M A
M A
INTERIOR DESIGN PORTFOLIO
I
2
N T E R I O R
1
0
D E S I G
6
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Juanjuan Mao P 415 - 535 -9423 E xiaomaojuan@gmail.com
Academy of Art University 601 Brannan St, San Francisco, CA 94107 BFA Interior Architecture & Design Director / Archana Myer Course / Portfolio Instructor / Leonarda Tamayo
Photographer / Juanjuan Mao, Pinterest FONTS / Regular Myriad Pro, Bold Myriad Pro, Archive Paper stock / Opaque Book Coth / Hard cover Software / Adobe Photoshop, InDesign, Illustrator Bindery / Chum’s Design & Print 989 Howard St, San Francisco, CA 94103
Copyright Š Juanjuan Mao 2016 All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical including photocopying, recording, or any other information storage or retrieval system, without express permission from Juanjuan Mao the designer.
JUANJUAN MAO PROFESSIONAL BIOGRAPHY
Juanjuan Mao, an Interior Architecture and Design student in Academy of Art University, San Francisco, CA. She was born and grew up in China. She has fully passion in Interior Architecture and Design. She is enthusiastic for painting and have a great interest in it.
C O N T E N T 01 5-28
COMMERCIAL DESIGN
Food Market
02 29-63
COMPREHENSIVE DESIGN
Senior Stuido
03 64-98
RESIDENCIAL DESIGN
The Maritto Residence
04 p133-139 TEXTILE DESIGN
05 P150-155 PRINCIPLES OF GRAPHIC
06 P140-149
MISCELLANEOUS
Sketches Color Rendering
“Real comfort, visual and physical, is vital to every room.”
- Mark Hampton
01 COMMERCIAL DESIGN RHY THM - LIFE MARKET [FALL 2014]
COMMERCIAL DESIGNT
13
RHYTHM LIFE MARKET
RHYTHM LIFE MARKET
PR OJE CT D E S CR I PTI ON
COMMERCIAL DESIGNT
14
Before urbanization, Mission Bay was nestled inside of a +500 acre salt marsh and lagoon, and was occupied by year-round tidal waters. Native Americans used to lived in the area for over 5,000 years. Unfortunately, in the early 19-century, immigrants to the area exposed the Native American population to previously unknown diseases that reduced their population to nearly zero. Beginning in the mid-1800s, people attempts to use this area as a convenient place to deposit refuse from the building project and debris from the 1906 Earthquake. Until to 1998, the Board of Supervisor announced to redevelopment this area. It become into a wealthy neighborhood of luxury apartment now.
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
N
15
W
S
Year Build: 2013 Zoning: Residential & commercial Retail Space Parametrs : 455,000 Sqft Location: Mission Bay Block 2 San Francisco, CA 94158
RHYTHM LIFE MARKET
185 CHANNEL STREET SAN FRANCISCO CA
Completion: November 2013 Contract: $90 Million Owner: UDR. INC Demographic: Population: 5,390 Males’ population: 3,374 Females’ population: 2,017 Percentage of family households: 31,2% Percentage of married-couple families : 28%
Current Nearnys: Residential Complexes AT&T Park Bay Bridge Public Libarary UCSF Medical Center Safeway
Average age: 25 - 35 Average income: $110,000 Average rent: $1,900 Average person per household: 2 - 4 Mission Bay Population (according to 2011 Census): 5,390
COMMERCIAL DESIGNT
E
16
RHYTHM LIFE MARKET
CONCE PT: R H YTH M
COMMERCIAL DESIGNT
17
The client who want design with the elegant and classic style feeling. I think ryhthm let me think about music that the pattern of regular or irregular pulses caused in music by the occurrence of strong and weak melodic and harmonic beats. I think rhythm also represents the power of dance and the change of the feminine. Usually rhythm is a sensation of movement, elegant and has a changeable feeling. Rhythm at regular or irregular intervals in the same or a modified form. Rhythm gave me a lot of inspiration such as space, light and shadow. I think the rhythm makes people excited, like heart beating with the wonderful music. Rhythm is mysterious that let a person want to find out and know more.
