In the Know Style File A/W 17-18 by Kate Emily Ferguson

IN THE KNOW.

STYLE FILE AUTUMN/WINTER 2017-18

I IN IN IN IN IN IN IN IN IN TH THE THE THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN I IN IN THE THE THE THE THE THE THE TH THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN I IN IN IN IN IN IN IN THE THE TH THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE T KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN HE NOW.

IN THE NOW.

IN HE NOW.

STYLE FILE A/W 2017/18

IN THE KNOW.

IN THE KNOW. A trend forecasting agency that values being at the forefront of upcoming fashion, In The Know, combines their expertise knowledge of the industry with the cultural climate of society today, to offer trend direction for A/W 2017/18. By exploring the social and political contexts behind trends and how they are being interpreted season after season, we collate both physical and digital research for 2017, whilst also understanding how trends are being filtered down into prints and graphics, sportswear and visual merchandising. Targeting the fashion forward, early adopters of the 21st century, our bi annual style file exposes new individual lifestyles and fashion in the most innovating yet sophisticated way.

CONTENTS. PRINTS & GRAPHICS WE’RE WITH YOU DO IT YOURSELF CELESTIAL HOUR

VM & IN-STORE SURREALIST ESCAPE PSYCHEDELIC LUST BACK TO BOTANICS

SPORT & ACTIVEWEAR

Fig 2. Own Photos. 2017

RETRO RIOT SIDE STRIPE SOLACE ALPINE APRÉS

I IN IN IN IN IN IN IN IN IN TH THE THE THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

Fig 4. Spring in New Zeland. 2017

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN I IN IN IN IN IN IN IN THE THE TH THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

WITH YOU CELESTIAL HOUR IN WEâ&#x20AC;&#x2122;REIN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE T KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN DO IT YOURSELF

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN Fig 5. Balenciaga. 2017

Fig 3. Prabal Gurung. 2017

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN HE NOW.

WEâ&#x20AC;&#x2122;RE WITH YOU.

IN HE NOW.

CELESTIAL HOUR.

IN THE NOW.

IN HE NOW.

DO IT YOURSELF.

PRINTS & GRAPHICS.

IN HE NOW.

IN THE KNOW.

WE’RE WITH YOU.

Fig 6. SFD Dusseldorf. 2017

Fig 7. Christian Siriano. 2017

Inspired by the idea of unity, solidarity and togetherness, this season designers are speaking out on the current social and political unrest in America in response to Donald Trump’s inauguration, whilst also supporting the beliefs of their consumers along the way. Moving on from a strictly feministic trend, ‘We’re with You’ allows brands to voice their opinions loud and clearly in a graphically, statement way to make a stand and leave their mark on the fashion industry for fall 2017. Handwritten slogans, bold messages and protest infused placards, designers are imbedding an array of gender-led statements onto their garments to support women’s rights in 2017 against Trump’s controversial public remarks.

Fig 8. Anti -Thatcher Moments. 2013

“the opportunity for a woman to redefine what femininity looks like could hardly come at a more culturally resonant time.” Jess Cartner-Morley, 2017

‘‘…a brilliant political statement to the world we, as consumers, currently are living in: numb and controlled by power.” Laura Bettencourt, 2017 KEY INFLUENCERS: Katharine Hamnett Barbara Kruger Maria Grazia Chiuri’s Dior SS17 runway show

Fig 9. Your Body is a Battlefield. 1989 Fig 10. Wendy Nichols. 2017

KEY DESIGNERS: Prabal Gurung Wendy Nichols Creatures of Comfort Christian Siriano

Fig 14. Versace. 2017

Versace

“It has never been easier to take a stand in support of equal rights, inclusion and girl power.” Maria Hunstig, 2017

Fig 16. Creatures of Comfort. 2017

Fig 15. Browns London. 2017

Although it offers new social contexts, the patch acts as a trademark tool to express interests in a playful and internet-led manner.

Fig 18. Own photo of Tommy Hilfiger collection. 2017

Fig 19. Own Photo of Sportswear International Collection. 2017

“Emoji use tends to be very contextual and relevant to current events.” Thomas Matthew, 2016 KEY INFLUENCERS: Counterculture fashion of the 70’s & 80’s Vogue’s ‘Kendall Gets Animated’ Partnership for Drug Free Kids Advert

Fig 20. Lord and Taylor. 2017

Fig 21. Own Photo Denim: Fashion’s Fronter. 2016

Fig 22. Kendall Gets Animated. 2016

Used as a motif to express opinions and emotions reflecting the social and political angst of the 70’s/80’s, the DIY trend for patches has been revived. However, this season, it offers a social media alternative, translating the Generation Vis movement (LS:N Global, 2016). Lipsticks, crowns, watermelons and spaceships; individuals are taking on a personalized patch trend, whilst incorporating the growing takeover of the emoji, to translate the current technologies that influence younger consumer lifestyles and habits in 2017.

“(the patch) can hold a mirror to the modern zeitgeist. It can influence social unity or be a means of social expression and personal storytelling.” Marjolein Lammerts van Bueren, 2016

DO IT YOURSELF.

KEY DESIGNERS: Tommy Hilfiger Dolce & Gabbana Lord & Taylor

Fig 24. Dolce & Gabbana. 2017

Fig 23. Tommy Hilfiger. 2017

Lazy Oaf

“reimagined with the social media generation in mind-think: emoji patches in place of peace signs.” Chioma Nnadi, 2017

Fig 25. Partnership for Drug-Free Kids Advert. 2015

“Many marketers are integrating emoji’s into their campaigns as a way to...reach target audiences.” Natalia Angulo, 2016

CELESTIAL HOUR. 2017 sees a more sophisticated, exclusive approach to the space-age trend, focusing on shimmering stellar textures and twilight prints, moving away from the pop culture infused trend of 2016 celebrating the life of David Bowie. Reflecting the exploration of astronomy and the solar system in 2017 in regards to NASA’s new discovery of seven planets and the approaching celebration of fifty years in space, the trend has also been adopted by various artists such as Jim Hodges and Joanie Lemercier, showing the print in new contexts. Nocturnal sceneries, galactic stories and an emphasis on constellations, the trend offers an array of illustrations, embellishments and glittered surfaces, translating a cosmic narrative in an opulent orbiting way.

