2018 Kaohsiung Film Festival VR FLIM LAB Programme by Kaohsiung Film Festival

��單� Adviced by

主�單� Organized by �目協力 Program & Event Supported by 場�協力 Venue Supported by

Fullon Hotels & Resorts

購� Ticket ��協力 Press supported by �助 / ��單� Special thanks to

目錄

CONTENT

2 4

�� INFORMATION ��的�

DIRECTOR’S WORDS

場��

購��

12 14 16 17 18

VENUE INFORMATION TICKET INFORMATION

活動�� EVENTS ��

LEADING LECTURES

VR 科技�

VR TECH EXHIBITION

自動駕駛小巴��活動

SPECIAL EVENT: AUTO BUS VR EXPERIENCE

VR 國�論�

INTERNATIONAL VR FORUM

�� VR FILM LAB ��工作�

��入��作��

VR FILM LAB �北場

�單目錄 FILMS

TALENT WORKSHOP

KFF INTERNATIONAL SHORT FILM COMPETITION VR FINALISTS TALK VR FILM LAB TAIPEI TOUR

場��

SCREENING SCHEDULE

�� VR FILM LAB

國�� VR 單元

VR 國�大�

VR �� VR FILM LAB

72 74

KAOHSIUNG VR FILM LAB INTERNATIONAL SHORT FILM COMPETITION VR SECTION VR PANORAMA

��

VR FILM LAB INTRODUCTION

開��預告

COMING SOON

��

I N F O R M AT I O N

��的�・場��・購��

��的�

��是 20 ��大的��，從盧�耶兄�的《�車��》�史��史�柏《一�玩�》，��破�間 ��、翻轉�型，��歷其�，��是��。��（Virtual Reality）�是�領我們走向未來�

事的��。

「��做�科技的��」，2017 年��動「�� VR FILM LAB」�畫，�� VR �事

��、並在��了��首�的 VR 單元，刺��界� VR ��作品的重�。2018 年再度�

國內知��作��楊�喆、��、陳��、��作，同��國��、開拓國��場，�� 拍�的〈��〉，��而生。

VR ��的��，是為了��更��在��的��不同的��界，�是 VR 走向��的 �一�。從�金�措、��、��，國�聯�，頭��，��，��開�、現場��

�理、��場開��都是��而來的�題。我們��當代��的��式，�必須克服�科技� �來的挑戰，是一個��陌生的�題。

�年以�堂 VR ��作為暖�，而「VR ��」�「VR 國�大�」�由��的平�，開�國

��流的��，「VR 國�論�」��國內�重� VR ��專�，��一堂��度的 VR ��題。同�，��是��的基石，��「VR ��工作�」�領��提早切入�� VR ��，

期��科技��作的�量，為��徑。

VR 是�科技，但在��的��，��領我們回��相�的��，VR FILM LAB 是一個��

翻轉的��畫，��挑戰��提面��「溫故知�，��」，而�一切，都��是��開� 而已。

�� 4

Director’s words

Film is a great invention of humanity in the 20th century. From the L’Arrivée d’un train en gare de La Ciotat of the Lumier brothers to the “Ready Player One” by Steven Spielberg, film breaks through the space quadrant, flips the picture, then even pushes beyond people’s cognition of reality and virtuality. Virtual Reality is the medium that leads us to the future of narrative. “Short film is the best experiment for new technology.” In 2017, Kaohsiung Film Archive launched the “Kaohsiung VR FILM LAB” project and produced five cinematic VR films. In addition, the first VR Program was created at the Kaohsiung Film Festival to stimulate the attention of Taiwanese industry to VR films. In 2018, “Kaohsiung VR FILM LAB” cooperated with domestic famous creative directors Ya-Che YANG, WeiHao CHENG, Singing CHEN and Tsung-Han TSAI. Moreover, we tried international cooperation and opened up the international market —— “Mechanical Souls”, a co-production by talents from both Taiwan and France was born. Besides VR content, the first experimental VR theater in Taiwan: VR FILM LAB, is established with the intention to provide a proper environment for audience to experience VR, as well the first step for VR to go into commercial operation. From fundraising, copyright negotiation, technique details, venue design, market research and on-site operation management are all issues to be overcome at each stage. This year’s KFF VR events are warmed up with four VR leading lectures, and the “KFF International Short Film Competition VR Section” and “VR PANORAMA” opened the international exchange channel through the platform of the Kaohsiung Film Festival. The “International VR Forum” invites important VR industry experts at home and abroad to gather together and discuss the topic of the in-depth VR film industry. At the same time, talent cultivation is the cornerstone of industrial development. Through “VR FILM LAB Talent Workshop”, local young creators will be mentored by industry experts and to develop their unique stories. VR is indeed a new technology. However, in the process of advancing, it led us back to the moment when cinema and human first met. VR FILM LAB is an integrated and flipped industrial development program that reminds us of “familiar with old knowledge and learning new things, not forgetting the original intention”. And all of this is just the beginning.

Director of Kaohsiung Film Archive 5

大�路

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Kaohsiung Film Archive

��路 Wufu 4th Rd.

��二路 Gongyuan 2nd Rd. 輕軌

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Dayi St.

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大義街

MRT

Penglai Rd.

Sizihwan Station

捷�

MRT

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In Our Time

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Yanchengpu Station

Dayong Rd.

Qixian 3rd Rd.

Gushan 2nd Rd.

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LRT

C13

�二��

��碼頭�

Love Pier Station

VR �� VR Film LAB

�二大義 C9 ��

C12

Penglai Pier-2 Station

�二大義�

Dayi Pier-2 Station

場�� VENUE INFORMATION �二VR��

��立圖書��

(07）5217908

(07）5360238 ��路 61 � No.61, Xinguang Rd., Qianzhen Dist

VR FILM LAB

�埕�大義街�二大義� C9 ��（�場�）

C9 Warehouse, Dayi Area, The Pier-2 Art Center, Dayi St., Yancheng Dist

��輕軌�「C12 �二大義�」��東� 行，�� 1 ��

捷�

輕軌

由捷��「O2 �埕埔�」1 ��口��，� 大�路向南�行，�� 10 ��

輕軌

��輕軌�「C8 ��覽��」�� 東�行，�� 5 ��。

MRT

Exit at Yanchengpu Station (O2) exit 1 and go south along Dayong Rd. for 5 min.

MRT

Exit at Sanduo Shopping District Station (R8) exit 2, walk along Xinguan Rd. for 10 min.

LRT

Take to C12 Dayi Pier-2 Station and go east for 1 min.

LRT

Take to Kaohsiung Exhibition Center (C8), and go east for 5 min.

捷�

Kaohsiung Main Public Library

由捷��「R8 三��」2 ��口��， ��路�向，�� 10 ��。

輕軌

LRT

C11

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中��

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Central Park Station

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Kaohsiung Main Public Library

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Kaohsiubg Exhibition Center Station

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Kaohsiung Film Archive （07）5511211 �埕�河⻄路 10 �

No.10, Hexi Rd., Yencheng Dist

��堂 In Our Time

（07）5210017 ��路 99 ��二�� B10 ��

B10 Warehouse, Penglai Area, The Pier-2 Art Center, No.99, Penglai Rd.,

��輕軌�「C11 ��碼頭�」��，� 河⻄路向北�行� 5 ��。

捷�

輕軌

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輕軌

��輕軌�「C13 �二��」��⻄ �行，�� 2 ��。

MRT

Exit at Yanchengpu Station (O2) exit 2 and go east for 10 min walk.

MRT

Exit at Sizihwan Station exit 2, walk along the bicycle way toward east for 2 min.

LRT

Take to Love Pier Station (C11), walk along Hesi Rd. toward west for 5 min walk.

LRT

Take to Penglai Pier-2 Station, go toward west for 2 min walk.

捷�

由��「O1 ⻄��」2 ��口��，�⻄臨 ��自行車�向東�行，�� 2 ��。

購�資訊單場�

��系統

�� 180 元 ��期間：��場 10/19 ㊄─ 11/4 ㊐ 19:00 �北場 10/19 ㊄─ 11/11 ㊐ 19:00

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早鳥�惠� �� 150 元 ��期間：9/30 ㊐ 12:30 ─ 10/18 � 23:59

● 單場�以��場�作為��，��場��再行購� ● �� 5 �，��士� 1 �必��同者（須同�入場）購買，預��數��預�、��，當日� ��相��件，�未��，須�足差��入場

VR��

�� 800 元／�� friDay �� 7 日�� 期間：須��首賣�、��南、VR �� 活動現場購� ● 可�� 6 場 VR ��，��僅��場使用

VR VIP Pass

�� 3,000 元 ��期間：9/30 ㊐ 12:30 ─ 10/18 � 23:59

● 可�� VR 單元場�各 1 場，10 月 19 日� 10 月 23 日� �� VIP 專�� ● �� VR 國�論�、VR 國��流��行�場�� ● VIP 專��僅�現場預�，��開��上預�服務 ● 10 月 19 日�，須��二 VR �� Pass �行�� 可使用 ● ��僅��場使用

使用期間

��場 �二 VR ��

�埕�大義街�二大義� C9 ��

10/20 �─ 11/4 ㊐ 13:00-20:30 ��立圖書�� 3F ��路 61 �

10/20 �─ 11/4 ㊐平日 13:00-20:30（�一休�）假日 10:30-20:30

�北場 �皮寮歷史街� ��路 173 巷

11/9 ㊄─ 11/11 ㊐ 13:00-20:30

● 單場�以��場�作為��，不可�相�用 ● VR VIP Pass 10 月 19 日��可使用��，�須��二 VR �� Pass �行��可使用 ● VR ��、VR VIP Pass 僅��場使用

● �� 服務� �埕�河⻄路 10 � ● 大東��中� �� 鳳��路 161 � ● ��中� �� 一路 67 � ● ��中�服務� ��南路 42 � ● ��立圖書�� 3 樓服務� ��路 61 �

※ ��點僅�取現金，各�點��間��各�點�� ※ VR 單元��期間可�現場服務�購��預�，現場購� 一律僅�現金 ※ �北場��場��，現場不開��，��提早購�

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● 預��：「�上」或「現場」預� ● �上預��二 VR ��上預�� vrfilmlab. simplybook.asia。各場��上預�� 60 ��閉 ● 現場預��期間�現場服務�（�二 VR �� 、��立圖書�� 3 樓、�皮寮歷史街�），�量動 �流��者��，��一��預� 2 個場�，� 預�其�場�則�重�排� ● 預��式：憑��料（��、��、E-MAIL）預 �，以供現場�員��料；預�成功�� 件，若未��件則未預�成功 ● 為�省��當日��間，��利用�上預�功 �，並提��成購��

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● ��當日憑 VR 單元��、��件�各場��場�� ● 各場�� 30 ��開�預�者��，��點� �成�� ● ��當日�尚未購�，��成購��再行�� ● 各場��點�未��成，�取�入場��；並開� 現場��者入場

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● 各場�� 10 ��開�入場 ● 各場�� 5 ��，�不再開�入場，�不得��， ��入場

購�須知

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● ��種一�使用��，�不�受��，�不�

受「單場 / �」��

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●「VR ��」�「VR VIP Pass」��理（�

● 各場�� 60 ��止�上預�功�，僅可��

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● VR 單元��服務專�：0965-720-635（服務�間：

�一��日 09:00-21:00）

同已��品），一�使用��，�� 場服務��理，並��價 10％手��

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● 相��流��

www.ipasskhcc.tw

● 更 � � � � �， � 上 � 二 VR � � � � � � � �

vrfilmlab.tw

��須知

● ��力尚在��期，��年�� 13 �以上

● VR 單元��為預�制��，��說��成購�、預�，並�開�入場��成�� ● VR 單元各場�� 5 ��，�不再開�入場，�不得��，��入場 ● ��工作�員或說��，�行��戴，以�損�相��

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● 若��、��、其�臨�故�未�排�或�力��負�而��作�，��止� �、��作，並進行退 / 換票，詳細作業規定，將另行公告。

Ticket Information VR Individual Tickets

VR EARLY BIRD TICKET ｜ NT$ 150 Available from 12:30, 30th Sept.(Sun.) to 23:59, 18th Oct.(Thu.)

VR REGULAR TICKET ｜ NT$ 180 Available from 19th Oct.(Fri.) to 19:00, 4th Nov. (Sun.), Taipei Screenings available to 11th Nov.(Sun.) ．Please check the screening location before purchasing

a ticket.

．50%-off concession tickets for the disabled plus one

companion. For reservation, please register the actual number of people for the desired screening. Please present a valid ID when you check in at the entrance. If no valid ID is presented, the concession ticket holder must pay the price discrepancy between the concession ticket and the regular-priced ticket before the entry is permitted.

VR Package NT$ 800 Available at KFF Pass Sale, Program Guide, VR FILM LAB Leading Lectures. ．6 tickets for VR Screenings at the venues in Kaohsiung. ． With a serial number for a seven-day free trail on the

friDay streaming service.

VR VIP Pass NT$ 3,000 Available from 12:30, 30th Sept.(Sun.) to 23:59, 18th Oct.(Thu.)

Period of Validity KAOHSIUNG SCREENINGS ．VR FILM LAB

C9, Dayi Area, The Pier-2 Art Center, Dayi St., Yancheng Dist., Kaohsiung City 803 20th Oct.(Sat.) to 4th Nov.(Sun.) between 13:00-20:30.

．Kaohsiung Main Public Library 3F

No.61, Xinguang Rd., Qianzhen Dist., Kaohsiung City 806 20th Oct.(Sat.) to 4th Nov.(Sat.), Tue. through Fri. between 13:00-20:30, Weekend between 10:30-20:30.

TAIPEI SCREENINGS ．Bopiliao Historic Block

Ln. 173, Kangding Rd., Wanhua Dist., Taipei City 108 9th Nov. (Fri.) to 11th Nov. (Sun.) between 13:00-20:30.

．VR Screenings are divided into Kaohsiung Screenings

and Taipei Screenings. Tickets are used separately.

．From 19th Oct. (Fri) onwards, you can use your VR VIP

．One entry to all VR Screenings of every section. Enjoy VIP

Pass to attend VR screenings. Please remember to redeem your VIP Pass Passport first at the VR FILM LAB. ．VR Package and VR VIP Pass are only for the VR Screenings at the venues in Kaohsiung.

．Access to International VR Forum and VR Welcome Party. ．VIP exclusive sessions can only be reserved on site.

Rules for Reservation

exclusive sessions from 19th Oct.(Fri.) to 23rd Oct.(Tue.)

Online reservation is not available. ．From 19th Oct.(Fri.) onwards, please redeem the Pass Passport at VR FILM LAB. Your VIP Pass is only valid after the Passport is redeemed. ．The VIP Pass is only for the VR Screenings at the venues in Kaohsiung.

Ticket Purchase

Purchase tickets

Reserve screenings

Purchase tickets

．Online Ticketing System:

Check in

Enjoy VR experience

www.ipasskhcc.tw ｜

．To comply with the venue regulations, tickets can’t be

purchased on site at Taipei screenings. Please purchase tickets online in advance.