COMMERCIAL DESIGNT
18
RHYTHM LIFE MARKET
RHYTHM LIFE MARKET
C L I E NT I NFOR M ATI ON
COMMERCIAL DESIGNT
19
RHYTHM - LIFE
The client is Tony Riviera, who is the CEO and chairman of primo hospitality group. He is a successful businessman who owns several restaurants across the country. Tony Riviera purchased the space in San Francisco mission bay area, and he is planning to open a new upsacle specialty food market & cafe that specializes in organic, local sustainable products that are of the highest quality. The market & cafe serve high quality products, catering, preare food, and others. The location is in a very large apartment community which houses hundreds of luxury apartments. His main target customers will be young, foodie, hipster crowd living within the community.
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
B R A ND I NG
20
SPAC E P L A NNI NG | B U B B L E D I A G R A M
ENTRANCE
ENTRANCE
PIZZA CAFE BAR & RESTAURANT RESTAURANT
KITCHEN
RHYTHM LIFE MARKET
KITCHEN
CHECK OUT CAFE BAR
CHECK OUT
DRY FOOD AREA
KITCHEN FOR PREPARE FOOD
WINE CELLAR STORAGE
COMMERCIAL DESIGNT
21
MARKETING
ENTRANCE
PREPARE FOOD AREA
CHECK OUT
MARKETING
ENTRANCE
PREPARE FOOD AREA
CHECK OUT
RHYTHM LIFE MARKET
FL OOR PL A N
COMMERCIAL DESIGNT
22
PROGRAMMING
RESTAURANT PIZZA/BAR AREA KITCHEN FOR RESTAURANT TWO CHECK OUT MEN AND WOMEN RESTROOM DRY FOOD AREA FRUIT AND VEGGIE WINE CELLAR OFFICE STORAGE PREPARE FOOD AREA KITCHEN FOR PREPARE FOOD
N
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
F LOOR PL A N | CI R CU L ATI ON
23
N
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
FL OOR PL A N
24
N
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
I D E A S KE TCH E S
25
COMMERCIAL DESIGNT
26
RHYTHM LIFE MARKET
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
RE S TA U R A NT | B A R A R E A
27
design. Creating a comfortable and interesting space. I use black, white and gold colors to go through my whole design.
28
COMMERCIAL DESIGNT
the the elegant, mysterious and classic into the restaurant
RHYTHM LIFE MARKET
According to my concept of ryhthm, I hope put the feel of
COMMERCIAL DESIGNT
29
RHYTHM LIFE MARKET
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
CH E CK OU T
30
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
M A R KE T
31
concept.
RHYTHM LIFE MARKET
wavy design and the wavy shape circulation are related with
32
COMMERCIAL DESIGNT
Oh the design of the supermarket area, the ceiling of the
COMMERCIAL DESIGNT
33
RHYTHM LIFE MARKET
COMMERCIAL DESIGNT
RHYTHM LIFE MARKET
DI S PL AY A R E A
34
COMMERCIAL DESIGNT
35
RHYTHM LIFE MARKET
COMMERCIAL DESIGNT
36
RHYTHM LIFE MARKET
02 COMPREHENSI VE DESIG N AT I O N A L G E O G R A PHIC [ 2016 SPRING ]
FINGERPRINT
39
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
SITE FACTORS 34 GRAHAM ST. SAN FRANCISCO. CA
Winds are channeled over and around the city of San Francisco by the terrain, resulting in pronounced differences in the weather across relatively short distances.
Climate is further modified on the northern end of the peninsula, surrounded on three sides by the Pacific Ocean and San Francisco bay. Summertime in San Francisco is characterized by cool marine air and persistent coastal stratus and fog, with average maximum temperatures between 60F and 70F, and minimum at approximately 50F.
Winter temperatures in San Francisco are quite temperate, with highs between 55F and 60F lows in the 45F to 50F range. Approximately 80% of San Francisco’s seasonal rain falls between November and March.
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
40
FINGERPRINT
FINGERPRINT
S I TE FA CTOR S
41
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
34 GRAHAM ST. SAN FRANCISCO. CA
FINGERPRINT
ADJACENT BUILDINGS
CROSS STREET : LINCOLN BLVD
The Bay School of San Francisco
County : San Francisco
Off the Grid Picnic
Adjacent to presidio national park
The San Francisco Film Center Presidio’s Officers Club
SOLAR ORIENTATION :
Presidio Bowling Center
North - crissy field marsh
Futures Without Violence
South - residential
The Commissary
West - baker beach
The Presidio Trust
East - palace of fine arts
The Walt Disney Family Museum Presidio Community YMCA
QUALITY OF OUTDOOR VIEWS :
INN at the Presidio
34 graham st is adjacent to the Presidio
US Post Office
park. itself a 1200 acre national park with hik-
VEHICULAR ACCESS
ing and biking trails.
