Portfolio - Julie Ann Nepomuceno

Page 1

J U L I E

A N N

NEPOMUCENO


Julie Ann Nepomuceno julieann.nepo@berkeley.edu 650-303-3412

University of California, Berkeley Bachelor of Arts, Architecture Minors: Global Poverty and Practice, City and Regional Planning, Social and Cultural Factors in the Built Environment Cumulative GPA: 3.6 Expected Graduation: May 2015


Cal in the Capital - Participant

Jan 2014 - present Berkeley, CA

Building Opportunities for Self- Sufficiency - Social Justice Intern

Aug 2013 - present Oakland, CA

-Selected from a highly competitive pool of over 175 applicants to participate in a summer internship program in Washington, D.C. -Attending a semester-long seminar to learn professional skills applicable to a summer internship

-Facilitate weekly Community Organizing Team (COT) meetings -Develop a social justice class curriculum of ten modules that will be taught to BOSS participants -Link experiences of injustice to people who are poor or homeless to media outlets in order to draw attention to the need for the Homeless Persons Bill of Rights and Fairness Act -Coordinate COT members with community partners, service providers, and activist groups -Record minutes of COT meetings -Systematize grant searches

Envision Tomorrow Program - Teaching Assistant

-Co-led discussions about careers in environmental design focused towards high school students -Demystified the college application process and the design school experience through workshops -Fostered verbal and visual presentation skills within students

June 2013 Berkeley, CA

Alternative Breaks at University of California, Berkeley - Trip Leader

-Coordinated a week-long service trip focused on homelessness and poverty during which participants served and dialogued with active members in the field -Initiated relationships with two community partners and sustained current relationships -Recruited ten student participants -Created weekly class plans that introduced participants to the topic of homelessness and poverty over the course of a semester -Developed a marketing strategy to promote sustainability of resources and the longevity of the program -Designed the current Alternative Breaks logo -Mentored four participants to become current Alternative Breaks trip leaders

HONORS Judith Lee Stronach Undergraduate Summer Travel Scholarship College of Environmental Design (CED) Berkeley Circus nominated presenter CED Class of ’24 Scholarship Chevron REACH Scholarship SKILLS AND INTERESTS Photoshop, Illustrator, InDesign, Rhinoceros, Grasshopper, AutoCAD Knitting (10 years), Violin (12 years)

Aug 2012 - May 2013 Berkeley, CA

March 2014 March 2014 May 2013 2011 - present Computer Interests


Like the organisms that we eat, the form is derived from treating the program as cells of the voronoi diagram, allowing the program to organize organically around a circulation core.

garden

GOOD FOOD

Good Food collects the production, consumption, and exhibition of food at a single site in San Francisco’s South of Market. The project seeks to re-ground the food cycle in an efficiency model based on nature: the voronoi diagram.

structure classic voronoi

circulation core semi-orthagonal voronoi

org space food commerce

garden

auditorium

research

services



ASAKUSA: CASE STUDY

This case study analyzes the spatial organization, structure, envelope, and social performance of Kengo Kuma’s Asakusa Tourist Center. The building stacks traditional Japanese houses to create a new form that breaks the typical straight towers of Tokyo.

viewing deck cafe

exhibition gallery

performance space

conference hall

conference hall

house typology

administrative offices

tourist information center

straight tower

roof line intervention

straight tower

roof line intervention

program

program

circulation mechanical performance

circulation

structure

louvers

N

W


Double Negative maps the circulation of underground BART stations using vertical, horizontal, and oblique tubes. Like the earth carved away to make a transit system, something greater is created through the intersections of void and solid.

DOUBLE NEGATIVE

E

A

F

horizontal + horizontal

B

G

C

H

D

I

vertical + horizontal

horizontal + oblique circulation E

F

G

H

I

C

A B D

PLAN 1

PLAN 2


VIEW AND ORIENTATION ANALYSIS

stairs/stairs

VIEW AND ORIENTATION ANALYSIS

DOUBLE NEGATIVE II: SEQUENCE

VIEW AND ORIENTATION ANALYSIS

A

VIEW AND ORIENTATION ANALYSIS

INTERSECTIONS: STRUCTURING PROGRAM & CREATING SOCIAL VALUE

The site of Double Negative II and III sits atop Potrero Hill in San Francisco, dominated by views of the city. Tubes are used to manipulate the view and also create programatic value as assembly spaces and circulation.

