ARCHITECTURE PORTFOLIO Katerina Pavlatova
Katerina Pavlatova +420 728 457 405 k.pavlatova@email.cz
EDUCATION London, United Kingdom 9/2017 – 9/2018
University of Westminster, Faculty of Architecture Master of Arts in Architecture, Digital Media track, Distinction • Master’s thesis topic: “Sensing Light” – Designed light installation in a functionalist church in Prague, Czech Republic (Grade: A) • Selected modules: Programming and Computational Design; Site and Motion; Applied Animation
Prague, Czech Republic 9/2011 – 6/2017
Czech Technical University, Faculty of Architecture Bachelor of Science in Architecture and Urbanism • Excellent bachelor’s thesis award: topic “Co-working Centrum Teplice” • Designed a community centre with senior housing (published in the university’s yearbook) • Selected modules: Building Construction; City Design Techniques; Basics of Structural Design; Building Technology and Management; Statics; Engineering Equipment of Buildings; Building Physics; Ecology
WORK EXPERIENCE JAKUB CIGLER ARCHITEKTI, a.s. Intern • Independently managed a project of a gated community under a direct supervision of the studio’s leading architect; prepared a portfolio for an investor • Prepared a winning design of a vineyard in a team of 4 people (project study) • Supported senior architects in a project of a historical building reconstruction in Prague by developing different attic designs • Independently managed a project of a gallery reconstruction; created various layouts, 3D model and visualizations and presented the results to our client • Used different software for modelling: Autodesk Revit, AutoCAD, SketchUp
Prague, Czech Republic 7/2016 – 8/2017
SQUASHPOINT, a.s. and AQUAPALACE, a.s. Certified Lecturer of Pilates • Led pilates lectures for 15+ people on a weekly basis • Organised weekend pilates sessions for 20+ people
Prague, Czech Republic 5/2008 – 9/2017
EUROPROJEKT, spol. s r.o. Intern • Supported senior architects on a project of designing DIY retail chain store • Worked with software for building physics
Prague, Czech Republic 6/2014
EXTRACURRICULAR ACTIVITIES ISOVER Multi-Comfort House Students Contest 2016 Participant • Designed a complex project of community buildings in a team of 2 people • Received a positive feedback on our design and presentation Modernization of sports complex for football team Design Consultant • Designed a club-house with dressing rooms and a bistro • Cooperated with a local municipality and football team representatives
Prague, Czech Republic 2/2016
Pruhonice, Czech Republic 12/2015
SKILLS AND INTERESTS Computer Skills SketchUp Adobe Photoshop Adobe InDesign Lumion AutoCAD MS PowerPoint Autodesk Revit
Adobe After Effects Maya Processing MS Excel HTML programming Rhinoceros
Languages
Interests
English Czech German
Horse riding Hiking & camping Photography Computer modeling
C O NT E N T S O TH E R P R O J E C TS
AR C H I T E C T U R E
VINEYARD HAVRANIKY work project, 2017 p. 6
TICHY GALLERY work project, 2017 p. 18
RIPPLE NEAR PRAGUE work project, 2016 p. 26
PRESCHOOL TUSAROVA work project, 2016 p. 32
HUB TEPLICE bachelor's thesis, 2016 p. 40
COMMUNITY BUILDINGS IN BREST student competition, 2016 p. 52
FOOTBALL CLUB SPARTAK study for public, 2015 p. 62
SENSING LIGHT master's thesis, 2018 p. 86
SERRA: FULCRUM photography & html, 2018 p. 94
COMMUNITY CENTER
STRANGER
PALATA
MOVEMENTS
school studio project, 2015 p. 68
3D animation, 2018 p. 98
DROWNED VILLA school studio project, 2015 p. 74
HOUSE ABOVE A QUARRY school studio project, 2014 p. 80
DINING SERVICE POLYHEDRON design, 2015 p. 102
6
VINEYARD HAVRANIKY | work project
VINEYARD HAVRANIKY
LOCATION: Havraniky, Czech Republic TYPE: Vineyard PURPOSE: Work project, competition YEAR: 2017 DESCRIPTION: A vineyard with a hotel and tasting wine cellars MY RESPONSIBILITY: Prepared a physical model and an environmental study Negotiated with authorities on endange- red species Worked on a project concept Prepared floor plans for wine production, accommodation and granary Prepared a portfolio presented to a client
7
raníky
CONCEPT When you are passing through Podyji National Park, you see the breathtaking landscape, which has evolved since Roman times with a rich wine-making tradition. It is a gently undulating terrain covered with geometric vineyards surrounded by small hills with blossoming blackthorn and heather. Near the vineyard site, the landscape changes and we see picturesque villages with barns, orchards and gardens. The church tower is a dominant of the Havraniky village.
Havraniky village
Church in Havraniky
Old granary
Both the scenery and the village can be considered unique and is very typical for that region. To preserve this uniqueness, the landscape is be supplemented by an artificially created hill surrounding the former granary. The granary will become a lookout tower at the heart of the winery courtyard. The vineyard builds onm an ancient tradition of the Frankish courtyard, where wine production was held in the Middle Ages. The layout shape of the vineyard is inspired by a layout of Havraniky village.
06 Vývoj návrhu New layout
OBJECTIVES Respect the existing terrain quality and original flora of the entire Podyji area Build on the local tradition of vineyards and orchards and respect the architecture of the old Moravian cellars
Vinařský dvůr navazuje na dávnověkou tradici franckých dvorů, v kterýchVývoj se ve středověku návrhu zpracovávalo víno. Současně je tento vinařský dvůr svým Vinařský dvůr navazuje na půdorysným tvarem inspirován dávnověkou tradici franckých dispozicí moravských vesnic, dvorů, v kterých se ve středověku konkrétně Havraníků. zpracovávalo víno. Současně je tento vinařský dvůr svým půdorysným tvarem inspirován dispozicí moravských vesnic, konkrétně Havraníků.
06
Connect viticulture with tourist routes and bicycle paths Use the rubble of old buildings, scattered around the granary, to create a hillock around the viticulture 03 Poloha projektu JIHOMORAVSKÝ KRAJ, HAVRANÍKY
Tuto scenerii považujeme spolu s vinařskými sklípky za unikátní, a proto ji nechceme narušovat cizorodými objekty, ale pouze ji doplnit o uměle vytvořené návrší obepínající bývalou sýpku, která se změní ve vyhlídkovou věž a srdce vinařského dvora.
vinařství Havraníky
8
National Park Podyji jakub cigler architekti
VINEYARD HAVRANIKY | work project
vinařství Havraníky
jakub cigler architekti
vinařství Havraníky
jakub cigler architekti
koncepční studie | 3
jakub cigler architekti
koncepční studie | 6
Residential section of the courtyard
Operating section of the courtyard 9
VI N E YA R D L AY OU T GROUND FLOOR
0.06 0.05
0.07 0.03
0.02 0.01 0.04
0.11
0.13
0.15 0.13 0.14
0.12
WINE PRODUCTION 0.01 warehouse 0.02 grape press 0.03 wine tanks 0.04 supervision 10
0.05 toilets 0.06 warehouse (barrels) 0.07 filling and warehouse (bottles)
VINEYARD HAVRANIKY | work project
FOOD AND DRINKS
EQUIPMENT
0.08 kitchen 0.09 tasting cellars 0.10 restaurant
0.11 maintenance of tractors 0.12 fuel warehouse 0.13 garage
0.09 0.08
0.10
0.16
0.17
RESIDENTIAL AREAS 0.14 office 0.15 accommodation for staff 0.16 hotel rooms 0.17 hotel rooms’ terraces
0
5
10m
11
DIAGONAL SECTION
LONGITUDINAL SECTION
STORAGE
12
VINEYARD HAVRANIKY | work project
WINE PRESS
WINE TANKS
BOTTLES FILLING
WAREHOUSE FOR BOT
TTLES
KITCHEN
TASTING CELLARS
TOILETS
SHOP
0
2
4m
13
G RA N A RY
REFERENCE
CONCEPT
GRANARY TRANSFORMATION
Re-use original materials, retain the load-bearing structure Preserve division of the original windows
lookout
Use industrial design, make electrical wiring visible
conference rooms restaurant restaurant toilets
14 Koncepční schéma VĚŽ
Exterior sýpka
5
steel truss construction commemorating former granary
vyhlídková věž
lookout terrace with greenery, water elements and seating
4
outdoor stairs leading to the terrace
6 1
návštěvnické centrum
5
vyhlídková otevřená terasa
2
kanceláře, pracoviště
6
prohlídka technologie
3 4
knihovna, výstavy, přednášky
7
můstek do technologie
vyhlídková krytá terasa
8
sklad prodejny
vinařství Havraníky
14
VINEYARD HAVRANIKY | work project
view on a church tower in Havraniky village
2
original construction
7 1
window to the restaurant’s kitchen larger windows in the first floor
8
jakub cigler architekti
Interior
3
koncepční studie | 14
GROUND FLOOR
FIRST UNDERGROUND FLOOR
0.04
-1.01
0.05
0.01
-1.02
0.02
0.03
0.07
6
0
0.06
0.07
15
0
SECOND FLOOR
FIRST FLOOR
22
THIRD FLOOR
2.03
2.01
1.01
1.02
3.01 2.05 2.04 1.03 2.02
0
-1.01 toilets women -1.02 toilets men 0.01 bar 0.02 counter for waiters 0.03 vestibule 0.04 emergency exit 0.05 kitchen 0.06 terrace for restaurant 0.07 separating wall / clothes hanger
15
0
15
1.01 separating wall / clothes hanger 1.02 elevator 1.03 view into the ground floor / void 1.01 terrace 2.02 storage room for events 2.03 outdoor stairs leading to the roof terrace 2.04 conference room 2.05 wall for projection 3.1 lookout terrace
0
15
0
4
8m
15
AC C O MMO D ATION
MATERIALS
CONCEPT
SECTION
Hotel with fifty beds and additional eighteen beds in staff accomodation Two luxury apartments in attic Hotel rooms with terraces overlooking the orchard
REFERENCE
0
HOTEL
STAFF ACCOMMODATION
2
4m
APARTMENT
10 05
01
02
03 07
01
“HONEYMOON”
03
02
5 08
02
04
09
01 05
01
06
08
03 02
09
“FAMILY” 11 04
01 entrance / vestibule 02 bathroom 03 bedroom 04 terrace 16
VINEYARD HAVRANIKY | work project
04 02
05 cloakroom 06 exit to the garden 07 toilet 08 kitchen
09 living room 10 pantry 11 children’s room
03
0
2
4m
17
18
TICHY GALLERY | work project
TICHY GALLERY
LOCATION: Prague, Czech Republic TYPE: Gallery, reconstruction PURPOSE: Work project, private investor YEAR: 2017 DESCRIPTION: A small gallery with apartments on the top floor and a restaurant in the patio MY RESPONSIBILITY: Prepared and presented portfolio to a client Prepared 3D model and visualizations Designed facade and various layouts for a gallery, apartments and a roof terrace
19
CONCEPT The building, located in the Prague district Holesovice, is half-renovated and half-dilapidated. The design respects already made renovations of the building and creates a harmony between the building and surrounding architecture. North-facade windows are designed from lightblue matt glass. This type of glass provides high-quality light conditions for art exhibitions as well as privacy for tenants. The choice of the glass also refers to a story about photographer Miroslav Tichy. He was unpopular among his neighbors because he took pictures of girls, usually spying on them with his self-made camera. One day, neighbors tossed a rock through his window; so he blocked up most of the windows and painted them light blue, the color of the sky. Gallery is situated in the first and second floor. The second floor is connected with a patio by outdoor stairs. In patio, people can visit archives or cafe there. Apartments are located in higher floors.
