YUN ZHU JUNE DENG SELECTED WORKS TWENTY FIFTEEN
[1]
[1]
[2]
[3]
[4]
08-19
20-27
SUPERFREQUENT
MASTERFRAMEWORK
46-51
52-61
UNITED FOODS
SURFACE-LATTICE
82-85
86-89
CRADLED HOUSE
MUSEUM INSERT
28-33
34-39
40-45
ADDITIONAL SHOTGUN
DISSOLVING SUKKAH
I.N.C.
62-67
68-75
76-81
SOCIAL CIRCLE
BUILTSCAPE
MUSEUM FRAMEWORK
90-95
96-99
00-07
CASE STUDY FORUMS
PARALLELO
PHOTO DOCUMENTARY
[5]
[6]
[7]
[8]
SUPERFREQUENT
[9]
[10]
What is superfrequent?
[11]
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[15]
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[18]
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[20]
MASTERFRAMEWORK
[21]
AUXILIARY IMPROVEMENT MANUFACTURING / PROCESSING MINI-WAREHOUSE
60-89
AUTOMOTIVE DEALER / SERVICE
STRIP SHOPPING CENTER
COMMERCIAL BUILDING DISTRIBUTION
HOTEL / MOTEL
(MINUTES)
80%
EXISTING MIXED-BLOCK DISTRIBUTION
SUPER BLOCK DENSIFICATION
HOUSEHOLD INCOME DISTRIBUTION (THOUSANDS)
15-20
15-19
30-34
30-35
NEIGHBORHOOD SHOPPING CENTER
LIFE 60%
35-40
MEANS OF TRANSPORT TO WORK
CAR
PARKING
[22]
TRAVEL TIME TO WORK CARPOOLED
25-29
RESTAURANT
40%
35-39
MIXED RESIDENTIAL / COMMERCIAL
MEDICAL CONDO
WAREHOUSE
20%
10-15 40-45
FAST FOOD
RETAIL SINGLE / MULTI OCCUPANCY
<10
40-44
CONVENIENCE STORE
SERVICE CENTER WAREHOUSE
75-100 100-200
45-50
10-14
BAR / LOUNGE
INDUSTRIAL BUILDING DISTRIBUTION
60-75
WALK 50-60
CAR WASH
0%
5-9 BUS
OFFICE-WAREHOUSE
METALLIC WAREHOUSE
90> <5
45-59
WORK
LIFE
100%
RESIDENTIAL
OPEN / PARK
PUBLIC / INSTITUTIONAL
20-24
COMMERCIAL
EXISTING LIVE-WORK BLOCK
20-25
25-30
OFFICE
WORK
LIFE
INDUSTRIAL
RESIDENTIAL
WORK OPEN / PARK
PUBLIC / INSTITUTIONAL
COMMERCIAL
OFFICE
NEW LIVE-WORK BLOCK DISTRIBUTION
INDUSTRIAL
0X
2X
3X
4X
2X
3X
4X
INTERNAL VOID
0X EXTERNAL VOID
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MASTER FRAMEWORK INITIAL PHASE
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MASTER FRAMEWORK FINAL PHASE
MASTER FRAMEWORK FINAL PHASE
OFFICE / 50K OFFICE / 200K
SHARING X PUBLISHING / 100K RECREATION / 100K
SHARING X PUBLISHING / 50K
SHARING X PUBLISHING / 50K
OFFICES / 100K
EDUCATIONAL / 100K
RECREATION / 100K
RECREATION / 50K
OFFICES/ 150K SHARING X PUBLISHING / 50K
LIVING / 150 K
LIBRARY / 50K LIVING / 150K
LIBRARY / 50K EDUCATIONAL / 50K OFFICES / 150K
LIVING / 200 K
LIVING / 150K
OFFICES / 100K SHARING X PUBLISHING / 50K
SHARING X PUBLISHING / 50K RECREATION / 100K
LIBRARY / 50K EDUCATIONAL / 100K
LIVING / 150K
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ADDITIONAL SHOTGUN
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DISSOLVING SUKKAH
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I.N.C.