Online Ticketing System www.ipasskhcc.tw ｜

Reserve screenings

Paper Ticketing Counters

online reservation site: vrfilmlab.simplybook.asia. The online reservation service is closed 60 minutes before each screening. ．On-site reservation: Please go to the counter on site (VR FILM LAB, Kaohsiung Main Public Library 3F, Bopiliao

Kaohsiung Film Archive (No.10, Hesi Rd., Yancheng District, Kaohsiung City 803) Dadong Art Center (No.161, Guang Yuan Rd.,FengShan

District , Kaohsiung City 830) Kaohsiung Cultural Center (No.67, Wufu 1st Rd., Lingya Dist., Kaohsiung City 802) Gangshan Cultural Center (No. 42, Gangshan S. Rd.,Gangshan District, Kaohsiung City 820) Kaohsiung Main Public Library 3F (No.61, Xinguang Rd., Qianzhen Dist., Kaohsiung City 806) ．Cash only at the ticket offices. For the opening hours of each ticket office, please check their official websites. ．For screenings in Kaohsiung, tickets can also be purchased by cash at the counter on site during the festival. ．To comply with the venue regulations, tickets CANNOT be purchased on site for screenings in Taipei. Please purchase tickets in advance.

．Please make reservations online or on site. ． Online reservation: Please go to the VR FILM LAB

Historic Block) during the festival. Every patron can only reserve two screenings at a time. ．Make a reservation with your personal info (name, ID number, e-mail address). You will receive a confirmation e-mail after the reservation is confirmed. ． To save your time, we recommend you to purchase tickets in advance and make good use of the online reservation service.

Check in

．Please check in at the right venue with your ticket and

valid ID before the screening begins.

．Check-in is open 30 minutes before the screening. ．On the day of screening, a patron would need to pur-

chase a ticket before check-in if the ticket is not purchased in advance. ．Latecomers who fail to check in before the screening begins will NOT be admitted. Instead, the spots will be open to people waiting on site.

counter on site.

．Food and drinks are not allowed inside any of the VR

venues.

． In the event of natural disasters or force majeure

events, the Kaohsiung Film Festival may cancel screenings according to the instructions given by the Kaohsiung City Government. Immediate updates will be posted on our official website. ． The Kaohsiung Film Festival reserves all rights to change the program due to unforeseen circumstances. Latest updates will be announced at the festival venues and on the official website. ．VR Screenings Customer Service: 0965-720-635 (Office Hours: Mon. to Sun. between 09:00-21:00). ． For more information about VR Screenings, please check the VR FILM LAB official website (vrfilmlab.tw).

Enjoy VR experience

．Admission is open 10 minutes before the screening. ． Admission will be closed up to 5 minutes after the

screening begins, and the ticket is non-refundable/ non-exchangeable.

Ticket Refunds/Exchanges ．All tickets won’t be refundable once they are used or

redeemed. Partial refunds are also not possible.

．The VR Package and VR VIP Pass can only be refunded

if the entire package (including exchanged gifts) is returned. It cannot be refunded if it is already used and stamped. ．Kaohsiung Venues: All VR tickets or Passes are refundable before Nov. 4th (Sun) if they are not used or exchanged. Please go to the festival counter at the venues for refund. A 10% processing fee will be charged per refunded ticket. ．Taipei Venue: Only individual tickets for Taipei Screenings are refundable if they are not used or exchanged. Please go to the counter at the festival venue for refunds between Nov. 9th (Fri) to Nov. 11th (Sun). A 10% processing fee will be charged per refunded ticket. ．Procedure for ticket exchanges is the same as that of ticket refunds. Please follow the instructions above. ．During the festival, please go to the Kaohsiung Main Public Library 1F, Cinemark Dream Mall 8F, Kaohsiung Film Archive, VR FILM LAB or Bopiliao Historic Block for ticket refunds/ exchanges. ．For more information about ticket refunds/exchanges, www.ipasskhcc.tw please go to

Ticketing Instructions ．Admissions with valid tickets only. Tickets will NOT be

re-issued in case of loss or damage.

．Reservation is required for VR Screenings. ． The online reservation service is closed one hour

before the screening. Within the one hour before screening, a patron can only make a reservation at the

Please Note

．VR Screenings are not recommended for children un-

der the age of 13 as their eyesight may still be developing. ．Reservation is required for VR screenings. Please follow instruction to purchase ticket, reserve screening and check in before the screening start. ．Please follow the instruction to put on your screening device. If there is any problem, please inform our staff immediately. ．Most glasses are suitable for VR headset, though we recommend audience to put on contact lenses for a better viewing experience. ．In order to show the films in their best quality, Chinese subtitles are not provided in most films. Chinese/English dialogue lists will be offered at the venues. ．Dizziness and nausea may happen to some audience during screenings. Please make sure your physical and mental health condition is capable for VR screenings before starting the experience. Kaohsiung Film Festival and VR FILM LAB will take no responsibility for similar situation. ．If you do not feel well during screenings, please raise your hand immediately. Our staff will provide assistance and stop the screening if needed. ． In the event of natural disasters or any force majeure events, the Kaohsiung Film Festival may cancel screenings. Thank you for your understanding.

活動 �� EVENTS

��・科技�・VR 國�論� ��工作�・�作��・�北��

VR FILM LAB�� VR FILM LAB Leading Lectures

10/6 Sat.

15:00-16:30

VR ��

�埕�大義街 �二大義�� C9 ��

�在��國�： VR ��內��在��

VR FILM LAB The Pier-2 Art Center, C9 Warehouse in Dayi Area.

VR Original Content and Local Culture Aesthetic �卓� 國立�南��大��作理論� 副�授

Jow-Jiun GONG

Associate Professor of Department of Doctoral Program in Art Creation and Theory, Tainan National University of the Arts

��元��王

Your Spiritual Temple Sucks

10/13 Sat.

15:00-16:30

VR ��

�埕�大義街 �二大義�� C9 ��

VR FILM LAB The Pier-2 Art Center, C9 Warehouse in Dayi Area.

��想：從「�落�」�成〈��元��王〉

The Creative Concept : From Taoist Ritual, “Guan Luo Yin” to VR Film, “Your Spiritual Temple Sucks” ��〈��元��王〉�� Funique VR Studio ��

John HSU Director of “Your Spiritual Temple Sucks“ Ming-Yuan CHUAN Stereo VR Supervisor of Funique VR Studio

10/14 Sun. 15:00-16:30

VR ��

�埕�大義街 �二大義�� C9 ��

��間：〈�瑪星列車〉─ VR ��拍� CG ��

VR FILM LAB The Pier-2 Art Center, C9 Warehouse in Dayi Area.

Between Virtuality and Reality: The Real Shooting and CG Special Effects of VR Film, “The Train Hamasen” 賴冠� 〈�瑪星列車〉��

�� 國��路��中� �圖�場�畫主��

Kuan-Yuan LAI Director of “The Train Hamasen” Chia-Chen KUO Principal Investigator of “Render Farm Plan” of National Center for High-performance Computing

�瑪星列車

The Train Hamasen

VR科技� VR TECH Exhibition VR ��，��、技��盡在 VR 科技� 從 VR、AR ��，由�界��

作�司⸺「樂陞��」、��

��開�品�⸺「�陣聯� 數�科技��司」，以�國�科技大

�⸺「�碁 Acer」�頂��土品�� ，��你一��的數�科技�領域！

樂陞�� XPEC Art Center Inc.

樂陞��作超� 100 �以上的 AAA ��專�，並已

�成�� VR ��自�研�，同�提供從��的�畫��，3D

�作、�式��，��個��，以提供各行��行�� 、��樣� VR 數��用��作服務。

XPEC Art Center Inc. (XAC), has been participating in more than 100 world famous AAA console games, and has developed several VR games of its own. XAC provides services of art creation, 3D production, programing and integration of all above scenario so it’s capable of offering virtual application such as gaming, marketing or orientation.

�陣聯�數�科技��司 PHALANITY Digital Technology Co, Ltd.

�陣聯�數�科技��司成立� 2018 年 5 月，是一��

品��、�品研�以��行��力的數�科技�司。我們�

�了��硬�的��、並��的硬�研��作，�力� ��研� AR / VR / ��科技、自動�科技以�數�內��領域的�品。

Established in May of 2018, Phalanity is a digital technology company specialized in product design, development and integrated marketing. With talent across hard and software industr y and cooperating with hardware developer and manufacturer, we committed to ingrate and develop AR/VR somatosensory technology, automatic technology and digital content.

�碁股份有限公司 Acer Incorporated

�碁�司�立� 1976 年，是��頂�的��司�一。目�� 品和��（VR）��，未來�以物聯�和服務

�向技�的��性�用為目�，為��和�用�場��更�� 、硬�和服務的��性�用��品。�碁�司以打破��科

技的��為��使�，為使用者��的�品和各式解� ��，��超� 7,000 �員工，�力�研�、��、行�、

販��品服務，並在超� 160 個國��路和��品。

10/19 Fri. 13:00-20:30 10/20 Sat. 10:30-20:30 10/21 Sun. 10:30-20:30 ��圖書�� 3 樓��樓 ��路 61 �

Kaohsiung Main Public Library 3F No.61, Xingguang Rd., Qianzhen Dist.,

Founded in 1976, today Acer is one of the world’s top ICT companies and has a presence in over 160 countries. As Acer looks into the future, it is focused on enabling a world where hardware, software and services will infuse with one another to open up new possibilities for consumers and businesses alike. From service-oriented technologies to the Internet of Things to gaming and virtual reality, Acer’s 7,000+ employees are dedicated to the research, design, marketing, sale, and support of products and solutions that break barriers between people and technology.

VR��╳自動駕駛小巴超��界開�拉

��首� Level 4 自動駕駛小巴超��超��界�� VR FILM LAB，共同��車內��式�� VR 活動！

��在��的��上��、�場�品味��作〈�瑪星列車〉。�界場��量��，科技��不可��。

活動��點

��二�� B3 ��活動�棚��、��。 ��路�臨�路��口

臨�

新路

�� 路

鼓山一路

�二��

��式

1. 活動期間（10 月 20、21、26、27、28 日）憑�� VR ��、��貴��可 ��一�。各�種購買�上��。

2. �場�提供六個��上車��，一場�活動�間� 20 ��。 3. ��，�場��以�上預��成者�先參� , ��開� 憑上��現場��。�上預��入��活動��頁面，或�� QR Code ��。

4. �上預�者��提早��間 20 ��成��，��取�� 開�現場憑��。

��間日期

10/20 Sat.

活動

VR 國�專�論�

10/21 Sun.

VR 國�專�論�

10/26-28 Fri.-Sun.

10/27

（3 日）

活動��事項

��典禮

VR ��╳自動駕駛小巴超��界場�

16:00 ． 16:30 ． 17:00 ． 17:30

11:00 ． 11:30 ． 12:00 ． 12:30 16:00 ． 16:30 ． 17:00 ． 17:30 11:00 ． 11:30 ． 12:00 ． 12:30 16:00 ． 16:30 ． 17:00 ． 17:30

1. VR ��僅開��年滿 13 ��，��期間頭暈、��不�，� 立�向車內工作�員反�，以便工作�員協助。

2. 活動��須��主��現場��。一旦上車，��為已��、瞭解並同��

自駕小巴��單�

事項。

VR國�論� International VR Forum 當�界��相��立 VR 單元，�� VR 單元�「�� VR FILM LAB」�畫

�入�二年，國� VR �似�現��，但 VR 的未來��滿何種可�？為期兩日的 VR 國�論��由�作��兩個面向切入，從金馬��的首� VR 作品��，

�見故事��的�作甘��；由�� VR ��領�，�� VR 專 �先�，�括��、�作、�行、��的��，�入了解�界 VR 的��

現況、�場��未來��。

When world-class film festivals were established and attached importance to VR Screenings, Kaohsiung Film Festival VR Screenings and the "Kaohsiung VR FILM LAB" project entered its second year. Although the international VR seems to be on the rise, what exactly is the future of VR ? The two-day International VR Forum will cut from two aspects of creation and industry, first of all, you can hear the behind-the-scene stories of award-winning domestic directors’ first VR work. At the same time, VR Programmer of Venice International Film Festival, European and Asian VR professional pioneers are invited to share their specialty. The forum includes fundraising, production, distribution, film and theater industry analysis, in-depth understanding of the world's VR production status, market observation and future prospects .

10/20 Sat. 10:30-18:00 10/21 Sun. 11:00-18:00 In Our Time ��堂

��路 99 � �二�� B10 ��

In Our Time

The Pier-2 Art Center B10 Warehouse in Penglai Area

早鳥�惠元 / 日、�� 元/日購�� (www.kff.tw) 「��活動」專�。

150

180

Early Bird Ticket NT.150/day; Regular Ticket NT.180/day. For more information, please visit EVENTS section on Kaohsiung Film Festival website. (www.kff.tw) 18

�助單�

Proudly Supported by

10/20

Sat.

10:30-10:50 VR 國�論��工作�開�儀式 Opening Talk 10:50-11:30

VR ─�未來的�事手� ��凱�（�國 AltasV ��）

Beyond the Future: From 2D Films to Virtual Reality Antoine CAYROL (Founder & CEO of AltasV)

11:30-12:10

立� 8K VR ─技��作�何相輔相成

�卜元（Funique VR Studio �行�）；��（Funique VR Studio ��）

Collaboration between 8K VR Technique and Creativity Apu CHENG (Founder of Funique VR Studio) Ming-Yuan CHUAN (Stereo VR Supervisor of Funique VR Studio)

13:30-14:10

2018 �� VR FILM LAB �作��──〈�你上�堂〉

；王�成（〈�你上�堂〉��）；�金國�（〈�你上�堂〉動畫團�）楊�喆（〈�你上�堂〉��）

2018 Kaohsiung VR FILM LAB - Way to Heaven

Ya-Che YANG (Director of Way to Heaven) Data WANG (Production Designer of Way to Heaven; Engine Studios (Animation Team of Way to Heaven)

14:10-14:50 2018 �� VR FILM LAB �作��──〈留�未來的��〉陳��（〈留�未來的��〉��）；�書�（〈留�未來的��〉��）

2018 Kaohsiung VR FILM LAB - Afterimage for Tomorrow Singing CHEN (Director of Afterimage for Tomorrow) Shu-Yi CHOU (Choreographer of Afterimage for Tomorrow)

14:50-15:30 2018 �� VR FILM LAB �作��──〈�怖��〉 ��（〈�怖��〉��）；樂陞��（〈�怖��〉技�團�）

2018 Kaohsiung VR FILM LAB - Abandoned Temple Wei-Hao CHENG (Director of Abandoned Temple) XPEC Art Center Inc. (Technical Team of Abandoned Temple)

15:30-16:10

2018 �� VR FILM LAB �作��──〈主��你�〉

；Funique VR Studio（〈主��你�〉技�團�） ��（〈主��你�〉��）

2018 Kaohsiung VR FILM LAB - Live Stream from YUKI <3 Tsung-Han TSAI (Director of Live Stream from YUKI <3) Funique VR Studio (Technical Team of Live Stream from YUKI <3)

16:30-18:00 VR ��手：��的�域��務｜

林仕�（〈�你上�堂〉＆〈留�未來的��〉＆〈�怖��〉��）；；何柏�（〈�你上�堂〉��）；��琪（〈留�未來的��〉��）林佳�（〈主��你�〉��）；陳��（〈��〉��）

Behind the Creation: Interdisciplinary Mission for VR Producer

Shih-Ken LIN (Producer of Way to Heaven & Afterimage for Tomorrow & Abandoned Temple) ; Po-Hsun HE (Line Producer of Way to Heaven) ; Jovial HUANG (Line Producer of Way to Heaven) ; Inch LIN (Producer of Live Stream from YUKI <3) Estela VALDIVIESO CHEN (Producer of Mechanical Souls) 19

10/21 11:00-11:20

Sun.

