for orchestra
Juhi Bansal
Where Shadow Chases Light
Juhi Bansal
Duration ca 15 mins.
Where Shadow Chases Light was comissioned by the Oakland East Bay Symphony with funding from The James Irvine Foundation. It was first performed by the Oakland East Bay Symphony, Michael Morgan conducting, on March 28th, 2014.
Program Note: Where Shadow Chases Light is inspired by a fragment of a poem by Rabindranath Tagore. To my mind it conjures an image of mountains in the aftermath of a storm; swiftly moving clouds creating bright bands of sun and dark shadows that move over huge distances. This piece takes that inspiration to create expanses of sound - intricate entwining gestures, lyrical melodies, subsuming clouds of harmony that shift from one section to the next, constantly reimagining the two-note sliding motive which begins the piece in the solo violin.
Score transposition: Please note that while no key signatures appear in the score (due to the the use of ragas, synthetic and other scales in this piece rather than major/minor tonality), all parts ARE transposed as is typical (this includes Cl. in A and Hrns in F, as well as all instruments transposing at the octave.)
Instrumentation: 2 Flutes (second doubling Piccolo) 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 3 Trumpets in C 3 Trombones (1&2 playing tenor trombone, 3 playing bass trombone) 1 Tuba Piano Harp Timpani : four drums initially tuned to Three Percussionists Percussion 1: Large spring drum / thunder tube Vibraphone (motor always off) Suspended Cymbal (may be shared with other percussionists) Glockenspiel (shared with Percussion 2) Triangle Percussion 2: Suspended Cymbal (may be shared with other percussionists) Glass wind chimes (shared with Percussion 3) Glockenspiel (shared with Percussion 1) Bass Drum Percussion 3: Tam-tam Suspended Cymbal (may be shared with other percussionists) Glass wind chimes (shared with Percussion 2) Sizzle Cymbal Strings (all solos are pulled from their respective sections)
Notes on performance: 1) Small-interval glissandi appear in a number of instruments as a melodic decoration (e.g. mm1 - 5, Solo violin I). These gestures are to be integrated seamlessly and subtly into the expressive vocabulary of each instrument, and not accented, stressed or drawn out unless specifically indicated. 2) Mm 420 features an unmetered section of music. Each instrument that plays during this section is given a proportionally notated fragment of music. Instruments should enter one at a time after the conductor's downbeat, play expressively and lyrically through their given music, and move to the following measure upon the conductor's next beat. Please note that no absolute rhythms are given - the feel of this passage should be very improvisatory. Players should extrapolate possible rhythms from the spacing of notes within the measure.
Transposed Score
Where Shadow Chases Light Plaintive q = 96 Flute 1 Flute 2
Oboe 1
Oboe 2
(blurred, in the background)
ppp (blurred, in the background)
3 3 3
Clarinet 2 in A
Bassoon 1
Bassoon 2
Horn in F 1, 3
Horn in F 2, 4
Trumpet 1 in C
Trumpet 2 in C
Trumpet 3 in C
Trombone 1
Trombone 2
Bass Trombone
Tuba
3
3
3
3
ppp
ppp
3
3
ppp
3
ppp
n
Spring Drum (shake unevenly, like distant thunder)
ppp
ppp
(bowed)
n
l.v.
n
ppp
n
f
n
f
n
ppp (blurred, in the background) bisbigliando
ppp
ppp
f Glass wind chimes (strum with finger) Tam Tam
ppp
n
n
Harp
6
ppp
Suspended cymbal
Percussion 3
ppp
Percussion 2
Plaintive q = 96 Timpani Percussion 1
ppp
(blurred, in the background) Clarinet 1 in A
Juhi Bansal
n (bisbigliando)
n
n
ppp
n
n
(glass wind chimes)
ppp
p
ppp
6
n
ppp
n
ppp
n
D§ C§ B§ / E§ F§ G§ A§
Piano
Solo espressivo
Solo Violin 1
Violin I
Violin II
Viola
Violoncello
Contrabass
p
(slide into lower note imperceptibly, without a marked rearticulation)
ff
3
p
ff
p
f
p
p
f
p
la meta each player move individually through these harmonics, unsynchronized with the rest of the section
(la meta)
(h)
2
3
4
ppp
n
5
ppp
6
7
3
Fl. 1
10
5
f
Fl. 2
Solo espressivo
5
mp
3
ppp
ppp
3
3
3
3
Ob. 1
Ob. 2
Cl. 1
Cl. 2
3
3
3
3
ppp
ppp
ppp
3
ppp 3 3 3 3 3
3
3
3
3
3
3
ppp
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 1
Bsn. 2
Hn. 1, 3
Tba.
Timp.
Perc. 1
ppp
n
Perc. 3
Hp.
Solo Vln. 1
To Glock.
f
ppp
p
Glockenspiel
p
n
n
To Sus. Cym.
Pno.
To Vib.
10
n
ppp
Perc. 2
ff
p
(sempre bisbigliando)
pp
G - G#
(trill while sliding)
p
f
pp
Vln. I
Vln. II
Vla.
Vc.
Cb.
( h. )
n
10
11
12
13
14
8
9
16
Fl. 1 Fl. 2
Ob. 1
Ob. 2
Cl. 1
f
f
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
f
pp
f
f
pp
pp
pp
f
pp
f
f
p
5
5
16
f
Sus. Cymbals
(f)
Solo (1 player)
( f)
pp sub
p
(f)
f
p
tutti p
pp (f)
tutti divisi
pp subito tutti divisi
pp
15
16
17
f
f
f
To B.D.
pp sub
(f)
pp
pp Solo (2nd player)
Solo (2nd player)
20 a hint faster, q = 112
pp sub
5
(f)
3
pp
pp sub
(f)
3
(f) pp sub
pp sub
Solo (1 player)
pp
(no trill)
pp sub
(f)
p
pp
Cb.
p
pp
Vc.
Vln. I
Vla.
3
pp
Vln. II
pp
3
sempre pp
Pno.
4
3
pp
Hp.
Vib.
Sus. Cym.
Vibraphone (motor always off) (soft mallets)
Glock.
f
3
Bsn. 1
f
pp
3
Cl. 2
20 a hint faster, q = 112
18
19
V.S.
20
21
5
Fl. 1
Fl. 2
Ob. 1
Ob. 2
25
f
f
5
3
f
3
Bsn. 1
f
2.
3.
mf
1.
3
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
Sus. Cym.
Vln. II
Vla.
Vc.
unis.
3
f
3
3
unis.
22
23
24
n
f
f
f
divisi
f
f
Cb.
mf
3
Vln. I
mp
25
pp
Pno.
