2016 Work Samples + CV

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work samples 2010 julia

markey 2016


EDUCATION

CV JULIA MARKEY 161 Taaffe Place Brooklyn, NY 11205 juliamarkey@gmail.com 734.255.2373

Pratt Institute, Brooklyn, NY, Fall 2010-2015 Bachelor’s of Architecture with Honors SKILLS Rhino 3D Modeling, advanced Autocad, advanced Revit, intermediate Sketchup, basic Maxwell Rendering, advanced Vray Rendering, intermediate Adobe Creative Suite (Illustrator, Photoshop, InDesign), advanced Grasshopper, Python, and Dynamo, basic Microsoft Office Suite (word, excel, powerpoint), advanced Lasercutting, advanced 3d Printing, intermediate CNC Milling, basic Hot wire cutter, basic

AWARDS Pratt Institute Excellence in Academia Achievement, (2015) Presidential Merit-Based Scholarship, $20,000 (annually) Undergraduate Scholarship Portfolio, $2,500 (2013)

REFERENCES Katie Prisco, Office Manager, FORM Architecture + Interiors 212.206.6430, katie@formarch.com Leopold Lambert, architect/writer, The Funambulist leopold.funambulist@gmail.com Brian Ripel, Pricipal, RSVP Studio 718.625.1948, brian@rsvp-studio.com 2


EXPERIENCE Till July 2015-present 49 Elizabeth St., New York, NY 10013 Designer Frankfurt House, four-story residential new construction Schematic design development Children of the Parade, fashion presentation Design development, fabrication 154 Attorney, apartment renovation Design development, bidding set 49 Elizabeth, office renovation Schematic design, design development, construction

RSVP Studio and N-Plus Architecture September 2013 - December 2013 68 Jay St. Unit 306, Brooklyn, NY 11201 Paid Intern RSVP Studio Construction documents, presentation packages N-Plus Architecture Site analysis, schematic design

Form Architecture + Interiors June 2013 - August 2013, December 2014 - January 2015 88 E. 10th St. New York, NY 10003 Paid Intern Interior design intern and assistant to the office manager Selection of fabrics, product research, office organization and communications. Development of custom paint color collection.

Reversible Destiny Foundation September 2013 124 West Houston, New York, NY Model Assistant Assisted the completion of the Bioscleave House model for exhibition in Eindhoven.

Freecell Design and Fabrication June 2012 - August 2012 21 33rd St, No. 319, Brooklyn NY 11232 Paid Intern Spontaneous Interventions, U.S. Pavilion 2012 Venice Biennale Fabrication of aluminum plates for the cable and pulley system.


01

1.

1.0

1.1

BROAD DENSITY Fall 2014 Critics Aybars Asci and Gary Haney SOM + Pratt Institute

mechanical mechanical

The studio was instructed to use an existing skyscraper as a point of departure and through mutation create a more efficient design. 432 Park uses a tube structure to create a perfectly square plan with square windows and units. Mutating this structure to create a gradient in the facade as opposed to section, and optimizing the tube for slenderness, Broad Density creates from the efficient structure, a variety of spaces and units that is lacking in the design of many NYC skyscrapers.

residential entrance residential entrance

0.

432 Park Ave.

Structural Mutation

1.4

1.5

4

BROADWAY

Concept diagram Ground mediation diagram Lower level typical unit Upper level typical unit Overall rendering West 57th street elevation

8th AVE

1.0 1.1 1.2 1.3 1.4 1.5


0 sf

L

RETA 3550 IL sf RETA 4350 IL sf RETA 3550 IL sf

1. 2.

1.3

1.2

private terrace private terrace

cafe/bar cafe/bar subway entry subway entry

#.0 #.1 #.2

perspective of base ground floor, 1’ I 1/16” third floor, 1’ I 1/16”

project / drawing description : Shown in plan and perspective, this set of drawings addresses how the tower transforms to meet the ground.

retail retail

BASE

outdoor terrace

outdoor terrace

#.0 #.1 #.2

student : Julia Markey instructor : Gary Haney & Aybars Asci

unit a: 1’ I 1/16” unit a mezzanine: 1’ I 1/16“ unit b: 1’ I 1/16”

project / drawing description : This series of plans describes the interaction between a lower floor with a mezzanine level and the floor directly one above.