Street Parking
Parking lot in front of building
VIEW(S) : Park, garden/greenbelt, golden gatebridge
PUBLIC TRANSPORTATION There are 4 bus stops around the site 4 minute walk is the closes bus stop
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
42
CA S E S TU D Y
MUSEUM FIELD TRIP CONTEMPORARY JEWISH MUSEUM
LOCATION 736 MISSION ST, SAN FR ANCISCO PROJEC T T YPE
FINGERPRINT
MUSEUM ARCHITEC TS DANIEL LIBESKIND PROJEC T YEAR
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
43
2008
Winds are channeled over and around the city of San Francisco by the terrain, resulting in pronounced differences in the weather across relatively short distances. Climate is further modified on the northern end of the peninsula, surrounded on three sides by the Pacific Ocean and San Francisco bay. Summertime in San Francisco is characterized by cool marine air and persistent coastal stratus and fog, with average maximum temperatures between 60F and 70F, and minimum at approximately 50F. Winter temperatures in San Francisco are quite temperate, with highs between 55F and 60F lows in the 45F to 50F range. Approximately 80% of San Francisco’s seasonal rain falls between November and March.
FINGERPRINT NATIONAL GEOGRAPHIC HEADQUATER DESIGN
44
As you can see on the pictures, the building “appear to change color depending on the time of day, the weather, and the viewer’s position, creating a dynamic, “living” surface the major advantages of the space planning are the excellent lighting enabled by the 36 windows (art daily). It also provides continuity of space for convenience during school tours. The windows also provide extra space for exhibition.
FINGERPRINT NATIONAL GEOGRAPHIC HEADQUATER DESIGN
45
The disadvantage is the angle walls, I could use the angle to create a built in sitting area. The space is too bright and too cool. To improve it, the diamond-shaped windows could change to warmer color glass, to bring in the natural light with warm color scheme in to the spaces. The other improvement should be the confusion with the main entry and the retail entry, since the second entry is an impressive modern building with shape angles, it attract people to use the retail entrance as a main entry, it makes the entry useful.
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
46
FINGERPRINT
NATIONAL GEOGRAPHIC “AT NATIONAL GEOGRAPHIC, WE BELIEVE IN THE POWER OF SCIENCE, EXPLORATION AND STORYTELLING TO CHANGE THEWORLD.�
National Geographic is a society that started in 1888 in Washington DC. It was first created during a time when people from Europe and America were curious to know the stories about other cultures and the adventures that were taken. The spread of knowledge and learning are one of the fundamental goals this society wants to bring to the life of an ordinary person. As a nonprofit organization, National Geographic is dedicated to exploring our planet, protecting wildlife and habitats, and helping assure that students in K-12 are geographically literate. They award grants to explorers, who go out into the world to gather knowledge that will be shared to 700 million people a month through its media platforms, products, events, and experiences. Each year, this society funds more than 300 research, conservation, and exploration projects around the globe. There are four categories in which National Geographic focuses on, which are, Our Human Story, Critical Species, Our Living Planet, and New Frontiers. Within each category, they explore, reveal, understand, and search for new information and knowledge that is invaluable to our species and planet as a whole. In the end, National Geographic believes in the power of science, exploration, education, and storytelling to change the world.
FINGERPRINT
CO NCE PT: FI NG E R PR I NT
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
49
The whorls, arches and loops on the ends of digits are said to be unique to each individual. Durable as well, even when fingerprints have been damaged or worn, they can usually replace themselves. itself become permanently encoded into the fingerprint pattern and cannot be destroyed by superficial skin injuries.