Fig 28. Christian Dior. 2017

Fig 29. Movements (Stage IV). 2009

Fig 31. Alexa Gamblin. 2017

KEY INFLUENCERS: Elsa Schiaparelli’s 1938 Zodiac collection Jim Hodges Joanie Lemercier Selfridges ‘Journey to the Stars’ Window Display

Fig 30. Manish Arora. 2017

Fig 27. Own Photo of Selfridges ‘Journey to the Stars’ window. 2015

Fig 32. Nimbes. 2015

“At Chanel, the runways seemed to be courting NASA in the wake of it’s big discovery of seven new planets.” Kenya Hunt et al, 2017

KEY DESIGNERS: Christian Dior Chanel Manish Arora Valentino

Fig 34. Elsa Schiarapelli’s Zodiac Evening Jacket. 1938

Fig 33. Chanel. 2017

“Starry skies and the solar system emerge as a strong influence in Paris, as Valentino’s on-going infatuation with star-themed embellishment - a reference to Schiarapelli.” Kelly Miller, 2017

Fig 36. Own Photo of Retro Riot Consumer. 2017

I IN IN IN IN IN IN IN IN IN TH THE THE THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

Fig 38. Byblos Milano. 2017

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN I IN IN IN IN IN IN IN THE THE TH THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

SIDE IN IN IN IN STRIPE SOLACE IN IN IN IN IN I THE THE THE THE THE THE THE THE THE T KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN RETRO RIOT

ALPINE APRÃ&#x2030;S

Fig 37. How ELLE editors style track pants. 2017

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN HE NOW.

IN THE NOW.

IN HE NOW.

RETRO RIOT. SIDE STRIPE SOLACE. ALPINE APRÃ&#x2030;S.

SPORT & ACTIVEWEAR.

IN HE NOW.

IN THE KNOW.

RETRO RIOT.

Adidas Equipment LLCool J for Fila in the 90’s Chocolate Puma (DJS)

Fig 41. Bringing Booty Back. 2017

“…red is a colour that is representative of the current world climate.” Nazanin Shahnavaz, 2017

KEY INFLUENCERS:

Fig 44. Gosha Rubchinskiy. 2017

Fig 40. Own Photo of Champion collection. 2017

Fig 43. Own Photo of Retro Riot consumer. 2017

Fig 42. FILA. 2014

Fig 39. Own Photo of Kappa collection. 2017

“…fashion is a reflection of the times, we choose clothes based on our mood, our feelings and the current state around us.” Jian DeLeon, 2016

Oversized, vintage and urban, Retro Riot demonstrates the new vision of sportswear today, moving away from active-pro usage for garments and instead, looking to a demand for retro athleisure wear. Champion, Ellesse and Kappa; each one of these brands are making a classic comeback to fashion, allowing consumers to achieve retro exclusivity, whilst also finding comfort in oversized clothing as a coping mechanism against the social unrest among youths in society today. Moving on from 90’s hip hop culture, the trend is now being influenced by the current demand of house music and a rave culture among youths in 2017. The trend allows consumers to feel a sense of belonging during vulnerable times, whilst also allowing them to obtain individuality and social expression through clothing.

KEY DESIGNERS: Gosha Rubchinskiy Kappa Adidas Champion Ellesse Fig 45. Bright & Seek A/W 17/18. 2017

“Rave culture is a heavy influence, if I was going to a rave I wouldnt wear anything else...it seems socially acceptable.” George Bateman, 2017

Fig 46. Candid Camera. 2017

Fig 47. Own Photo of Retro Riot consumer.

“the main influence is house music; everyone seems to be wearing it who go to events such as Abode in London.” George Batemen, 2017

SIDE STRIPE SOLACE. Fig 51. Victoria Victoria Bechkam. 2017

As sportswear continues to filter into everyday wear, we start to see a further focus on athleisure and the rebirth of the track pant. Originally inspired by the hip-hop culture of the 90’s and Tommy Hilfiger’s daring promotion of the trend in 1996, the track pant trend has been updated with a sartorialist edge, drawing an emphasis on flared silhouettes, to translate premium sophistication for fashion-forward females. Accented with high rise zips, contrasting side stripes and relaxed tailoring, the athluxer trend demonstrates the movement away from active wear being worn as functional work-out wear and instead, a nod to contemporary, leisure wear.

Fig 50. Tommy Hilfiger SS 97. 2010

Fig 49. Own Photo of H&M track pants. 2017

Fig 52. Own Photo of Side Stripe Solace consumer. 2017

“Hip hop’s influence on fashion undoubtedly helped usher the trackpant onto the runway.” Alice Newell Hanson, 2017

Tommy Hilfiger S/S 1997 Netflix 2016 Series ‘Hip Hop Evolution Arie Versluis and Ella Uyttenbroek’s Exactitudes

Fig 53. Ermanno Scervino. 2017

KEY INFLUENCERS:

Fig 54. Tommy Hilfiger 1997. 2017

“The trackpant is still key but has evolved from a sports-inspired casual piece to a luxurious new slouch trouser.” Kirsty Sears, 2016

KEY DESIGNERS: Marc Jacobs Victoria Beckham Versus Versace

Fig 56. Versus Versace. 2017

“A chance for iconic brands to reinvent styles from the archives.” Veronica Hendry, 2017

Fig 55. Marc Jacobs. 2017

Ermanno Scervino

Fig 57. Own Photo of Side Stripe Solace consumer. 2017

“Trackpants are perhaps the perfect symbol of that struggle between actuality and aspiration.” Alice Newell Hanson, 2017

ALPINE APRÈ S. Inspired by the 60’s and 70’s glamorous approach to skiwear, Alpine Après challenges the functions of apparel for the slopes and instead, creates an emphasis on comforting turtlenecks for wrapping up warm after a day up the chilling European Alps. A key trend for fall, Alpine Après draws attention to voluminous rolled down collars, merino knitwear adorned with updated fairisle prints and snug silhouettes with statement horizontal stripes. Maintaining a sportif appeal, the trend fits into both winter sport dressing and athleisure apparel for the fashion-forward early adopters of trend, who are keen to take Emilio Pucci’s original après-ski look and give it a modern day sartorial meets street wear infused makeover for fall 2017.

