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KANTA SIRISRIRO PORTFOLIO 2015
HELLO IT’S NICE TO MEET YOU THIS IS MY WORK. THIS IS FOR YOU.
I would like to introduce myself to you. I am a graduate from Master of Architecture at University of Melbourne and am excited to transition into the workplace. So please take a look at my resume and portfolio and let me know if there is anything I can do to help you and your business. Sincerely, Kanta Sirisriro
CONTENT 001 POINT. VELO-CITY Thesis Studio
002 LANTERN RETREAT AND THE BLACK TERRAIN Studio D
003 HOME FOR THE HOMELESS Studio C
004 THE HANGING FLOWER GATE Craft in Traditional Asian Architecture
005 LAUTEM CULTURAL CENTRE Los Palos, Timore Leste
001
POINT. VELO-CITY Thesis Studio
Perth’s cyclist centre integrate into city central transportation hub
Media: AutoCAD, Rhino 5, V-ray, Photoshop, Indesign, Illustrator The project investigate the narratives of one journeys through space in various speed, specifically on walking and cycling. As the velocity affect experience in sight, smell and touch. It examines how everyday traveling rituals through city can be celebrate. As Perth is a growing city in heights combining with an increase demand to become a cyclist friendly city. This cyclist oriented community centre celebrates journey from different momentum and height so the visitors can experience Perth never like before.
FUTURE OF PERTH 2029: Cyclist-friendly city
METHOD
W
5.7%
8%
11.5%
N
S W
E
2009
SOUTH CYCLIST CENTRE
2010
2029
OPEN UP TO SURROUNDINGS
CONNECT NORTH-SOUTH CITY & TRAIN/BUS ROUTE
TEMPORARY MARKET MEETING PLAC
CE
ATTRACT DIVERSE PROGRAM
DISPERSE EXTERNAL PROGRAM
DEVELOP BIKE CULTURE: MULTIPLE BIKE-ORIENTED PROGRAMS
ABOVE GROUND CYCLIST EXPRESS
BICYCLE PARKING STORAGE Park your bike on ground and let it be shown underground.
TRAIN STATION ENTRY
SOUTH CYCLIST CENTRE Modernized cyclist centre, oriented for office people. casual lounge, shower, locker, bike storage and bike rental services provided.
SUB EXIT Exit is lift out and is protected on one side, can also be use as seating.
TRAIN CENTRAL Punctured Horshoebridge, opening up free flow activating retails space under bridge.
CARGO BIKE TOURIST CENTRE Cargo bike rentals and bicycle enthusiast centre on top. Bonus of Cargo bike carriage for attraction.
TEMPORARY MARKET GATHERING Forthnight Saturday - Sunday market, encourage cargo bike use.
CIRCULATION SPEED LEVELS (METERS)
15 M
MOUND AND AMPHITHEATRE ON TRAIN DIVE Seating space, enjoying the sun, ramps and different surfaces and levels to interact with. PERTH’S CYCLIST CENTRE Providing cycling tutorial, repairs and friendly community centre. Welcome by grunge street art and aromatic coffee.
10 M
TRAM STATION Iconic building landmark welcoming arrival on horseshoe bridge on site, provide extra bicycle storage and casual lounge for general public.
5M
GROUND 0 M
UNDERGROUND -5 M
NORTH CYCLIST CENTRE
BUS TERMINAL Commute through Perth with CAT.
CENTRAL STAIR Leading directly to bus central, sunken performance ground and train platforms. BICYCLE PARKING STORAGE Exposed underground storage becomes feature of UG express way, showing number of cyclist and latest bicycle model. WELLINGTON STREET EXIT Connect and enlarge the exit in preparation for increase commuters by 2031. SUNKEN PLATFORM Open installation grounds. Show off newest trends, culture and information.
UNDERGROUND EXPRESS
SUB EXIT Coffee on the go, exiting to nearest route to tram and cyclist centre. UG RETAIL pop-up shop, buying requirement during rush period. ROE STREET EXIT exit to cultural and educational sector. TRAIN CENTRAL exit onto platforms.
NEW UG TRAIN ENTRY extra entry point platform to accompany high volume of people in 2031.
002 LANTERN RETREAT AND THE BLACK TERRAIN Studio D
Onsen retreat hidden between Seljavallaugh mountain in Iceland
Media: Hand-drawing, AutoCAD, Rhino 5, Photoshop The project question sensory of the skin in relation to emotions and memory it evoke. As skin remember and see as much as sight can offer, the experience of light as warmth and texture of the foot is explore. Realising Icelandic condition of weather and landscape, it’s surrounding became an important part in forming atmospheric sensory. The harsh rocky landscape is interpreted as foot massaging device, while the bather relax in open air hot pool in cold snowy night as soft lantern light keeps them company. They may reminiscence of their past and retreat to their inner world.