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
50
FINGERPRINT
BUBBLE DIAGRAM
JANITOR RESTROOMS
ARCHIVE
NECHANICAL
EXHIBITION
BASEMENT
STORAGE
ELECTRICAL
STAIRS
FINGERPRINT
LOBBY AREA
STORE LOBBY AREA
MULTIPROSE LOADING DOCK STORAGE
51
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
1ST FLOOR KITCHEN
RESTROOMS
STAIRS
CAFE
ACCOUNTING
PANTRY
JANITOR & DATA
SENIOR WEB EDITOR SENIOR EDITOR
CONTROLLER
EDITORAL & DSIGN & PRODUCTION
HR OFFICE
2ND FLOOR
OFFICE RECEPTION RESTROOMS
REGIONAL MANAGER
MARKETING
LOBBY AREA
MEDIUM
CONFERENCE SMALL LARGE CONFERENCE MARKETING CONFERENCE DIRECTOR
STAIRS
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
I D E A S KE TCH E S
52
E G R E S S d iag ra m
UP
EXIT
DN
EXIT UP DN
OPEN TO ABOVE
OPEN TO ABOVE
OPEN TO BELOW OPEN TO ABOVE
BASEMENT
UP
EXIT
FINGERPRINT
DN
53 UP DN
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
OPEN TO ABOVE
OPEN TO ABOVE
OPEN TO BELOW OPEN TO ABOVE
1ST FLOOR
EXIT
EXIT
DN
EXIT DN
OPEN TO ABOVE
OPEN TO BELOW
OPEN TO BELOW OPEN TO ABOVE
2ND FLOOR
OPEN TO BELOW
OPEN TO BELOW
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
V E RTI C A L C I RC ULATI ON DI A GR A M
54
FL OOR PL A N BASEMENT
1
2
1 A111
3
4 5 UP
9' - 3 1/2"
38
5' - 8"
3' - 11"
8' - 7"
23' - 7 1/2"
7' - 5 1/2"
STORAGE
6' - 8 1/2"
16' - 7 1/2"
17' - 10"
43' - 3 1/2"
5' - 6 1/2"
MECHANICAL
ELECTRICAL
FINGERPRINT
36
9' - 5"
37
15' - 0 1/2" 9' - 5 1/2"
3' - 5"
5' - 0 1/2"
WOMEN'S RESTROOM
55
44
5' - 0"
5' - 0"
3' - 4"
43
11' - 11 1/2"
16' - 7 1/2"
MEN'S RESTROOM
4' - 11 1/2"
EXHIBITION
7' - 9 1/2"
4' - 10"
5' - 0"
5' - 2"
8' - 9"
45
-
7
JANITOR 4' - 11"
42 UP
N 4' - 5"
DATA 41
-
34' - 2 1/2"
9' - 5 1/2"
72' - 6"
5' - 5"
13' - 6" 8' - 4"
PROGRAMMING OPEN TO ABOVE
ARCHIVE
8 5' - 0"
10' - 8 1/2"
JANITOR -
-
DATA MECHANICAL
33' - 10 1/2"
ARCHIVE
STORAGE
2
40
39
A113
EXHIBITION
ELECTRICAL
13' - 0"
STORAGE 14' - 9 1/2"
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
8' - 8"
6' - 4"
6
WOMEN RESTROOM 9
MEN RESTROOM 21' - 3"
45' - 10 1/2" 1 A110
FL OOR PL A N 1 S T F LO O R
1
2
1 A111
3
4
29' - 4"
5
UP
9' - 5"
7' - 5"
12' - 3"
DN -
16' - 2"
LOADING DOCK 10
6' - 2 1/2"
STORAGE 6' - 9"
11
3' - 4 1/2"
12
3' - 3"
5' - 10"
6
8 3' - 10 1/2" 7' - 6 1/2"
5' - 4 1/2"
7
10' - 5"
1
6' - 1"
MULTIPURPOSE ROOM
2 A109
5' - 3 1/2"
10' - 0 1/2"
18' - 7 1/2"
JANITOR
FINGERPRINT
9
10' - 5 1/2"
9' - 1"
DATA
WOMEN'S RESTROOM
5' - 0"
7' - 0"
MEN'S RESTROOM 13
A109
56
8' - 6"
23' - 3 1/2"
STORE
17' - 5"
6
5
19' - 7"
3' - 10"
2' - 5"
3 A113
N
-
5' - 9"
-
8' - 8"
5' - 3 1/2"
2' - 6 1/2"
5' - 1"
7
4' - 5" 3' - 0"
8' - 7"
STORAGE
-
4
PROGRAMMING
T ce i yrig tn p o C 7 0 t2 h
16' - 11 1/2"
T ce i yg tn p o C ri 7 0 t2 h
1 A115
LOBBY
T ce i yrig tn p o C 7 0 t2 h
9' - 3 1/2"
T ce i yg tn p o C ri 7 0 t2 h
8' - 7 1/2"
DN
CAFE
UP
SECURITY 3
20' - 2"
20' - 4"
8 OPEN TO BELOW
-
STORAGE
-
STORE
