DESIGN PORTFOLIO - KAIRAV SHROFF
INDEX UNDERGRADUATE COURSE - KRVIA 2006-2012 FIFTH YEAR - 2010-2011 • MUMBAI CITY RESEARCH................................................................................................................... pg.01 • MAHALAXMI TEMPLE INTERVENTION ............................................................................................. pg.03 • MAHALAXMI RACECOURSE INTERVENTION .................................................................................. pg.05
FOURTH YEAR - 2009-2010 • SLUM REHABILITATION........................................................................................................................ pg.07 • NEW AIRPORT TERMINAL.................................................................................................................... pg.09
THIRD YEAR - 2008-2009 • COMMUNITY CENTER.......................................................................................................................... pg.11 • MUSEUM FOR PROGRESSIVE ARTISTS’ GROUP............................................................................ pg.13
SECOND YEAR - 2007-2008 • MONK HOSTEL...................................................................................................................................... pg.15 • WALKWAY INTO SIDDHIVINAYAK TEMPLE....................................................................................... pg.17
FIRST YEAR - 2006-2007 • RE-HOUSING A VEGETABLE VENDOR.............................................................................................. pg.19 • PROSTHETIC DEVICE............................................................................................................................ pg.21 • BASIC DESIGN........................................................................................................................................ pg.23
EXCHANGE PROGRAM • LORRY PLAST REDESIGN + SLUM REHABILITATION, SWISS EXCHANGE - 2011...................... pg.25 • MIDDLE INCOME HOUSING, SWISS EXCHANGE - 2011................................................................. pg.27
PROFESSIONAL PRACTICE SHROFFLEON ARCHITECTS - 2011-2012 • SKYCONDOS COMPETITION.............................................................................................................. pg.29 • AAMBY VALLEY HOUSE + OLIA RESIDENCE................................................................................... pg.31 • POCOLOCO RESTAURANT + BAR REDESIGN................................................................................. pg.33
THESIS RESEARCH: INTERVENTIONS FOR AN INCLUSIVE CITY
MUMBAI, MAHARASHTRA, INDIA FIFTH YEAR (2010 - 2011)
MAHALAXMI RACECOURSE
HAJI ALI WATERFRONT
MAHALAXMI TEMPLE
SITE CONDITIONS LEADING TO INTERVENTIONS
pg. 01
THE WATERFRONTS
THE RAILWAY NETWORK
MAP OF THE WATERFRONT AND RAILWAY NETWORK
ZOOMED IN AREA OF HAJI ALI - PLACES MAP
CENTRAL PARK, NEW YORK
POSSIBLE SOLUTION ALONG THE WATERFRONTS HYDE PARK, LONDON
MAP OF MUMBAI SHOWING EXISTING RELIEF SPACES
TRANSFORMATIVE SPACE
POSSIBLE SOLUTION ABOVE THE RAILWAY STATION
ZOOMED IN AREA OF HAJI ALI - LAND USE PLAN
THESIS RESEARCH: INTERVENTIONS FOR AN INCLUSIVE CITY, MUMBAI, MAHARASHTRA, INDIA - FIFTH YEAR (2010 - 2011) Thesis Research: The Built Environment of Mumbai Mumbai has the lowest open space ratio in the world (1.77m2 per person) and was not built with any large central relief spaces such as Central Park and Hyde Park This lack of relief space leads to its citizens adapting and transforming spaces to provide relief Mumbai could either look at its waterfronts or the railways to create larger more accessible relief spaces or alternately create a network of smaller interlinked interventions across the city, which provide relief and improve the quality of life in the city. Therefore in order to create smaller interventions, the area of Haji Ali was chosen and analyzed and based on the analysis two interventions were created, one at the Mahalaxmi Temple and the other at the Mahalaxmi Racecourse. pg. 02