KEY INFLUENCERS: Emilio Pucci for Vogue Italia 1965 Mark Reinhardt, Conde Nast 1972 Dior Sport 1964

Fig 62. Emilio Pucci for Vogue Italia 1965. 2014

Fig 63. Mark Reinhardt 1972. 2014

“There’s no need to foresake warmth for style on the slopes anymore- most ski brands now offer products that look as much in place in the city as they do on the mountains.” Roberta Benteler, 2017

Fig 64. Tory Burch. 2017

Fig 60. Monclear Gamma Rouge. 2017

Fig 59. Dior Sport Ad 1964. 2014

Fig 61. High-tech knits for all your adventures. 2016

“Skiwear offers particular challenges that expand the potential of dress, at once stimulating designers’ concepts for dress of the future” Maria Echeverri, 2014

KEY DESIGNERS: Monclear Gamma Rouge Tory Burch Byblos Milano Louis Vuitton

Fig 67. Fashion Week Streets A/W 17/18. 2017

Fig 66. Louis Vuitton. 2017

Fig 65. Lacoste. 2017

Lacoste

“Even if your not hitting the ski slopes this season, there’s no denying that après-ski chic is currently a reigning supreme.” Real Style Network, 2017

Fig 70. Own Photo of Godâ&#x20AC;&#x2122;s Own Junkyard. 2017

I IN IN IN IN IN IN IN IN IN TH THE THE THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO

IN IN I IN IN IN IN IN IN IN THE THE TH THE THE THE THE THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO

IN SURREALIST IN ESCAPEIN IN IN IN BACK IN IN IN I TO BOTANICS THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KN

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO

IN IN IN IN IN IN I IN IN IN THE THE THE THE THE THE TH THE THE THE KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO PSYCHEDELIC LUST

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO Fig 71. Lou and Grey. 2017

Fig 69. Harrods. 2017

IN IN IN IN IN IN IN IN IN I THE THE THE THE THE THE THE THE THE TH KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNO

IN HE OW.

IN HE NOW.

IN HE OW.

SURREALIST ESCAPE. PSYCHEDELIC LUST. BACK TO BOTANICS.

VM & IN-STORE.

IN HE OW.

IN THE KNOW.

Fig 73. Own Photo of Urban Outfitters VM. 2017

Fig 74. Dropped Cone. 2001

Fig 72. COS. 2017

“A massive change in scale can grip your imagination.” John Ingledew, A-Z of Visual Ideas KEY INFLUENCERS: Dover Street Market Claes Oldenburg & Coosje van Bruggen

“Offering the customers new and stimulating shopping experience that raises spirits and excites.” Melissa Twigg, 2016

Fig 76. Own Photo of Diesel window display. 2017

Larger than life, child-like and innocent, Surrealist Escape creates an experience in-store for consumers, pulling on the concept of child’s play and nostalgia for A/W 2017. Allowing consumers to escape the insensitive reality of society today and the current political unrest around the world, the trend takes inspiration from immersive, toy sculptures to distract and draw the attentions of 21st century consumers. Executed in a light hearted, stylized aesthetic, the trend takes consumers back to a time when the choice of which toy they wanted to play with was their biggest worry.

Fig 75. Own Photo of Diesel window display. 2017

SURREALIST ESCAPE.

“the familiar world is subverted by the unexpected sizing of everyday objects; both hugely enlarged and greatly reduced.” John Ingledew, A-Z of Visual Ideas

KEY DESIGNERS: Diesel Urban Outfitters Harrods

Fig 81. COS. 2017

Fig 80. JW Anderson at Dover Street Market. 2016

Cos

“Huge sculptures still seem gentle despite their gargantuan size.” WGSN, 2015

A recurring trend for VM & in-store, neon lights for AW 2017 is taking on a lustful concept, communicating romance related messages and warming the hearts of consumers, as referenced in the interview with Alexa Pearson et al. With tongue and cheek statements reworked to incorporate the takeover of social media apps such as Tinder and WhatsApp and a motif to confess feelings of passion and love, the trend projects a cinematic, technological appeal. The trend also translates the idea that society is encouraging freedom to express more overt emotions and allowing attitudes to flourish in an electric way.

Fig 85. Own Photo of Sketch London VM. 2016

PSYCHEDELIC LUST.

“neon-like signage works to attract, engage and inspire customers... it can also influence shopper behaviour, spending habits and brand loyalty.” John Buckley, 2016 Fig 83. Own Photo of Liberty London VM. 2016

Fig 84. I Love Sex. 2002 Fig 86. Neon Works. 2015

“neon engages the hearts and minds as well as the eyes.” John Buckley, 2016

Fig 89. Neon. 2014

Tim Webster & Sue Noble Tracey Emin Petra Collins

Fig 88. Galeries Lafayette. 2017

KEY INFLUENCERS: Chris Bracey’s ‘God’s Own Junkyard’

Fig 87. Bloomingdales. 2017

KEY DESIGNERS: Sketch London Liberty London Lou and Grey Alma Har’el’s JellyWolf (The Fifth Sense) Bloomingdales

Fig 93. Alma Har’el’s JellyWolf (The Fifth Sense. 2017

Fig 94. Lou and Grey. 2017

“These simple, but sentimental pieces are warming the hearts of our art buyers internationally.”Alexa Pearson et al, 2017

BACK TO BOTANICS. As more consumers are moving into urban, industrial landscapes, the growing need for natural surroundings has heightened. Consumers are becoming more concerned with the idea of sustainability when it comes to the environment due to the on-going ecological deficit. A focus on minimalism, in-door greenhouses and oversized plants allows stores to meet the demands of their conscious consumers, whilst also translating a narrative of the contemporary garden for early adopter home-owners. Giving consumers an escape from the polluted environments that awaits them outside the stores, the trend offers a cleansing, health and well-being orientated setting.

