes three responsibilities. 1. Passing 2. Resting and relaxing 3. Lotus’ growing boundary.
Pattern Study
SHAPE GENERATION PROCESS TYPE A
SHAPE OPTIMIZATION TYPE C
TYPE B
INTERFERENCE CURVE
Round curve
Using the limited size of the area of holes to control the number of holes generated. Besides, the holes generated bocomes both supporting structure and spaces for lotus planting.
INTERFERENCE CURVE
Sofisticated curve
Linear curve
Total area of the holes <30m2
Total area of the holes <40m2
Total area of the holes <60m2
The height of the glass barrier above the walking ground can be controlled according to the direction of sunâ&#x20AC;&#x2122;s movement, using another interference curve immitating the suns moving path, so the height of the glass barrier is light sensitive.
PATHS GENERATED
PATHS GENERATED
When the day is not so bright or it is nighttime, the glass barriers stands high, preventing people from falling of the bridge; when it is bright daytime, the height of the glass barriers fall down, allowing close interaction with viewers that passing through this bridge. Paths that can both stay and pass through
Linear paths with little selection
PATHS GENERATED
Unpredictable patten of paths
PATHS GENERATED
Also, when generating the final shape of the bridge, the angle of the stucture and the glass barriers can be modified too, providing versstile selections.
10
RIC
INTRODUCTION
WORK X [ACADEMIC] PROJECT NAME Concrete Digital Fabrication
The class focus on digital form generation and the process of fabrication using concrete units we built with molds which we made ourselves.
LOCATION Ann Arbor, Michigan, US
We are using shell structure and units of aggregation. During the process, different of concrete mixture were tested, also tested are the shells geometry, and the edge condition ( whether it is smooth enough to be glued togeter).We determined to use the haxogon finally and variables below are included in the form making process. VARIATION
TYPE Cooperative Team Project
VARIABLES x
y
ROUGH vs. SMOOTH
GLOBAL FORM | GEOMETRY GLOBAL FORM | GEOMETRY
ADHESIVE | NO FASTENERS
AXONOMETRIC
ELEVATION
PLAN
ELEVATION ELEVATION
PLAN PLAN
x
Offset of the width of edge
y
Vertical displacement of the horizontal center line
z
Horizontal displacement of the vertical center line
r
Angle of rotation for the vertical center line of the inner hexagon
q
Angle changed between vertical plane and rotated plane
z r
q
TypeA
TypeB
TypeC
X1
X1 3-4
1-2 4-5
2-3 3-4
5-6
5-6
4-5
2-3 6-1
6-1
A2 B2 C1
C2
A2
A1
B2
B1
C1
C2
A1
A1
B2
B1
A2
A1
B2
B1
C2
C1
B1
A1
A2 B2
C1
A1
A2
B2
B1
5-6
1-2
6-1
C1
6-1
1-2
6-1
A1
A2
1-2
3-4
5-6
2-3
4-5 5-6
A2 C1
B2
1-2
A2
A1
B2
B1
B2
A1
A2
B1
B2
B2
C1
2-3 1-2
6-1
B1
B1
C2 C1
C2
A1
A1
B2
B1
C2
C1
B1
C2
C2 C2
C1
A1
C2