Arch 403 Fall 2014 Pratt Institute + SOM

TYPICAL FLOOR PLANS 0.

1.

student : Julia Markey instructor : Gary Haney & Aybars Asci

1500'

Arch 403 Fall 2014 Pratt Institute + SOM

1450' 1400' 1350' 1300' 1250' 1200' 1150' 1100' 1050' 1000' 950' 900' 850' 800'

#.0 #.1 #.2

unit a: 1’ I 1/16” unit a mezzanine: 1’ I 1/1 unit b: 1’ I 1/16”

project / drawing description : Th describes the interaction betwee mezzanine level and the floor dir

TYPICAL FLOO 750'

0.

700' 650' 600' 550' 500' 450' 400' 350' 300' 250' 200' 150'

6th AVE

7th AVE

5

student : Julia Markey instructor : Gary Haney & Ay

Arch 403 Fall 2014 Pratt Institute + SO


02 PRIMAL YOUTH

Cutening the Senior Housing Typology with Leland Jobson Undergraduate Thesis 2014-2015 Critics Dragana Zoric and Evan Tribus Pratt Institute Aging is a reality we all have to face. In time, we will be confronted by bodily limitations and the spaces we occupy must respond accordingly. Architecture has offered little innovation in this area - often trying to recreate the idea of home through superficial means such as cozy fireplaces or style of furniture (Kinzelbach). Failing to address the psychological dimension of home, these have become spaces that the old and young dread entering. We aim to create a new model for senior living by reframing the current typology in terms of cute. Cute is supple and facile enough to tackle the social, cultural, and human issues generated by the retirement community program. Cute is a middle ground between many things - it is neither ugly nor beautiful and plays in the realms of both aesthetics and functionality. The architecture of senior living as it stands now seeks to ease people out of life in the most subtle way possible, whereas we believe it should be amped up. Primal Youth is a retirement community located in Long Beach, CA about a half mile from downtown. The site was chosen as a play on the beachside retirement community while also situating itself within a larger community and in close proximity to entertainment, shopping, and attractions. We wanted the building to be easily identifiable by the passerby and an approachable character for the retiree to interact with.

2.1

1.0 1.1 1.2

Aerial Rendering Site Plan Project seeds

2.0

2.2

6


2.3

2.5

2.6 1.0 1.1 1.2 1.3 1.4 1.5 1.6

Underside View Aerial View Beach View Long Building Section Ground Floor Plan Section Model (3D printed PLA, museum board, chipboard, bristol) Section Model

2.4

7


03 COLUMBIA BOATHOUSE with Artemis Theodorou Fall 2013 Critic Brian Ripel Pratt Institute Designed for use by the Columbia crew team, Columbia Boathouse challenges traditional ideas of structure and proposes structure as asthetic in order to achieve a seemingly impossible building feat. A series of slim members with frequent repetition are supported by contrasting massive concrete walls that act as both a strutural and programmatic organizational strategy. The initial intent was to capture two opposing ideas, one of being grounded in the landscape, and one of lifting off from the earth and a sense of weightlessness.

3.1

5.0 3.0 3.1 3.2 3.3

Aerial Rendering Boat Shed Rendering Study Model (chipboard, bristol, paint) Short Building Section

3.2

HIGHEST LEVEL + 38 ft

THIRD LEVEL +24.5 ft

SECOND LEVEL

5.4

+16 ft

rainwater collection cistern

Kraft Stadium | Baker Feild Area

GROUND FLOOR 0 ft

3.3

8


04 INVERTED DEPTHS

7

Final Piece Rendering

6

Parallel Finishing

5

Horizontal Roughing

4

Inverted Mesh

Spring 2012 Critic Ronnie Parsons Pratt Institute Inverted Depths is a physical exploration of the translation of techniques employed in traditional forms of ‘crafting’ to the available mechanical technologies of today. This study first began with diagramming the motions of crochet and using the different physical stitches to create a vocabulary within a parametric model to drive the mechanical extension of the hand, the CNC mill. The CNC milling process makes possible the realization of complex three dimensional designs with extreme changes in depths. This piece specifically focuses of the optical illusion produced from convex and concave extrusions.