OPEN TO ABOVE T ce i yrig tn p o C 7 0 t2 h T ce i yg tn p o C ri 7 0 t2 h
6' - 9"
A113
2' - 7 1/2"
4
KITCHEN
2
1
A113
MEN RESTROOM
T ce i yg tn p o C ri 7 0 t2 h
CAFE
WOMEN RESTROOM
2
15' - 9"
1
1"
LOBBY
T ce i yrig tn p o C 7 0 t2 h
1 8' -
22' - 9"
A113
MULTIPURPOSEDATA
T ce i yrig tn p o C 7 0 t2 h
16' - 1"
SECURITY
T ce i yg tn p o C ri 7 0 t2 h
44' - 1 1/2"
20' - 2 1/2" 5' - 2 1/2"
JANITOR
5' - 4"
9
1 A110
LOADING DOCK
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
11' - 11"
KITCHEN
FL OOR PL A N 2 N D F LO O R
1
2
1 A111
3
4
9' - 7 1/2"
2' - 8"
7' - 6 1/2"
22' - 1"
6' - 10 1/2"
3' - 8 1/2"
EDITORIAL
DN
18
8' - 11 1/2"
14' - 1"
6' - 10 1/2"
2' - 7"
5
6' - 0"
12' - 8 1/2"
ART DIRECTOR 17
5' - 0"
N
SUPPLIES 35 12' - 7"
2 A114
9' - 9"
5' - 10"
6' - 9 1/2"
9' - 4 1/2"
6' - 0 1/2"
5' - 2"
4' - 1" 7' - 9"
6
23' - 1 1/2"
20
15
WOMEN'S RESTROOM
6' - 2"
MEN'S RESTROOM
3' - 7"
SENIOR WEB EDITOR
3' - 4 1/2"
4' - 2 1/2"
7' - 1 1/2"
16 1
JANITOR 5' - 6"
3
PANTRY 9' - 5 1/2"
A113 22
14
11' - 10 1/2"
4' - 8 1/2"
STORAGE
OFFICE RECEPTION
5' - 5"
1
8' - 3"
5' - 0"
20' - 4"
34
7
9' - 1 1/2"
MEDIUM CONFERENCE
OPEN TO BELOW 5' - 4"
DN
9' - 2 1/2"
6' - 9 1/2"
DATA
JANITOR
23
24
8' - 0"
MARKETING
5' - 5 1/2"
REGIONAL MANAGER
4' - 4"
MARKETING DIRECTOR SMALL CONFERENCE MEDIUM CONFERENCE
3' - 9 1/2"
8' - 6"
5' - 7 1/2"
25
LARGE CONFERENCE
3' - 6"
32
7' - 11 1/2"
-
-
4' - 3 1/2"
SMALL CONFERENCE
ACCOUNTING
RECEPTION
9' - 1 1/2"
5' - 5 1/2"
7' - 2 1/2"
6' - 5 1/2"
8
6' - 0 1/2"
16' - 7 1/2"
PANTRY
33
OPEN TO ABOVE
4' - 7 1/2"
MEN RESTROOM
LARGE CONFERENCE
3 A114
2' - 5"
WOMEN RESTROOM
29' - 2"
A114
HR OFFICE
MANAGER OFFICE
16' - 0"
4' - 6"
SENIOR EDITOR 21
9' - 6"
CONTROLLER
A113
4
30
14' - 4"
13' - 2"
9' - 6" 7' - 2 1/2"
12' - 0"
10' - 10" 6' - 0"
1 A110
17' - 9" 2' - 6"
2' - 6"
9' - 8"
31
A113
2' - 6"
1
MARKETING DIRECTOR
11' - 0"
MARKETING
29
4' - 6 1/2"
ART DIRECTOR
REGIONAL MANAGER
28
4' - 3"
DESIGN & PRODUCTION
OFFICE MANAGER
27 17' - 6 1/2"
ART DIRECTOR
HR OFFICE
26
16' - 10 1/2"
SUPPLIES
CONTROLLER
2' - 6"
SENIOR WEB EDITOR
8' - 2 1/2"
SENIOR EDITOR
16' - 9 1/2"
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
5' - 5 1/2"
7' - 2"
DATA
4' - 3 1/2"
57
A109
11' - 11 1/2"
ACCOUNTING
5' - 6"
2' - 6"
PROGRAMMING
3' - 7"
19
9' - 3"
FINGERPRINT
6' - 9 1/2"
12' - 9 1/2"
DESIGN&PRODUCTION
9 10' - 4 1/2" 4' - 4 1/2"
3' - 3 1/2"
0' - 9"
3' - 3" 3' - 3"
1' - 6" 7' - 3"
6
7' - 0"
4
5' - 0"
Level 2 FLOOR PLAN 13' - 7 1/2"
6
Level 1 FLOOR PLAN 0' - 0"
FINGERPRINT
4' - 6"
9' - 1"
3' - 3"
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
2' - 8" 10' - 0 1/2"
3' - 0"
4' - 0"
5' - 6 1/2"
5' - 0"
4' - 0"
3
3' - 4 1/2"
3' - 3 1/2"
5' - 4 1/2"
2' - 6"
3' - 0"
7' - 3"
2' - 6"
1' - 5"
3' - 4 1/2"
2' - 8"
3' - 3 1/2"
4' - 6"
3' - 3"
10' - 0 1/2"
A D A R E S TR OOM 1 S T F LO O R
4
1' - 6"
5' - 0"
3' - 4 1/2"
58
S E CTI ONS
9
8
7
6