House of Miroslav Tichy
Miroslav Tichy
Street view
20
TICHY GALLERY | work project
original building
photographer’s house gallery
Tichy Gallery
photographer’s personality
apartments
OBJECTIVES
MATT GLASS 1
THE PEEPHOLE 2
Maintain a uniform raster of the whole north facade despite the different uses of each level
The light blue matt glass on the north facade creates a unique atmosphere in the apartment. In the evening, outside the opening hours of the gallery, the house will come to life in the shimmering shadows of the residents.
The overall design of the building is very simple and modern. Instead of one window in the west facade, there will be a peephole through which the owner can watch things happen on a busy street. This is a direct reference indicating that the building is a gallery – this peephole will be created by a sculptor and will be a piece of art itself, as was each hand-made Tichy’s camera.
Reference
Reference
Material sample
Reference
Create a rather conservative house, but also one that is inviting and enigmatic, encouraging people passing by to walk in Appreciate the work of the brilliant Czech photographer Miroslav Tichy
Situation
2
1
0
5
10m
21
GALLERY Moving exhibition panels allows variability of space and can flexibly adapt to different space and light requirements of events held in this gallery.
Reference
APARTMENTS Two variants of apartments were designed. Each apartment has a south-oriented terrace and a spacious atelier with large matt glass windows. Each apartment is situated on a single floor. The apartment of the gallery owner, which is situated in the last floor, has its own roof terrace.
05
Reference
08
06
05 6
04
07
07 06 10
02 7
03
01
09
03
02
01
01 hallway 02 toilet 03 living room 04 kitchen 05 atelier 06 bedroom 07 bathroom 08 study 09 terrace 10 pantry
4
09 0
22
TICHY GALLERY | work project
2
4m
23
1
2
5
4
3
24
TICHY GALLERY | work project
1
roof terace
2
loggia
3
cafe
4
entrance to the archives
5
entrance to the gallery
6
inner courtyard
6
25
26
RIPPLE NEAR PRAGUE | work project
RIPPLE NEAR PRAGUE
LOCATION: Osnice, Czech Republic TYPE: Residential housing, gated community PURPOSE: Work project, private investor YEAR: 2016 DESCRIPTION: Design of a gated community located in the suburbs of Prague consisting of six villas which share garden, underground parking and a swimming pool MY RESPONSIBILITY: Created all layouts, strategies and garden landscape under senior architect supervision Designed villas and prepared a 3D model Prepared a client portfolio
27
OBJECTIVES
SHAPE OF HOUSES
Come up with an original, attractive and compact concept which will be inviting from the architectural point of view, but also from the ecological perspective
The inspiration for the whole concept are waves; waves in the sea which are slowly disappearing by the coast, fading away, until only a white foam remains.
Meet high requirements of the investor to design a prominent residental housing
The villas are drowned in their garden, surrounded by trees. The green part of the roof is a reflection of the park located behind them. Only the highest parts of the villas, the white roof edges, stand out in this “sea of green” as a white foam that can be seen on sea.
CONCEPT The site is located in exquisite area next to a park with castle. Each of the six two-storey villas has a private southeast terrace and recessed backyard, completely hidden from neighbors’ eyes. From the northwest, the villas are sheltered and thermally protected by a green roof, which also creates a natural barrier between the villas. There are two secured entrances for pedestrians and one vehicle access to shared garages.
STRATEGY STABLE TEMPERATURE Overlapping part of roof shades the glass facade in summer and helps to stop overheating
NATURAL VENTILATION Cross ventilation provides an effective air circulation
GREEN ROOF Green roof mitigates roof overheating and helps to keep a stable indoor temperature
52°C 26°C
RAINWATER MANAGEMENT Roof shape allows an easy water collection and its re-use for garden watering
28
RIPPLE NEAR PRAGUE | work project
LANDSCAPE LAYOUT
1
3
4 6
2 5
1
Underground parking entrance
2
Green islands create privacy between villas
3
Shared swimming pool has a gradual entry
4
Recessed backyards are hidden in the green roof
5
Terraces are accessible from living room and dining room
6
Paths lead through garden to the entrance gates
Technical room for swimming pool Warehouse for garden equipment
Garage entrance Parking places Entrance to the ground floor Storage and technical room
0
10
20m
29
REFERENCES
GROUND FLOOR 15
0
37
0.05
Uprising green roof
0.04
0.03 0.06
Swimming pool
0.02
0.11
0.07
0.10 0.01
30
RIPPLE NEAR PRAGUE | work project
on the roof
greenery extending
Recessed backyard
entrance
Terrace
to each entrance
Hills on the garden edges
garden with paths leading
Parking entrance
underground parking
0.09
0.08
FIRST FLOOR
1.02
1.01
1.02
1.01
0.01 0.02 0.03 0.04 0.05 0.06 0.07 0.08 0.09 0.10 0.11 1.01 1.02
entrance hall atrium guest room with bathroom laundry room master bedroom living room dining area kitchen pantry stairs to the garage backyard room with bathroom terrace 2
4m
terrace
living room
children’s rooms
atrium
ground floor
entrance to the
master bedroom
room for each villa
storage and technical
recessed backyard
individual parking places
main corridor leading to the
0
0
2
4m
31
32
PRESCHOOL TUSAROVA | work project
PRESCHOOL TUSAROVA
LOCATION: Prague - Holesovice, Czech Republic TYPE: Preschool, reconstruction PURPOSE: Work project YEAR: 2016 DESCRIPTION: Attic and basement reconstruction and landscape modification (feasibility study) MY RESPONSIBILITY: Designed the whole project under senior architect supervision Created 3D model and visualizations Prepared a client portfolio
33
CURRENT STATUS
CONCEPT
The preschool is located in the district of Holesovice, Prague. The original building was designed in the 19th century in neoclassical style. It is a solitary four-storey building, symmetrically located on the site. The main and supply entrances divide the main garden into two separate fenced areas. The supply entrance is also used by an elementary school (on the western side) and a kindergarten (on the eastern side). The northern part of the site serves as a second garden/playground, which is not separated from the supply road.
The main criteria of the landscape design was to secure kids’ safety. The new attic design fully respects the original roof trusses. The basement is partially excavated in order to install new windows to ensure daylight and air circulation. The supply road is relocated to the left side of the site to not split the south garden and make it accessible only for pedestrians. A playground in the north garden is fenced and has an easily maintainable surface from rubber-covered concrete. The building has a barrier-free access.
The project therefore focuses on four areas to adapt and reconstruct: attic expansion, south garden, north garden (playground) and basement.
