10
20
JWADZINSKI DESIGNER
GRAPHIC
JWADZINSKI
DESIGN PORTFOLIO
02
03
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI JOSHUA WADZINSKI
COPYRIGHT © 2010
JWADZINSKI
W W W. J WA D Z I N S K I . C O M
ACADEMY OF ART UNIVERSITY
S A N F R A N C I S C O, C A
PAPER STOCK
MOHAWK CONCEPT 100 TEXT
PRINTER
EPSON PHOTOPRO R2400
DESIGN PORTFOLIO
COPYRIGHT © 2010
JOSHUA WADZINSKI
COVER STOCK
ARRESTOX, GUNNY SAK
SOFTWARE
ADOBE CS4 PS, ID, AI
05
JOSHUA WADZINSKI
JWADZINSKI
04
CANON EOS REBEL XSI
CAMERA
JOSHUA WADZINSKI
PRINTING
PHIL HAMLETT
DEPARTMENT DIRECTOR
B O O K I N F O R M AT I O N
COLOPHON LIST
IMPECA 250W TUNGSTEN LIGHT
LIGHTING
H E R R I N G & R O B I N S O N ( S F, C A )
BINDERY
MARY SCOTT
COURSE INSTRUCTOR
JOSHUA WADZINSKI
PHOTOGRAPHER
FRANKLIN GOTHIC
T Y P E FA C E
JOSHUA WADZINSKI
WRITER
W W W. J WA D Z I N S K I . C O M
20-37 NOW ITS DARK 80-89 AKZIDENZ BOX
DESIGN PORTFOLIO
10-19
LEOKAH
66-79
AVOX
07
JOSHUA WADZINSKI
JWADZINSKI
06
INTO THE VOID
90-101
APEX
38-53
LIST OF PROJECTS
TA B L E O F C O N T E N T S
DISKUHNKT
102-117
B E R K E L E Y FA R M S - H
54-59 B E R K E L E Y FA R M S - L
60-65
DESIGN PORTFOLIO
09
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI INTRODUCTION
ABOUT ME
Hello! My name is Joshua Wadzinski, and I believe to touch someone’s hear t with design is a wor thy cause to pursue in life. This life as a designer is about opening the eye to possibility, questioning the mundane, tr ying something new, picking up something inspirational, exercising the body, challenging the mind, looking to improve, and smiling, a lot! Jwadzinski is a collection of my work produced during the past few years while attending the Academy of Ar t University for my Masters Degree in design. Thank you, enjoy, and to see the latest work from Joshua T. Wadzinski please visit: www.jwadzinski.com.
JWADZINSKI
08
TO TOUCH SOMEONE’S HEART WITH DESIGN IS A WORTHY CAUSE TO PURSUE IN LIFE.
CHICAGO SCREW
PANTONE PMS 305U, 179U DELIVERABLE BROCHURE BOOK
J O S H U A WA D Z I N S K I , AV E N I R
DELIVERABLE
BRAND SYSTEM
Words were written on separate sheets of paper, one word represented a brand the other a product. These two sheets of paper were crumpled up and placed into separate black boxes. Each student hand selected a sheet of paper from each of the two black boxes. I received “Lego” as my brand name and “Hookah” as my product. The purpose of our project was to produce a brand system, brochure book, and poster adver tising this new fictitious product under the brand we selected.