“an ironic passion for seventies kitsch has led to a trend for indoor plants.” The Telegraph, 2017 Fig 97.Own Photo of Jack Wills VM. 2017

Fig 100. Patrick Veillet’s Studio. 2017

“A nature deficit is fueling an interest in plants, cultivation and urban farming.” Unique Style Platform, 2017 Fig 98. Own Photo of 25 Hours Hotel, Bikini Berlin. 2017

Fig 96. Own Photo of Otobong Nkanga’s Taste of a Stone:IKO, Nottingham Contemporary. 2016

KEY INFLUENCERS: Pantone’s colour of the year Greenery 25 Hours Hotel, Bikini Berlin Patrick Blanc’s Vertical Garden Studio Otobong Nkanga ‘Taste of a Stone: IKO’

Fig 99. Own Photo of Urban Outfitters VM. 2017

KEY DESIGNERS: Urban Outfitters Jack Wills & Other Stories

Fig 104. Galeries Lafayette. 2017

Galeries Lafayette

â&#x20AC;&#x153;Eco-friendly designs are being acknowledged not only for their longterm positive effect but also for their ability to strengthen customer loyalty.â&#x20AC;? Jackie Carney, 2016

Fig 105. & Other Stories. 2017

REFERENCES. LIST OF ILLUSTRATIONS: FRONT & BACK COVER: Fig. 1, Thurstan Redding. 2017. Furry futures and slogan tees at PRABAL GURUNG AW17. Love Magazine [ONLINE] Available at: www.thelovemagazine.co.uk/posts/furry-futures-and-slogan-tees-at-prabal-gurung-aw17.

INSIDE REPORT: Fig 2. Ferguson, K. 2017. Primary Photography of Trends included in report Fig 3. Elle UK. 2017. All The Looks From Prabal Gurung’s Autumn/Winter 2017 Collection. ELLE [ONLINE] Available at: http://www.elleuk.com/catwalk/news/g31531/prabal-gurung-autumn-winter-2017-collection-new-york-fashion-week/?. [Accessed 16 April 2017]. Fig 4. Wilson, I. 2017. Spring in New Zealand. Lazy Oaf [ONLINE] Available at: http://www.lazyoaf.com/story/spring-in-newzealand/. [Accessed 16 April 2017]. Fig 5. Maggiony, S. 2016. Buyers’ Briefing A/W 17/18: Womenswear Colour & Print. WGSN [ONLINE] Available at: https:// www.wgsn.com/content/board_viewer/#/69156/page/18. [Accessed 16 April 2017]. Fig 6. Dickinson, Claire. 2017. EuroShop 2017 – Exhibitor Highlights. WGSN [ONLINE] Available at: https://www.wgsn. com/content/board_viewer/#/71477/page/9. [Accessed 16 April 2017]. Fig 7. Vogue Runways. 2017. AUTUMN/WINTER 2017 READY-TO-WEAR Christian Siriano. VOGUE [ONLINE] Available at: http://www.vogue.co.uk/shows/autumn-winter-2017-ready-to-wear/christian-siriano/. [Accessed 3 April 2017]. Fig 8. Dazed Digital. 2013. Anti-Thatcher moments. Dazed [ONLINE] Available at: http://www.dazeddigital.com/ artsandculture/article/15974/1/anti-thatcher-moments. [Accessed 3 April 2017]. Fig 9. The Broad. 2017. Barbara Kruger Untitled (Your body is a battleground) 1989. [ONLINE] Available at: http://www. thebroad.org/art/barbara-kruger/untitled-your-body-battleground. [Accessed 3 April 2017]. Fig 10. Bobb, B. 2017. FALL 2017 READY-TO-WEAR Wendy Nichol. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-ready-to-wear/wendy-nichol. [Accessed 3 April 2017]. Fig 11. Thurstan Redding. 2017. Furry futures and slogan tees at PRABAL GURUNG AW17. Love Magazine [ONLINE] Available at: www.thelovemagazine.co.uk/posts/furry-futures-and-slogan-tees-at-prabal-gurung-aw17. Fig 12. Garced, K. 2017. Creatures of Comfort RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fallready-to-wear-2017/new-york/creatures-of-comfort/review/. [Accessed 3 April 2017]. Fig 13. Bobb, B. 2017. FALL 2017 READY-TO-WEAR Wendy Nichol. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-ready-to-wear/wendy-nichol. [Accessed 3 April 2017].