4. mf
mf
Hp.
3
Hn. 2, 4
f
1.
3
p
3
f
f
p
f
f
Cl. 2
Hn. 1, 3
p
Cl. 1
Bsn. 2
f
25
26
27
28
Fl. 1
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
fff
fff
ff
f
ff
fff
fff
f
Hn. 1, 3
Hn. 2, 4
ff
Cl. 2
35
ff
Cl. 1
6
ff
Fl. 2
31
a2
f
2.
4. f
ff
a2. cuivre
ff
Tbn. 1
Tbn. 2
B. Tbn.
C Tpt. 3
Sus. Cym.
f
31
C# - C§
p
p
35
n
f
ff
Bass Drum
mf
f
n
Hp.
f
mf
Glock.
f
Timp.
Vib.
f
f
Tba.
C Tpt. 2
a2. cuivre
C Tpt. 1
f
3
pp
f
p
3
To Tam -Tam (and sus. cymb)
f
fff
Db Cb Bb / Eb F§ G§ Ab
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
29
ff
unis.
f
3
7
3
30
ff
divisi
ff
ff
ff
ff
31
32
unis.
33
34
fff
ff
fff
fff
fff
fff
fff
fff
35
7
Fl. 1
Fl. 2
fff 3
3
3
3
3
3
3
3
3
3
3
41
3
3
ffff
3
3
ffff
3
3
3
p
3
3
3
p
ffff
p
3
f
f
ffff
Cl. 2
3
fff 3
Cl. 1
Ob. 2
Ob. 1
ffff
p
ffff
Hn. 1, 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 1
Bsn. 2
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tba.
Timp.
f
Vib.
B. D.
Sus. Cym.
Hp.
Vln. I
Vln. II
Vla.
fff
fff
n
pp
pp
p
37
41
C-E
n
T.T.
S.C.
Sus cymb. (with stick)
sfzp
sfzp
mf
mf
mf
mf
Tam Tam (with drumstick or back of mallets)
36
fff
p
ff
ff
ff
Cb. Vc.
Pno.
pp
fff
sfzp
sfzp
sfzp
sfzp
38
sfzp
39
sfzp
40
sfzp
41
sfzp
42
8
43 Fl. 1
Fl. 2
Ob. 1
p
Ob. 2
3
3
3
p
3 3 3
p
3
3
3
p
p
Cl. 1
p
Cl. 2
p
p
Bsn. 1
Bsn. 2
Hn. 1, 3
p
p
p
p
p
p
Hn. 2, 4
p
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
p
43
Cym. To
p
B. D.
Sus. Cym.
Hp.
p
Pno.
Vln. I
Soli
p
p
Vc.
3
3
p
43
44
45
46
47
p
Cb.
3
Vla.
f
Vln. II
48
49
9
Fl. 1
Fl. 2
Ob. 1
51
Cl. 1
Cl. 2
3
3
mp
3
mp
p
mp
55
f
3
3
mf
p
3
p
Ob. 2
mf
mf
f
ff
f
Hn. 1, 3
Hn. 2, 4
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
f
f
f
Tbn. 1
f
Tbn. 2
f
B. Tbn.
f
Tba.
f
Timp.
Vib.
B. D.
Sus. Cym.
51
p
Vln. I
Vc.
50
51
52
3
3
ff
3
ff
5
To Tam -Tam
mf
f
p
5
Vla.
Cb.
Vln. II
f Suspended Cymbal (with back of mallets or drumsticks)
D§ C# Bb / E§ F§ G§ A§
Pno.
mf
Hp.
55
53
ff
56
ff
54
ff
ff
ff
55
10
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
ff
Cl. 2
59
ff
Hn. 1, 3
Hn. 2, 4
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tba.
Timp.
p
B. Tbn.
Tbn. 2
Tbn. 1
p
p
p
p
59
p G - B§
p
n
mf
p
(with drumsticks)
mf
Hp.
Pno.
Vln. I
unis. divisi
Vla.
Vc.
5
Vln. II
Cb.
V.S.
p
Sus. Cym.
p
B. D.
p
(with mallet heads)
Sus. Cym.
57
58
59
5
60
61
62
63
11
Fl. 1
Fl. 2
Ob. 1
Ob. 2
p
p
p 5
p
Cl. 2
p
Cl. 1
65
p
5
70
Hn. 1, 3
Hn. 2, 4
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Timp.
pp
p Tam-tam (with sticks)
(drumsticks)
pp
(with mallet heads)
ppp
70
p
Pno.
Vln. II
p
p
Vla.
Vc.
n
5
p
65
66
67
68
69
p
64
p
p
p
n
p
p
Cb.
65
Hp.
Vln. I
p
mp
Sus. Cym.
p
B. D.
p
(with mallet heads)
Sus. Cym.
p
p
Tba.
70
12
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
5
5
74
moltorit.
Hn. 1, 3
Hn. 2, 4
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
(drumsticks)
p
(with mallet heads)
To Vib.
p
74
p
To Cym. (with wire brushes)
molto rit.
Pno.
Vc.
Vla.
5
71
72
p
Vln. II
Cb.
Hp.
Vln. I
B. D.
Sus. Cym.
73
74
75
76
77
80 q. = 60
13
Solo, playfully
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
pp
pp
pp
pp
pp
pp
Hn. 1, 3
Hn. 2, 4
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
pp
pp
pp
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
n
n
80 q. = 60
B. D.
Sus. Cym.
Timp.
Sus. Cym.
Hp.
Vc.
Cb.
Vla.
pp
Vln. I
Vln. II
Pno.
Vibraphone
(2 solo players) con sord
pp
(2 solo players) con sord.
pp (2 solo players) con sord.
pp
n
pp
pp
pp
n
n
80
81
78
n
79
n
82
83
84
14
Fl. 1
87
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
87
Bsn. 1
Bsn. 2
Tba.
Vib.
pp
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
n
n
n
D§ C§ Bb / E§ F§ G§ Ab
Bisbigliando (slow, and uneven)
pp
pp
pp
pp
n
pp
pp
pp
n
n
87
88
85
86
89
90
91
h = 88 94
15
Fl. 1
rit. f
Fl. 2
Ob. 1
Ob. 2
Cl. 1
pp
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
94 h = 88
Cl. 2
Bsn. 1
Bsn. 2
Tba.
Timp.
Vib.
rit.
pp
B. D.
Sus. Cym.
slowing down tremolo
Hp.
Pno.
Vln. I
Vln. II
Vc.
