Four Reflections on the Night

Page 1

FOUR REFLECTIONS ON THE NIGHT From We Look to the Stars

SATB with harp and percussion

music by Juhi Bansal, text adapted from Kabir (15th Century, Indian) Eihei DĹ?gen Kigen (13th Century, Japanese) Sarah Williams (19th Century, English) (Duration 18 mins, can be further excerpted as needed.)


Copyright Š2020 by Juhi Bansal Music All rights reserved

juhibansalcomposer@gmail.com www.juhibansal.com


Four Reflections on the Night - Program Note

“For millennia, the nighttime sky has been a tablet upon which we’ve inscribed our histories. It contains a richness that transcends those visible points of light, with multiple narratives layered atop the same glittering framework.” Nadia Drake

For much of human existence, the night sky was such a great mystery that perhaps it’s natural our stories about the stars are as much stories about us as people. We have looked at the stars and seen ways to navigate through sea and over land; we have seen hopes, dreams and inspiration; we have seen love found and love lost; grief and fear; life and death.

It is fascinating how much similarity there is in stories from all around the globe, centuries apart. Myths that began in one place ended up thousands of miles distant, told with different names in different countries; poetic imagery about the stars in one place has hundreds of analogues from other places and other languages. While the words in which we have described our relationship to the stars are as diverse as the people they came from, the stories themselves have overlapping themes, ideas and images. Four Reflections on the Night, a performance excerpt from the cantata We Look to the Stars, brings together some of these myths, poems and excerpts of prose to celebrate not only the night sky, but also with it the things that unite us in the human experience.


Percussion Details:

Percussion is written for three players, separated into Percussion 1, 2 and 3 to limit moving around instruments.

Percussion instruments needed are: Perc 1: -

Crotales [2 octave set if available, a single octave can substitute if not] (shared with Perc. 2 & 3) 3 tom-toms Large tam-tam Suspended cymbal 2 suspended triangles Vibraphone (shared with Perc. 2)

Perc 2: -

Vibraphone (shared with Percussion 1) 3 tom-toms (these are in addition to the three played by Perc. 1), Crotales [2 octave set if available, a single octave can substitute if not] (shared with Perc. 1 & 3)

Perc 3: -

Bass Drum Marimba Crotales [2 octave set if available, a single octave can substitute if not] (shared with Perc. 1 & 2)

While there are many possible ways of setting up the instruments to allow for each to be reached as needed, one possible setup is shown below. (Depending on staging and location of singers, harp, soloists, this can be modified as needed):


1

We Look to the Stars for SATB chorus (with an additional small section of SAT); harp, vibraphone, crotales and bass drum


2

Notes Choir • The additional small section of SAT should be pulled from the main body of the chorus. • Improvisation Figures in boxes are guidelines for improvisation. (e.g. soprano and tenor at rehearsal 3, alto and bass at rehearsal 4.) The rhythms/pitches/gestures in the box are to be repeated freely, at your own pace, for the duration of the marked arrow. There should be no attempt to synchonize within a section. Until rehearsal 10 (where "In Strict Time" is marked, this movement is aleatoric. The conductor will cue when to move to each subsequent rehearsal number.

• Stars Text: Each singer, at their discretion, may choose from three options wherever "Stars Text" is required: 1) A sentence or two written by each individual singer (in the language of their choice) describing what they see when they look at the night sky. 2) The words "We look at the same stars" in English 3) A translation of the above phrase in the language of your choice

• Bells Each singer needs to have an object they can strike while speaking to create a bell-like sound. These could be actual bells of any type (as long as they are capable of producing soft dynamics), but could also be found objects. Anything that produces a resonant, ringing sound and a soft dynamic will work well. Some examples might include: - Garden chimes/ wind chimes - Bits of glass or old soda bottles that can be struck with chopsticks, small spoons, cocktail stirrers, etc. - A resonant bowl or small glass struck with a slim piece or glass or metal.


3

1

Soprano

8-10 seconds

X

12 - 16 secs.

2

   

We look

Alto

X

Bass

X 

1 D C B / E F# G# A

the

    to

  

the

   to

the

  

We look

to

 

 

the

2

(hum)

 

stars.

Harp

Crotales

X

n

stars.

(hum)

3 

pppp

pppp Stars text. Whispered slow, amorphous. Leave lots of rest and empty space.

(staggered breathing) pppp

 

Improvise freely on these pitches, using a variety of rhythms and grace notes to create melodies.

X 

Stars text. Whispered slow, amorphous. Leave lots of rest and empty space.

(staggered breathing) pppp

stars.

(Dictated, follow conductor) pppp

stars.

(Dictated, follow conductor) pppp

We look

  X

to

 

(Dictated, follow conductor) pppp

We look

Tenor

pppp

(Dictated, follow conductor) pppp

30 secs.

3

  

  

Improvise freely on these pitches, using a variety of rhythms and grace notes to create melodies.

X  n

pppp

Improvise freely on these pitches, using a variety of rhythms and grace notes to create melodies. Vibraphone

 X  n

pppp


4

30 secs.

4

5

30 secs. mp

 S. 

A.

T.

B.

poco a poco cresc.

poco a poco cresc.

Stars text. Spoken, faster, more rhythmic. Growing denser in texture. Each singer move freely between these figures at your own pace, repeating fragments at your discretion. poco a poco cresc. mp poco a poco cresc.  

      

 

mp poco a poco cresc. Stars text. Spoken, faster, more rhythmic. Growing denser in texture. Each singer move freely between these figures at your own pace, repeating fragments at your discretion. poco a poco cresc.

 

poco a poco cresc.

 

   



mp

poco a poco cresc.

(Each soprano singing the gesture in this box individually, not synchronized.) mp poco a poco cresc. Small section (sopranos).

Small section (altos)

Small section (tenors)

  4

Vib.



  

We

look

to

the

stars

(Each alto singing the gesture in this box individually, not synchronized.) mp poco a poco cresc.

We

look

to

  

the

stars

(Each tenor singing the gesture in this box individually, not synchronized.) mp poco a poco cresc.

look

to

  

the

stars

5 mp

poco a poco cresc.

 Crot.

We

 Hp.

poco a poco cresc.

(alternate playing these notes as a plucked scale with glissandi on these same pitches..)

   

         

poco a poco cresc.

mp

poco a poco cresc.

poco a poco cresc.

mp

poco a poco cresc.


6

S.

A.

 

30 secs.

7

poco a poco dim. fff (Shouting, chaotic, frenetic)

fff

poco a poco dim.

B.

Small section (sopranos).

Small section (altos)

Small section (tenors)

  

fff

fff

fff

6 

Hp.

Crot.

Vib.

(speaking, calming down)

 

fff



n

n

n

7

fff

poco a poco dim.

fff

fff

5

(speaking, calming down)

fff poco a poco dim. (Shouting, chaotic, frenetic)

T.

15 secs.

 n

 n

 n


6

45 - 60 secs.

8

p

 

Stars text. Whispered. Slow, delicate. Leave lots of rest and empty space.



(Bells) Sparse. Bells echoing gently across the stage.

S.

 

 

 

 

 

p

 A.

pppp

(Bells)

 

Sparse. Bells echoing gently across the stage. pppp

p

T.

   

Stars text. Whispered. Slow, delicate. Leave lots of rest and empty space.

(Bells)

 

pppp

 

 

 

 

Sparse. Bells echoing gently across the stage.

p (Bells)

B.



Sparse. Bells echoing gently across the stage.

 

8 

pppp

pppp

n

Crot.

Vib.



Hp.

 


9

7

40 - 45 secs.

pppp Each singer move freely between these figures at your own pace, repeating fragments at your discretion.

 

gliss.

(hum)

gliss.

  



S.

n

(bells drop out)

pppp

 A.

n (bells drop out)

pppp Each singer move freely between these figures at your own pace, repeating fragments at your discretion.

T.

 

(hum)

gliss.

gliss.

    

 

 n (bells drop out)

pppp

B.



9 

n (bells drop out)

Crot.

Vib.



Hp.


10

8

h = 120 - 140 In strict time

  S.  

A.

T.

(humming) (pppp)

poco a poco dim.

(humming) (pppp)

poco a poco dim.

(humming) (pppp)

poco a poco dim.

(humming) (pppp)

poco a poco dim.

 

  

 B.  

10  

Hp.

Crot.

Vib.

B. D.

14

h = 120 - 140 In strict time

14

 

 

  

 

  n

 

 

 

 


9 15

 S. 

 

A.

T.

B.

n

Crot.

Vib.



B. D.

n

n

Hp.

n

  

 

  attacca


10

Fire in the Flame For SATB chorus, additional section of SAT singers, vocal soloists (two sopranos, mezzo-soprano, alto and tenor) with percussion (3 players)

Text adapted from Kabir


11

Notes on Performance Chorus The additional section of SAT singers and the soloists can be pulled from within the main choir. Size of each of the smaller sections should be chosen to balance well with the main body of SATB singers. This movement should be very theatrical, with dramatic contrasts in articulation and dynamics. Enunciate the f's of "fire" and "flame" for drama. The word 'fire' is often pronounced as two syllables, fah-yer. Percussion Percussion 1: Vibraphone (motor off throughout) • Muted Vibraphone: (Lay heavy cloth/plastic/tarp over the bars and play directly on this (rather than on the keys).

