Kaiyu Xi Portfolio 2020 by kaiyuxi

KAIYU XI | PORTFOLIO SELECTED WORKS 2015-2020

KAIYU XI LEEP AP BD+C

xikaiyu@hotmail.com +1 213-706-1940 PROFESSIONAL EXPERIENCE Architectural Designer OFFICEUNTITLED

Los Angeles, USA Oct.2017-Jul.2020

Junior Designer China Architecture Design and Research Group

Beijing, China Feb.2014-Jun.2015

Junior Designer Advanced Construction Information Development (ACID)

Wuhan, China Jul.2013-Dec.2013

Intern Advanced Architecture Lab(AAL)

Wuhan, China Jul.2012-Jan.2013

EDUCATION

Master of Architecture University of southern California

Los Angeles, USA Aug.2015-May.2017

Bachelor of Architecture Wuhan Univeristy

Wuhan, China Sep.2008-Jun.2013

SOFTWARE

LANGUAGE

Rhino Grasshopper Revit Sketchup

English proficient

Maya Autocad Vray Lumion Enscape Photoshop Illustrator Indesign

Chinese(Mandarin) First language

CONTENT PROFESSIONAL WORKS

PERSONAL WORKS

AVA ARTS DISTRICT

LEVITATED BROADWAY

CAYTON CHILDERN MUSEUM

LIGHT-HEX

TOKYO ARTS

RIVER CANYON

BAY AREA CAMPUS

TRANSFORMING FIELD

VORTEX

475 UNITS RESIDENTIAL PROJECT AT LA ARTS DISTRICT

DISCOVERY-BASED EXHIBITS AND IMMERSIVE PLAY SPACE FOR KIDS

MIXED-USE TOWER AT LOS ANGELES LITTLE TOKYO DISTRICT

RESIDENTIAL CAMPUS FOR HI-TECH COMPANY AT BAY AREA

REVIVAL PROJECT FOR LOS ANGELES HISTORIC BROADWAY DISTRICT

LAND ART GENERATOR OF GREEN ENERGY IN ADU DHABI

HISTORY MUSEUM OF THE ANCIENT NILE IN EGYPT

ARTIST COMMUNITY AT LA ARTS DISTRICT

USC WRIGLEY CENTER FOR ADVANCED ENVIRONMENTAL STUDY

VERTICAL URBANISM

TWIN SUPERTALL TOWERS IN NEWYORK AND SHENZHEN

OTHER WORKS

AVA ARTS DISTRICT 475 UNITS RESIDENTIAL PROJECT AT LOS ANGELES ARTS DISTRICT

PROFESSIONAL WORK AT OFFICEUNTITLED Location: Los Angeles, CA, USA Program: Residential/Retail Project Size: 565,000 SF 475 Live/Work Units Status: Construction starts at 2020 Principle in Charge: Shawn Gehle Participated Duration: DD/CD phase 2018-2020 Contribution: 3D modeling, Revit Drawings, Interior Concept Design, Visulization, Animation

_______ 1 A301

_______ 2 A301

_______ 1 A302

_______ 2 A301

_______ 1 A302

LEVEL 4 41' - 0" LEVEL 3 30' - 3"

10' - 9" 10' - 9" 18' - 9"

LEVEL 2 18' - 9"

10' - 9"

LEVEL 5 51' - 9"

WP-1

10' - 9"

LEVEL 6 62' - 6"

11' - 6"

LEVEL 7 73' - 3"

WP-3

WP-2

11' - 3"

4' - 6"

T.O. PARAPET 89' - 0" T .O. R OOF 84' - 6"

LEVEL 1 0"

GL-1

GL-1 _______ 1 A301

E L E VA T I O N - W E S T

1/32" = 1'-0"

RE:

3 E L E VA T I O N - E A S T

1 A101

1/32" = 1'-0"

14. 9 15

16 16. 1

_______ 2 A302

_______ 4 A302

_______ 2 A302

_______ 4 A302

RE:

1 A101

_______ 3 A302

WP-3

GL-1

CONC-1

GL-1

WP-1 _______ 3 A302

E L E VA T I O N - S O U T H

1/32" = 1'-0"

RE:

1 A101

COURTYARD VIEW

_______ 3 A302

16. 1 16

14. 9

_______ 4 A302

_______ 2 A302

WP-2

GL-1

CONC-1

NORTH ELEVATION

_______ 3 A302

WP-1

GL-1

WP-1

_______ 4 A302

_______ 2 A302

E L E VA T I O N - N O R T H

1/32" = 1'-0"

RE:

1 A101

AVA LA was conceived as a base camp for a wide range of creators and artists. The seven-story development provides multiple indoor and outdoor spaces dedicated to arts, production, and personal wellness on site. Inspired by the materiality and fenestration techniques found throughout the Arts District, the project’s conceptual approach follows the idea of “Buildings on a Building.” The concept draws from a long-standing tradition of commandeering rooftops of industrial buildings for new development atop the expansive warehouse and factory floor plates found throughout the neighborhood. E X T E R I O R F IN I S H E S REFER TO SHEET A601 FOR MATERIAL REFERENCES

MP-1: PERFORATED METAL PANEL MN-1: MESH NET

CG - 1: CABLE GUARDRAIL

PT-1:

CONC-1: CONC-2:

WP-1: GLASS FIBER RE-ENFORCED CONCRETE PANELS WP-2: METAL PANEL CORRUGATED WP-3: METAL PANEL ZINC

CP-1: CP-2: CP-3: CP-4:

BOARDFORM CONCRETE CAST IN PLACE CONCRETE

CEMENT PLASTER CEMENT PLASTER CEMENT PLASTER ART MURAL

PAINT

GL-1: GLASS

Located on the eastern edge of Downtown Los Angeles, AVA LA takes inspiration from the neighborhood’s irreverent art and street scene. Over the last forty years, artists moved into this former industrial area and brought it to life within closed studios. Today, art has moved from behind-the-scenes to the street, with new storefronts, gallery spaces, and large-scale murals. The AVA project taps into the neighborhood’s redevelopment and future transformation. The project is located off Alameda, the most important north-south industrial street in the Arts District, connecting Union Station with South LA and the Port of Los Angeles. The location will be home to Metro’s underground light rail station in the heart of the valley of the Los Angeles River, part of nearly two dozen planned developments in the neighborhood. AVA opens up to this context and the new urban fabric at ground level while reinterpreting the horizontality of Los Angeles through its form. AVA was designed with multiple courtyards and activities to promote pedestrian interaction with landscaping and retail experiences that are open to the outside. From the street, full height commissioned artwork acts like a beacon to be viewed from Downtown LA. In turn, the landscaped art park leading from Mill Street to the Paseo of AVA is filled with amenities for both the public and the residents of the area.

14. 9 15

16 16. 1

748' - 0" 28' - 0"

32' - 0"

28' - 0"

32' - 0"

28' - 0"

INDUSTRIAL STREET

32' - 0"

28' - 0"

1 /A101A

_______ 2 A302

32' - 0"

28' - 0"

32' - 0"

28' - 0"

30' - 0"

2' - 0"

28' - 0"

2' - 0"

30' - 0"

28' - 0"

_______ 4 A302

A201

32' - 0"

28' - 0"

32' - 0"

28' - 0"

32' - 0"

1 /A101C

32' - 0"

1 /A101B

28' - 0"

18' - 6" 1' - 6"

MECH. INTAKE

COMMERCIAL RESTAURANT

COMMERCIAL GROCERY

30' - 3"

A210

COMMERCIAL RESTAURANT

ELEC

_______ 1 A302

RETAIL PARKING PARKING

30' - 3"

19% RAMP TO LEVEL BELOW

SHORT TERM DELIVERY PARKING

28' - 0" MIN. FIRE LANE / SERVICE EXIT

18' - 6"

1' - 6"

29' - 0"

OVERHANG ROLLING DOOR

DIY

COMMERCIAL ARTS & PRODUCTION SPACE

RESI. TRASH

STORAGE

RESI. TRASH

_______ 2 A301 COMM. TRASH 28' - 0"

SHORT TERM BIKE PARKING SHORT TERM DELIVERY PARKING

20% RAMP TO LEVEL BELOW

ELEC

COMM. TRASH

_______ 1 A301

A201

GALLERY

ELEC

OVERHANG ROLLING DOOR

COMMERCIAL RESTAURANT

MAIL ROOM

22' - 0"

OVERHANG ROLLING DOOR

35' - 0"

161' - 0"

15' - 6"

30' - 8" 4

COMMERCIAL ARTS & PRODUCTION SPACE

COMMERCIAL COMMERCIAL ARTS & ARTS & PRODUCTION SPACE PRODUCTION SPACE

TRASH ROOM 26' - 10"

TRASH COMPACTOR

A201

COMMERCIAL ARTS & PRODUCTION SPACE

OVERHANG ROLLING DOOR

SHORT TERM BIKE PARKING

_______ 2 A301

LOBBY

A211

PAINT STRIPING

24' - 0"

OVERHANG ROLLING DOOR

ELEC

COMMERCIAL RETAIL

ALAMEDA STREET

24' - 0"

MECH. INTAKE

COMMERCIAL RESTAURANT

MOVE IN STAGING

_______ 1 A302

28' - 0"

PARKING FOR UBER / LYFT

74'-6"

MECH. INTAKE

12' - 0" 8' - 0"

32' - 0"

_______ 3 A302

28' - 0"

DIY DIY

SCULPTURE

COMMERCIAL ARTS & PRODUCTION SPACE

DIY

_______ 1 A301

MECH. EXHAUST

FIRE LANE

METAL LOADING DOCK GATE

DWP SERVICE BELOW _______ 2

_______ 4 A302

A201

A302

_______ 3 A302

1 L E VE L 0 1 - A R E A A , B , C - O VE R A L L F L O O R P L A N 1/32" = 1'-0"

RE:

1 086

PLAN - LEVEL 01

1. SEE L SHEETS FOR LANDSCAPE 2. CEILING HEIGHT IS TO UNDERSIDE OF STRUCTURE

COMMERCIAL - ARTS & PRODUCTION SPACE

COMMERCIAL - RESTAURANT

14. 9 15

16 COMMERCIAL 16. 1 17 - RETAIL

28' - 0"

32' - 0"

28' - 0"

32' - 0"

28' - 0"

32' - 0"

_______ 2 A302

28' - 0"

32' - 0"

28' - 0"

32' - 0"

28' - 0"

30' - 0"

2' - 0"

1 /A102B

32' - 0"

NEW FIRE HYDRANT 25 26

LOBBY

748' - 0" 28' - 0"

EXISTING FIRE HYDRANT (SEE CIVIL)

COMMERCIAL - GROCERY

28' - 0"

EV ELECTRIC VEHICLE CHARGING STATION

GALLERY 2' - 0" 30' - 0" DIY

28' - 0"

SHORT TERM BIKE PARKING _______ 4 A302

32' - 0"

28' - 0"

32' - 0"

28' - 0"

32' - 0"

