Portfolio 2023

Page 1

ARCHITECTURE PORTFOLIO

2023

INTERNATIONAL
JBG
JULIA BROOKE GILLMAN juliabgillman@gmail.com + 1 573 201 9343 https://issuu.com/juliagillman/docs/ juliagillmanportfolio2023 Rhino Revit Sketchup AutoCAD Lumion Photoshop InDesign Illustrator Premiere Hand-Drawing

EDUCATION ACHIEVEMENTS

Master of Architecture, Bachelor of Arts

University of Kansas - School of Architecture and Design

Lawrence, Kansas

08/202205/2023

École Nationale d’Architecture Paris Val de Seine

Paris, France

WORK EXPERIENCE

Architectural Intern - Studio Odile Decq

Paris, France

Student Graphic Designer - Kansas Memorial Union

Lawrence, Kansas

Freelance Artist

Missouri Art Education Scholarship

Karen Allen Scholarship

University of Kansas Excellence Scholarship

University of Kansas Crimson and Blue

Scholarship

Robert L Rosenfield Scholarship

Vice President

Margaret Amini Scholarship Hall

Lawrence, Kansas

Best Overall

Best of the Midwest Competitive Exhibition, Missouri Art Education Association

Jefferson City, Missouri

Sargent Art Award

Best of the Midwest Competitive Exhibition, Missouri Art Education Association

05/2023 01/202106/2022
Present
02/2023 -
01/2014 -
08/201805/2023

FORTIN HOUSE

Location: Carantec, France

Category: Private Seaside Residence

Architects: Studio Odile Decq

Year: 2020

This almost invisible home rests upon a rocky outcropping above the beaches of Brittany where a fort was built in the early twentieth-century. An unfolding glass facade provides a 180 degree view of the ocean, integrating your living with the surrounding landscape. Schist slabs extend past the exterior walls to shade the interior space, while a central patio brings in light and protects from sea winds.

“A long red sofa extended by a desk wraps around the patio and offers multiple seating possibilities to enjoy the permanent spectacle of the sea.”

-ArchDaily

ENCLOSURE

The Fortin House enclosed space takes an abstract shape that highlights its central patio space, open to the sea air.

STRUCTURE

The retaining wall at the rear of the house plays a large structural role, as the rest of the residence is composed of a glass facade.

POROSITY

The rear wall of the home is the only solid perimeter. Entrances are fully permeable where glass is a semipermeable facade.

SPECIFICITY

The simplified vision for this structure is two surfaces joined by a central column of glass: the roof, floor, and central patio.

TOPOGRAPHY

The site is a drastic incline jutting out into the sea. Fortin House nestles into the hillside, reaching toward the horizon.

1 Fortin House 2 House Entrance 3 Central Patio 4 Site Entrance 5 Historic Fort 6 Retaining Walls 7 Hillside Landscape 8 Beach 9 Water 1 5 8 9 6 6 7 4 3
4 Dining
3 2 1 5 8 7 8 6 9 4 1 Entrance
Living
5 Central Patio 6 External Patio 7 Bedroom 8 Bathroom 9 Historic Fort
2 Kitchen 3

SAINT-ANGE RESIDENCE

Location: Seyssins, France

Category: Private Residence

Architects: Studio Odile Decq

Year: 2015

The bespoke home is nestled into a steep hillside with stunning valley views. A studio space lengthens out from the base of the structure, while living spaces occupy a twisting tower that rises above. Due to the slope the garden entrance lies to the side of the home, leading to an overlook of the studio and a central spiral staircase that acts almost like the spine of the residence, a core of connection between the various levels.

“This is a monolithic architecture, a silent piece of art, made entirely from wood. During the daytime, multiple openings on the facade allow the light to pour in from 3 different directions. At night, the wood blinds treated with the exact same finish as the facade, hide the windows and allow the monolith to become all black and quiet once again.”

-Studio Odile Decq

2 4 1 6 7 5 8 3 9 1 3 1 Entrance 2 Studio 3 Bathroom 4 Entrance Balcony 5 Rooftop Patio 6 Dining 7 Kitchen 8 Bedroom 9 Loft 10 Covered Patio CHAMBRE SÉJOUR ENTRÉE ATELIER voile BA 25cm doublage ventilé 5 cm isolation intérieur 15 cm BELVÉDÈRE