Percussion 2: Tom toms and suspended cymbal (played with light-medium sticks, able to play on the rim as well as head of the toms, and on suspended cymbal. The sticks should create a percussive, round, not-overly-sharp attack, and be able to balance with vibraphone.)

Percussion 3: Bass Drum (with beaters capable of a clear attack on fast eighth notes as well as a wide dynamic range.)

Text Like the fire in the flames, the stars are within you. Find them if you can. Adapted from the Indian mystic poet and saint, Kabir, written somewhere between 1398 and 1518.


Fire in the Flame

12

5 h = 120 - 130

  

Soprano



Pitched whispers, percussive mp

Like the

 

Alto

  

Tenor

 

Alto (small section)

Tenor (small section)

 

Like the

Pitched whispers, percussive mp



Like the

Pitched whispers, percussive mp

      

fi - re in the flame.



 

fi - re in the flame.

Like the

Pitched whispers, percussive mp

       



fi - re in the flame.

 

 

   

h = 120 - 130

5

  

 

 

Solo Tenor

   

Perc. 1

  

2 Solo Sopranos

Solo Mezzo-soprano

Solo Alto

  

Perc. 2

         Bass Drum

Perc. 3

ffff

h = 120 - 130

 

 

(for rehearsal only) Piano

  

      ffff

 

 

 

ffff

      

Like the

Soprano (small section)



fi - re in the flame.

Like the

 

Bass

      

5

(Only play if needed for the singers)

                   mp


13 7

  S.      

9



      

fi - re in the flame.

A.

 

B.

      fi - re in the flame.



      

Like the

fi - re in the flame.

         

 

Like the

Like the

Like the



fi - re in the flame.

fi - re in the flame.



 

fi - re in the flame.

Like the



Like the

fi - re in the flame.

 



fi - re in the flame.

Like the

Small section S.

Small section A.

Small section T.

 

9

 

Solo M-S..

Solo A.

Solo T.

 

2 Solo S.

Perc. 1

Perc. 2

Perc. 3

Tom -toms, like fire crackling x = rim; regular notehead = drumhead On rim

                        5

p





5

5

Vibraphone Muted (see notes on performance) (like fire crackling)

                        cresc.

9

                                 

5

cresc.

p

(Only play if needed for the singers)

Pno.

      

         Like the

      

      

fi - re in the flame.





fi - re in the flame.

      

Like the

T.

Like the

       

       

 


14

13 12

S.

 

16

Pitched whispers, percussive mp



 

Like the

A.

         fi - re

T.

B.

in

Small section A.

 

2 Solo S.

Solo M-S..

Solo A.

     in

the

 

Perc. 1

Perc. 2

Perc. 3

 

   stars

 

 

 

  stars





  

The

  

f



 



The

stars

  stars



  stars





The



13

f



f



The

          5

5

     

   



16

   

   

   

mf

mf

 

 

    

 

ffpppp

  f 

star

f

 

 

star

f

  

 

 

  

f

  





The

  

 

Pno.

Pitched whispers, percussive mp

  



 

flame.

f

 

The

Solo T.

Like the

The

Small section T.

flame.

 

fi - re

Small section S.

the



  

13

  

ffff

 



 

 

  

16

 

 

mp


15 17

  S.      



fi - re in the flame. Pitched whispers, percussive mp

A.

 

T.

Like the

          



Like the





Like the

      

fi - re in the flame.

Like the

fi - re in the flame.

Like the

 



fi - re in the flame.

Like the

Small section S.

Small section A.

Small section T.

 

 21

 

Solo M-S..

Solo A.

Solo T.

 

2 Solo S.

Perc. 1

Perc. 2

Perc. 3





(Tom -toms) x = rim; regular notehead = drumhead On rim

       

p

   

p

 (Only play if needed for the singers)

Pno.

 21

                                                                        

fi - re in the flame.

         



 

fi - re in the flame.



fi - re in the flame.

      

      

         

 

      

Like the

Like the

Like the



fi - re in the flame.

fi - re in the flame.

fi - re in the flame. Pitched whispers, percussive mp

B.

      

Like the

      

21

 


16 22

S.

  

Like the

A.

          

B.

  



Small section S.

Small section A.

 

        



Like the

fi - re in the flame.



f

The

2 Solo S.

Solo M-S..

Solo A.

 

 

f

f



The

 

Perc. 1

Perc. 2

Perc. 3

Pno.



5

            

       

 

 

  stars

  f 

  stars

  stars

    

   

mf

mf

 

(Only play if needed for the singers)

 

stars

f

5

   stars



5



 

                  5

  



The

star

                            cresc. 

f

5

The

f

cresc.5



25

The

 

  



f

The

Solo T.

star

The

Small section T.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

      

     

      

Like the

Like the

fi - re in the flame.

fi - re in the flame.

T.

      

25

 

ffpppp

   

25

  

   


17

29 27

 S. 

Pitched whispers, percussive mf



      

Like the

A.

T.

B.

  

fi - re in the flame.

 Pitched whispers, percussive mf



      

Like the



Pitched whispers, percussive mf

      

Like the

Like the





 

Like the

      

Like the

         

Like the



 

fi - re in the flame.

Like the

  

Small section A.

    

Small section T.

   

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

    

  

   

 



       

On rim

mp

       

mp



 



fi - re in the flame.

Small section S.

29

fi - re in the flame.

fi - re in the flame.

fi - re in the flame. Pitched whispers, percussive mf



      

    

       

       

ffff

 

  

29

 

 

mf

     

 


18

32

S.

  

Like the

A.

          

B.

  



          

Small section S.



Small section A.

The

stars

are

 

The

stars

are

mf

Small section T.    

mf



The

stars

are

32

mf

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

   

      

The

stars

are

mf



The

stars

are

mf

 

The

stars

are

mf



The

stars

are









with - in

 

f

   f

    f

you.



  

The

mf

mf

 

f



The

mf

you.

The

f

  

with - in

you.

  

with - in

you.

mf

The

f

mf

36

you.

with - in

The

The

f

  

with - in

mf

 

you.

with - in

fi - re in the flame.

 

you.

  



 

Like the

         



Like the

with - in

 

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

mf

The

             mf

5



5

      

 

 

 

ffpppp

 

mf

mf

 

   

ffff

 

   

 

      

           

32

Pno.





      

         





 

Like the

Like the

Like the

Like the

mf

 



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

  

      

      

      

Like the

Like the

Like the



fi - re in the flame.

fi - re in the flame.

T.

      

36

     

              36


19 37

 S.      



fi - re in the flame.

A.

 

Like the

T.

 

        

Like the

Small section S.

   

  

stars

Small section A.

 Small section T.    stars 2 Solo S.

 

stars

Solo M-S..

stars

Solo A.

  

with

 are

fi - re in the flame.

with

-

in

 -

-

with



 



f

in

f

 

you.

 

The

stars

are

mf



The

stars

are



you.

 

are

mf

 



stars

mf

you.

fi - re in the flame.



The

 

The

stars

are

mf



The

stars

are

mf

 

The

stars

are

mf



The

stars

are

                                   

                                       mp cresc. mf   Perc. 3      

Perc. 1

On rim

cresc.5

mp

5

5

5

Like the

40

f

in

-

f

mf

you.

 -

f

you.

in

 

Like the

fi - re in the flame.

 

you.

in

  with

 

 

      

 

f

 

in

-

  you.



 with



Like the



Like the

f

fi - re in the flame.

fi - re in the flame.

        



in



are

   stars

-

are

stars

Solo T.

with

are

 



 

are

  

 with

are

      

Like the

      

fi - re in the flame.

are

stars



      

Like the

Like the





fi - re in the flame.

fi - re in the flame.

        

fi - re in the flame.

B.

      

Like the

      

40

5

5

mf

Perc. 2

fpppp

Pno.

   

 

   

 

     

40

               

   

 


20 42

S.

  

Like the

A.

          

B.

  



          

Small section A.

 

 with

2 Solo S.

Solo M-S..

Solo A.

 

with

    

Perc. 1

Perc. 2

Perc. 3

Pno.

-

 -

 with

-

 with

-

-

 with

-

fi - re in the flame. mf

 

 

you.

  

f

you.

f

   

in

in

The

f

 

f



you.

f

 



Like the



 

The

stars

are

mf



The

stars

are



The

stars

are

mf



The

stars

are

mf

 

The

stars

are

f

mf



The

stars

are

in

you.

 

         

you.

 



Like the

in

fi - re in the flame.

fi - re in the flame.

are

mf

44

fi - re in the flame.

 with

 -

  with

 

-

-

-

-

-



 

  

 

 

     

mf

                 44

 

in

 

in

 with

in

  with

in



 with

in

 with

-

 with

in



  

in

 

fpppp

   

      

stars

mf

you.

 

 





      

Like the

Like the

you.



f

in

    

in

 

Like the

Like the

         



in



with

Solo T.

-

   with

Small section T.





fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Small section S.

Like the

Like the

      

      

      

Like the



fi - re in the flame.

fi - re in the flame.

T.

      

44

 

 

 

 


Sung, percussive 47

 S.       fi - re

A.

in

48 sfz

 

the flame.

fi

 

 

 

       fi - re

B.

in

the flame.

 

fi

Small section A.

  

 

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

          

in

fi

    

re

you.

ff

   

sfzp

in

ff

   

(sung) mf



 

the flame.

in

Like the

    

ff

the flame.

