BIBLIOGRAPHY ~ FILMOGRAPHY

Bibliography

Elkins, James. Why Art Cannot be Taught. University of Illinois, 2001. Bishop, Claire. Radical Museology. Koenig Books, 2013. Retallack, Joan. The Poethical Wager. University of California, 2003. Hartman, Saidiya. Wayward Lives, Beautiful Experiments. W.W. Norton, 2019. Johnson, Barbara. “Melville’s Fist. The Execution of Billy Budd.” Studies in Romanticism, Vol. 18, No. 4, Johns Hopkins, 1979. Montaigne, Michel de. “Of the Uncertainty of Our Judgement.” The Essays, Everyman’s Library, 2003 (1580). Rajchman, John. Aberrant Movements: The Philosophy of Gilles Deleuze, Semiotext(e), 2017. Moten, Fred and Stefano Harney. The Undercommons. Fugitive Planning and Black Study. Autonomedia, 2013. Solnit, Rebecca. Wanderlust. Penguin Books, 2001. Woolf, Virginia. “Street Haunting.” Street Haunting and Other Essays, Vintage, 2014. Garcia, Tristan. The Life Intense. A Modern Obsession, Edinburgh Press, 2018. Ahmed, Sara. What’s the Use? Duke Press, 2019. Schulman, Sarah. Conflict is not Abuse. Arsenal Press, 2008. Barthes, Roland. The Neutral, Columbia University Press, 2007.

Filmography

Michelangelo Antonioni, Lo sguardo di Michelangelo (2004), 15 mins Jem Cohen, Museum Hours (2012), 90 mins Solange Knowles, When I get Home (2019), 60 mins Marianne Lambert, I Don’t Belong Anywhere: Le cinéma de Chantal Akerman (2015), 67 mins Maria Lassnig, Selfportrait (1971), 5 mins Terrence Malick, Badlands (1974), 90 mins The Otolith Group, Medium Earth (2013) & Anathema (2011), ±100 mins Pier Paolo Pasolini, Sopralluoghi in Palestina per il vangelo secondo Matteo (1965), 60 mins Godfrey Reggio, Koyaanisqatsi (1982), 90 mins Hito Steyerl, November (2004), 30 mins Astra Taylor, Examined Life (2008), 90 mins