MAHALAXMI TEMPLE INTERVENTION
MAHALAXMI TEMPLE, MUMBAI, MAHARASHTRA, INDIA FIFTH YEAR (2010 - 2011)
SIT OUT SPACES OVERLOOKING THE PLAZA
CENTRAL SPACE USE TO COLLECT OFFERINGS
ROOMS OVERLOOKING THE PLAZA
MODEL PICTURE: INTERVENTION AT MAHALAXMI TEMPLE PLAZA DESIGNED AS A SERIES OF STEPS SLOPED TOWARDS THE SEA
pg. 03
GROUND FLOOR SHOWING THE PUBLIC PLAZA AND THE MAHALAXMI TEMPLE
SECTION
VIEWS
MAHALAXMI TEMPLE INTERVENTION MAHALAXMI TEMPLE, MUMBAI, MAHARASHTRA, INDIA - FIFTH YEAR (2010 - 2011) Program: Public Plaza, Offering Recycling Space, Resting Rooms, Reading Rooms, Office Space The Intervention at the Mahalaxmi temple revitalizes a plinth currently used to collect temple offerings such as coconuts, flowers and cloths given by the devotees The plinth is redesigned as a public plaza to allow devotees a place to pause and rest. Is has been designed as a series of steps that gradually step down towards the sea, in order to allow the water to partially enter the structure during high tide, allowing people to actually sit by the water instead of only looking at it. At the center of the plaza a tree, symbolic to the goddess Mahalaxmi has been placed below which a tiny slit has been created in the floor to allow devotees TO place their offerings, which get collected and sorted for recycling in a room below. Along the periphery the structure contains rooms that are rented out to families who come early from far away places to attend the temple aarti. The rooms overlook the activities of the plaza below and into the sea. The structure also contains a reading room and a few sit out spaces for the devopg. 04 tees to spend their time.
MAHALAXMI RACECOURSE INTERVENTION
MAHALAXMI RACECOURSE, MUMBAI, MAHARASHTRA, INDIA FIFTH YEAR (2010 - 2011)
VIEW: INTERVENTION AT MAHALAXMI RACECOURSE
AMPHITHETER OVERLOOKING A LARGE LAWN AND THE ENTIRE PLAZA
SMALLER SPACES TO ALLOW PEOPLE TO SIT IN INDIVIDUAL GROUPS
AN INTERACTIVE ZONE WITH VARIOUS PROGRAMS SPILLING OUT INTO THE PLAZA
pg. 05
LOCATION PLAN
ROOF PLAN
GROUND FLOOR PLAN
SECTION
SECTION
VIEWS
MAHALAXMI RACECOURSE INTERVENTION, MAHALAXMI RACECOURSE , MUMBAI, MAHARASHTRA, INDIA - FIFTH YEAR (2010 - 2011) Program: Public Plaza, Amphitheatre, Library, Workshop Spaces, Cafe, Reading Room, Exhibition Space, Sports Complex The community center at Mahalaxmi racecourse was designed to provide the local community a place to gather and recreate in order to improve the quality of life in the neighbourhood. The Community center was designed to partially enclose the central plaza and activate it through the strategic placement of program. The plaza itself was designed in four zones. The first was a series of steps that led up to a viewing deck as well as served as an amphitheatre which overlooked the entire plaza. The second part was the large lawn near the amphitheatre, which was created to allow the locals to host various events and programs as well as use it regularly for daily activities such as the laughter club, yoga club and a space for children to play. The third part was the creation of smaller individual pockets where people could sit in their individual groups and interact. The last was the area of the plaza pg. 06 that was bound by the structure on 3 sides. This was a more active zone with various programs spilling out into it, such as the reading room, games rooms, workshop spaces and a cafe.