A1
B2
B1
C1
C2
2-3
5-6
6-1
A2
C2
B1
A1
1-2
6-1
A2
B2 C1
A2
A1
B2
C1
A1
A2
PETG MOLD | ASSEMBLY | VARIATION B1
B1
B2
C2
C2
B1
C2
4-5 5-6
6-1
A2
B2
C1
3-4 2-3
4-5 5-6
1-2
2-3
5-6
6-1
A2 B2
C2
A1
3-4
4-5
B1
B1 A1
1-2 3-4
4-5
2-3
6-1
A2
X3 1-2
3-4
4-5 5-6
3-4
4-5
C1
C2
C1
B2
B1
C2
C1
B1
A1
A1
A1
PANEL TYPE A & B
ADHESION
COMPONENT
A-1
A-2
A-3
B-1
B-2
B-3
C-1
C-2
C-3
D-1
D-2
D-3
E-1
E-2
E-3
F-1
F-2
F-3
G-1
G-2
G-3
H-1
H-2
H-3
I-1
I-2
I-3
J-1
J-2
J-3
K-1
K-2
K-3
L-1
L-2
L-3
A-4
A-5
A-6
B-4
B-5
B-6
C-4
C-5
C-6
D-4
D-5
D-6
E-4
E-5
E-6
F-4
F-5
F-6
G-4
G-5
G-6
H-4
H-5
H-6
I-4
I-5
I-6
J-4
J-5
J-6
K-4
K-5
K-6
L-4
L-5
L-6
TypeG
TypeH
X1
TypeI
X1 1-2
4-5
3-4
4-5
3-4
3-4
2-3
5-6
1-2
6-1
5-6
1-2
A2
B1
X1
4-5
A1
3-4
X1
2-3
3-4
C1
C2
A-1
A-2
A-4
A-5
G-4
2-3 6-1
B2
B1
C2
C1
C1
A2
A1
2-3 4-5 6-1
A1
B2
B1
C1
C2
C1
B2
B1
C1
C2
B1
C2 A1
B1
A1 B1
B2
C2
C1
4-5
B2
B2
A2
C1
B1
B2
B1
C2
C1
A1
B1
C2
C2
A1
B-2
B-3
C-1
C-2
C-3
D-1
D-2
D-3
E-1
E-2
E-3
F-1
F-2
B-4
B-5
B-6
C-4
C-5
C-6
D-4
D-5
D-6
E-4
E-5
E-6
F-4
F-5
G-5
G-6
H-4
H-2
H-5
H-3
H-6
A1
A2
2-3
6-1
C1
2-3
4-5
1-2
A1
B2
B1
C1
C2
B2
A1
A2
B1
B2
B2
3-4
C1
C2
2-3 1-2
6-1
2-3
5-6
6-1
A2
A1
I-1
I-4
I-2
I-5
I-3
I-6
B2
B1
C2
C1
B1
C2
C2 A1
C2
C1
C2
A1
F-3
G-1
G-2
G-3
H-1
H-2
H-3
I-1
F-6
G-4
G-5
G-6
H-4
H-5
H-6
I-4
J-1
J-4
J-2
J-5
J-3
B1
B2
B1
C2
C1
K-1
C2
C1
B2 C1 C2
4
5
B1
I-2
I-3
J-1
J-2
I-5
I-6
J-4
J-5
K-2
K-5
2-3
K-3
A2
A1
K-6
1-2
B2
B1
C2
C1
B2
J-3
K-1
K-4
L-1
L-4
4-5
6-1
C1
C2
B1
J-6
K-2
K-3
L-1
L-2
K-6
L-4
L-5
L-5
A2
B2
B1
C2
C1
B1 A1
K-5
L-2
A1
L-3
L-3
L-6
L-6
6
COMPONENT 01
4
5
6
6
5-6
6-1
A1
A1
K-4
J-6
C2
5
A2
B1
B1 A1
B2
4
2-3
4-5
A2
B2
GLUE FACES
3-4
6-1
A2
A1
CONTROLLED FACE - BACK
C1
1-2 3-4
4-5
5-6
5-6
1-2
6-1
A2
C2
3-4
CONTROLLED FACE - FRONT
B1
X3
B1 1-2
A1 2-3
4-5
A2
TypeL B2
X2 3-4
4-5 5-6
3-4
4-5
A1
C1
C1
2-3
6-1
A2 C1
6-1
B1
1-2
4-5
5-6
5-6
6-1
6-1
A2
C2
3-4
B2
TypeK
X2
B1 A1 2-3
5-6
5-6
1-2
B2
X3 3-4
4-5
3-4
A1
TypeJ
1-2
2-3
A2
B2
1-2
A2 A2
C1
TypeI C2
4-5 5-6
6-1
C1
B-1
H-1
3-4
6-1
A2
A-6
G-3
1-2
C1
1-2 4-5
5-6
5-6
1-2
6-1
6-1
A1
C2
3-4 4-5
5-6
1-2
A-3
G-2
2-3
5-6
2-3
6-1
B1
X1 B1
1-2
A1 2-3
3-4
A2 C1
A2
4-5
A2
X1 4-5
3-4 2-3
5-6
B2
A1
B2
2-3
5-6
6-1
TypeH
C1
C2
C1
2-3
6-1
C2 A1
3-4
3-4
A2 C1
B2
A1
B1
1-2 4-5
5-6
5-6
1-2
6-1
6-1
A2
C2
3-4 4-5
5-6
5-6
1-2
A2
B2
B1
C2
2-3
6-1
A2
B2
TypeG
X3
B1 1-2
A12-3
3-4
3-4
6-1
B2
X2
4-5
2-3
4-5 5-6
1-2
3-4
2-3
A2
A1
TypeF
C1
1-2 4-5
5-6
A2
B2
A1
B1 A1
G-1
4-5 5-6
1-2
6-1
A2
X2 C2
2-3 3-4
A2
C2
3-4
6-1
A2
C1
TypeE B2
B1 1-2
5-6 2-3 6-1
6-1
A2 B2
A1
3-4
4-5
2-3
4-5 5-6
1-2
3-4
5-6
B2
A2
TypeD
B1
X3
C2 C2
1-2 4-5
2-3
A1
C1
5-6
5-6
1-2
1-2 3-4
4-5
2-3
4-5
2-3 6-1
3-4
4-5
3-4
6-1
A2
B2
TypeC
B1
C1
1-2
3-4
5-6
6-1
A1
TypeB
B2
1-2
2-3
4-5
1-2
A2 C1
C2 C1
6-1
3-4
5-6
5-6
6-1
A2 B2
TypeA
B1
2-3
4-5
6-1
4-5
3-4
5-6
X3
1-2
2-3
3-4
4-5
TypeL
