PORTFOLIO June Jung // 2010-2020
1
CONTENTS
/ professional: The Collective Works
WILDERNESS DETOUR: A SELECTED & CRAFTED GOODS SHOP + CAFE
LOUNGE CAFE + LOBBY, CORNER STONE HALL, HANDONG UNIV.
EARTH COFFEE + RESIDENTIAL LOFT
KIM RESIDENCE
STUDENT LOUNGE, DEPT. OF COMPUTER SCIENCE AND ENGINEERING, POSTECH
/ professional: ZGF Architects
STANFORD IN REDWOOD CITY
4TH & WASHINGTON ST. MIXED USE HIGHRISE
2
/ professional: Lake | Flato Architects
EPOCH WINERY
BRIDGE HOUSE
THE DIXON WATER FOUNDATION JOSEY PAVILION
/ academic
SENSUOUS COURTYARDS
PRODUCING HOUSING
GALVESTON MARITIME MUSEUM FENN RESIDENCE
LAKE | FLATO
STAIR STUDY
/ other
/ resume
ARCHITECTURAL PHOTOGRAPHY
JUNE JUNG M.Arch
1
WILDERNESS DETOUR: A SELECTED & CRAFTED GOODS SHOP / ATELIER professional scope location team
The Collective Works, Pohang, South Korea Interior Design + Build + Furniture Design Pohang, South Korea June Jung + Saejin Lim
Wilderness Detour is the small atelier space of The Collective Works, located in an old, quiet residential area of the small harbor city called Pohang in South Korea. Peacefully facing a little park in the neighborhood, Wilderness Detour is designed for us to work, hold workshops, have client meetings, invite friends for teatime and also share the values and beauty of well-crafted goods with people in the city. Due to the very tight budget, Saejin and I decided to do all the construction works; from demolition to every single step of building this project, we worked on-site with tools in our hands for several months without much help from other professionals. This project has allowed us to take a closer look at how the design is made on-site, so that it has naturally taught us to pay more attention to little details of design and also balancing it with the constructability and the budget. In this project, the part that I enjoyed the most was to design the furniture. From the search of various materials to actual assembly, furniture-making was also done with our effort. It was a true joy to see every piece of furniture harmonizing all together with space. Overall, we have tried to avoid the synthetic material, so that all the materials can speak of their genuine characters when people see them, touch them, feel them, or even smell them.
2
3
4 | WILDERNESS DETOUR | professional work | on-going
Kitchen / Storage
Restroom
Garage
Gallery
Counter / Desk
Display table 3
Seating for 6-8 Display table 1 Seating for 3-4 Display table 2
Above: axonometric view Opposite page: furnishing made with steel and wood 5
LOUNGE CAFE + LOBBY, CORNER STONE HALL, HANDONG UNIV. professional scope location team
The Collective Works, Pohang, South Korea Interior Design + Furniture Design Pohang, South Korea June Jung + Saejin Lim
This project is located at a new building of the School of Spatial Environmental System Engineering at Handong University, Pohang, South Korea. The main design goal is to create spaces allowing a collaborative environment where students and faculty could have casual meetings and also take a rest. Another objective of this project was to share the genuine beauty of each material that are commonly used in architecture and interior design in relatively simple shape with good proportion.
Left: construction progress photos Opposite page: floor plan, lounge cafe 6
0
1
2m
7
TEXTURED BLACK TILE, 1200*600
VALCHROMAT BOARD
8 | LOUNGE CAFE + LOBBY | professional work | on-hold
BLACKENED STEEL PANEL WALL
STAINLESS STEEL 1D PLATE FOR COUNTER TOP
WHITE OAK WOOD SLOT WALL FOR STORAGE
BRUSHED STAINLESS STEEL WAY-FINDING SIGNAGE
BRUSHED STAINLESS STEEL BAR / PANEL
LOUNGE AREA WITH CUSTOM MADE FURNITURE
450.0
Above: custom furniture at the lobby Opposite page: counter space at the lounge cafe
450.0
450.0
2400.0
1600.0
9
EARTH COFFEE + RESIDENTIAL LOFT professional scope location team
The Collective Works, Pohang, South Korea Interior Design [unbuilt] Seoul, South Korea June Jung + Saejin Lim
Located on a busy street in Seoul, South Korea, the building has more than 50 years of history. It had gone through countless renovations over the years, lost all of its original characters, and became an ordinary commercial building that can be found everywhere in Korea. The aim of this project was to revive the building to restore its uniqueness and furthermore, to present a design suggestion for the old commercial buildings that share the same problem. Earth Coffee is a simple interplay between the material ‘earth’ and the light. On approach from the street, as looking through the extended windows, the coziness inside catches the eye. The sensuous balance of the earth and the soft light from the sky sets the tone for the comfortable atmosphere of the coffee place; the mere characteristics of these elements reveal the sense of warmness and settledness, which is inseparable from coffee. The second floor is the residential loft for the owner of this coffee place. Through the white oak stairs beside the rammed earth wall at the back end, the door to the loft opens. While the rammed earth walls and the earth brick walls continuously carry on with the sense of comfort, light from clerestory and sky windows gently comes in to brighten the home.