LOW COST HOUSING
WADARWASTI SLUM, PUNE, MAHARASHTRA, INDIA FOURTH YEAR (2009 - 2010)
Terrace House 3
Terrace House 2 Terrace House 1
HOUSING MODULE
VARIETY OF COMBINATIONS BETWEEN MODULES
NETWORK OF TERRACES FORMED BETWEEN THE EXISTING HOUSES AND THE MODULE
pg. 07
SECTION
PLAN AT 3 3’
PLAN AT 4 4’
SITE PLAN
CLUSTER A
LOW COST HOUSING, WADARWASTI SLUM, PUNE, MAHARASHTRA, INDIA - FOURTH YEAR (2009 - 2010) Program: Low cost housing module for the kaccha houses in the Wadarwasti slum. The initial study showed that during the day the slum was primarily occupied by women who did their household chores in the streets outside the house since their houses were tiny and cramped. Due to the close proximity of each house, the women would get together to give each other company while doing the chores. The module was designed to allow women to come together and work by creating a series of common terrace space between the houses. The core containing a staircase and the toilet Split THE HOUSE into THREE parts, the living room, kitchen AND TERRACE. The toilet block opened at the terrace level where it contained the w.c. (since they didn’t want a w.c. in their house) and at the living room level where it contains the bath area. The modules were placed on site depending on the surrounding pukka houses, so that the common terraces could be easily accessible from the terraces of the pukka houses, thus creating small networks of interlinked terraces where people could pg. 08 gather.
NEW AIRPORT TERMINAL
AURANGABAD, MAHARASHTRA, INDIA FOURTH YEAR (2009 - 2010)
MODEL PICTURE: AIRPORT AS AN URBAN PARK
VIEWS
pg. 09
PROCESS MODEL OF A GENTLY SLOPED PARK WITH THE AIRPORT BELOW
PROCESS MODEL WHERE THE AIRPORT WAS A TRANSPARENT STRUCTURE WITHIN A LANDSCAPE
GROUND FLOOR PLAN
SECTION
SECTION VIEWS
NEW AIRPORT TERMINAL, AURANGABAD, MAHARASHTRA, INDIA - FOURTH YEAR (2009 - 2010) Program: Airport The airport makes up a large part of the city of Aurangabad but unlike most airports the built form of the airport tries to give back something to the people in the city by creating an urban park for the public in the middle, with the airport enclosing it from three sides. The park is designed to allow the general public as well as the people who come early to take a flight or are waiting to pick up someone from the airport, to flow directly into the site without actually having to enter the airport. The airport has been designed with a series of slopes which help merge the airport into the landscape, helping the people to climb up the airport easily to the various follies places around the site which contain various public functions or simply allow the people outside the airport to be visually connected with their friends or family inside and follow their movement path till they arrive or depart, thus making the space more eventful and livelier. pg. 10
COMMUNITY CENTER
DEHRADUN, UTTARAKHAND, INDIA THIRD YEAR (2008 - 2009)
OPEN TO AIR LIBRARY
BY LANE
PUBLIC PLAZA
MARKET ROAD
MAIN ROAD
DIAGRAM OF PUBLIC PLAZA WITH A SERIES OF STEPS LEADING UP TO THE OPEN TO SKY LIBRARY
pg. 11
OPEN TO SKY LIBRARY
OPEN AIR LIBRARY
LIBRARY
LIBRARY
BOOK STACK
LIBRARY
ADJUSTABLE LOUVERS
TRADE UNION WARD OFFICE PUBLIC FUNCTIONS CAR PARKING
TRADE UNION
TRADE UNION
WARD OFFICE
WARD OFFICE
EXHIBITION HALL
MAIN ROAD
CAR PARKING
PUBLIC SPACE PROGRAMME ORGANIZATION
BANK
CAR PARKING
SECTION
VIEWS
COMMUNITY CENTER, DEHRADUN, UTTARAKHAND, INDIA - THIRD YEAR (2008 - 2009) Program: A library, ward office, trade union office, an art gallery, cafĂŠ, local goods shop, post office, multipurpose hall. Since the project is a community center, half the plot is given back to the public in the form of a huge plaza, created adjacent to the market street. The plaza acts like a relief space from the dense conditions of the market and also serves as a space for social and cultural interactions for the locals. A series of steps that takes the people up to the library is designed with varying treads to allow the people to sit and gather on them and view the events taking place in the plaza in front. The library that helps shade the plaza by covering it, is supported with the help of two massive cores which give the plaza entrance a monumental look. The library is also designed with a central courtyard which allows a reader the freedom to sit in the open below a tree and read a book instead of sitting on the usual table pg. 12 and chair.