5 Roof Cut 32' - 1"
Roof 27' - 1"
Level 2 FLOOR PLAN 13' - 7 1/2"
FINGERPRINT
Level 1 FLOOR PLAN 0' - 0"
BASEMENT FLOOR PLAN -10' - 6 1/2"
SECTION1A-801
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
59
1 / 4” = 1’ - 0”
5
6
7
8
9 Roof Cut 32' - 1"
Roof 27' - 1"
Level 2 FLOOR PLAN 13' - 7 1/2"
Level 1 FLOOR PLAN 0' - 0"
BASEMENT FLOOR PLAN -10' - 6 1/2"
SECTION1A-801 1 / 4” = 1’ - 0”
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
60
FINGERPRINT
SOME IDEAS SKETCHES FOR LOBBY, OFFICE AND BASEMENT
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
LO B B Y | R E CE PTI ON
63
This is a very special design on the ceiling. The design on is inspired by fingerprints, which are shaped
sive and very attractive. The material is wood, so people will not feel depressed or discomfort. On
FINGERPRINT
like fingerprints. It can be impres-
the contrary, wood color makes people feel very cordial and relax.
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
64
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
SKETCH E S | CA FE E L E VATI ON
65
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
CA FE
66
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
S TOR E
67
1
4
STORAGE
8' - 7 1/2"
SECURITY 3
29' - 4"
3 A701
5' - 8"
5' - 9"
DN
A701
-
3
-
7' - 0"
7' - 5"
5' - 3 1/2"
UP
3' - 4 1/2"
13
11
DN
STORAGE
3' - 3"
A601
1
10' - 5"
6
KITCHEN
23' - 3 1/2"
MEN'S RESTROOM
5' - 0"
17' - 5"
12
WOMEN'S RESTROOM
A701 4
20' - 2"
8' -
2
CAFE
1
A501
5' - 10"
6' - 2 1/2"
10' - 5 1/2"
2
9
DATA
8
JANITOR
1
20' - 2 1/2"
10' - 0 1/2"
1
10
UP 20' - 4"
OPEN TO BELOW
A701
2
OPEN TO ABOVE
1
11"
A301
5' - 4"
5' - 1"
A801
9' - 3 1/2"
LOADING DOCK
7
1
LOBBY
9' - 1" 3' - 10 1/2" 5' - 4 1/2"
9' - 5" 6' - 9"
5' - 2 1/2"
6' - 1" 8' - 6"
MULTIPURPOSE ROOM
5
STORE
44' - 1 1/2"
5' - 3 1/2"
16' - 11 1/2"
22' - 9"
18' - 7 1/2" 19' - 7" 8' - 7" 16' - 1"
11' - 11"
16' - 2"
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
68
4
2' - 5"
5
6
7
8
9
2 A601
FINGERPRINT
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
OFFI CE R E CE PTI ON 2 N D F LO O R
68
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
70
FINGERPRINT
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
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1
23
DATA
ACCOUNTING
25
20
SENIOR WEB EDITOR
21
SENIOR EDITOR
27
HR OFFICE
2
3
17
OPEN TO BELOW
30
MARKETING
OPEN TO ABOVE
ART DIRECTOR
29
REGIONAL MANAGER
DN
28
OFFICE MANAGER
DN
35
SUPPLIES
34
LARGE CONFERENCE
MEDIUM CONFERENCE
33
31
MARKETING DIRECTOR
4
5
6
7
8
9
FINGERPRINT
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
OPE N OFFI CE 2 N D F LO O R
72
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
FINGERPRINT
OPE N OFFI CE 2 N D F LO O R
73
NATIONAL GEOGRAPHIC HEADQUATER DESIGN
74
FINGERPRINT
03 RESIDENCIAL DESIGN T H E MA R I T TO R E S I D E NC E [ 2014 SPRING ]
t
THE MARITTO RESIDENCE