Site photo in the 1980’s, the present, and elevation study sketches 10
11
12 | EARTH COFFEE + RESIDENTIAL LOFT | professional work | fall 2017
LEVEL 2 FLOOR PLAN
Rammed earth wall Rammed earth brick wall Above: small concert vignette Opposite page: section perspective
LEVEL 1 FLOOR PLAN
0
1
3
5m
13
Skylight
Skylight
Roof
Closet Bathroom Bedroom
Entry
Second Floor
Living Dining / Kitchen
Roasting Stairs Sitting Main Table Coffee Bar
14
Washroom
Ground Floor
Above: perspective view of the living room Opposite page: exploded axonometric diagram
15
KIM RESIDENCE professional The Collective Works, Pohang, South Korea scope Architectural design location Ulsan, South Korea team June Jung + Saejin Lim construction Design 410 Construction, Ulsan, South Korea This two-story house in a rural village in Ulsan has been a dream for the couple in their early 60’s as they wanted to live with their old mother. While providing privacy for the couple, it was our goal to give a sense of connection throughout the house. Beautiful sceneries from the fields and small hills on the south, the existing bamboo trees on the west, and the small garden the couple cultivates on the north are carefully captured through the windows. The double-height living room space is where all the spaces in the house and landscapes from outside are connected and all of the activities in and outside of the house cross.
Left: initial sequence study diagram Opposite page: the courtyard to the chapel 16
17
a series of window photographs during construction
18 | KIM RESIDENCE | professional work | fall 2017 - spring 2018
‘shou sugi ban’ wall | mock-up model @ 6”=1’ 19
Left: ground floor plan Opposite page: view of the South East corner during construction 20 | KIM RESIDENCE | professional work | fall 2017 - spring 2018
21
STUDENT LOUNGE, DEPT. OF COMPUTER SCIENCE AND ENGINEERING, POSTECH professional scope location team construction
The Collective Works, Pohang, South Korea Interior Design + Furniture Design + Signage Design Pohang, South Korea June Jung + Saejin Lim S.I. Construction, Pohang, South Korea
The project supports a diverse mix of undergraduate students at the Department of Computer Science and Engineering. A major design goal is to provide two types of lounge spaces; one is to provide a relaxing area to foster community, favor cross-pollination of ideas, and give a feeling of home, and the other one is to provide a space where students could concentrate and get the work done. Though the material palette is shared by the two lounges, the relaxing lounge space is more like a living room where students can have casual meetings, while the working lounge space is meant to be a little bit quieter and space is centered by a 12’ long table for 6.
Left: floor plan Opposite page: relaxing lounge, named as ‘deep lounge’ by students 0
22
1
2
4m
Left: initial sequence study diagram Opposite page: the courtyard to the chapel
23
24 | STUDENT LOUNGE | professional work | summer - fall 2018
Right: Entrance Signage Design Proposal Opposite page: Working lounge 25
STANFORD IN REDWOOD CITY professional ZGF Architects, Portland, OR location Redwoodcity, CA team Joe Collins, Partner in Charge, FAIA Toby Hasselgren, Design Partner, AIA Doug Sams, Project Manager, AIA Renee Kajimoto, Project Architect, AIA Owen Turnbull, AIA Carey Givens Kay Guidry, AIA Amanda Hills, AIA June Jung Charley Danner Tyler Short Whiteny Jordan Dustin Moon The Redwood City campus—located a mile from the main Stanford campus—will allow the university to relocate administrative services, creating additional space on the main campus for academic programs to expand. To attract current and future staff to the new campus and generate excitement amongst employees, ZGF developed a systemic workplace approach that places employees first and wellness at its core. The buildings are designed to be “smart shells” to ensure longevity and provide the flexibility of occupancy and use. The design includes open workspaces and hoteling concepts, along with highly visible collaboration spaces located along the campus greenway circulation spine. Campus amenities, modeled after those offered on neighboring tech campuses, include community event space, dining space, a childcare center, open green space, a fitness center and pool, service retail and Stanford shuttle service. In line with the university’s sustainability goals, the campus features a highly sustainable, state-of-the-art central plant that utilizes nighttime thermal storage to increase cooling efficiency, enabling the project to substantially exceed California’s stringent energy code while meeting the university’s 10year targeted payback. The campus is also designed to use municipal reclaimed water resources for all external and internal non-potable needs. Phase one of the campus—comprising eight buildings and parking totaling nearly one million SF—is now open since October 2019.
