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MARAH NAPIERALA MARAH NAPIERALA
DE0064 INDUSTRIAL PLACEMENT 01
JAPANESE CRAFTSMANSHIP
EAST VS WEST EAST VS WEST TRENDBOARD TRENDBOARD
FUNCTION LAYERING
AW 16/17
HONESTY
CULTURE CLASH
CONTRADICTION
CONCEPT BOARD
UNDEFINABLE
TEMARI
AW 16/17
MODERN INTERPRETATIONS
HONESTY
MODERN INTERPRETATIO
着物 着物KIMONO KIMONO
AW 16/17
HONESTY
The literal translation of the word kimono, ‘thing to wear’ shows the broadness of what a kimono can be. Usually seen as the rectangular traditional japanese garment, it represents a different approach to pattern cutting and garment construction which can be used for modern pattern cutting
adult man
married adult woman
young unmarried woman (formal occasion) young unmarried woman (very formal occasion)
Furisode young unmarried woman (coming of age ceremony)
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RESTRICTIVE
TH
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W
ES
ONS
KAMISHIMO
FUNCTIONAL
SHOULDERS
FLOWING
PICOT 1x1 HEM / NECKLINE LADDERS
AW 16/17
HONESTY
PRINT DEVELOPMENT
PRINT DEVELOPMENT
SIMPLE CUT WITH LARGE SCALE PRINT
RANDOM TUCKS TO CREATE FOLDS AROUND SHOULDER & SLEEVE AND TO KEEP THE PLEATS IN PLACE
THEYOKE YOKE THE MOCK RUN AND FELL WITH BIAS BINDING
GARMENT PROCESS GARMENT PROCESS INVERTED PLEATING WITH ONE SIDE BEING OFF SET TO CREATE TWISTS INSIDE ALL EDGES FINISHED AS RUN AND FELL OR WITH BIAS BINDING
NO SHOULDER SEAM ATTACHED TO LINING
ITIAL GARMENT FLAT
AW 16/17
HONESTY
S
SLEEVES ORIGINALLY KIMONO SLEEVES
LOOSE TENSION TO CREATE WAVY LINES
DROPPED SLEEVE WITH DARTS AND DENIM CUFF
THE YOKE DEVELOPED TO BE PLEATED INSTEAD OF RANDOMLY GATHERED
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AW 16/17
HONESTY
AW 16/17
HONESTY
THEGARMENT GARMENT THE