    

    

f

you.

48

f

 

Like the

the flame.

    

re

mf



   

    

you.

f

in

sfzp

-

   

51

the flame.

    

sfz

 

ff

sfzp

fi - re Sung, percussive

f

 

-

 

 

 

Small section T.    

    

re

Sung, percussive sfz

Like the

Small section S.

-

Sung, percussive sfz

Like the

T.

sfzp

(sung)

you.

f



you.

f

  you.

f

  you.

    

    

    

    

 

mf

51

The

mf

The

mf

The

mf

The



 

     

 

fff

  

48

     

   sfz  

 

         

   

    

51

  

mf

  

     

21


22 52

S.

         



fi - re in the flame.(sung)

A.

         



Like the

Small section S.

Small section A.

Small section T.

2 Solo S.

 

      

stars

Solo M-S..

 

 

stars

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

 are





   

  

- in

you.

 

 



 

55

f



Like the

mf



The

stars

are

mf



The

stars

are

 

 

The

stars

are

mf

you.

- in

 with

- in

  with

f

fi - re in the flame.

fi - re in the flame.

 

      

Like the



 with

are

   stars 

with

are

  

 



Like the



Like the

        





fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

are

stars

Solo A.

Like the

      



  



      

Like the

Like the

         

 



fi - re in the flame.

fi - re in the flame.

fi - re in the flame. (sung) mf

B.

      

Like the

T.

Like the

mf

 

      

55

f

  you.

- in

f



you.

         

           

mf

5

5

mf

  

          

    

   

      

 

55

                 

   

 


23 57

  S.  

Like the

A.

           

B.

  



          

Like the

Small section S.

Small section A.

 

 with

2 Solo S.

Solo M-S..

Solo A.

-

 with

 Small section T.    

  -

  with

 

-

in

f

f





Like the

Like the

       

Like the

 

 

fi - re in the flame.

     

fi - re in the flame.



 

fi - re in the flame.

Like the

         



fi - re in the flame.

Like the

fi - re in the flame.



 

you

f

 

you





you

in

 

Like the

in

         

 

     

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

 

 

Like the

      

      

Like the



fi - re in the flame.

fi - re in the flame.

T.

      

59

  

 

 

The

stars

are

mf



The

stars

are

mf

 

The

stars

are

mf



The

stars

are



 with

 -

 with

-

  with

-

Perc. 2



Perc. 3



Pno.

    

              

59

                    

 



 

  

in

 

in

 with

in

Perc. 1





 

Solo T.

mf

59

-

in

  


24 62

S.

            

63



       

fi - re in the flame.

A.

 

Like the

      

Like the

T.

             fi - re in the flame.

B.

 

Small section A.

Small section T.

        

  f

2 Solo S.

     

   

       

fi - re in the flame.



63



The

stars

are

 

The

stars

are

mf



The

stars

are

mf

fi - re in the flame.

ff



 

fi - re in the flame.



Like the

       

Like the

         

Like the

mf

Like the

      

fi - re in the flame.

 



Like the

Like the

       

fi - re in the flame.

fi - re in the flame.



Like the

Small section S.



fi - re in the flame.

ff



 

fi - re in the flame.





Like the

with - in

 



with - in

f

  you.

f

 

 

 

with - in

you.

f

you.

you.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

      

f



you.

f

  you.

f



you.



            mf   

mf

 

5

5

        

          

 

 

ffppp

63

              

   

 

   

 

    


25

67 sfz

 S. 

 

fi -

sfzp

    

re

  

fi -

T.

B.

Small section S.

Small section A.

Small section T.

 

    

re

ff

    

re

in the flame. sfzp

   

    

ff

    

  

in the flame.

(sung, percussive) f

 

       fi - re

Like the

in the flame.



ff

ff

 

ff



The

Solo A.

Solo T.

  

 

 

ff

   sfz   

70

67

 

Solo M-S..

Pno.

fi - re

The



(sung, percussive) f

     

Perc. 3



 

Like the

The

    

Perc. 2

 

Like the

 

67

Perc. 1

(sung, percussive) f

in the flame.

 

2 Solo S.





Like the

fi -

in the flame.

      

   

    

re

ff

sfzp

fi sfz

   

sfzp

sfz

 

   

70

in the flame.

sfz

A.

ff

(sung, percussive) f

         

   

    

70



 

f



 

            


26 72

S.

        

73



fi - re in the flame.

A.

 

 

    

        





 

 

 

    





  



 



Like the

      

Like the

         

Like the

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

       

Small section T.



 

fi - re in the flame.

Like the



ff

The

    stars

 

    stars

 

 

  

 

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

73

5 5

          

Pno.

          

  mf



are



The

stars

are

f

 

The

stars

are

f



The

stars

are







ff

  

with - in

you.

with - in

  

ff



you.

ff

  

with - in

you.

76

with - in

ff



you.

  

  

 73

     



 stars

f

f

Perc. 3

The

        mf

 

The

ff

The

 

ff



f 2 Solo S.

fi - re in the flame.

star

Small section A.

      

      

fi - re in the flame.

   



Like the

Like the

Like the

Like the

Small section S.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

B.

    

Like the

Like the

T.

 

76

         

  



 

  

  

76

        

 

   


27

78

77

  S.  

Like the

A.

        

B.

  

       

Like the



 

     



Like the

      

Like the

          



   



       

Like the

 



Like the

       

Like the

       

Like the

 



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Small section S.



fi - re in the flame.

fi - re in the flame.

T.

      

81

fi - re in the flame.



 

fi - re in the flame.

Like the

         



fi - re in the flame.

Like the

  

fi - re in the flame.



ff

The

star

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

    stars

   

 





       

ff

 

The

    stars  

 

 

 

78

  

 f

 



 The

stars

are



The

stars

are

f

 

The

stars

are

f

f



The

stars

are

        mf

5 5

        

f

 

            





81

 

ff



you.

ff

  

with - in

you.

you.

with - in

The

ff

 



with - in

ff



you.

  

  

  



ff

with - in

mf

78

 



 

   

  

81

       



    


28 82

S.

            

83



fi - re in the flame.

A.

 

      

             fi - re in the flame.

B.

 



         

    stars

 

       

Like the

 

    



Like the

Like the

       

fi - re in the flame.

fi - re in the flame.

    



fi - re in the flame.

fi - re in the flame.



Like the

Small section S.

     

Like the

Like the

T.

 

86



 

fi - re in the flame.



Like the

      

Like the

         

Like the

fi - re in the flame.

fi - re in the flame.



 

fi - re in the flame.

  

Like the



ff

star

Small section A.

Small section T.

The

 

 

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

 

 

 

83

  



The

stars

are



The

stars

are

f

 

The

stars

are



The

stars

are

f

f

mf





5 5

        

f

                             





 







with - in

with - in



The

ff

 

ff



you.

ff

  

with - in

you.

you.

 

ff

 86

f

       

83

Pno.

 

stars

2 Solo S.

ff

The

   

with - in

ff



you.

  

  

mf

 



 

 



86

     

 


29

88

87

  S.  

Like the

A.

        

B.

  

 

    



Like the

      

Like the

      

Like the





fi - re in the flame.



 

fi - re in the flame.

Like the

          



   



  

    stars

 

 

 

    stars



 

Like the

         



fi - re in the flame.

Like the

fi - re in the flame.

star

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

 

 





        

88

 

  

f





 The

stars

are



The

stars

are

f

 

The

stars

are

f

f



The

stars

are

           

mf

f



with - in

 

ff



ff

   you.

with - in

you.

with - in

 

you.

with - in

(remove mute)

           

 



ff

ff



you.

5

5

88



 

 

 

 

ffppp

  



 

   

      

      

       

 

Like the

Like the

Like the



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Small section S.



fi - re in the flame.

fi - re in the flame.

T.

      

  

  

    

 


30

92 sfz

S.

sfzp

    fi

-

    

re

in

      fi

B.

fi

    

re

in

     in

re

-

     in

ff

   

ff

   

G.P.



Intense, theatrical sfzp



G.P.

    

ff

G.P.

the flame.

Intense, theatrical sfzp



the flame.

sfzp

re

96

Flame

the flame. sfzp

-

sfz

  

sfzp

fi sfz

T.

   

G.P.

the flame.

sfz

A.

ff

 

Flame

Intense, theatrical sfzp



   

Fire Intense, theatrical sfzp

   

 

Fire

G.P.

Small section S.

G.P.

Small section A.

 

G.P.

Small section T.

92

96

      

G.P.

G.P.

Solo M-S..

    

    

G.P.

Solo A.

      

G.P.

Solo T.

G.P.



G.P.

G.P.

2 Solo S.

Perc. 1

Perc. 2

  Perc. 3  

 

ff

92

Pno.

   sfz   

         

 

        

(without muting) Intense, theatrical

        

sfz p

96



  

sfzp

sfz

sfzp

  

 p


31

  S. 

   

 

   

97

A.

sfzp    

99

   

Flame

sfzp

  

   

Flame

T.

B.

    



sfzp

Fire

sfzp

 

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

  

   

sfzp

Fire

 

Pno.