X2
1-2
3-4
5-6
TypeK
X2
X3 2-3
4-5 6-1
TypeJ
1-2
2-3
2-3
5-6
A2
X2 2-3
6-1
A2 C1
3-4
5-6
5-6
6-1
6-1
TypeL
1-2 4-5
2-3
3-4
4-5
3-4 2-3
X2
X3 2-3
5-6
A2
B2
3-4
TypeK
C1
C1
C2
A1
5-6
1-2
TypeJ
1-2 4-5
3-4 4-5
6-1
C2
C2
2-3
A2
B2
C2 C1
A1
6-1
X1 2-3
4-5
6-1
B1
3-4
5-6
2-3
A2
B2
B1
C2
C1
A1
C1
5-6
TypeI
1-2 4-5
2-3 3-4
5-6
1-2
6-1
6-1
A2
B2
B1
C1
C2
A2
3-4
4-5
5-6
5-6
1-2
A2
B2
B1
6-1
3-4
2-3
4-5
1-2 4-5
2-3
2-3
6-1
A2
3-4
3-4
5-6
1-2
6-1
1-2 4-5
2-3
4-5
2-3
5-6
1-2
6-1
3-4
5-6
5-6
5-6
1-2
3-4
TypeH
X1
X3
1-2 4-5
2-3
3-4
TypeG
TypeF
X2
1-2 3-4
4-5
2-3
4-5
2-3 6-1
3-4
TypeE
X2
X3
1-2 4-5
TypeD
COMPONENT #02
COMPONENT #02
COMPONENT ASSEMBLY
11 WORK XI [ACADEMIC] TYPE
Coorporative Undergraduate Work Front Elevation of the Northern Building
NAME
Shanxi Ancient Building Measurement
CONTENT
The task of our group is to measure and make the drawings of the typical courtyard of Shanxi Province shown on the right.
Plan
of the
Overall Yard Measured
Detail of the Eaves Tile
being
We did the measuring work together and Iâ&#x20AC;&#x2122;m in charge of making the drawings on the right.
Detail of the Dripping Tile
Section of the Northen Buiding and the Front Elevation of the eastern Building
COMPLEMENT
The courtyard was built in Ming Dynasty (1368-1644) in Yangquan, Shanxi Province. My partners Li Jiaqi, Zhu Yifei and I surveyed three courtyards together and I completed plan of the three yards, one elevation, one section of the third yard, the overall elevation from outside the yards, and the elevation of a screen wall outside the yards. I finished my part of CAD drawings based on the statistics our group measured by hand and a pile of drafts. The whole work took us four weeks.
Elevation and Section of the Screen Wall
Front Elevation From Outside the Courtyard
INTERNSHIP AT FCJZ ATELIER, SUMMER 2011
OPTION 3 PROS • 与悬挑结构方向一致 • 广场层次丰富 CONS • 广场间联系不畅 • 北侧广场进深有限，不便使用 • 南侧广场功能不清晰
Work on a variety of projects including help with the design development for SZTV(Shenzhen Broadcasting TV Center), making both physical and computer models for the mansion and the square and adjusting plans, elevations and sections of each floor; assistant concept design of the facade of a MUJI store in shanghai and other projects. Shown on this page a model of SZTV and its plans of typical floor, the site plan, and the perspectives of the main plaza. accessible
inaccessible
Through the intership period, I’m the main assistant of SZTV’s project leader, the pictures on this page are all generated bymy work, Including the model making, devision of the working space. Meanwhile, I also built comparision model with a different structure system. Also, working with those best university students also enables me to further my goal and study in a post-profes-