South garden and main entrance
Situation
North garden (playground)
Attic
34
PRESCHOOL TUSAROVA | work project
New situation
OUTDOOR SPACES DRIVEWAY
Reduction of asphalt surface, supply routes maintanance, parking on the western side of the property
NORTH GARDEN
Fenced, safe area for the smallest children, create hilly playful terrain. Combination of grass and rubber surface ensures cleanliness and easy maintenance, step-free access (ramp made as part of playground)
SOUTH GARDEN
Removal of old fences, new footpaths, benches and play elements, separated supply routes by hedge, and separated supply road from pedestrian access
GREENERY
Entrance to the main building designed as a bridge over excavated basement. Natural materials are used for terrain modulation
REFERENCE
MATERIALS
35
16 PODKROVÍ
AT T I C
SCHÉMA VYUŽITÍ PROSTORU
FLOORPLAN
3.03
3.01
3.02
Light in the attic ensured by two asymmetric rows of roof windows
3.05
3.01
cloakroom 23 m2
3.02
toilets and cleaning 34 m2
3.03
food preparation 25 m2
3.04
playroom 80 m2
3.05
sleeping room 50 m2
3.04
0
2
4m
16
16
16
REFERENCE
Minimal interference in the roof truss Maximum use of the truss Volume defined by a minimum light height
PODKROVÍ PODKROVÍ PODKROVÍ
Rooms designed with respect to lighting requirements of preschool
SCHÉMA VYUŽITÍ SCHÉMA VYUŽITÍ SCHÉMA VYUŽITÍ PROSTORUPROSTORU PROSTORU
VOLUME STUDY
maximální využití krovu, vymezení prostoru s minimální podchodnou výškou
1
herna
2
toalety
rozdělení na potřebné místnosti s ohledem na nutné osvětlení
3
chodba s šatnou
4
přípravna jídla
nové schodiště do podkroví
5
spaní koncepční studie | 09/2017 | 6
jakub cigler architekti
36
PRESCHOOL TUSAROVA | work project
osvětlení podkroví střešními osvětlení podkroví osvětlenístřešními podkroví střešními ve dvou asymetrických okny ve dvou asymetrických okny ve dvouokny asymetrických řadách a směrem k vikýři řadách a směrem k vikýři řadách a směrem k vikýři
maximální maximální maximální využití krovu, využití krovu,využití krovu, vymezení prostoru s minimální vymezení prostoru s minimální vymezení prostoru s minimální podchodnou výškou podchodnou výškou podchodnou výškou
herna1
1
herna1
2
2 toalety 2 toalety
herna toalety
BASEMENT FLOORPLAN 0.01
0.01 0.02
0.03
0.06 0.04
0.02
toilet 6 m2
0.03
sleeping room 60 m2
0.04
loundry room 13 m2
0.05
meeting room 60 m2
0.06
ceramic workshop 13 m2
0.05
0
New common room and toilet
hallway 29 m2
2
4m
REFERENCE
New ceramic workshop and preschool warehouse Desired daylight for children’s working activities ensured by new windows in the basement
37
new roof windows
parking
primary school suplying
bridge over excavated basement
excavated basement
preschool supplying
hedgerow
supply road
entrance for vehicles
garden pathway
entrance for pedestrians
38
PRESCHOOL TUSAROVA | work project
39
40
COWORKING CENTER TEPLICE | bachelor’s thesis
COWORKING CENTER TEPLICE
LOCATION: Teplice, Czech Republic TYPE: Public building PURPOSE: Bachelor’s thesis YEAR: 2016 DESCRIPTION: A coworking center with library, cafe and summer cinema situated in an old spa park in the centre of Teplice
41
CONCEPT The square Mirove namesti in the city of Teplice is now a place, through which people just quickly pass. The sheltered space under the spa colonnade in the industrial style is desolated; some sections of the park are not maintained. The square is surrounded by modern shopping centres to which the square can be a pleasing contrast, a place, where people would love to spend time, sit among the big trees and immerse in the spa atmosphere in a modern concept. The idea was to create a pleasant public space, which would attract residents of the spa city Teplice. To achieve that, it was crucial to preserve and restore the pedestrian promenade - the last living element of the spa park and the main path through park. Due to its location, the coworking hub becomes a vibrant centre of the park along with the pedestrian promenade.
Situation
LAYOUT
reception
house facilities
halls
dynamic
relax
focus
library
relax
halls
cafe
42
COWORKING CENTER TEPLICE | bachelor’s thesis
office
STRATEGY ENSURING A HEALTHY INDOOR CLIMATE outdoor blinds in concealed clipboard
summer sun
winter sun
cross ventilation
cellar skylight
43
COWORKING
Outside view of the building reveals its inner layout Relaxing and dining areas are oriented towards the courtyard The courtyard allows free passage between parts of the centre, as well as to ascend to the pedestrian promenade Different types of markets can take place in the courtyard, including summer cinema with seating on the ramp
44
COWORKING CENTER TEPLICE | bachelor’s thesis
OTHER FACILITIES
The cafe is located on the first floor, accessible both from the inside of the coworking centre, and from the promenade The library is located under the cafe and has its own entrance from the courtyard, accessible by an outdoor ramp or stairs
PARK
The sidewalk on the northwest side will be extended and connected to the promenade Pedestrian promenade will remain the dominant feature Better access for community centre supplying which will not disturb the park exposition
OLD SPA COLONNADE
FULL-GROWN VEGETATION Valuable old trees in the park will be preserved PATHWAY Stone blocks create a pathway that complements the main paths ORIGINAL PROMENADE Promenade leads up to the old spa park RAMP Ramp serves to supply the theater and is an entrance to the underground parking WAY ACROSS THE WATER Way is made out of same stone blocks as pathway PARK Park creates a place to rest with a possibility to visit different events taking place on the colonnade
CONCRETE FLOWERPOTS Flowerpots serve also as benches and railings
SECTION A-A’
OUTDOOR FURNISHING 1500
450 500
+4,500 +1,500 +0,000
SECTION B-B’ 1500
+1,500
450
+5,000
+0,000 -3,000
Concrete flowerpots serve as handrails and benches
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GROUND FLOOR
B 0.01 0.02
B’ 0.03
A
0.04
A’
46
COWORKING CENTER TEPLICE | bachelor’s thesis
FIRST UNDERGROUND FLOOR
REFERENCE
B
DESIGNED PART OF THE INTERIOR
-1.12
-1.02
-1.05
-1.01 -1.08
-1.14
-1.06
Stones across the water
B’
-1.07 -1.04
-1.13 -1.14 1.9
1.8 -1.03
A
-1.06
-1.10 -1.11
A’
-1.07
Semi-underground living
CONSTRUCTION DETAILS 0.01 reception 0.02 office 0.03 coworking - “relaxation zone” 0.04 cafe
CONNECTION OF CURTAIN WALL AND ROOF
5%
-1.01 cloakroom -1.02 coworking - “dynamic zone” -1.03 dining room -1.04 coworking - “focus zone” -1.05 technical room -1.06 conference room, halls -1.07 office -1.08 coworking - “relax zone” -1.09 library -1.10 computer room -1.11 hydraulic platform -1.12 parking -1.13 courtyard -1.14 ascent on promenade
CONNECTION OF THE INSULATED (COWORKING) AND NON-INSTULATED (PARKING) PART
0
10
20m
NÁZEV ÚSTAVU
15118 Ústav nauky o budovách
VEDOUCÍ ÚSTAVU
doc. Ing. arch. Michal Kohout
FAKULTA ARCHITEKTURY
ČESKÉ VYSOKÉ UČENÍ TECHNICKÉ V PRAZE THÁKUROVA 7, PRAHA 6