MUSEUM FOR THE PROGRESSIVE ARTISTS’ GROUP NARIMAN POINT, MUMBAI, MAHARASHTRA, INDIA THIRD YEAR (2008 - 2009)
MUSEUM
MUSEUM
WORKSHOP
CAFE
VIEW: MUSEUM FOR PROGRESSIVE ARTISTS GROUP
pg. 13
LOCATION PLAN
SECTION
ELEVATION
SITE CONDITION
GROUND FLOOR PLAN
SECTION
VIEWS
MUSEUM FOR THE PROGRESSIVE ARTISTS’ GROUP, NARIMAN POINT, MUMBAI, MAHARASHTRA, INDIA - THIRD YEAR (2008 - 2009) Program: Museum for the Progressive Artist’s Group, Art Gallery, Auditorium, Workshops, Café & Shops Most of the people come to the tip of Marine Drive to sit and enjoy the view of the city and the sea (almost a 270 degree clear view), hence the building has been designed to avoid looking like an obstructing solid mass which blocked the view of the area around it. The museum has been split into four ‘L’ shaped tubes placed on top of each other in such a way that the top of the bottom tube become a terrace level where the people can spill out into to enjoy the view of the city. The overlapping tubes enclose a central courtyard which has been designed to plug onto the marine drive stretch with the intention to allow the people from marine drive to flow into the building and use the courtyard as a place of rest and recreation. Various public functions have been placed around the courtyard and the courtyard could also be used as a place to host various social and cultural events. The building contains two cores per floor located at the junction where the two tubes overlap to allow the user to go straight down into the courtyard when he pg. 14 want to leave.
MONK HOSTEL,
PALACE MONASTERY, GANGTOK, SIKKIM , INDIA SECOND YEAR (2007 - 2008)
VIEW: A MONK HOSTEL
pg. 15
CONCEPT DIAGRAM
PLAN AT -4.5M
SITE PLAN
ELEVATION
PLAN AT -3.5M
TYPICAL ROOM SECTION
VIEWS
MONK HOSTEL, PALACE MONASTERY, GANGTOK, SIKKIM, INDIA - SECOND YEAR (2007 - 2008) Program: A hostel for teenage monks staying in the monastery. The monks that stayed in the hostel were between 6 – 16 years of age. They used the monastery as a school where they studied till the age of 16. In their free time they used to either go to the city or secretly play sports in a narrow passage behind the hostel. Since the hostel was near the monastery they maintained the formal atmosphere of the monastery by behaving in a very formal manner & barely interacting with each other outside the hostel. The hostel was redesigned in a circular manner following the profile of the contours behind the monastery so that it was partially hidden from the visitors. The rooms followed a stacking system and were arranged around the central lawn where the monks could meet & interact or play sports. There was also a performance space created which overlooked the street below & the external wall was punctured at some places to connect the hostel with the surrounding forest. pg. 16
WALKWAY INTO SIDDHIVINAYAK TEMPLE
SIDDHIVINAYAK TEMPLE, MUMBAI, MAHARASHTRA, INDIA SECOND YEAR (2007 - 2008)
VIEW: WALKWAY INTO SIDDHIVINAYAK TEMPLE
pg. 17
PERSPECTIVE OF SIDDHIVINAYAK TEMPLE FROM THE STREET
PERSPECTIVE OF SIDDHIVINAYAK TEMPLE FROM THE STREET WITH THE WALKWAY AXONOMETRIC OF THE WALKWAY
