JUNGYEON PARK The University of Tennessee, Knoxville College of Architecture + Design Bachelor of Science in Interior Architecture Selected Work from 2017-2020
Hi! My name is Jungyeon, but you can call me Jacy. I studied Interior Architecture at the University of Tennessee, Knoxville, and graduated May 2020. I am from Seoul, South Korea, and have lived in the United States for five years. Growing up in vastly different places has taught me to adapt to a new environment and admire unique cultures. Architecture and design influence every aspect of our conscious and unconscious experiences. My passion is to understand the human experience within the space and learn how to improve the community through architectural design. During my undergraduate career in Interior Architecture, I explored the phenomenological approach to design on how directly built environment relates to human behavior and learned that architecture should not be limited to the conventions of design but rather, to uplift the human experience.
CONTENTS
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16
24
responsive material structure/installation
extravagant escape child care
artist’s residenc art gallery + resi
ce idential
34
42
glacier research
urban fabric office + transportation hub
Responsive Material Structure/Installation Professor Lisa Mullikin Park in New York, NY
This project started with researching materiality and noticing how important nature is to design, both physically and emotionally. Pine cones are responsive to the climate and they open and close depending on the humidity. Getting inspired by the responsive aspect of pine cones and the folding mechanism they use, this project is about designing a reactive system along the High Line that responds to nature as well as interacts with the visitors of the High Line. This structure/ shade is manipulative, and it allows people to engage with strangers and creates a memorable experience. The skin of the structure responds to nature (sun and humidity) while interacting with movements.
FOURTH YEAR STUDIO PROJECT - FALL 2019 6
7
100 - 75%
MATERIALITY - CONCEPT STUDY 8
75 - 50%
50 - 25%
25 - 0%
FORM EXPLORATION - ORIGAMI 9
There are two types of structure: one is a micro-movement that is responsive to the climate, and the other is an interactive experience, in which the user can open and close the structure with the power of multiple human forces. This interactive experience allows the community to engage together while building memories.
INTERACTIVE + RESPONSIVE EXPERIENCE - CONCEPT DIAGRAM 10
9 AM
11 AM
1 PM
3 PM
SHADOW DIAGRAM - TRANSITION THROUGHOUT THE DAY 11
CLAMPABLE STRUCTURE - ASSEMBLY DIAGRAM 12
SECTION - VIEW OF THE STRUCTURE 13
14
RENDERING - EXPERIENTIAL VIEW 15
Extravagant Escape Child Care Facility Professor Lisa Hoskins 517 Union Ave, Knoxville, TN 37902 Crossville Tile. Inc Competition Award | Recipient
Extravagant Escape is a high-end child care that allows the children to experience high sensory experience (see, hear, taste, smell, touch), while experiencing high technology (transparent LED displays). By elevating the classrooms from the ground level, the children are able to look down to the outside world and differentiate themselves and escape from the outside life.
THIRD YEAR STUDIO PROJECT - SPRING 2019 16
17
FLOOR PLAN - DRAWING 18
The indoor garden takes place in the front part of the building. It also serves as a “threshold” from the outside world. Each classroom can access the indoor garden. It is full of plants, flowers, and herbs, which allows the children to feel the high sensory experience.
SECTION PERSPECTIVE - ENTRANCE/THRESHOLD 19
PLANTER WITH WATER WALL - DETAIL 20
SECTION AXONOMETRIC - CLASSROOM 21
22
RENDERING - VIEW OF THE ENTRANCE 23
Artist’s Residence Art Gallery + Residential Professor Matt Rauch 104 East 5th Ave, Knoxville, TN 37917
Gallery Circulation
Private Space Circulation
Public Space Private Space Circulation
Inspired by Adolf Loos’ concept of the Raumplan, this project sought to challenge the conventional gallery experience by introducing a series of art viewing platforms arranged around a central courtyard. Intertwining the art gallery program with the artist’s residency program allowed the opportunity to create new relationships between levels and between public and private entities.