開場 Opening Talk

11:20-12:20 2018 �� VR FILM LAB �作��──〈��〉；��索�克��（〈��〉��）； ��爾（〈��〉��）陳��（〈��〉��）；��林（�國在�協� ��專員）

2018 Kaohsiung VR FILM LAB - Mechanical Souls

Gaëlle MOURRE (Director of Mechanical Souls) ; François KLEIN (Producer of Mechanical Souls & Founder of Digital Rise) ; Estela VALDIVIESO CHEN (Producer of Mechanical Souls) ; Aurélien DIRLER (Audiovisual Attaché of Bureau Français de Taipei)

13:30-14:30 VR 國��國��

��羅��爾（�� VR ��）； ��凱�（�國 AltasV ��）；��索�克��（�國 Digital Rise ��）

How VR Financing & Co-production work

Liz ROSENTHAL (Programmer of Venice International Film Festival- Venice VR & Founder of Power to the Pixel) ; Antoine CAYROL (Founder & CEO of AltasV) ; François KLEIN (Producer of Mechanical Souls & Founder of Digital Rise)

14:30-15:30 當 VR 成為國��星

��（�� ）；��羅��爾（�� VR ��）； ��基（�國 NewImages Festival 負責�）；金��（�川奇�� VR ��）

VR: The Rising Star in Film Festivals

Hao-Jie HUANG (Curator of Kaohsiung Film Festival) ; Liz ROSENTHAL (Programmer of Venice International Film Festival- Venice VR & Founder of Power to the Pixel) ; Michael SWIERCZYNSKI (Director of NewImages Film Festival & Digital Director of Forum des Images) ; Jongmin KIM (Programmer of Bucheon International Fantastic Film Festival ＆ Founder of GRABIT)

15:50-17:00 VR �行��：��場的未知�可�

��羅帕托（�國 Diversion Cinema ��）； ��（HTC ��內�中� 技��）；�卜元（Funique VR Studio �行�）

VR Distribution and Exhibition : Uncertainties and Perspectives of An Emerging Market

Camille LOPATO (Founder of Diversion Cinema) ; Tommy CHENG (CTO of HTC VR Content Center) ; Apu CHENG (CEO of Funique VR Studio)

17:00-18:00 從��：VR �代�來

；��羅��爾（�� VR ��）；史�（��副��） ��基（�國 NewImages Festival 負責�）；金��（�川奇�� VR ��）；�國在�協�代�；劉思�（HTC ��內�中� 副�經理）

VR Revolution: The Future is Now

Che SHIH (Deputy Mayor of Kaohsiung City) ; Liz ROSENTHAL (Programmer of Venice International Film Festival- Venice VR & Founder of Power to the Pixel) ; Michael SWIERCZYNSKI (Director of NewImages Film Festival & Digital Director of Forum des Images) ; Jongmin KIM (Programmer of Bucheon International Fantastic Film Festival ＆ Founder of GRABIT) ; Representative of Bureau Français de Taipei ; Szu-Ming LIU (Vice President of HTC VR Content Center)

VR國�論��者

International VR Forum Speakers

��羅��爾 Liz ROSENTHAL

��國�� VR �� Programmer ｜ Venice International

Film Festival - Venice VR Founder / CEO ｜ Power to the Pixel

��國、活��北�的羅��爾 , 專�為�動��事的革�，

並�力��力的沉浸式內��作者。作為沉浸��動式�事的 ��先�，羅��爾早在 10 �年�便洞�沉浸��動作品的��可�，成立「Power to the Pixel ��問�司」，不僅為�作者、�作��提

供相��、�劃�內�開�的��協助，更在倫��的��下�� 界�一個沉浸��動內��場�。羅��爾��的��元的�國�作��，現�� VR ��，��受��城��、柏

林��、TED 專�論�……��界�專�場��、�者、�� 沉浸式內�開��問。

A pioneer of immersive and interactive storytelling, specialising in audiovisual innovation. Liz Rosenthal specialises in boosting the digital potential of creators, institutions and media business. She is the Founder & CEO of Power the Pixel and Programmer of immersive content for Venice International Film Festival’s Venice VR, the official competition section and Venice Production Bridge Finance Market. Throughout her career, Liz has helped international media businesses and creatives to innovate and adapt to changing audiences. As a consultant for leading international festivals, international media organisations, national and regional funds, Liz shares her expertise in innovation strategy to help creators and businesses to ideate, finance and distribute immersive and interactive projects.

��基

Michael SWIERCZYNSKI

�國 NewImages Festival ��負責� Director ｜ NewImages Festival Digital Director ｜ Forum des Images

��國國��中��門，�� 2013 年��巴黎 Forum des Images ��的數��，�領其數�轉型�內��行的��。2016 年，��基�入了��式��的��，� 2017 年正式��了專��沉浸式內�的�國 NewImages ��，�行��單元��，�� 論�，�力�� VR 作品的��、��的 VR �作��作者，並促 �國��流。

After working as Head of Editorial for the web and video portals of cultural channels (ABSat Group), Michael Swierczynski then took over the running of the New Media arm of the INA (French National Institute of Audiovisual) where he was responsible for the organization’s digital transformation and was one of the drivers of the www.ina.fr website. In 2013, he became Head of Digital Development at the Forum des images, which was looking to initiate its digital transformation and organize content distribution. In 2016 he launch the first Festival dedicated to Virtual reality “Paris Virtual” who become NewImages following the association of other digital events and the expansion of its offer. 21

VR國�論��者

International VR Forum Speakers �論��排�

��凱�

Antoine CAYROL �國 Altas V ��

Founder / Producer ｜ Altas V

巴黎索�大��傳��財��碩士，2014年凱��皮耶� ��、羅倫��提�作，成立�作�司 OKIO STUDIO，�力�� 作，�作的 VR ��入��貝��、�城��、��。 2017年�其��作�共同成立�作��式作品的�司 ——Altas V，其�巴黎、里�、紐�和洛杉��。

After a Master II Communication and Media in Assas and a Master II PLA at the Sorbonne, he created his production company FATCAT FILMS in 2005. In November 2013, FATCAT FILMS incorporates the audiovisual group PREMIERE HEURE and became its digital label. In January 2014 he creates a second production company specializing in the production of content for virtual reality, OKIO STUDIO, by partnering with Pierre Zandrowicz and Lorenzo Benedetti . This company have created short experience where screened at Tribeca, Cannes and Venice Film Festival amongst others. In October 2017 he sold OKIO STUDIO to a commercial group and team up with new producers to create a new immersive production company ATLAS V, in Paris, Lyon, New York and Los Angeles.

�卜元

Apu CHENG

Funique VR Studio �行� CEO ｜ Funique VR Studio

�十�年的��、��，2015年��8K 解�度立� VR �� 未來��，�界研��、��、�樂、不同領域�用的解��、自動 �流�、自�內�的��，2018年��自行研�的8K 立� VR ��內�，參�了瑞士 WVRF18��，��了��。目�更專��下一代8K 立� VR � �科技�內�研�。

After 15 years in film and television production and management, Apu switches his focus on 8K stereoscopic VR entertainment industry and its future. Not only in movies, he also extends stereoscopic VR to culture, entertainment, medicine and education, providing industrial total solutions respectively. He founded Funique VR in 2015 and makes it an integrated VR production house. In 2018, at World VR Forum Annual Summit in Switzerland Apu and Funique VR charmed Europe with its 8k stereoscopic VR and 8K VR theater system.

��

Ming-Yuan CHUAN

Funique VR Studio �� Stereo VR Supervisor ｜ Funique VR Studio

� � 的 � � � � � 作 � 量，在 � 生 � 期的 � � � 作「立 � � �（Cubic Tragedy）」� � SIGGRAPH Peoples’ Choice Award。並在 2005 年， � 入知�工作�「��」，�團��共同�作�得並提��項國�大�。2015 年，��下�入 Funique 團�，研��「蟻�相�」、「Z1」�� 「X」自動解��。

An outstanding visual artist, Chuan has demonstrated his talents from a young age. His graduation work- Cubic Tragedy won the SIGGRAPH 2005 People’s Choice - Electronic Theater. Immediately after, he joined the renown production studio, Glassy Jelly, and won quite a few international awards with the team. In 2015, he joined Funique VR and has developed the ant-man camera, [Z1] macro camera, and the [X] automatic computing system.

楊�喆

Ya-Che YANG

〈�你上�堂〉�� Director ｜ ”Way to Heaven”

王�成

Data WANG

〈�你上�堂〉�� Production Designer ｜ ”Way to Heaven”

�金國�

Engine Studios

〈�你上�堂〉動畫團� Animation Team ｜ ”Way to Heaven”

陳��

Singing CHEN

〈留�未來的��〉�� Director ｜ ”Afterimage for Tomorrow”

��、��。1971 年生，�江大�大�傳��。�以��《血 ��》��金馬��佳��，�以《女朋友。男朋友》提�金馬��佳� �。作品�型�元，��、��、��、�告……�。�期�入� ��動，��生活��中的��轉�為作品中的��。 Taiwanese director and screenwriter. Born in 1971, graduated from Tamkang University, Dept. of Mass Communication. YANG has won The Golden Horse Award- Best Feature Film with “The Bold, the Corrupt, and the Beautiful”, and has nominated as The Golden Horse Award- Best Director. With his long term participation in social movement, YANG is good at presenting humanity, justice and emotion in his films.

現�角��事務��，CF ��，��歷史、�� 、��、奇��動��樣��，�常以抽�、�界�併�事手� 來�現其��念。

Experienced production designer of films and commercials. WANG specializes in multiple topic such as history, comedy, realism, fantasy and comic, and he usually merges abstract concepts to his design in crossover way.

�力�� 3D 動畫�作��動��的�作��。��、�、�、日、��國��作大型專�的��，團�成員來自動畫�數��界中� ��的�作�、��、動畫師、��師的��，二十�年動畫��， ��團�的作品屢�國��項� SIGGRAPH、ANNECY 的��。 Engine Studios is a collective of media professionals, artists, filmmakers, and producers centered around both creating original content for all entertainment and providing support for the ideas and creations of other artists and companies in the local and global community.

��，作品�足��錄�，傳��下��的�期��，��利用��的手�，��現��的��性，用以陳�更大的�構問題。作品��流暢��，常在嚴�的�構中，�現��的��陳、�角�的 ��畫。作品�入�柏林��、金馬�、��、�形��、�北�� 、��節國際短片競賽、��國��錄��國內��項�參� ��。拍��，陳��同��為��場�作�樂，��的作品 �是�滿��，��豐�的�樂性。

CHEN conveys her long-term social observation through documentaries and feature dramas. Her approach of magical realism highlights the absurdity in reality, and points out the structural problem in the society. In her well constructed fast-paced works, she is capable of delivering subtle emotion and in-depth dynamics in characters. Throughout time, her works are screened and nominated in Berlin Film Festival, Golden Horse Awards, Busan International Film Festival, Yamagata International Documentary Film Festival, Taipei Film Festival, Kaohsiung Film Festival, and Taiwan International Documentary Festival. Aside from being on set, she also produces scores for theater plays and films. Chen’s ability thus makes her work rich in rhythm and music.

�書�

Shu-Yi CHOU

〈留�未來的��〉�� Choreographer ｜ ”Afterimage for Tomorrow”

��

Wei-Hao CHENG

〈�怖��〉�� Director ｜ ”Abandoned Temple”

樂陞��

XPEC Art Center Inc.

〈�怖��〉技�團� Technical Team ｜ ”Abandoned Temple”

��

Tsung-Han TSAI

〈主��你�〉�� Director ｜ ”Live Stream from YUKI <3”

�書�，��、�者。��作來��生��的��，�� 間��，並不��各領域�作的可�。��紐�、巴黎、柏林、東�、北�、⾹�、�北、�東、�南��作，�年��找�「��的�� 」。

Choreographer and dancer. Through his work, Shu-Yi CHOU looks closely to the relationship between his life and the society, connects his body with the environment and seeks for all kinds of possibilities to collaborate with diverse fields. CHOU‘s path of creation has been to New York, Paris, Berlin, Tokyo, Beijing, Hong Kong, Taipei, Taitung and Tainan. These years, he focuses on searching “the body langauge of Asia”.

��大��碩士。��代�作《�什��》、《狙�手》、《��員 ��》�，��玩弄�型元�。2015 年以《��員��》�金馬��佳�作� �，2016 年以首��《��小女�》入�金馬��佳��，2017 年 ��《目�者》�《��小女� 2》兩��。

Graduated with a master’s degree in film from National Taiwan University of Arts. He made his name with the short, The Death of a Security Guard (2014), which won Best Short Film at the Taipei Film Awards and the Golden Horse Awards. His 2015 feature debut, The Tag-Along, was a major box office success and received four nomination at the Golden Horse and won two Taipei Film Awards. His second feature, Who Killed Cock Robin, received five Golden Horse Award nominations.

樂陞��作超� 100 �以上的 AAA ��專�，並已�成�� VR ��自�研�，同�提供從��的�畫��，3D �作、�式��，�� 個��，以提供各行��行��、��樣� VR 數��用� �作服務。

�大��，�北��大��作研��碩士。首��作品《� ��》��得金馬�、�北��、��傳�大��佳��，並入�� 大�。��賢主��「金馬��」研�。兩��的�� 〈�棉�的��〉、〈�在�界末日〉�入�金馬��佳��。〈主��你�〉是首�拍�的 VR 作品。 A screenwriter and a director, Tsung-Han has a BA in Economics from the National Taiwan University and a MFA in Film Production from the Taipei National University of the Arts. Tsung-Han’s first feature film screenplay Winds of September (2009) won the Best Screenplay Awards at the Golden Horse Awards, Taipei Film Festival, and Chinese Film Media Awards. It was also nominated as the Best Screenplay at the Asian Film Awards. He was a director alumnus at the Golden Horse Film Academy helmed by the esteemed auteur HOU Hsiao-hsien. His directorial shorts, My Grandma and Love After Time nominated Golden Horse Awards.