CL I E NT
RESIDENCIAL DESIGN
77
13 WOOD STREET, SAN FRANCISCO
The Mariotto Residence is a multifamily home, it’s a three story building, and a remodeling house in San Francisco. It is own by three menmbers of the family. They all have their own personality. I’m going to design a house for them based on their own personal style.
THE MARITTO RESIDENCE
CONCE PT
RESIDENCIAL DESIGN
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DREAM
A dream is a succession of images, ideas, emotions, and sensations. The visual nature of dreams is generally highly phantasmagoric; that is, different locations and objects continuously blend into each other. Every girl has a variety of dreams, they fantasy of the colorful world. Dreams are abstract and beautiful. We can not touch it and can not accurately describe it. Dream is very mysterious. People can infinite fantasy and imagination.
BUBBLE DIA G R A M
THE MARITTO RESIDENCE
MASTER BEDROOM
STORAGE
DATA
79
RESIDENCIAL DESIGN
MASTER BEDROOM
GUEST BATHROOM
FORMAL SEATING ROOM
LAUNDRY
STAIRS LIVING ROOM STUDY ROOM
TEA ROOM
KITCHEN & DINNING ROOM
L EV EL 2
FL OOR PL A N
MASTER BATHROOM
STORAGE
N
PROGRAMMING LIVING ROOM
STUDY ROOM MASTER BATHROOM MASTER BEDROOM STUDY ROOM
KITCHEN STORAGE STAIRS
TEA ROOM
DINNING ROOM
GUEST BATHROOM LIVING ROOM TEA ROOM FORMAL SEATING ROOM
KITCHEN
RESIDENCIAL DESIGN
80
GUEST BATHROOM
DINNING ROOM
THE MARITTO RESIDENCE
MASTER BEDROOM
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
I D E A S KE TCH E S
81
RESIDENCIAL DESIGN
82
THE MARITTO RESIDENCE
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
L I V I NG A R E A
83
The living area provides a great
sense of both comfort and relaxation. The wood material of the floor is balanced with the industrial smooth cement wall. All furnishings feel individual, yet comfortable. indoor color let human feel very
THE MARITTO RESIDENCE
view of the outside world and a
relaxed and warm.
RESIDENCIAL DESIGN
84
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
L I V I NG A R E A
85
-
-
-
-
-
-
-
RESIDENCIAL DESIGN
-
86
THE MARITTO RESIDENCE
-
-
-
-
-
-
-
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
S TU D Y R OOM
87
RESIDENCIAL DESIGN
88
THE MARITTO RESIDENCE
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
B E D R OOM
89
-
-
-
-
-
-
-
RESIDENCIAL DESIGN
-
90
THE MARITTO RESIDENCE
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
B ATH R OOM S KE TCH E S
91
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
H A L LW AY
92
RESIDENCIAL DESIGN
THE MARITTO RESIDENCE
D I NI NG R OOM
93
RESIDENCIAL DESIGN
94
THE MARITTO RESIDENCE
04 TEXTILE DESIGN [ 2 0 1 5 FA L L ]
TEXTILE DESIGN
97
PIGNEBT: Extenderand opaque based pigment ( water base). FABRIC: Woven fabric ( white and dark truquoise). ACTIVITY: Printing with photographic screen. LEARNED: Cleaning off a photo image from a silk-screen.
