'Echoing Harmony' Solo Exhibition by Li Ting Ting Catalogue by Karin Weber Gallery

Echoing Harmony複調 Li Ting Ting 李 18.4 - 31.5.2019

INTRO 導言

‘Harmony’ is the overriding theme of Chinese Ink artist Li Ting Ting’s second exhibition at Karin Weber Gallery. Be it a violin or a solitary individual communing with nature, the current focus in her signature still-lives and landscapes is on emotions of restfulness, tranquillity, equilibrium and joy. With the evolution of her individual style to include relief and space, Li Ting Ting successfully creates new dimensions and multiple windows to offer differing viewpoints that pique the viewer’s curiosity and imagination. Layering of images, a critical element of the artist’s style, is cleverly used to introduce a third dimension as she experiments with infusion of the concept of time into her compositions. Images of objects, such as a violin, or of hermits are painstakingly created with overlapping washes to create suggestions of depth and time that reflect an unknown and infinite reality. Using waterfalls and mountains as her subjects in landscapes and a colour palette that leans heavily towards blues and greens draws on archaic Chinese painting references and once again emphasise the blending in with nature and infinity. Whilst exploring the theme of ‘Harmony’ in her landscapes, Li Ting Ting celebrates the rich cultural heritage of the past and pays homage to master ink painters such as famous Ming dynasty artists Tang Yin (14701524) and Dong Qichang (1555-1636). However, her contemporary execution and technique reveal a firm step into the future. Constancy and change are both reflected in a nuanced manner in Li Ting Ting’s delicate and celestial creations that blur the boundaries of traditional ink painting and Pop Art, both genres of great influence to the artist. Whilst pushing new frontiers and continuing her experimentation with the medium, Ting Ting continues to display an unrivalled mastery over her craft retaining its elegance and timelessness.

「諧和」是中國水墨畫家李婷婷在凱倫偉伯畫廊第二個展覽的主題。無論是小提琴或是寂寥地逍遙山水的人物，在她代表性的靜物畫與山水之中，現時的焦點在於靜默、平衡與喜悅等情感。隨着她個人風格之嬗變而涵括了浮雕與空間，李婷婷成功營造出引發觀者的好奇與想像的深度與視角。以重叠的圖像來創造完整的構圖是藝術家風格的關鍵要素，巧妙地運用第三維度，將時間的概念注入作品中。諸如小提琴、仙人等都經過精心佈局，重覆的暈染，以表現無知無盡的深度和時間。使用瀑布和山脈作為她在風景中的主題和傾向於藍和綠的調色板，借鑒於中國傳統繪畫，並強調自然和無限的融合。對傳統主題的探討，表現了藝術家與過去及文化傳統的深厚聯繫，然而她富當代藝術風格的創作及技巧則表現了對未來的展望。恆常與變幻在李婷婷細膩的創作之中以微妙的風格表現，模糊了傳統水墨與波普藝術這兩種對藝術家影響深遠的風格之界限。在推動新水墨實驗的同時，李婷婷繼續展現出對工藝的無與倫比的掌握，作品散發着優雅和永恆。

LI TING TING 李婷婷

Since 2017, I have been attempting to incorporate a three dimensional element to my paintings. Space in a conventional landscape has been deconstructed and replaced. The interplay of positive and negative three dimensional spaces challenges viewers in their visual judgement. In my painting ‘Twin Spring’, the spring that appears at the foreground is actually positioned on the same plane as the background. A spring flows towards viewers as the foreground is empty. The stream on the left of the three-dimensional work is rendered in the same manner. The traditional mode of presentation and viewing of chinese ink painting is being challenged here, allowing space to create its own interpretation. A new series that I started two years ago, uses multiple layers to create the complete artwork just as musical compositions are constructed using different individual notes. Images of violins, wine glasses or of hermits are layered with several applications of paint. Such a polyphonylike approach creates effects of ups and downs. The traces of layering also suggest dimensions of time. Not only are they layers of images, but also layers of time which evocate an unknown, infinite, deep and fruitful world. Li Ting Ting 8 March 2019

從2017年至今，我嘗試將平面作品注入更多維的空間。在山水組畫中，熟悉的傳統山水空間被解構重置，真假立體空間干擾著觀眾的視覺判斷。例如在《雙泉圖》中貌似被前置的山泉其實是和背景在同一平面中，一泓清泉因虛擬的前置空間扑面而來，在立體作品的左側則有另外一股潺潺溪流以同樣的方式展現，傳統山水的平面呈現與觀看模式被打破，給予空間判斷新的闡釋。從前年開始，另外一個新的系列是將某一種圖像以反復疊加的方式出現在畫面上，猶如音樂中聲部各自獨立，但又和諧統一為一個整體，彼此形成和聲關系。畫面中的提琴或者酒杯或者財神等圖像被依次疊加，這種復調般的創作手法，在畫面中產生此起彼落的效果。一次又一次疊加的痕跡顯露出時間的維度，統一在畫面上的疊印不僅是圖像的疊印更是是時間的疊印，這種疊印帶給我們一個未知的，無盡的，深邃且豐富的世界。李婷婷 2019年3月8日

WORKS 作品

Mountain By Dong Qichang 仿董其昌山水 ink on rice paper 144 x 72cm 2018

detail 特寫

WORKS 作品

Landscape No. 14 山水 14 ink on rice paper 107.4 x 82 x 8cm 2018

Mountain 青山圖 ink on rice paper 26 x 29 x 8cm 2019

WORKS 作品

Fishing In Reclusion Among Mountains And Streams 溪山漁隱圖 ink on rice paper 41 x 94 x 8cm 2019