Cb.
ppp
E§ - Eb
pp
pp
Ab - A§
pp
pp
via sord.
n
via sord.
n
tutti divisi
Vla.
(senza sord.)
n
lightly, (senza sord.)
pp
94
95
96
97
98
93
pp
via sord.
92
16
102
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Fl. 1
pp
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
B. D.
Sus. Cym.
Bsn. 1
Bsn. 2
Tba.
Vib.
Hp.
Pno.
Vln. I
A§ - Ab
pp
pp
C§ - Cb,D§ - Db
pp
pp
Vla.
Vc.
Vln. II
Cb.
102
99
100
101
102
103
104
105
17
Fl. 1
Fl. 2
Ob. 1
Ob. 2
110
pp cresc. poco a poco
pp cresc. poco a poco
pp cresc. poco a poco
Bsn. 1
Hn. 1, 3
Cl. 2
Bsn. 2
pp
Cl. 1
pp cresc. poco a poco
1.
pp cresc. poco a poco
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Hn. 2, 4
Tba.
Timp.
Vib.
110
Vibraphone with bow
pp cresc. poco a poco
B. D.
Sus. Cym.
Hp.
Vc.
Cb.
pp
cresc. poco a poco
(senza sord.)
tutti (senza sord.)
pp cresc. poco a poco
3
pp cresc. poco a poco
tutti
Vln. I
Vla.
pp
Pno.
E§ F# A# D# B§
Vln. II
106
107
108
110
111
112
109
18
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
mp
mp
mp cresc.
mf
mp cresc.
118
mf
mp
mp
p
Cl. 2
p
Cl. 1
114
3.
p cresc poco a poco
mp
1.
mp
mf
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
114
mp
Sus. Cym.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
mp cresc.
3
3
mp
mp
118
B. D.
Hp.
mp cresc.
Hn. 2, 4
mp cresc.
3
113
114
115
116
117
118
119
19
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
126
f cresc.
mf cresc
f cresc.
f cresc.
Cl. 2
mf cresc
Cl. 1
122
f cresc.
f cresc.
f cresc.
3.
mf cresc
mf
f
1.
f cresc.
C Tpt. 1
C Tpt. 2
C Tpt. 3
Hn. 2, 4
Tbn. 1
f cresc.
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
mf
126
f
Suspended cymbals (with wire brushes)
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
B. D.
Sus. Cym.
122
3
3
pp
f cresc.
3
f cresc.
f cresc. (unis.)
f cresc.
120
121
122
123
124
125
126
20
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Bsn. 1
Bsn. 2
Hn. 1, 3
C Tpt. 1
133
ff cresc.
ff cresc.
ff cresc.
3.
f cresc.
ff cresc.
f cresc.
ff cresc.
1.
ff
f cresc.
Tbn. 1
C Tpt. 3
ff cresc.
C Tpt. 2
ff cresc.
Hn. 2, 4
ff cresc.
Cl. 2
ff cresc.
ff cresc.
Tbn. 2
f cresc.
Timp.
B. Tbn.
Tba.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
3
3
3
Vla.
Vln. II
3
Vc.
Cb.
127
128
ff
3
3
3
3
pp
133
3
3
ff cresc.
3
3
pp
ff cresc.
ff cresc. 3
ff cresc.
129
130
131
132
133
139
21
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
fff
fff
fff
fff
fff
3.
ff cresc.
Hn. 2, 4
Majestic, q = 84
fff
Cl. 2
Cl. 1
a2
fff a2
fff
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
ff cresc.
Tba.
Timp.
Vib.
Sus. Cym.
Vln. I
fff
fff
3
3
3
134
135
136
137
mf
Bass Drum
mf
mf
fff
fff
fff
fff
138
mf
pp
To Spring drum
Vc.
139 Majestic, q = 84
Vla.
Vln. II
fff
Pno.
mf
Hp.
Cb.
B. D.
fff
ff cresc.
B. Tbn.
fff
fff
139
fff
fff
fff
140
142 Fl. 1
Ob. 1
Ob. 2
Cl. 1
Tbn. 1
B. Tbn.
Tba.
Vib.
mf
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
141
f
3
3
3
3
3
3
3
3
3
3
3
3
fff
f
f
3
3
3
3
fff
3
3
3
fff
3 3 3
3
3
3
3
3
3
3
3
3
3
3
f
f
f
mf
Spring Drum
n
mf
n
p
n
f
n
B - Ab, A - F#
mallets) To Vib. (with med-hard
n
rit.
n
n
Solo espressivo
fff 3
sfffz dim.
divisi a 4
3
sfffz dim.
divisi a 4 Violoncello
sfffz dim.
3
fff
fff
fff
sfffz dim.
divisi a 4
3
3
5
fff
divisi a 4
5
3
3
3
3
f
mf
3
f
fff
Hp.
Cb.
mf
fff
142 q = 100
3
B. D.
Sus. Cym.
Tbn. 2
Timp.
3
fff
3 3 3
fff
C Tpt. 3
3 3
C Tpt. 2
fff
C Tpt. 1
22
rit.
fff
3
fff
Hn. 2, 4
fff
3
fff
Bsn. 1
Hn. 1, 3
Cl. 2
Bsn. 2
q = 100
Fl. 2
O sfffz dim.
sfffz dim. 142
143
144
145
146
147
3
23
Fl. 1
molto rit.
Ob. 1
mp
Fl. 2
ff
3
3
Ob. 2
Cl. 1
Bsn. 1
Bsn. 2
3
Solo
f
pp
Solo, delicately
pp
3
mp
Cl. 2
150 (q = 60) Delicately, h = 69
mp
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
150 Delicately, h = 69
Hn. 1, 3
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
To Glock.
molto rit.
n
To W.Ch.
p
n
150
151
152
153
154
3
5
f
3
3
3
Solo espressivo
pp
f
f
pp
pp
148
pp
5
ff
Cb.
Vc.
ff
Vc.
Vla.
Solo Vla.
Solo espressivo
Vln. II
Solo Vln. II
(q = 60)
Solo Vln. 1
Vln. I
pp
pp 149
24
Fl. 1
Fl. 2
ppp
ppp
Solo
pp
Cl. 1
ppp
Ob. 2
ppp
Ob. 1
159
157
3
Solo
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
B. D.
Sus. Cym.
155
156
157
158
159
160
Bsn. 2
Hn. 1, 3
Tba.
S. D.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Bsn. 1
Cl. 2
pp
157
159
pp
ppp
ppp
3
161
25
Solo, delicately
Ob. 1
Ob. 2
Cl. 1
Cl. 2
pp
Fl. 2
163
Fl. 1
3
f
p
f p
f
p
f p
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
163
B. D.
Sus. Cym.