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3
ADMIN
MEETING
LIBRARY
MPR
MEETING
EXHIBIT LOUNGE
LOBBY
THEATRE
EXHIBIT
3
LOBBY
EXHIBIT
[43]
[44]
[45]
UNITED FOODS
23% OF SINGAPORE’S TOTAL WORK FORCE IS LOW INCOME 28.1% MIGRANT WORKERS
34.7%
16.1% 3.2%
1980
1990
2000
2010
M
IN
UT
ES
WA LK ING
RA D
IUS
1970
7.4%
0
1
[48]
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BAKING
COOLING
PACKING
WORK
SELLING
FARMING
MILLING
MIXING
FACTORY PRODUCTION LINE CYCLE CONSUMER DEMAND FEEDS PRODUCER SUPPLY
LIFE
CONSUMER PRODUCER
[50]
FORMING
OBJECTIVES
GARDEN CAFE
FACTORY
URBAN FARM
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SURFACE-LATTICE
[54]
[55]
[56]
EXPLODED AXONOMETRIC OF LAYERING SYSTEMS
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WATER SYSTEM
LOW FREQUENCY FLOODING MEDIUM FREQUENCY FLOODING HIGH FREQUENCY FLOODING
ECOLOGICAL SYSTEM
WOODED ZONE UPLAND ZONE WETLAND ZONE TRANSITIONAL MARSH ZONE
ARTIFICIAL SYSTEM
PAVED STREET BOARD WALK ROOF TOP
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SOCIAL CIRCLE
[64]
Our online interactions are simultaneously cloaked in anonymity and mercilessly exposed, and this vacillating visibility is a concept we seek to physically explore through our installation. With a circular array of vertical shutters inspired by the mimosa plant and window blinds, our installation opens and closes to reveal and hide the identities of people who choose to circumambulate the buttons. The blinds open only when both the inner and outer buttons of any segment are stepped on at the same time. When no buttons are pressed, the installation will open and close at speeds that correlate to the level of cellular usage in its vicinity, with higher usage leading to a slower speed and hence more open spatial experience, and vice versa â&#x20AC;&#x201C; this is designed to mitigate the perceived lack of social interaction associated with higher cellular usage through increasing the openness of the space.
[65]
[66]
Elevation
0
Scale 1’=1/2”
4’
[67]
BUILTSCAPE
The module is a fundamental unit that can be manipulated and arranged investigation, the module is derived from a trapezoidal prism, with a lateral shift establishes a strong sense of directionality integrate the building with the site. The continuous plane with the landscape. especially interested in the joint conditions between the modules. The valley-like form between the modules articulates the boundary that exists between the city and the park. While it is fully constructed as a built environment, it is also a space fully exposed to nature. For instance, modules intersect to create dynamic skylights, bringing in natural light. Other modules join together to form low interior spaces for a dynamic experience. [70]
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MUSEUM FRAMEWORK
SEVERAL DAYS AGO...
BET YOU DON’T ALWAYS GET TO EXPERIENCE A BUILDING INTERIOR IN
WHOAHHH!
WHERE DOES THIS BUILDING END?
EVERYTHING IN THIS BUILDING IS MOVING. DRIVES ME CRAZY! MY SENSES ARE TOO HEIGHTENED FOR THIS.
YOU CAN’T HIDE HERE. NEITHER CAN YOU! BUT THE TRUSSES INSIDE AND IN SHIPPING CHANNEL MIGHT CONFUSE OUR ENEMIES. IT ALL LOOKS LIKE ONE IMAGE.
[78]
TRUE. THEY BUT CAN’T FIND US SO EASILY.
LOOK AT THE SHIPS OUTSIDE! SO META...
IMAGES ARE FLATTENED AS THE SHIPS.
WHAT A SENSATION!
WELCOME TO THE NIGHTTIME ARENA. I BLEND RIGHT IN.
WHOAHHH!
SEVERAL DECADES LATER...
THIS IS WHAT REMAINS OF THE MUSEUM. IT HAS OUTLASTED MOST OTHERS AND HAS BECOME AN ARTIFACT ON ITS OWN.
WHAT IS THIS PLACE? PERHAPS WE CAN FILL IT IN WITH THE NEW ARTIFACTS OF OUR TIME.
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» » »
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CRADLED HOUSE
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MUSEUM INSERT
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CASE STUDY FORUMS
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3 4 1 2
5
1
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2
4
3
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PARALLELO
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PHOTO DOCUMENTARY
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This project is sponsored by the Parish Travelling Fellowship for the summer of 2013.
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YUN ZHU JUNE DENG
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