pare vapeur isolation intérieur 180 mm

montant d’ossature

140 x 45 mm + iso entre montant

pare pluie

contre OSB 18

lattage bois

40 x 50 mm

contre-lattage bois

40 x 25 mm

bardage bois

21 x 130 mm

BELVÉDÈRE
ATELIER Hauteur 2,20m nb de marche 10 MEZZANINE Hauteur 2,40 nb de marche 11 Hauteur 2,80m nb de marche 13 CHAMBRE Hauteur 2,80 nb de marche 13 B B B B B B B B B B 1 2 3 4 5 6 8 9 1 2 3 4 5 7 8 9 10 1 2 3 4 5 6 7 8 9 10 11 3 2 11 10 9 8 7 6 5 4 13 12 11 10 8 7 5 4 3 1 10 11 CHAMBRE SÉJOUR MEZZANINE ATELIER hauteur 2.20 m nb de marche 10 hauteur 2.40 m nb de marche 11 hauteur 2.80 m nb de marche 13 hauteur 2.80 m nb de marche 13 cheneau évacuation eau pluviale bardage bois idem facade platelage panneau bois massif type LENO 12,5cm 10,0 210,0 9,9 210,1 12,4 76,3 83,0 251,40 NGF 254,12 NGF 256,85 NGF 259,48 NGF SÉJOUR CHAMBRE BELVÉDÈRE garde corps verre pose au sol bardage bois idem facade platelage panneau bois massif type LENO 12,5cm cheneau évacuation eau pluviale fenêtre coulissante 160 x 150 fenêtre coulissante 160 x 150 bibliothèque baie couilssante 375 x 210 ACROTÈRE 247,05 NGF 249,48 NGF 249,18 NGF ATELIER ENTRÉE SOL NATUREL
210 10 210 30 250 33 250 33 217 217 240 207 PLAN MARCHE

LES TOURS DANSANTES

Location: Paris, France

Category: Student Housing, Mixed-Use

Architectural Structure Workshop

Prof. Pierre Engel

The Dancing Towers twist into the sky above the Hotel Industrial Berlier, rotating around themselves to stretch over the passing traffic below. The tiered building serves as private student apartments, library and study space, floating greenspace, and a rooftop restaurant and bar. Highlighted throughout the levels is a yellow steel structure that runs along the curving layers, supporting the rotated platforms in a cross-bracing pattern. Mirrored steel cores offer rigidity and support, continuing from the base of the addition to the cantilevered greenspace above, a focal point stabilized by the dual structures working in tandem.

12 private units, community kitchen, laundry 14 private units, community kitchen, laundry STUDENT APTS STUDENT APTS STUDENT APTS STUDENT APTS 20 private units, community kitchen, laundry 16 private units, community kitchen, laundry LOBBY reception, entertainment, gym L0 L1 L2 L3 L4
greenspace, restaurant, bar open study space open study space 16 private units, community kitchen, laundry 14 private units, community kitchen, laundry STUDENT APTS STUDENT APTS LIBRARY LIBRARY ROOFTOP L5 L6 L7 L8 L9

MASSACHUSETTS ST. APARTMENTS

Location: Lawrence, Kansas

Category: Apartments, Multi-Purpose

Architecture Studio 608

Prof. Steve Padget

The form of these multi-purpose apartments was derived from the famous Massachusetts Street sidewalk surrounding the site, where diagonal parking creates a sawtooth boundary between vehicle and pedestrian space.

Continuing the implied lines of the sawtooth pattern generates a uniform grid over the empty lot. This grid is the foundation of the building concept. All aspects of structure, interior walls, glass block, and floral pattern of metal screening occur within the bounds of the diamond pattern.

1 Entrance 2 Retail 3 Outdoor Retail GROUND LEVEL RETAIL 1 1 2 6 6 4 3 5 5
ELDERLY single bedroom open circulation balcony 750 sqft EMPTY NESTER master bedroom flexible office/guest room living/bedroom balcony 900 sqft FAMILY three bedroom two bathroom extended balcony 1,300 sqft SINGLE single bedroom open studio plan balcony 650 sqft 7 Rooftop Patio 8 Open to Below 9 Elderly Apt. 10 Empty N. Apt. 11 Family Apt. 12 Single Apt. 4 Grand Stair 5 Egress Stair 6 Elevator FIRST LEVEL RESIDENTIAL SECOND LEVEL RESIDENTIAL APARTMENTS 6 7 7 7 7 6 6 6 4 8 8 4 5 9 9 9 9 9 9 10 10 9 9 12 12 11 11 5 5 5 12 12 12 12 12 12 11 11 11 11 11 11 10 10 10 10 10 10 10 10

I became interested in this project not only as a work of architecture, but as a sculptural piece. The towering brick walls are accompanied by angled, brick dividers and planters, bringing the structure to a human scale and encouraging interaction. These patterned structures could be business kiosks, impromptu seating, playgrounds, and serve whatever creative uses the residents or public see them fit for.

I primarily work with oil paints, having the opportunity to do a series of still lifes during my studies at university with Professor and Artist, Norman Akers. I enjoy working with bright colors, and have been developing my work as an exploration of color relationships between neons and neutrals. I’ve found that completing a painting with one brush size creates a cohesive story of shape throughout the piece.

Taking a Freehand

Drawing class with Professor and Artist, John Gaunt, changed the trajectory of my work significantly.

I learned the importance of speed when capturing form and gesture. Drawing from live models was as challenging as it was educational.

John Gaunt also imparted upon me not just the knowledge of new technique, but new tool.

Learning to use each tool in your arsenal properly and recognizing its particular advantages makes for better art. Charcoal is one of the simplest drawing mediums, and yet I’d never recognized its potential until this class.

JBG juliabgillman@gmail.com + 1 573 201 9343 https://www.linkedin.com/in/juliagillman/ https://issuu.com/juliagillman/docs/ juliagillmanportfolio2023

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