TEXTILE DESIGN
98
TEXTILE DESIGN
99
PIGNEBT: Extenderand opaque based pigment ( water base). FABRIC: Woven fabric ( white and dark truquoise). ACTIVITY: Printing with photographic screen. LEARNED: Cleaning off a photo image from a silk-screen.
TEXTILE DESIGN
100
TEXTILE DESIGN
101
PIGNEBT: Extenderand opaque based pigment ( water base). FABRIC: Woven fabric ( white and dark truquoise). ACTIVITY: Hand painting colored natural fabeics with reactive dyes. LEARNED: Hand-painting with reactive dyes.
TEXTILE DESIGN
102
TEXTILE DESIGN
103
PIGNEBT: Extenderand opaque based pigment ( water base). FABRIC: Woven fabric ( white and dark truquoise). ACTIVITY: Hand painting colored natural fabeics with reactive dyes. LEARNED: Hand-painting with reactive dyes.
TEXTILE DESIGN
104
T TEXTILE DESIGN
105
TEXTILE DESIGN
106
DESIGN INSPIRATION | volcanic ash rivers
The ispiration is from the iceland’s streams and ashen fields to life with vivid, swirling patterns that resemble abstract paintings. It is an inexpressible combination of colors, lines and patterns.
05 PRINCIPLES OF GRAPHIC POSTER DESIGN POSTER CARDS [ 2015 SPRING ]
POS TE R D E S I G N
PRINCIPLES OF GRAPHIC DESIGN
109
STORY TELLING, HIERARCHY AND CONCEPT Through the structure of visual form a graphic designer can provide comprehension, and engagement of content. Graphic designers primarily use images and typography as their key components within a compositional structure. A graphic design storyteller can expand the realm of experience and make the content more meaningful.
Presenting the story of a historical event, this poster represents tea as a way of life.
PRINCIPLES OF GRAPHIC DESIGN
110
POS TE R CA R D S D E S I G N
PRINCIPLES OF GRAPHIC DESIGN
110
fear
PRINCIPLES OF GRAPHIC DESIGN
111
USING JUXTAPOSITION AND CONNOTATIVE MEANING Symbols and indexes are surrogate images. They stand-
graphically equated by — line, shape, color, texture, image,
in and express meaning indirectly. Through signs, the
and form.
graphic designer can communicate desires, fears, anxieties, moods, sensations, feelings, and intuitions—all of
These three postcards represent a journey of people facing the
these are subjective and emotional yet capable of being
life’s challenages and show different attitudes and feelings.
06 MISCELLANEOUS COLOR DESIGN COLOR RENDERING [ 2 0 1 5 FA L L ]
COL OR D E S I G N
TEXTILE DESIGN
114
COL OR R E ND E R I NG
TEXTILE DESIGN
115
COL OR R E ND E R I NG
TEXTILE DESIGN
116
TEXTILE DESIGN
117
COLOR RENDERING | watercolr
Watercolor painting with living room. Study how to select and apply color with regard to its interaction with materials, light, form, and its overall impact on the environment.
Thank you for taking time to review this portfolio!
I appreciate ever ything I have learned in this program. I extend my heartfelt appreciation to my parents. Thanks for your love and support. Love you all.
MY FAMILY / FRIENDS
Jianxin Mao, Dongrui Li, Xiaojie Mao, Feifei Fu, Enchih Yu, Xiaoting Cao, Mengsha Zhao, Julia Deng, Michelle Deng, Chi-yi Lee, Shuman Wang, Shaoming Chen, Elena Lou, Florencia Irena,Vivian Hu, Yi-Hung Chang
FACULT Y
Suriya Shuhrat, Ema H Volkova, Fadi Alnumaai, Yaxi Chen, Connie Santoso, Kin Kei Ho, Jimmy Chen, Fangwen Zhu, Ebelia Malikasim, Angel Lopez, Marija Kalas, Jia Xiao, Zhenni Duan, Yi Liu, Arnold Sin, Jingjing Zhao, Siyun Wang, Peiwen Mei
PORTFOLIANS
Leonarda Tamayo
SERVICES
California Office Ser vice, Copymat, Office Depot, Blick Art Materials, Bricks