Bsn. 1
Bsn. 2
Hn. 1, 3
Tba.
Timp.
S. D.
Hp.
ppp
mf
p
mf
p
164
165
166
167
168
Vln. II
Vla.
Vc.
Cb.
p
Pno.
Vln. I
1.
162
163
170 Fl. 1
Ob. 2
Cl. 1
Hn. 1, 3
Solo (with Fl. 1)
Solo
p
Solo
p
p
p
f
p
p
p
f
a2
pp
p
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
170 Slightly faster q = 144 (h. = 48)
Tba.
Timp.
S. D.
p
Glockenspiel
B. D.
174
pp
Vibraphone
p
p
p
Hp.
ppp
bisbigliando
Solo Vln. 1
Vln. I
Solo Vln. II
Pno.
Vln. II
ppp
Vc.
Cb.
169
170
171
172
173
5
5
5
5
(gli altri) sul G
tutti (unis.)
f tutti
f
f
f
Cb- C§
f
(Solo)
f
Vla.
p
(Solo)
p
Glass Wind Chimes Sus. Cym.
p
p
p
p
Bsn. 1
Bsn. 2
26
p
p
Cl. 2
174
Solo (with Fl. 2)
p
Ob. 1
f
Fl. 2
Slightly faster q = 144 (h. = 48)
174
175
27
Fl. 1
p
Fl. 2
Ob. 1
Cl. 1
Bsn. 2
Hn. 1, 3
p
179
p
p
p
p
p
Bsn. 1
p
p
Cl. 2
p
p
Ob. 2
p
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
179
n
Vib.
p
Glock.
W.Ch.
Pno.
Solo Vln. 1
Solo Vln. II
Vln. II
Vla.
p
p
176
Glass wind chimes
5
5
pp
5
f
pp
p
pp
f
p
pp
Vc.
Vln. I
Cb.
Hp.
pp
pp
n
n
n
n
f
177
178
f
f
179
180
181
Fl. 1
Fl. 2
187 28 Imperceptibly speeding up
mp
f
p
p
mp
f
f
mp
Bsn. 1
a2
p
f
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
183
W.Ch.
Pno.
Glass wind chimes
Vln. I
Solo Vln. II
Vla.
pp
Solo Vln. 1
Vln. II
mf
mf
5
f
pp
pp
5
5
5
p
f
f
f
f
182
183
184
185
186
n
n
Cb.
187 Imperceptibly speeding up
n
Vc.
Solo
f
Hp.
Glock.
f
n
Vib.
mf
f
mf
p
Cl. 2
Cl. 1
183
mp
Ob. 2
Hn. 1, 3
Ob. 1
Bsn. 2
f
f
187
29
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
f
C Tpt. 2
C Tpt. 3
Tbn. 1
f
a2 Soli, con sord
f
a2 Soli, con sord
f
f
f
f
Tbn. 2
f
C Tpt. 1
f
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
p
Ab - B
(Vibraphone)
f
mf
p
p
Eb F§ Gb Ab
p
p
(Solo)
Vln. I
Solo Vln. II
Solo Vln. 1
Vln. II
Vc.
Cb.
f
f
f
Vla.
188
189
191
192
193
n
n
n
190
Eb - E§
mf
Glockenspiel
f
Hp.
Pno.
198 30
194
Fl. 1
Fl. 2
f
Ob. 2
Cl. 1
Bsn. 2
Hn. 1, 3
ff
Solo
Solo
ff
ff
via sord.
via sord.
f
f
f
ff
ff
f
ff
ff
f
ff
Solo
ff
f
Tba.
B. Tbn.
Tbn. 2
Tbn. 1
f
C Tpt. 3
C Tpt. 2
C Tpt. 1
f
Hn. 2, 4
ff
f
Bsn. 1
ff
Cl. 2
f
Ob. 1
q = 160 (h = 80)
ff
f
198 q = 160 (h = 80)
194 Timp.
f
Vib.
Glock.
W.Ch.
Pno.
Solo Vln. 1
f
Hp.
ff
(pick up soft mallets)
ff
ff
ff
tutti
Vln. I
Solo Vln. II
F# - G
ff
f
Vln. II
(tutti)
f
Vla.
Vc.
Cb.
f
f
f
194
195
ff
n
n
ff
ff
n
196
197
ff
198
199
31
Fl. 1
Fl. 2
Ob. 1
Solo
Ob. 2
ff
ff
ff
Hn. 2, 4
C Tpt. 1
Bsn. 1
Bsn. 2
Hn. 1, 3
Solo
C Tpt. 2
ff
ff
ff
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
ff
C Tpt. 3
n
204
Vib.
Timp.
Glock.
W.Ch.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
(soft mallets)
f
Pno.
200
201
ff
ff
203
204
205
206
n
n
202
n
ff
ff
Solo
Cl. 2
ff
ff
Cl. 1
204
32
Fl. 1
Fl. 2
Ob. 1
Cl. 1
Ob. 2
210
ff
ff
ff
ff
Hn. 2, 4
C Tpt. 1
Tbn. 1
Tbn. 2
B. Tbn.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
C Tpt. 2
C Tpt. 3
Tba.
Timp.
Vib.
ff
ff
ff
ff
210
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
To Tam-Tam
E§ - Eb
mf
pp
(Wind Chimes)
W.Ch.
f
ff
Glock.
207
208
209
210
211
212
213
33
214 Fl. 1 Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
218
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
f
a2 (senza sord.)
Vln. II
ff
f
ff
ff
f
f
f
218
(Glockenspiel)
fff
To Siz. Cym.
mf
p
mf
mf
To B. D.
Solo (with Cl.)
f
fff
fff
5 5
3
3 3
Cb.
3
fff
215
5
3
3 3
3
f
f
216
f
fff
214
5
f
fff
fff
Vc.
fff
fff
Vla.
Vln. I
Pno.
f
ff
f
ff
Tam-tam
Hp.
mf
T.-t.
ff
Glock.
Solo (with Cl. 1)
fff
214 Timp.
Vib.
Solo (with Cl. 2)
f
a2 (senza sord.) Hn. 2, 4
fff
217
f
f
218
219
34
224
Solo (with Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Fl. 2
Cl. 2
f
Solo (with Fl. 1)
f
p
p
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Vib.
Glock.
T.-t.
Hp.
Pno.
3
3
3
3
fff
3
3
3
fff
3
221
3
3
f
Solo espressivo
f
p
p
3
3
f
222
223
3
fff
3
Solo espressivo
p
f
220
f
Cb.
Solo espressivo
Vc.