LIST OF ILLUSTRATIONS: Fig 14. Mower, S. 2017. FALL 2017 READY-TO-WEAR Versace. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-ready-to-wear/versace. [Accessed 3 April 2017]. Fig 15. Dickinson, C. 2017. London Now – March 2017 Windows. WGSN [ONLINE] Available at: https://www.wgsn.com/ content/board_viewer/#/71539/page/1. [Accessed 3 April 2017]. Fig 16. Garced, K. 2017. Creatures of Comfort RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fallready-to-wear-2017/new-york/creatures-of-comfort/review/. [Accessed 3 April 2017]. Fig 17. Elle UK. 2017. All The Looks From Prabal Gurung’s Autumn/Winter 2017 Collection. ELLE [ONLINE] Available at: http://www.elleuk.com/catwalk/news/g31531/prabal-gurung-autumn-winter-2017-collection-new-york-fashion-week/?. [Accessed 16 April 2017]. Fig 18. Ferguson, K. 2017. Primary Photography of Tommy Hilfiger SS17 at Fenwick, Newcastle Fig 19. Ferguson, K. 2017. Primary Photography of Sportswear International Garment at Ethical Trade Show, Berlin Fig 20. WGSN. 2017. Lord and Taylor March 2017. [ONLINE] Available at: https://www.wgsn.com/search/ Image & Design Library. [Accessed 4 April 2017]. Fig 21. Ferguson, K. 2016. Primary Photography of Levis Strauss & CO Jeans 1970 at FIT Denim: Fashion’s Frontier Exhibition Fig 22. Vogue. 2016. Kendall Gets Animated! [ONLINE] Available at: http://video.vogue.com/watch/kendall-jenner-esteelauder-modern-muse-emoji. [Accessed 4 April 2017]. Fig 23. Merdina, M. 2017. Tommy Hilfiger RTW Spring 2017. WWD [ONLINE] Available at: http://wwd.com/runway/springready-to-wear-2017/los-angeles/tommy-hilfiger/review/. [Accessed 4 April 2017]. Fig 24. Leitch, L. 2017. FALL 2017 MENSWEAR Dolce & Gabbana. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-menswear/dolce-gabbana. [Accessed 4 April 2017]. Fig 25. Wing, N. 2015. New Anti-Drug Campaign Thinks Emojis Will Finally Get Teens To Listen. Huffington Post [ONLINE] Available at: http://www.huffingtonpost.com/entry/anti-drug-ad-emoji_us_55a57d47e4b04740a3de4b0c. [Accessed 4 April 2017]. Fig 26. Fig 4.Wilson, I. 2017. Spring in New Zealand. Lazy Oaf [ONLINE] Available at: http://www.lazyoaf.com/story/springin-new-zealand/. [Accessed 16 April 2017]. Fig 27. Ferguson, K. 2015. Primary Photography of Selfridges ‘Journey to the Stars’ Window Display Fig 28. Foley, B. 2017. Dior RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fall-ready-to-wear-2017/ paris/christian-dior/review/. [Accessed 5 April 2017]. Fig 29. Gladstone Gallery. 2009. Jim Hodges ‘Movements (Stage IV). [ONLINE] Available at: http://www.gladstonegallery. com/artist/jim-hodges/work/fullscreen#&panel1-10. [Accessed 5 April 2017]. Fig 30. Wynne, A. 2017. Manish Arora RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fall-ready-towear-2017/paris/manish-arora/review/. [Accessed 5 April 2017]. Fig 31. Miller, K. 2017. Premiere Classe, Tranoï & Woman A/W 17/18 – Women’s Footwear & Accessories. WGSN [ONLINE]

REFERENCES. LIST OF ILLUSTRATIONS: Fig 32. Lemercier, J. 2015. Nimbes. [ONLINE] Available at: http://joanielemercier.com/nimbes/. [Accessed 5 April 2017]. Fig 33. Mowers, S. 2017. FALL 2017 READY-TO-WEAR Chanel. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-ready-to-wear/chanel. [Accessed 5 April 2017]. Fig 34. The Metropolitan Museum of Art. 2017. Heilbrunn Timeline of Art History. MOMA [ONLINE] Available at: http:// www.metmuseum.org/toah/works-of-art/2009.300.1354/. [Accessed 5 April 2017]. Fig 35. Fig 5. Maggiony, S. 2016. Buyers’ Briefing A/W 17/18: Womenswear Colour & Print. WGSN [ONLINE] Available at: https://www.wgsn.com/content/board_viewer/#/69156/page/18. [Accessed 16 April 2017]. Fig 36. Ferguson, K. 2017. Primary Photography of the Retro Riot consumer Fig 37. Ogunnaike, N. 2017. How 4 ELLE.com Editors Style a Pair of Track Pants. ELLE [ONLINE] Available at: http://www. elle.com/fashion/news/a41867/how-to-style-track-pants/. [Accessed 6 April 2017]. Fig 38. Vogue Italia. 2017. Collections Fall Winter 2017-18 Byblos Milano. VOGUE Italia [ONLINE] Available at: http://www. vogue.it/en/shows/show/byblos-milano. [Accessed 6 April 2017]. Fig 39. Ferguson, K. 2017. Primary Photography of Kappa Collection at END. Clothing, Newcastle Fig 40. Ferguson, K. 2017. Primary Photography of Champion Collection at END. Clothing, Newcastle Fig 41. Franco, A. 2017. Bringing Booty Back. Sportswear International #277, January 2017. Pg 128. Fig 42. Gourlay, S. 2014. FILA. Frankie Collective [ONLINE] Available at: https://frankiecollective.com/blogs/frankiecollective/16812209-fila. [Accessed 6 April 2017]. Fig 43. Ferguson, K. 2017. Primary Photography of the Retro Riot consumer Fig 44. Stansfield, T. 2017. Gosha Rubchinskiy is taking his show back to Russia. Dazed [ONLINE] Available at: http://www. dazeddigital.com/fashion/gallery/22206/1/gosha-rubchinskiy-ss17-menswear. [Accessed 6 April 2017]. Fig 45. Wharton, I. 2017. Bright & Seek A/W 17/18 – Prints & Graphics. WGSN [ONLINE] Available at: https://www.wgsn. com/content/board_viewer/#/70419/page/5. [Accessed 6 April 2017]. Fig 46. Choi, D, 2017. Candid Camera. Bright Diaries #08, 1 January 2017. Pg 53. Fig 47. Ferguson, K. 2017. Primary Photography of the Retro Riot consumer Fig 48. Ferguson, K. 2017. Primary Photography of the Retro Riot consumer Fig 49. Ferguson, K. 2017. Primary Photography of Track Pants in H&M, Newcastle