Flame

sfzp

  

Flame



       

sfzp

   

   

Fire

 

Fire



f

 

Stars mf



 

f

 

f

Stars

99

  

 f

101



In

the

f



In

the

f

In

the

f



In

the

 

(Suspended cymbal)

p

                                                 sfz p

Perc. 3

sfzp    

101

    sfzp

mf



   

Stars

 

sfzp

  

Fire

 

Flame



   

mf

Flame

sfzp

Fire

Small section S.

sfzp    

   

 

sfz p

  sfzp  

sfz p

sfz p

 

 

 99

sfzp

    

sfz p

  mf   

 

sfz p

    

  

 101

  

f

    

 


32

       102

S.

A.

    

T.

   

  

  

  

sfzp

Fire sfzp

B.

Fire

sfz

          

sfzp 

105



fi - re in the flame.

Flame

sfz

sfzp

          

fi - re in the flame. sfz

          

          

fi - re in the flame. sfz

fi - re in the flame.



 

  

  

Flame



sfzp

  

Fire sfzp

  

 

Fire



sfzp

Fire sfzp

 

Fire

Small section S.

Small section A.

Small section T.

 

2 Solo S.

   

 



 

105

stars.

Solo M-S..

stars.

Solo A.

 



   





  

stars

Solo T.

 

 Perc. 1 Perc. 2

stars.

  

 

(no trem.)



 

      

sfz p Perc. 3

Pno.

        

  

 

   sfz   

    

     

sfz

       

p

sfz

 

105



  

sfzp

  

 

sfzp

  

sfzp

  

p


33 107

 S.   A.

 

sfzp 

Flame

sfzp

 

108

   

   

B.



  

   

 

   

sfzp

Fire

 

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 2

sfzp 

    

    

Flame

sfzp

 

Flame



       

sfzp

Fire

 





   

sfzp

   

sfzp

Fire

  

Fire

  

 

Fire

f

 

 

f

Stars

mf



 



f

Stars

108

 

 

 f

110



In

the

f



In

the

f

In

the

f



In

the

(Suspended cymbal)

 

  stars.

 stars.









stars

stars.

 

ppp

                                      



 

Pno.

    sfzp

mf

sfz p

Perc. 3

 

110

Stars

 Perc. 1



sfzp

   

Flame

sfzp

Fire mf

Small section S.

Flame

Flame

T.

sfzp 

 

sfz p

sfz p

 108

    

sfz p

 



  



mf

sfz p

    

 

 

 

 110

     f

  

   

  

 


34

114 112

S.

 

sfz

        fi - re

A.

T.

B.

  

the

        in

the



fi - re sfz

in

fi - re

in

the

       

the



f

    

f

   

Fire

sfzp



flame.

 

Fire

sfzp

flame.

sfz

       



flame.

sfz

fi - re

in



116 sfzp

Fire sfzp

flame.

Fire

p poco a poco cresc. Small section S.

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 3

 114

Fire



p poco a poco cresc.



 

 

 

Fire

flame



p poco a poco cresc.

Fire

flame



p poco a poco cresc.

Fire

flame

(no trem.)

p poco a poco cresc.



 

pppp poco a poco cresc.





    

 

 

 

  



114

 

116

    



    



    



    

flame

p poco a poco cresc.

p poco a poco cresc.

Fire

 

 

 

Fire

   

Pno.

   

Fire

 

 Perc. 1 Perc. 2

  

p poco a poco cresc.

 

p poco a poco cresc.

  

   

 116

 

sfz

  


118 117

 S. 

A.

35

120

sfzp



f

    

Flame

sfzp

   

 

Like the

f

mf

 

Flame

T.

B.

 

f



 

    

    

sfzp



Flame

f

 

Like the

sfzp

mf

Flame

Small section S.

Small section A.

 



flame

 





flame

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

 

flame

 

Perc. 2

   

Perc. 3

   

Pno.

    

    

  

Fire

 

Fire

  



flame

120



    



    



    

 

 

sfz

 

flame



    

flame

 

flame

Fire



 flame



flame

118



Fire

Fire

  

  flame

Fire

Fire

118

 

    

  

 

 

  

   

 120

  

sfz

   

    

  

  

  


36

         122

S.

          124



fi - re in the flame.

A.

          mf

 

Like the

T.

B.

         fi - re in the flame.

Small section A.

Small section T.

2 Solo S.

        

      

    

      

  

122

 



 



Perc. 1

Perc. 2

Perc. 3

  

 







flame



Fire



flame

 

124

  

  

  

 



  



  

  

Like the

   

ff

 

 





flame

   

fi - re in the flame.

fi - re in the flame.

flame

 

Like the

Like the

flame

flame

126



The

stars

are

ff



The

stars

are

ff

 

The

stars

are

ff



The

stars

are

mf





                   

flame

122

Pno.

Like the

Fire

Fire

Solo T.

fi - re in the flame.



         



        



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Fire

Fire

Solo A.

Like the

Fire

Fire

Solo M-S..

Like the

Like the

         



         





fi - re in the flame.

fi - re in the flame.

mf

Like the

Small section S.

Like the

          126

 

    

   

 

124

sfz

  

ff

  

 

     

  

ff

126

   

 


37

         

127

  S.  

Like the

A.

       

T.

B.

         



Like the

           

Small section A.

Small section T.

2 Solo S.

Solo A.

    

 -

 with

-

-

in

The

 

Like the

         

f



Like the



stars

are

 

The

stars

are

ff



The

stars

are

ff

 

129

 

mf



fi - re in the flame.

 with

 -

  with

 -

 with

-



 

  you.

Perc. 2



Perc. 3



Pno.

 

 

in

you.

 

in

Perc. 1

in

you.

in

 

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

ff

      

you.

in

 -

in

 with

 

    

 

with

Solo T.

with

Solo M-S..

Like the

f



         

Like the

 

Like the

f



mf



fi - re in the flame.

Like the

        



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Small section S.

Like the

         

Like the

f



fi - re in the flame.

fi - re in the flame.

  

         

129

      

                                   129

  



  

 

 


38

S.

132         

          134



fi - re in the flame.

A.

         mf

 

Like the

T.

B.

         fi - re in the flame.

Small section A.

Small section T.

 

 

 

 

  

 

Like the

Like the

Like the

         



         



       

 

fi - re in the flame.

fi - re in the flame.

mf

Like the

Small section S.

Like the

         



Like the

Like the

2 Solo S.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

you.

you.

ff

  





Like the

you.

     

 





  ff



 



  

if

you



  

if

you

 





 if

  

ff









them

Find



them

ff



them

Find

Solo A.

fi - re in the flame.

Find

Solo M-S..

Like the

fi - re in the flame.

134

 

 

         



        

fi - re in the flame.



fi - re in the flame.

fi - re in the flame.



fi - re in the flame.

 

Find

        

On bell of cymb.

them

if

you

  you

mf

           mf

  

 

mp

                   

134

   

 

 

  

       


39

138         

f

137

  S.  

Like the

A.

      

fi - re in the flame.

B.

       

Like the

f

             

       

Like the

         

Small section A.

 

Like the

  



ff

The

 

2 Solo S.

Solo M-S..

  

      can

ff

The

  

Perc. 1

Perc. 2

Perc. 3

Pno.

  

 

can

       



 



 



 



 



(bell of cymbal and tom)

mf

    

mf

them

 

 

  

if

you



  

if

you



 if

  







 

them

 

 

                       138  

 

them

   mf

    

them

Find

  

 

Find

 

 

Find

can

Solo T.

Like the

Like the

fi - re in the flame.



ff

ff

 

The

Find

 

fi - re in the flame.

 

138

can

Solo A.

       

The

  stars



 

 

mf

  

   stars

The

Small section T.



fi - re in the flame.



fi - re in the flame.

star

ff

 

         

f



Like the

       Like the

Like the

 

mf



mf





fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

Small section S.

Like the

f



fi - re in the flame.

T.

          mf



if

 

ff

    can

The

  



can

you



 

can

  you

can

 

 

mf

 

mf

                 

             

     

  


40

         142

S.

         



fi - re in the flame.

A.

         

 

Like the

T.

B.

         fi - re in the flame.

Like the

Like the

  

    stars

 

Like the

Small section T.

    stars

   



  



  



    Find



Find

Solo M-S..

Perc. 1

Perc. 2

Perc. 3

   

Like the

  



star

ff

 

them

ff

   can

The

you



  

if

you



 if

   you









 



them

if



if

   stars

  stars

  



146



 



 



 



them

Find

can

them

Find



can

 

Find

can

you

 

f



ff

  

them

Find

 

them



    

mf

mf

mf

         

fi - re in the flame.

fi - re in the flame.





       142

Pno.





them

Find

Solo T.

them

Find

Solo A.

Like the

The

142

2 Solo S.

 

Like the

The

 

f



       

star

Small section A.

 f



       



fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

fi - re in the flame.

   

Like the

        



         





fi - re in the flame.

fi - re in the flame.

        

 

Like the

Small section S.

Like the

146        

f

 



 

   

    

  

 

   

mf  146                      


41

          mf

147

  S.  

Like the

A.

        

B.

  Like the

Like the

Like the

  

Like the

Small section T.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc. 1

Perc. 2

Perc. 3

Pno.

     

 

  

  





 







if

you

  



  

if

you

 

 if

  

   





if







if

Like the

fi - re in the flame.

   you



  you

 

can



you

can

 

  you

can



Sus Cymbal and tom

f

                        

f

                      

if

them

   can

149

       

you



them

 

if

 

them

Find

   





  



fi - re in the flame.