VEDOUCÍ PROJEKTU prof. Ing arch. Irena Šestáková Ing. Bedřiška Vaňková
KONZULTANT
NÁZEV ÚSTAVU VYPRACOVALA
FORMÁT
DATUM A3
15118 Ústav nauky o budovách
FAKULTA ARCHITEKTURY 26.5.2017
ČÍSLO VÝKRESU ČESKÉ VYSOKÉ UČENÍ D_1.1.2.17 TECHNICKÉ V PRAZE doc. Ing. arch. Michal Kohout Detail 7 - napojení parkování/coworking, 8 - parkování/terén THÁKUROVA 7, PRAHA 6
Kateřina Pavlátová
MĚŘÍTKO
1:5
STAVBA
HUB Teplice Mírové náměstí, Teplice 415 01
VEDOUCÍ ÚSTAVU
OBSAH
VEDOUCÍ PROJEKTU prof. Ing arch. Irena Šestáková KONZULTANT
Ing. Bedřiška Vaňková
FORMÁT
VYPRACOVALA
Kateřina Pavlátová
MĚŘÍTKO
A2
HUB Teplice Mírové náměstí, Teplice 415 01
DATUM 7.4.2017 ČÍSLO VÝKRESU
1:5 STAVBA
47
D_1.1.2.18
OBSAH Detail 9 - napojení LOP/střecha, 10 - detail otvíravé části LOP
TECHNICAL DRAWINGS LONGITUDINAL SECTION K1
+5.700 500
5%
S4
+2.070 K2
+2.509
+2.219
+1.346
+0.000
D4
4646
480
5228
5519
6100
5809
300
6391
6681
S2
15
-3.480
P3
P3
P4
4280
P3
P7
1
T
TRUHLÁŘSKÉ PRVKY
K
KLEMPÍŘSKÉ PRVKY
Z
ZÁMEČNICKÉ PRVKY
700
980
50/3
-3.300
180
1390
P1
11x1
4280
11
2020 2500
12
260
-1.650 15
-3.480
180
-4.180
-4.180
-4.280
S
SKLADBY
E
OSTATNÍ PRVKY
D
DVEŘE
100
700 100
50/3
-1.910
-3.300
+1.637
3600 3600
5322
310
11x1
P4
S1
+1.928
1775
+2.800
2070
+3.091
4937
4253
+3.381
22
-0.310
2790
4280
P7
-0.110
2990
570 300
870
-4.280
-0.510
2130
2610 800
-3.300
800
-3.480
-0.870
700 180
4280
-1.170
2610
-1.170
100
-1.170
300
870
-0.570
S3
+3.672
P2
+0.000 200 200 110
+0.000
K4
S5
+3.963
Z1
2200
S6
+0.000
+4.253
4544
OP3
3963
5700
3000
+4.544
-4.280
FLOOR PLAN - FIRST UNDERGROUND FLOOR
O
OKNA
OP
OBVODOVÉ PLÁŠTĚ
PRF
PREFABRIKÁTY
ŽELEZOBETON
D5
+4.010
S4
S5
4000
4000
4000
4000
4000
-0.130
150
2210
5862
-3.300 -3.300 4180
150
5250
2220
150
3700
7837 300
3700
300
150
6115
-4.180
-4.280
415
9914
48708 3700
300
3700
1
300
3700
300
1090
3150
1090 7390
3150
300
3700
1321
300
1.04
300 300
pozn. 2: odpočívárna 1.04 je ohraničena záchranými sítěmi
Z4
1765
ŽELEZOBETON
373
PT= -0.300 UT= +0.000
2020 2020
E5
BETON PROSTÝ
300
2020
TEPELNÁ IZOLACE EPS
2020
300
300
B´ 415 415
2020 Z6
2020
TEPELNÁ IZOLACE XPS
2020 ZDIVO PLYNOSILIKÁT
2020
300
2020 2020
KS2 DN 100
KS1 DN 100
KS3 DN 100
5%
PV1 DN 150
24100
PV2 DN 250
+3,820
+3,900
1110
+3,450
+3,580
3280
1609
+2,070
2800
1405
915
11910
0,5% 0,5%
93 .5°
370
98 .0°
+3,300
ONN 1/10 ATILO LIN A SK MP INC RAMPRA
+0.900
5%
KS6 DN 100
4.16° 7%
+5,700
S6
TRÁVNÍK
+2,940
S
110
1690
+3,000
OP1
27035
D
86 .5°
ZEMINA
PV4 DN 200
240 Z8
5%
PV3 DN 250
C´
2020
ZPEVNĚNÁ PLOCHA
KS4 DN 100
+3,340
2020
2020
+3,100
9338
2020
300
-3.300
2020 49187 4999449628
OP1
300
2020
2020
970
Podlaha Kate
pozn. 1: výška místností dle výkresu tvaru
1130 1601
2020
300
300
300
E4
Z3
+0.000
-3.300
3700
2020
2020
M5
434
Ing.
Název Plocha [m2] VYPRACOVALA
recepce 96.48 m² dřevěná podlah kancelář STAVBA 32.84 m² koberec HUB Teplice archiv 7.71 m² koberec Mírové námě odpočívárna 33.38 m² koberec dutina pro vedení 5.78 m² vzduchotechniky Celkem: 5 176.19 m²
E1
+0.000
E2
8771
3700 E3
2020
-0.500
doc.
1.01 1.02 1.03 1.04 1.05
Z2
10 x 315/150 5 PRF
-1.650
4072
7687
300
10 x 315/150 4 PRF
8300
3700
2020
300
82 .0°
PT= -0.300 UT= +0.000
1511
VEDOUCÍ ÚSTAVU
KONZULTANT TABULKA MÍSTNOSTÍ
2020
C
NÁZEV ÚSTAVU
VEDOUCÍ PROJEKTU prof.
3687
Z3
2985
300
-0.130
4147
3700
1.05
4709
300
4955
1350
750 8577
9132
3700
228 B.p.v = +0.000 m.n.m P3
A´
300
300
300
11095 300
6895
3700
7454
300
S1
3700
8024
17555
7 11084
6, S
300
50/3
S1
300
8150 3700
VEDENÍ VZD
19822 2805
11x1
-1.850 -3.300 -3.300 -3.480
15
13595 3900
3900
-3.300
300
B 415 415 415
12
S2
Číslo
2985 300
+0.000
50/3
100
1
-3.300
7725
SKLON STŘEŠNÍ DESKY 4%
11x1
6.5 -0.310 °
15
Z1
B
STR ŘOE OCFH P AAG RAK RINÁ G ŽS
-3.300 1
150
150
150
P3
-3.300
ZEMINA PŮVODNÍ
8
11
P1
-3.300
ZEMINA NÁSYP
T2
-1.650
-0.800
P3
-3.300
180
200 3150 L
150
2020 1000
Z2
ZDIVO PLYNOSILIKÁT
PT= -0.300 UT= +0.000
1
-1.650
2010
1.03
T3
22
T2
S1
D1
455 E1
+0.000
Z1
OPLECHOVÁNÍ OP3
A
1025
D2 F
PR
+0.000
10 x 315 / 150
PRF
3
1.01
1425
3900
10 x 315 / 150
KUCHYŇ VIZ ČÁST D.1.5 INTERIÉR
-0.800
+0.000
1980 (3400)
-0.800
T3
T3 -3.300 PROSTOR PRO VESTAVĚNOU
1680 (3400)
F
22
10625
PR
150
11
12300
P1
+0.000
2
D2
2020 1000
1025
93 .5°
1.02
P3
-3.300
-3.480
6040 2020 2020
-4.280
5228
5074
4921
T1
T1
L
431
4615
4768
570
OP3
-0.330
TEPELNÁ IZOLACE XPS
1500
2400 (3400)
1000PRO VEDENÍ DUTINA 2970 (3400) (3400) VZDUCHOTECHNIKY 3060
10597
D2
2000 3940 (165)
2000 5050 (165)
877
P1
+0.450 +0.900
100
A
13473
12
800
+0.010
P5 Z5
S1
2010
-3.300
4280
-0.870 -0.400
300
300
870
-3.480
2610
-1.170
2130
-1.170
P5
-3.300
700 180
-1.170 4280
S3
OP1
TEPELNÁ IZOLACE EPS
O8
P6
2499
1500
D3
1852
+3.011
+2.858 O7
4626
1000
6801
300 1000
49628
-0.570
4000
19
O6
S1
700
+1.621
+1.468
+1.315
+2.565
O5
O4
2364
+0.000
+1.928 SKLON 1/10 RAMPRAMPA INCLINATION
+1.774 O2
+2.234
2214
2070
S6
D7
2516
D6 D8
4000
+2.718
BETON PROSTÝ
K1
5%
18
3900
4000
17
22
4000
16
300
4000
C´
3050
49523 4000
15
1000
+2.070
14
4010
13
4280
12
6311
11
150
10
30
9
2950
8
300
K4 5551 K2 5960
200
7
6158
6
12
5
11
4
300
3
6018
2
3900
1
228 B.p.v = +0.000 m.n.m
střešní okap D2 DN 150
NÁZEV ÚSTAVU
15118 Ústav nauky
VEDOUCÍ ÚSTAVU
doc. Ing. arch. Mich
+5,660 32398
VEDOUCÍ PROJEKTU prof. Ing arch. Irena
17140
27638
M10
49538 M11
7300
1500
7735 M5
odvod drenáží do vsakovací jámy
Kateřina Pavlátová
5% STAVBA
5%
S7
KS5 DN 100
5201
16900
240
střešní okap D1 DN 150
+3,970 5%
TABULKA POVRCHŮ OZN.
98 .0°
M11
S4
M10
STŘECHA GARÁŽE VIZ VÝKRES 1NP
HUB Teplice Mírové náměstí, Teplice 415
M5
+4,010
+2,700
27197
BUILDING SERVICES - GROUND FLOOR
Ing. Bedřiška Vaňko
VYPRACOVALA
4255
1500
KONZULTANT
S5
S4
8000
S5
2.20° 3,5%
0,5% 0,5%
10151
+2,070
5%
RS
3,5%
PS
ODVOD VZDUCHU PRO VZT
PŘÍVOD VZDUCHU PRO VZT
PV4 DN 200
01.04
01.01 10°C
HDR
-3.300
01.06
01.05 01.05 24°C
01.04 24°C
KS6 DN 100
01.06 24°C
hliník
M4
zasklení
čiré
M5
oplechování atiky - K1
titanzinek
M6 MÍSTNOSTÍ okapnička - K5 TABULKA
poplastov
ČÍSLO M7
hliník hliník
01.07 24°C
nerez oce
01.07 ŠATNA S KOUPELNOU
01.09
S
01.08 TECHNICKÁ MÍSTNOST
01.09 20°C
01.08
poplastov
01.06 WC MUŽI
01.09 ZASEDACÍ MÍSTNOST 228 B.p.v
= +0.00
01.08 20°C
NÁZEV ÚSTAVU
01.02 01.02 20°C
rám okna ÚČEL
kačírková lišta - K4 01.04 M11 WC PRO INVALIDY M12 madlo 01.05 WC ŽENY VEDENO VOLNĚ POD STROPEM
PODLAHOVÁ VPUSŤ SE ZÁPACHOUVOU UZAVÍRKOU
01.07 PO
-3.300
01.01
PO
PO
VEDENO PO ZDI A STROPU
M5
VÝMĚNÍK ROZDĚLOVAČ
VEDENO VE ZDI A PO STROPU
poplastov
rám LOP
okap - K2 01.03 M10 COWORKINGOVÝ PROSTOR titanzinek
PV2 DN 250
5%
CE
bílá, zrnitá
krycí lišta žaluzií
zábradlí 01.02 M9 VZDUCHOTECHNIKA, SKLAD nerez oce
POŽÁRNÍ VODA
50029 S1
POŽÁRNÍ VODA
M
omítka stěrková
M2
parapet okna 01.01 M8 VSTUPNÍ CHODBA
KS4 DN 100
KS3 DN 100
5300
82 .0°
LINIOVÝdo ODVODŇOVACÍ odvod drenáží vsakovací jámy ŽLAB
DEŠŤOVÁ KANALIZA
KS2 DN 100
KS1 DN 100
PO
DO
PV1 DN 150
PV3 DN 250
NÁZEV
M1
M3
1511
VEDOUCÍ ÚSTAVU doc. ROZVOD VODY - STUDENÁ
PODLAHOVÁ VPUSŤ SE ZÁPACHOUVOU UZAVÍRKOU
VEDENO V KANÁLKU V PODLAZE
KANALIZACE VEDOUCÍ PROJEKTU prof.