WALKWAY INTO SIDDHIVINAYAK TEMPLE, SIDDHIVINAYAK TEMPLE, MUMBAI, MAHARASHTRA, INDIA - SECOND YEAR (2007 - 2008) Program: A walkway designed to bring attention to the form of a temple Over time the form of the temple hasn’t changed and we still copy the form multiple times in every new temples we create. Therefore in order to deconstruct the temple and bring attention various symbols and features of the temple facade, a walkway has been designed with strategically placed openings that zooms in and isolates various elements in the facade of the temple, in order to bring the attention of the devotees to it. The walkway picks up devotees from the road and takes them directly into the temple complex and it sits on the wall like a parasite since the wall itself is illegal since it encroaches upon the public road pg. 18
RE-HOUSING A VEGETABLE VENDOR
CHARKOP, MUMBAI, MAHARASHTRA, INDIA FIRST YEAR (2006 -2007)
Living Space
Vegetable Storage And Despenser
Grocery Shop
PUBLIC TOILETS
Thoroughfare to the adjacent cafe and food stall
VIEW: HOUSE AND WORKPLACE OF A VEGETABLE VENDOR
pg. 19
PLAN
AXONOMETRIC OF THE VEGETABLE VENDORS EXISTING LIVING AND WORK SPACE
SECTION OF THE VEGETABLE VENDORS EXISTING LIVING AND WORK SPACE
SECTION
VIEWS
RE-HOUSING A VEGETABLE VENDOR, CHARKOP, MUMBAI, MAHARASHTRA, INDIA - FIRST YEAR (2006 -2007) Program: Re-housing a vegetable vendor located in Bhuleshwar who lived & worked from the same structure + public toilets The project was on an imaginary site where each student was given a plot of land (7.5M X 10M) adjacent to each other in an attempt to try and find different networks and relationships that form between the various people and how the architecture changes based on the relationship with the neighbours. The house had been designed like a funnel shaped object with a thoroughfare through the center which splits the house into, the shop on one side and public toilets on the other and helps connect the people from the street directly to the restaurant on the plots behind without them actually having to walk the entire length of the street. The top half of the funnel was his house while the bottom half was used as storage space for his vegetables, which CAME down into the shop with the help of gravity. The public toilets AND bath areaS provided additional income for him since most of the student had not incorporated toilets or bath areas in their pg. 20 houses.
PUSH UP ASSISTOR PROSTHETIC DEVICE FIRST YEAR (2006 - 2007)
ILLUSTRATION OF THE WORKING OF THE PUSH-UP ASSISTOR
pg. 21
DOCUMENTATION OF THE ACT OF DOING PUSH-UPS
VIEWS
PUSH UP ASSISTOR, PROSTHETIC DEVICE - FIRST YEAR (2006 - 2007) Program: A Prosthetic device used to assist an activity The initial documentation was of a person doing push-ups The prosthetic was designed to provide support the user in the act of doing push-ups It was designed to be tucked under the chest so as to stay hidden from view when someone used it and was designed to provide an upward thrust to the user
pg. 22
INSTALLATION AT JUHU BEACH + PLOTTING A CAPSICUM
BASIC DESIGN FIRST YEAR (2006 - 2007)
DOCUMENTATION OF THE CHANGING TIDE AT JUHU BEACH
pg. 23
INSTALLATION AT JUHU BEACH
VIEWS
PLOTTING A CAPSICUM
MEASURE DRAWING OF A CAPSICUM
TWISTING THE GRID
SECTION
MODEL