 

Find





Like the

Find

Small section A.

fi - re in the flame.

fi - re in the flame.

 

        



        

     

  mf



Like the

Like the



fi - re in the flame.



fi - re in the flame.

fi - re in the flame.

         

       

      

mf



fi - re in the flame.

Small section S.

Like the

mf

  

        



fi - re in the flame.

fi - re in the flame.

T.

149

 

f

149



  



 

     


42

         152

S.

155         



fi - re in the flame.

A.

Like the

T.

B.

Small section S.

Small section A.

Like the

         

 

         fi - re in the flame.

Like the

Like the

f



 

Like the

    can

 

 

    

 

Like the

 

   



  



  



    Find



Perc. 1

Perc. 2

Perc. 3





you



  

if

you



 if

  









them

them





 







them

 

152

         

    can



if

if

them

if

 

can



can

 

  you

can



f

      





you

if



 

155

f

f

Pno.

if

them

Find

Solo T.

  

them

Find

Solo A.





Like the

them

Find

Find

Solo M-S..

can

152

2 Solo S.





Find

mf  

 

Find

 

 

fi - re in the flame.

fi - re in the flame.

can

Small section T.

Like the

Like the

f

fi - re in the flame.

 

        

fi - re in the flame.



mf



mf



fi - re in the flame.

fi - re in the flame.

       

Like the

     

f



mf

fi - re in the flame.

fi - re in the flame.

        

 

        

f

  





       



                  f

155

 

                  


43 157

 S. 



 

Like the

A.

       fi - re

T.

B.

 

           



Like the

Small section T.

2 Solo S.

Solo M-S..

Solo A.

   



       fi - re

in

 

   can

  you



 





Perc. 1

Perc. 2

Perc. 3





Pno.

   

 







  

The

  



 



The

star

  star



  star



 

ff

star

  star

159

star

ff

ff



  pp



ff



The

 mf



     



   f

star

       



  

can

 

 

can

you

 

the flame.

The

Solo T.

the flame.

the flame.

you

Small section A.

in

  

in

fi - re

159

the flame.



fi - re

Small section S.

in

      

  

    

 

  

 

 

 

 



 

 

 

ffppp

  

 

159

 

  


44 162

S.

A.

 

163

(Loud whispers, no pitch) f

     

Like the fi - re in the (Loud whispers, no pitch) f

     

Like the

T.

B.

 

fi - re

      fi - re

fi - re

 

  



  

       

 

    

 



    

     

  star



   

         

 

  



  

        

 

    

 



    

Solo A.

    

  star



   

Solo T.

     

  star



   

 

Small section A.

Small section T.

2 Solo S.

Solo M-S..

Perc. 1

Perc. 2

  

star

 Perc. 3   

  

star

star



163

    mf f

  

ffff

Pno.

     

     

   

 

 

 

 

ffppp

 

  

163

 

  

  

     

ffff

 



 

 

  

the

     

Like the

star

in

f (Loud whispers, no pitch)

     

Small section S.

the

f (Loud whispers, no pitch)

Like the

in

    

in

the


45

167

 S. 

A.

T.

B.

Small section S.

  

 

2 Solo S.

Solo T.

Perc. 1



Fi - re

in

the

 







Fi - re

in

the





Fi - re



in



the

 







 

Fi - re

in

the

flame.

flame.

  flame.



flame.





     

 

 

  



   

     star



   

167      







      

 

 

  



   

   star



   

     star



   

 

 f

        Perc. 3  

  

 

 

 

        

 



 

 

Perc. 2

 

fffppp

167

Pno.





star

Solo A.

 



   

star

Solo M-S..

f

star

Small section T.

 

f

star

Small section A.

f

f

  

 

    

ffff

  

   


46

Hung the Sky with Stars

Text by Eihei DĹ?gen Kigen (13th Century, Japanese)


47

Notes on Performance Each singer in the choir will need a bell, these will be played beginning at mm133. These may be of any type, and can be found objects with a resonant, metallic ring as well as "proper" bells. As appropriate for balance, the conductor may choose for some (rather than all) singers to have bells.

Text (adapted from Eihei Dōgen Kigen) For four and fifty years (four and forty, three and thirty, two and twenty years, for so many years) I've hung the sky with stars. Now I leap through.

Dōgen (1200–1253) was a Japanese Buddhist priest, writer, poet and philosopher, heavily influenced by his studies in China. He founded the Soto school of Zen in Japan. His poem, which exists in many different translations, was written in 1253, when he was seriously ill and expecting his death. What strikes me most in his words is the anticipation and fearlessness in the face of the unknown. This is not a sad defeat in the face of illness, but a bold desire to see what lies beyond.


Hung the Sky with Stars 48 Energetic, articulate and crisp

   Soprano  

q=120 - 134



f

 

5

For

    

Alto



     

    Bass   

f



   

f   

For



For

f

 

       

four

and fif - ty

years

I've

hung

    

    

     

q=120 - 134

   Perc. 1  

    

Vibraphone (with medium beaters - round and articulate)

                        ff Marimba (choose mallets with a deep, round, articulate sound)                                  Perc. 3      

   

Always ff

q=120 - 134 D# C# B / E F# G# A

Harp

hung

Solo Alto

Perc. 2

and fif - ty

years

 

four

Solo Mezzo-soprano

Solo Tenor

I've

and fif - ty

            Always ff           

   

      

   

      

    

 

 

    

 

and fif - ty

    

q=120 - 134

2 Solo Sopranos

four

      

four

For

Tenor

5

5

  

 

 

        

       

           

      

5

   


49

S.

6       

years

        

A.

years

T.

B.

   

  

7

 I've

 I've

Solo M-S..

Solo A.

Solo T.

  

   

f   

four

      

and

years

fif - ty

years



          

7

     

7

  

      

and fif - ty

years

I've

         and fif - ty

years

I've

hung

hung

9

    

  

     

         

    

                                   

  

     

9

  For

9

 

For

                      

four

I've

 

  

 

I've

 

f

        and

7

fif - ty

 four

For

     Perc. 3    (Mar.) 

Hp.

  Perc. 1 

Perc. 2 (Vibr.)

hung

f

 

9

For

four

2 Solo S.

hung

For

  

f

             

    

  

  

          


50

    11

S.

hung

hung

T.

B.

     four

  

  

Solo A.

Solo T.

  

and fif - ty

and fif - ty

   

years

     years

 I've

 I've

four

     

     

and fif - ty

four

and fif - ty

years

I've

I've

hung

 

         

For

four and for - ty, three and thir - ty,

  

         

for

four and for - ty, three and thir - ty,

hung

hung

years

 

hung

  

  

  



11

Solo M-S..

    For

four

2 Solo S.

For

   

A.

   

15

 

15

15

  

11

Perc. 1

Perc. 2 (Vibr.)





     

    

   Perc. 3           (Mar.)             11

Hp.

     

    

     

                                     

 

          

       

              

 

    

Suspended cymbals (soft mallets, without covering the choir)

         

mf

   

15

    

 



 


S.

16    

   

A.

legato

I've

hung

legato

I've

 legato             B.  two and twen - ty years,

2 Solo S.

  

  

Solo M-S..

Solo A.

Solo T.

Perc 1 (Sus Cym., triangles)

Perc. 2 (Vibr.)

Perc. 3 (Mar.)

the

sky

the

sky

the

sky

the

hung

17

 with

sky

 

 

with

stars

 

with

 

 with

stars

stars.

 stars.

 



   

 

17

 

     

  

Hp.

 

I've

hung

legato             I've hung two and twen - ty years,

T.

51

17

 

 

p

 

   

  

 

17

     f

Triangles (with light triangle beaters)





f

n


52

    21

S.

22



Articulate and crisp f

 

For

A.

T.

           

Articulate and crisp f

   



For

Solo A.

Solo T.

  

  

22

four

      

and

fif - ty

 

years

I've

Articulate and crisp f

  



For

Solo M-S..

For

   B. 

2 Solo S.



Articulate and crisp f

        

four

and

fif - ty

years

I've

  

   

  

22 Perc 1 (Sus Cym., triangles)

 

 

Perc. 2 (Vibr.)



Perc. 3 (Mar.)

    

Hp.

Always ff

  

 

   ff        

  

      

   

      

                                               

22

      Always ff      

   

     

   

  

  



 

       

  


53

    26

S.

four

   

A.

four

T.

B.

      

and fif - ty

years

         and fif - ty

years

    hung

  

Solo A.

Solo T.

Perc 1 (Sus Cym., triangles)

hung

I've

 

For

hung

  

four

      

and

four

fif - ty

 

fif - ty

    and fif - ty

I've

hung

 

  



  

30

                         Perc. 3      (Mar.)                     26

30

26

  

and fif - ty

hung

years

I've

        and

four

years

 four

For

   

For

Perc. 2 (Vibr.)

Hp.

  

26

Solo M-S..

I've

For

hung

2 Solo S.

30

   

                           

  

   

  

     

         

   

  

  

  

             

30

             

             


54

S.

31       

years

I've

        

A.

B.

    

  

I've

Solo M-S..

Solo A.

Solo T.