Funique VR Studio

〈主��你�〉技�團� Technical Team ｜ ”Live Stream from YUKI <3”

8K 立� VR 的��先�者。提供��各� 8K 的立� VR 解��，�構� �內�生�的��中�。8K 立� VR（8K Stereoscopic Virtual Reality）的

�畫��你走�故事裡，開拓��不一樣�看�界的角度；��獨�的�� VR，�領你�入��未見的�動。��代 ��動。

The 8K Per Eye Stereoscopic VR solution provider, Funique is an integrated VR production house. The 8K Stereoscopic Virtual Reality cinematic quality let you go into the story and explore the world from different perspectives. Our exclusive macro VR content will bring you into a unprecedented and unique sensational world of virtual reality. New Era, New Inspiration.

林仕�

Shih-Ken LIN

〈�你上�堂〉＆〈留�未來的��〉＆〈�怖��〉��人 Producer ｜ ”Way to Heaven” & ”Afterimage for Tomorrow” & ”Abandoned Temple”

何柏�

Po-Hsun HE

〈�你上�堂〉�� Line Producer ｜ ”Way to Heaven”

��琪

Jovial HUANG

〈留�未來的��〉�� Line Producer ｜ ”AfterImage for Tomorrow”

林仕�，��司負責�，�年來累積了�面、大量且��的 ��作��，並��作�向的��度��角，��生代�� 作�切，並� 2015 年開�從事��開�領域的工作。�期作品�括��《目 �者》、《吃吃的�》、《��小女� 2》、《血��》…�，2017 年作品更�括 ��，《血��》更�得� 54 �金馬� 3 項大�。 Producer and founder of Outland Film Studio. LIN has been working as film producer for years, with great sense of finding good story and talent, he works with young directors a lot and started to involve in film developing field from 2015. LIN’s recent works includes “Who Killed Cock Robin”, “Didi’s Dream”, “The Tag-Along 2” and the 2017 Golden Horse Award winner “The Bold, the Corrupt, and the Beautiful”.

9 年的��作�歷。2014 年�入��作，�作作品�《��》、《⻘禾男 �》、《吃吃的�》、《��點》、《波羅�的�》 �《��、��》�。 �作��告，�作品��了�界��知�品�（P&G、 NIKE � BENZ �），且��、⾹�、�國�中國��們�手�作。

Po-Hsun HE has 9 years of filmmaking expreince. His started film producer career from 2014, and has participated in “The Bride”, “Didi’s Dream”, “High Flash” and “A Love of Boluomi”. Besides feature films, his works in TV commercials as well and has worked with international crew from Hong Kong, South Korea and China.

��琪，��大�傳��，為��生代��，參��作的作品�括�你��〈�們在��的�一��〉、��《阿�的�中��》、《目�者》、《想�》、《百日告別》、《��點》�《血��》，其中《血��》更 �得� 54 �金馬� 3 項大�。

Film porducer, graduated from Wenzao Ursuline University of Languages, Department of Communication Arts. Has participated in TV series “Days We Stares at the Sun” and feature films “Forever Love”, “Who Killed Cock Robin”, “Dream Flight”, “Zinnia Flower”, “High Flash” and “The Bold, the Corrupt, and the Beautiful”.

林佳� Inch LIN

〈主��你�〉�� Producer ｜ ”Live Stream from YUKI <3”

��爾

Gaëlle MOURRE

〈��〉�� Director ｜ ”Mechanical Souls”

��索�克�� François KLEIN

〈��〉�� Producer ｜ ”Mechanical Souls”

��。��更��生活，�歷��但�力��，��各種�� 型的��作，期�用��為��入�生代的活力。�參�� 你��《奇蹟的女�》、��《阿�和國�》、�大�形��告〈其� 我們一�都在〉��錄�《書�裡的��》。 Inch LIN is passionate about both films and life. Always excited to try out new things in filmmaking, in terms of both scale and genre. LIN has participated in TV series “The Coming Thourgh”, “A-Tsuí & Kok-Siông”, documentary “Poetries from Bookstores” and commercial of XXIX Summer Universiade in Taipei.

” 2015）�得自�國��倫��，��拍��並憑� �Awakening（紐��佳��；�為一��，Gaëlle Mourre �在紐�、 ��坡、倫�、馬�里生活，�是��不同的��點��奇。

Gaëlle Mourre is an award-winning film writer, producer, director based in London. Her latest short film, THE FEAST, stars Katie Leung and is currently on its festival run.

專��科技� 3D 內�的��。克��在 2013 年踏入�� 360° ��的領域，開�了��式內�的��研�和參�，�年，�以�問� �的��入�國 DVgroup �作�司，並和�的�作��托瑪�耶��了 �� VR 內��門，�力��生更��的 VR 作品。2016 年，��「Digital Rise」��事�作�司，��的知識��入� VR �作 �中。��索�參�的作品�� DVgroup �作的〈��〉��式 VR �場��〈Alice〉��受��的作品。 François Klein is a movie producer specialized in new technologies and stereoscopic-3D contents. Graduated from french Gobelins school, He gets in Virtual Reality and 360° movies in 2013 for immersive production researches. The next year, he joins DVgroup as advisory producer, and with his associate, Thomas VILLEPOUX, he initiates the original content production department to finance and support creation in VR.

In 2016, he creates Digital Rise, a story lab dedicated to narrative projects in virtual reality and new immersive forms. He shares his knowledge in the first guideline book about VR production and creative process. Through his various collaborations, he has worked on dozens of VR projects, including awardwinning documentary The Real Thing, and the immersive VR theatre Alice, the virtual reality play, produced by DVgroup.

陳��

Estela VALDIVIESO CHEN

〈��〉�� Producer ｜ ”Mechanical Souls”

��，2015 年�入��開��國聯��作。��成立�� 畫��司，開��作��事作品，並��科技��，其�作� VR �事��〈��元��王〉� 2018 年��日��單元�� 國��。 Producer and founder of SERENDIPITY FILMS, producing projects with new technology and transmedia storytelling, including Your Spiritual Temple Sucks selected by New Frontier Sundance Film Festival 2018.

�國在�協�

Bureau Français de Taipei

�國在�協�的�務在�促�並��、��間的�流，尤其是在��、� �、��以�科技��面。協��括��、��作�� 、行政�、��。

The French Office in Taipei's mission is to facilitate and promote exchanges between France and Taiwan, particularly in the economic, cultural, audiovisual, educational and scientific fields.

��林

Aurélien DIRLER

�國在�協��專員 Audiovisual Attaché ｜ Bureau Français de Taipei

��羅帕托 Camille LOPATO

Diversion Cinema �� Founder ｜ Diversion Cinema

� 2016 年 9 月�開��國在�協��專員，主�工作�務為��國 ��、數�內�以��國��作。在��在��領域中��，先��巴黎國��、�國�⾹��門� 領事��專員以��國�� La Fémis 國�事務�流�畫專員。

Audiovisual Attaché at the French Office in Taipei since September 2016, Aurélien Dirler is in charge of promoting French cinema, digital content and enhancing audiovisual cooperation between France and Taiwan. He held various positions in the film sector, successively as Film Programmer at the Paris International Film Festival, Audiovisual Attaché at the Consulate General of France in Hong Kong and Macau, and Project Manager (International Affairs) at France’s national film school, La Fémis.

在��行領域和傳��累積了�年��，羅帕托共同�立了�國首 � VR � �。2016 年， � � � 了 VR � � � 國 � � 行 � 司 ⸺Diversion Cinema，��務觸角從�點式的�� VR ��傳、��活動現場，��負責��、�城��……�國�� VR 單元的�� 劃��行。國��行��則代理��品�的 VR360 作品�〈東�川血� （Bloodless）〉、〈��（The Real Thing）〉��式 VR �場�� DVgroup 的�作〈The Horrifically Real Virtuality〉，並成功�其�� 國�重��。

After 7 years working in traditional cinema, Camille co-founds the first VR cinema in France. In 2016, she creates Diversion cinema, a company is specialised in distributing and showcasing VR experiences. Diversion cinema is specialised in showcasing and distributing immersive productions. Agile and adaptable, Diversion cinema is always looking for new partners to exhibit VR, and ultimately shape this emerging market.

金��

Jongmin KIM

�川奇�� VR �� Programmer ｜ Bucheon International Fantastic Film Festival Founder ｜ GRABIT

�川奇�� VR ��、��式內��。金��的�事 VR 作品〈�血哭 �〉�受��切��城��國��。作為��內��作 �司 GRABIT 的��，金��力�提��生代�作者，並開�� 題的 VR 內��。同�，金��國�� 大��師，為�立��事��式��的基��。

As a immersive content producer, Kim produced cinematic VR “EYES IN THE RED WIND” which has invited by Sitges IFF and Sundance New Frontier Section and others. He founded GRABIT, the new media content creating company, which produces VR contents with new generation creators. TRACK (Interactive VR experience that travels through memories of the first love) and NINE (Cinematic room escaping project based on K-drama) is under production. Kim also has been working as programmer of Bucheon International Fantastic Film Festival (BIFAN) for 3 years. To set a creative infrastructure of immersive media, Kim teaches at Korea National University of Arts (K’arts).

HTC

��內�中� HTC VR Content Center

HTC � 2016 成立的 VR 內�中�（VRC），從��樂（�樂、��、�動）面相切入，��科技和��，�行內�的開�和�作，期��立�� ，同��動更大的��樂 VR 生��，�為��的��做 �貢�。HTC（VRC）更��拍�和技�團�，�是希�提供��更�� 三��間中�現��中的��和��。�同��是一個� 立��的��，�括��流�、��式、��的�切性和� �……都在我們的責�領域內。

HTC founded VR Content Center in 2016, aiming at pan-entertainment (music, films and videos, interaction), owing to integrate technology and humanities talents to continuously develop and produce VR’s contents. We hope to build a standard procedure, promoting a larger VR ecology in pan-entertaining fields. Making a contribution to art and humanities in virtual industry simultaneously. Even though we will run into odds, but we will breakthrough and strive for achievement in order to build a better path. Other than films, we will continuously create; invest, in pan-entertainment (music, films and videos, interaction).

劉思�

現� HTC ��內�中� 副��理流行�樂�作��作� �� TVBS ��目�� HTC ��內�中� 副��理 Vice President | HTC VR Content Center 土��中��理三立�� 事工場�� 2015-2017 金曲�� 50 � ,42 � ,43 �金��相��項��

Szu-Ming LIU

Current Vice President of hTC Virtual Reality Content Centre Song Writer and Music Producer Former Director of Programme Department of TVBS Former General Manager of Tudou China programing Centre Former Branding and Marketing Director of SET TV Judge panel for 2015，2016，2017 Golden Melody Awards

��

Tommy CHENG

HTC ��內�中� 技�� CTO ｜ HTC VR Content Center

HTC VRC ��內�� 技��

國立�北��大� 數�� 兼��師 ��玩�科技�司 �動�� 技��理科思數��畫��司專��理 EA �� Tiburon studio TA 技�動畫師

HTC VR Content Production Technical Supervisor National Taipei University of Business Department of Digital Multimedia Design Lecturer iToys Tech. Inc. Technical Manager Qpix Animation Studios Project Manager EA Tiburon studio NCAA Football 2003 Technical Artist

��VR FILM LAB��工作�

Kaohsiung VR FILM LAB Talent Workshop �年，��臨場�的 VR ��樂��，代��內��必須��的��事 �式而�。��國��畫，�� VR ��科技��，扶� VR ��⻘年��作��，�

�「2018 �� VR FILM LAB ��工作�」。��開徵� 30 ��員，�行為期六�的 VR ��故事�� ，��內�以「VR 國�論�」、「VR ��」、「故事提��」三個��面向為主，以��員�

� VR ��、�事手�、拍��作、�劃提��務技�，為��的 VR ��，�� VR ��的基�。

As VR has become a new way of storytelling, it has great potential of changing the mainstream of the film industry. With the goal of education and promoting immersive storytelling, Kaohsiung Film Archive started the first edition of “2018 Kaohsiung VR FILM LAB Talent Workshop” with both governmental and industrial support. 30 talented university students are gathered as participants of the workshop. During the 6 days, participants will follow the steps of industrial experts, be part of “International VR Forum”, “VR Lectures” to improve their storytelling ideas and technique, then presents their final proposal at the project presentation.

師�� Lecturers Funique VR Studio

8K 立� VR 的��先� × 日��〈��元��王〉技�團� × �� VR 內�� 提供��各� 8K 的立� VR 解��，�構��內�生�的��中�。 8K 立� VR（8K Stereoscopic Virtual Reality）的�畫��你走�故事裡，開拓��不一樣�看�界的角度；��獨�的�� VR，�領你�入��未見的�動。 ��代 ��動。

�卜元

��

Funique VR Studio �行� CEO, Funique VR Studio

Funique VR Studio �� Stereo VR Supervisor, Funique VR Studio

Funique VR Studio VR �� VR Director of Photograhy, Funique VR Studio

Apu CHENG

Ming-Yuan CHUAN

William CHOU

��內� Workshop 10/20-10/21

�一��【VR 國�論�】

10/22-10/24

�二��【VR ��】

10:30-18:00

10:00-17:00

International VR Forum

VR Lectures

※ 僅�工作��員參� ※ Only available for Talent Workshop participants

10/22

8K 立� VR 和你想的不一樣

10/22

�的說故事�式：8K 立� VR

10/23

VR �作�技�的��

10/23

VR 故事��修��論

10/24

VR 故事�� ( 一 )

10/24

VR 故事�� ( 二 )

10/26

�三��【故事��提��】

Mon. 10:00-13:00

Mon. 14:00-17:00

Tue. 10:00-13:00

Tue. 14:00-17:00

Wed. 10:00-13:00

Wed. 14:00-17:00

Fri. 14:00-17:00

Beyond your imagination: 8K Stereoscopic VR

A brand new way of storytelling: 8K Stereoscopic VR

Combination of creativity and technique

Project Adjustment

Project Selection I

Project Selection II

Project Presentation

�點：��立圖書�� 3 樓��樓

Kaohsiung Main Public Library 3F

��入場，��各界�臨��

Free entry, open to public.

頂��界專��領下，30 ��員�� 10 ��彩的故事提�踏上��，�受國內� VR 專��予�面

性的��，�開 VR �作的��！

After the intense 6-days workshop, 30 participants will step on stage to present their final 10 creative VR projects. With advices from local and international VR experts, more possibilities of VR storytelling will be shown in front of these young participants. 30

國��VR入��作��

KFF International Short Film Competition VR Finalists Talk 10/27 Sat. 17:00-18:00

克里�汀史提� Christian STEPHEN

〈�陽女�〉共同�� Co-Director, “The Sun Ladies”

�二 VR ��

�埕�大義街 �二大義�� C9 ��

VR FILM LAB 360 Cinema

The Pier-2 Art Center C9 Warehouse in Dayi Area

�兼�者、�� VR �作者、作��師�重��的史提�，��為國 ��料��的領�者，�是受��的��者。��入伊拉克、�利 �、阿�汗、��、中�共和國、�泊爾和�里��……��，��衝�現場��界��的故事。��的��頭，��一�的故事轉�成為� �、��為�們�知。 As a journalist, a filmmaker, a virtual reality creator, a writer, and a photographer, Christian is Internationally recognized as a leader in the field of innovative journalism, as well as a respected investigative reporter. Christian has covered stories in Iraq, Syria, Afghanistan, Gaza, Nepal and Sri Lanka, among others and has turned the stories into multimedia works.