26
27
Redwood City Above: Bird’s eye view of the campus Left: Fitness Center / Opening ceremony at Cardinal Hall(B4) Opposite page: Metrics - Phase 1 for planning submittal 28 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017
BLOCK E
BLOCK A BUILDING TOTAL B1 A1* PARKING NEED PARKING PROVIDED
107,243 SF 107,243 SF ( 14,753 SF) 322 30 (BARRON)
BLOCK B
CEF 1
BLOCK E FAR 0.32 MAX 1.75
LEGEND
97,325 SF 92,272 SF (E) 5,053 SF 292 624 (586 (E) + 38)
B Amenities
SITE TOTAL
BUILDING TOTAL B2 B3 A2 A3 PARKING NEED PARKING PROVIDED
(E) 510 BROADWAY
BUILDING TOTAL EXISTING OFFICE CEF PARKING NEED PARKING PROVIDED BUILDING TOTAL OFFICE AMENITY
358,412SF 159,437 SF 161,231 SF 6,585 SF 31,159 SF 962 1,076 (P1)
PARKING NEED PARKING PROVIDED
Parking Structures
838,613 SF 770,549 SF 68,064 SF
Below Grade Parking
2,312 2,313
Property Line Easement
REMAINDER BLOCK (E) 500 BROADWAY
# of Levels / Levels Below
6 1
BUILDING TOTAL B4 OFFICE B4 AMENITY EXISTING OFFICE
275,633 SF 161,313 SF 30,320 SF 84,000 SF (E)
PARKING NEED PARKING PROVIDED
736 583 (E)
* A1 AND PARKING STRUCTURES DO NOT COUNT TOWARDS FAR.
BROADWAY
B4
B3
1
B1
5
3
1
BLOCK B
REMAINDER BLOCK
BLOCK A
FAR 1.04 MAX 1.25
FAR 0.40 MAX 1.00
N
FAR 0.79 MAX 1.50
ON
P1
6 1
RR
2
A2 1
BA
A3
WA
RR
ING
DO
TO
UG
LAS
(E) 575 585 BROADWAY
B2
5
6
A1 1
BAY
REDWOOD CITY
METRICS - PHASE 1
0
PC PERMIT SUBMITTAL PC PERMIT RESUBMITTAL 1 PC PERMIT RESUBMITTAL 2
50
25
01/22/16 05/05/16 07/06/16
29
100’
A1.12
Building Mass Breaks: building mass shall be recessed, projected, notched, or otherwise broken at intervals of 100 feet or less along street and Greenway frontages. recessed, projected, or otherwise broken areas should be a minimum of 6 feet measured between building planes
B1
Maximum Building Dimensions: shall be no greater than 250 feet along Broadway and Bay Road frontages, and no greater than 300 feet along side streets portions of the building plane that exceed 200 feet shall be set back a minimum of 20 additional feet parking structures shall be no greater than 250 feet along Bay Road and 275 feet along side streets
B2
BARRON
B3
B4
HEART
WARRINGTON
10’ 15’ 5’
Building Mass Breaks
60’
10’
30’
Building Dimensions
5 EQ BD MASS BREAKS @ 15’+5’
50’
30’
20’
200’
12 EQ BD MASS BREAKS@ 10’
10’
57’-6”
220’
37’-6”
10’ 25’
83’ 118’
105’
BROADWAY ELEVATION B4
HEART
B3
WARRINGTON
B2
B1
BARRON
15’ 5’
50’
55’
22’-6”
37’-6”
15’ 12’-6” 20’ 5’ 20’ 5’ 20’
15’
53’
17’-6” 10’ 27’-6”’ 10’
5’
80’
25’
67’
203’
277’-6”
30’
92’
5 EQ BD MASS BREAKS @ 15’+5’ 10’
60’
200’
GREENWAY ELEVATION A1
A2
BARRON
P1
38’
GREENWAY ELEVATION
12’ 12’
46’
25’
13’-6”
A3
53’-6”
41’-6” 95’
REDWOOD CITY 30 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017
P1
24’
10’
47’
36’ 193’
WARRINGTON
94’ 107’-6”
193’
WARRINGTON
BAY RD ELEVATION
50’
10’
65’
A3
A2
76’
A1
BARRON
24’ 50’
SITE ELEVATIONS - PHASE 1
16’
30’
18’
26’
19’-6”
133’-6”
PC PERMIT SUBMITTAL PC PERMIT RESUBMITTAL 1 PC PERMIT RESUBMITTAL 2
01/22/16 05/05/16 07/06/16
A2.03
Redwood City
31
0
5
10
20’
32 | STANFORD IN REDWOOD CITY | professional work | fall 2014- fall 2017
Left: Floor plan of the Central Energy Facility Opposite page: Completed photograph of the CEF from the North