Perc 1 (Sus Cym., triangles)

Perc. 2 (Vibr.)

hung

  

For

four

four

  

and fif - ty

   

  

    

and fif - ty

years

years

  

  



     

   

       

four

and fif - ty

four

and fif - ty

 I've

years

I've

years

 I've

hung

 

For

  

hung

34

For

34

  

          

I've

 

   

For

  

     Perc. 3    (Mar.) 

Hp.

  

34

For

For

2 Solo S.

hung

years

T.

   

        

    

                 

                                     

 

     

         

       

    

     

    

    

34

    

       

 

    

         


36

S.

    



hung

   

A.

hung

B.

                 

four and for - ty, three and thir - ty,

two and twen - ty years,

  

  

Solo A.

Perc. 2 (Vibr.)

Perc. 3 (Mar.)

 

hung

legato

hung

36

        

the

sky

the

sky

the

sky

 with

sky

 

with

 with

 with

 

 

 

p

 

mf

   

hung

38

the

38

     

I've

Suspended Cymbals

  

Hp.

I've

36 Perc 1 (Sus Cym., triangles)

 legato         

  

Solo M-S..

Solo T.

I've

36

2 Solo S.

legato

legato                     four and for - ty, three and thir - ty, two and twen - ty years, I've hung

T.

55

38





   

 

 

  

 

38

     f

n


56

    

 

41

S.

43

Articulate and crisp light f (without covering the soloists)



  

stars

For

    

A.

 

stars

     stars.

T.

B.

  

 Articulate and crisp light f (without covering the soloists)



  

For

  



four

and

     

fif - ty

  



2 Solo S.

For

f





For

Solo M-S..

  

f



For

Solo A.

  

  

   

 



four

and

for



four

and







for



four



  years,

-

-

ty

-

-

ty

years,

-

-

ty

ty

years

  

and fif - ty

f



For

Solo T.

43

I've

Articulate and crisp light f (without covering the soloists)

stars.

  

years

four

and



For

four

and

f



for

   for

 -

-

years

43 Perc 1 (Sus Cym.)

Perc. 2 (Vibr.)

  

Perc. 3    (Mar.)

  

Hp.



Triangle

 



 

 

f

 

                           



Always ff

43

 





 

   

ff


57

S.

46    

47

four

and

fif - ty

years

B.

   hung

years

2 Solo S.

Solo M-S..

Solo A.

Solo T.

Perc 1 (Sus Cym.)

Perc. 2 (Vibr.)

Perc. 3 (Mar.)

Hp.

I've

  

     



   

four

and fif - ty

   

I've

four

and

fif - ty

    

For

three

and

thir







For

three

and



For

three

and



For

three

and

 -

thir

-

-

thir

-

-

   thir

-

 -

-

years

  

I've

 hung

        

four

and fif - ty

years



 

ty

years,

ty

years,

ty

years

ty

  

and fif - ty

For

  

For



four

hung

     

hung

 

years

47

    For

      

 I've



 For

years

For

For

For

47

         

 

       

  

 

hung

For

      

   

 I've

  

For

T.

Articulate and crisp light f (without covering the soloists)

    

A.

     

47

   

ff



 



         

 

         

 





 

      

 

(continue with all chords unbroken)



  

  

  



 

 



  


58

       51

S.

years

   

A.

B.

and fif- ty

   

I've

For

four

I've

2 Solo S.

Solo M-S..

Solo A.

Solo T.

  

and fif- ty

   







twen

-

ty

years,

two

and

     two

and



twen

-

ty

years,

    

 and

two

  

 

two

and

-

I've

four



-

years

    

 

ty

years,

  

twen

-

ty

years,

  and fif - ty

Perc. 2 (Vibr.)

Perc. 3     (Mar.)

           51

Hp.

years

  

 I've

four

 

and fif- ty

hung

  

For

     years

 I've

 hung

   



For

so

ma - ny

years,

  

  

54



For

so

ma - ny

For

so

ma - ny

For

so

ma - ny

 For

years

For

years

 For

years

 For

54

   

and fif - ty





51 Perc 1 (Sus Cym.)

four

     

For

For

twen

hung

     

hung

51

   

 



years

  

For

   

54

hung

        

four

T.



 

    

    



  

     

     

Suspended Cymbals (with light-weight sticks)

       

soft f, without covering singers

 



  









     

 

        

 



54

      

   

   

     


59

S.

56    

58

hung

B.

I've

   four

  

so

ma - ny

     

Solo A.

Perc 1 (Sus Cym.)

  

   

  

years,

years

  

  so

ma - ny

Perc. 3 (Mar.)

                

 

 

years





58

so

For

so

I've

so



 





 

 

   

   

ma - ny

   

ma - ny

For

        



ma - ny

years

   

years

For

For

years

so

ma - ny

58

58

      

 I've

 

hung

four

and fif ty



years

I've

 hung

hung

the

   

  

  

   

 









 

       

years,

years





For

so

ma - ny

For

years

  



For

years

           

        

  

I've

       



hung

and fif ty

ma - ny

   

four

so

Perc. 2 (Vibr.)

Hp.

ma - ny

 I've

so

Solo T.



years

  



and fif - ty

For

     

and fif - ty

   

Solo M-S..

four

     

hung

For

2 Solo S.

 



years

T.

For

        

A.

   

For

      

  

so



ma - ny

so

ma - ny

so

ma - ny

      

 

  


60

   

   

61

S.

A.

B.

    

2 Solo S.

Perc 1 (Sus Cym.)

Perc. 2 (Vibr.)

Perc. 3 (Mar.)

Hp.

the

sky

the

sky

(light, floating)

sky

   

      

  

   





I've

hung

the

sky

(light, floating)

hung

the

sky

hung

the

sky

hung

the

sky

(light, floating)

(light, floating)

I've

with

stars

with

stars

with

stars.

with

stars







hung

the

sky

hung

the

sky

hung

the

sky

hung

the

sky

(light, floating)

with

stars

with

stars

with

stars.

with

stars







hung

the

sky

hung

the

sky

hung

the

sky

  

hung

the

sky

with

stars

with

stars

with

stars.

with

stars







hung

the

sky

hung

the

sky

hung

the

sky

hung

the

sky

 

 

  

mp

62

light, legato (disappear into the choir's chord)

  

  

mp light, legato (disappear into the soloists' chord)

To Vibraphone



        

     

62

    

   



I've

    years 



(light, floating)

I've

     

 with

 with

 with

 with

62

years

Solo T.

(light, floating)

years

Solo A.

sky

  

years,

Solo M-S..

the

hung

T.

62

(light, floating)

 

 

  

  

 

  

 


61

66

S.

   

stars

   

A.

stars

   stars. 

T.

B.

  

Solo M-S..

Solo A.

stars

66

2 Solo S.

   





hung the

sky

   

hung the

sky

 

hung the

Solo T.

Perc 1 (Sus Cym.)

Perc. 2 (Vibr.)

with

stars

with

with

stars

stars

with

with

stars.

with

stars



sky

       hung the sky 





hung the

sky

hung the

sky

sky

hung the

sky

hung the

with

stars

with

stars

with

stars

with

with

stars.

with

stars.

with

stars

with

stars







hung the

sky

hung the

sky

sky

hung the

sky

hung the





hung the

sky

ppp

hung the

sky

ppp

sky

hung the

sky

hung the

ppp

 with



ppp

with

 

pp

stars

pp

  stars

pp

  stars.

 

pp

stars

 

 

 

  Vibraphone

66

 

 

 

 

      

n

Perc. 3 (Mar.)

     

To Crotales

n

  

66

Hp.

 

 

A - A#; B - B#


62

       

       

        

       

71

S.

A.

T.

B.

75

71 2 Solo S.

  

75

Gentle, floating p



For

  

Solo M-S..



Solo A.



Solo T.





I've

years



I've

years



I've



I've

Gentle, floating p

For

   

years

Gentle, floating p

For

  

Gentle, floating p

For

years

71 diamond notehead = with bow; regular notehead = with medium mallet

    Perc 1 

(Vibr.)

75

Always pp

pp

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

 

  

very soft mallets (blending into harp gliss.)

pp

Crotales (with bow)

pp

71

  

Hp.

 

75

Gentle, rolling Gliss freely, keeping to the register indicated by the sketched line.

Always pp

gli gliss.     ss.       

Move smoothly through all bracketed notes. (These are given only to clarify register)



gli gliss.     ss.       


63

79 S.

76   



Gentle, floating p

For

  

A.



T.

B.

2 Solo S.

Solo M-S..

Solo A.

Solo T.

 

hung

the

    

hung

the

   

hung

the



hung

the

   Perc 1 (Vibr.) 

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

Hp.

   

 

  

hung



the

years



I've

hung



the

 

 

 

 

years



years

79

I've

I've

hung

the



hung

the

sky

  

sky

  

sky

  

sky

 

 

Gentle, floating p

   

  

 

For





I've

Gentle, floating p

For

   

 





Gentle, floating p

For

  

years

  

 

79

(with medium mallet) (bring out)

pp

 

79


64

S.

81      

83

sky

      

A.

sky

T.

          

 

     

sky

B.

2 Solo S.

sky

  

p





For

  

Solo M-S..

  



  



Perc. 2 (Vibr.)

Perc. 3 (Crot.)

 

    

  



For

   Perc 1 (Vibr.) 

 



years



years

p



years

p



For

Solo T.



p



For

Solo A.

83

  

 



years

83

Hp.