��索� Lester FRANCOIS

〈��〉�� Director, “Rone”

〈��〉是��索�的��錄〈KINETIC〉�列作品中的�一�。其 �，��索��作了��三��錄街頭��的�錄�，並��南�取材。 �了 VR ��，��索�� 2015 年��錄��〈GameLoading: Rise of the Indies〉，且正在��一�列的��作品。 RONE has screened at the Melbourne International Film Festival, SXSW 2018 and Cannes. RONE is the first episode in the VR arts doc series KINETIC. In addition to VR, Lester produced and directed the feature documentary GameLoading: Rise of the Indies and is currently developing a series of TV projects across scripted comedy and factual.

雷�� Zenmeng LEI

〈烈��〉�� Producer, “Shannong: Taste of Illusion”

平�工作�（Pinta Studio）��；��兩年以��作品 VR 動畫〈拾�老�〉 �〈烈��〉入��。��中國科��，��阿里巴巴� ��專�，��科技��和��樂領域�豐�的��，並��、� ��和�作流��的理解。 The producer of VR Animation “The Dream Collector” and “Shennong: Taste of Illusion”, which were nominated in 74th and 75th Venice international film festival. LEI is graduate from the Institute of Computing Technology of the Chinese Academy of Sciences, and worked in digital entertainment group of Alibaba.

金��

Jongmin KIM

〈�血哭�〉�� Producer, “Eyes in the Red Wind”

�川奇�� VR ��、��式內��。金��的�事 VR 作品〈�血哭 �〉�受��日舞��城��國��。作為��內��作� 司 GRABIT 的��，金��力�提��生代�作者，開�� 題的 VR 內��，��國��大��師，為�立��事��式��的基��。 As an immersive content producer, Kim produced cinematic VR “EYES IN THE RED WIND” which has invited by Sitges IFF and Sundance New Frontier Section and others. He founded GRABIT, the new media content creating company, which produces VR contents with new generation creators. Kim also works as programmer of Bucheon International Fantastic Film Festival (BIFAN) and lecturer of Korea National University of Arts (K’arts).

※ 入場�式：憑 VR 單元�一��入場。 ※ Admission: Free entry with any KFF VR ticket.

FROM KAOHSIUNG TO TAIPEI

��

VR FILM LAB �北場

Kaohsiung VR FILM LAB Taipei Tour ��金��首� VR �� 超��界打�不可�

「�� VR FILM LAB」

楊�喆、�� 、��、陳�� 皮寮

��一�� 360 VR ��

〈��〉�北首�

�。�。三。日。�北上� 。

11/9 Fri.-11/11 Sun. 13:00-20:30

�皮寮歷史街�｜ 155 �� Bopiliao Historic Block Room 155 Ln. 173, Kangding Rd., Wanhua Dist., Taipei City

※ �北場��場��，現場不開��，� �提早於售票系統購�，�見 P.08 購�� ※ Admission: Online ticketing only. Please

find ticket infromation at P.08

�北��場�別活動 �� VR FILM LAB ��作��

Kaohsiung VR FILM LAB Creators’ Talk in Taipei 11/11 Sun. 15:00–17:00

��：2018 �� VR FILM LAB ��

〈�你上�堂〉、〈留�未來的��〉、〈�怖��〉、〈主��你�〉、〈囍宴機器人〉�作團�

入場�式：��入場，須�上��。�十月中開�，�見�� www.kff.tw

Speakers: Creators of 2018 Kaohsiung VR FILM LAB Admission: Free entry, online registration required. Further information will be published on KFF website in mid-October. (www.kff.tw) ⻄昌街

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Xichang St.

路1

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Longshan Temple Station Exit 3

⻄�路一� 203 巷 Ln. 203, Sec. 1, Xiyuan Rd. ��車�

Wanhua Station

��大� Bangka Blvd.

場�� Venue

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�北��路 173 巷

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�皮寮歷史街� Bopiliao Historic Block

Ln. 173, Kangding Rd., Wanhua Dist., Taipei City 02-2308-2966

捷�龍�� 3 ��口（右轉��路�行，�� 3 ��。）

�單目錄 FILMS

場�．�� VR FILM LAB 國�� VR 單元．VR 國�大�

場次表

SCREENING SHEDULE ※ �一��僅��看一個 PROGRAM

�� VR FILM LAB

KAOHSIUNG VR FILM LAB PROGRAM 1

�你上�堂

Way to Heaven

PROGRAM 2 留�未來的�� Afterimage for tomorrow PROGRAM 3 �怖�� Abandoned Temple PROGRAM 4 主��你� Live Stream from YUKI <3 ��

PROGRAM 5 Mechanical Souls

�皮寮歷史街� 11/9-11/11，13:00-20:30

VR ��動�� 10/20-11/4，13:00-20:30 13:30

17:00

14:00

17:30

14:30

18:00

15:00

18:30

15:30

19:00

16:00

19:30

16:30

20:00

※PROGRAM 1-5 為各自獨立場次，每一時段僅限擇一 PROGRAM 觀看

VR �� 360 �� VR FILM LAB 360 Cinema PROGRAM

PROGRAM

�星��的那一� Dinner Party

��

An Obituary

Sanctuaries of Silence

B ��

PROGRAM

��的巴別�

Tower of Babel by the Sea

�血哭�

Eyes in the red wind

PROGRAM

�陽女�

The Sun Ladies

�上�手 The Crew

10/20 10/27 11/03 SAT.

Rone

�� 獸

13:30

Micro Giants

PROGRAM

��

The Real Thing

東�川血� Bloodless

PROGRAM

10/21 10/22 10/23 10/24 10/25 10/26 10/28 10/29 10/30 10/31 11/01 11/02 11/04 MON. TUE. WED. THU. FRI. SUN.

14:30

15:30

16:30

G H

17:30

18:30

19:30

�啊，��魚！ ※ 10/27 � 17:00-18:00 為國�� VR 入��作��，憑 700 Sharks

��，��怪物！ Sergeant James

PROGRAM

在你��的�� The Last Chair

VR �� 360 �� 10/20-11/4，13:00-20:30

��入場 ※ 10/27 � 16:30 場� Program F � 17:30 場� Program G 不開�預�

��立圖書� �� 3F

��立圖書�� 3F 10/20-11/4 �二～� 13:00-20:30；�六～日 10:30-20:30

Kaohsiung Main Public Library 3F E

PROGRAM

紐��克

PROGRAM

��的��

BattleScar

Dear Angelica

烈��

Shennong: Taste of Ilusion

PROGRAM

�戒物�

PROGRAM

小王� VR

Tales of Wedding Rings The Little Prince VR ※PROGRAM E、I、J、K 為各自獨立場次，每一時段僅限擇一 PROGRAM 觀看

VR VIP Pass �種專��間 VR ��

13:30

�動��

10/19 1

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

19:00

19:30

20:00

VR ��

10:30

11:00

11:30

12:00

16:00

11:30

16:30

12:00

17:00

12:30

17:30

13:00

18:00

13:30

18:30

14:00

19:00

14:30

19:30

15:00

20:00

15:30

※ �一不��；�二～�可預�期間為 13:30-20:00 �場�

��立圖書� �� 3F

E E

VR ��

10/20 10:30 11:00 11:30 12:00

1 1 1 1

�動��

2 2 2 2

3 3 3 3

4 4 4 4

5 5 5 5

VR ��

10/21

�動��

10:30

11:00

11:30

12:00

10/22

10:30

11:00

11:30

12:00

G H

�動��

10/23

�� 360 ��

11:00

�� 360 ��

D G

��立圖書� �� 3F

VR �� 動��

VR �� 360 �� A F VR �� 360 �� B G VR �� 360 �� C

VR 單元��採

「預�制」預�流�說��

VR �� vrfilmlab.tw 37

KAOHSIU VR FILM ��（VR）�作是國�間的��題，其�作形式��事��索��，��界一��日

�、�貝�、�城、��相�� VR 單元，VR �作在��界��一��。��作為�

� VR �助的領頭�，� 2017 年�立 VR FILM LAB，��作者�入 VR �作，�勵��作者以 VR 形式�揮��、開拓��事的�界。

2018 �� VR FILM LAB �� 4 ��楊�喆、��、陳��、��行 VR �作，並�助 1 �由

VR ��團��國 DVgroup、Digital Rise 和��聯��作� VR ��《��》，5 �作品�� 期間，在 VR ��界首�。

10 月 20 日─ 11 月 4 日 VR �� 動��

��埕�大義街�二大義� C9 ��

11 月 9 日─ 11 月 11 日 �北��場 �皮寮歷史街� 155 �� 北��路 173 巷

UNG LAB

�� VR FILM LAB

Virtual Reality not only has become an uprising focus in film and digital art industry around the world but has set its place as a new star in world’s first-class film festivals. Aiming to advocate cinematic VR creation in Taiwan, Kaohsiung Film Archive started KAOHSIUNG VR FILM LAB in 2017, as the pioneering VR funding project from content developing to screening. With the vision of emboldening more local filmmakers to the world of cinematic VR, we’ve collaborated with five outstanding Taiwan-based directors and produced five amazing VR titles. With the encouraging feedback from audience and international film festivals to our 2017 edition, this year we invited four well-known Taiwanese directors to create their first cinematic VR films with their extraordinary imagination. Moreover, KAOHSIUNG VR FILM LAB awarded a co-produced title Mechanical Souls by award winning French studio DVgroup, Digital Rise and Serendipity Films from Taiwan. Five cinematic VR films will be proudly premiered during KFF in our brand-new experimental VR theater — VR FILM LAB.

Oct. 20th — Nov. 4th VR FILM LAB Interactive Zone The Pier-2 Art Center C9 Warehouse in Dayi Area

Nov. 9th — Nov. 11th TAIPEI TOUR Bopiliao Historic Block Room155 Ln. 173, Kangding Rd., Wanhua Dist., Taipei City 39

�你上�堂 Way to Heaven

�界首� WORLD PREMIERE

�� Taiwan｜2018｜VR�� Installation｜Color｜5 min ※ ��，��可��不�，��自行��。

靈�來自��中常見的�堂、地獄�畫，《血��》��楊�喆��力作。��領��以�一��

的�式�歷�式的�禮，�了「超��離」�受��提供�者的「頂��貴」生活��，更�獨一�二的 ��，�歷��上��堂、��、��來生的想�。�並不止�一��的�怖想�，更期�

��歷��，�得�平�的��。

This film is inspired by the murals depicting heaven and hell in Taiwanese temples. This film introduces a Taiwanese funeral to the audience from a POV angle. Besides enjoying the ultimate luxurious afterlife service from an extreme closeup, the audience also get a glimpse of heaven, hell and reincarnation in Taiwanese traditional religions. By going beyond the common grotesque concept of death, we hope you’ll find your peace of mind after the journey.

Director

楊�喆

��

1971 年生，�江大�大�傳��。2017 年��金馬��佳��

《血��》，為《女朋友。男朋友》、�北��佳��《�男�》 ��。

Ya-Che YANG, born in 1971. Tamkang University, Dept. of Mass Communication. Director of 54th Golden Horse Award, Best Feature Film “The Bold, the Corrupt, and the Beautiful”, “GF*BF”, and “Orz Boys”. The Best Director for Taipei Film Festival.

��的�

VR ？�是宅宅的玩�吧？��的��我��；目��先� 國�都在積�� VR 的�用，不�在�玩�面，在��、�物��

Statement

覽��都�相當��的成�。�看�一��國作品〈�見��〉

（Notes on Blindness: Into Darkness），�� VR �一�大��受��「看見」的��，��的十��我�動��淚��。�為 VR 不�是�破性

的��、��樂，更可以觸��內��的�受。VR 不�是玩�，

更是�靈的內��，��一�來�索你的內在吧！

VR? Isn’t it an otaku gadget? I came around a new understanding of VR with the KFF invitation. Many developed countries are now experimenting the potentiality of VR, applying it to not only video games, but in a larger scale of interior design, library e-guide, and feature films. The results are mindblowing. I have seen a touching VR film Notes on Blindness: Into Darkness which presents how visual-impaired “see” the world. Within just ten minutes, my eyes were teary. VR is not just about groundbreaking visual effects and entertaining audios. It also touches a deeper tenderness inside the hearts.

來參加一場台灣式的葬禮吧，就像是一場提供享用不盡的飲料食物的 party，更別提 party 之後的旅程有多麼刺激…… Join a Taiwanese funeral, a party with unlimited catering service, and watch your head for a bumpy trip afterwards.

PROGRAM

10/20-11/4 VR ��動��

VR FILM LAB Interactive Zone

11/9-11/11

�皮寮歷史街�

Bopiliao Historic Block

留�未來的�� Afterimage for Tomorrow

�界首� WORLD PREMIERE

�� Taiwan｜2018｜VR360｜Color｜18 min

「�正在使用『生��服務』，��可��三��。在�生��，�服務�刺��的��元使

其��。��間為一��的�間 ...」以�、�、�、�、�、��下來的��，��成��、圖

�、��、�� ...。�由��的��，我們得以回��個��的�間點，��扭曲�疊，但��不一

�可�。��陳��書�共同�作��，以��現��中�以�說的��。��是��在物��失��留 0.1-0.4 �的��，而我們現在��的��或��，可以在未來留��久？

“Welcome to the ‘Afterlife Memory Trust.’ With us, you can select three pieces of your memory to re-live by the time you decease…” A man wakes up in an unknown dimension of consciousness. Is it memory, virtual reality or terminal lucidity? In Afterimage for Tomorrow, director Singing Chen collaborate with choreographer Shou-Yi Chou to perform the ineffable in memories.

男子醒來在某個意識層面，所見所聽所感的是記憶？夢境？虛擬實景？還是死前的記憶回返？ A man wakes up in an unknown dimension of consciousness. What is it that he sees, hears and feels? Is it memory, virtual reality or terminal lucidity?

Director

陳��

��

��。作品�足��錄�，傳��下��的�期��， ��利用��的手�，��現��的��性，用以陳�更大的

�構問題。作品��流暢��，常在嚴�的�構中，�現��的

��陳、�角�的��畫。作品�入�柏林��、金馬�、��

��、�形��、�北��、��節國際短片競賽、��國��錄� ��國內��項�參��。拍��，陳��同��為�� 場�作�樂，��的作品�是�滿��，��豐�的�樂性。

Singing CHEN. She conveys her long-term social observation through documentaries and feature films. Her approach of magical realism highlights the absurdity in reality, and points out the structural problem in the society. In her well constructed fast-paced works, she is capable of delivering subtle emotion and in-depth dynamics in characters. Throughout time, her works are screened and nominated in Berlin Film Festival, Golden Horse Awards and more. Aside from being on set, she also produces scores for theater plays and films. Chen’s ability thus makes her work rich in rhythm and music. ��的�

�是我�一��作 VR ��，在構思�研�的��中，不�想�「VR ��

��的是什�？��的��何�拓��？��是什�？」，以�

Statement

「在��歷史中，從��、圖�、��、��、��…��，�

留下的�錄，��得以��間��間，來�我們（或未來）的��？」。

希��思索，�「形式 / ��」�「內�的��」�而為一。�是��

��了一個可以上傳��識的未來�界，�由�書�的��，捕捉在�� 、�留��以�狀的��。��論什�東⻄值得留下？未來的

VR 是否��在我們的�內？�而��看��、�� VR，是否� ��？或是一切都��為�土。

This is my first VR video. Within the research and brainstorming process, I kept wondering questions like “What has VR brought us? How has the human senses been explored and changed? What is reality?” and “How much of the human civilization traces recorded through sound, images, languages, characters, videos, and virtual media get to travel through time and space, and to be presented to us (or to the future.)” By thinking deeper into these questions, I want to unify “form/media” and “core content.” Thus, this film is set upon a futuristic world where memories and consciousness can be uploaded. It captures the ineffable emotions in limbo, before death through Shou-Yi Chou’s choreography. Also, it is to discuss what’s worth storing. Will VR be happening inside our brain in the future? To go a step further, to see this dance from a meta perspective. Can this VR film transpass time? Or will everything end up as dust.