SECOND YEAR STUDIO - SPRING 2018 24
25
FLOOR PLAN - EXPLODED AXONOMETRIC 26
DN
OWNER'S SUITE
DN
W/D Millwork
DN Millwork
DINING SPACE
BATHROOM
A Millwork
KITCHEN ISLAND
B
WALK-IN CLOSET Millwork
KITCHEN GUEST'S SUITE
WAL
LIVING SPACE ELEVATOR DN
0'
4'
8'
GUEST' SUITE
16' N
1/4” = 1’
FLOOR PLAN C
B
GALLERY 2 DN DN
GALLERY 1 A
GALLERY 3
G
DN
ELEVATOR
1/4” = 1’
FLOOR PLAN B
B
STUDIO MEDIA GALLERY
A
RESTROOM
RESTROOM
1/4” = 1’
B
ELEVATOR
FLOOR PLAN A
PUBLIC SPACE
PRIVATE SPACE
DRAWING - FLOOR PLAN/DIAGRAM 27
28
RENDERING - VIEW FROM THE GALLERIES 29
C KITCHEN/ DININGROOM GUEST'S SUITE
B GALLERY 4 GALLERY 2
COURTYARD
A GALLERY 1
STUDIO
1/4” = 1’
0'
4'
8'
SECTION A
16' N
C LIVING ROOM
MASTER'S BATHROOM MASTER'S SUITE
B GALLERY 3
COURT YARD
A MEDIA GALLERY COURT YARD
STUDIO
1/4” = 1’
SECTION - DRAWING 30
SECTION B
The Artist’s Residence has a central courtyard, which can be accessed by the gallery located on the second floor. There are three main floors in the building, but there are severely different levels within the building. This concept of Raumplan allows the dramatic staging effect of different height levels.
PHYSICAL MODEL - RAUMPLAN 31
VIEW FROM THE EN-SUITE BATHROOM - RENDERING 32
The Master Suite looks out to the central courtyard, and this central courtyard allows visual connection and spatial illusion to the building.
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Glacier Research Jakobshavn, Greenland Professor Rana Abudayyeh 1.1 the Melting Ice 1.2 Map of Greenland Jakobshavn Glacier is located in Greenland and it is one of the fastest moving glaciers.
1.3 the Town Near the Glacier Ilulissat is near the Jakobshavn Glacier, and people have inhabited the area around the glacier for up to 4,000 years. 1.4 the Model Model exploration to understand the melting ice. Water usually travels down to the base of the ice and melts the core of the ice.
1.5 the Melting Ice Locations of the melting ice and the travel path of the Jakobshavn Glacier. 1.6 the Flow Experimentation of erosion by pouring acetone to a foam.
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RESEARCH DIAGRAM - GLACIER 35
2.1 the Erosion U-Shaped valleys are created due to the erosion while the glaciers travel down the mountain. 2.2 the Movement The path of the movement of the glacier.
2.3 the Time-Lapse A time-lapse of how the Mendenhall Glacier melted during 2007 - 2015. 2.4 the Model This model represents the u-shaped valley and its erosion.
2.5 the U-Shaped Valley Diagram of the peaks of the mountains and u-shaped valleys. 2.6 the Peaks Experimentation of erosion by pouring acetone to a foam.
36
RESEARCH DIAGRAM - U SHAPED VALLEY 37
3.1 the Terminal Moraine A new landscape formed by terminal moraines as a result of accumulated plucking and abrasion by the ice. 3.2 the Puzzle The moraine functions as puzzle pieces, since a mass of rocks and sediments, are deposited back to the landscape.
3.3 the Glacier Information about the process of glaciers. 3.4 the Model This model introduces the concept of the datum line of the Earth.
3.5 the Datum Line The mysteriousness of the underworld with the concept of a datum line of mountains.
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RESEARCH DIAGRAM - TERMINAL MORAINE 39
40
PHOTOGRAPHS - STUDY MODEL 41
Elevating the Urban Fabric Office/Transportation Hub Professor Rana Abudayyeh Collaboration with: Logan Guidera, Maureen Sotak, Mary Quinn 390 Park Avenue, New York, NY 2020 Gensler Research Studio Award | First Place All illustrations presented in this portfolio are original & created by Jungyeon Park unless otherwise noted.