BINDING
COLOR PALETTE
TYPOGRAPHY
POSTER
DELIVERABLE
LEOKAH
PROJECT 01
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
11
JOSHUA WADZINSKI
JWADZINSKI
10
E N T R A DA R A G N AT U R A L 1 9 0
PAPER STOCK
ELEMENTS OF TYPOGRAPHY
COURSE NAME
JOSHUA WADZINSKI
COPY WRITER
SUMMER OF 2007
PRODUCTION YEAR
JOSHUA WADZINSKI
PHOTOGRAPHER
JENNIFER STERLING
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
12
13
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BROCHURE BOOK
LEOKAH
JWADZINSKI
DESIGN PORTFOLIO
14
15
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BROCHURE BOOK
LEOKAH
JWADZINSKI
DESIGN PORTFOLIO
16
17
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BROCHURE BOOK
LEOKAH
JWADZINSKI
DESIGN PORTFOLIO
18
19
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BROCHURE BOOK
LEOKAH
BINDING VA R I O U S F O R M S
COLOR PALLET
PANTONE PMS 305U, 179U
DELIVERABLES
PRODUCTION BOOK
TYPOGRAPHY
AKZIDENZ
DELIVERABLES
BRAND SYSTEM
Graphic designers are being challenged more than ever to work across disciplines. The objective for this project explored the necessity and purpose for developing fully integrated messaging across a number of different mediums. In this case, the venue for such exploration was a film festival in honor of small-town creatively bizarre director David Lynch (Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks, Mulholand Dr., etc.). The end deliverable for the project was a set of communications materials that could be employed in promoting and facilitating this festival, all of which were to be visually indicative of some broader theme the director wove into his movies. The basic premise of my festival can be summed up by a quote from David Lynch “The concept of absurdity is something I’m attracted to.”
F I L M C ATA L O G & PA C K A G I N G
DELIVERABLES
NOW IT’S DARK
PROJECT 02
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
21
JOSHUA WADZINSKI
JWADZINSKI
20
JOSHUA WADZINSKI DELIVERABLES WEBSITE
DELIVERABLES S O U N D C ATA L O G & PA C K A G I N G
COPY WRITER
FA L L O F 2 0 0 7
PRODUCTION YEAR
R I V E R F OX N AT U R A L 1 2 0 T E X T
PAPER STOCK
I N T E G R AT E D C O M M U N I C AT I O N S
COURSE NAME
POSTER
DELIVERABLES
JOSHUA WADZINSKI
PHOTOGRAPHER
HUNTER WIMMER
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
22
23
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PRODUCTION BOOK
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
24
25
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PRODUCTION BOOK
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
26
27
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PRODUCTION BOOK
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
28
29
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI POSTER
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
30
31
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PROCESS BOOK
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
32
33
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI S O U N D C ATA L O G
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
34
35
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI F I L M C ATA L O G
NOW IT’S DARK
JWADZINSKI
DESIGN PORTFOLIO
36
37
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PRODUCTION BOOK
NOW IT’S DARK
BINDING PERFECT BOUND
COLOR PALETTE VA R I O U S PA L E T T E
TYPOGRAPHY
LOOK UP
This project called for a distillation of a large amount of researching. Students were asked to conceive of a point of view on the energy crisis subject, spend roughly two months gathering and organizing information on that subject, and than deliver it within the vernacular of a magazine. Through research I found promoting alternative energy to be a logical direction; however, I found the wall to break through was lack of money and funding. So I asked myself how this problem could be solved: Who has the money, space, resources, and impact to bring alternative energy to life? I connected the dots to my unique point of view within the spor ts fans and community. I am targeting spor ts owners and community with the message to go green and build sustainable stadiums. Key points to the green stadium: promote healthy living, architect alternative energy, power stadium with alternative energy methods, power city with stored power, community builder, save money, and make a giant statement to the rest of the world about doing what we can do to live carbon neutral.
MAGAZINE
DELIVERABLE
APEX
PROJECT 03
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
39
JOSHUA WADZINSKI
JWADZINSKI
38
K E N Y TA R A G N AT U R A L 1 0 0
PAPER STOCK
CONNECTING THE DOTS
COURSE NAME
JOSHUA WADZINSKI
WRITER
FA L L O F 2 0 0 8
PRODUCTION YEAR
JOSHUA WADZINSKI
PHOTOGRAPHER
MICHAEL KILGORE
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
40
41
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
JWADZINSKI
DESIGN PORTFOLIO
42
43
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
JWADZINSKI
DESIGN PORTFOLIO
44
45
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
JWADZINSKI
DESIGN PORTFOLIO
46
47
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
JWADZINSKI
DESIGN PORTFOLIO
48
49
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
JWADZINSKI
DESIGN PORTFOLIO
50
51
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PROCESS BOOK
APEX
JWADZINSKI
DESIGN PORTFOLIO
52
53
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI MAGAZINE
APEX
PAPER STOCK REDRIVER LUSTER 192
COLOR PALETTE PANTONE 238, 1049, 134, 1432
TYPOGRAPHY
CLARENDON
Through research and study of project criteria, students learn to develop innovative packaging to meet client goals. Analysis of two - dimensional graphic applications on a three-dimensional form is stressed. Branding and product repositioning are also stressed. The objective in this case was to produce a marketing, brand, and packaging systems for Berkeley Farms yogur t set in a premium boutique store setting.