PROGRAM �者：�書�

10/20-11/4 VR ��動��

VR FILM LAB Interactive Zone

11/9-11/11

�皮寮歷史街�

Bopiliao Historic Block

�怖��

Abandoned Temple

�界首� WORLD PREMIERE

�� Taiwan｜2018｜�動VR Interactive｜Color｜9 min

小女��在一間��的��中�來，��的�裡�滿大大小小的落��，��一個黑��

裡，��的��開口說�了… … ��《��小女�》��一�悚力作。�� 大��，在你��、��，�你一同��的�嚇��。

Gin, a little girl wakes up in an abandoned temple which is filled with wretched divine statues. Out of the blue, a dark shadow slides into one of the statues, and the holy goddess, Mazu, starts speaking from above. Following the blockbusters “The Tag-Along 1&2”, Golden Horse Award wining director Wei-Hao CHENG creates a whole new piece in virtual reality. This time, the mysterious creatures will go beyond the screen, whispering, fleeting and digging into the horror secret of Gin with you.

Director

��

��大��碩士。��代�作《�什��》、《狙�手》、《� �員��》�，��玩弄�型元�。2015 年以《��員��》�金馬

��佳�作��，2016 年以首��《��小女�》入�金馬�

�佳��，2017 年��《目�者》�《��小女� 2》兩��。

Wei-Hao CHENG, Graduated with a master’s degree in film from National Taiwan University of Arts. He made his name with the short, The Death of a Security Guard (2014), which won Best Short Film at the Taipei Film Awards and the Golden Horse Awards. His 2015 feature debut, The Tag-Along, was a major box office success and received four nomination at the Golden Horse and won two Taipei Film Awards. His second feature, Who Killed Cock Robin, received five Golden Horse Award nominations. ��的�

首�以 VR 為��，�別�� 3D 落��主場�，�別�大��知的

��，��的��、��，�滿各樣�破不�、��

Statement

的��；�們都�是�供�的主�，�論何由、�論是�是�是�，��，

大�都��而��在�裏。故事以小女�的�角看�界，��們相�，度�可��奇�的一�。

As my first try with VR as a story telling media, I designed this 3D abandoned temple as the main set. Different from the storeotype to temples, this one is forgotten, haunted, creepy, and full of wrecked, abandoned divine statues, that were once worshiped. No matter whether you are the divine, the living or the dead. Regardless of how you got here, tonight, we gather together, because we are the abandoned. The main heroine is a little girl. We see this world from her perspective, meet the divines, and spend a cute magical night!

無論你是人是鬼是神，我們因遺棄而相遇。 It doesn’t matter whether you are the divine, the living, or the dead, we will inevitably meet because we are all the abandoned ones.

PROGRAM

10/20-11/4 VR ��動��

VR FILM LAB Interactive Zone

11/9-11/11

�皮寮歷史街�

Bopiliao Historic Block

主��你�

Live Stream from YUKI <3

�界首� WORLD PREMIERE

�� Taiwan｜2018｜VR360｜Color｜11 min

��主�小��開�，��上了��的不��。狂��，來自��的��乎�把小�� 盡。�以��（�在�界末日）問�金馬�的��兼��，�� VR ��手�，��了�

��路�現�生活的界�。�路��、亮�主��的你我，��什�是�？什�是假？

Yuki, a live streamer, comes across an unwanted guest when interacting with her audience. After an online party, she is destroyed by malice. The Golden Horse Award nominated creator Tsung-Han TSAI dedicate himself as writer and director of “Live Stream from YUKI <3”, his very first virtual reality experience. Through VR, the boundary between virtual world on internet and reality is no longer concrete. Annoying netizens, glamorous live streamer and audience behind the screen, will be able to know which is real and which is fallacious?

Director

��

�大��，�北��大��作研��碩士。首��

作品《��》��得金馬�、�北��、��傳�大��佳

��，並入��大�。��賢主��「金馬��」研

�。兩��的��〈�棉�的��〉、〈�在�界末日〉�入 �金馬��佳��。〈主��你�〉是首�拍�的 VR 作品。

Tsung-Han TSAI. A screenwriter and a director, Tsung-Han has a BA in Economics from the National Taiwan University and a MFA in Film Production from the Taipei National University of the Arts. Tsung-Han’s first feature film screenplay Winds of September (2009) won the Best Screenplay Awards at the Golden Horse Awards, Taipei Film Festival, and Chinese Film Media Awards. It was also nominated as the Best Screenplay at the Asian Film Awards. He was a director alumnus at the Golden Horse Film Academy helmed by the esteemed auteur HOU Hsiao-hsien. His directorial shorts, My Grandma and Love After Time are nominated Golden Horse Awards. ��的�

��年��在朋友�裡��，��頭�尾打�了一個��的�生，�� 年��。那��想，��扯，�是��的�生�。但�來

Statement

開�在�書或 IG 上傳��照��，��間�悟��樣��一個「想��

界�識的樣�」�來是�樣的��。當我�一�� VR 的��，��得�

超假的一點都不��，但是��一個��，��是��生俱來的��。肉�在��果不��事，��做�什��？

Many years ago, I heard from a friend that someone had fabricated a complete profile online and managed to keep up the façade for years. I remember I was thinking, this is ridiculous, what a lonely life? After I started posting and sharing on the social media, another realization suddenly dawned on me. So this is how it felt, ‘the yearning to be seen and heard by the world.’ When I first stepped into the realm of virtual reality, I found it very virtual and not real at all. Yet, the idea of virtualization is just as real as instinct. How else would we mortals live? If not to virtualize our own realities.

人氣主播小雪在直播時，碰上了來自地獄的聲音。 Streamer Yuki hears the voice from hell when she live-streams.

PROGRAM

10/20-11/4 VR ��動��

VR FILM LAB Interactive Zone

11/9-11/11

�皮寮歷史街�

Bopiliao Historic Block

��

�界首� WORLD PREMIERE

Mechanical Souls

��、�國 Taiwan, France｜2018｜VR360｜Color｜10 min

��為了�貝女��挑�了��一代測��「阿�」作為��，�郎的��了阿�的 ��，而一場��不凡的�禮��開……。��首��國��作品，由��常�的�國�作團 � DVGroup, Digital Rise、��畫��夫�檔 Janet, George �手打��未來的科��。在冰

冷的�械�下，是否��看見那��一現的靈�？

To offer the best to her daughter Zhen-Zhen, Mrs. Song hires an up-to-date female android to Ah-Hui to be her daughter’s bridesmaid. By trying to modify Ah-Hui’s behavior, Mrs. Song and groom’s mother Mrs. Cheng change her parameters and disrupt the setting. An extraordinary wedding is about to start. Will anyone notice the soul in a mechanical heart?

PROGRAM

10/20-11/4 VR ��動��

VR FILM LAB Interactive Zone

機械之心中，曇花一現的靈魂。 Glimpse of Soul in a Mechanical Heart.

11/9-11/11

�皮寮歷史街�

Bopiliao Historic Block

Director

��爾

��

自 � 國 � � 倫 � � � � � � 拍 � � � � � 並憑 � “Awakening”

(2015) �得紐��佳�� ；�為一��，Gaëlle Mourre �在紐�、��坡、倫�、馬�里生活，�是並��不同的

��點��奇。

Gaëlle Mourre is an award-winning film writer, producer, director based in London. Her latest short film, THE FEAST, stars Katie Leung and is currently on its festival run. ��的�

�員是��的��，我們��物��們��間的�流��動。而

�中角�的�度��，��各角�的��。女主角��從一開�

Statement

的��羞，��成一��自我��的獨立女�。同樣的，阿�在�� 自我�識�，�開��溝�的��。兩�都在不知不�中，彼��相�勵��。

我想��一種��的�事��，�其把�點�在 360 的��，我更希�

��把��力�在�物��上。��間的�用盡可�的��自�，我

們想��者�以�輕�且�的�式沉浸�故事中。 �為 VR �是個��的

��，��東⻄尚未�開�，��我們在�作�點以�形式上��的自由。

由� VR ��的�性不��的使用，��必須��專�，��場

�裡我們��排的��。而�動式的�事，��物都�各自角�的�度 ��的�性，��在��角�間�足。��了�作中的未知性，

��來說，�果��想了解��角�，�必須重��看，��了� ��看的壽�。

The direction will be mostly centered on the actors’ rhythm and acting. The editing will be light and the rhythm will based on the characters interactions and the way they occupy the space. Intonations and attitude will play a major role in the characters evolution. At the beginning, Zhen-Zhen is shy and quiet but she evolves to become a confident and independent woman. The same will happen with Ah-Hui – whilst developing her consciousness, she will learn the subtleties of communication. The evolution of both characters will happen concomitantly, each unconsciously encouraging the other in her evolution. I want to use this opportunity to take part in the creation of a new narrative language. We want the viewer’s attention to be focused on the action and the characters rather than on the 360° technique. To this effect, the use of specialized audio will have to be as natural as possible. We want the experience to be light, entertaining and easily accessible. VR is still a fairly new media. This field has hardly been explored so it gives us a lot of freedom to explore proven the mess, not only from a new perspective but also via a new form of expression. Interactive narration as we imagine it is a fascinating playing field allowing us to develop each character in detail. We will create complex characters – but as human as possible – on which the viewer will be able to linger.

INTERNATI SHORT FILM COMPETITI VR SECTIO � 2017 年��「�� VR FILM LAB」�助�畫開跑��立�國首�的「VR 國�大�」單元�，�年更�國��中�� VR ��單元，�界各�� VR360 作品�� 2018 ��。�年

的 11 �入�作品�別來自六個國�，��國、�國、�� VR ��先�，以��、南�、中國��

��，�為��鮮��作。入�作品�型�元，��、�錄、動畫��，�現挑戰 VR �事的�界��的野�；��作�星��入��國日��、�貝��展�國��的� ��作。��入�作品�為��首�，�共同角��國��「�佳 VR �事��」。

VR �� 360 �� 二��大義� C9 �� 50

��立圖書�� 3 樓 ��路 61 �

IONAL M ION ON

國�� VR 單元

Following the great success of VR PANORAMA non-competition program in 2017 KFF. This year’s KFF International Short Film Competition opens its door to creative VR360 titles around the globe, the 11 selected films are from six countries, diverse cultural background and are presented in different genre including fiction, documentary, animation and experiment to show their creativity and ambition of breaking the boundaries of VR narration. The filmmakers range from talented new director to experienced festival winners, this year’s nomination will have their Taiwan premiere during the festival and compete for the Best VR Narrative Award.

VR FILM LAB 360 Cinema

Kaohsiung Main Public Library 3F

The Pier-2 Art Center C9 Warehouse in Dayi Area

No.61, Xingguang Rd., Qianzhen Dist 51

國�� VR 單元��團 ��羅��爾

KFF International Short Film Competition VR Jury Committee

��國、活��北�的羅��爾 , 專�為�動��事的革�，

Liz ROSENTHAL

並�力��力的沉浸式內��作者。作為沉浸��動式�事

��國�� VR�� Programmer｜Venice International

�作者、�作��提供相��、�劃�內�開�的��協助，更

Film Festival - Venice VR Founder / CEO｜Power to the Pixel

的��先�，羅��爾成立「Power to the Pixel ��問�司」，不僅為在倫��的��下��界�一個沉浸��動內��場�。

A pioneer of immersive and interactive storytelling, specialising in audiovisual innovation. Liz Rosenthal specialises in boosting the digital potential of creators, institutions and media business. She is the Founder & CEO of Power the Pixel and Programmer of immersive content for Venice International Film Festival's Venice VR, the official competition section and Venice Production Bridge Finance Market. Throughout her career, Liz has helped international media businesses and creatives to innovate and adapt to changing audiences. As a consultant for leading international festivals, international media organisations, national and regional funds, Liz shares her expertise in innovation strategy to help creators and businesses to ideate, finance and distribute immersive and interactive projects.

��基 Michael SWIERCZYNSKI

�國NewImages Festival ��負責� Director｜NewImages Festival Digital Director｜Forum des Images

��國國��中��門，�� 2013 年��巴黎 Forum

des Images ��的數��，�領其數�轉型�內��行的��。 2016 年，��基�入了沉浸式��的��，� 2017 年正式��了專 ��沉浸式內�的�國 NewImages ��，�行��單元��， ��論�，�力�� VR 作品的��、��的 VR �作�� 作者，並促�國��流。

�� John HSU

2017 �� VR FILM LAB �� 〈��元��王〉�� Director｜2017 Kaohsiung VR FILM LAB〈Your Spiritual Temple Sucks〉

��大��，為 AFK PL@YERS ��作團�成員。

2005 年以《��入��》�金��佳單元��。��作品��〈匿

��〉、〈小��大��〉、〈��貼� 2.0〉�，2017 年�� VR FILM

LAB �作，�作首� VR ��〈��元��王〉入�日��國� ��。��自��的�一��《��》�在�作中。

Graduated from Film Dept. of Shi-Hsin University, John won The Best Director Award in 2005 with his TV-movie debut REAL ONLINE. In 2017, John collaborated with Kaohsiung VR FILM LAB and created his first VR work YOUR SPIRITUAL TEMPLE SUCKS which has selected by Sundance Film Festival and multiple international film festivals. His first feature film based on the popular Taiwan original video game DETENTION is in production.

�星��的那一� Dinner Party

��紐索托 Angel Manuel SOTO

�國 USA｜2017｜VR360｜Color｜13min 2018 日��｜2018 ��奇�� VR首�

�� 1961 年�國首��大��的不��行物��事件，在��

作品列� Filmography

上，希爾夫��了��療的錄�，��了黑�丈夫巴��白��

2018 Dinner Party

��拍� CG 動畫的 VR ��，��以�傳的超自�

2016 El Pugil

�貝�，��歷��不同的��。事件�生 50 �年�的�日，�

��，刺��的��悚，�呼�當��國��的種��。

Dinner Party is a 3D virtual reality experience based on the true story of Betty and Barney Hill, an interracial couple who in 1961 reported the first nationally known UFO abduction. It's the pilot episode for The Incident, an anthology series that takes viewers on an immersive and intimate journey through true-life supernatural events. When the Hills were not able to remember and reconcile the details of an inexplicable event, they sought hypnosis. At a dinner party they played their recorded hypnoses to their friends, where viewers experience the separate and radically different accounts of the Hills' abduction.