1 /A102C

1 /A102A

T IS REQUESTING A MASTER CUP FOR A FULL COHOL FOR OFF-SITE CONSUMPTION FOR BLISHMENT UP TO 12,621 SF; AND FOR ONUMPTION FOR UP TO FIVE ESTABLISHMENTS, 019 SF

ELEC MAINTENANCE

28' - 0"

32' - 0"

_______ 3 A302

28' - 0"

FEV FUTURE ELECTRICAL CHARGING STATION

SLAB BREAK

MAIL ROOM STORAGE RESI. TRASH

RESTROOM

1' - 6"

18' - 6"

IDF

B12 L/W 2

TRASH COMPACTOR

B4b L/W 2

B11 L/W 2

C4 L/W 3

S5 L/W 0

C12 L/W 3

S7 L/W 0

C7 L/W 3

A1a L/W 1

A13 L/W 1

SERVICE

30' - 3"

B4b L/W 2

S8 L/W 0

_______ 1 A302

S1 L/W 0

A2a L/W 1

A2a S1 S1 A2a L/W 1 L/W 0 L/W 0 L/W 1

A2a L/W 1

A2b L/W 1

S1 A2b S1 L/W 1 L/W 0 L/W 0

A2b L/W 1

A11 L/W 1

CLUBROOM

50' - 0" IDF

A5a L/W 1

D 24' - 0"

B4c L/W 2

C8 L/W 3

ELEC

B4c L/W 2

ELEC

ACCESIBLE RESTROOM

ELEC

POOL RESTROOMS MAN

STORAGE

S2a L/W 0

FITNESS

S3 L/W 0

POOL RESTROOMS WOMAN

A2b L/W 1

A10 L/W 1

A2 L/W 1

_______ 2 A301

A9a L/W 1

A8a L/W 1

ELEC

JANITORS CLOSET

RENTABLE STORAGE

A10 L/W 1

ELEC

B7 L/W 2

S8 L/W 0

S1 A2b L/W 0 L/W 1

A2b S1 S1 L/W 1 L/W 0 L/W 0

S1 S1 A2b A2b L/W 1 L/W 0 L/W 0 L/W 1

A2b L/W 1

A14 L/W 1

A2b L/W 1

S1 L/W 0

ELEC

_______ 2 A301

A2 L/W 1

ACCESIBLE IDF RESTROOM

A2 L/W 1

30' - 3"

IDF

A6a L/W 1

A6 L/W 1

B4c L/W 2

_______ 1 A302

A2 L/W 1

A7 L/W 1

A2 L/W 1

24' - 0"

C6 L/W 3

ACCESIBLE RESTROOM

A5 L/W 1

15' - 6"

JANITORS CLOSET

C4a L/W 3

1' - 6"

18' - 6"

S6 L/W 0

B1 L/W 2

S1 S1 S1 S1 A2a L/W 0 L/W 0 L/W 0 L/W 0 L/W 1

A2a L/W 1

S1 S1 A2a L/W 0 L/W 0 L/W 1

A2a S1 S1 L/W 1 L/W 0 L/W 0

_______ 1 A301

A2a S1 S1 A2a L/W 1 L/W 0 L/W 0 L/W 1

A2a L/W 1

S1 L/W 0

S9 L/W 0

S1 S1 L/W 0 L/W 0

C4a L/W 3

A2a L/W 1

B2 L/W 2

B4a L/W 2

C4a L/W 3

_______ 1 A301

29' - 0"

S1 L/W 0

C5 L/W 3

POOL 60' x 20'

K _______ 4 A302

_______ 2 A302

_______ 3 A302

1 L E VE L 0 2 - A R E A A , B , C - O VE R A L L F L O O R P L A N 1/32" = 1'-0"

RE:

1 086

PLAN - LEVEL 02

1. SEE L SHEETS FOR LANDSCAPE FOR TYPICAL LIVE/WORK UNIT PLANS L/W 0: SEE SHEET A501- A518 L/W 1: SEE SHEET A501 - A518 L/W 2: SEE SHEET A501 - A518 L/W 3: SEE SHEET A501 - A518

ACCESSIBLE RESTROOM L/W 0 L/W 1 L/W 2 L/W 3 CLUBROOM FITNESS IDF ELEC

JANITORS CLOSET

14. 9 15

16 SERVICE 16. 1

28' - 0"

32' - 0"

28' - 0"

32' - 0"

28' - 0"

32' - 0"

18' - 6"

1' - 6"

_______ 2 A302

32' - 0"

28' - 0"

32' - 0"

28' - 0"

32' - 0"

28' - 0"

RENTABLE STORAGE 2' - 0" 30' - 0" Calculating...

28' - 0"

19 32' - 0"

28' - 0"

32' - 0"

22 28' - 0"

_______ 4 A302

32' - 0"

28' - 0"

32' - 0"

_______ 3 A302

B4b L/W 2

S8 L/W 0

B4b L/W 2 ACCESIBLE RESTROOM

B8 L/W 2

B7 L/W 2

B4 L/W 2

C9 L/W 3

A1 L/W 1

B6a L/W 2

C7 L/W 3

C1 L/W 3

B4a L/W 2

B4c L/W 2

B4a L/W 2

A2 L/W 1

A11 L/W 1

A2 L/W 1

_______ 1 A302 IDF

A2c L/W 1

JANITORS CLOSET

B4 L/W 2

24' - 0"

ACCESIBLE RESTROOM

B4 L/W 2

A4 L/W 1

ELEC

B4 L/W 2

ELEC

15' - 6"

A2c L/W 1

_______ 2 A301

A9a L/W 1

24' - 0"

A8a L/W 1

ACCESIBLE RESTROOM

ELEC

S4 L/W 0

B4 L/W 2

S2 L/W 0

B4 L/W 2

B9 L/W 2

A2 L/W 1

A2 L/W 1 A4 L/W 1

ELEC

B7 L/W 2

A4 L/W 1

B4 L/W 2

B4c L/W 2

A2 L/W 1

S5 L/W 0

ELEC

1' - 6"

B10 L/W 2

A2 L/W 1

B4b L/W 2

B4 L/W 2

B5 L/W 2

C3 L/W 3

B4 L/W 2

B4a L/W 2

A3a L/W 1

_______ 1 A301

ACCESIBLE IDF RESTROOM

B4a L/W 2

A2 L/W 1

A2 L/W 1 A6 L/W 1

_______ 2 A301

A2 L/W 1

C4 L/W 3

_______ 1 A301

_______ 2 A302

_______ 4 A302

_______ 3 A302

1 L E VE L 0 4 - A R E A A , B , C - O VE R A L L F L O O R P L A N RE:

JANITORS CLOSET

RENTABLE STORAGE

A12 L/W 1

1/32" = 1'-0"

B4c L/W 2

STORAGE

A2 L/W 1

30' - 3"

C5 L/W 3

18' - 6"

B3 L/W 2

29' - 0"

ELEC

B4 L/W 2

B7 L/W 2

H I

C4 L/W 3

_______ 1 A302

26 28' - 0"

IDF

B13 L/W 2

C 30' - 3"

28' - 0" 1 /A104B

32' - 0"

1 /A104A

28' - 0"

STORAGE

748' - 0"

1 /A104C

1 086

PLAN - LEVEL 03

ACCESSIBLE RESTROOM L/W 0 L/W 1 L/W 2 L/W 3

FOR TYPICAL LIVE/WORK UNIT PLANS L/W 0: SEE SHEET A501- A518 L/W 1: SEE SHEET A501 - A518 L/W 2: SEE SHEET A501 - A518 L/W 3: SEE SHEET A501 - A518

IDF ELEC JANITORS CLOSET SERVICE STORAGE RENTABLE STORAGE

ALUMINUM STOR CORRUGATED M BALCONY OVERF OR 1/4" BELOW T SEE DETAIL 15/A OVERHEAD HIGH 8/A702 SOLID METAL PA ROLL-UP OVERH GARAGE METAL AWNING SEE DE MECHANICAL VE DETAIL 11/A701 UNIT VENT- VENT ON BUILDING FAC EXTERIOR CEME AND CEILING OKO SKIN PANEL METAL SIDING - S BOARD FORM CO METAL PICKETS METAL DIAGONA PAINTED METAL VINYL PATIO DOO WEBNET MESH G

7.17 7.18 7.19 7.20 7.21 7.22 7.23 7.24 7.25 7.26 7.28 7.29 7.30 7.31 7.32

_______ 2 A302

A6 A6 C3 B1 B2

B1 B1 B2 B2 B2

Sim

3 I2 7.28

B2 L1

7.11

7.31

Sim

S6L S6L S6L S6L S6L

B5XL B5XL B5L B5L B5L

A812

B4 7.32

B1 B1 B2 B2 B2

A812

B2 B4

S6L _______ 4 A401

7.22

T.O. PARAPET 337.96'

7.24

A1 7.1

TYP.

TYP. 15

Sim

R6.1

Sim

LEVEL 6 311.46' 10' - 9"

A822

Sim

4 A812 R6.1

R6.1

4 A812

Sim 11

Sim

A822

R6.1

Sim

A820

7.23

LEVEL 6 311.46'

Sim

10'-9"

10' - 9"

LEVEL 7 322.21' 10'-9"

Sim

6 R6.1

4 A812

3. 4. 5.

A820

LEVEL 7 322.21'

11'-3"

11' - 3"

6 A820

Sim

3 A812 R6.1

MAX. ALLOWABLE PLANNING HEIGHT 334.61' T.O. ROOF 333.46'

A822

T.O. ROOF 333.46'

ELEVAT

T.O. PARAPET 337.96'

7.22

8. TYPE IIIA

B8 C8L

9. 10.

FOR ADDITIONAL F SHEETS A744, A77 HORIZONTAL DRIF EXTERIOR NON-LO HEADS ABUT THE PANELS. VERTICAL DRIFT JO STUDS OR WINDO COLUMNS. PROVIDE 1/2" MIN. PROVIDE VDJ/SLIP WHERE VINYL OR WINDOWS ABUT C PROVIDE DRIFT JO STOREFRONT WIN COLUMNS. WINDO FRAME COMPENSA FOR HORIZONTAL OUTDOOR LIGHTIN COMPLY WITH REQ FORM15. PROVIDE ANTI-GRA MEASURED FROM DOORS. ALL DOWNSPOUTS AND PLUMBING DR SEE SHEETS A770, AND A783. FOR TY

TYP. L E V E L P 17 51' - 9"

LEVEL 5 300.71'

Sim

R6.1

DRIFT JOI

10'-9"

A812

10' - 9"

LEVEL 5 300.71'

LEVEL 4 289.96' A

7.23

HORIZONTAL DRIF EXTERIOR NON-LO HEAD ABUTS THE PANELS VERTICAL DRIFT J OR WINDOW JAM COLUMNS. PROVIDE 1/2 INCH PROVIDE VDJ/ SLI WHERE VINYL OR WINDOWS ABUTS PROVIDE DRIFT JO STOREFRONT WIN COLUMNS, WINDO FRAME COMPENS FOR HORIZONTAL METAL SIDINGS S DRIFT JOINTS TO SUPPORT/FASTEN (FASTENERS SHO DRIFT JOINTS WIL WINDOWS ARE LO OPENING, PROVID STOREFRONT WIN

2. 3. 4.