KANALIZACE - PŘIPOJOVACÍ P
Ing.
KONZULTANT
STĚNOVÉ TEPLOVODNÍ VYTÁPĚNÍ
ELEKTRICKÁ SÍŤ - SLABOPROU S2
VYPRACOVALA KS5 DN 100
STAVBA
L
-3.300
M
HUB Teplice Mírové námě
ROZVOD VYTÁPĚNÍ - PŘÍVOD
PO
STĚNOVÉ TEPLOVODNÍ VYTÁPĚNÍ
Kate
VZDUCHOTECHNIKA
D
STĚNOVÉ TEPLOVODNÍ VYTÁPĚNÍ
ROZVOD VYTÁPĚNÍ - ODVOD
PS
POJISTKOVÁ SKŘÍŇ
01.03 HDR
01.03 20°C
PO
HLAVNÍ DOMÁCÍ ROZVADĚČ
PRŮTOKOVÝ OHŘÍVAČ
UZAVÍRACÍ VENTIL
VEDENO VOLNĚ POD STROPEM
PROPOSED TEMPERATURE NÁVRHOVÁ TEPLOTA Te = = -15°C T -15°C e
DO
DOMOVNÍ ODPAD
PV
PODTLAKOVÉ VĚTRÁNÍ
KS
VĚTRÁNÍ KANALIZACE
RS
REVIZNÍ ŠACHTA
ZEMINA
SCHÉMATICKÉ ZOBRAZENÍ BU
S
228 B.p.v = +0.000 m
0
4
8m
NÁZEV ÚSTAVU
15118 Ús
VEDOUCÍ ÚSTAVU
doc. Ing. a
VEDOUCÍ PROJEKTU prof. Ing a KONZULTANT
Ing. Zuzan
VYPRACOVALA
Kateřina P
STAVBA
48
COWORKING CENTER TEPLICE | bachelor’s thesis
HUB Teplice Mírové náměstí, Te
INTERIOR CLOAKROOM
TABULKA MATERIÁLŮ
TABULKA ZAŘIZ. PŘEDMĚTŮ
TABULKA MATER
KITCHEN
TABULKA ZAŘIZ.
NÁZEV ÚSTAVU
15118 Ústav nauky o budovách
VEDOUCÍ ÚSTAVU
doc. Ing. arch. Michal Kouhout
VEDOUCÍ PROJEKTU
prof. Ing. arch. Irena Šestáková
KONZULTANT
prof. Ing. arch. Irena Šestáková Ing. arch. Ondřej Dvořák, Ph.D.
FORMÁT
VYPRACOVALA
Kateřina Pavlátová
MĚŘÍTKO
STAVBA
DETAIL
HUB Teplice Mírové náměstí, Teplice 415 01
OBSAH
720x297 mm
1:20
DATUM
NÁZEV ÚSTAVU
15
VEDOUCÍ ÚSTAVU
do
VEDOUCÍ PROJEKTU
pr
KONZULTANT
pr In
26.5.2017
ČÍSLO VÝKRESU D_1.5.2.1
VYPRACOVALA STAVBA
POHLED SEVERNÍ - ŠATNA
FLOOR PLAN
49
Ka
HUB Teplice Mírové námě
50
COWORKING CENTER TEPLICE | bachelor’s thesis
51
52
COMMUNITY BUILDINGS IN BREST | student competition
COMMUNITY BUILDINGS IN BREST
LOCATION: Brest, Belarus TYPE: Residential architecture and masterplan PURPOSE: Student competition YEAR: 2016 DESCRIPTION: Development of community buildings in former military territory; terraced houses and apartment buildings that meet multicomfort standards and the urbanism of the newly created district MY RESPONSIBILITY: “Green promenade” concept Root cleaners strategy Terraced houses design and floorplans
53
CONCEPT The architectural and urban design is based on everyday life in Belarus. The project includes a variety of services for residents such as gym and shops as well as sufficient amount of sunlit green areas for cultivation of plants. The concept therefore provides its residents a unique combination of a place to live, zone to relax as well as public and private facilities.
sport areas commertial areas administration areas cultural areas public greenery areas educational areas
As is usual in Belarus, parterre not only serves for commercial reasons, but also for residental ones. Second floor is connected to a green promenade which passes freely through residential buildings and connects sites together.
GENERAL PLAN The main task was to ensure comfortable living, where people will feel safe. Sites are occasionally connected by the green promenade which separates pedestrian and motor traffic. It creates a free and save movement for pedestrians. Each building has an easy access by car, roads are straight and their surface is minimal. Both types of buildings, terraced houses and apartment buildings, have a simple, compact shape and a different southern and northern facade, distinguished both by the percentage of glazed surfaces and visually. The northern facade is smooth and without shading. The southern facade is shaded by a system of terraces in case of residential buildings and by tilting shades in case of terraced houses. Atriums with plants in each building and each terraced house form a connection with the exterior. Atriums with trees are symbolic centers of the buildings. They provide fresh air, greenery and daylight into the heart of the buildings.
GREEN FLOOR CONCEPT APARTMENT BUILDINGS
pedestrian level
vehicle level
TERRACED HOUSES
pedestrian level
vehicle level
54
COMMUNITY BUILDINGS IN BREST | student competition
SUSTAINABILITY AND SOCIAL ASPECTS Residential units offer both comfortable living for families and small apartments for singles, so that they would attract a wide group of people. Terraced houses are designed and engineered in order to fully replace a family home. Each terraced house therefore has a spacious garden, indoor parking and comfortable layout along with good sound insulation, which ensures that each family member has their own space and serenity. The half-floor division effectively separates individual rooms, but it also creates a visual contact between the floors so the interior is compact and organized. Houses have a common technical room, which significantly reduces operating costs. The sloping roof of terraced houses is designed from large roof panels, suitable for installation of photovoltaic panels without a negative impact on the design. The slope of the roof has been designed to achieve 91% efficiency of the panels.
ROOT CLEANERS Terraced houses and residential buildings recycle water through a system of rootwater purification units. Residential buildings have a water-cleaningponds, terraced houses use facade units. Filtration of grey waste water is provided by four sedimentation tanks and then purified by roots in cleaning pond or facede unit. The cleaned water is then stored in storage tank.