B E R K E L E Y FA R M S - H
PROJECT 04
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
55
JOSHUA WADZINSKI
JWADZINSKI
54
JOSHUA WADZINSKI
I L L U S T R AT O R
PACKAGING DESIGN II
COURSE NAME
JOSHUA WADZINSKI
PHOTOGRAPHER
SPRING OF 2008
PRODUCTION YEAR
80Z JAR PACKAGING
DELIVERABLE
PAUL KAGIWADA
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
56
57
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI 80Z JAR PACKAGING
B E R K E L E Y FA R M S - H
JWADZINSKI
DESIGN PORTFOLIO
58
59
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI 80Z JAR PACKAGING
B E R K E L E Y FA R M S - H
PAPER STOCK REDRIVER LUSTER 192
COLOR PALETTE PANTONE 543, 620, 1042, 1012
TYPOGRAPHY
EUROSTYLE, GARAMOND
Through research and study of project criteria, students learn to develop innovative packaging to meet client goals. Analysis of two - dimensional graphic applications on a three-dimensional form is stressed. Branding and product repositioning are also stressed. The objective in this case was to produce a marketing, brand, and packaging systems for Berkeley Farms yogur t set in a common grocer y store setting.
B E R K E L E Y FA R M S - L
PROJECT 05
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
61
JOSHUA WADZINSKI
JWADZINSKI
60
JOSHUA WADZINSKI
I L L U S T R AT O R
PACKAGING DESIGN II
COURSE NAME
JOSHUA WADZINSKI
PHOTOGRAPHER
SPRING OF 2008
PRODUCTION YEAR
80Z CUP PACKAGING
DELIVERABLE
PAUL KAGIWADA
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
62
63
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI 80Z CUP PACKAGING
B E R K E L E Y FA R M S - L
JWADZINSKI
DESIGN PORTFOLIO
64
65
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI 80Z CUP PACKAGING
B E R K E L E Y FA R M S - L
BINDING NON-ADHESIVE BOUND
COLOR PALLET
PANTONE 1094, 642
DELIVERABLES
BRAND BOOK
TYPOGRAPHY
EUROSTILE & MELIOR
DELIVERABLES
BRAND SYSTEM
This re-branding project required that I take a dying brand and breathe new life into it by looking at it through fresh eyes. Currently living with the digital era prompted me to choose the brand Audiovox, the historic low-budget consumer electronics brand. Despite owning many of their products in the early Nineties, the turn of the twenty first centur y has not been friendly to Audiovox, who have struggled to keep up with its competitors. To bring them back from the dead, I had to think of a new way to approach the consumer electronic products. First, I simplified the name from Audiovox to Avox to freshen up the appearance with a more modern view; second, I re-energized the visual design system; and third, I conceived an eco-friendly system to implement into the new product line. Key points about the new eco-friendly system: The products are powered from the sun, made from plants, and biodegradable. The final project was distilled down into a brand standards and guidelines book that conveyed the feel of the new company.
BRAND PACKAGING
DELIVERABLES
AVOX
PROJECT 06
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
67
JOSHUA WADZINSKI
JWADZINSKI
66
N E W L E A F I M A G I N AT I O N 8 0
PAPER STOCK
N AT U R E O F I D E N T I T Y
COURSE NAME
JOSHUA WADZINSKI
WRITER
FA L L O F 2 0 0 8
PRODUCTION YEAR
JOSHUA WADZINSKI
PHOTOGRAPHER
HUNTER WIMMER
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
68
69
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BRAND BOOK
AVOX
JWADZINSKI
DESIGN PORTFOLIO
70
71
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BRAND BOOK
AVOX
JWADZINSKI
DESIGN PORTFOLIO
72
73
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BRAND BOOK
AVOX
JWADZINSKI
DESIGN PORTFOLIO
74
75
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BRAND BOOK
AVOX
JWADZINSKI
DESIGN PORTFOLIO
76
77
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI PROCESS BOOK
AVOX
JWADZINSKI
DESIGN PORTFOLIO
78
79
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI BRAND BOOK
AVOX
PAPER STOCK I TA L I A N F I N E C R E S T 8 0 L B
COLOR PALETTE PANTONE 186 WARM
TYPOGRAPHY
AKZIDENZ
This course expands on previously learned principles and incorporates more issues such as organization, hierarchy, layout, color, scale, and grid systems. Students will begin to investigate ways to communicate content and meaning of text. This class was asked to pick a typeface that we want to explore for the semester. I choose Akzidenz, the first sans serif typeface to be widely used and influenced many later neogrotesque typefaces. Max Miedinger at the Haas Type Foundr y used it as a model for the typeface Neue Haas Grotesk Sans, released in 1957, and renamed Helvetica in 1960. This black box contains a series of exploration showcasing the range, flexibility, and capability the typeface has to offer in various environments and settings.