10'-9"

10' - 9"

LEVEL 4 289.96'

TYP.

9'-5"

LEVEL 2 267.71'

MEZZANINE LEVEL - EGRESS PLAN 258.29' 9'-4"

OPEN

LEVEL 1 248.96'

Temp. Level 1 248' - 11 1/2" 7.11

7.24

7.13

7.26

7.1

_______ 4 A401

_______ 2 A302

1 E L E V A T I ON - A RE A A - N ORT H RE:

ENLARGED NORTH ELEVATION

2.1W

◊ MARK

2.2W

3.4W

BUILDING COMPONENT

◊ EXTERIOR MATERIAL SCHEDULE

MANUFACTURER

A1 A2 A3 B1 B2

EXTERIOR CEMENT PLASTER EXTERIOR CEMENT PLASTER EXTERIOR CEMENT PLASTER CORRUGATED METAL PANEL METAL PANEL

LA HABRA LA HABRA LA HABRA CSI METALS INC. CSI METALS INC.

B4 B6 B7 F1 F2

MESH NET GUARDRAIL METAL FINS METAL SIDING GFRC WALL PANEL BOARD FORM CONCRETE

CUSTOM FABRICATED

F3 F4 F5 I1 I2

GFRC WALL PANEL SEALED CONCRETE CONCRETE MASONRY UNITS CABLE GUARDRAIL METAL PICKETS

MODEL/STYLE/TEXTURE

COLOR

FINE STEEL TROWEL FINISH FINE STEEL TROWEL FINISH FINE- MURAL/ART INSTALLATION STEEL PANELING - 7/8" THICK INTERLOCKING PANEL 1" THICK

I3 K1 L1 L2 M1 M2

DURANAR XL - PURE WHITE ANTHRA-ZINC - OR DURAMAR BLACK

OKO PANEL CAST IN PLACE ARCHITECTURAL CONCRETE OKO PANEL SMOOTH FORM CLASS A FINISH 6 PRECISION

N/A 5 ANGELUS BLOCK OR EQUAL CUSTOM FABRICATED CUSTOM FABRICATED

◊ MARK

WHITE LIGHT GREY

BUILDING COMPONENT

MANUFACTURER

METAL DIAGONAL PICKETS PAINTED METAL LOUVER VINYL OR ALUMINUM WINDOW VINYL OR ALUMINUM PATIO DOORS ALUMINUM STOREFRONT ALUMINUM OVERHEAD DOORS

MODEL/STYLE/TEXTURE

COLOR

CUSTOM FABRICATED BLACK BRONZE BRONZE

VPI OR PEERLESS VPI OR PEERLESS

ANTHRACITE

TERRA

7 7.1W

7.2W

8.5W

S ALAMEDA ST

◊ EXTERIOR MATERIAL SCHEDULE

1. DIMENSION STRINGS WITH "LW" (LIVE/WORK) NOTATIONS DENOTE LOCATION OF UNIT TYPES AS IT RELATES TO THE ELEVATION. 2. GRID LINES AND ITS RESPECTIVE DIMENSIONS ARE STRICTLY FOR TYPE 1 CONSTRUCTION (LEVEL P2, P1, 1, AND 2) 3. SEE SHEET A501, 502 FOR TYPICAL UNIT TYPES

A B

"C4"

X200 LOBBY

"S3L"

S6L 209

B5 210

B2 208

"B2"

B2 206

"B2"

B2 203

ACCESSIBLE RESTROOM

C4 202

SERVICE

C.1W

C.2W X211 IDF

3.13

X213 ACCESSIBLE RESTROOM

"B2"

X212 JANITOR'S CL.

"A8L"

C1L.2 205

X210 RENTABLE STORAGE

"C1L.1"

B2 204

"C1L.2"

B2 201

C1L.1 207

"B2"

"A8L"

X214 ELEC

D.8W

A8L 212

A2 213

E.1W

"A6L"

"A2"

Concrete Slab 12"

"A1" "A1"

A6L 214

6 9 A1 215

A210

3 X221 ELEC

"S3L"

E.2W F

S3L 230

"A6L"

"X"

A6L 216

B7 227

A2 233

X222 IDF

? ?

A1 235

"B2"

"A2"

G.1W

G.2W UP

A1 226

X220 TRASH ROOM

S1 231

"A2"

"?"

A2 234

A9.1 220

C4 218

"S3L"

"S2" S2 222

"A9.1"

S3L 219

"C4"

S1 "S1" 223

S2 224

"S2"

S1 225 "S1"

S2 229 "S2"

A2 228

"S1"

? ? A1 232

H.8W I

"A1"

J 1

2.1W

2.2W

LEVEL 02 - AREA A - FLOOR PLAN PLAN - LEVEL 02 1ENLARGED

3.4W

7 7.1W

7.2W

8.5W

1/8" = 1'-0"

S ALAMEDA ST

C:\Users\mcreimer\Documents\AVA-ARTS-DISTRICT-CENTRAL-NEW_mcreimer.rvt 7/31/2019 11:45:32 PM

MEZZANINE LEVEL - EGRESS PLAN 258.29'

TYPE IA

11'-6"

LEVEL 2 267.71'

1/8" = 1'-0"

LEVEL 3 279.21' 11' - 6"

LEVEL 3 279.21'

"B2"

AVA-ARTS-DISTRICT-CENTRAL-NEW_detached.rvt 7/22/2019 2:30:58 PM

7.13 7.14 7.15 7.16

SOUTH VIEW

UNIT INTERIOR VIEW

LOBBY INTERIOR VIEW 14 . 9

16 . 1

LEGEND

EXISTING WALL OR STRUCTURE, SEE A SHEET STUD WALL

NOT IN INTERIOR ARCHITE SCOPE - SEE A SHEETS

110v. QUADPLEX RECEPTA

2' - 9"

DEDICATED 110v. DUPLEX

110v. DUPLEX RECEPTACL MOUNTED VERTICALLY AT DF02

DF02

DEDICATED 110v./20 AMP 18" A.F.F., U.O.N.

3' - 0"

W03(AFF-6'0") *4

DF02

6' - 4 1/2"

DEDICATED 110v./20 AMP +18" A.F.F., U.O.N.

WALL MOUNTED, LIGHT SW ON LIGHT SWITCH

6' - 3"

SEE A SHEETS

4' - 3"

5' - 6"

WALL MOUNTED, MOTION

4' - 3"

9' - 9 1/8"

DT03

LOUNGE X263

W03(AFF-6'0") *4

1' - 4"

DT03

2' - 1"

3' - 0"

W03(AFF-6'0") *4

9' - 9 1/8"

DT03

E5 OPEN TO ABOVE

COMBINATION TELEPHONE FLEXIBLE CONNECTION TO

LOUNGE X265

JUNCTION BOX, FLOOR-MO WIRED FURNITURE SYSTEM

KEY FOB READER DEVICE B HARDWARE AND CONDUIT VENDOR.

KFP

DF02

OPEN TO ABOVE

COMBINATION TELEPHONE FLEXIBLE CONNECTION TO

1' - 3"

CR1 PR2

GFI, DUPLEX RECEPTACLE

1/X267

6' - 9 5/8"

W03(AFF-6'0")

SMALL MEETING ROOM 1 X266

W03(AFF-6'0") *2

6' - 9 5/8"

SMALL MEETING ROOM 2 X267

1/X269 EQ EQ

W03(AFF-6'0")

5' - 3"

W03(AFF-6'0")

CL 1' - 0 1/4"

1' - 1"

4' - 9"

DT04

F01C(17'1"x3)

60" A.F.F

7' - 3"

3' - 8"

LT-302

7' - 0"

GENERAL NOTES

1/X262

* P OW E R A N D D A T A F I T N E SS E QU I P M E N T RE Q U I RM E N T S P E R E Q U I P M E N T C ON SU L T A N T , SE E E SH E E T S

FITNESS X270

A L L C O N D UI T I S T O RUN I N SL A B A N D RE C E P T A C L E BO X E S A RE T O B E RE C E SS E D

1' - 0"

EQ DT04

E8 SS-PD INSIGNIA PULL DOWN

4' - 6"

EQ EQ

SS-ADC INSIGNIA ASSIST DIP CHIN

SS-CP INSIGNIA CHEST PRESS

SS-LE INSIGNIA LEG EXTENSION

39 1/4" A.F.F

COMMUNITY ROOM X262

2' - 3"

E11

11.

2' - 0"

12.

1' - 6"

SK1 GB FC1

F02(VERT.)

4' - 0"

10' - 0"

DF02

5' - 1 1/2"

3' - 3"

OPEN TO ABOVE

39 1/4" A.F.F

TR1

LOUNGE X261

DF02

SMAB SIGNATURE MILTI ADJ BENCH 2/X270

1' - 8"

E1 E2 E3

E4 E5

E7 E8

D.D.

E9 E10 E11 E12 P.D.

P.D.

D.D. D.D.

D.D.

P.D.

LOBBY PLAN - LEVEL 02 P.D.

D.D.

SEE A SHEETS

D.D.

S ALAMEDA ST

ALL OUTLET LOCATIONS TO BE 18" A.F.F OR ELEVATIONS ALL DIMENSIONS OF OUTLETS TO CENT OUTLET CLUSTER GENERAL CONTRACTOR TO COORDINAT ACTUAL EQUIPMENT SIZES, LOCATIONS ALL AV EQUIPMENT POWER LOCATIONS CONTRACTOR TO COORDINATE WITH AV COORDINATE RECEPTACLE COVER PLAT ARCHITECT REFER TO TELECOMM DRAWINGS FOR D ALL FURNITURE TO BE PROVIDED AND I LOCATIONS WITH FURNITURE DEALER P SIGNAL CONNECTIONS. VERIFY POWER REQUIREMENTS FOR US INSTALLATION OF RELATED POWER & S SEE LOW VOLTAGE PLANS FOR AV, SEC ACCESS POINTS COORDINATE VOLTAGE REQUIREMENTS SPECS. SEE EQUIPEMNT SCHEDULE ON ALL DEVICES IN CONCRETE WALLS ARE DEVICE SHALL BE ROUTED IN CONCRET ALL DEVICES IN CONCRETE FLOORS AR DEVICE SHALL BE ROUTED IN CONCRET RECEPTECLE COVER FINISH ARE AS FOL A. COVERS ON CONCRETE WALLS AR BLACK B. COVERS AND OUTLET ON CWP-1 P C. LEASING OFFICE COVERS AND OU D. COVERS ON CUSTOM LEASING DE FINISH. OUTLET TO BE BLACK. SE E. MAIL ROOM, MAIL ENTRY, COMMU OUTLETS ARE TO BE BLACK F. BREAK ROOM COVERS AND OUTLE BE WHITE

SHEET NOTES

CR1 E11

13.