LIST OF ILLUSTRATIONS: Fig 50. Wilson, E. 2010. Tommy Hilfiger Replants His American Flag. NY Times [ONLINE] Available at: http://www.nytimes. com/2010/05/16/fashion/16TOMMY.html. [Accessed 6 April 2017]. Fig 51. Nnadi, C. 2017. FALL 2017 READY-TO-WEAR Victoria Victoria Beckham. VOGUE [ONLINE] Available at: http:// www.vogue.com/fashion-shows/fall-2017-ready-to-wear/victoria-victoria-beckham. [Accessed 6 April 2017]. Fig 52. Ferguson, K. 2017. Primary Photography of Side Stripe Solace Consumer Fig 53. Cardini, T. 2017. FALL 2017 READY-TO-WEAR Ermanno Scervino. VOGUE [ONLINE] Available at: http://www.vogue. com/fashion-shows/fall-2017-ready-to-wear/ermanno-scervino. [Accessed 6 April 2017]. Fig 54. Aducci, S. 2017. From Destinyâ&#x20AC;&#x2122;s Child to Bruno Mars: A Quick History of Stars Rocking Tommy Hilfiger. Billboard [ONLINE] Available at: http://www.billboard.com/photos/7678188/tommy-hilfiger-musicians-gallery. [Accessed 6 April 2017]. Fig 55. Foley, B. 2017. Marc Jacobs RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fall-ready-towear-2017/new-york/marc-jacobs/review/. [Accessed 6 April 2017]. Fig 56. Leitch, L. 2017. FALL 2017 READY-TO-WEAR Versus Versace. VOGUE [ONLINE] Available at: http://www.vogue. com/fashion-shows/fall-2017-ready-to-wear/versus-versace. [Accessed 6 April 2017]. Fig 57. Ferguson, K. 2017. Primary Photography of Side Stripe Solace Consumer Fig 58. Ogunnaike, N. 2017. How 4 ELLE.com Editors Style a Pair of Track Pants. ELLE [ONLINE] Available at: http://www. elle.com/fashion/news/a41867/how-to-style-track-pants/. [Accessed 6 April 2017]. Fig 59. Cherie Federau. 2014. HISTORY OF SKI PART TWO. Shrimpton Couture [ONLINE] Available at: https://www. shrimptoncouture.com/blogs/curate/11757741-history-of-ski-part-two. [Accessed 7 April 2017]. Fig 60. Verner, A. 2017. FALL 2017 READY-TO-WEAR Moncler Gamme Rouge. VOGUE [ONLINE] Available at: http://www. vogue.com/fashion-shows/fall-2017-ready-to-wear/moncler-gamme-rouge. [Accessed 7 April 2017]. Fig 61. Tory Sport. 2016. High-tech knits for all your adventures. Instagram [ONLINE] Available at: https://www.instagram. com/p/BM7LsLnDf-T/?taken-by=torysport&hl=en. [Accessed 7 April 2017]. Fig 62. Cherie Federau. 2014. HISTORY OF SKI PART TWO. Shrimpton Couture [ONLINE] Available at: https://www. shrimptoncouture.com/blogs/curate/11757741-history-of-ski-part-two. [Accessed 7 April 2017]. Fig 63. Cherie Federau. 2014. HISTORY OF SKI PART TWO. Shrimpton Couture [ONLINE] Available at: https://www. shrimptoncouture.com/blogs/curate/11757741-history-of-ski-part-two. [Accessed 7 April 2017]. Fig 64. Phelps, N. 2017. FALL 2017 READY-TO-WEAR Tory Burch. Vogue [ONLINE] Available at: http://www.vogue.com/ fashion-shows/fall-2017-ready-to-wear/tory-burch. [Accessed 7 April 2017]. Fig 65. Garced et al. 2017. Lacoste RTW Fall 2017. WWD [ONLINE] Available at: http://wwd.com/runway/fall-ready-towear-2017/new-york/lacoste/review/. [Accessed 7 April 2017]. Fig 66. Phelps, N. 2017. FALL 2017 READY-TO-WEAR Louis Vuitton. VOGUE [ONLINE] Available at: http://www.vogue. com/fashion-shows/fall-2017-ready-to-wear/louis-vuitton. [Accessed 7 April 2017]

REFERENCES. LIST OF ILLUSTRATIONS:

Fig 67. Walpita, S. 2017. Fashion Week Streets A/W 17/18: Knitwear. WGSN [ONLINE] Available at: https://www.wgsn. com/content/board_viewer/#/71560/page/7. [Accessed 7 April 2017]. Fig 68. Vogue Italia. 2017. Collections Fall Winter 2017-18 Byblos Milano. VOGUE Italia [ONLINE] Available at: http://www. vogue.it/en/shows/show/byblos-milano. [Accessed 6 April 2017]. Fig 69. WGSN. 2017. Harrods London February 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 8 April 2017]. Fig 70. Ferguson, K. 2017. Primary Photography taken at Gods Own Junkyard in London Fig 71. WGSN. 2017. Lou and Grey New York March 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 8 April 2017]. Fig 72. WGSN. 2017. COS London January 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_viewer/. [Accessed 8 April 2017]. Fig 73. Ferguson, K. 2017. Primary Photography of Urban Outfitter’s In-store VM, Nottingham Fig 74. Claes Oldenburg et al. 2001. Dropped Cone. [ONLINE] Available at: http://oldenburgvanbruggen.com/ largescaleprojects/droppedcone.htm. [Accessed 8 April 2017]. Fig 75. Ferguson, K. 2017. Primary Photography of Diesel’s Window Display, Nottingham Fig 76. Ferguson, K. 2017. Primary Photography of Diesel’s Window Display, Newcastle Fig 77. Dickinson, C. 2017. Paris Now - March 2017 Windows. WGSN [ONLINE] Available at: https://www.wgsn.com/ content/board_viewer/#/71579/page/1. [Accessed 11 April 2017] Fig 78. Fig 81. WGSN. 2017. COS London January 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 8 April 2017]. Fig 79. Fig 8. Morby, A. 2016. Dover Street Market opens new flagship store on London’s Haymarket. Dezeen [ONLINE] Available at: https://www.dezeen.com/2016/03/18/comme-des-garcons-dover-street-market-haymarket-london-store-shoprei-kawakubo/. [Accessed 9 April 2017]. Fig 80. Morby, A. 2016. Dover Street Market opens new flagship store on London’s Haymarket. Dezeen [ONLINE] Available at: https://www.dezeen.com/2016/03/18/comme-des-garcons-dover-street-market-haymarket-london-store-shop-reikawakubo/. [Accessed 9 April 2017]. Fig 81. WGSN. 2017. COS London January 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_viewer/. [Accessed 8 April 2017]. Fig 82. WGSN. 2017. Harrods London February 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 8 April 2017].