Vla.
Vln. II
f
Solo Vln. II
Vln. I
Solo espressivo
Solo Vln. 1
224
3
3
fff
224
225
226
poco rit.
35
Fl. 1
Fl. 2
lunga
231 In one h. = 50
pp
lunga
pp
Solo, molto espressivo (use a mixture of molto vibrato and straight tone)
Ob. 2
Cl. 1
Cl. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
231 In one h. = 50
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Timp.
Vib.
T.-t.
pp
poco rit.
pp
231
232
233
lunga
Vla.
Vc.
3
3
3
Cb.
pp
3
Vln. II
n
Bass Drum superball groan (friction roll with thumb or superball)
Pno.
Vln. I
Hp.
pp
Glock.
Bsn. 1
Ob. 1
3
3
3
227
228
229
pp
lunga
pp lunga
pp
230
36
Fl. 1
Fl. 2
pp
Ob. 1
235
5
pp
Ob. 2
Cl. 1
Cl. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Timp.
235
pp
Vib.
n
B. D.
pp
n
pp
n
pp
n
Siz. Cym. Improvise, playing with fingers or wire brushes, using gestures such as the following: T.-t.
234
235
236
237
238
239
240
Pno.
Vln. II
Vla.
Vc.
Cb.
Hp.
Vln. I
pp
n
n
37
Fl. 1
Ob. 1
Fl. 2
243
3
3
pp
rit.
pp
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Solo
pp
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Timp.
Vib.
Siz. Cym.
n
pp
n
pp
rit.
n
241
242
243
244
245
246
247
Pno.
Vln. II
Vla.
Vc.
Cb.
Hp.
Vln. I
pp
B. D.
243
q = 104
249 (h. = 40) Fl. 1
Fl. 2
Ob. 1
Ob. 2
38
Cl. 2
Bsn. 1
253
pp
Solo, molto espressivo (using a mixture of straight tone and molto vibrato.) Cl. 1
pp
n
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Timp. pp
B. D.
Siz. Cym.
Vibraphone
very soft mallets
ppp
mp
pp
Vln. II
Vla.
Vc.
f
Solo
pp
Pno.
Cb.
ppp
Hp.
Vln. I
253
n
Vib.
249 (h. = 40) q = 104
D§ C# B§ / E§ F# G§ A§
pp
248
249
250
251
252
253
254
261a tempo q = 104
257
39
Fl. 1
rit.
a tempo q = 104
rit.
pp
f
pp
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Bsn. 1
pp
f
Cl. 2
pp
pp
f
pp
pp
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
257
Timp.
Vib.
pp
n
pp
(superball groan)
pp
pp
To Sus. Cym.
pp
n
n
pp
255
256
257
258
259
Vc.
Vla.
pp
pp
Vln. II
Cb.
261a tempo q = 104
Pno.
Vln. I
a tempo q = 104
pp
Hp.
B. D.
Siz. Cym.
rit.
rit.
260
pp
261
268a tempo q = 104
40
Fl. 1
Fl. 2
Ob. 1
Solo (with Fl.2)
Solo (with Fl.1)
f
f
f
rit.
pp
pp
f
pp
Ob. 2
Cl. 1
Cl. 2
Hn. 1, 3
f
Bsn. 1
Bsn. 2
Hn. 2, 4
a2
f
a2
f
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
p
rit.
f
f
f
268 a tempo q = 104
mf
(pick up bow)
f
B. D.
Siz. Cym.
mp
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
Pno.
f
262
263
264
f
265
266
Full, thick, molto vibrato
ff Full, thick, molto vibrato
ff tutti, Full, thick, molto vibrato
ff
tutti, Full, thick, molto vibrato
ff
267
Full, thick, molto vibrato
ff
268
41
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
273
Solo
3
pp
3
3
Hn. 1, 3
Hn. 2, 4
ff
4
pp
Bsn. 2
Solo
pp
pp
pp
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
f
Timp.
Vib.
ff
Siz. Cym.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
ff
269
270
271
B - Bb,retune G - F
(with bow) Vibraphone
pp
ppp
Hp.
Solo Vln. 1
mp
pp
mp
ff
273
B. D.
pp
pp
pp
ord. (with mallets) (Bass Drum)
pp
pp
4
274
275
5
pp
pp
pp
pp
272
pp
273
3
42
Fl. 1
Fl. 2
Ob. 1
Ob. 2
pp
3
3
f
Cl. 2
3
3
3
3
3
f
3
3
3
3
pp
f
3
3
3
f
f
3
3
3
f 3
3 3
3
3
3
3
3
3
f
3 3
3
3
3
3
3
f
3
3
3
f
pp
Bsn. 1
3
pp Cl. 1
280
277
3 3
3
3
3
3 3
f
pp
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 2
Hn. 1, 3
Tba.
Timp.
Vib.
280
mf
277
mf
(pick up hard mallets)
(with hard mallets)
f
3
3
3
3
3
3
B. D.
Siz. Cym.
Hp.
Pno.
B§ - Bb
pp
f
f
Solo Vln. 1 f
Vln. I
5
f
Vc.
f
Cb.
276
(tutti)
f
Vla.
pp
f
Vln. II
277
278
279
f
280
281
282
43
Fl. 1
Fl. 2
284
3
p
3
3
3
3
3
3 3 mf
Cl. 2
3
Cl. 1
p
3
Ob. 2
3
Ob. 1
3
p
p
p
p
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
Tba.
p
a2
3
p
3 3 3 3 3 3 3 p
p
3
3
3
mp
3
3
3
3
3
3 mp 3 mp
3
3
p
284 p
3 3 p
Bb - Ab
(pick up bow)
(with bow)
pp
V.S.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
3
mp
p
Timp.
Vib.
a2
p
4
5
285
286
288
289
p
p
p
p
283
p
284
287
Fl. 1
Fl. 2
p
accel.
(q = 120)
293 a tempo q = 104
44
ff
p
ff
Ob. 1
Ob. 2
Cl. 1
p
ff
Bsn. 1
Hn. 1, 3
Cl. 2
Bsn. 2
Hn. 2, 4
pp
p
3
3
f
f
C Tpt. 1
pp
C Tpt. 2
C Tpt. 3
pp
Tbn. 1
Tbn. 2
f
B. Tbn.
Timp.
Vib.
293 a tempo q = 104 mp
(pick up hard mallets)
(Bass Drum)
Pno.
Vln. I
5
5
5
Vln. II
Vla.
Vc.
290
291
mp
ff
ff
ff
296
ff
ff
Cb.
Hp.
Solo Vln. 1
B. D.
Siz. Cym.