4.0

3 Engraved Mesh

4.1 4.0 4.1 4.2

2 Vee-Mill Engraving

CNC Roughing CNC Finishing Process Steps

1 Initial Curves

4.2

9


05 2'-1 15/16"

1 A412

3'-2 9/16"

6'-0 1/8"

10"

3'-2 1/4"

1 A300

11'-2 3/4"

10'-11 1/4"

1

1

2 A300

2 A302

7'-6"

Location: 154 Attorney St. New York, NY Program: Apartment Renovation Status: In Construction Design Architect: Till Contribution: Bidding set, representation

2 A300

6'-4 13/16"

2'-10 1/2"

10'-8 1/2"

3'-3 1/4"

2

1 A407

4'-7 1/8"

3'-0"

8'-2 3/4"

1 A-302

3

5'-11 13/16"

7'-0 1/4"

5'-8 3/4"

2

3" 1'-0"

3'-3 1/4"

7 3/4"

1

9 1/4"

5" 1'-7 1/2"

5'-11 3/4"

2'-2 3/4"

2'-4 1/4"

5"

5'-8 3/4"

1 A409

1

3'-0"

1'-4 1/4"

1 A411

5.0

CONSTRUCTION PLAN SCALE

1'-4 1/2"

3'-9 1/8"

1 A403

4

1'-8 1/4"

4'-11 1/4"

B A200

5'-3 3/16"

3 A-408 3

A A200

2

The client, whose main residence is in Equador, came to us with the desire to have this Lower East Side studio apartment serve and feel like a luxury hotel suite for his occasional visits to NYC. In response to this desire, we packed all of the services into an operable ‘jewelry box’ that allows for them to be hidden away when not in use. The rest of the space is left open for sleeping and entertaining. Using the Boffi On/Off kitchen as a point of departure, the rest of the box is wrapped in the same material to appear as seamless as possible.

7'-6 9/16"

11 7/16" 9 7/8" 1'-6 1/2"

3 5/8"

C A201

D A201

154 ATTORNEY

1/4" = 1' - 0"

5.1 PLENUM 1'-7 1/2"

GLASS POCKET DOOR

EXISTING WALL TO BE PAINTED

FIXED MIRROR 3/4" WOOD PANEL CLOSET DOORS

EXISTING DOOR TO BE PAINTED

MIRROR LIGHTS MED. CABINET ROBERN

3

SUPPLIED BY BOFFI

7'-0"

8'-7 1/2"

ENTRY NICHE

FIXED MIRROR BOFFI TOILET CABINET (CORIAN)

4"

WOOD SHELVES

TOTO NEOREST

3'-3 1/4"

1'-4"

5"

5'-9 9/16"

6'-0 7/16"

5"

5'-11 13/16"

2 A409

4 A411

1 A404

5.2

SECTION B'B

2

SCALE

11/4" = 1' - 0" A402

10'-11 1/4"

EXISTING WALL TO BE PAINTED BENJAMIN MOORE #2114-70

3'-5 1/2"

4'-11 15/16"

3/4" WOOD FASCIA PLENUM

SHADE

CUSTOM CLOSET

EXISTING WINDOW 5'-7 1/2"

FULL LENGTH MIRROR

8'-7 1/2"

ST. GERMAINE CLOSET BY BOFFI SUPPLIED BY BOFFI

SUPPLIED BY BOFFI

2'-0 3/4" 11 1/4"

BUILT-IN UNIT

KNEE WALL

10" 1'-6 3/8"

9'-4"

4 A408

5 A412

1

10

SECTION C'C SCALE

2'-5 15/16" 1'-0 7/16"

1/4" = 1' - 0"

2'-7 1/2"

2'-2 1/16"

10"

5.3

5.0 Construction Plan 5.1 Rendering open - closed 5.3 Closet/Bath Section 5.4 Living/Closet Section

WALL HOOKS


06 REFORMA 180 Location: Reforma 180, Mexico City, Mexico Program: Meeting Room + Suite Status: Completed Design Architect: Till Contribution: Presentation drawings Located at the major intersection of Paseo de la Reforma and Insurgentes, Reforma 180 is one of a series of new high rises in the area. Till was responsible for the meeting room and suite to be used in conjunction with the helipad. The meeting room takes advantage of these rooftop views by cantilevering over the residential roof deck below, while the suite balances aboves as a perpendicular box, connected by a spiral staircase.

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JULIA MARKEY 161 Taaffe Place Brooklyn, NY 11205 juliamarkey@gmail.com 734.255.2373


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