View from ¨green promenade¨ on terraced houses
55
56 COMMUNITY BUILDINGS IN BREST | student competition 0
10
20
30
40m
ramp
community gardens
private gardens
technical room
playground
green level
technical room
skylight / atrium
public park
facade root cleaner
SITUATION
57
0
10
20m
green level
root cleaning pond
private gardens
shared terrace
playground
public park
outdoor workout
skylight / atrium
bus stop
TERRACED HOUSES
PRIVATE PATH PRIVATE GARDENS ROOT CLEANER - FACADE Facade root cleaner is placed on each row of houses
SKYLIGHTS Skylights illuminate space under the promenade PLAYGROUND HERB AND VEGETABLE GARDENS Gardens for community gardening PARKING Parking is strictly separated from pedestrians
NATURAL VENTILATION
DAYLIGHT AND ACUSTICS
RAINWATER AND GREY WASTE WATER MANAGEMENT
photovoltaic panels integrated into the facade
summer 78°
winter 23°
atrium with plants
58
COMMUNITY BUILDINGS IN BREST | student competition
ceiling sound insulation
external sound insulation
outlet to the root cleaner
storage water tank
NORTH ELEVATION +9,500 +7,500
+4,500 +3,000 +1,500 +0,000
SECTION A-A’
SECTION B-B’
GROUND PLAN
FIRST FLOOR SAMPLE
parking B’
local market technical room
private gardens
technical room
SECOND FLOOR SAMPLE
root cleaner
shared terrace A’
A
B
0
10
20m
59
APARTMENT BUILDINGS
GREEN TERRACE designed for relaxation, barbecues and get-togethers
FITNESS CENTER includes outdoor workout zone
UNDERGROUND PARKING for residents
SHOP with local food
EXIT FROM FLATS directly on the green level
PLAYGROUND
PRIVATE GARDENS for residents in ground floor flats
HERB AND VEGETABLE GARDENS community gardening
NATURAL VENTILATION AND INDOOR AIR QUALITY
DAYLIGHT AND THERMAL COMFORT
RAINWATER AND GREY WASTE WATER MANAGEMENT
summer 78°
atrium with plants
fresh air polluted air
60
recuperation unit
COMMUNITY BUILDINGS IN BREST | student competition
winter 23°
creepers for facade protection
outlet to root cleaner
storage water tank
SECTION A-A’ SAMPLE
SOUTH ELEVATION
SECTION B-B’
GROUND PLAN
parking
B ramp leading to the promenade playground
private gardens private gardens
A’
A
fitness
shop outdoor workout
community garbage community gardens
garage entrance
B’
garbage
0
10
20m
61
62
FOOTBALL CLUB SPARTAK | study for wider public
FOOTBALL CLUB SPARTAK
LOCATION: Pruhonice, Czech Republic TYPE: Public architecture, sports areal PURPOSE: Study for wider public YEAR: 2015 DESCRIPTION: Children’s football team clubhouse with changing rooms, small bistro and a tribune
63
OBJECTIVES
CONSTRUCTION
Design a brand new and representative facilities for football club Design covered tribune for players and their entourage Incorporate a bistro and conference rooms for football club as well as for visitors or customers
CONCEPT The FC Spartak Pruhonice is a football club that has been active in Pruhonice since 1924. Many different events, which are organized both by the club and the local municipality, take place on the club’s property. The building is centered with a football field, so is the tribune. It provides a place in front of the building for 28 parking places. Wheelchair access to the ground floor is ensured by a ramp. A staircase in the middle of the building can be locked to separate internal operations. In the ground floor, there are facilities for athletes and referees, warehouse and an apartment for a facility keeper. The upper floor serves for visitors who can find there a restaurant and conference facilities. The restaurant, with floor partially made of glass, lets spectators see football players just before a match commences. In the western part, there is a roofed terrace.
Current condition
64
FOOTBALL CLUB SPARTAK | study for wider public
The entire building has a simple rectangular shape. The load bearing structure consists of a column system with a supporting wall at the south and a west facade. The tribune consists of steel supporting elements, the longitudinal connection forming a sitting area with a walk-through lane. The tribune is roofed with subtle steel and wooden profiles covered by light metal sheets. It is a simple roofing system design, easily replacable by solar panels. Sloping and orientation of the roof is ideal for maximum energy generation from solar panels.
Materials
Situation
65
SITUATION OUTDOOR WORKOUT
BENCH SEATING Benches create a second, more casual, tribune ROOFING OF THE TRIBUNE Top layer of the roof can be made of either photovoltaic panels or metal roofing
ACCESS ROAD FOR PEDESTRIANS
PARKING 28 parking places
WHEELCHAIR ACCESS DRIVEWAY
PATHWAY Pathways are made of maintenance-free granulated rubber which is suitable for both summer and winter use PLAYGROUND Children can be under constant supervision of parents both from the terrace and from the restaurant’s interior
0
GROUND FLOOR
10
20m
FIRST FLOOR 1.05
1.03 0.01
0.02
0.02
0.02
0.02
0.03
1.01
0.04
1.02
0.05
0.01 0.02 0.03 0.04 0.05
66
apartment for a facility keeper dressing rooms dressing room for coaches storage garage for mower
FOOTBALL CLUB SPARTAK | study for wider public
1.04
1.01 1.02 1.03 1.04 1.05
terrace club-room restaurant kitchen tribune
0
10
20m
Entrance to the ground floor with dressing rooms
Section
Restaurant
Reference 67
68
COMMUNITY CENTER PALATA | school studio project
COMMUNITY CENTER PALATA
LOCATION: Prague, Czech Republic TYPE: Public architecture and shared housing PURPOSE: School studio project YEAR: 2015 DESCRIPTION: A community center for the residents of Prague 6 with a library, a maternity center and a cultural hall, connected with co-housing for seniors
69
CONCEPT
The main idea of the project is to provide elderly people with a quite place to live, high-quality care service and at the same time a place where they can spend time with other people and integrate them into the society within the center. The center has a V-shaped design, which follows borders of the site, respects the elevation of the terrain and opens towards the main street.
SILENCE
GARDENS maternity center
co-housing cultural hall
reception
offices
library
NOISE
SILENCE
The north-eastern section is quieter and more private, with a direct link to the Palata park. Cafe is situated in a very convient location between the cultural hall and the maternity center so both visitors of different cultural events and mothers can easily access it. The main reception, offices and senior care service are located in the south, near a busy road, so they are easily accessible by visitors. The senior care service has its own parking for assistants.
COMMUNITY CENTER
CO-HOUSING FOR SENIORS Individual rooms are connected by a glass gallery with entrance into a quite Palata park on the west side of the center. The loggias, by contrast, are oriented towards the central garden so the elderly people can observe Palata center life and feel surrrounded by people in the community. All rooms have step-free access.
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COMMUNITY CENTER PALATA | school studio project
MEETING PLACE
The community center is supplied from the western road. The south-eastern section provides a separate entrance and parking spaces for the senior care service. While the southern part of central garden is publicly accessible from the main street, the northern part is accessible only from the second floor of the maternity center to ensure maximum safety for the children.
VIEWS FROM THE STREETS
care service
ARRANGEMENT OF INDIVIDUAL FACILITIES
Individual facilities are cascaded next to each other. Entrances to the individual parts are sheltered and hidden in passages. Maternity center is connected with the senior club by a northern passage, which provides the elderly people a direct contact with the youngest ones. The southwestern passage, on the contrary, serves also for public and has entrances to a reception and a library.
seniors club
NOISE
Community Center Palata is placed in the area of Prague currently lacking any cultural facilities or cafes. The Palata Center combines a maternity center, a home for the elderly people, community and leisure time center, library, cafe and more.
Despite the building being relatively large, its cascading chartecter and a subtle design ensure a full adaptation to the surrounding area.
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FLOOR PLAN 37 35
36
34
3
38 39
3rd FLOOR
54 51
53
5
52
32 33 31
61
2 FLOOR nd
44
3
43 42
4
62 63
41
6
65
2nd FLOOR 23
2nd FLOOR
22
63
21
2
25
61
7
18
-1 FLOOR
62
73
24
st
4
17 3
72
71
15
1
12 16 14
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74 64 64
6
11
1
1st FLOOR
2
0
0
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COMMUNITY CENTER PALATA | school studio project
5
10m
0 LIBRARY 1 2 3 4
SOUTH ELEVATION
entrance office storage toilet
1 CENTER PALATA FACILITIES 11 reception 12 storage 13 daily room 14 cloakrooms 15 archives 16 office 17 conference room 18 utility room 2 CULTURAL SPACES 21 entrance and exhibition area 22 cloakroom 23 cash desk 24 main hall with stage 25 backstage with own entrance
maternity center
NORTH ELEVATION double rooms library
3 MATERNITY CENTER 31 32 33 34 35 36 37 38 39
entrance baby-carriage room employees’ room playrooms snack room main playroom garden entrance laundry room employees
WEST ELEVATION double rooms
maternity center single rooms
4 CAFE 41 42 43 44
sitting area children’s corner kitchen employees
5 SENIORS CLUB 51 52 53 54
big club-room small club-room asistents’ room storage
6 SENIOR CO-HOUSING 61 62 63 64 65
EAST ELEVATION maternity center cultural spaces
office
library
shared living room and kitchen shared loundry room single room with bathroom double room with bathroom entrance to the Palata park
7 SENIOR CARE SERVICE 71 72 73 74
reception dispensing of medical devices utility room parking for assistants
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DROWNED VILLA | school studio project
DROWNED VILLA
LOCATION: Prague, Czech Republic TYPE: Residential architecture PURPOSE: School studio project YEAR: 2015 DESCRIPTION: A villa for four-member family with representative home office and private wellness with a floor plan creating a maximum sense of privacy
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CONCEPT
SOCIAL LIFE
The villa’s mass cascadingly descends and opens onto a large garden. The front facade with a main entrance is simple and low in height, but it still has eye-catching character. The front facade is the only part visible from the street - the other parts of the villa remains hidden between decreasing terrain and trees. The access road is quite and with a very low traffic.
Each part of the villa has its own function. Close to the main entrance in the second floor, there is a spacious dressing room for the family and a small wardrobe for guests. Other rooms on this floor are reserved for visits with guests - two guest rooms and an office. All these rooms overlook the whole garden.
The purposefully created views from villa’s main rooms are directed north, south and east, towards each corner of the garden with grown-up old trees. Both, the garden and the villa, are divided into a busy and a quiet area. In the quiet part, there is a small, completely separated north terrace. In the south, there is a large terrace with a swimming pool.
Upon entering the hall, people can see the living room and a terrace with the swimming pool. Guests can go directly to the terrace by using outside stairs or continue to the living room. The living room has a view into the resting zone of the wellness section. Middle part of the villa is designed for shared moments with friends.