 



I've

hung



I've

hung



I've

hung



I've

hung

    the

sky

    the

sky

    the

sky

    the

sky

(continue bringing out all notes played with mallets)

pp

Bowed Crotales

 

pp

  

83


65

S.

86    

p



For

    

A.

B.



     

2 Solo S.



years

p

For

T.

87



years

p



  

For

years

p





For

   



years

87



I've

hung



I've

hung



I've

hung



I've

hung

    the

sky

     the

sky

    the

sky

    the

sky

p



For

Solo M-S..

   

p



For

Solo A.

 

p



For

   

   Perc 1  (Vibr.) 

  

Solo T.

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

  

  

 

87

pp

  

 

p



For

 

pp

Hp.

   

87

 


66

  

91

S.

p



For

  

A.

T.

B.

   

 



years

Solo M-S..

    

years

Solo A.

   

years

Solo T.

 





years

91

Perc. 2 (Vibr.)

Perc. 3 (Crot.)



   

  

hung

the



  

I've

p

For

 

years

 

I've

p



hung

the



  

  

I've

hung

the



hung

the

sky

sky

  

  

 

I've

sky

years

95

sky

I've

 

I've

I've

   Perc 1 (Vibr.) 





91

2 Solo S.

I've

years

For

   



For

 



years

p



95

 

95

pp

pp

95

    91

Hp.

 

Bring out F# from here onwards, frequently keeping it as the lowermost pitch.


67

S.

96    

A.

T.

B.

2 Solo S.

  

hung

the

    

  

hung

the

       

     

hung

 

the

  

  

hung

the

  

99

 

sky

sky

sky

sky

p





For

Solo M-S..

  

 



Perc 1 (Vibr.)

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

  





   

   

 

 

 

 

years



years

 



years

99





I've

hung

the





I've

hung

the





I've

hung

the





I've

hung

the

pp

 

pp

  

Hp.



p



For

   

years

p



For

Solo T.



p



For

Solo A.

99

99

 


68

S.

101   

p





For

  

A.

B.

2 Solo S.

   

 



years



years

p







years

p







For

For

     



p



For

T.

103

years

103



I've

hung



I've

hung



I've

hung



I've

hung

    the

sky

    the

sky

    the

sky

     the

sky

 

  

sky

      

Solo M-S..

sky

      

Solo A.

sky

Solo T.

Perc 1 (Vibr.)

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

 

    sky

       

 To Bass Drum  

 

103

pp

  

Hp.

 

103








69

S.

106    

107

p





For

 

A.

p





For

    

T.

B.

2 Solo S.

 

p





For

p





For

   

p



For

Solo M-S..

    

107



years

I've

p



For



years

I've

   hung

the

   hung

the

  

sky

   sky

Alto ossia

 Solo A.

    

p



For

Solo T.

Perc 1 (Vibr.)

Perc. 2 (Vibr.)

Perc. 3 (Crot.)

     



     

Hp.

 



years

I've

p



For

 

    





years

I've

   107



pp

 

107

 

   hung

the

   hung

the





  

  

sky

   sky

(leave out if needed to reach tam-tam in time)



 

 





 


111

70

S.

115

  cresc.   years

I've

  cresc.    

A.

years

  

I've

  

  

sky

 

Now

Powerful

sky

f

  

Now

Powerful

  

hung

the

sky

f

  

Now

  

  

   

115

111

115

(Vibr.)



Bass Drum       

111

 

cresc.

n

p

  





cresc.

     

 



f (without covering choir)

    

p

Tam-tam

 To tam-tam Perc 1 

Hp.

Powerful f

Solo A.

Perc. 3 (B. D.)

Solo M-S..

Perc. 2 (Vibr.)

  

  

111

Solo T.

Now

the

  

years

2 Solo S.

hung

sky

the

  

I've

cresc.

B.

hung

years

the

  

I've

  cresc.    

T.

hung

  

  

Powerful f

 n

  mp

 



   n

mp

 n



  mf

n

 

 

    f

  

 

  

mf

mp

f

  

    

   

f

115

 

Solo  

fff (Thunder effect)

  

 


71

S.

116     

I

A.

B.

     

        I

     

Solo M-S..

Solo A.

Solo T.

   

      

   

   

      

through

  

 

  

 

 

        

  

  

 

 

 

     

  

I

119

f

 

     

 

  

I

leap

 

 

     

 

 

     

  119

 

119



   

continue f

  

I

 

 

  

 

f

 

 

 

   

I

Now

Perc. 2 (Vibr.)

 

 

Now

   I

Now

Now

through

  



  

119

Now

through

leap

 

Hp.

   

leap

Perc. 1 (T.-t.)

Perc. 3 (B. D.)

   through

leap

I

2 Solo S.

leap

I

T.

   

 

 

 

   

 

  

 


72

S.

121      

leap

A.

B.

      

         leap

        

Solo M-S..

  

   

      

I

  

 

  

  

leap

Perc. 1 (T.-t.)

 

Perc. 2 (Vibr.)

       

Perc. 3 (B. D.)





 

 

 

 

   

 

  

123

 

leap

  

  

    

 

leap

through

  

 

Now

leap

Always f

3

I

Always f

Now

 I

 

 

 

 



leap

through

   

 

 

 

 

     

 

   

through

   

 

I

leap

 





 

  

  

leap

I

123

 

   

 

   

I

   

 

  

Hp.

Now

 

Now

Always f

 

  

f

leap

through

   through 

Now

Solo T.

 

I

   leap

I

123

I

Now

   I

Now

Now

through

Now

Solo A.

   

through

  f  

  

123

Now

through

leap

2 Solo S.

through

leap

T.

  

 

  

 


73

S.

126      

  

127

through

A.

Now

       

        through

        

through

T.

B.

127

     



Now

Solo T.

 

 I

Always f

leap

  



Now

   

 I

I

leap through

  

    

 

 

 

   

      

through

Now

leap

3

I

 through

I

leap

 I

leap

 

through



Now

 I

 

 

 

  

 

 

  

 

   

through

 

   

through

 



through

  

Now

 To Crotales 

leap

 

 

  

  



127

 

 

  

leap

through

   through

Now

through

 

leap

 

  

  

leap

leap

     3

 127   

    

I

 

       

 

I

Now

Perc. 2 (Vibr.)

Hp.

  

 



   leap

through



Perc. 1 (T.-t.)

Perc. 3 (B. D.)

  

I

Now I

leap

Solo A.

Now

through

Solo M-S..

 

Now

    

   I

Now

through

2 Solo S.

 

 

 

 

  

 

  

 


133 Like the sound of shattering ff (Bells)

74

131

S.

    

 

I

leap

     

A.

B.

leap

      I 

leap

   

131 2 Solo S.

        

leap

Now

Perc. 1  (T.-t.) 

Perc. 2 (Crot.)

Perc. 3 (B. D.)



  Now

 I

I

leap



through

Now

 I

 

133

To Vibraphone

 

D# - D

 

 

 

Maintain ff till the end

  

 



Maintain ff till the end

Now

133 

I

ff

 

Now

Crotales (Two octave set if available, otherwise adjust pitches as need to fit within available crotales)

   

 

131



through

through

    

leap through

Maintain ff till the end

 

leap

ff



I

I

 

through

Maintain ff till the end

 



leap

 



leap

Now

131

  

Hp.

I

Bells growing sparser and less frequent as they diminuendo.

Maintain ff till the end

leap through

Solo T.

3

Maintain fftill theend  

          Now 

 

through

Solo A.

Bells growing sparser and less frequent as they diminuendo.

133

I

Solo M-S..

Like the sound of shattering ff (Bells) Bells. chaotic, dense

         

leap

Bells growing sparser and less frequent as they diminuendo.

Like the sound of shattering ff (Bells) Bells. chaotic, dense



I

Like the sound of shattering ff (Bells) Bells. chaotic, dense

         

 

Bells growing sparser and less frequent as they diminuendo.

         



I

T.

         

Bells. chaotic, dense

   

 

 

leap

 through

 I

 

 

                

 

 

 


S.

136   

  

A.

T.

B.

2 Solo S.

  

 

mf

mf

mf

mf

Solo A.

Now

Perc. 1 (T.-t.)

Perc. 2 (Crot.)

Perc. 3 (B. D.)

 

I

 

 

    

 through

I



leap

through

 

I

leap

through

  Now

  

leap

I

 leap

through

  Now

I



Now

 

I

 

 

             



leap through

leap

137

 



through

leap

   

leap

Now

137

Hp.

3

Now I

Solo T.

    

     

137

      leap

Solo M-S..

75

137

 

 

           

 

 

 

               

 

 

 


76

(Bells sparse)

141

S.

  

p

  

p

   

p

 

p

(Bells sparse)

A.

(Bells sparse)

T.

(Bells sparse)

B.

      141

2 Solo S.

Now

Solo M-S..

3

I

leap

through

      



Now

Solo T.

 

I

 I

 leap

 

Now

Solo A.



 

I

leap

leap

  

through

through



Now

 I



leap

through

through

Now



Now

 I

I

leap

 through



leap

141

   Perc. 1 (Vibr.) 

Vibraphone (with bow)

Maintain ff till the end

Perc. 2 (Crot.)

   

Perc. 3 (B. D.)



    141

Hp.

    



      

     



     

    

 

     


145

S.

     

A.

  

T.

B.