(q = 120)
f
accel.
f
Tba.
292
ff
293
294
295
45
Fl. 1
299
Fl. 2
Ob. 1
Ob. 2
Cl. 1
p
Bsn. 2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Siz. Cym.
3
3
5
ppp
5
p
p
299
p
p
p
mf
n
retune Ab - B§
mf
n
mf
G - G#
pp
mf
3
p
3
p
3
297
3
3
5
p
Cb.
3
Vc.
f
Vla.
move to Piccolo
f
p
Vln. II
p
f
Solo Vln. II
p
Vln. I
ff
p
Pno.
3
f
Hp.
Solo Vln. 1
B. D.
C Tpt. 3
ff
C Tpt. 2
Solo
C Tpt. 1
p
p
Bsn. 1
Hn. 2, 4
ff
Hn. 1, 3
ff
pp sub.
Cl. 2
p
ff
3
3
p
299
300
301
302
303
p
p
p
298
309 Dramatic! q = 112
accel. 305
Fl. 1
Fl. 2
Ob. 1
Cl. 1
mf
C Tpt. 1
1.cuivre
3. p 2. cuivre
C Tpt. 3
Tbn. 1
4. p
mf
p
mf
p
Tba.
mf
Vib.
fff 3.
fff 4.
f
fff
fff
fff
fff
fff
fff
309 Dramatic! q = 112
h
sfzp
(hard mallets)
Pno.
Vln. I
Vln. II
G# - G§ Bb - B§
f
mf
mf
mf
p
Solo Vln. II
p
sfzp
Cb.
304
305
306
307
308
ffff
Sus. Cymbals h (with sticks or back of mallets)
sfzp
ffff
fff
O fff
(non div.)
O
(non div.)
fff
sfzp
fff
Vc.
fff
Vla.
ffff
ffff
Spring Drum
To S. D.
fff
fff
accel.
fff
Hp.
Solo Vln. 1
305
fff (Bass Drum) h
B. D.
Siz. Cym.
mf
Timp.
fff
f
mf
mf B. Tbn.
fff
f
f
mf Tbn. 2
f
mf
mf
p C Tpt. 2
mf
Hn. 1, 3
Hn. 2, 4
mf
mf Bsn. 2
fff
Bsn. 1
46
fff
Cl. 2
Ob. 2
fff
309
310
47
Fl. 1
312
315 Solo
fff
f
fff
3
Piccolo Solo
Fl. 2
Cl. 1
Cl. 2
fff 3
Ob. 2
Ob. 1
3
fff
fff
fff
5
fff
3
5
fff
3
3
mf
mf
5
3
3
3
fff
3
3
mf
3
3
mf
a2 fff
Bsn. 1
fff
Bsn. 2
Hn. 1, 3
fff
a2
Hn. 2, 4
fff
C Tpt. 1
fff
C Tpt. 2
fff
C Tpt. 3
fff
Tbn. 1
fff
Tbn. 2
fff
B. Tbn.
fff
Tba.
Timp.
fff
312
315
Vibraphone (blend with Piccolo)
S. D.
B. D.
Sus. Cym.
To Vib. (pick up hard mallets)
To Siz. Cym.
Hp.
To Tri.
3
3
3
3
3
3
3
Vln. II
312
313
fff
mf
fff
311
Cb.
Vc.
Vln. I
Vla.
Pno.
3
3
3
mf
mf
mf
mf
314
mf
315
316
317
48
318 Fl. 1
322
f
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
fff
f
Picc.
fff
fff
fff
fff
fff
fff
Bsn. 2
Hn. 1, 3
C Tpt. 2
C Tpt. 3
a2
a2
f
f
ff
ff
ff
318
Vib.
B. D.
n
Hp.
sfzp
pp
ff
fff
324
h
sfzp
ffff
Triangle
h
ToSus. Cym.
h
ffff
ff
Solo Vln. 1 ff 3
3
Sus. Cymbals (with sticks)
sfzp
n
Pno.
ff
322
Siz. Cym. and Glass wind chimes Siz. Cym.
ff
ff
Timp.
ff
ff
Tba.
ff
ff
B. Tbn.
f Tbn. 2
f
Tbn. 1
C Tpt. 1
fff
Hn. 2, 4
324
3
fff 3
ffff
Move individually and at will between these harmonics.
Vln. I
Solo Vla.
Vla.
p
Cb.
318
fff
319
320
V.S. 321
fff
322
jete
fff
p
p
Vc.
fff
p
Vc.
fff
Move individually and at will between these harmonics.
Vln. II
(non div.)
p
O
323
jete 3
324
49
Fl. 1
Picc.
Ob. 1
Ob. 2
Hn. 1, 3
fff
fff
Tbn. 1
C Tpt. 3
C Tpt. 2
C Tpt. 1
Hn. 2, 4
fff
Bsn. 2
fff
Bsn. 1
fff
Cl. 2
fff
Cl. 1
330
a2
fff a2
fff
fff
fff
V.S.
fff
V.S.
fff
Tbn. 2
fff
B. Tbn.
fff
Tba.
Timp.
Tri.
B. D.
330
sfzp
h To Siz. Cym.
ffff
3
3
3
3
Pno.
3
3
3
3
Vla.
3
Vc.
325
3
326
3
327
3
328
sfzp
3
3
Vln. II
Cb.
sfzp
h
Hp.
Vln. I
ffff
(with sticks)
Sus. Cym.
h
To Glock.
O
fff
fff
3
ffff
329
330
331
Fl. 1
Picc.
fff
mf
fff
3
fff
3
mf
3
fff
3
fff
3
3
Bsn. 2
Hn. 1, 3
3
3
3
fff
3
3
mf
3
3
3
3
3
3
3
fff
mf
fff
fff
fff
3
3
3
mf
mf
3
Bsn. 1
3
3
Cl. 2
5
3
Cl. 1
fff
mf
Ob. 2
5
Ob. 1
50
336
mf
mf
mf
fff
mf
Hn. 2, 4
C Tpt. 1
mf
C Tpt. 2
ff
mf
C Tpt. 3
ff
ff
mf
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Tri.
B. D.
Sus. Cym.
Siz. Cym.
p
ppp
To Tam-Tam
336 mf
Glockenspiel
fff
Pno.
ff
Vln. I
Vln. II
Vla.
332
333
334
3
mf
fff
mf
fff
mf
Vc.
mf
mf
Hp.
Cb.
mf
335
mf
fff
fff
fff
336
337
338
51
Fl. 1
Picc.
Ob. 1
fff
3
3
3
fff
3
3
3
Cl. 1
Cl. 2
V.S.