SECTION C-C @ 1:100 in A3
SECTION B-B DURING SUMMER PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
1
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
COMPOSITIONAL PLAN @ 1:100 in A3
‘THE WEAKENING OF THE EXPERIENCE OF TIME PERIENCE OF TIME S DEVASTING EFFECTS’ IN TODAY’S ENVIRONMENTS HAS DEVASTING EFFECTS’
R DAY @ 1:100 in A3
‘THE WEAKENING OF T IN TODAY’S ENVIRONMEN
SECTION B-B DURING WINTER NIGHT @ 1:100 in A3
4
2 6
11
2
1 10
3
2
3 1
2
5
9
8 7
1 2 3 4 5 6
EXISTING SWIMMING POOL EXISTING CHANGE ROOM NEW SHOWER AND TOILET VOLCANIC ROCK SEATS SUMMER SWIMMING POOL WINTER POOL
7 8 9 10 11
RETREAT ENTRANCE FOYER SUNKEN KITCHEN + LIVING + DINING SUNKEN OPEN AIR PRIVATE BATH SUNKEN PRIVATE QUARTER
a
FLOOR PLAN @ 1:100 in A3
1
SECTION A-A @ 1:100 in A3
B
C
A
B
2
3
4
1 2 3 4 5
C
5
6
7
EXISTING SWIMMING POOL EXISTING CHANGE ROOM VOLCANIC ROCK SEATS SUMMER SWIMMING POOL WINTER POOL
6 7
SUNKEN OPEN AIR PRIVATE BATH PRIVATE QUARTER ENTRY
Thin Translucent Membrane Soft to the touch and tender to the eye. The thin polyester fluorocarbon coating membrane membrane reveal visiting figure behind the sliding panel.
Diffuse natural light Daylight is softy diffuse light as it passes through polyester insulator recycled from PET bottles. While lantern light glows softly from within during the night.
Black Soft Tiles The soft black WetPour rubbery surface lightly bounce on each step. The floor temperature is comfortably warm on bare feat.
2
3
Heavy Translusent door Weathered steel mechanic and heavy steel structure of the door creaks and resist as the door slide.
Crescent moon handle Carved translucent handle relating to the pale polyester membrane moon shade. The handle curve allows firm grip, whether when pulling or pushing.
Black Rough Pavement The dark rough Asphelt surface causing friction on each step. It scrapes and is bumpy. The loud scraping noise gets louder as guest approaches.
1
1
2
003 HOME FOR THE HOMELESS Studio C Creating sanctuary for struggling youth in Fitzroy community.
Media: AutoCAD, SketchUp, V-ray, Photoshop This proposal for 20th Man Fund headquarters target the need of youth who are given second chance after doing their time in prison. The juxtaposition of site position along industrial railway and right opposite residential area, this site aims to provide stability for rebuilding youth and acts as a bridge for Fitzroy locals to understand them with an open mind. The challenges for the building was resolve with position of hierarchy for security and surface for sound blockage. The passive security is offered through staff area overlooking to both youth shelter area and multi-function hall. Overall building form reflects both industrial features and it’s size according to residential surroundings.
PLANNING METHODOLOGY
RECEPTION
FRONT CAFE
FRONT ENTRY
ROOF PLAN @ 1:100 IN A0
NORTH ELEVATION
MULTI-PURPOSE HALL ARRANGEMENTS
ARRANGEMENT 1
ARRANGEMENT 2
ARRANGEMENT 3
MULTI-PURPOSE SPACE
FLOOR PLAN @ 1:100 IN A0
BBQ AREA
BASKETBALL COURT
MULTI-PURPOSE SPACE (SEATING CAPACITY 300)
COMMUNITY PARK
FEMALE TOILET
COURTYARD CORRIDOR
INTERNAL COURTYARD
OPEN PLAN STAFF OFFICE
CHILDREN'S PLAY
BATHROOM
KITCHEN
1 BEDROOM UNIT
ACCOMMODATION COURTYARD
KITCHEN
BATHROOM
1 BEDROOM UNIT
SECTION @ 1:50 in A0
INTERNAL PERSPECTIVE
SECTION 3
ACCOMMODATION COURTYARD
CHILDREN'S PLAY
SECTION 2
004
THE HANGING FLOWER GATE (垂花门)
Craft in Traditional Asian Architecture Studying traditional Chinese wood craft in 1980s by reconstructing Chui Hua Men at Summer Palace in Beijing, China.
Media: Hand-drawing, AutoCAD, SketchUp, physical model The project research on construction and conservation methods of East Asian timber buildings, by producing drawings and practicing woodworking, highlighting details of timber qualities. This project is driven as learning by doing method. Research was done on proportion system grade (Yingzao Fashi), Siheyuan style joinery construction and crafting tools. Prior construction on rescale of the original gate in pine timber, 3D model and balsa wood model was tested. No glue or fixing was used in any construction stage of physical model.