INSTALLATION AT JUHU BEACH + PLOTTING A CAPSICUM, BASIC DESIGN - FIRST YEAR (2006 - 2007) Program: Installation at Juhu beach (Group project: Kairav Shroff, Priya Prasanna, Saachi Mishra, Vijay Bhoir, Vishal Joshi. I worked on the design and installation of the project) The project tries to create an unexpected moment on the beach, triggered by the change in the tide The installation was a system of sunken pipes into the ground, filled with colorful balls. During high tide the water filled the pipes, which lead to multiple colourful balls floating out onto the beach, changing the landscape of the beach Program: Plotting a Capsicum The project was a drafting exercise that involved plotting a capsicum in a grid and then twisting the grid to see how the capsicum changed pg. 24
LORRY PLAST REDESIGN + SLUM REHABILITATION AHMEDABAD, MUMBAI, BANGLORE, SWITZERLAND SWITZERLAND EXCHANGE PROGRAM (2011)
VIEW: reDESIGN OF LORRY PLAST
pg. 25
LORRY PLAST REDESIGN
CHILDREN’S PLAY AREA / AMPHITHEATRE
TEMPORARY MARKET SPACE
TRAM STATION + PUBLIC PLAZA
VIEWS
SLUM REHABILITATION
CLUSTER PLAN
ORIGINAL SITE CONDITION
SLUM STUDY
REORGANIZATION OF THE SLUM
LORRY PLAST REDESIGN + SLUM REHABILITATION, SWITZERLAND EXCHANGE PROGRAM (2011) Program: Activating Lorry platz (Group Project: Hetal Parekh, Kairav Shroff, Mariana Vera, Nikhar Agarwal, Yunuen Fernandez. I worked on the design, drawings and presentation of the project) The project was an attempt to activate a currently unused plaza in Switzerland by creating various space such as, temporary markets, amphitheatres and cafe’s & children play areas. Program: Slum Re-housing (Group Project: Jitka Vancurova, Kairav Shroff, Manuela Roth, Michael Herrmann, Nikhar Agarwal, Sharan Suresh. I worked on the design, drawings & presentation of the project) The slum was redesigned as individual clusters around a common courtyard. In an attempt to connect the city to the slum, clear axis’s were created leading to the center of the slum where various community programs such as balwadi’s, clinics and exhibition spaces were created. Since a lot of the slum dwellers produced creative goods, workshop spaces were also created along the waterfront. pg. 26
MIDDLE INCOME HOUSING
AHMEDABAD, MUMBAI, BANGLORE, SWITZERLAND SWITZERLAND EXCHANGE PROGRAM (2011)
VIEW: MIDDLE INCOME HOUSING
pg. 27
ZONING
SUN PATH DIAGRAM
WIND PATH DIAGRAM
VISUAL ORIENTATION
VIEW: COMMUNITY SPACE DETAIL
VEGETABLE WALL IN THE KITCHEN
MIDDLE INCOME HOUSING, SWITZERLAND EXCHANGE PROGRAM (2011) Project: Middle income housing project (Group Project: Jennifer Burri, Kairav Shroff, Lexi Muller, Nishita Kamdar, Philipp Kurer, Vyoma Patwa. I worked on the design, drawings & presentation of the project) The project was designed as an attempt to create a sustainable middle income housing solution. The structure was designed to retain the existing trees on site and oriented so that each house didn’t look into each other. A green facade was placed along the sun path in order to cool the building. Various community spaces have been created in the building to allow the residents to interact. One such community space has been detailed as a space where the residents can view movies as well as gather and play various indoor games. In the kitchen a vegetable wall has been created in order to encourage organic farming, where the user can grow various vegetable and then flip the wall when the vegetables have grown and use them to cook their food. pg. 28