33
4TH & WASHINGTON ST. MIXED USE HIGHRISE professional ZGF Architects, Portland, OR location Portland, OR team Gene Sandoval, Partner in Charge Julie Bronder, Project Manager, AIA Jonah Gamblin, Project Architect, AIA June Jung Justin Mayo Lindsey Brockhouse The project is a mixed-use high rise apartment building in downtown Portland including 380 apartments, ground floor retail, top-level amenity floor and a five-level below-grade parking garage, a total of 510,000 gross square feet. The team went through the redesign process at the beginning of SD due to a scope change requested by the client. The team had series of design charrettes, and I developed a new design scheme that breaks down the big massing as a response to the adjacent urban context, which was selected as the main design concept to move forward. Although This 32 story mixed-use highrise project ended up being put on hold at the end of SD, a series of physical models from this project were exhibited during Portland Design Week in 2017.
34
35
Above: ground floor plan Opposite page: east elevation / study models
0
10
30’
EAST ELEVATION
36 | 4TH & WASHINGTON ST. MIXED USE HIGHRISE | professional work | fall 2016
EAST ELEVATION | SW 4TH AVE. LOOKING WEST
37
Left: physical model in context Opposite page: Portland Design Week exhibition 38 | 4TH & WASHINGTON ST. MIXED USE HIGHRISE | professional work | fall 2016
39
EPOCH WINERY / TASTING ROOM professional location
Lake|Flato Architects, San Antonio, TX Paso Robles, California
team
Brian Korte, Partner in charge, FAIA Vicki Yuan, Project Architect, AIA David Ericsson, Project Designer June Jung, Intern Architect
recognition
2019 Texas Society of Architects’ Design Award 2020 Texas Society of Architects’ Design Award
Epoch Estate Wines recently acquired a historic 143 acre property in Templeton, CA as the location for their new Tasting Room and Production Winery. The York Mountain Winery has a long and storied history in the region, and particular significance for the owners of Epoch Estate Wines. Historical photos indicate that the original compound was once a living and working model of traditional agricultural land use, cultivating the land for a functioning winery. A full restoration of this landscape reconnects us to the origin of the site, and also brings together now disparate structures. The design aims to maintain the spirit of agrarian structures that are subservient to the landscape. The design scheme brings new life to the original earthquake-damaged winery as the new Tasting Room. A full reconstruction celebrates the original timber and masonry structure while introducing a new roof system to streamline the massing. A new winery production facility will provide a production capacity of 15,000 cases. The steel framed winery outbuilding “pole barn” houses the fermentation rooms, crush pad and cased goods storage, while below grade concrete vaults provide for barrel storage and winery production growth. My responsibility was to update a CA drawing set and help Brian Korte, partner in charge, and the project architect to make final decisions on accent color and material selection by creating renderings.