PROGRAM A

2016 Bashir’s Dream 2016 I Struggle Where You Vacation 2016 Inside Trump’s America 2016 The Second Line: A Parade Against Violence 2015 The Farm

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

B�� An Obituary �� Jean YOON

南� South Korea｜2017｜VR360｜Color｜13min 2018 �貝��｜2018 布魯塞爾奇��｜2017 ��

年輕男�在��，獨自��朋友故鄉的��奔�，怪異的是�了

作品列� Filmography

使你�說我已��了，�不�來�裡！」，�已��離�個��的黑

2017 An Obituary

故友年�的��，�禮似乎並��。當��現朋友生�留下��：「� ��……。令�聯想�� B ��怖�的��黑��，在

��中，你不但�留��，��小��頭，��都��來的�喜 ��嚇。

Upon hearing his friend’s death, a young man visits remote mountains to attend the funeral. On the way, he receives a message from his dead friend, “Never come here. Run away!”

PROGRAM A 54

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

──

2002 Pink Movie

��的巴別�

Tower of Babel by the Sea ��中 Wei-Jung FENG

�� Taiwan｜2018｜VR360｜B&W, Color｜14min ※ �界首� World Premiere

靈�來自��《�士�》�二�末�，��的當代�士�，受��

作品列� Filmography

�中的��城�。��當��度��的��現�，以失��、生��

2017 〈異�界〉360°��錄�｜ 2017 國��數��作�

��以巴別�藍圖��，做�成�自我的大�，��陸以�� 自��為��代價！��的工�污��為��，手 ��的末��。

With his ever-changing outward appearance, the devil sells man a destiny with the promise of a Tower of Babel. Man become cursed by his own greed, and as pollution spreads, nature is caught in a spiral of death.

──

2016 〈在�的�一�〉360°��錄�｜南�國��

2016 〈��的巴別�〉｜ 105 年度行政��局 ��輔�金

2015 〈未��〉｜

�北數��

2013 《��路上》動畫��｜

金馬��基金百�首�

PROGRAM B

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

�血哭�

Eyes in the Red Wind 李�武 Sngmoo LEE

南� South Korea｜2017｜VR360｜Color｜12min 2018 ��奇��｜2018 布魯塞爾奇幻影展｜2018 ��｜2017 日��

�上�行��溺�者��的�滿儀式，��者的靈�，��露

作品列� Filmography

��。��以一��的��頭，挑戰 VR �事手�，��的並

2017 Eyes in the Red Wind

了生者的��，轉�成為血�的��，狂��者的�怒，� �奇��，而是�國傳��儀式��烈��衝�的現場，��超� 日常的�理�受。

A boat on a lake, a certain part of Asia. A group of friends and family members gather together to perform a “soul scooping” ritual to pacify the soul of a drowned man. In this ritual, a shaman in trance channels the dead so that the deceased can say goodbye to the beloved for the last time. After the ritual, it’s believed that the purified soul would go back to where they belong. But not this time, as it is the beloved that kill the deceased. A possessed shaman breaks the routine and brings forth the truth behind the death.

PROGRAM B 56

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

──

2010 The Warrior’s Way

�陽女� The Sun Ladies

克里�汀史提� Christian STEPHEN �� Celine TRICART

�國 USA｜2018｜VR360｜Color｜7min 2018 日��｜2018 �界VR論� �佳�錄��｜2018 ⻄南�南��

在戰�不�的伊拉克，一��力從 ISIS ��略中��的女性，成立

作品列� Filmography

��、��的�嚴。��得�數��的 VR �錄�，�你�

Christian STEPHEN

了一個女性戰鬥��—「�陽女�」。�們��而�，��生�� ，了解�從�手成為戰士的�歷。你��，��

──

2018 The Sun Ladies

�敢的�陽女�一��、作戰、生活，面�面��們��的��。

2017 How you gonna sleep tonight? / Music Video

In 2014, ISIS fighters invaded Iraq and targeted the Yazidi community of Sinjar. The men were killed, and the women and girls taken as sex slaves. Some of the women who escaped started a female-only fighting unit called the Sun Ladies to bring back their sisters and protect the honor and dignity of their people. The audience will be faced with the question “Who would you be and what would you do faced with the extreme inhumane violence against those you love?”

Celine TRICART

PROGRAM C

2018 The Sun Ladies / Director 2017 Transformers: The Last Knight / 3D Engineer 2016 Marriage Equality VR / Director 2014 Coffe Break / Director 2013 Lapse of Time / Director

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

�上�手 The Crew

尤�� Johan ANDERSON

�國 USA｜2017｜VR360｜Color｜8min 2018 �界VR論�｜2018 �倫��浪潮��｜2018 ⻄�圖��獨立��

狹小��中，��唱�滿��的��員��排��的�手�

作品列� Filmography

��暴中入�，�員��取�，��的小�想��落�

2018 Converse X Millie Bobby Brown - First Day Feels / Commercial

曲⸺��《丑角》的��，��的小丑��。當�輪嗎？你��同��員�角�看�一切，��轉�從��索拼��

的故事。��了 VR �何��場形式��、��間並��知。

A Filipino cruise ship cleaner finally gets a chance to perform an opera aria in the crew talent show, but when the show is cancelled he still finds a way to sing.

PROGRAM C 58

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

──

2018 Tory Sport X Hiking / Commercial 2018 Saks Fifth Avenue X Pre-Fall 2018 / Commercial 2018 Dannon X Misty Copeland Slide Hustle / Commercial

�� Rone

��索� Lester FRANCOIS

�� Australia｜2018｜VR360｜Color｜9min 2018 紐�獨立�� 佳VR��｜2018 義大利未來�� 佳VR�� 2018 ��沉��

��敗的��裡，��上的女性��離�間，平��的面 ��入永恆的思�。我們��街頭�� Rone �索��作的�間：�

�的��、��的��、破落的��，�闖入��令�� 的�幅��畫，��我們�以��離�賞，��城�� 共�的��，在�們��洪流��。

作品列� Filmography ──

2018 Dave / Producer / TV Series 2017 Rone / Director / VR Documentary 2015 GameLoading: Rise of the Indies / Director / Documentary

RONE is a distinctive portrait of the titular street artist, whose stunning large-scale portraits of women’s faces can be found adorning soon to be forgotten spaces, acting as a commentary on gentrification and the masculine realm of street art.

PROGRAM D

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

��

Sanctuaries of Silence �當洛夫� Adam LOFTEN ��紐沃�李 Emmanuel VAUGHAN LEE

�國 USA｜2017｜VR360｜Color｜7min 2018 ⻄南�南��｜2018 ��爾�錄��｜2018 �界VR論�｜2018 東��

��生��戈��為��正在�臨��，�便是�界��

作品列� Filmography

�式，��在可�是北��⸺�林�克國��的��

Adam LOFTEN

的角落，�可�受��汙�。在��中，��的聆� �中。��並��，而是不受干��見�物的��。��臨場

的錄�超�了��事，我們重��知��界的聯�，��行� �的�識。

Silence just might be on the verge of extinction and acoustic ecologist Gordon Hempton believes that even the most remote corners of the globe are impacted by noise pollution. In Sanctuaries of Silence, join Hempton on an immersive listening journey into Olympic National Park, one of the quietest places in North America.

──

2018 Earthrise / Producer & Editor / Documentary short 2017 Sanctuaries of Silence / Director / VR Documentary short 2017 Welcome to Canada / Director / Documentary short 2017 When a Town Runs Dry / Editor / Documentary short Emmanuel VAUGHAN LEE 2018 Earthrise / Director / Documentary short 2017 Sanctuaries of Silence / Director / VR Documentary short 2017 Welcome to Canada / Producer / Documentary short

PROGRAM D 60

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

2015 Marie’s Dictionary / Director / Documentary

��獸 Micro Giants ��夫 Yifu ZHOU

中國 China｜2017｜VR360｜Color｜6min 2018 日��｜2018 ��大��｜2018 ��沉��

�小的你落入肉�不�見的��，一切�生了��性的��，��

作品列� Filmography

��生，�乎生�的�碼��上�。��的��烈的��

2018 〈��獸〉VR ��

成�木、�蟲成�獸、��成�泊。�個��界中，獵��衍，�� ，�自��大�「數�王國」的中國 VR 團�，�是首�入�日��

� VR 單元的中國��作品。

In the film, led by reminders such as water drops and aphids, audience enter into the MicroWorld. Tiny flowers and insects in normal life now become mighty trees and beasts, grass appear to be forests, rocks appear to be mountains, water drops appear to be a swimming pool. 3D animated creatures with high reproduction in incredible details creates an immersive experience and exquisite storytelling.

──

2017 〈大�想�〉VR Music Video TFBoys

2016 〈黑��〉VR ��

Micro Giants is a computer-generated VR experience that gives an unprecedented and highly engaging perspective of insect life. Depicting true-to-life insect behavior within a jungle setting. It combines educational content and immersive entertainment to share the laws of the insect kingdom.

PROGRAM D

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

紐��克 BattleScar

�可��奇� Nico CASAVECCHIA 馬丁阿�� Martin ALLAIS

�國France、�國USA｜2018｜VR Standup｜Color｜7min 2018 ��｜2018 �貝��｜2018 日��

1978 年紐��，16 �的波�黎各�女�露佩，在⻘�年拘留�中�見

作品列� Filmography

一��。作為�列作品中的�一�，��再現了 70 年代的

Nico CASAVECCHIA

了��。兩��入��昭�的�克�樂��—��下東�，�開

紐�、�克�� CBGB �吧和��生�的��場�。�由�間切��

2018 BattleScar / Director / VR Short

��角，�用 VR 的��，�現了一個��成�的故事，同�

2016 Finding Sofia / Director / Short

New York City,1978: When Lupe, a Puerto Rican-American teen, meets fellow runaway Debbie, the Bowery’s punk scene and the Lower East Side are their playground. This coming-of-age narrative explores identity through animation and immersive environments as Lupe’s handwritten journals guide users through her year.

Martin ALLAIS

�是�那個�代的��。

PROGRAM E 62

──

��立圖書�� 3 樓

Kaohsiung Main Public Library 3F

2013 A Boy and His Atom: The World’s Smallest Movie / Director / Short 2018 BattleScar / Director / VR Short

烈��

Shennong: Taste of Illusion �粒 Li MI 王� Zheng WANG

中國 China｜2017｜VR Standup｜Color｜10min 2018 ��｜2018 ��盒沉浸�� 佳中國沉��｜2018 ��

��自「��百�」的傳說，��了��在��來的��中，

作品列� Filmography

平�工作��力作，�烈暢�的動作場面，更��性�血的角��

�粒

��物��獸大戰的故事。�以〈拾�老�〉�得�數 VR ��的

畫，用現代角度�先� VR 技�為古老��賦予�的生�力。��

兩�，你��，�入��東��的上古��界。

In ancient times, Shennong explores the forest deep in the valley to collect unknown plants with unique tastes and effects. A glamorous flower seduces Shennong and he is poisoned by tasting the petal. Shennong falls in illusion as the flower turns into a mythical beast, which torches Shennong to his last breath. In the despairing darkness, Shennong is revived by a secret friend. With the awakening superpower, he conquers the beast, breaks the illusion and acquires another valuable plant.

PROGRAM E

──

2018 〈烈��〉�� / VR 動畫��

2017 〈拾�老�〉�� / VR 動畫��

2016 《⻄��大�歸來》�� / �� 王�

2018 〈烈��〉�� / VR 動畫��

2017 〈拾�老�〉�� / VR 動畫��

��立圖書�� 3 樓

Kaohsiung Main Public Library 3F

VR PANORA �助單�

Proudly Supported by

VR �作是科技��的��，在�事手��上更打破傳� 2D ��的��，��不再�是� 動的�看�作者��的��畫面，更��歷其��入�中的�間，主動參��故事軸�的�

�。�� VR 國�大��國 NewImages ��作，嚴� 8 �內��技��為國� VR ��的

代�性��作品。��、動畫��錄�，從��省的��錄�生��題，��的��生�� 典��，豐��元的題材和各種��形式，�看��玩。VR ��是什�？由你來�義。

VR �� 360 �� 二��大義� C9

��立圖書�� 3 樓 ��路 61 � 64

VR 國�大�

AMA VR as a romantic combination of technology and arts, it breaks the limitation of both narrative and experience way of traditional films. In this exciting mode, audience not only passively receive the scene shot set by the filmmakers, but initiatively become an influential participant of the storyline by immersing into the film. In this year’s VR PANORAMA, KFF proudly collaborate with NewImages Festival, to showcase eight significant VR titles with charming storytelling and outstanding technique. From thought provoking documentary to family-friendly underwater adventure and classic fable, you can experience these fascinating VR experience in diverse ways and define what VR is by yourself.

VR FILM LAB 360 Cinema The Pier-2 Art Center C9 Warehouse in Dayi Area

Kaohsiung Main Public Library 3F No.61, Xingguang Rd., Qianzhen Dist 65

�� The Real Thing

�諾�利奇 Benoit FELICI 馬提��瑟� Mathias CHELEBOURG �國 France｜2018｜VR360｜Color｜16min

2018 �國NewImages Festival 2018 布魯塞爾�� 2018 ��爾��錄��

�國

Newimages Festival �別��

你 � � � 想在巴黎、 � � � 或倫 � � � 嗎？��歷��城，�

� � 頭從 � 中鳥瞰街 �、或 � � � � �

河。��一看，��現�來自己��中國的��！��為�年��錄��

門作品，��的�角，以�� 和�錄，�領��索奇異的��城 �生活，�問��爾��的大�

�是否都同樣��？

“The Real Thing” is a VR journey into a copy city of our world, exploring real-life stories inside China’s replicas of Paris, Venice and London.

PROGRAM F

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

東�川血� Bloodless

吉�金 Gina KIM

南� South Korea｜2017｜VR360｜Color｜12min

2017 �� 佳VR�事� 2017 �切�� 2017 �川奇��

1992 年 � � � � 基 � 的南 � 東 � 川 �，

�生了性工作者��士��的�件。以��事件為藍�，��回��的街�

�行拍�，��的��街，��的�虹�

中，一個女��街��而行，��鞋 ��領我們��的��。�由 VR 切

�的��，��得以��者的��

�，��反思。暴力沒�在��生，� ��在我們��。

Based on a true story, Bloodless is a VR film about the murder of a Korean sex worker by a US soldier in 1992. Bloodless was shot on location at Dongducheon camp town near Seoul, Korea, where the US military has been stationed since the 1950s. The film follows the victim on the night of her murder.