SMAB SIGNATURE ADJ DECLINE AB BENCH

SYNRGY 360XM MIX

17' - 6"

2' - 0"

10' - 0"

39 1/4" A.F.F DF02

E11

SMAB SIGNATURE MILTI ADJ BENCH

HD ELITE STAND ALONE POWER RACK

1' - 6"

DW1

OPEN TO ABOVE

ELEVATOR LOBBY X260

9' - 6"

DT04

MC1

STORAGE

6. 7.

10.

F02(VERT.)

E11

36" A.F.F

DF01

IM1

11" 11" E5

39 1/4" A.F.F

4' - 5"

5' - 0"

36" A.F.F

2' - 10"

2' - 7"

1/X270

DT03

DF01

39 1/4" A.F.F

REF. THE FOLLOWING: • ID001 FOR GRAPHIC SYMBOLS AN • ID002 & ID003 FOR GENERAL NOT • ID004, ID005, AND ID006 FOR ACC • ID951 FOR DOOR TYPE/HARDWAR • ID500 FOR SCHEDULES

MECH CLOSET X270.1

SDR2 SIGNATURE TWO TIER DUMBELL RACK

TV AND CREDENZA

PHONE BOOTH X271

OPEN TO BELOW

ID406

10' - 7 1/8"

DF01

E4 60" A.F.F

SDR2 SIGNATURE TWO TIER DUMBELL RACK

DF01 *2

DT04

W03 *1

SS-SLP INSIGNIA SEATED LEG PRESS

W03 *1

12' - 8"

W03 *1

9' - 3 3/8"

W03 *1 DF01

W03 *1 W03*1

W03 *1

3' - 6"

W03 *1

T EQ

W03 *1

CONCEALED ALARM CONT

G01(22'3")

11' - 6 3/8"

REQUIRED FOR EXIT DETEC

F01(4'6"x3)

6' - 4"

SEISMIC JOINT

15' - 0 1/2"

REX

1x268

MEGAPIXEL FIXED POSITIO

MPX

34" A.F.F

KEYFOB READER D

1' - 6"

W03(AFF-6'0") *4

TV BY OTHERS. GC TO PRO AS REQ'D BY AV CONSULT

KFP

EQ EQ

1' - 1" DT04

ELECTRICAL LOCKSET

W02(AFF-5'6")

60" A.F.F

W03(AFF-6'0")

E4 SP

W02(AFF-5'6")

60" A.F.F

ELECTRICAL DOOR MONITO

W03(AFF-6'0")

3' - 0"

OPEN TO BELOW

7' - 9 1/2"

W03(AFF-6'0")

W03(AFF-6'0") *4

7' - 10"

DT04

DF02

LARGE MEETING ROOM X264

3' - 0"

TR1

EQ EQ

W03(AFF-6'0") *4

POWER AND COMMUNICATION PLAN - LEVEL 02

RECEPTACLE ABOUT COUNTER TO SEE E SHEETS FOR IDF/SERVER/EL CONTRACTOR TO COORDINATE CO MONUMENTS TO FEED MILLWORK COORDINATE OUTLET LOCATION IN COORDINATE OUTLETS FOR WALL CONFIRMED WITH AV VENDOR CONTRACTOR TO COORDINATE CO LOCATION TO BE VERIFIED W/ FINA AMAZON STORAGE LOCKERS, VERI POWER TO STUB UP AT IDENTIFIED RECEPTECLE, SEE DETAILS FOR MO PROVIDE POWER IN CONDUIT O TA INSTALLATION FLOOR LAMP RECEPTACLE ABOVE COUNTER, HE JBOX @ 22" A.F.F. BLACK COLOR, SPACED. OUTLETS AND COVER TO

LOBBY SECTION 7' INTERMEDIATE 4" STUD AS NEEDED FOR STL-1 ATTACHMENT ,PAINTED TO MATCH STL-1, TACK NAIL STUD TO HSS

0 1/8

7' -

0 1/8

1/8" THICK STL-1, CUSTOM PERFORATED PATTERN STEEL, FRAMING BACK SIDE OF WOOD FINISH ETC TO BE PAINTED BLACK HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

4' - 0"

10 5/8

togawa smith martin, inc

444 s flower street, suite 122 los angeles, ca 9007 tel: 213.614.605 www.tsminc.com

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT

HSS STRINGER, RE: STRUCT

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

10' -

0 1/8

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

STEEL, FRAMIN BACK SIDE OF WOOD FINISH ETC TO BE PAINTED BLACK 1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

7' -

ST A I R GE N E RA L N O T E S CONTRACTOR TO SITE VERIFY TOTAL HEIGHT OF STAIR RUN BEFORE FABRICATION ALL RISERS, TREADS, AND UNDERCUTS SHALL BE EQUAL IN ONE STAIR EVEN IF THE RUN IS SPLIT BY A LANDING. RISERS ARE NOT TO EXCEED 7” AND TREADS ARE NOT BE LESS THAN 11” WITH A MAX UNDERCUT MAXIMUM TOLERANCE IS 1/8” LESS BETWEEN EACH STAIR RUN UNDER MAXIMUM EVEN OR POINT LIVE LOAD ANY UNDERCUT SHALL BE LESS THAN ¼” AND BE CONSISTENT THROUGH OUT THE ENTIRE STAIR EVEN IF INTERRUPTED BY A LANDING STAIRS SHALL FOLLOW ALL APPLICABLE BUILDING CODE REGULATIONS AND CONSTRUCTION DOCUMENTS TYPICAL DETAILS APPLY TO ALL STAIRS, GUARDS AND RAILINGS UNLESS OTHERWISE NOTED

1. 2.

_______ 4 ID402

D E S I GN A R C H I T E C T :

LE V E L 1 ME Z 9' - 3"

METAL HANDRAIL, 1 1/2" TUBE WITH WALL MOUNTED BRACKET. POWDER COATED HANDRAIL AND BRACKET

7' - 2 1/8"

A r c h i t e ct u r e + D e s i gn 4200 SEPULVEDA BLVD, STE 104, CULVER CITY, CA 902302 P.310.730.6698

AIL ARDR 1/4" AND GU TUB STAIR BTWN GAP 1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

9 ID408

_______ 4 ID402

AVA Arts District, LLC

STL-1 SEAM

_______ 4 ID402

11111 Santa Monica Blvd Suite 85 Los Angeles, CA 9002 www.avaloncommunities.com

METAL HANDRAIL AND CAIN DETECTION RAIL, 1 1/2" TUBE WITH TERMINATION AT TUBE. POWDER COATED HANDRAIL _______ 7 ID408

WDF-2 RISER FINISH WDF-2 TREAD FINISH WDF-2 LANDING FINISH

STEEL GUSSET PLATE BOLTED TO TUBE STEEL STRUCTURE

STEEL PLATE STRINGER GR2 GAURDRAIL SYSTEM STEEL POSTS WITH MESH INFILL PANELS

STEEL C CHANNEL FOR LANDING SUPPORT

_______ 5 ID402

_______ 10 ID406

WDF-2 RISER FINISH

HSS STEEL STRINGER; SEE STRUCT

1/8" THICK BLACKEND STEEL

HSS STRINGER, RE: STRUCT

LEVEL 1 - TUBE STAIR AXON - 1 SCALE:

INSET WOOD CONTRASTING STRIP UP

1" 3"

NO HANDRAIL ATTACHMENT AT CL OF EACH HSS

3' - 10 1/4"

CONTRASTING STRIP

4' - 0 1/4"

DIRECTION OF GRAIN

ID408

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT

_______ 4 ID402

_______ 4 ID406

DIRECTION OF GRAIN

7' - 8 1/4"

ALING

LE V E L 1 ME Z 9' - 3" GR2 GAURDRAIL SYSTEM STEEL POSTS WITH MESH INFILL PANELS

_______ 8 ID406

_______ 5 ID402

_______ 7 ID406

1' - 6 5/8"

HSS STRINGER, RE: STRUCT

2°

_______ 4 ID408

_______ 4 ID402

WDF-2 TREAD FINISH DIRECTION OF GRAIN

2' - 3"

5' - 7"

1' - 6"

STEEL GUSSET PLATE BOLTED TO TUBE STEEL STRUCTURE

1' - 0"

INSERT WOOD CONTRASTING STRIP

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

CONTRASTING STRIP _______ 5 ID402 LINE OF MEZZANINE FLOOR ABOVE

STEEL C CHANNEL FOR LANDING SUPPORT GUTTER LIGHT AT STAIR, SEE LIGHITNG PLAN

PRICING SET

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT

DIRECTION OF GRAIN

100% DD

UPDATED PRICING SET

SCALE: 1/2" = 1'-0"

GR2 GAURDRAIL SYSTEM WITH COUNTER STEEL POSTS WITH MESH INFILL PANELS

DIRECTION OF GRAIN

_______ 5 ID402

PRELIM PRICING SET

RE: 1/ ID161

7' - 11 7/8" 8 EQ TREADS @ 11" EA.

LEVEL 1 MEZZANINE - STAIR 1 SECTION INSIDE TUBE

_______ 4 ID406

STEEL, FRAMIN BACK SIDE OF WOOD FINISH ETC TO BE PAINTED BLACK

25% ZONING SUBMITTAL

LE V E L 1 0"

WDF-2 LANDING FINISH

1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

_______ 9 ID406

1 1/2"

HSS COLUMN, RE: STRUCT

90°

_______ 5 ID402

CONTRASTING STRIP

BLOCKING AS REQUIRED 1/8" THICK BLACKEND STEEL

BLOCKING WITHIN OPEN WALL ASSEMBLIES IS TO BE FIRE TREATED TYP.

4' - 0"

STEEL, FRAMIN BACK SIDE OF WOOD FINISH ETC TO BE PAINTED BLACK

1 1/4" RECESSED HANDRAIL, METAL HANDRAIL, 1 1/2" TUBE. POWDER COATED HANDRAIL MEETS WD-2 WALL FINISH WOOD PANEL SEAMS

1' - 4 3/4"

10 7/8

1' - 3 1/4"

BENT STEEL PLATE

CUSTION AND UPHOSTRY FABRIC FB-10

GUTTER LIGHT BENHIND AT STAIR, SEE LIGHITNG PLAN _______ 4 ID402

1' - 10 3/4"

GUTTER FOR HANDRAIL BENHIND

_______ 11 ID408

1" 11"

_______ 3 ID408

8' - 2 1/8"

_______ 1 ID408

DIRECTION OF GRAIN

11"

ID404

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT

2' - 2"

GR2 GAURDRAIL SYSTEM STEEL POSTS WITH MESH INFILL PANELS

GL1

RU CT

_______ 5 ID402

WDF-2 TREAD FINISH

NORTH PERCH

WD-2 WALL FINISH, ALIGN WOOD SEAMS TO WOOD SEAMS AT TREADS

4' - 2 1/4"

TF O

GR2 GAURDRAIL SYSTEM STEEL POSTS WITH MESH INFILL PANELS

90°

1' - 6"

7' - 6"

PLAN CHECK SUBMITTAL

90°

5' - 0 1/2" 9 EQ RISERS @ +/- 6.75" EA.