Hn. 1, 3
a2
ff
ff
mf
mf
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
a2
Hn. 2, 4
Bsn. 2
Ob. 2
Bsn. 1
342
ff
mf
Tbn. 2
B. Tbn.
Tba.
Timp.
342
h
sfzp
Glock.
Vc.
h
f
3
3
3
sfzp
3
3
3
ffff
339
340
343
344
345
p
mf
Vla.
fff
Vln. II
ffff
fff
Pno.
Cb.
Hp.
Vln. I
B. D.
Siz. Cym.
mf
p
341
p
342
(e=e) Fl. 1 Picc.
Ob. 1
Bsn. 1
a2
f
C Tpt. 1
C Tpt. 2
f f
C Tpt. 3
f
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
fff
3
f
3
Siz. Cym.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
fff
f
a2
f
fff
a2
fff
f
fff
f
fff
f
fff
f
348
Pno.
f
h
sfzp
B. D.
(e=e) Timp.
Glock.
3
fff
f
Hn. 2, 4
f
f
fff
a2
Hn. 1, 3
fff
3
52
3
f
Bsn. 2
fff
3
f
Cl. 2
fff
f
Cl. 1
348
f
Ob. 2
fff
fff
sfzp
ffff
3
3
3
3
3
To Tri.
h
fff
fff
ffff
346
347
348
349
350
351
fff
3
352
53
Fl. 1
354
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
fff
fff
fff
fff
fff
p
p
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
3
3
fff
fff
ff
ff
fff
fff
fff
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
ff
Timp.
Glock.
354
B. D.
Siz. Cym.
Vln. I
Vla.
Cb.
3
353
3
jete
3
354
fff
3
3
fff
fff jete
fff
3
3
3
fff
Vc.
fff 3
fff
Vln. II
ff
ff
Pno.
ff
Triangle
Hp.
3
3
3
(sempre fff)
fff
355
356
3
3
3
3
3
3
357
3
358
3
359
54
360 Fl. 1
fff
Picc.
366
3
3
fff
Ob. 1
3
3
3
fff
3
fff
Ob. 2
Cl. 1
fff
Cl. 2
Bsn. 1
ff
Bsn. 2
Hn. 1, 3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. 2
ff
C Tpt. 3
Tbn. 1
ff
ff
Tbn. 2
ff
B. Tbn.
ff
360 Timp.
Tri.
B. D.
ff
366
To Vib. (hard mallets)
Tam-tam (scrape with coin or back of mallet)
Hp.
3
3
3
Pno.
3
Vln. II
3
Vla.
Vc.
Cb.
3
ff
Vln. I
3
C Tpt. 1
Siz. Cym.
fff
3
3
Hn. 2, 4
Tba.
3
360
3
361
3 3
3
3
362
3
3
3
3 3
3
f
363
3
364
3
365
sfffz
(sempre fff)
sfffz
sfffz
sfffz
f
f
f
f
366
sfffz
f
sfffz
f
sfffz
f
sfffz
f
55
Fl. 1
3
Picc.
3
3
3
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
3
3 3
Ob. 1
3
3
3
3
3
3
4
3
Tri.
T.-t.
3 3
3
3
3
3
V.S.
a2
ff a2
breathe as necessary
370
mf
ff
mf
sfffz
f
sfffz
f
sfffz
f
f
sfffz
367
sfffz f
sfffz
f
368
sfffz f
369
sfffz
f
f
sfffz
sfffz
sfffz f
f
f
ff
ff
mf
mf
ff
fff
G§ - G#
3
4
4
3
4
4
fff
f
ff
mf
f
sfffz
sfffz f
sfffz
f
f
sfffz
sfffz
fff
mf
f
ff
Vibraphone (hard mallets)
ff
breathe as necessary
Vln. I
Cb.
Vc.
Vla.
Vln. II
Pno.
breathe as necessary
4
Hp.
3
3
ff
B. D.
ff
Timp.
ff
4
4
ff
Tba.
ff
B. Tbn.
3
Tbn. 2
(breathe as necessary)
Tbn. 1
C Tpt. 3
C Tpt. 2
(breathe as necessary) 370
C Tpt. 1
3
3
Hn. 1, 3 Hn. 2, 4
3
370
simile
sfffz simile
f
sfffz
f
simile
sfffz
f
371
372
373
56
Fl. 1
Picc.
4
4
Ob. 2
Cl. 1
4
Bsn. 2
fff
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Vib.
B. D.
T.-t.
Hp.
ff
mf
ff
mf
376
Vln. II
Vla.
Vc.
Cb.
mf
ff
mf
ff
mf
4
C# - C§
374
4
4
ff
mf
ff
mf
mf
ff
Vln. I
ff
4
Pno.
ff
ff
D§ - D#
mf
mf
ff
mf
ff
Timp.
mf
fff (breathe as necessary)
Hn. 2, 4
(breathe as necessary)
Hn. 1, 3
fff (breathe as necessary)
fff
Bsn. 1
(breathe as necessary)
4
Ob. 1
Cl. 2
376
375
376
377
378
379
380
57
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
fffff
p
fffff
fffff
p
fffff
fffff
p
fffff
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
fffff
Hp.
Pno.
ffff
3
3
3
3
3
3
3
3
p
p
p
p
fffff
h.
ffff
sfffzp
To Glock.
To Sus. Cym.
(with sticks or back of mallets)
h.
sfffzp
G# - G§
fffff
To W.Ch. (dampen gradually)
ffff
fffff
divisi a4
fffff
divisi a4
Vla.
Vc.
Cb.
381
fffff divisi
382
fffff
fffff
383
384
385
3
3
(E F# G A B C D# E)
3
fffff
p
fffff divisi a4
Vln. II
fffff
3
fffff
3
p
fffff
3
p
fff
3
p
383
3
ffff
fffff
3
3
3
p
Vln. I
ff
ff
3
3
3
3
ffff
ffff
3
ffff
fffff C Tpt. 3
3
ffff
ffff
fffff
C Tpt. 1
3
ffff
p
ffff
p
p
fffff p
p
Hn. 2, 4
fffff
fffff
Bsn. 1
Hn. 1, 3
Cl. 2
Bsn. 2
383
386
387
58
389
Fl. 1
ffff
f
Ob. 1
ffff
Hn. 1, 3
f
Tba.
f
f
f
f
Timp.
T.-t.