Left: construction phase diagram (drawn by David Ericsson) Opposite page: entry perspective (rendering by David Ericsson) 40
41
Left and opposite: accent color study for Epoch winery and administration building 42 | EPOCH WINERY | professional work | spring 2014
OPTION A
OPTION B
43
44 | EPOCH WINERY | professional work | spring 2014
Opposite page: bathroom renderings for final material selection Right: section perspective at women’s bathroom 45
BRIDGE HOUSE CONSTRUCTION DOCUMENTS
professional Lake|Flato Architects, San Antonio, TX location Houston, TX team Ted Flato, FAIA Brian Korte, Partner in Charge, FAIA Vicki Yuan, Lead Architect, AIA Megan Toma, AIA Karla Edward Benjamin Hartigen June Jung David Ericsson Josh Nieves
Located on a wooded, two-acre property with a private ravine, this primary residence is built on the site of the original homestead for the neighborhood. The former house compound was long referred to as the “Bridge House�, based on an existing driving bridge bisecting the ravine. The new Bridge House establishes a spacious, double-height living space extending into the landscape in place of the existing bridge, and the insertion of new bridges throughout both exterior and interior allude to the original icon. The house is designed to be sophisticated and sustainable, surrounded by a peaceful, natural landscape. My responsibility was to assist Brian Korte, partner in charge, and Vicki Yuan, lead architect, to finalize stairs design by generating stair renderings and by developing detail drawings while working together with the consultants and the team. I also had a chance to pick up red-lines on interior elevation sheets and detail sheets for the CD deadlines.
Site Plan
46
47
Left: rendering produced during CD Opposite: construction photo by Vicki Yuan / section detail
48 | BRIDGE HOUSE | professional work | summer 2014
49
THE DIXON WATER FOUNDATION JOSEY PAVILION: AIA COTE TOP 10 APPLICATION GRAPHIC WORKS professional Lake|Flato Architects, San Antonio, TX location Decatur, Texas team Bob Harris, FAIA, Partner in Charge Tenna Florian, AIA, Project Architect recognition 2016 AIA Committee on the Environment Top Ten Award
My responsibility was to create sustainability diagrams and renderings for the AIA COTE Top 10 Awards application under the guidance of Bob Harris, partner in charge and Tenna Florian, project architect along with the marketing team. As a result, the pavilion was awarded the COTE Top 10 award in 2016.
50
51
52 | The Dixon Water Foundation Josey Pavilion | professional work | spring 2014
53
SENSUOUS COURTYARDS: A MEMORIAL FOR THE UNCLAIMED academic course location critic
The University of Texas at Austin Advanced Studio, Fall 2013 Chicago, IL John Ronan, FAIA
Sensuous Courtyards is about an experiment with the everyday material to find its hidden beauty and let its materiality memorialize the unclaimed dead that are marginalized and forgotten by society. The project concept is informed by an analysis of a common hotel invoice that was transformed into something unique and special through the recording of a love poem written on its surface. It has acquired a unique character through its accumulated layers of stories, poems, finger prints, wrinkles, clerk’s handwritings, rips and folds. The project attempts a similar transcendence through architectural means. The project employs dimensional pine lumber, a material common to coffins for the unclaimed--to create a system of courtyards, burial plots and a chapel. Combining the coffin burial system with wood retaining wall system is an effort to integrate the architecture of site with the burial system. The coffins work as a structural ‘deadman’ in the wood retaining wall system and it is physically and metaphorically connected to the site architecture. On top of the burial plots, plants and flowers are planted to memorialize the dead and bounded by walking paths for the living who visit the site.
Left: initial sequence study sketches Opposite page: view at the courtyard toward the chapel 54
wabi-sabi object | from a hotel invoce to the valuable
55
burial sequence study model @ 1”=1’
retaining wall study models @ 1”=1’ 56 | SENSUOUS COURTYARDS | academic work | fall 2013
timber retaining wall / chapel timber wall assembly study model
partial section model study @ 1”=1’
‘shou sugi ban’ wall | mock-up model @ 6”=1’ 57
b
charring variation study | 2x6 dimensional lumber
‘shou sugi ban’ wall | mock-up model @ 6”=1’ | detail view 58 | SENSUOUS COURTYARDS | academic work | fall 2013
section a-a’
a’
a’
b
b’
b
a
a
plan
section b-b’ 59
Left: section a-a’, b-b’ Opposite page: courtyard level plan, ground level plan 60
The cemetery grows sequentially over time. Monthly burials form a courtyard and memorial gardens; courtyards form a memorial circuit; a chapel with viewing platform becomes a focal point for the site that offers views of downtown Chicago and overlooks the site. The courtyards are for sensual narratives of the dead [the wall and the coffins] and the living [trees, plants, water in the center of courtyards and visitors]. Visitors to the site would be a part of the narrative among them and interact with them.