AKZIDENZ TYPE BOX
PROJECT 07
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
81
JOSHUA WADZINSKI
JWADZINSKI
80
SINGLE SHEETS CASE BOX
BINDING
TYPE SURVEY
COURSE NAME
JOSHUA WADZINSKI
PHOTOGRAPHER
FA L L O F 2 0 0 7
PRODUCTION YEAR
TYPE BOX
DELIVERABLE
JENNIFER STERLING
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
82
83
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI TYPOGRAPHY BOX
AKZIDENZ
JWADZINSKI
DESIGN PORTFOLIO
84
85
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI TYPOGRAPHY BOX
AKZIDENZ
JWADZINSKI
DESIGN PORTFOLIO
86
87
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI TYPOGRAPHY BOX
AKZIDENZ
JWADZINSKI
DESIGN PORTFOLIO
88
89
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI TYPOGRAPHY BOX
AKZIDENZ
BINDING PERFECT BOUND
COLOR PALETTE VA R I O U S PA L E T T E
TYPOGRAPHY
H E LV E T I C A N E U E L T
This course explored existing modern typographical ideas and techniques and attempted in expanding on students typographical range. Students investigated the communication of content and the emotional qualities of text. The concept for this book was inspired by the nightlife on the streets of SF, and police beats found in local newspapers.
INTO THE VOID
PROJECT 09
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
91
JOSHUA WADZINSKI
JWADZINSKI
90
COUGAR PHOTO B100
PAPER STOCK
E X P E R I M E N TA L T Y P O G R A P H Y
COURSE NAME
JOSHUA WADZINSKI
PHOTOGRAPHER
FA L L O F 2 0 0 7
PRODUCTION YEAR
COFFEE BOOK
DELIVERABLE
S TA N Z I E K A
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
92
93
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI COFFEE BOOK
INTO THE VOID
JWADZINSKI
DESIGN PORTFOLIO
94
95
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI COFFEE BOOK
INTO THE VOID
JWADZINSKI
DESIGN PORTFOLIO
96
97
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI COFFEE BOOK
INTO THE VOID
JWADZINSKI
DESIGN PORTFOLIO
98
99
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI COFFEE BOOK
INTO THE VOID
JWADZINSKI
DESIGN PORTFOLIO
100
101
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI COFFEE BOOK
INTO THE VOID
DESIGN PORTFOLIO
103
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI
Diskuhnkt is contained as a graphic design thesis, but you may wonder what a graphic design thesis is. A thesis is defined as a disser tation pursuing ones unique point of view on a par ticular subject as an result of original research. When completed, the graphic design thesis point of view should achieve the master y of compositions, visual system, type, layout, color, illustration, photography and presentation. The consequent pages are a taste or rather more fitting a sweet tweet showcasing Diskuhnkt, my graphic design thesis.
JWADZINSKI
102 INTRODUCTION
THESIS PROJECT
A TASTE OR RATHER MORE FITTING A SWEET TWEET SHOWCASING DISKUHNKT, MY GRAPHIC DESIGN THESIS.
