y h w s n o s a e r e m
So
walls
Kasey Papp as
alot
of
i run into
This book is part of the St. Norbert College ART-130 Fall Introduction to Design class 2017
Oh. Geez. My Head hurts.
But it’s ok.
d.school
I have a history of taking too much time when creating anything; it’s always been the largest wall I run into. However, I enjoyed working in a fast paced environment for this project and being able to build something off an idea that was unclear. Compared to how I normally work, I prefer to take as much time as I can to produce something to the best of my ability. I’d prefer to make numerous prototypes so that changes or improvements can be made and the end result was the best it could be. Afterwards, if I could go back and redo the process, I would ask more meaningful questions. Overall, it was a learning experience.
After discussing the prototype I created for my partner we talked about what could be improved and what qualities it already had. This allowed for a better understanding in what the next best step was. I was afraid of showing unfinished work. However, after receiving constructive criticism, it was easier to build and improve off of what I had already made. The result was a re-giftable birdhouse. The birdhouse was meant to be changed in some way each time it was re-gifted. This way my partner and whomever the birdhouse was gifted to wouldn’t have to worry about what to get as a gift.
dot.line For this project, it took numerous thumbnails to figure out which layout best described the words I had chosen. When I was deciding which layout and when I was putting the final pieces together. It was a challenge to find layouts that were clear to others other than just myself. I did enjoy being able to experiment with cut paper however. I found that once I cut a bunch of different shapes out, I was able to create the thumbnails I drew into final products. This project had specific requirements that prohibited me from using more shapes. I was limited to only using squares and circles and the challenge really taught me to think through every aspect when designing. I didn’t think I’d enjoy this project as much as I did and I’m happy with the results.
rejection
chaotic
oppression
word.letters Hand lettering let me explore with the different contexts of words. This project taught me to make a lot of thumbnails to find what is the most successful iteration. I also learned to experiment with different forms of medium rather than imagining what the final piece would look like.
The best part of all four of my works was that I managed to not have to redo any of them. I managed to avoid a wall by taking the time to think of how I wanted each to be laid out. When I chose the word ‘branch’ to work with, it was hard to try and stay away from the cliches that come with the word. After receiving constructive criticism, there are a few changes I would have made relating to the two on this page. They both incorporate the physical aspect of a branch. I would have rearranged the letters in order for it to read as ‘branch’ and so it would flow more successfully when being read. Although, I am satisfied with all four works as a whole and enjoyed the process.
object.iterations Coming up with multiple, very different iterations of the kingfisher bird taught me that they can easily be confused with hummingbirds. However, I enjoyed the challenge of finding which details differentiate the kingfisher with other small birds. The biggest difference is stated in the name given to them; a little bird that dive bombs for small fish. It was fun to play around with trying to incorporate a fish into some of the iterations to make it clear my animal was a kingfisher. Using minimal shapes with collage and geometric shapes were the hardest to do but my favorites to do was the Roy Lichtenstein and the tattoo flash art inspired iterations.
collage
type collage
Roy Lichtenstein
collage
tattoo flash art
one line sketch
Above is the final product and this was one of the projects done this semester that I am more proud of. I was nervous about all the possible walls I’d be running into since I was required to make various iterations but I ended up enjoying it more than I thought I would have. During the making of this project I learned a lot in Photoshop. One example is that I learned how to use curves which helped tremendously when getting marker lines darker and to better show up on paper. If I had to make any changes, they’d be minor. I would have experimented with different backgrounds and layouts of where each iteration is could have bee placed by sketching out better thumbnails. w
data.viz This was a tough one. For this project I centered this poster around considering adopting from shelters first. I chose a topic that I cared about which made it easier to design and gather information. Additionally, it was a challenge choosing which information to put on and which to leave out. I decided to challenge myself and focus more on information instead of images; but it ended up taking numerous attempts to get the layout that worked best. The biggest wall I ended up running into was organization. I created visual hierarchy by starting with a large visual then as the poster continues, there’s the most important informational paragraph, followed by another visual. I spent most of my time figuring out what information to put where. The information I received was primarily from online sources. I would have liked to reach out to local shelters and get a broader range of information.
I enjoyed being able to experiment with color but it was also challenging when choosing which colors worked best with each other and not end up with an end result that looked ‘busy’. I learned to print off a copy to see what it looks like printed on paper and go back to fix what didn’t work since sometimes the finished work doesn’t always look like it does in InDesign. I’ve always been interested in designing posters so being able to experiment for the first time on InDesign and Photoshop gave me insights into what the process is really like.
other.stuff One of my hobbies includes painting realistic looking food and bringing them to life. I find myself drawn to watercolor over all other forms of medium. On these two pages are a few doodle-like paintings I’ve done throughout this semester. When I find myself head on about to smash into a metaphorical wall, I turn to painting food art that I like to share with others.
I’d consider myself a foodie; this is why I enjoy painting realistic looking food and then adding arms, legs and eyes. Once again, it’s weird and some people like them and some people don’t. But making something weird has always been a way for me to escape the scary realm that is college.
Wait. There’s More.
Q: Are you called to Creative work? If so, how do you recognize that calling? A: I am called to creative work like the average phototactic Wisconsin moth is called to a front porch light. Having the opportunity to be able to look at hundreds of images through social media and being a Graphic Design major every day, I’d call it a natural attraction. If creative work is in my peripheral vision, there’s a high possibility that I’ll find a way over to it. It doesn’t matter if it’s my younger sisters’ drawing of a deranged Santa Claus or a painting in a museum; I’m always interested. I’m attracted to anything that is made by hand or computer and am usually always intrigued to learn more. If I am unable to create something for more than a couple days, it’ll feel like I’m missing out on life.
Q: If you were guaranteed it would support you financially, what would you want to design or make for a living? A: I’m extremely indecisive. If I could do every kind of design all at once, I would. But logically speaking, I’ve always wanted to put the paintings I do onto t-shirts, pins, stickers, etc. I would like to be able to share my own art with others in ways other than just hanging a piece of paper up on a wall. Maybe I’ll follow through with that dream or maybe I won’t; it’s just another wall I have to fight my way through. If the t-shirt thing never works out, I’d would like to give film a go. I’ve always been super big into movies and how film is made. If it would support me financially, I’d definitely would love to work behind the scenes and be a part of the crew that makes a quality movie possible.
The fonts used in this book are Lao MN, Avenir Next, Gills Sans and Sukhumvit Set. This was printed and saddle stapled at the St. Norbert College print center.