61
material research | charring the wood
The pine wood of the courtyard walls is charred with fire not only to make it rot and insect-resistant but also to generate sensual experiences (smoke and smell) during monthly ceremonies. It creates a new layer on the material to provide a place to leave marks/poems on. Once graffiti artists, lost relatives, people from the neighborhood leave their poem/ arts/scratches on the charred surface, it is no longer just a charred wall; it is architecture that inhabits accumulated stories. Likewise, the upper surface of the site is made of clay in which visitors’ footsteps, wind and fallen leaves would leave traces. There is no signage indicating where to go, but the footsteps on the surface and the stories on the charred wall would tell the history of the cemetery as visitors become a part of the site narrative. material research | wood retaining wall
Left: 1/16”=1’ site model, aerial view Opposite page: 1/16”=1’ site model, perspective view 62 | SENSUOUS COURTYARDS | academic work | fall 2013
63
PRODUCING HOUSING academic The University of Texas at Austin course Advanced studio location Redhook, Brooklyn, NY date Spring 2013 critic Ulrich Dangel
The current residential area in Redhook, Brooklyn contains various environments that provide vibrant activities as it is surrounded by the Hudson river, various parks, and manufacturing facilities. As the ferry connects Redhook to Manhattan, and as the waterfront bicycle pathway connects to downtown Brooklyn, Redhook has been building its own identity as a diverse community which works as a ‘creative hub’. The Producing Housing project is an effort to redefine its dynamic identity of Redhook as a mix of residential and manufacturing facilities to work, live, produce, share and inspire.
Left: mass study model, final presentation model Opposite page: perspective view toward the residential tower 64
65
from bicycle path from community garden
Therefore, the learning center is the starting point of all programs and it is shared by every users. Bike share and learning center is located on the ground floor. Seminar rooms and conference rooms are located on the second and the third floor. Connected by the timber bridge to the second floor from the learning center, the digital fabrication and the wood production facility could be accessed easily via the learning path; one could examine the actual manufacturing scenes and also receive on-site trainings.
from ikea ferry and bus stop
connection with neighborhood residential
wood production
bike shop
Manufacturing in the 21st century is no longer a bluecollar industry; it is a celebration of technology and a new potential for arts and designs. There is no longer a defined boundary between designers and fabricators; rather designers and fabricators are encouraged to collaborate to celebrate the new technology of manufacturing.
digital fabrication learning center + bike share
program distribution
circulation
66 | PRODUCING HOUSING | academic work | spring 2013
The pathway continues to the tower and this connection gives direct access from residences to the facilities. Community galleries on the 3rd, 8th, 14th and 19th floors of the tower - where a sense of community is created by sharing their works - are another connection to the manufacturing facility. At the end of the path is the Coop fabrication + art shop operated by the community. It’s connected to the bicycle shop on the ground floor and the plaza outside.
view of the fabrication facilities and the learning center
67
structural Glulam column
CLT roof structure
structural CLT cores MANUFACTURING:
Glulam column and beam
BIKE SHARE + LEARNING CENTER:
Heavy Timber column and beam
The learning center is constructed with heavy timber column and a beam system with a triple glazing covering, which has a simple form of a transparent box that expresses its symbolic openness. The GluLam truss bridge connects the learning center to the manufacturing facilities. It works as a transitional space from the heavy timber construction to the engineered timber construction. The manufacturing facilities are composed of Glulam column and beam. The beam and column are connected with steel connections. The 98’ long span beam is connected with steel connections. Steel tension wire truss is used to reduce the depth of the beam to provide more space for manufacturing. The 23-story timber high-rise tower is consisted of four CLT (Cross Laminated Timber) structural cores and 12 glulam columns for vertical structure, and CLT floor panels for horizontal structure. The mixed-use block is a proposal for an active way of connecting manufacturing to arts, technology and further to housing. Timber is one of the best materials to connect different programs into one for actualizing the new identity of Redhook and the best way to build and sustain it.