PROGRAM F 66

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

�啊， ��魚！

�國

Newimages Festival �別��

700 Sharks

�紐李塞� Manuel LEFEVRE �雷�里克��代 Frederic GOURDET �國 France｜2018｜VR360｜Color｜12min

2018 �國NewImages Festival｜2018 �界VR論�｜2018 溫��

PROGRAM G

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

��臨，��的南�平��拉��

�現了��不同的�奇樣�。��國� �生物��巴勒��入��，�自�� 界�大的��，成為�獵行動中的一

��，當數以百�的��從你��掠�，

你�成為�們的��、��，或獵物？� �塢�典��《大白�》��魚的��形�

��，而〈�啊，��魚！〉�� 你解開��獵行為的�團。

Follow Laurent Ballesta, famous underwater specialist and marine biologist in the tiny Fakarava atoll, lost in the middle of the Pacific Ocean. Laurent is about to give a final answer to his quest: understanding the hunting behavior of the biggest shark pack in the world. You will experience a unique feeling being like a member of this exciting expedition and diving at night in the middle of the pack. Sharing excitement and doubts, laugh and fears … ln 1975, mister Spielberg made us hate sharks, we’re pretty sure that "700 sharks" will change the way you'II look at them!

��，��怪物！

怪物啊…。��用��的�

�國 France｜2017｜VR360｜Color｜7min

是 � 形的 � � 者， � 成為了故事中的角

Sergeant James

�歷�大�瑞� Alexandre PEREZ 2018 東�� 2017 �貝�� 2017 杜��

小男�里��不��說�的��下 �怪物，但��下的你左右��沒看�

��角，��下，你不再� �，小男��並相�你的�在。�年的我們��奇上��，�內黑�中�生

什�？��你��做�，��目��想 �力��的��…。

It Is Leo’s bedtime. When his mum goes to switch off the light, the little boy feels a presence, something under his bed… We represent that presence, that might be good or might be evil.

PROGRAM G

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

在你��的��

The Last Chair

�柯圖�� Anke TEUNISSEN �⻄��雷� Jessie VAN VREDEN

�� Netherlands｜2017｜VR360｜Color｜15min/ 18min

2018 �貝�� 2017 杜�� 2017 阿��丹�錄��

�入兩�鄉間獨�老��和�列�的生活，你��成為來�的�友，在��的平�中��們度�日常，��們��

生�的看�，�受生�中的��或��。

坐在 � � � � � 的椅上， � 入 � � 的 �

�、��的��，��的生活��你，��囂��，��同 �，��見��們生�的�年��。

The Last Chair is a Virtual Reality documentary series about the last stage of life. With a mix of audio, 360º video and animation you step into the daily life of Fred or Egbert.

PROGRAM H

�二 VR �� 360 ��

VR FILM LAB 360 Cinema

�戒物�

Tales of Wedding Rings 曹�� Kaei SOU

日� Japan｜2018｜VR Standup｜B&W｜10min

2018 �� 2018 �界VR論� 首�

PROGRAM I 68

��立圖書�� 3 樓

Kaohsiung Main Public Library 3F

��自日��同��畫《�戒物�》，平凡的�中生��戀�⻘�竹馬��，在

��告白��先得知了��

��的��。以 3D 動畫和�� 360 度�� 打�獨�的��，��畫

的�頁�中，�典的�畫��。

Sato, an average high school student, lives next to his classmate, Hime. One day, Sato received a message from Hime inviting him to meet up after school. Hime tells Sato that she is moving away and says good bye.

��的�� Dear Angelica

�同彩��的手��你溫�� ，��女��的�件內

�， � 勒 � 一幅幅溫 � 的 � 女回 �。 �

��爾� Saschka UNSELD

國知�女星吉�戴��、�惠��

2018 東�� 2018 ⻘�� 2017 日��

打�動��，一�一句、一�一畫都�

�國 USA｜2017｜VR Standup｜Color｜13min

�，皮克��〈藍��戀〉�� 爾��得�團�，以�� 切的思念，�國��為��的

VR 作品。

Dear Angelica, a journey through the magical and dreamlike ways we remember our loved ones. Entirely painted by hand inside of VR, it plays out in a series of memories that unfold around you. An immersive, illustrative short story starring Geena Davis and Mae Whitman.

PROGRAM J

��立圖書�� 3 樓

Kaohsiung Main Public Library 3F

小王� VR

The Little Prince VR

朱利�巴瑞� Julien BARES �瑞�戈� Greg GOBBI

�國 USA｜2017｜�動VR Interactive｜Color｜10~15min

2018 ��沉浸�� 2017 �國�爾��

PROGRAM K

��立圖書�� 3 樓

��得金�小男��行員在��中相� 的故事嗎？��數��動，�東� � �修伯里的�典��《小王�》�為�動式

��，以��的��畫面�現

在你��。��你�沉浸�故事中，�書中角�相�，一同拼�星星、��玫�、

在行星間翱�。來和小王�一��吧！你�想�「�個大�都��是小�」。

In the Little Prince VR, the players immerse in Saint-Exupery’s creation, interact with the world and its characters like never before. They become both spectators and actors of the adventure, getting touched by its grace at a deep emotional level. Since its first publication in 1943 the novella by Antoine de Saint-Exupéry sold over 140 millions copies, making it the #4 best selling book ever published. The Little Prince has been adapted to numerous art forms and media. Red Accent Studios was granted the exclusive license to make the first VR adaptation.

Kaohsiung Main Public Library 3F

VR�� VR FILM LAB

劇院��・開��預告

360 影廳 360 Cinema

��一��立� 8K 技��的 VR 場�

VR 超�我們�「�看」的想�，�我們的��一��的趨�

未來，��在��間�以��俐落��為主，��

��圓�形蛋椅，��一��，�向�滿科

技�、未來�的�想；為了提供��佳、��的 VR �� ，�� VR ��以 8K 畫��，以趨��肉�的�� 果，��的數��形式，��更��的��。

超��界打�不可� 11/30 盛大開�

��埕�大義街 �二大義� C9 ��（�場�）

VR FILM LAB THE FIRST VR THEATER IN TAIWAN Grand Opening at Nov.30th, 2018 The Pier-2 Art Center C9 Warehouse in Dayi Area 72

「360 ��」、「�動��」打��

�� VR 作品��式不同，��為「360 ��」和「�動�

��」兩種��間。

「360 ��」內�� 30 �圓�形蛋椅，��在�� VR ��，可

��入蛋椅的��，��左右�形角度�轉，��成��

�的��；「�動��」則�以��式，和��做� ��動，��從�動的�者，成為主動��的角�。

��技�，打破傳��看角度、��思�

當故事不再以傳�的�式�說，我們��看角度、��

故事的可�！�界��，當科技不�革�，�作者

和��的�念和思想是否��俱�，�� VR �� 的硬��內�。我們期�自己�不�翻�，��代��。

互動展演區

Interactive Zone

The Sole 8K Stereoscopic VR Theater in Taiwan VR transcends our imagination of “watching” and makes our sensory experience closer to the future. Therefore, the design of the theater space is dominated by silver-gray tones and simple lines. The theater is equipped with multiple egg chairs, which makes audience feel like they are in a space capsule. In order to provide the best and most comfortable VR viewing experience for the audience, films will be played in stereoscopic 8K quality. In VR FILM LAB, audiences will be able to enjoy latest digital technology and the most powerful immersive experience.

360 Cinema & Interactive Zone Depending on the way that the VR works are shown, the viewing space is divided into two areas: “360 Cinema" and "Interactive Zone.” There are 30 arc-shaped egg chairs in the 360 Cinema, which can be rotated 360 degrees allowing users to enjoy VR films from different viewing angles. The “Interactive Zone” provides a space for interactive and stand-up VR experiences. In certain conditions, users are able to become an initiative participant instead of a passive viewer.

A Brand-new Way of Viewing and Thinking When the story is no longer described in a traditional way, we can have a new perspective on viewing and the possibility of interpreting the story! The world is changing every minute. As technology continues to innovate, the ideas and thinking of creators and filmmakers can keep pace with the times, and test the hardware and content of VR FILM LAB. We expect to be able to continually renovate and move forward with the times. VR ��

vrfilmlab.tw 73

走��典�� 入小王��狸的B612��吧！

小王子

11.30-12.21 開��

�� VR��小女� �嚇再升�

11.30-12.21 開��

��獨� �先��！

移動新美學 ̶

自動駕駛行動沙龍

從

行的美學，跨界視的饗宴科幻電影中的自動駕駛已來到生活中！自動駕駛小巴將「移動」昇華成具備互動虛擬實境媒體、魅力觀光、智慧生活之行動沙龍。自動駕駛小巴行動沙龍可搭載：

車內沿途風光景點資訊展現，互動式螢幕展演

車內VR影片體驗，博物館、劇院數位內容4D震撼前導預告

APP

網站

EZ 10 自動駕駛小巴

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智慧搭乘，便利預約；智慧零售，手機電商導購

Email:｠press@7starlake.com

Tel:｠02-7744-7738

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Special Thanks To ��畫順�排列

Atlas V ｜ Acer ｜ Digital Rise ｜ DVgroup ｜ Diversion Cinema ｜ Digital Domain ｜

Forum des Images ｜ Funique VR Studio ｜ MK2 ｜ NewImages Festival ｜ Neotopy Studio ｜ Oculus ｜ Pinta Studio ｜ Samsung ｜ Venice International Film Festival ｜ WIDE 一��司｜�陣聯�數�科技��司｜�蛋�覽��司｜

行者��司｜阿木司��｜�國在�協�｜�金國�｜得��司｜智瑞科技｜ �星科技｜國立�南��大��作理論研��士�｜��畫��司｜樂陞��｜ ��告��工作�｜��司

Antoine Cayrol ｜ Aurélien Dirler ｜ Anna Brady ｜ Anna Desponds ｜ AC Coppens ｜ Camille Lopato ｜ Christian Stephen ｜ Celine Tricart ｜ Francois Klein ｜ Gaelle Mourre ｜ Gabrielle floquet ｜

Haoyi ｜ Jongmin Kim ｜ Kaei Sou ｜ Liz Rosenthal ｜ Lester Francois ｜ Michael Swierczynski ｜ Maxime Montagne ｜ Paul Bouchard ｜ Thomas Villepoux ｜ Victoire Thevenin

王�成｜王��｜王��｜王洪�｜王��｜尤洞�｜毛立�｜洪一平｜��｜朱伯倫｜何柏�｜林仕�｜林佳�｜林�佑｜林�佑｜林念儀｜林�正｜林�南｜林��｜李�� Patty ｜李�瑾｜

�� George ｜車�｜��瑩｜�書�｜��晟｜��｜�冰�｜�吉｜柯��｜卓��｜��｜ ��｜陳��｜陳��｜陳��｜陳��｜��｜��郎｜��｜��｜��｜��陽｜ ��｜�凱�｜��｜��｜��｜��琪｜��｜�在�｜��珈｜�東�｜

楊�喆｜楊修�｜楊柏�｜雷��｜��｜�卜元｜��｜劉思�｜樓��｜��｜賴冠�｜ �伊�｜�� Janet ｜�開｜�吉�｜羅��｜嚴仕�｜�凌�｜�卓�

2018 �� VR單元�行團�

VR �目�＆�� VR FILM LAB VR Program & Kaohsiung VR FILM LAB

2018 Kaohsiung Film Festival VR Team

�劃�� Project Manager

李�瑾 Huai-Chin LEE

�劃專員 Project Coordinator

��伊 Sin-Yi YAO

�目�理 Program Coordinator �劃專員 Project Coordinator

�� Director

楊�� Meng-Yin YANG

副�� Deputy Director

�瑞� Ruei-Lin TU

�� Curator

�� Hao-Jie HUANG

�� Programmer

李�瑾 Huai-Chin LEE

宣傳暨活動�問 Advisor

�尚� Sean CHONG

VR 單元�� KFF VR Program Visual Designer 活動� Event

�� Gentsiong YU

國�聯� International Coordinator 行�專員 Promotion Coordinator �畫助理 Project Assistant

�� Hospitality Manager

��助理 Hospitality Assistant �貝�� Print Manager

�� Subtitling Manager

��伊 Sin-Yi YAO

活動專員 Event Coordinator

�書� Shu-Wei KU

�� Art Design

�� 伊� Gentsiong YU HSIAO I-LING

協力統籌賴玉� Event Co-manager Yu-Jung LAI 林�� Shin LIN

行政� Administration

��甫 Chen-Fu CHOU �� Min-Wei KUO

王�� Bonnie WANG 王�� Tzu-Yi WANG 洪珷 Wo HONG

梁�予 Zhen-Yu LIANG 湯�惠 Tang TANG

�國� Raymond HUANG 劉�� Meng-Wei LIOU

�� Editor

��寧 Khóo Tiat-lîng

�� Visual Editor

�� Gentsiong YU

手冊�� Contributors

��專員 Press Coordinator ��助理 Press Assistant �� Web Designer

�� Video Director ��側拍 Photographer �� Video Editor

�儀� Yi-Jing ZENG 劉�一 Fanyi LUI

�務專員 Ticketing Coordinator

�� Ying-Hauan WU

�間�� Interioir Design

阿木司�� AMUSE

楊�� Ya-Trung YANG ��桂 Jhen-Guei Wu

�事專員 �惠� Human Resource Coordinator Rachael CHOU 行政專員 Administration Coordinator

林�� Po-Ya LIN

技�專員 Information Coordinator

劉政典 Colorma LIU

陳�� Momo CHEN �� Eric CHANG

林�豈 Qiao-Kai LIN

李�� Chiao-Yun LI

�� Ching-Wen HSU 順 Shaun LIU 順 Shaun LIU

��元 Teng-Yuan YAO 盧�� Phoebe LU

Talent Workshop

�尚� Sean CHONG

活動�� Event Manager

活動助理 Event Assistant 協�單� Co-organizer

龍�鴻 Yu-Hung Long

楊�� Chih-Yun Yang

�兆� Zhao-Yu Huang Funique VR Studio

VR �� VR FILM LAB

王�� Jason Wang

�� Min-Cheng TSAI

王�� Bonnie WANG

�� VR FILM LAB ��工作�

李�瑾 �� Haui-Chin LEE Min-Wei KUO

前期�問 Advisor

�律�問 Legal Adviser

陳�� Yuting CHEN

�� 林�品 English Editor Chia-Wei TUNG Penny LIM

陳�� Ying-Ching CHEN

財務專員 Financial Coordinator

��專員 Press Coordinator

江�� Joyce CHIANG

行政�� Administration Manager �劃專員 Planning Coordinator

�� Jane KAO

�� Editorial Team

活動策劃 Event Manager

活動助理 Event Assistant

�� Min-Wei KUO

�傳� Press & Marketing

�傳�� Press Manager

��理 Theater Manager

�仲� Jhong-Di Jheng

技�協力 Funique VR Studio Technical Support

技�協力 �陣聯�數�科技��司 Technical Support PHALANITY Digital Technology Co, Ltd. ��團� Leading Lectures Live Broadcast Team

�� Live Broadcast Manager

龍�鴻 Yu-Hung Long

��協力 Live Broadcast Support

國立��科技大�� National Kaohsiung University of Science and Technology, Dept. of Cultural and Creative Industries

��助理 Live Broadcast Assistant

楊�� 兆� 林�璽李�� Chih-Yun Yang Zhao-Yu Huang Yu-Xi Lin Yu-Syuan Li