LIST OF ILLUSTRATIONS: Fig 83. Ferguson, K. 2016. Primary Photography of VM in Liberty London, London Fig 84. Guy Hepner. 2002. I Love Sex By Noble And Webster. [ONLINE] Available at: http://guyhepner.com/product/i-lovesex-by-noble-and-webster/. [Accessed 10 April 2017]. Fig 85. Ferguson, K. 2016. Primary Photography of VM in Sketch, London Fig 86. Petra Collins. 2015. Neon Works. [ONLINE] Available at: http://www.petracollins.com/neon-works/. [Accessed 10 April 2017]. Fig 87. Chiquoine, J. 2017. Valentine’s Day 2017 – Seasonal Round-Up. WGSN [ONLINE] Available at: https://www.wgsn. com/content/board_viewer/#/70926/page/17. [Accessed 10 April 2017]. Fig 88. Chiquoine, J. 2017. Valentine’s Day 2017 – Seasonal Round-Up. WGSN [ONLINE] Available at: https://www.wgsn. com/content/board_viewer/#/70926/page/18. [Accessed 10 April 2017]. Fig 89. Tracey Emin. 2014. Neon. [ONLINE] Available at: http://www.traceyeminstudio.com/type/artworks/neon/. [Accessed 10 April 2017]. Fig 90. Ferguson, K. 2017. Primary Photography taken at Gods Own Junkyard, London Fig 91. Ferguson, K. 2017. Primary Photography taken at Gods Own Junkyard, London Fig 92. Ferguson, K. 2017. Primary Photography taken at Gods Own Junkyard, London Fig 93. Alma Har’el. 2017. The Fifth Sense: Jelly Wolf. i-D [ONLINE] Available at: https://thefifthsense.i-d.co/en_gb/hero/ alma-harel/. [Accessed 10 April 2017]. Fig 94. WGSN. 2017. Lou and Grey New York March 2017 [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 10 April 2017]. Fig 95. Ferguson, K. 2017. Primary Photography taken at God’s Own Junkyard, London Fig 96. Ferguson, K. 2016. Primary Photography of Otobong Nkanga’s ‘Taste of a Stone: IKO’ exhibition at Nottingham Contemporary Fig 97. Ferguson, K. 2017. Primary Photography of Jack Wills In-Store VM, Nottingham Fig 98. Ferguson, K. 2017. Primary Photography of the 25 Hours Hotel in Bikini Berlin, Berlin Fig 99. Ferguson, K. 2017. Primary Photography of Urban Outfitter’s In-Store VM, Nottingham Fig 100. Patrick Blanc. 2017. Patrick Veillet Studio. [ONLINE] Available at: https://www.verticalgardenpatrickblanc.com/ realisations. [Accessed 11 April 2017]. Fig 101. WGSN. 2017. & Other Stories New York March 2017. [ONLINE] Available at: https://www.wgsn.com/content/ image_viewer/. [Accessed 10 April 2017]. Fig 102. WGSN. 2017. Max Mara Paris March 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_viewer/. [Accessed 10 April 2017].

REFERENCES. Fig 103. WGSN. 2017. Creapole Paris March 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_viewer/. [Accessed 10 April 2017]. Fig. 104. WGSN. 2017. Galeries Lafayette Paris March 2017. [ONLINE] Available at: https://www.wgsn.com/content/ image_viewer/. [Accessed 8 April 2017]. Fig 105. WGSN. 2017. & Other Stories New York March 2017. [ONLINE] Available at: https://www.wgsn.com/content/ image_viewer/. [Accessed 8 April 2017]. Fig 106. WGSN. 2017. Lou and Grey New York March 2017. [ONLINE] Available at: https://www.wgsn.com/content/image_ viewer/. [Accessed 8 April 2017].