INTERSECTIONS: STRUCTURING PROGRAM AND CREATING SOCIAL VALUE B

C

D

N

contemplative viewing space contemplative viewing space

small gathering space

small gathering space

large assembly space

large assembly

A

C

VIEW AND ORIENTATION ANALYSIS

VIEW AND ORIENTATION ANALYSIS

ramp/straight ramp/straight

1 view 2 paths

2 views 2 paths

2 views 2 paths

1 view 2 paths

2 views 2 paths

2 views 2 paths

1 view 2 paths

2 views 2 paths

2 views 2 paths

1 view 2 paths 1 view

2 views 22 paths views

2 paths

D

2 paths

2 views 2 paths 2 views 2 paths

JULIE ANN NEPOMUCENO | ARCH100A: ARASH AD B

ramp/straight

VIEWS

ramp/straight

VIEW & ORIENTATION ANALYSIS

ramp/ramp ramp/straight

VIEW AND ORIENTATION ANALYSIS

ramp/ramp

ramp/ramp 1 view 2 paths

VIEWS

2 views 2 paths

2 views 2 paths

ramp/ramp

ramp/straight

ramp/ramp

PRIMARY

stairs/straight stairs/straight

ramp/ramp

sky

1 view 2 paths

2 views 2 paths

2 views 2 paths

VIEWS

stairs/straight

city city

stairs/straight stairs/straight

city

ramp/straight

city

park

PRIMARY

park

stairs/straight

stairs/stairs stairs/stairs

SECONDARY

stairs/stairs

stairs/stairs

1 view 2 paths

2 views 2 paths

2 views ramp/ramp 2 paths

stairs/stairs

ramp/straight

INTERSECTIONS: STRUCTURING PROGRAM AND CREATING SOCIAL VALUE

PRIMARY

stairs/stairs

INTERSECTIONS: STRUCTURING PROGRAM AND CREATING SOCIAL VALUE INTERSECTIONS: STRUCTURING PROGRAM AND CREATING SOCIAL VALUE stairs/straight


B

C

D

N

3

4

VIEWS

VIEWS

A

C

1

A

2 views 2 paths

D

B

2

B

PRIMARY C

PARK LEVEL

PRIMARY

D

STREET LEVEL

ROOF LEVEL N

sky

city city

city

1

city

park park

A

3C SECONDARY

SECONDARY

4D 2B

sky

mbly space

E ANN NEPOMUCENO | ARCH100A: ARASH ADEL

city city

city

city

park park

JULIE ANN NEPOMUCENO | ARCH100A: ARASH ADEL


DOUBLE NEGATIVE II: LIBRARY stuctural box

Double Negative III: Library continues with the language of tubes, view, and importance of interections and is modified to serve the programatic functions of modern libraries. Solitary activities occur within tubes while social activities occur in the interstitial space. An exterior skin reacts to this condition and creates variation in lighting.

reference area

lobby

view analysis

PROGRAM LAYOUT

viewing tables

community room

view tubes

kids

intersections basic unit

administration

CIRCULATION

basic unit

basic

basic unit

plan

circulation

plan plan

young adults

computers

plan

section section

section

section

EXTERIOR

garden

book storage


BASEMENT

OPEN TO BELOW

-3’

0’

STREET LEVEL

SECOND LEVEL

2

4

3 THIRD LEVEL

FOURTH LEVEL

1


LIGHT & VIEW STUDIES

1 1

2 3


CONNECTICUT STREET

PARK

20TH STREET

2

3

4 4



VERTICAL 120

Vertical 120 is a tower intended for use by both the public and a biologist who thrives in solitude. Program includes a viewing platform and railroad archive for the public and dwelling, work area, and telescope room for the biologist. The biologist lives in dichotomy; she cherishes being alone yet she lives in a publicly used building and while she is a biologist of urban plants, the stars above fascinate her also.

1

In an effort to create continuity between the three separate projects, the shape of the tower is influenced by the plan drawings of the Three Situations and is explained as a continuation of the idea proposed in Hypotenuse Park to create environments in which one can experience vibrations (Figure 1). The private sphere is defined by orthogonal shapes while the public sphere is defined by a more dynamic movement (Figure 2).

2


Vertical 120 Renderings Biologist’s Dwelling Public Viewing Platform



Julie Ann Nepomuceno julieann.nepo@berkeley.edu 650-303-3412


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