7 3/4" 10 3/4" 4' - 2"

_______ 10 ID408

1/2"

_______ 6 ID401

14' - 3"

4' - 6 1/2"

NS T

8 1/2"

WD-2 FLOOR FINISH ALIGNS TO EDGE OF ANGLED WALL OF STEEL TUBE RECESSED IN CONCRETE FLOOR EXPANDED METAL MESH CEILING

GL1

10' -

CUSTION AND UPHOSTRY

2°

_______ 11 ID408

WD-2 CEILING FINISH, ALIGN WOOD SEAMS TO WALL WOOD PANEL SEAMS

WD-2 WALL FINISH, ALIGN WOOD SEAMS TO WOOD SEAMS AT TREADS

_______ 7 ID401

_______ 8 ID401

CONTRASTING STRIP

1' - 0"

01/10 /2020

LE V E L 1 ME Z 9' - 3"

_______ 4 ID402

GRAIN

4' - 0" OPEN TO BEYOND

03/09 /2020

12/05 /19

3' -

3' - 0"

7' - 10"

OF TION DIREC

0 1/8

2 3/4" 8" STL-1

5' - 10 3/4"

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

8/2 /19

8' -

RECESSED HANDRAIL, METAL HANDRAIL, 1 1/2" TUBE. POWDER COATED HANDRAIL MEETS WD-2 WALL FINISH WOOD PANEL SEAMS

" 11 1/2

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT BEHIND

A05A

9" 7' A05A

STEEL, FRAMIN BACK SIDE OF WOOD FINISH ETC TO BE PAINTED BLACK

WD-2 CEILING FINISH, ALIGN WOOD SEAMS TO WALL WOOD PANEL SEAMS

1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

SCALE:

HSS 4" X 4" X 5/16", RE: STRUCT FOR TUBE SUPPORT

LEVEL 1 - TUBE STAIR STRUCTURAL FRAMING AXON - 2

9/19 /19

0 1/8 7' _______ 2 ID408

_______ 4 ID402

" 0 1/2

7/31 /19

21' -

90° 3' -

9" RECESSED CONCEALED SPRINKLER HEAD WITH COVER

SCALE:

1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

6' - 5" 7 EQ TREADS @ 11" EA.

" 0 1/8 A05A

LEVEL 1 - TUBE STAIR AXON - 2

7' -

PROVIDE 2 1/2" DIA HOLE IN HSS FOR FIRE SPRINKLER LINE PENETRATION

SCALE: 1/2" = 1'-0"

1/8" THICK STL-1, CUSTOM PERFORATED PATTERN

11"

AVALONBAY

RE: 1/ ID401

1" FIRE SPRINKLER LINE

668 S ALAMEDA ST LOS ANGELES, CA 90021

LEVEL 1 MEZZANINE - STAIR 1 SECTION OUTSIDE TUBE RECESSED CONCEALED SPRINKLER HEAD WITH COVER PAINTED BLACK

AVA ARTS DISTRICT

LE V E L 1 0"

METAL HANDRAIL, 1 1/2" TUBE WITH FLOOR TERMINATION. POWDER COATED HANDRAIL

WD-1 TREAD FINISH

METAL HANDRAIL, 1 1/2" TUBE WITH WALL MOUNTED BRACKET, TERMINATES AT WALL. POWDER COATED HANDRAIL AND BRACKET

WDF-2 LANDING FINISH

L ANGLE HSS STRINGER, RE: STRUCT HSS COLUMN, RE: STRUCT

LE V E L 1 0"

WD-1 PLANKS STUD

_______ 7 ID406

SIM

_______ 5 _______ 4 ID408 ID408

11"

_______ 8 ID406

METAL HANDRAIL, 1 1/2" TUBE WITH WALL MOUNTED BRACKET. POWDER COATED HANDRAIL AND BRACKET

347 | March 9, 2020

TUBE STAIR 1 LEVEL 1

1' - 0"

WD-1 TREAD FINISH WD-1 RISER FINISH

3' - 0"

_______ 6 ID408

BENT STEEL PLATE

CONTRASTING STRIP _______ 6 ID408

scale:

LEVEL 1 - STAIR 1 SECTION RE: 1/ ID161

TUBE STAIR DETAILS

SCALE: 1/2" = 1'-0"

LEVEL 1 - TUBE STAIR STRUCTURAL FRAMING AXON - 1 SCALE:

LEVEL 1 MEZZANINE - STAIR 1 PLAN RE: 1/ ID101

SCALE: 1/2" = 1'-0"

1" = 75'-0

ID401

CAYTON CHILDREN MUSEUM DISCOVERY-BASED EXHIBITS AND IMMERSIVE PLAY SPACE FOR CHILDREN AGES 0-10 PROFESSIONAL WORK AT OFFICEUNTITLED Location: Santa Monica, CA, USA Program: Museum/ Education Project Size: 21,000 sf Status: Completed at 2019 Principle in Charge: Shawn Gehle Participated Duration: SD/DD/CD phase 2017-2019 Contribution: Conceptual Design, 3D modeling, Revit Drawings, Diagrams, Physical Model, Digital Fabrication & Wall Mock Up

UM FREE PLAN “OBJECTS” CONCEPT

The Armadillo

Tingle-y

Help-a-copter (aka it has to be chrome)

Head in the Clouds (aka the climber )

Exit

#ThePathOfAwesome

The Onion (aka Large Mulipurpose Rm/Theater)

The Porcupine (aka Med Mulipurpose Rm)

The Egg (aka Sm Mulipurpose Rm)

Stonehenge Drum (aka Retail / MUSE Shop)

Office

Imagined as an inclusive space for free and safe discovery, the museum’s non-linear design relies on a network of freestanding, tactile objects purposefully sited to frame portions of the five exhibit neighborhoods while not revealing the entirety of the museum’s total offerings all at once. The free plan approach affords each visitor the opportunity to chart his or her own “Path of Awesome” through the more than 30 exhibits focused on helping kids play their way to a better world.

its of adulthood, the design response for the Cayton Children’s Museum was Exhibitcapacity Neighborhoods include Your,everyday a hands-on space for 0-2 year olds to navigate various types of topography while en and their and desire to Launch reimagine objects.

building coordination and confidence, Let’s Help, a collection of exhibits dedicate to the role of first responders, veterinarians and farm to meal process that enables our food chain, Together We, exhibits that promote collaboration and group interaction, n are architecturally scaled objects affectionately referred to as the Armadillo, Reach For, a space to stretch your individual capacity and abilities in the Cloud Climber, and Reflect On, a contemplative USE Drum. These objects shape focused exhibit on neighborhoods neighborhood with exhibits find new ways and to beaddress present the and our ability to connect with nature and those we’ve such as:lost entry/ticketing, security, classrooms, flex theater and MUSE the Museum’s communication with.

way.

HELP-A-COPTER THE ONION

THE GRAND EXIT

STONEHENGE

THE OFFICE

THE CLOUD EY

THE ARMADILLO

THE EXIT

THE PORCUPINE

THE EGG

LET’S START!

The Armadillo

The Porcupine

The Onion

The Egg

The Stonehenge

C AY T O N C H I L D R E N ’ S M U S E U M EXHIBITION PLAN

X16

X15

X17

X18

X20

X19

X21

X22

YY3

EX4.40

EX3.40

THE GRAND EXIT EX6.20

EX4.00

EX6.10

EX3.30

LET’S HELP

EX3.10

EX5.10 EX5.30

EX6.40

CONFERENCE ROOM

EX1.30

EX2.03

STORAGE/ WORKSHOP

THEATER EX6.80

EX2.01

EX3.70

EX1.10

Ramp Entry/Exit

FAMILY SNACK/ LOUNGE

EX3.60

NURSING ROOM

EX 6.6 0

Y6.1

TEMP EXHIBITS

EX4.10 EX6.80

EX3.50

EX5.20

RETAIL

REFLECT ON

EX6.80

LAUNCH EX5.00 YOUR

EX4.50

TICKETING

EX2.05

REACH FOR

EX2.01

EX2.06

EX2.04

EX1.70

EX2.00

FAMILY BATHROOMS

TOGETHER WE

EX1.20 EX6.70

DW RE F.

OFFICE

EX1.00

EX1.50 EX1.40

EX2.07

ART STUDIO

EX1.50

LOBBY

EX6.30

ENTRY

MULTI PURPOSE RM

EX6.50

REACH FOR

TOGETHER WE EX1.00 EX1.10 EX1.20 EX1.30 EX1.40 EX1.50

SPLASH MOVERS & SHAKERS BUBBLES, BUBBLES, BUBBLES MOVING MOUNTAINS TOGETHER WE CELEBRATE MASTERPIECE MAKERS

EX1.70 EX2.00 EX2.01 EX2.02 EX2.03 EX2.04 EX2.05 EX2.10 EX2.10

LEAVE YOUR FOOTPRINT COURAGE CLIMBER ENTRY RAMP ZIPPER CHUTE ROCKY BOWL FLYING SAUCER TUNNEL OBSERVATION PLATFORM

LET’S HELP EX3.10 EX3.20 EX3.30 EX3.40 EX3.50 EX3.60 EX3.70

FIRE STATION E-I-E-I-O ANIMAL FIX-IT COMMUNITY CAFÉ/MARKET JUMP IN AQUA RESCUE HELP-A-COPTER

ART MURALS

REF.

EX4.30 EX4.20 E21

REFLECT ON EX4.00 EX4.10 EX4.20 EX4.30 EX4.40 EX4.50

KALEIDOSCOPE ROOM THE SAND PAINTER HELLO BOOTH GLOWING TOGETHER WISHING WALL IN TUNE WITH NATURE

LAUNCH YOUR EX5.00 EX5.10 EX5.20 EX5.30

TIME TO CLIMB MINI BOOKS IMAGINATOR TOT SPOT

THE GRAND EXIT EX6.10 MAKING MEMORIES EX6.20 GROUP SHOT

OTHER EX6.00 TEMPORARY EXHIBIT GALLERY EX6.30 THE SHAREWELL EX6.40 GUMMY BEAR

EX6.50 EX6.60 EX6.70 EX6.80

DONER’S WALL FOUNDERS WALL TING-Y-WALL THEATER & DRESS UP

WORK PROCESS - FROM DESIGN TO FABRICATION

1 Parametric design in grasshopper GENERAL NOTES D2

MILLWORK/CABINETRY NOTES:

15' - 0" EXISTING EXTERIOR WALL

2. 3.

4. 5. 6.

7. 8. 9. 10. 11.

14' - 0"

12.

15' - 0"

10' - 6" CG-10 ABV. FLOOR LEVEL

13. 14.

