Mp3 Albireo - Northern Cross
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Lively traditional English-style dance music from one of North West Englands most popular and versatile ceilidh bands. Guitar, bass and piano underpin melodies played on melodeon, concertina, dulcimer and mandolin, while the fiddle goes wild! 14 MP3 Songs in this album (50:31) ! Related styles: Folk: British Folk, Folk: Traditional Folk, Instrumental People who are interested in Bellowhead Old Swan Band The Electropathics should consider this download. Details: Albireo have established themselves as one of the most popular ceilidh bands in North West England. Based in Macclesfield and Manchester, they play regularly throughout the North West and further afield. The play in an English style, but their material comes from all over the British Isles, Europe, and the Americas, as well as tunes composed by various members of the band. Albireo are: Tom Kitching Fiddle, mandolin Howard JonesMelodeon, Anglo concertinas, hammered dulcimer, recorder Steve HodgskissPiano, English concertina Peter CrowtherBass, keyboard Sean BechhoferGuitar Recorded in September 2010 at Talking Cat Recordings. Engineered and mastered by Forbes Legato and Jon Loomes. Star maps from John Flamsteed's Atlas coelestis, 1729 by permission of Linda Hall Library of Science, Engineering and Technology Cover design Sarah Crowther. Contact us at: info@albireo albireo The Brazilian (Roseira do Norte) (Rose of the North) by Pedro Sertanejo and Z Gonzaga. From NE Brazil, a type of music known as forr (until we got our hands on it). Tom got this tune from piano accordionist Sam Pirt. Kempshott Hunt Tom learned this from a fiddle book by Pete Cooper. Careful pronunciation a must. The Railway / Rogues March Howard brought this set from the Electropathics. .Rogues March was supposedly played when soldiers were marched up to be 'disciplined' ie flogged. Gathering Peascods A trip to Playford's Dancing Master. The nice lady at Wilmslow Guild referred to this as 'Gathering Codpieces'. Morning Star / Three Jolly Sheepskins Two lumpy English 16-bar hornpipes. Morning Star appears in numerous collections.
Sheepskins comes from the playing of Shropshire fiddler John Locke, via John Kirkpatrick. Hudscales / Cats Cradle / Treacle Town Hudscales is farm cottage near Hesket Newmarket in the Lake District, where Steve was doodling on the piano and this reel popped out. Cats Cradle is one of Steves many tunes written in honour of his cat, Walt. Macclesfield became known as Treacle Town after an event over a hundred years ago when a treacle wagon overturned on Hibel Road. The poor people rushed out of their cottages and scooped the treacle up from the cobbles. The Hole in the Wall A 3/2 hornpipe written by Henry Purcell (1659-1695) and published in the 1698 edition of Playford's Dancing Master. Arkansas Traveller / Bill Cheatham's Reel / The Kitchen Girl Three classic American reels. We call them "the bangy ones" - you'll see why. Gypsys Hornpipe / Gloucester Hornpipe Gypsy's comes from the Thomas Hardy collection. Gloucester is the less well-known version from the Gloucestershire fiddler Charles Baldwin. Another set borrowed from the Electropathics. The Gallery / The Venus of Levenshulme Peter remembers the band practice for a student band in about 1990 when Simon Heywood brought in two tunes he'd composed - The Venus of Levenshulme had taken second place in a tune competition run by Blowzabella, and Simon had written The Gallery to celebrate. Alfaz del Pi Steve named this waltz after a small town near Benidorm where he often stays on holiday. Graemsay Jig / The Star Above the Garter Howard learned Graemsay Jig from the playing of Colin Cater. The Star Above the Garter was made popular by Kerry fiddlers Denis Murphy and Julia Clifford. Despite its Irish origins it adapts well to a more rumbustuous English style of playing. Elzics Farewell How tunes can travel! Tom learned this old-time American tune during a visit to China, from the playing of Welsh fiddler Christine Cooper. Weavers March Howard learned this from the playing of melodeon maestro Tony Hall.
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