VA R I O U S F O R M S
VA R I O U S DELIVERABLES GUIDE BOOK
GOTHAM NARROW
DELIVERABLES
BRAND BOOK
You can catch a glimpse of this addiction to digital technolog y when you check your e-mail, read the news, take the public bus, communicate with your friend, or play a game. Through devices such as our computers, cell phones, televisions, video games, MP3 players, etc., we are connected all the time. Descar tes’ dictum, “I think, therefore I am,” has been replaced by: “I am connected, therefore I exist.” This around--the--clock technolog y use is causing us to be individually, socially, economically, and environmentally imbalanced.
BINDING
COLOR PALLET
TYPOGRAPHY
B E H AV I O R B O O K
DELIVERABLES
DISKUHNKT
THESIS PROJECT
W W W. J WA D Z I N S K I . C O M
DESIGN PORTFOLIO
105
JOSHUA WADZINSKI
JWADZINSKI
104
JOSHUA WADZINSKI DELIVERABLES MERCHANDISING
DELIVERABLES ADVERTISING CAMPAIGN
COPY WRITER
SPRING OF 2009 - CURRENT
PRODUCTION YEAR
MOAB CONCEPT
PAPER STOCK
THESIS DEVELOPMENT
COURSE NAME
WEBSITE
DELIVERABLES
JOSHUA WADZINSKI
PHOTOGRAPHER
VA R I O U S
INSTRUCTORS
JWADZINSKI
DESIGN PORTFOLIO
106
107
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI RESEARCH
DISKUHNKT
JWADZINSKI
DESIGN PORTFOLIO
108
109
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI
Diskuhnkt is a wellness organization for digiholics who believe they spend too much time with digital technolog y. Diskuhnkt will help make our dependant relationship to digital technolog y apparent, supply guiding tool(s) for balancing our digital and physical lives, and establish a community for digiholics to share their experience, strength, and hope with each other as they grapple with tr ying to disconnect and reconnect with life.
TA R G E T B R I E F
DISKUHNKT
A digiholic is defined by diskuhnkt as an individual who spends nine hours or more a day with digital technolog y, regardless of the purpose or device they are using.
DISKUHNKT WILL INSPIRE DIGIHOLICS TO ENTERTAIN WITHOUT ENTERTAINMENT TONIGHT, COMPUTE WITH THE MIND NOT THE COMPUTER, AND SHAPE A MORE COMPLETE FIRST LIFE RATHER THAN THE SECOND LIFE.
JWADZINSKI
DESIGN PORTFOLIO
110
111
D I G I TA L POWER BUTTON
BRAND BOOK
DISKUHNKT BRAND MARK
HUMAN S M I L E FA C E
DISKUHNKT
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI
TM
JWADZINSKI
DESIGN PORTFOLIO
112
113
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI B E H AV I O R B O O K
DISKUHNKT
JWADZINSKI
DESIGN PORTFOLIO
114
115
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI GUIDE BOOK
DISKUHNKT
JWADZINSKI
DESIGN PORTFOLIO
116
117
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI AND RECONNECT WITH LIFE.
DISKUHNKT
TM
DESIGN PORTFOLIO
119
W W W. J WA D Z I N S K I . C O M
JOSHUA WADZINSKI
All rights reser ved. No par t of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the written permission of Joshua Wadzinski. All rights reser ved. No par t of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the written permission of Joshua Wadzinski.
JWADZINSKI
118 JOSHUA WADZINSKI
COPYRIGHT Š 2010
I would like to thank The Academy of Ar t University, Phil Hamlett, Mar y Scott, Hunter Wimmer, Michael Kilgore, Jennifer Ster ling , Stan Zienka, Ariel Grey, Michael Sainato, and Macy Chadwick; book editor : Aileen Averion and jennifer ; book suppor t: Theuy, Louise, Stephen, Katy, Amy, and Elizabeth; photography models: Brenna, Santiago, Lance, Walter, Nicholas, and Emily; Jennifer, Santiago, Lance, and Emily; my equipment for holding up and allowing me to produce all my wor k: MacBook Pro computers, Epson R2400 printer, Canon MP600 printer, Canon EOS Rebel XSI camera, Canon PowerShot A640 camera, a special thanks to my Logitech Z-5500 sound system for supplying me great music, and to all of my family/friends for challenging and suppor ting me.
THANK YOU T H A N K YO U L I S T
ACKNOWLEDGEMENTS
10
20
JWADZINSKI DESIGNER
GRAPHIC