CASEWORK

15' - 0"

ALL MILLWORK SHALL CONFIRM TO THE CURREN STANDARDS [ CUSTOM GRADE / PREMIUM GRAD CONFORM TO THE CURRENT WOODWORK INSTIT [ CUSTOM GRADE / PREMIUM GRADE ]. SHOP DRAWINGS FOR ALL CABINETRY AND MILL BE SUBMITTED TO ARCHITECT AND OWNER FOR FABRICATION AND INSTALLATION. ALL NOTES AND DETAILS FOR DETAIL 3/- ARE TY PAGE OF DETAILS, UNLESS OTHERWISE NOTED. SEE ELEVATIONS FOR EXTERIOR FINISHES SPECIF DOOR PULLS SHALL BE: 4" SATIN CHROMIUM WI COUNTERTOPS SHALL HAVE BACK-SPLASHES ON ELEVATION. CABINET INTERIORS SHALL BE WHITE MELAMINE INTERIOR SHELVING SHALL BE COVERED IN WHIT DOORS SHALL BE OF FLUSH OVERLAY CONSTRUC DOORS EDGES SHALL BE EDGE BANDED TO MAT INTERIOR OF DOOR SHALL BE FACED WITH SAME FRONTS. EACH CABINET DOOR TO BE NO LESS THAN 12" W THAN 18" WIDE U.O.N. (*) VERIFY ALL EQUIPMENT CLEARANCES. ALL SUPPORTING STRUCTURE OF CUSTOM MILLW BLACK, UNLESS OTHERWISE NOTED

15' - 0"

A4 15' - 0"

A4 A4

15' - 0"

STROLLER PARKING ALCOVE

RIB SUPPORT FOR PANELS 18" O.C.

PW-1

AXON - PORCUPINE PANELS + BAFFLE CEILING SCALE:

SECURITY ALCOVE

AXON - PORCUPINE RIB SUPPPORT SCALE:

AXON - PORCUPINE VERTICAL STUD WALLS SCALE: A4

15' - 0" E4 RE: EXHIBIT PLAN

PW-1

A4A4

WORKPLANE, RE: GEOMETRY PLAN

RIBS PANEL SUPPORT

15' - 0"

A4 15' - 0"

PARTITIONS PER SCHEDULE FINISH PER ELEVATION

15' - 0"

MEDIA WALL

15' - 0" A4

CEILING PER RCP

15' - 0"

9' - 0"

5' - 0"

SHEET NOTES

15' - 0"

9' - 0" STORAGE

15' - 0"

STORAGE

X1 P O R C U P I N E M E D MU L I P U R P O S E MEDIA WALL RE: ELEVATIONS

PW-1

D2 15' - 0"

SE C UR I T Y C H E C K P OI N T RE: ELEVATIONS

STORAGE ALCOVE OPENS TO SECURITY CHECK POINT STORAGE DOOR RE: INTERIOR ELEVATIONS

5' - 0"

EXISTING EXTERIOR WALL

1' - 6" E4 RE: EXHIBIT PLAN

FLOOR LEVEL 0"

WALL SECTION @ SECURITY ALCOVE SCALE: 1/2" = 1'-0"

2 Construction Document in Revit 9" TO OUTSIDE FACE OF STUD WALL

1' - 6" TO OUTSIDE FACE OF STUD WALL

AXON - FOAM NOODLES SCALE:

E4 RE: EXHIBIT PLAN

*ALIGN LIGHTS AND DIFFUSERS WITH NEAREST 2X2 CEILING TILE GRID. ALL SPEAKERS, AND SPRINKLERS TO BE IN THE 6" FLAT PANEL

AXON - PORCUPINE VERTICAL STUD WALLS Copy 2 SCALE:

X18

X18 Y6

E4 RE: EXHIBIT PLAN

B.O. DECK 17' - 0"

_______ 3 A6.9

WORKPLANE, RE: GEOMETRY PLAN

A4 A3 A4

BUTT GLAZED MULTION AT ENDS OF CURTAIN WALL TYP

PW-1 RIBS PANEL SUPPORT

3' - 0"

PARTITIONS PER SCHEDULE FINISH PER ELEVATION

E4 RE: EXHIBIT PLAN

_______ 6 A6.9

6' - 0"

D2 7' - 6"

A6.5

LEGEND D2

5 SP

0" 3' -

3 High-Resolution 3D print

4 Digital fabrication test/ Wall mock-up on site

ARCHITECTURE / EXHIBITION DIAGRAM

CLIMBING NET

EXHIBITION ITEMS

MUSEUM SPACE

TOKYO ARTS

MIXED-USE TOWER AT LOS ANGELES LITTLE TOKYO DISTRICT PROFESSIONAL WORK AT OFFICEUNTITLED Location: Los Angeles, CA, USA Program: Residential/ Office/ Retail Project Size: 795 Residential Units, 250,000 sf Commercial Office, 30,000 sf Community Retail Principle in Charge: Shawn Gehle Participated Duration: Concept Design in 2020 Contribution: Conceptual Design, 3D modeling, Diagrams, Visulazation

Bridging Little Tokyo and the Arts District in Downtown L.A., Tokyo Arts embraces the history and culture of two iconic neighborhoods while addressing the urgent need for new housing. Looking to the scale and sensitivity of recent developments in Little Tokyo, the new mixed-use project opens up to future growth along Alameda and energy the Metro’s Regional Connector brings to the neighborhood. Tokyo Arts reinterprets the site’s context and neighborhood’s need for community serving retail while creating a new beacon for the city’s Metro and a lasting landmark for the site as the cross roads between Little Tokyo and the Arts District. DEVELOPMENT CAPACITY STUDY

ONE - TOWER

640’

960’

1040’

390’

340’

570’

520’

HEIGHT

540’

TWO-TOWER

Residential Office

MID-RISE MONOLITHIC

Retail Parking 140’

110’

180’

170’

FAR 6 FAR MIXED-USE

6 FAR RESIDENTIAL

10 FAR MIXED-USE

10 FAR RESIDENTIAL

STREET VIEW LOOKING NORTH

AERIAL VIEW LOOKING DOWN THE PATIO

Roof Deck Residential Amenity Level

Residential Towers & Amenity Decks

Residential Penthouse

Office Courtyard Open Space

Typical Tower Floors

Office - Typical (15’ FTF - 90’ Depth) High Bay Office 22’ FTF w/ Mezz - 90’ Depth 2 Levels of Side-loaded Office 15’ FTF - 40’ Depth Wrapping 4 Levels Automated Parking

Retail at Street 22’ FTF - 40’ Depth w/ Mezz Wrapping 2 Levels of Automated Parking

Office and Retail Wrapping Automated Parking

Courtyard Office & Open Space

Expanded Residential Floors

Below Grade Parking

2ND ST

3 Levels of Underground Parking Conventional Parked

Residential

Office

Retail

Parking

The program for Tokyo Arts follows the neighborhood context, with retail spaces embracing pedestrians and everyday life along the street. From the retail areas, the podium includes offices spaces and an amenity deck, with the residential units rising above to make up the two towers. Featuring a series of terraced balconies, the mixeduse development embraces Southern California’s climate to provide outdoor spaces for residential and commercial tenants alike. At the project’s core, a central courtyard brings air and light into the heart of the project. Balancing pedestrian activity with development capacity and FAR. Tokyo Arts combines a community-scaled retail and office podium with two varying height residential towers. Formally, the towers gradually rise from the lower podium through a stair-stepped building mass. The taller tower is located on the north side of the site, respecting 2nd street’s pedestrian traffic, while the shorter tower is designed to be a landmark for the Arts District and the commercial activity closer to Alameda. Together, they are shaped to retain view sheds from the Arts District back to downtown, as well as from Little Tokyo to the Metro stop.

BAY AREA CAMPUS A MIXED-USE RESIDENTIAL CAMPUS FOR SILICON VALLEY HI-TECH COMPANY

PROFESSIONAL WORK AT OFFICEUNTITLED Location: Los Angeles, CA, USA Program: Mixed Use Project Size: Phase I 940,000 SF (508 Units) Phase II 1,750,000 SF (1,500 Units) Principle in Charge: Shawn Gehle Particpated Duration: Concept Design 2017-2018 Contribution: Conceptual Design, 3D modeling, Diagrams Physical Model

PUBLIC SPACE OCCUPIED BY RESTAURANT AND BAR ACTIVITY

FLEXIBLE FOOD HALLS

OPEN SPACE THAT TRANSFORMS

NEIGHBORHOOD STREET THAT ENCOURAGES GATHERING

NEIGHBORHOOD AS CANVAS

INTIMATE COMMUNITY SPACES

OBJECTS THAT INSPIRE KIDS

This residential mixed-use district is a part of a larger campus master plan for a rapidly growing Silicon Valley tech company. The project is anchored by a hyper-local neighborhood retail street and welcoming gathering space, nestled between a diverse set of residential buildings and amenities. The projectâ&#x20AC;&#x2122;s interior is connected by a variety of linked parks and open spaces, forming unique neighborhoods which support a variety of interactions centered around connecting people and community. The engaging street retail experience is pedestrian-focused, featuring street art, co-working space, and alternative food and beverage concepts. The design is driven by an inherent diversity in housing typologies and highlights the many ways in which we live, from co-living interns to established families. The long-term vision for the project is the development of a resilient and sustainable place for living and working that is inextricably tied to community. This is a project designed and built for immediate needs but incorporates a built-in resiliency to accommodate the future. Construction is planned to take place in a series of phases, starting with an initial 500 units of residential and fully developed street retails to anchor future phases.

HAMILT

TREET

WIL

LOW

RO A

ON AVE

C STRE

ET DRIV

RETAIL S

SOUTH

RICOCH

RESIDE

IVY DRIVE

NTIAL

O’BRIEN DRIVE

HETCH HETCHY

THE EXCHANGE

THE PERCH

HIGH ST

PROJECT PHASES

6 LINEAR GARDENS & O’BRIEN CROSSING

5 THE YARD, IVY COMMONS & COMMUNITY LINK

4 LOOP PARK

6 3

4 3 8

BACKYARD COMMUNITY PARK 1. 2. 3. 4. 5.

WALKWAY CONNECTS TO PERCH AND EXCHANGE BEYOND BRIDGE LINKS RESIDENTIAL BUILDINGS PLACEMAKING URBAN ART AS WAYFINDING FEATURE STAIR WITH PROGRAMMED ACTIVITIES ELEVATOR ACCESS TO ELEVATED PATH

6. 7. 8.

COMMUNITY GREEN PARK ACTS AS BACKYARD LOW-DENSITY BUILDINGS FRONT WILLOW STREET ENTRY RAMP TO UNDERGROUND PARKING

COMMUNITY PARK

PLACEMAKING URBAN ART

ELEVATED WALKWAY

FEATURE STAIR

UNDERGROUND PARKING

LOW-DENSITY TOWNHOMES

INTERACTIVE PARK

PARKING ENTRY RAMP

7 5 9 8 6

ELEVATED NEIGHBORHOOD COURTYARD 1. 2.