CLT floors
RESIDENTIAL:
23 story timber high rise residential building: Glulam column and beam, Cross Laminated Timber walls, and structural cores
axonometric diagram
68 | PRODUCING HOUSING | academic work | spring 2013
section perspective of the manufacturing facility
69
community gallery studio studio 2bed studio 2bed
mech. room
storage
0
N
typical residential tower floor plan
loading
storage
CLT/GLULAM PRODUCTION LINE
loading
8
16
32
storage
on site training room / office
DIGITAL FABRICATION showroom
small scale wood fabrication
art + fabrication store (co-op)
lobby info center
cafe
BIKE SHOP
ground floor plan
70 | PRODUCING HOUSING | academic work | spring 2013
seminar room
BIKE SHARE
N
BIKE SHOP
0
LEARNING PATHWAY
8
16
32
second floor plan
class room
class room
N
0
8
16
32
community gallery | residential tower
71
Cross Laminated Timber Roof Panel covered with standing seam metal panel
Wood Joist to support CLT
Partition wall and Insulation
Wood Mullion and double glazing Metal louver hanger
Glulam column and beam connected via steel connection
Wood louver
Metal X-bracing
coated with polyurethane
for lateral resistance
Footing connected via steel connection
exploded axonometric diagram of the manufacturing facility
72 | PRODUCING HOUSING | academic work | spring 2013
interior view of the manufacturing facility
73
GALVESTON MARITIME MUSEUM academic The University of Texas at Austin course Advanced technical communication studio, Fall 2012 location Galveston, TX critic Adam Pyrek collaborator
Young Park
Located in the east part of the historical district in Galveston, TX, the site is surrounded by 50-100 year-old brick buildings and has a great connection to the water to the north. Young Park and I selected four main keywords to work with after multiple site visits; symbolization, light, contextual relationship, and public amenity.
74
75
Left: final presentation model showing the site context, 1/16”=1’ Opposite page: S-N section model, 1/4”=1’ 76 | GALVESTON MARITIME MUSEUM | academic work | fall 2012
77
floor plan | GL. +1’
78 | GALVESTON MARITIME MUSEUM | academic work | fall 2012
intersection of street
floor plan | GL. +19’
hierarchy of street
tourism attractions near site
public transportations
floor plan | GL. +43’
79
80 | GALVESTON MARITIME MUSEUM | academic work | fall 2012
Symbolization | The building will not just be a single icon in Galveston, but one of the symbolic places around the Gulf of Mexico as the Maritime Collection. Light | The museum will provide controlled daylight throughout the spaces. A central vertical void would provide ample daylight through out the architecture. Contextual relationship | The relationship with historic buildings on the Strand - showing strong vertical repetitive rhythm and other elements - will be continued into a new building with a rhythmical balance on its facade. Public amenity | The maritime museum will be a civic space that provides public amenities with programs closely placed along the circulation sequence.
Right: view from the Strand street and 21st street. Opposite page: facade study sketches and south elevation
81
Parapet Coping
Roof top observatory Sun shading device
Parapet Coping Metal railing
Stone Panel
Brick, Charcoal Color
Anchor tie
Rigid Insulation
Water proof wood deck Air Cavity, 2” Metal Framing Rigid Insulation, R-16, 2 3/4” thick
IGU TYPE 1 Double glass Steel Angle
Ceiling, Acoustic panel
IGU TYPE 1 Double glass
Mullion
Doubled Channel Glass (U-glass)
Air Cavity between Chanenel Glass
MARITIME COLLECTION IN GALVESTON
Rigid Insulation
Concrete
SCALE:
1/4" = 1'-0" DATE:
12.13.2012 SHEET NAME:
WALL SECTION-2 SHEET NUMBER:
1 Wall section - South side scale: 1”=1’
82 | GALVESTON MARITIME MUSEUM | academic work | fall 2012
2 Wall section - West side scale: 1”=1’
3 Wall section - East side scale: 1”=1’
A402 JJYP
Slope @ 1/4”/1’ Min.
1 2
5
3 14
11 15 16 17
MARITIME COLLECTION IN GALVESTON
4 13 5
10
6 9
7
3 Window Head Detail
7
8
scale: 3”=1’
15
12 16
1 Parapet Detail Section scale: 3”=1’
5 6
12
7
5 13 6
4 Window Seal Detail
7
scale: 3”=1’
11
1 Metal Coping 8
2
scale: 3”=1’
Cap flashing
SCALE:
10
Base Flashing
3" = 1'
3 Built-up roof curb
11
Steel Angle
DATE:
4 Anchor Tie, in dovetail slots 16” O.C.
12
Metal Frame
12.13.2012
13
Insulated Double Glazing Windows
5 Brick, charcoal color, 3 5/8” x 7 5/8” x 2 1/4”
Partial Detail Plan
9
2 Plywood
14
Mortar Net
6 Air Cavity
15
Weep holes 16” O.C,
7 Rigid Insulation
16
Flexible Flashing
8 Concrete
17
Mullion
SHEET NAME:
DETAIL-1 SHEET NUMBER:
5
A403
Partial Rendering
JJYP
83
3
9
1
10
14
11
2 3 4 5 6 7 8 11
9 10
11 2
1 Channel Glass Head Detail
3 U-Glass Patial Plan scale: 3”=1’
scale: 3”=1’
2 2
2
13
14
11
15
9 10
2
11 12
6 Curtain Wall Window Parape scale: 3”=1’
7 3 6 13
detailWall drawings for channel class on west facade Curtain Window Patial Plan 4Left: Opposite page: view on 21st street
2 Channel Glass Sill Detail scale: 3”=1’
scale: 3”=1’
1 Wood Decking
11
Steel Grating
2 Metal Framing
12
Steel Bracing
3 2 x 6 Built-up Roof Curb
13
Outer Layer of Glazing in Steel Frame
4 Metal Coping
14
5 Rigid Insulation
15
Layer of Glazing in Steel Frame 84 | GALVESTON MARITIME MUSEUM | academic work | Inner fall 2012 Water-bearing Hollow Steel Sections Mulion
15
16
85
ARCHITECTURAL PHOTOGRAPHY
86
Left: Kolumba museum, Cologne Bottom: VIA DI TOR MILLINA, Rome Opposite page: Messe Basel New Hall, Basel
87
June Jung
M. Arch
2370 Quinn Street Halifax, NS B3L 3E7 hispjune@gmail.com 902.329.6515
education The University of Texas at Austin M. Arch // May 2014 Handong University, Pohang, South Korea BS in Construction Engineering (with the Architectural Design Certificate Program) BS in Urban and Environmental Engineering // August 2009 experience The Collective Works, Pohang, South Korea Co-founder & Director // November 2017 - March 2020 (2 years and 5 months) _Concept/SD phases of a private residence in Pohang, South Korea _Concept/SD/DD/CD/CA phases of a private residence in Ulsan, South Korea _A goods shop/atelier interior design, design-build project, Pohang, South Korea _A rental photography studio interior design project, Seoul, South Korea _A cafe interior design-build project in Pohang, South Korea _Lounges, offices, and research labs interior design projects at Pohang Univ. of Science and Technology and Handong University ZGF Architects, Portland, Oregon | No. 1 Firm, The 2016 Architect 50, THE JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS Architectural Designer // September 2014 - September 2017 ( 3 years and 1 month ) _SD/DD/CD/CA phases of Stanford University, Redwood City Campus, Redwood City, California _Concept/SD phases of a mixed use high-rise in Portland, Oregon _worked on RFPs with varying project types and scales Lake | Flato Architects, San Antonio, Texas | No. 1 Firm, The 2019 Architect 50, THE JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS Architectural Intern // January 2014 - August 2014 ( 8 months ) _Concept/SD phase of a ranch house in Cody, Wyoming | 2019 Texas Society of Architects Design Award _CD phase of a residential project in Houston, Texas _CD phase of a production winery and tasting room, Paso Robles, California | 2019 and 2020 Texas Society of Architects’ Design Award _created renderings, diagrams, and drawings for AIA COTE Top Ten Award application | 2016 AIA Committee on the Environment Top Ten Award Black + Vernooy Architecture and Urban Design, Austin, Texas Architectural Intern // December 2012 – January 2013 ( 2 months ) _researched medical school precedents _created sectional drawings and master plan drawings for the UT Medical School proposal 88
teaching and researching Handong University, Pohang, South Korea Lecturer // March 2018 - December 2019 (4 semesters) _taught architectural design studios and visual communication courses for undergraduate students The Visual Resources Collection, School of Architecture, The University of Texas at Austin Graduate Teaching Assistant // January 2011 – December 2013 (3 years) School of Architecture, The University of Texas at Austin Graduate Research Assistant for Prof. Fernando Lara // January 2011 – May 2011 (6 months) awards and exhibits University of Texas School of Architecture 2013 Travel Scholarship Recipient Trip to Cologne, Zurich, Basel, Chur, Haldestein, Vals, Rome, and Florence // Summer 2013 Oglesby Traveling Fellowship Nomination, University of Texas School of Architecture The faculties of UT Austin School of Architecture award a graduating student for a travel fellowship // 2014 publication NARU: URBAN REGENERATION MAGAZINE The cafe interior design-build project done in Pohang was featured in magazine’s September 2018 issue. skills Revit, Sketch-Up, Rhino, AutoCAD, V-ray, Adobe Creative Suite, Microsoft Office Lasercutting, Woodshop machines and hand wood tools, B&W photography, Digital photography
89
Images from the rammed earth construction site in Hongchon, South Korea where I decided to pursue a career in architecture in 2009. 90
Thank you for your consideration,
June Jung
91