In recent years, contemporary work-life has outgrown the effectiveness provided by the modern office building. This lack of compatibility affected the workforce’s productivity, health, relationships, and psychology. As technology advances, so should our work habits and consequently our spaces. Within this framework, our team set out to define new programmatic functions to the conventional office building that aligned to our rapidly evolving work patterns. Our goal was to create hybrid environments that join the artificial with the biological systems, promoting productivity and the wellbeing of the users with a unique work-life balance.
FOURTH YEAR STUDIO PROJECT - SPRING 2020 42
DRAWING TYPE - TITLE 43
Image by SOM
The original Lever House was a catalyst for change on Park Avenue. When first constructed, the site was the only steel and glass structure on an avenue that consisted of masonry facades. The building represented the new office of America: advanced and efficient. Our team wanted to recover this iconic status of the building through a future vision that aligns with our new ways of life and support an environmentally driven agenda. We wanted to create a design that proposed a unique symbol of innovation and advancement and revived an integral part of Manhattan.
INITIAL LEVER HOUSE - SITE ANALYSIS 44
SITE ANALYSIS - CLIMATE CONDITION/URBAN CONTEXT 45
ARCTIC FOX (RESPONSIVE MOVEMENT) - ORGANISM RESEARCH 46
We wanted to create a design that proposed a unique symbol of innovation and advancement and revived an integral part of Manhattan. The proposed intervention we designed first abstracted the ideas gathered from the research of resilient organisms and reinterpreting them in light of our site analysis. Each organism contributed a concept that was definitive of its performative capabilities: filtered thresholds (brine shrimp), responsive movements (arctic fox), triggered responses (pufferfish), and soft structures (stingray).
CONCEPT/FORM EXPLORATION - AERIAL GRID 47
48
RENDERING - AIR SPACE IN PARK AVENUE 49
50
Halfway up the vertical portion of our design, platforms extend outward to receive the taxi and retract inwards to secure it within the docking system, elevating our concept of a triggered response. Once the user exits their vessel, they are greeted by a garden in the sky. People can now wait for their taxi drone in an environment filled with plants and greenery, offering a unique vantage of Manhattan. After this experience, the user’s direction of travel is dependent on their intended schedule; those who wish to prepare for a meeting or get settled in for their weekend business trip utilize the upper half of the structure. Each of these upper floors offers a variety of amenities, including programs like gyms and showers, recreation, and more private workspaces. The floors house prefabricated hotel units and workspaces designed to accommodate single individuals. For those arriving for meetings, working at company headquarters, or simply finding a space to work with other creatives, the lower floors support their needs. The building offers multiple indoor and outdoor spaces, augmented with immersive technological experiences.
SECTION PERSPECTIVE - NEW ADDITION + PROGRAM DIAGRAM 51
52
Image by Mary Quinn + Jungyeon Park
RENDERING - VIEW FROM THE DRONE LANDING LEVEL 53
Drone Landing Level
54
Flexible Workspace Level
Flexible Hotel Level
The floors house prefabricated hotel units and workspaces designed to accommodate single individuals. These floors are set in an independent steel frame making each floor adjustable to the space required. Allowing for customization, the micro-hotel rooms cater to a variety of needs and densities. The building also offers leasable office headquarters to provide for the necessities of a new business paradigm where company headquarters are no longer static and tied to one location.
FLOOR PLAN - UPPER LEVELS (PRIVATE) 55
Ground Level (Lobby + Dining + Atrium)
56
Second Level (Fabrication Lab +
+ Dining)
Third Level (Plaza + Cafe)
The building provides users the opportunity to connect personal devices to the digital interface it offers. Users can sync their social accounts, portfolios, and resumes to the digital interface to make these profiles publicly viewable to others in the space. The digital platform also complements the atrium space on the first level of our design that seeks to give back to the community, just as the original Lever House did. The lower levels are enhanced sectionally and become the central public gathering space. This space is open-air and accessible from the street, keeping in line with the Lever House’s initial public programming.
FLOOR PLAN - LOWER LEVELS (PUBLIC) 57
58
RENDERING - LOOKING UP FROM THE PLAZA 59
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www.jungyeonpark.com jungyeon.arch@gmail.com