Current status
Main entrance with garage
UTILITY ROOM
WELLNESS
GARDEN
ENTRANCE REPRESENTATIVE AREA
LIVING AREA
SLEEPING AREA South garden
GARDEN
Zone layout
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DROWNED VILLA | school studio project
SITUATION SPORTS CENTER
PEDESTRIAN ZONE Pathway leads to modern residential area PRESERVED GREENERY STREET “NA KOTLARCE” The villa is easily accessible by a car from the main street PARKING FOR GUESTS
GARDEN ENTRANCE Eastern entrance provides faster access to public transport, designed especially for children PRESERVED GREENERY
ELEMENTARY SCHOOL ORCHARDS 0
ORGANIZATION SCHEME
5
10m
representative zone garage and storage wellness living area private area technical background
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FIRST FLOOR
PRIVATE LIFE
1.03 1.04 1.03 1.08
1.06
1.05
1.07
1.02
1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 0.01 0.02 0.03 0.04 0.05
entrance hall office guest rooms with bathrooms cloakroom elevator garage for 3 cars storage toilet living room kitchen pantry wine bar family table
0.06 0.07 0.08 0.09 0.10 0.11 0.12 0.13 0.14 0.15 0.16 0.17 0.18 0.19
1.01
corridor family living room children’s rooms master bedroom cloakroom wellness (swimming pool and sauna) fitness toilet boiler room laundry room toilet cleaning room vault sliding pannels
Children’s rooms are separated from the hallway by a large playing room, which also serves as a cosy family living room. Parents have a direct entrance to the northern terrace. Windows in children’s rooms face south towards the main terrace. Maintenance and storage are recessed in the ground and are easily accessible by elevator from the garage.
GROUND FLOOR
0.11
0.02 11
0.13
0.18 A
0.05
13
0.12
0.03 14
0.14
0.06
0.04 0.13
15 0.17
0.09 A’
17
12
0.15
The house design ensures maximum privacy for its residents as the private area, with residents’ bedrooms, is placed the farthest from the main entrance. Guest rooms are situated in the first floor separated from their hosts. The living room then serves as a connection between the private and representative zones. This implies that residents effectively use only the ground floor.
0.07
0.10
18
0.01
B
B’
0.08
0.08
0.19
SECTION A-A’
SECTION B-B’
0
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DROWNED VILLA | school studio project
5
10m
Wellness
Master bedroom
Main entrance hall
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80
HOUSE ABOVE THE QUARRY | school studio project
HOUSE ABOVE THE QUARRY
LOCATION: Pruhonice, Czech Republic TYPE: Residential architecture PURPOSE: School studio project YEAR: 2015 DESCRIPTION: A small weekend house for two, designed on my favourite spot in my hometown
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CONCEPT
CONSTRUCTION
A weekend house for two is located in the woods of Pruhonice town. The terrace on the roof is among treetops and has a unique view on Pruhonice Castle. The house is almost transparent and is designed to be a part of the forest. Concrete stairs in a glass tubus lead through all floors and create a distinctive architectural element. The living room is designed as a lower floor hanging down from the edge of the rock.
The entire load bearing structure is made from steel. The house is attached to the rock with steel quadrangulars. Transparent glass facade allows the house to became an integral part of the forest. The steel-glass facade also protects the builtin wooden cube (frame structure) from adverse effects of the climate.
I have added this project to my portfolio because the assignment was very personal. I used to sit on an old bench atop the rock with my dog ever since my family has moved to Pruhonice. Since then, I imagined a house built there, with a spectacular view of the town I adore.
View from site
Roof terrace
Path below the quarry
Situation
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HOUSE ABOVE THE QUARRY | school studio project
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GROUND FLOOR
0.02
0.03
FIRST FLOOR
0.04
HANGING FLOOR (LEVEL -1)
1.03 1.02
-1.01
1.01
5 0.01
0
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HOUSE ABOVE THE QUARRY | school studio project
4m
0.01 0.02 0.03 0.04 1.01 1.02 1.03 -1.01
parking entrance hall kitchen galerry bedroom cloakroom bathroom living room
View from path below the quarry
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SENSING LIGHT | master’s thesis
SENSING LIGHT TYPE: Installation PURPOSE: Master’s thesis YEAR: 2018 DESCRIPTION: Light installation brings a new insight into the coexistence of light and space. Light is displayed and perceived as a self-contained element in space, which can be moved between spaces, exactly described and captured Video materials can be found at https://vimeo.com/299166065
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CONCEPT This thesis examines light properties, human senses, and also explores a mirror therapy as a method of controlling nonphysical items. Several different experiments on perceiving light through different senses than sight have already been performed. I propose a different way of encountering light’s physicality, which is differentiated from the previously performed experiments thanks to its seamless replicability. My approach is based on a medical and scientific research. The thesis shows a way of studying, capturing, and also measuring light to create a vivid impression that we are actually feeling photons on our skin. Attention is particularly drawn to light beams and their three-dimensionality rather than to illuminated materials. I test light’s physicality in different situations by performing experiments within a space, which helps to create an illusion of tangible perception of light. This installation draws parallels between human sight and touch and aims to show light in a nearly tangible, measurable form and emphasize its physicality.
LIGHT
VISUAL QUALITY
NON-VISUAL QUALITY
CAN WE FEEL / RECOGNIZE LIGHT WITH OTHER SENSE THAN SIGHT? Can we experience other than visual quality than light? Can we sense light?
US
LIGHT
COMMUNICATION
SENSES sight
sound
smell
touch
taste
Replace or enhance one sense with other to achieve physical experience can be a way to feel or learn to feel light’s tangible form
MIRROR THERAPY
TANGIBLE LIGHT
sight
sight + touch
vision
vision + physical feeling
brain
brain
it is real
it is visible + it is touching me
we can move with it or touch it
it is real and it has some kind of a physical form
REFERENCE
Parallel between mirror therapy and the feeling that light is a tangible thing
SIGHT
BRAIN
Roden Crater exhibition, Northern Arizona, created by James Turrel based on his lifelong research about human perception and light
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SENSING LIGHT | master’s thesis
TOUCH
WHAT WE SEE
IS REAL
WHAT WE FEEL
HOW TO MAKE LIGHT TANGIBLE Three main situations where we can perceive light’s physicality and where we can gain an impression that we are touching it were simulated and tested:
W
E
(1) Interruption (destroy/redirect the light path): If we are not able to touch and feel a light beam, we can touch light in a different form: we can touch its source. The ability to move with something, like turn it on and off, is connected with a notion that it is real. (2) Make light ‘visible’ through other senses, touch enhancing the experience gained through sight: We discover the world through our senses. Touch is the first sense which is developed when a baby is born and it is also a steppingstone for the right development of physical and mental health. Touch can confirm or disprove what our eyes see. Research about phantom limb pain and the success of mirror therapy shows that our brain can be fooled by vision or touch. A study3 also proved that part of the brain responsible for touch perception can help process or completely take over sight. The brain can re-learn how to read and process received signals from the environment around us, even when the part of the brain which is usually responsible for this type of signal is damaged. I suggest that if we receive a visual perception of light connected with touch impulse, perception of light can be altered to the idea that light can be touched. (3) Independence on our intervention and self-awareness: Movement is what separates living nature from inanimate nature. Most of the living nature is controlled by the sun and its cycles. Human life is also subjected to light, either artificial or solar. Our life also takes place in a 24-hour cycle, alternating day and night. My proposal is to create a system which will respond independently to light.
Sunflower movement scheme: The movement is caused by uneven growth of the stem - one side grows during day, other side during night. When the development is completed, movement stops. 1
Involuntary Time by Jim Campbell. Projected woman is seemingly static image. Projection is connected to the sun movements. At the sunrise, old woman rises from the chair and it takes her all day to get to the phone and pick it up. Through the night, she returns to the chair and sit down again. Mirror therapy training
EXPERIMENTS TESTING LIGHT PERCEPTION
1
2 3 4 1. Device connects together vision and wind (touch) produced by a propeller. Propeller rotates according to the intesity of the LED lights. 2. Experiment is tests our interaction with light. It is a prove, that when we can control or redirect light beam, it becames more real or physical for us. 3. Device is constructed to respond to natural light, creating a self-adjusting system. 4. Device connects vision with touch and also it is a system which works regardless of our actions. By attaching the device, we became more aware of light’s presence. It helps us to realize, how much light surrounds us in the space around us.
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APPROACH AND METHODOLOGY From the three above-listed and tested approaches regarding how to make a tangible perception of light or to create an illusion of it, I designed a space where all three methods are combined in order to create ‘light with physicality’. I chose to work with light dependent sensors (LDR sensors), which will ensure that the device will depend on something other than the manual switch. I also proved that touch can be synchronised with light, i.e. that stream of photons can be synchronised with a stream of wind. I decided to work with natural light. The sun will provide a constantly changing system. It will create its own rhythm throughout the day and night, as well as throughout the seasons. In the experiment (2), the light seemed to be more real to us when we were able to interact with it as with any other usual object which has mass. I propose that a similar effect can be achieved when we can recognise boundaries and take down an object’s dimensions, measure it and capture it. Light rays need to be seen as something with clear contours. These borders or contours of the ray will be created by a three-dimensional grid. When Campbell said that when we freeze an image it goes into the abstraction, I tend to do the opposite: by freezing light movement, it will go into concretisation. The position of natural light is changing so slow that we cannot possibly see this movement. But it has an advantage, namely that each position and each frame can be captured and seen separately. The three-dimensional grid will catch the light coming through and depict the mass of the light ray. Lastly, the arm-bend experiment gave me the idea of exploring what would happen if it is used by blind people. For blind people, the purpose of the device will be different. It will not connect two different senses - it will just transform the message for sight into information for touch; the more pulling you are receiving, the darker the space around you. Therefore, I want to embed this idea into the project. During the time when the LDR sensor is not receiving any light, rotating propellers will still perform the pattern created by light rays, only backwards and slower. They will create an echo of the already-gone sunrays. It will also create a system which is running all over again and always a bit different from the previous one.