LONGITUDINAL ELEVATION
OVERALL STRUCTURAL CONFIGURATION
longitudinal beam tenon longitudinal beam
CONSTRUCTING ELEVATION AS STUDIED FROM 3D MODEL
TRANSVERSE ELEVATION
INTERNAL DETAIL SECTION
PINE TIMBER MODEL PROCESS
SECTION A-A 1:20 @ A3
1:50 BALSA WOOD MODEL PROCESS
DETAIL SECTION 1:20 @ A3
005 LAUTEM CULTURAL CENTRE Los Palos, Timore Leste
Los Palos culture centre of learning and preserving history.
Media: Hand-drawing, AutoCAD, Rhino5, Revit Mountain landscape of Timore Leste is root to their cultural development. It tells the story of who they are and pass on moral from one generation to the next. This project in Los Palos is driven by the Muapitine mountain profile, it becomes the singular roof that binds all activities together.
As local community is a growing, elders wish to preserve their traditional ways for new generations so their spirit will carry on. This cultural museum is a community centre to celebrates culture, education and journey.
MOUNTAIN CONCEPT
LOCAL MATERIALS
TAIS PATTERN
GROUND FLOOR PLAN 1:200 @ A3
BRICK PATTERN
GROUND FLOOR PLAN 1:100 @ A3
WALLS
TRUSS
ROOF
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E D U CATI O N M A S T E R OF A R C H I T E C T U R E Mar 2012 - Dec 2015 University of Melbourne, Parkville Achievement : H2B Distinction average result
KANTA SIRISRIRO
Architecture Graduate
BACHELOR OF ARCHITECTURE Mar 2009 - Dec 2011 Royal Melbourne Institute of Technology (RMIT), CBD Achievement : Distinction average result
PROFILE I am a graduate of Master of Architecture from University of Melbourne. I am passionate about cultural and residential projects. My experience of living in Australia and Thailand has give me a unique perspective of the world. Facing conflicts from different sides and finding the best solutions is my working method. Honesty and reliability with strong work ethics are my strengths. I am looking forward to applying my skills in the workplace, utilizing my enthusiasm and skills in order to understand and grow with the organization that I work for.
WORK EXPERIENCE BLIGHT BLIGHT Dec 2014- Mar 2015
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B L I G H T ARCHITECTS
Graduate Internship, Melbourne Project : Lautem cultural centre, Los Palos Responsibilities : Work in team of 3 from sketch design to design development Drafting building design in AutoCAD, Rhino5
Documentation using Revit 2014
REMMUS ARCHITECTS June 2014 - July 2014
Student Internship, Melbourne Project : New residential building Responsibilities : Work in team of 3 on residential building project Drafting building design in AutoCAD Documentation using ArchiCAD
B U I L D I N G 33 C O N S T R U C T I O N C O M P A N Y Dec 2013 - Jan 2014 C O NTACT M E E T L R
: : : :
kanta.sirisriro.ks@gmail.com +61 452 201 992 https://au.linkedin.com/pub/kanta-sirisriro/a9/294/a4 Director Richard Blight richard@bbblight.com | (61) 407 577 419 Dr. Anna Hooper anna.hooper@unimelb.edu.au
Student Internship, Bangkok Project: Chulalongkorn University Dentist Faculty building Responsibilities : Work in team of 4 on construction drawing Documentation using AutoCAD
BLOCKS FOR LITTLE ARCHITECTS Aug 2012
Volunteer Cause: Kids and Education: supporting easier understanding of architecture to public
i PERSONAL INFO NATIONALITY: THAI Bangkok, Thailand LANGUAGE: THAI Excellent Spoken and written ENGLISH Excellent Spoken and written VISA STATUS: TEMPORARY GRADUATE VISA (485) Status: Currently bridging
PROFESSIONAL SKILLS Photoshop CS6 Illustrator CS6 Indesign CS6 Microsoft Office V-Ray
Excellent Excellent Excellent
(6 years) (6 years) (6 years)
Excellent
(10 years)
Excellent
(6 years)
AutoCAD 2014 Rhino 5 Revit 2014 SketchUp
Excellent
(6 years)
Excellent
(6 years)
Intermediate (6 months) Intermediate (6 months)
THANK YOU FOR VIEWING I believe that it would be a great learning opportunity for me and with that, I am most willing to give my utmost best to be an asset to the team. Feel free to contact me at (61) 452 201 992 or kanta.sirisriro.ks@gmail.com for any following up purposes. I appreciate your consideration and look forward to further discussing with you. Sincerely, Kanta Sirisriro
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KANTA SIRISRIRO PORTFOLIO 2015