SKYCONDOS
SHROFFLEON ARCHITECTS PROFESSIONAL PRACTICE
VIEW: SKYCONDOS
pg. 29
PLAN: FOR THE NUDIST
SECTION
PLAN: FOR THE NUDIST
PLANS
SECTION
VIEWS
SKYCONDOS - SHROFFLEON ARCHITECTS Program: Duplex Residential Housing (Group Project: Kayzad Shroff, Mari Leon, Kairav Shroff, Kavan Shah, Snigdha Ararwal. I worked on the design, drawings and presentation of the project) Skycondos obsesses over optimization. Optimization of land, of views, of the context, and most importantly optimization of real estate values. The project initiates development through the formation of typological clusters, each exhibiting its own distinct performative sustainable agenda. By orienting the mouth of the primary assemblage in a direction that allows for maximum vantage of views for both the living-dining, as well as the master bedroom, the project derives its performative armature. Extreme optimization results in an architecture that is non standard. Contextual customization amounts to a program distribution that is unique, with each level, of each apartment being different, with every unit catering to a completely different user group. The emerging built form structures a building that is both calculated and precise in its massing, as well as responsive to its immediate environ. pg. 30
HOUSE AT AAMBY VALLEY + OLIA RESIDENCE
SHROFFLEON ARCHITECTS PROFESSIONAL PRACTICE
VIEW: HOUSE AT AAMBY VALLEY
pg. 31
HOUSE AT AAMBY VALLEY
FIRST FLOOR PLAN
VIEWS
OLIA RESIDENCE A
C
B
D
E ELEVATION 1 P.O.P. + PAINT (WHITE)
TO LIVING ROOM CLEAR TINTED (BROWN) GLASS
E VENEER (BOTH SIDES) FUMED OAK
C
D
B
A
VENEER (BOTH SIDES) FUMED OAK
3'-2"
eq
eq
4'-8"
1'-7"
3'-10"
PAINT
STORAGE
OAK
CROQUERY STORAGE
1'
TV SET
STORAGE
8'-6"
EQ
1 3'-112"
2'-10"
2'-3"
OWN)
SHELVES TV SET
EQ
FABRICATED SS HANDLE AS PER APPROVAL
GODREJ CUPBOARD
CUPBOARD eq 3'-11"
FABRICATED SS HANDLE AS PER APPROVAL
eq 3'-8"
q
Balance
eq
6"
VENEER (BOTH SIDES) FUMED OAK
2" SKIRTING
2" SKIRTING
2'-6"
VENEER (BOTH SIDES) FUMED OAK
E
D
C
B
A
TO BEDROOM EQ
EQ
EQ
3'-10"
ELEVATION 1
A
EQ
1'-7"
B
3'-8"
C
D
ELEVATION 2
E
* ALL HINGES AND FITTINGS TO BE "GRASS" AS PER APPROVAL ELEVATION
PLAN
HOUSE AT AAMBY VALLEY + OLIA RESIDENCE - SHROFFLEON ARCHITECTS
VIEW
SHROFFLE贸N
SHROFFLE贸N OLIA RESIDENCE // D 404 PLAN // SCALE 1:18 // 2012.02.24 Program: House at OLIA Aamby Valley Project: Shroff, Mari Leon, Kairav Shroff, Kavan Shah, Snigdha Ararwal. I worked on the drawings and presentation of the project) RESIDENCE // D 404 (Group ELEVATION 1 // SCALE 1:18 // Kayzad 2012.02.24 The 5000 square foot second home fitted onto a heavily contoured site, is sited in a manner that the built structure is completely hidden from view upon arrival through the driveway. The structure thus being overtly opportunistic of the existing elevational drop of nine meters. A staircase housed within a glass cage leads the visitor into the public domain of the residence, that is pierced by both a cantilevered lap pool, as well as a large open to sky courtyard that cuts through the entire house. Flanking the very end of the public space lies the barbecue area. The private chambers tuck themselves within the lowermost level, looking out into the valley below, turning their back to the semi private enclosure. 302 DALAMAL CHAMBERS. 29 NEW MARINE LINES. MUMBAI 400 020. WWW.SHROFFLEON.COM