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SENSING LIGHT | master’s thesis
INSTALLATION DEVICE
THREE-DIMENSIONAL GRID
A spherical shape of the device will scatter light into different directions rather than change the sunray’s direction. The surface of the sphere is made from a very reflective material. The advantage of reflective materials is that the device will look like it is shining and it will also reflect the surrounding area, making it less noticeable.The propeller is transparent so from a distance it is harder to see if it is moving. We are forced to rely only on our touch receptors to discern whether we feel the moving air or not.
A grid layout is used in parametric design to create a reference map of the space. The grid for capturing the sun is created from four 2D grid planes placed one above each other. When the sun shines through the grid, the affected wires will reflect the sun but cast a minimal shadow. The grid will catch and display the volume of the sun’s ray. The grid also needs to be placed above visitors to make sure they do not interfere with the sun’s rays but are close enough so they can feel the air movement. TOP VIEW
SIDE VIEW 500
500
500
500
500
500
500
500
ROUND WHITE LIGHT EMITTING DIODE
POLISHED STAINLESS STEEL SPHERE
DETAIL OF CROSSING
500
STAINLESS STEEL WIRE ROPE
DEVICES WITHIN THE RANGE OF INTERACTION TRANSPARENT PLASTIC
TOP VIEW
BOTTOM VIEW
SECTION
PROTOTYPE
0
5
10mm
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SUN STUDY
CYCLES
I have collected data about sun’s ray movement inside of the church. I have tracked the sun’s ray paths through the church (1) during the day and (2) during different months. The sun study tested if there was any space without direct natural light, as deploying the device in this space would be useless. The sun study was done also in intersection with plane, where devices and grid will be placed.
The cycle is based on the length of 24 hours. The loop will start at eight o‘clock in the morning. The sensors start to monitor whether they are touching the sun’s rays or not. At the time when they are, the DC engine will spin the propeller. Arduino and Processing Software will memorise when and for how long the engine is active. At eight o‘clock in the evening, the loop is turned on and played backwards. At the same time, the active device will have its LED lights active, so they will produce an echo of the sun’s rays. The cycle ends where the sun’s rays started in the morning. The next day, a new cycle begins, again at eight o‘clock. During the year, the sun’s rays travel through the entire network.
PLAN OF THE MOVEMENT OF THE SUN’S RAYS AT HEIGHT OF THE LOWEST GRID Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
space with sun’s rays
PROCESSING SKETCH SIMULATING THE CYCLE
space without sun’s rays
SUN CALCULATION FOR PRAGUE, CZECH REPUBLIC
21 st December, 13:00
21 st June, 13:00
21 st September/March, 13:00
SUNRISE 08:02 - 08:06 DAYLIGHT 08:06 - 16:07 SUNSET 16:07 - 16:11
SUNRISE 05:39 - 05:43 DAYLIGHT 05:43 - 20:17 20:17 - 20:21 SUNSET
SUNRISE 06:18 - 06:21 DAYLIGHT 06:21 - 19:45 19:45 - 19:49 SUNSET
The day begins at 8am. The sensor will begin to measure whether the sunlight shines directly on it or not and the process is recorded by the Processing software. If the sensor is picking up enough sunlight, the propeller rotates.
LDR SENSOR VALUES day hour 1am 4am 7am 10am 13pm 16pm 19pm 22pm
20.6.
20.6. 0 2 690 766 788 832 802 40
20.06.
936 940 940 913
21.06.
0 0 675 688 781 815 788 18
22.06.
0 2 740 825 839 850 849 40
0 1 727 823 840 819 749 45
measured outside, in shadow measured outside, in shadow measured through window measured through window measured outside, in the direct sunsun measured outside, in the direct
23.06. 0 2 720 802 810 841 808 41
24.06. 0 2 744 829 841 859 842 46
25.06. 0 3 742 792 851 858 800 46
25.06.
25.06.
936 940 940 913
0 0 732 780 833 839 789 26
To set up the LDR sensor properly, the intensity of the sunlight and the differences between the sun and the shade was measured and recorded.
difference between normal and direct sun ray 25.06. light shadow direct shadow direct 10am 766 936 792 959 13pm 788 940 851 962 16pm 832 940 858 964 19pm 802 913 80021 JUNE 937
The night begins at 20pm. The sensor will stop working and propeller is only slowly powered by software, which remembers the same intervals or times, when it was rotating throughout the day. The movement is accompanied by the LED lights that are on the top of the devices.
CHURCH INSTALLATION DEVICES GRID SUN
SUN SUN PATH day PATH 20.6.
st
21 st JUNE
21 st MAY 21 st MAY SUMMER 26°
WINTER 74°
21 st DECEMBER
21 st DECEMBER
0
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SENSING LIGHT | master’s thesis
5
10m
3D section shows how is the installation deployed in the space:
GRID Grid is placed above the visitors’ heads in four planes with different heights SUNLIGHT Sunlight comes through the skylights during the day and from the north-facing windows during sunrise and sunset AIRFLOW Devices which are in direct contact with sunlight produce airflow
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SERRA: FULCRUM | seminar project
SERRA: FULCRUM
TYPE: Photography and HTML coding PURPOSE: Seminar project FORM: Hand-developed prints and website YEAR: 2018 DESCRIPTION: As a part of the “Site and Motion” module, we were investigating Richard Serra’ s sculpture nearby Liverpool Street Station in London. We developed interactive website, photos and 3D model in order to describe why is this sculpture special Website can be visited at https://bit.ly/2RG5pf3 or video capture at https://bit.ly/2qvvPV3
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POCHÉ AS AN ABSTRACT EMMITER OF ENERGY
Poché is a result of representing the solid part of a building, such as wall or column. It is usually blackened stuff in the plans. It helps us to create an image of space around us. Serra is playing with these ideas and builds an optical illusion based on our perception of poché. We perceive the space inside in a different way compared to when we enter. Due to the fact that some plates are widespread, it may surprises us that the sculpture is closing up so rapidly. When we walk around Fulcrum, we see outer envelope, vertical lines, edges of plates. But our mind will start to imagine invisible inside edges to complete our spatial image of Fulcrum’s structure. When we walk in, the tension between these visible and implied lines is increasing, and space – poché – between them gets thinner. Blurred shape of the bottom of Fulcrum is getting more clear and familiar. And finally, when these lines are connected, thrill of unknown is replaced by certain satisfaction from perfect pentagon above us. We can object that the thickness of poché is still equal to the thickness of the material creating the walls – steel plates. I am suggesting that with Fulcrum, maybe just because Fulcrum is not an architecture (in a true sense of the word) and the plates are not walls (in a true sense of the word), our mind perceives it more like a compact mass which changes the conception of poché. The depth of poché begins and ends where our mind has created the boundary of the whole mass, not according to the steel thickness. As I mentioned earlier, the full understanding of Fulcrum is completed only if we enter inside. It is also the point, where poché thickness-transformation starts: outer shell – bounded with lines we bare in mind – connects at the top of Fulcrum with visible vertical lines around us. 96
SERRA: FULCRUM | seminar project
BLURRED
CLEAR
FULCRUM application process of the knowledge of sculpture
SANT’ANDREA AL QUIRINALE
Side view
Perspective view
Sketch
3D model
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STRANGER MOVEMENTS TYPE: Animation in Maya and postproduction in Adobe After Effects PURPOSE: Seminar project FORM: Portfolio and video YEAR: 2018 DESCRIPTION: “Applied Animation” module was focused on 3D software Maya. Our goal was to create four simple objects, animate them and create a short movie including sound effects The video can be found at https://bit.ly/2zAINF4
CONCEPT
ENTITY NO. 1
ENTITY NO. 3
I was inspired by nature, how things and animals move in different environments, video and composition is mainly about capturing a movement. It is a gallery of indescribable unusual entities, which behave in the strangest ways.
The first object is inspired by a sea anemone. The main intention was to create irregular but very smooth movement, which will be similar to the movement of anemone or sea weed at the bottom of the ocean.
The third object is composed of two main components. Idea for the first component came from human body and the cell division. The second is a water-like environment, where the cells will be placed.
MOVEMENT
MOVEMENT
PROCESS
PROCESS
ENTITY NO. 2
ENTITY NO. 4
The second object is created from basic polygonal cube with attached curves, which create tentacles. Movement is designed as a sine curve wave.
The last object is a slime, a dense liquid, which changes its shape. It is dropped on different types of surfaces and we can observe how it behaves.
MOVEMENT
MOVEMENT
REFERENCE
Sea anemona
Virus
Tentacles movement
Cell division
sine curve
Slime behaviour PROCESS
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STRANGER MOVEMENTS | seminar project
PROCESS
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DINING SERVICE POLYHEDRON | seminar project
DINING SERVICE POLYHEDRON TYPE: Industrial design PURPOSE: Seminar project FORM: Digital and physical model YEAR: 2015 DESCRIPTION: Dining unit with twenty-eight parts inspired by Cubist porcelain. Its pieces are formed by portions of semi-regular convex shapes.
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