3
3
3
3
p
p
p
3
f
3
f
f
ffff
f
f
f
f
p
f
p
f
p
f
f
h.
sfffzp
dampen gradually
To T.-t.
fff
unis.
fff
388
ffff
f
fff Tam-tam
h.
sfffzp
p
p
ffff
div. a4
unis.
f
ffff
ffff
ffff div.
f
p
Glass Wind Chimes
unis.
f
ffff
p
f
3
ffff
p
f
Cb.
p
Vc.
fff
3
fff
Vla.
3
Vln. II
ffff
389
f
p
f
Vln. I
3
Pno.
f
3
ffff
Hp.
ffff
Sus. Cymbals
Sus. Cym.
f
f
Vib.
ffff
ffff
f
B. Tbn.
3
ffff
f
Tbn. 2
ffff
3
Tbn. 1
f
f
C Tpt. 3
3
ffff
a2
C Tpt. 2
3
f
ffff
f
f
C Tpt. 1
3
ffff
a2
Hn. 2, 4
3
ffff
f
f
Bsn. 2
3
3
ffff
Bsn. 1
f
Cl. 2
3
3
ffff
f
Cl. 1
3
3
f
Ob. 2
3
f
Picc.
389
390
unis.
f
391
f
392
393
59
394 rit. Fl. 1 ffff 3
Picc.
ffff
3
ffff
Cl. 1
3
3
3
ffff
Cl. 2
3
3
ffff
Bsn. 1
ffff
Bsn. 2
3
3
3
3
3
3
3
3
3
ffff
Tbn. 1
Solo Vln. 1
Vln. I
Vln. II
Vla.
ff
f
f
Solo
ffff
ff
397 q=104
To B. D. dampen gradually
Glass Wind Chimes
ffff (dampen tam-tam gradually)
ffff
ffff
ff
ffff
394
395
396
pp
pp
ffff
ffff
ffff
Cb.
f
To Vib. (with bow)
Glockenspiel
3
Vc.
3
3
f
ffff
Pno.
Vib.
Hp.
ffff
T.-t.
394 rit. Timp.
Sus. Cym.
f
ffff
Tba.
1. cuivre, stopped
ffff
B. Tbn.
ffff
Tbn. 2
ffff C Tpt. 3
ffff
C Tpt. 2
f
ffff
C Tpt. 1
f
ffff
Hn. 1, 3 Hn. 2, 4
f
f
3
3
3
3
3
3
3
ffff
Ob. 2
3
3
3
Ob. 1
397 q=104
unis.
ff
p
p
ff
397
398
60
403
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
3
ff
f
f
ff
3
3
3
1.
3
3
3
ff
3.
C Tpt. 1
ff
Hn. 1, 3 Hn. 2, 4
ff
3
3
3
3
Timp.
Sus. Cym.
W.Ch.
Tbn. 1
Tbn. 2
B. Tbn.
C Tpt. 2
C Tpt. 3
Tba.
Glock.
Hp.
Pno.
Solo Vln. 1
f
Vln. I
Solo Vla.
Vln. II
3
3
3
403
n
Vla.
Vc.
Cb.
f
ff
5
399
400
401
402
403
404
405
61
Fl. 1
3
407
mf
f
Ob. 2
Cl. 1
Hn. 1, 3
Picc.
Ob. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 2, 4
1.
f
f
mf
3
p Solo
3
mf
ff
3
C Tpt. 1
3
3
4
p
3
ff
a2
mp
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
W.Ch.
Glock.
Hp.
Pno.
407
Vln. I
Solo Vln. 1
Vln. II
Vc.
Cb.
ffff
406
3
3
mp
n
4
ff
4
4
4
mf
mf
408
409
407
mf
7
Vla.
n
Solo Vla.
n
C Tpt. 2
mf
410
mf
n
n
411
412
Fl. 1
Picc.
mp
p
Cl. 2
Bsn. 1
f
f
1.
mf
p
a2
Hn. 2, 4
Cl. 1
n
p
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
p
415 rit.
n
Timp.
Sus. Cym.
W.Ch.
Glock.
Hp.
Pno.
Solo Vln. 1
4
Vln. II
mp
Vc.
Cb.
mp
413
mp
Vln. I
Vla.
62
p 4
Ob. 2
Hn. 1, 3
Ob. 1
Bsn. 2
415 rit.
414
n
n
415
416
417
418
419
n
421
420 63
Fl. 1
Picc.
p
(10 seconds)
423
422
(10 seconds)
p
(10 seconds)
(10 seconds)
p
p
Ob. 1
Ob. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
420
(10 seconds)
Timp.
p
421
p
(with bow)
p
423
W.Ch.
sempre l.v.
D# - D§
Pno.
p
p
p
Solo Vln. II
Cb.
Vc.
Vln. I
Vla.
Solo Vln. 1
Vln. II
p
(play as a single quick gesture)
p
ppp
p
ppp
p
ppp
p
ppp
p
422
423
420
421
p
p
(10 seconds)
Sus. Cym.
Hp.
p
(10 seconds)
Vib.
422
(10 seconds)
Vibraphone
p
Cl. 1
424 Fl. 1
(10 seconds)
Picc.
p
64
430 pp
p
To Fl.
Cl. 1
Ob. 2
p
Ob. 1
425 In time q = 104
p
p
pp
p
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
424 Timp.
Vib.
Hp.
ppp
p
p
p
p
1st four stands only, (divisi by the stand) Stands 1 and 2:
pp
Vc.
Cb.
425
426
427
428
Vla.
Stands 3 and 4:
424
430
ppp
ppp
p
pp
pp
ppp
pp Stands 3 and 4:
ppp
1st four stands only, (divisi by the stand) Stands 1 and 2:
Vln. II
Tam-tam
Solo Vln. II
ppp
Vln. I
Bass Drum
p
Pno.
Solo Vln. 1
425 In time q = 104
(10 seconds)
Sus. Cym.
W.Ch.
Soli
p
429
ff
pp
430
65
Fl. 1
Ob. 1
436
pp
Picc.
p Flute
p
pp
p
Ob. 2
Cl. 1
Cl. 2
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Vib.
B. D.
T.-t.
p
Hp.
Pno.
Vc.
ppp
Vla.
Vln. I Vln. II
Cb.
p
ppp
ppp
ppp
436
p
non vibrato, extremely sul pont (imitate tone of harmonics)
pp non vibrato, extremely sul pont (imitate tone of harmonics)
pp
p
ff
pp
431
432
433
434
435
436
437
66
Fl. 1
Fl.
Ob. 1
pp
ppp
pp
ppp
pp
ppp
Ob. 2
Cl. 1
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ppp
C§ - C#
ppp
ppp
ppp
ppp
ppp
ppp
p
f
pp
438
439
440
441
442
443
444