302 DALAMAL CHAMBERS. 29 NEW MARINE LINES. MUMBAI 400 020. WWW.SHROFFLEON.COM
0
6"
1'
2'
0
6"
1'
2'
3'
3'
Program: Olia Residence (Group Project: Kayzad Shroff, Mari Leon, Kairav Shroff, Kavan Shah, Snigdha Ararwal. I worked on the drawings and presentation of the project) The 550 square foot house was a residential interior project
pg. 32
POCOLOCO RESTAURANT + BAR DESIGN
SHROFFLEON ARCHITECTS PROFESSIONAL PRACTICE
VIEW: POCOLOCO RESTAURANT
pg. 33
POCOLOCO RESTAURANT CARPET
WOODEN HANDRAIL EMBEDDED WITHIN WALL
WOODEN HANDRAIL
WOODEN RAILING
DUMB WAITER
PLY + VENEER STORAGE
MEZZANINE
3" ACCESSIBLE PARTITION WALL FOR DUCTING
SERVING COUNTER PRODUCT DISPLAY
OPEN KITCHEN PLATFORM
HARD BENCH (WOOD FINISH)
SECTION
FEATURE WOODEN RAILING
WINE DISPLAY
HDF WINE RACK
DUMB WAITER
WINDOW FIXED WINDOW
BAR COUNTER
PLYWOOD + VENEER
CHANGE IN LEVEL ROLLING SHUTTER
ODEN FRAMEWORK + ER MARINE PLY COVER
STEEL FRAME + WOOD STAIR
EPOXY FLOORING
ENEER + PLY STORAGE ROLLING SHUTTER EPOXY FLOORING GLASS DOOR EPOXY FLOORING
PICK UP AREA
1'-6"
3" PARTITION
2'
GLASS RACK
GLASS WITH FILM
STORAGE WITH SHELVES TILE
CLEAN DISH TABLE ISH WASH MACHINE WALL MOUNTED POT RACK
3'-2"
1'-6" GARBAGE BIN
PICK UP AREA
WOOD DISPLAY UNIT
TOUGHENED GLASS
STEEL STRUCTURE + PLY + VENEER + WOOD STONE COUNTER
STORAGE WITH SHELVES
WOODEN FLOORING
PLY + VENEER STORAGE CABINETRY
PLAN
BAR DESIGN
CONCEPT DIAGRAM
VIEW SHROFFLE贸N
POCOLOCO // DIAGRAM // 2012.03.19 302 DALAMAL CHAMBERS. 29 NEW MARINE LINES. MUMBAI 400 020. WWW.SHROFFLEON.COM
SHROFFLE贸N
POCOLOCO // FLOOR PLANS // SCALE 1" = 4' // 2012.03.28 0
6"
1'
2'
4'
302 DALAMAL CHAMBERS. 29 NEW MARINE LINES. MUMBAI 400 020. WWW.SHROFFLEON.COM
SELD
( MIS
CELA
DINE
ON
NEO
US )
OFT
EN
( WIN
E)
GLA SS RACK
ALW A ( MAL YS TS )
WN E DISPL
A
BOTT DISPLLES AY
WINE LT MA
BAR
ER ANT DEC ISPLAY D
CO GL CKT AS AIL SE S
GL
AS WIN SE E S
CH
AM P GL AGN AS E SE S
E WIN HILLER C R
IBA
MIN
USE DIAGRAM OPTION B
AXONOMETRIC SHOWING VARIOUS COMPONENTS OF THE BAR
AXONOMETRIC SHOWING VARIOUS COMPONENTS OF THE BAR
MADHAVJI RESIDENCE // FLOOR PLAN // SCALE NA // 2012.02.29
POCOLOCO RESTAURANT + BAR DESIGN - SHROFFLEON ARCHITECTS Program: Pocoloco Restaurant (Group Project: Kayzad Shroff, Mari Leon, Kairav Shroff, Kavan Shah, Snigdha Ararwal. I worked on the design, drawings and presentation of the project) The binding element in the restaurant design was a strip of wood that started from the dumb waiter on the mezzanine and continued down the stairs to form the serving counter and then across the floor to form a table as well as a display unit. Some of the other designed elements were a skylight and a window that looked into a flower shop. Program: Bar designed (Group Project: Kayzad Shroff, Mari Leon, Kairav Shroff. I worked on the design, drawings and presentation of the project) The bar had been designed to segregated the dining area from the den, so as to give the client some privacy when he drank in the den. The bar has been designed in three parts, the first part was designed for the client to be used daily, the second was for when he hosted parties and the third was for storing his antique collection of bottles. pg. 34