LIST OF REFERENCES: Angulo, N. 2016. How marketers can leverage the emoji trend. Marketing Dive [ONLINE] Available at: http://www. marketingdive.com/news/how-marketers-can-leverage-the-emoji-trend/416289/. [Accessed 3 April 2017]. Anon. 2015. Art Basel Miami 2015: VM & Store Design Inspiration. WGSN [ONLINE] Available at: https://www.wgsn.com/ content/board_viewer/#/63586/page/6. [Accessed 7 April 2017]. Anon. 2017. A/W 17/18 Trend Edit - Botanical. Pulse London. [ONLINE] Available at: https://www.pulse-london.com/blog/ a-w-17-18-trend-edit-botanical. [Accessed 9 April 2017]. Anon. 2016. Embrace The Cool Après-Ski Sweater Trend From The Runways Now. Real Style Networks [ONLINE] Available at: http://www.realstylenetwork.com/fashion-and-style/2017/01/embrace-the-cool-apres-ski-sweater-trend-from-therunways-now/. [Accessed 5 April 2017]. Anon. 2017. Garden trends for 2017. The Telegraph. [ONLINE] Available at: http://www.telegraph.co.uk/gardening/how-togrow/garden-trends-2017/. [Accessed 9 April 2017]. Bettoncourt, L. 2017. MFW: GUCCI AW17. Wonderland [ONLINE] Available at: https://www.wonderlandmagazine. com/2017/02/28/mfw-gucci-aw17/. [Accessed 2 April 2017]. Buckley, J. 2016. Trend Report: Neon Signage. Unibox. [ONLINE] Available at: http://www.unibox.co.uk/news-inspiration/ trend-report-neon-signage. [Accessed 8 April 2017]. Buxton-Smith, O. 2017. How to nail après-ski style. The Telegraph [ONLINE] Available at: http://www.telegraph.co.uk/ fashion/style/how-to-do-apres-ski-dressing/. [Accessed 5 April 2017]. Carney, J. 2016. 5 Visual Merchandising Trends of 2016. Repsly. [ONLINE] Available at: https://www.repsly.com/blog/ consumer-goods/visual-merchandising-trends-2016. [Accessed 9 April 2017]. Cartner-Morley, J. 2017. Dior’s ‘Feminist’ Tee; Ivanka’s Ailing Shoe-Line; & Designers’ Refusal to Dress the FLOTUS. Pandora Sykes [ONLINE] Available at: http://www.pandorasykes.com/diors-controversial-feminist-tee-ivankas-ailing-shoeline-whether-designers-right-refuse-dress-flotus/. [Accessed 2 April 2017].

LIST OF REFERENCES: DeLeon, J. 2016. In the New World Order, Oversized Garments Provide Wearable Solace. WGSN Insider [ONLINE] Available at: https://www.wgsn.com/blogs/oversized-clothes-provide-wearable-solace/. [Accessed 5 April 2017]. Echeverri, M. 2014. HISTORY OF SKI WEAR. [ONLINE] Available at: https://snowcomparison.com/magazine/to-history-ofski-wear-part-four/. [Accessed 5 April 2017]. Ferguson, K. 2017. Primary Interview with George Bateman Discussing the Retro Riot Trend Hendry, V. 2016. Athleisure – A/W 17/18 Category Update. WGSN [ONLINE] Available at: https://www.wgsn.com/content/ board_viewer/#/69433/page/10. [Accessed 5 April 2017]. Hunstig, M, 2017. Girl Gang. Sportswear International #277, January 2017. Pg 90. Hunt, K. 2017. FASHION TRENDS FOR AUTUMN WINTER 2017: CULTURAL REFERENCES, KNITWEAR AND EVERY SHADE OF RED. ELLE [ONLINE] Available at: http://www.elleuk.com/fashion/trends/longform/a34785/the-top-eighttrends-of-aw17/. [Accessed 4 April 2017]. Ingledew, J, 2011. The A-Z Visual Ideas: How to Solve any Creative Brief. 1st ed. London: Lawrence King Publishing Ltd. Lammerts van Bueren, M. 2016. A brief history of the patch: from hippie to high-end fashion. [ONLINE] Available at: https://fashionweek.nl/en/article/15sep16-brief-history-patch-hippie-high-end-fashion. [Accessed 3 April 2017]. Miller, K. 2017. Premiere Classe, Tranoï & Woman A/W 17/18 – Women’s Footwear & Accessories. WGSN [ONLINE] Available at: https://www.wgsn.com/content/board_viewer/#/71358/page/1. [Accessed 4 April 2017]. Newell-Hanson, A. 2017. cozy couture: the rise of fashion track pants. i-D [ONLINE] Available at: https://i-d.vice.com/en_ us/article/cozy-couture-the-rise-of-fashion-track-pants. [Accessed 5 April 2017]. Nnadi, C. 2017. SPRING 2017 READY-TO-WEAR Tommy Hilfiger. VOGUE [ONLINE] Available at: http://www.vogue.com/ fashion-shows/spring-2017-ready-to-wear/tommy-hilfiger. [Accessed 3 April 2017]. Pearson, A. 2017. Bright future: Lights of Soho sheds light on its multi-purpose space model. Insider Trends. [ONLINE] Available at: http://www.insider-trends.com/bright-future-lights-of-soho-sheds-light-on-its-multi-purpose-space-model/. [Accessed 8 April 2017]. Sears, K. 2016. The Trouser – A/W 17/18 Category Update. WGSN [ONLINE] Available at: https://www.wgsn.com/content/ board_viewer/#/67932/page/6. [Accessed 5 April 2017]. Shahnavaz, N. 2017. How the Berlin Wall inspired Adidas to set the pace of 90s sportswear culture. HERO Magazine [ONLINE] Available at: http://hero-magazine.com/article/86230/how-the-berlin-wall-inspired-adidas-to-set-the-pace-of-90ssportswear-culture/. [Accessed 5 April 2017]. The Future Laboratory. LS:N Global Trend Briefing. October 2016. Broadway Cinema. Nottingham Twigg, M. 2016. What You Need to Know About Dover Street Market. Hong Kong Tatler [ONLINE] Available at: http:// hk.asiatatler.com/watches-jewellery/jewellery/dover-street-market. [Accessed 7 April 2017].

N IN IN IN IN IN IN IN IN IN HE THE THE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN IN IN IN IN IN N IN IN IN THE THE THE THE THE THE HE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN IN N IN IN IN IN IN IN IN THE THE HE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN N IN IN IN IN IN IN IN IN THE HE THE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN IN IN IN IN IN IN IN N IN THE THE THE THE THE THE THE THE HE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

N IN IN IN IN IN IN IN IN IN HE THE THE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN N IN IN IN IN IN IN IN IN THE HE THE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN IN N IN IN IN IN IN IN IN THE THE HE THE THE THE THE THE THE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

IN IN IN IN IN IN IN IN N IN THE THE THE THE THE THE THE THE HE THE OW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW. KNOW.

KATE FERGUSON N0615789 FASH20032 TREND REPORT A/W 17-18 IN THE KNOW.