WORKS 作品

Twin Springs 雙泉圖 ink on rice paper 20 x 11 x 7.5cm 2019

Summer Wood 夏木垂陰圖 ink on rice paper 56 x 44 x 6cm 2019

WORKS 作品

Emerald Green Accumulated On Spring Mountains 春山積翠圖 ink on rice paper 54 x 41 x 3.5cm 2019

detail 特寫

WORKS 作品

Listen To The Spring 聽泉圖 ink on rice paper 35 x 54 x 6cm 2019

detail 特寫

WORKS 作品

Violin No. 1-4 琴 1-4

ink on rice paper 60 x 48cm each, a set of 4 pieces 2019

Mickey No. 1-4 米奇 1-4

ink on rice paper 47 x 47cm each, a set of 4 pieces 2019

LI TING TING

Born in 1982, Shanxi, China Education 2007 Master of Fine Arts, College of Art, Renmin University of China, China 2004 Bachelor of Fine Arts, College of Arts, Shanxi Normal University, China Exhibitions 2019 ‘Echoing Harmony’, Karin Weber Gallery, Hong Kong 2018 ‘A Vista in Blue: Li Ting Ting’, Daguan Gallery, Taipei ‘Time’, Liu Haisu Art Museum, Shanghai, China ‘Art On Paper’, Chun Art Museum, Shanghai, China 2017 ‘The Sound Of Silence’, Karin Weber Gallery, Hong Kong ‘Oranges are Not the Only Fruit’, YISHU8, Beijing, China ‘What Is Ink’, Beijing East Art Center, Beijing, China 2016 ‘The Power of Attention: Ink Painting Works of Young Artists’, Today Art Museum, Beijing, China 2015 ‘Scope: Li Tingting Solo Exhibition’, Ovation Art Space, Beijing, China 2014 ‘Mind Reading: Li Tingting Solo Exhibition’, 37.8 ART LAB, Beijing, China Awards 2007 Gold Award, Contemporary Art Schools ‘Students’ Nominated Exhibition, Today Art Museum Honorable Award, Shanghai Youth Art Exhibition 2005 Grand Prize, The 20th “New Shape” Art Exhibition, Daegu Art Museum, Daegu, South Korea Collections White Rabbit Gallery, Sydney, Australia Origo Collection, Switzerland Shan Art Foundation, Beijing, China Today Art Museum, Beijing, China Private Collections

李婷婷

1982年生於中國山西學歷 2007 畢業於中國人民大學藝術學院，獲碩士學位 2004 畢業於山西師范大學藝術學院，獲學士學位展覽 2019 「複調」香港凱倫偉伯畫廊 2018 「藍心之物:李婷婷」台北大觀藝術空間「時間:李婷婷新作」中國上海劉海粟美術館「一平尺:上海紙本藝術展」中國上海春美術館 2017 「靜默之聲」香港凱倫偉伯畫廊「橘子不是唯一的水果」李婷婷個展，中國北京藝術8 「水墨何為」中國北京東區藝術中心 2016 「關注的力量」中國北京今日美術館 2015 「視界：李婷婷個展」中國北京新繹空間 2014 「聽聽：李婷婷個展」中國北京37.8 ART LAB 獎項 2007 當代藝術院校大學生提名展金獎，今日美術館明園獎、優秀獎，上海青年美術大展 2005 第二十屆韓國“新造型”藝術大展，特別獎收藏澳洲悉尼白兔美術館瑞士Origo收藏中國山藝術基金會中國今日美術館私人收藏

KARIN WEBER GALLERY 凱倫偉伯畫廊 Established in 1999 by German-born Karin Weber and now in its 20th year, Karin Weber Gallery is one of Hong Kong’s oldest contemporary art galleries. Situated on Aberdeen Street, in the heart of SoHo, the gallery presents a year-round program of curated exhibitions, talks, and collector events. Consistently named one of ‘500 Best Galleries Worldwide’ by Blouin Artinfo, the gallery’s unique network of partners based in London, Mumbai and Berlin allows it to source emerging and established contemporary art from around the world. Karin Weber Gallery is equally passionate about presenting works by local artists. The gallery assists artists through exhibitions, art fairs, and residency programs throughout the world. Small in size, yet global in outlook, Karin Weber Gallery is one of Hong Kong’s truly international boutique galleries. 凱倫偉伯畫廊在1999年由德國的 Karin Weber 女士創立，今年踏入第20年，是香港其中一間最具歷史的當代藝術畫廊。畫廊位於蘇豪區鴨巴甸街，我們每年策劃不同的展覽、講座及活動給藏家參與。畫廊很榮幸獲選為2015及2016 連續兩年BLOUIN ARTINFO「全球500最佳畫廊」。我們的合夥人於倫敦、孟買和柏林有辦事處，使我們能夠幾乎遍布世界各地為客戶提供服務並蒐尋新晉和有豐富經驗的藝術家。我們熱愛把香港本地的藝術推介給全球的藏家。我們畫廊代表的藝術家通過藝術博覽會，與其他畫廊的交流，還有駐留計畫發展自己的事業。面積雖不大，但放眼全球，凱倫偉伯畫廊是香港真正國際化的精品畫廊之一。