 

Only the occasional hint of a bell heard. pp

Only the occasional hint of a bell heard. pp

Only the occasional hint of a bell heard. pp

      145

2 Solo S.

Now

Solo M-S..

Solo A.

  

3

I

leap

Now

 

 



 

 I



leap

through

n

n

n

 

 

I

leap

(still ff )

(still f )



Now

 I



145         

 (breaking off abruptly)

 leap



through

through

   

Hp.

through



leap

145

Perc. 3 (B. D.)

   Perc. 1 (Vibr.) 

Perc. 2 (Crot.)

(breaking off abruptly)

(still f )

I

n

through



Now

Solo T.

77

Only the occasional hint of a bell heard. pp

        



(breaking off abruptly)

(breaking off abruptly)

    

   

    

    

  

   

    

    

 

(breaking off abruptly)


78

In Perfect Light for unaccompanied SATB chorus

Text by Sarah Williams


79

Text Though my soul will set in darkness, it will rise in perfect light. I have loved the stars too fondly to be fearful of the night. adapted from The Old Astronomer by Sarah Williams (English, 19th Century)


80

In Perfect Light Slow, h = 50-60 Gentle, serene

SOPRANO



Piano

 S.

7 7    

T.

B.

Pno.

ness,

soul

will

set

in

     Though



 

my

soul

will

set

in

dark

ness,

p

 





 

-

Though

my

soul

will

set

in

dark

-

ness,

        



p

    

 

 



  



 

Though

my



soul

will

set

in

   Though



my

soul

will

 

Though

my

soul



 

 

 

     

    







 

    

(long)

set

  

-

my

7   

dark

Though



will

   

ness,

p

soul

 

A.

-

set

my

Though

dark

Slow, h = 50-60 Gentle, serene

For rehearsal only

in

will

p

BASS

 

soul

  

TENOR

 

my

Though

ALTO

(long)

 p   



 

dark

-

ness,

dark

ness,

 

-

set

in

dark

ness,





 

-

will

set

in

dark

-

ness,

 

  

in

   

 

     

 

 

       


S.

12 12    

Though

T.

B.

will

set

Though

my



soul

will

set

in

   Though



my

soul

will

set

in

 





soul

will

set

   

soul

Though

Pno.



my

 

A.

my

12   



 

    

in

 

 

dark

-

ness,

dark

-

ness,

dark

ness,

 

-

in

dark

-

ness,

 

  

 





 

81

 

   

     

     

S.

17 17   

it



A.

 it

   it

T.

B.

  it

Pno.

17      

 will

mf



rise

mf

in

per



will

rise

in

per

mf



will

rise

in

per

mf

will

rise

 



 

mf

 

in

per

  

  

-

-

fect

fect

 -

fect

 -

fect

  

 

 light.

   

 

p

    

my

Though

my

p

Though

my

p

Though

my

 

light.

 

light.



p

Though

light.

21

21  p

 


82

 

in

dark

22

S.

    soul



A.



soul

   soul

T.

B.

     soul

Pno.

        

will

set

 

will

set

in

dark

 

will

set

in

dark





 

will

set

in

dark

 

-

-

it

will

 

 it

will

 

ness,

it

will

 

ness,

it

will

ness,

-

-



ness,

     

 

  

26 

 

26   

     

  

   f  



rise

in

per

27

S.

f

   

A.

T.

B.

rise

in

per

f     rise

in

per

in

per



f     rise

Pno.

          f

 

-

-



 

fect

light.

 

fect

 -

light.

fect

  light.

 

fect

light.

 

 

 

  



-

  

30

p

Though

my

soul



will

p

my

soul



will



my

soul

will

 



my

soul

will

Though

p

Though

p

Though

30 



p

    




 

32

S.

  

set



A.

T.

B.

Pno.

in

set

in

dark

   set

 

in

dark

  

 

set

in

dark

  

per



   per

T.

B.

Pno.

-

       

 

fect

-

fect

-

 

it

will

rise

in



ness,

it

will

rise

in

 

 



ness,

it

will

rise

in

 

 

ness,

it

will

rise

in



 

 

ness,

fect

35 

    

39 

 

 

 

I

loved,

f

have

  

mf





mp



  I

  

fect

light. (long) ff

  

mf

 

I

loved,

have

have

 

light.

       

(long)

   

-

light. (long) ff

    -

-

 

 

 -

-

83

light. (long) ff

    per

(long) ff

  per

     



  

  

A.

 

37

S.

dark

 

35 

 

ff

39 

f

  mf

mp

 


43 

84 42

S.

   

   

A.

Pno.

   

p



have

loved

the

stars

 



 

have

loved

the

stars

 



I

have

loved

the

 

have

 

I

p cresc.

I

    

 I

p cresc.

I

 43    

p cresc.

 

have loved

      



mp

B.





p

loved.

T.

p cresc.

  

p cresc.

p

too



 

too



stars



too







loved

the

stars

too

   

 

 

  

  

 

 

 



 

        46

S.

fond

fond

     fond

T.

    

fond

Pno.

-

   

A.

B.



f

      f

      

-

 -

-

-

 -

-

 

 

48 cresc.  

  

ly,

I

cresc.





have

loved

the

stars

 



I

have

loved

the

stars

 



I

have

loved

the

 

ly,

I

have

        

48   

 

ly,

   

 -

  

ly,

   

cresc.

cresc.

cresc.

 

 

 

too



 

too



stars



too







loved

the

stars

too

   

 

 

  

  



 

 


 

    

 

85

(soprano ossia)

  ff    51

fond

ff

S.

-

fond

-

-

-

-

fond ff

-

     fond

 

-

-

 

B.

Pno.

B.

of

the

 

of

the

   of

   of

Pno.

 

     

the

-

  

 

ly,

    -

ly,

         

  



night



night



    

   

 

 

    

night

to

be

fear

ff sempre

to

be

fear

ff sempre



to

be

fear

ff sempre



to

be

fear





 

 

 

ff sempre

ff sempre

night.

the



  

   

-

 

ly,

ly,

ff

T.

-



-

  

A.

-



      

55

S.

-

ly,



fond

     

-

-

-

ff

    

-

-

ff

T.

-

 

   

A.

  



 

    

      

 58 ff

I

 

 

have

 

ful

 -

ful

 -

ful

 -

ful



 

f

loved

f

   I

-

 

rit.

have

loved

58 rit.  

ff



f


86

a tempo 60

S.

  

A.

 

 mf

 

62

mp

 

T.

B.

mf

I

have

 loved

 

have

loved

the

stars



loved

the

stars

too

 



have



I

have

loved

the

stars

too

mp

 







I

have

loved

the

stars

too





 



mp



 

I

mp

 I

 

mp

  

I

have loved

mp

 

too

a tempo

Pno.

  

 

 

mf

mp

    

62 



  



 

 

 

mp

 65

S.

   fond

 

A.

fond

   fond

T.

B.

    

fond

Pno.

-

      

67 

ly

to

be

fear



 -

-

-

ly

to

be

fear



ly

to

be

fear

ly

to

be

fear

   

67    

  

   

-

-

-

-

ful

of

the



ful



of



the



ful

of

the

ful

of

the

   

  

  


molto rit. 70

S. Solo

 

   p

night.

 

night.

p

   night.

T.

  

    p

B.

     pp  



   

A.

Gentle, serene

p

S.

      

night.

   

S. Solo

 

S.



A.

stars

stars

   stars

T.

B.

 

p

75

    

loved

the

Pno.

 

 stars

   

stars

      

pp

I

have



have

loved

the

loved

I

have

loved



the

pp



have

loved

the

 



have

loved

the

 I

pp

 



  







too

fond

79   -

ly

too

fond

too

fond

ly,

I

too

fond

ly,

I

   

 -

fond

 

 

too

  

I

 72           pp

 

  

  

Solo soprano pp

I A tempo Gentle, serene

molto rit.

Pno.

87

72 A tempo

ly,

-

 

 I

ly,



 I

79    

 


88

Solo soprano ossia

S. Solo

    I

have

 

S.

have

T.

B.

Pno.

   have    

 have

   

S. Solo

    fond

 

S.

ly

  

A.

-

ly

   

ly

   ly

T.

B.

    ly

Pno.

    



 



loved



the

stars

loved

the

stars

 



 

loved

the

stars

    

 

   

to

to

be

fear

to

be

fear

to

be

fear

 86      

  

  

-

-

-

-

too

fond

too

fond

-

too

fond

-

too

fond

-

 

   

ful

of

the

night, ppp

ful

of

the

fear

-

-

 

night, ppp

  

ful

of

the

ful

of

the

ful

of

the

night,

  

  



   



too

ppp



be

   

stars

stars

fear

the

be

 

too

stars

loved

to

 



86 

 

85

loved the



have

 

A.

loved

night, ppp



night, ppp

ppp



 


91 90

S. Solo

   

 

S.

  

A.

  

T.

B.

 

 

  

89

Slow, deliberate

to

be

fear

(ppp)



to

be

fear

(ppp)

  

-

-

 

ful

of

the

night.

 

ful

of

the

night.

 

ful

of

the

night.

 

ful

of

the

night.

 

ful

of

the

night.

  





(ppp)

  

 

to

be

fear

(ppp)

to

be

fear

to

be

fear

(ppp)

-

-

-

91

Pno.

      

    

Slow, deliberate

 (ppp)  

  

  





      


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