3. 4. 5.

PEDESTRIAN-FRIENDLY HIGH STREET WIDENED SIDEWALK CREATES HANGOUT POCKET OUTSIDE NEIGHBORHOOD RETAIL SUPER LOUNGERS WELCOME REPOSE CONNECTING STAIR COURTYARD “PERCHED” OVER BUSY HIGH STREET

6. 7. 8. 9.

STACKED, DOUBLE HEIGHT WALK-UP TOWNHOMES W/ ENCLOSED COURTYARDS RESIDENTIAL BUILDINGS FRAME SPACE ELEVATED BRIDGE BETWEEN BUILDINGS WALKWAY CONNECTS PERCH TO EXCHANGE AND LOOP PARK BEYOND

THE PERCH

WIDENED SIDEWALK

DISTRICT SPECIFIC ART

FEATURE STAIR

UNDERGROUND PARKING

PERCH RESI LOBBY

LOADING CORRIDOR

DISTRICT SPECIFIC ART

GROCERY & RETAIL LOADING

USER BASED UNIT TYPES

SINGLES

ROOMMATES

WITHOUT CHILDREN EARLY CAREER ESTABLISHED SIGNLES

SINGLES

COUPLES

FAMILIES

CO-LIVING

MICRO

JR. STUDIO

COUPLES 1BR YOUNG COUPLES 2BR FAMILIES ESTABLISHED FAMILIES OTHER SPECIAL POPULATIONS

3BR

3BR+1

UNIT TYPES

LOFT Single loaded - 45’ Double loaded - 96’

ADJOINED HOME B Single loaded - 40’

FLAT PUZZLE UNIT Single loaded - 30’ Double loaded - 66’

SHARED STUDIO UNIT Single loaded - 30’ Double loaded - 66’

LOFT UNIT Single loaded - 33’ Double loaded - 72’

ADJOINED HOME A Single loaded - 56’ Double loaded - 118’

TWO FRONTS UNIT Single loaded - 40’ Double loaded - 98’

COMMUNAL STUDIO UNIT Single loaded - 28’ Double loaded - 62’

MICRO UNIT Single loaded - 34’ Double loaded - 68’

LUXURY 1BR / 2BR UNIT Single loaded - 40’ Double loaded - 86’

STRATEGIES FOR CO-LIVING

PAIRS OF ROOMMATES Suites with Individual Kitchens (

), Bathrooms (

) and Lounges (

COMMUNAL KITCHEN, LIVING AND WORK AREAS Suites with Individual Bathrooms ( ) and Shared Central Kitchen ( ), Lounges ( ) and Work Areaa (

COMMUNAL LIVING AND WORK AREAS Suites with Individual Kitchens ( ), Bathrooms ( Shared Lounges ( ) and Work Areas ( ) .

)

COMMUNAL EVERYTHING Shared Bathrooms ( ), Central Kitchen ( Work Areas ( ).

) and

), Lounges (

) and

DISTRIBUTION STRATEGIES FOR UNITS

“BIG BAR” Deeper Units More Across

“L” Linked Bars

”S”

BASELINE 2-SIDED CORRIDOR ”SHIFT” “BAR” Studios, 1BRs, 2BRs and 3BRs

“U”

”PRONG”

“SPOKE”

“CLOSED COURTYARDS”

“MULTIPLE COURTYARDS”

“TEETH”

LEVITATED BROADWAY 2018 EVOLO SKYSCRAPER COMPETITION HONORABLE MENTION

Type: Competition Collaborator : Fan Wu Location: Los Angeles, CA, USA Time: 2018 Program: Mixed-use/ Performance/ Public Space

BR OA DW AY Theatres- Closed Space for Public

Lack of Sunlight to the Whole Street

Broadway in downtown Los Angeles was one of the most famous street in United States and had the highest concentration of cinemas in the world by 1930s. The ornamental baroque style theaters witnessed the prosperity of Broadway in the past. However, with the decline of downtown and the migration of entertainment industry to Hollywood, Broadway became an abandoned area in downtown and is perceived as a dangerous location at night. This proposal is aimed to revitalize the Broadway theater district and explore a universal strategy to preserve and renovate the historic downtown area. The decay of downtown is an inevitable problem for most U.S big cities. The crowded street, outdated infrastructure, poor building condition, lack of public space and messed environment all become the reason to push people away from these areas, where finally became the shelter for filth and crimes. To overthrow this vicious circle, besides preserving historic buildings, we must inject new programs and create more public space to make these areas dynamic again. “Levitated Broadway” is a plan to create a new Broadway floating on the top of existing buildings and parking lots. Instead of demolishing the historic building, we can find more space in the between and on the top of existing buildings, which provides us enough space to insert new programs and create more public space in an already high-density community. The design uses lightweight steel truss grid to fill in the negative space of existing buildings and extend the concrete core of these buildings to support the whole structure system. The open structure allows light and wind to penetrate the whole building and creates a dynamic vertical street space. Along the sky street facing Broadway, we insert boutiques, café, restaurants, bars and a large amount of activity and green space. On the backside, we create a new performing arts complex including large theater, music hall, cinema, rehearsal rooms, live-house and outdoor music stage on a pervious parking lot. The performing arts complex will be the center of future Broadway and revive the cultural activities of this area. It’s said that Broadway is the hidden gem to Los Angeles. The design is aimed to find this jewellery back and polish it to make it even brighter than before.

Street view from corner

CONCEPT

Original Broadway

Original Site

Structure

Historical building Also Abandoned theater

Remain Old And Adding New

Infilled Massing

Vertical Circulation

Levitated Broadway On Top

Revived Broadway

Gridding

Core

Platform

Program

BARS

RESTAURAN

OUTDOOR STAGE

EXPOSITION

MUSEUMS COMMUNITY SPACE

GREENSPACE

BOUTIQUES

NTS

VIEWING STARS

MAIN ENTRANCE

RIVER CANYON

MUSEUM OF THE ANCIENT NILE INTERNATIONAL COMPETITION ENTRY PROJECT

Type: Competition Location: Luxor, Egypt Program: Museum

Collaborator : Fan Wu Time: 2017

AXON

PERSPECTIVES

Entrance

Amphitheater

Exhibition lobby Sitting beside the Nile River, the building form is like a river canyon carved by the flow of Nile in the past thousands of years. It integrates with the surrounding spectacular landscape and became a new scenic point for the passing ships on the Nile. The museum is divided into two parts by an open space in the middle. Just like the Nile fertilized the both side of the ancient Egypt, the public space like a river pass through the building and form a dynamic space where people can have panorama view to Nile. Wandering in the canyon like inner space, visitors can immerse into the atmosphere of ancient Egypt and feel like exploring the real ancient relic. The design also carves out an amphitheater facing the Nile, which provides the museum a space for performance and public activity. It makes the building not only a museum, but a living room for the Nile.

SECTIONS

PLANS UP

UP UP

11 3

3 6

7 Souvenir 8 Office 9 Meeting Room 10 Loading Area 11 Storage

1 Lobby 2 Reception 3 Temporary Exhibition 4 Amphitheater 5 Cafe 6 Kitchen 7 Souvenir 1F 8 Office 1 Lobby 2 Reception 9 Meeting Room 3 Temporary Exhibition 4 Amphitheater10 Loading Area 5 Cafe 6 Kitchen 11 Storage

Main Entrance

Down

1 Lobby Overhead 2 Auditoruim 3 Sculputure Exhibition 4 Amphitheater 5 Viedo Room 6 Equipment Room

Down

3 Down

1 Lobby Overhead 2 Auditoruim 3 Sculputure Exhibition 4 Amphitheater 5 Viedo Room 6 Equipment Room

2 6 1

1 Exhibition hall lobby 2 Permanent Exhibition 3 Interative Exhibition 4 Rest Area 5 Void

TRANSFORMING FIELD LIGHT-HEX

2019 LAND ART GENERATOR COMPEITION ABU DHABI ENTRY PROJECT

Type: Fan Wu Type:Competition Thesis / Personal work Collaborator: Instructor: Yaohua Location: Abu Dhabi, UAE Time: 2019 Location: Los Angeles,CA, USA Time: 2017 Program: Green Energy Generator/ Public Plaza

Wang

LIGHT-HEX is a modular-based sustainable energy installation. It integrates advanced green technology with local Arabic culture to create not only an installation harvesting green energy, but also a poetic spiritual space to whole Masdar City. Inspired by the traditional Islamic pattern, the design takes hexagon as the primitive geometry to develop the design. Each hexagon unit is a 10-meter radius umbrella-shape steel structure and cover by perforated steel panel, which creates a fantastic rain of light. The modular-based design makes all the standard parts can be massively prefabricated in factory and largely reduce the cost of construction. To maximize the amount of annual energy generation, the design seamlessly combines solar panel and vertical axis wind turbine to harvest local abundant solar and wind resource together. Meanwhile, the design also uses wind tower technology to cool down the plaza, which also can reduce the energy consumption of surrounding buildings. The design developed 3 different types of hexagon unit. The Solar Unit is 10-meter high and with flat top covered by semi-transparent flexible solar panel. The Solar + Wind Unit is extruded to 22-meter high and contains a 20KW large vertical axis wind turbine. The Solar + Wind Tower Unit has the similar profile but have a wind tunnel inside to blow the plaza with cool air. Those technology working together to provide Masdar City a sustainable and comfortable city living room.

SITE PLAN

In Islamic culture, geometry always plays an important role. The intricacy of geometric pattern makes Islamic art and architecture fascinating and mysterious. However, behind the complex pattern, itâ&#x20AC;&#x2122;s the simple rule of mathematic and the most primitive geometries. Hexagon is one of the most important and classic. The benefit of hexagon shape is you can assemble it seamlessly in 6 directions and you can find diversity from the repetitive unit. Therefore, the scheme takes hexagon as base geometry to develop the design. FORM GENERATION

Original Site

Lower Road To Connect Original Site Apply Hexagon Pattern To Site

Land Use

Shadow

Solar Panel

Overall View

Wind Turbine & Wind Tower

UNIT STRUCTURE

SOLAR & WIND ANALYSIS

GREEN STRATEGIES

SOLAR PANEL

WIND TURBINE

WIND TOWER

RENEWABLE ENER-

SHADING

SUSTAINABLE+LIVABLE ENVIRONMENT

WATER SPACE

GREEN SPACE

RELOCATION&REUSE STRATEGY

S- SINGLE UNIT A Single Unit Can Provide Shaded Area Between The Buildings For Passengers.

M- MULTI UNITS The multi-unit can be applied to small city park and create a public space for recreation, events and interaction.

L- MASSIVE UNITS The massive units can become a visitor center or iconic spot in desert.

TRANSFORMING FIELD

THE STUDY OF FIELD CONDITION AND SPATIAL TRANSFORMATION ARTIST COMMUNITY OF L.A ARTS DISTRICT

Type: Thesis / Individual work Instructor: Yaohua Wang Location: Los Angeles, CA, USA Time: 2017 Program: Artist Studio/ Gallery / Co-living Space

CONCEPT

Based on the research of field conditions, this thesis design wants to create an artist community in L.A art district with flexible and fluid space as well as highly mixed program. According to Stan Allen, a field condition could be any formal or spatial matrix capable of unifying diverse elements while respecting the identity of each. Field configurations are loosely bound aggregates characterized by porosity and local interconnectivity. Overall shape and extend are highly fluid and less important than the relationship of parts, which determine the behavior of the field. Inspired by the painting of Escher in which one element transform into another gradiently and inverts the figure and ground relationships, this design also wants to create a field where the basic architectural elements transforming to each other and this kind of gradient transformation dissolves the boundary of space. Traditionally, by setting up the plan, architects give an exclusive answer to users of how to use the space and the space becomes fixed and static. However, in the transforming field, you can feel the potential dynamic in this fluid space and get the maximum freedom of how to use the space.

Field1:Space defined by columns

Johnson Wax Building/ Frank Lloyd Wright

Sky and Water I, M.C. Escher, 1938

Transforming Field

Combination of different field conditions

open/merged

Field2:Space defiend by walls Country House/ Mies Van Der Rohe

Gradient Transformation of space

Field3:Space defiend by cells

Therme Vals/ Peter Zumutor

close/seperated

Traditional Grid System

Clearly Divided Space Fixed Usage Enclosed Space Regulated Circulation

Transforming Field System

Vaguely Defined Space Flexible Usage Maximized Shared Space Free Circulation

In traditional plan, the arrangement of space is restricted by the column grid. The space is clearly divided and the circulation is regulated. In transforming field, every element itself is structure. The space is only vaguely defined by controlling the open and close of space. The space is flexible to the requirement of users. Besides, this system emancipates the circulation from certain regulated route. The corridor is merged into public space which maximize the space of sharing area.

Transforming among columns, walls and cells 1 From columns to walls

2 From columns to cells

3 Hybird transformation

8 3

9 7

2 11

4 1

5 12

1. Lobby 2. Shared living space 3. Single apartment 4. Open studio 5. Single studio 6. Gallery

7. Cafe 8. Reading Area 9. Classroom 10. Courtyard 11. Rest area 12. Retail Plaza

Located at L.A art district, this building involves art studio, short-term housing and gallery to young artist who just start their own career. By bringing these young artists to art district, this design is also aimed to stimulate and revive this area. All the program is highly merged in this open plan. There are no corridors, so each space is directly connected to several others, which encourages the communication with each other and maximize the usable area. In public area, there are gallery, cafĂŠ, open studio, library and classroom and commercial plaza open to both artist and visitors. It on one hand provides a space for artist to create and display their works, on another hand brings visitors to here to see their work and injects dynamic to whole area. In the private area, the design provides the young artist a low-cost short-term living space. To reduce the cost and increase the capacity, the private space is compressed to the most basic requirement and emancipate the space to sharing area, which provides them a spacious space for daily activity.

NATURAL NATURAL LIGHTS NATURAL LIGHTS VENTILATION LIGHTS NATURAL VENTILATION NATURAL LIGHTS VENTILATION LIGHTS VENTILATION VENTILATION

NATURAL NATURAL LIGHTS NATURAL LIGHTS VENTILATION NATURAL LIGHTS VENTILATION NATURAL LIGHTS VENTILATION LIGHTS VENTILATION VENTILATION

STRUCTURE VARIATION

In this concrete structure system, all the architectual elements are load-bearing and a necessary part of structure system. The trapezoid roof transits the load directly to coloumns and bearing walls and there is no need for beams. This system can better adapt to the change of plan and creates skylight on the top. The skylight makes sure natural light and ventilation available in a building with large depth. Besides, large story height also satisfy the requirements of art studio and art gallery to accommodate big scale art work.

Gallery/ Wall System

Lobby/ Column System

Shared living Space/ Cell System

AXON DIAGRAM

VORTEX

USC WRIGLEY CENTER FOR MARINE STUDY INTERPRETIVE CENTER ON CATALINA ISLAND

Type: Academic / Indiviual Work Instructor: Selwyn Ting Location: Catalina Island, CA, USA Time: 2015 Program: Interpretive Center/ Education

SITE ANALYSIS

SITE PLAN

CONCEPT

The design is not just a new lab building, but aimed to bring the USC Wrigley Campus a dynamic public space. Inspired by the sea, the vortex like form integrated into the circulation of the campus, and attract people to walk into or onto the building at different level and the roof of the building becomes a perfect viewing platform to watch the sea. The spiral form creates the continuity of inner and out space, people go up from outdoor stairs from ground level to the roof After watching the sea, people can go on to get into the building. The big stairs and roof garden provided the whole campus an idea place to gather together or take a rest. The interpritive center enjoys the best space of the building and have a full sea view. The skin also creates an elegant light and shadow change to the inner space.

FORM GENERATION

STRUCTURE

AXON

INNER CIRCULATION

LEVEL 03 OUTDOOR CIRCULATION

HVAC LEVEL 02

The spiral form creates the continuity of inner and out space, people go up from outdoor stairs from ground level to the roof After watching the sea, people can go on to get into the building. The big stairs and roof garden provided the whole campus an idea place to gather together or take a rest. The interpritive center enjoys the best space of the building and have a full sea view. The skin also creates an elegant light and shadow change to the inner space.

LEVEL 01

BIRD VIEW

SECTION

COURTYARD

GALLERY

VERTICAL URBANISM

TWIN SUPERTALL TOWER IN SHENZHEN AND NEWYORK Type: Academic Collabrators: Bojian Shen, Peng Xie Location: New York, USA/ Shenzhen, China Instructor: Yansong Ma(马岩松), Alvin Huang Time: 2016 What is the hi-rise of the future, beyond a symbol of social and economic status? How does the Supertall respond to a need for vertical urbanization and density in urban context? How can we challenge the conventions of traditional tower organization and check-box sustainaility that dominate contemporary tower design? Why do people often complain about the modern cities and high-rises and still want to go back to the old part of the city and praise the beauty and huanity? Is it possible ti maintain an emotional connection between the artificial and the natural in the urabn hi-rise? The supertall studio seeks to answer these questions under two total different contextShenzhen in the east and New York in the west. The design confronts a ubiquitous and relevant architectural challenge: developing cultural icons that respond to both a contextual and global audience. There are two key points of the design: first, propose an universal soluiton to the future of highrise tower; second, apply it into different culture and to see how same solution mutates under different cultural background.

CONCEPT

As the urbanization goes on, more and more skyscrapers are built to create more space for city. However, instead of making city more livable, skyscrapers put a heavy pressure on urban space and make city more crowded. The intensity of pressure is determined by pressure and its force bearing area. The problem of skyscraper is that every skyscraper stands as an isolated island in city and make the pressure of population concentrate on one single point, which creates a severe congestion for people and traffic. Another problem of skyscraper is that it totally detaches with urban context, which destroys city’s existing local urban structure. Meanwhile, as mentioned by Rem Koolhass in Delirious New York, the new space created by skyscraper simply duplicates the footprint floor by floor. Such duplication makes urban space monotonous and separate people spatially floor by floor and tower by tower. So, this design is to provide a new prototype for skyscraper and urban space. Since going tall is the only solution to create more space in city, why can’t we create a new urban context in the sky. The skyscraper is no longer an isolated building but is a vertical extension of existing urban context.

SKYSCRAPER AS VERTICAL EXTENSION OF URBAN CONTEXT

Skyscraper as vertical extension of urban context

RESIDENC

CONCEPT OF VERTICAL CITY

Concept of vertical City

RESIDENCE

SHOPPING MALL

CINEMA OFFICE

OFFICE MUSEUM

MUSEUM

NEW YORK

SCHOOL

RESIDENCE SCHOOL

RESTAURANT

CINEMA

RESTAURANT

SHOPPING MALL

MIX-USED, SPATIAL CONTINUITY, OPEN TO PUBLIC

NEWYORK VS SHENZHEN

NEW YORK

New York

Shenzhen

Urban Planing

SHENZHEN

New York

Shenzhen

New York

Lot Size Extroverted space Connected with surrounding Small footprint viewing platform Close for cold climate

Building Density

Building height

Shenzhen

Population Density

Living Culture

Introverted space Isolated tower Large footprint Courtyard Open for tropic climate Space Preference

Climate

SHENZHEN TOWER

NEW YORKTOWER

OTHER WORKS

SUN FURNITURE SHOW ROOM Type: Freelance work Location: Beijing China Contribution: Individual Work Program: Show room/ Retail Time: 2017

BRISTOL PARKWAY

Type: Professional Work Company: OFFICEUNTITLED Location: Culver City, CA, USA Program: 873,000 sf 423 Residential Units /300,000 sf Office& Retail Contribution: Participated SD phase, Feasibility study, Facade design, Plan drawing, 3D Modeling Time: 2018

1 SIGHTLINES DRIVE PLACEMENT AND ORIENTATION OF SIGNAGE

4 CANOPY ARMS SPREAD OUT TO CREATE SPACE, FRAME OPEN SPACE

2 REINVIGORATING THE UNDERUTILIZED PARK SPACE

5 CANOPY PARK DRAWS IN ACTIVITY FROM THE STREET, ACTIVATED WITH VISUAL ARTS

3 BILLBOARDS STRUCTURES SUGGEST LIGHTNESS / THINNESS TO CREATE UNIQUE CONDITION

6 ABSTRACTED CANOPY IMPRINTS UPON THE URBAN CANOPY STRUCTURE AND SKIN

SURFACE

STATIC BILLBOARD

STRUCTURE

LANDSCAPE

SUNSET STRIP BILLBOARD

Type: Professional Work Company: OFFICEUNTITLED Location: West Hollywood, CA, USA Program: Billboard, Public Space Contribution: In charge of design option, Modeling, Diagram, Rendering Time: 2019

WUYI NO.1 HIGH SCHOOL

Type: Professional Work Company: China Architecture Design and Research Group (CAG) Location: Wuyi, Zhejiang Province, China Contribution: Participate the whole process of bid, in charge of Conceptual design for library, dormitory, Modeling, CAD drawings Time: 2015

HEZE SPORTS CENTER&SPORTS SCHOOL

Type: Professional Work Company: China Architecture Design and Research Group (CAG) Location: Heze, Shandong Province, China Contribution: Participated the Conceptual design of sports school, Modeling, CAD drawings, layouts Time: 2014

INNER MONGOLIA ART MUSEUM

Type: Professional Work Company: China Architecture Design and Research Group (CAG) Location: Hohhot, Inner Mongolia, China Contribution: Conceptual design, modeling, Interior design, CAD drawings Time: 2014

MUDANJIANG SPORTS CENTER

Type: Professional Work Company: Advanced Construction Information Development Co., Ltd(ACID) Location: Mudanjiang city, Heilongjiang Province, China Contribution: 3D Modeling; Facade Design, landscape design Time: 2013