Portfolio by Kathinka Magnus

PORTFOLIO

KATHINKA MAGNUS

CV Kathinka Magnus Schultz gate 7 0365 Oslo

Computer

Born: 02.09.1986

Autocad // Rhino // Sketchup

+47 97731871 Kathinkamagnus@gmail.com

Language

Ai ID Ps

Mother tongue: Norwegian Fluent and write well: English Intermediate: Portuguese Work experience 2003 – 2005 Service employee Shell gas station Gjerdrum 2005 (spring) Service employee Mega - Gjedrum 2006 (spring) Different Substitute as receptionist. Temp Team, Oslo

Education 2003 – 2005

2006 – (spring) Waiter Frognerseteren, Oslo

Drawing, form & colour Jesseheim Videregående skole

2005 (fall) Photography & art Krabbesholm Højskole Skive, Denmark 2007 (spring) Web Design København Tekniske skole Copenhagen 2010 (fall) 2011 (spring)

Faculdad de Arquitectura da UTL, Lisboa, Portugal

2008 - 2010 Sailor, Local Ferry, (summerjob) Oslo Fergene - Oslo Personal Interests Travel, friends, art, culture, graphic design, food, music, snowboard, reading, Radio & nature.

2007 - 2013 The Oslo School of Architecture and Design Oslo, Norway

Other

Architecture workshops: Easa 2007 2 weeks

2006 – 2008 Waiter/Bartender Peppes Pizza Gardermoen 2007 – (spring) Barista Kaffeplantagen Copenhagen

Driving licence Traveled 3 months on my own in south America, fall 2006 Participate in the studentradio making portraits in “Ry”. RadioNova, Oslo.

Filming documentary Letterfrack, Irland

Easa 2011 Radio 2 weeks Cadiz, Spain

Index

Tectonic exercises, glass brick

Tectonic exercises, earth house

Filtering Maritime Traditions Bridge / supply vessel Artic Villa, Barents Area Design de ComunicaĂ§ĂŁo Stamp // My Arcadia

Groruddalen culturehouse Creative Production

Nordhavnen

Centre for Asylumsee

GLASS BRICK

Tectonic exercises Small Scale 5 year AHO / Fall 2012 Prof. Jan Olav Jensen & Dagfinn Sagen Duration: 2 weeks

The course was divided into two phases, each approx two weeks. First task given was to create an building block. I chose glass as my matherial and worked with a self designed brick of extrackted glass. In the second phase we where given the task of mass and substraction. 150 50 8 100

2400

1:10

RAMMED EARTH HOUSE

Tectonic exercises Small Scale 5 year AHO / Fall 2012 Prof. Jan Olav Jensen & Dagfinn Sagen Guest critic Carl-Viggo HĂ¸lmebakk Duration: 1 semester

I chose to work with earth, with the facination of its materiality, texture and unlimited supply all over the world. After a research of the material I chose to work with rammed earth. Given the obstruction from the professors to make a house in dimentions of 10 x 10 x10 meters for two families, that interacted troughout the house in commonspaces. Through sketches and research, I gave myself the obstruction to avoid all kinds of interiour doors. Along with this I working with walls of the thikness from 300 - 800 mm, this cropped the netto area of living to about 70 - 80 %. After proposing three different solutions throughout the remaining semester, I used a simple tecknique of stacking three volumes upon each other, the area of the volume was an result of the work with obstruction of now doors. I analysed the result, with the aim to use the model that gave most light to the common spaces. As seen in the illustrations, the stairs is given the size of the thickest outdoor wall, and takes a part of the facade. This gives the stairs the value of both communication and a lightsourse to both common and slizing into the private area. The windows are placed as a frame around the stairs. Niches is articulated in most of the walls as window and intergating interiour as kithchen stove, closets etc. Earth is used consistently with composites in the foundation, slabs and the stairs.

Sov Y felles

felleskjĂ¸k.

Sov X

PLAN 1 // 1:50

PLAN 2 // 1:50

B b

Stue Y felles

Stue X Bibliotek

B b

Sov Y

Felles takterasse

a Felles takterasse

Sov X Felles peisstue

PLAN 3 // 1:50

10 b

Fasade Nord

Fasade SĂ¸r

Fasade Ă¸st

Fasade vest

500

2500

500

biblotek 10000

3000

stue x

500

3000

Sov X

Snitt Bb // 1 : 50

500

2500

500

10000

3000

500

3000

Snitt Aa // 1 : 50

D2 1:5 Jorddekke 500 Jorddekke m tilslag sement Rustfritt stål

Fuge 4x 3mm glass

D3 1:5

D4 1:5

Fuge Glasslim Rustfritt stål Jord dekke

Jord dekke

D1 Detalje 1:5 Jordvegg / trapp m tilslag sement ¿EHUEHWRQJ Jordfundament m tilslag sement Glasslim Fuge Rustfritt stål

100

500

3000

D3 500

10000

3000

500

3000

D1 1:30 Snitt

800

2000

Filtering Maritime Traditions

System Oriented Design AHO / Master course 4 year Prof. Birger Sevaldson & Adrian Paulsen Collaboration with Maren Stokke Duration: 1 Semester

Filtering Maritime Traditions

In collaboration with Ulstein Group, we developed a conceptual bridge layout onRem Hrist, an offshore supply vessel. The functions, devices, and most importantly the users of the bridge on the mentioned ship, have been the wicked problem we faced in the project. We proceeded through a iterative process, with mapping, sketches, and discussions, before filtering and at last gathering all our thoughts in one concept. Stake-holders from the Ulstein research group at AHO, DNV, Norwegian Design Council, supervisors at AHO and fellow students were engaged throuhout the process.

FRONTBRIDGE NAVIGATING, PLANNING AND SAILING

The research and mapping process led us to several findings. The most important finding that led us further in the project, was the observation of weak points both conserning physical and technical aspects regarding the whole layout of the bridge. We found many elements that where unlogically placed, repeated and ergonomically unsatisfying.

LOG AND PROTOCOLS. Writing down when going in/out from platform zones etc. FIRE AND RESCUE ZONE

NAVIGATING IN/ OUT FROM THE DOCK

KITCHEN OFFICE

PORT

STARBOARD DP ZONE

Dynamic positioning (DP) is a computer controlled system to automatically maintain a vessel's position and heading by using its own propellers and thrusters

LOUNGE

BACKBRIDGE

From the dummy building, the navigation zone on front bridge

Excisting bridge plan Dummy 1:1

Important points of interest in the project anchored in findings and research. 7

VHF: rig

MONKEY

BLACK BOX

F FRONT BRIDGE

Captain

BRIDGE DECK

LIVING

EMPLOYEES

BACK BRIDGE

Chief officer

1st. officer

CAPTAIN

FIRE

C-DECK

INSTRUMENT ROOM

CHEIF ENGINEER

OFFICE

1ST. ENGINEER

CHIEF OFFICER

CHIEF STEWARD

Captain

Chief officer

Chief engineer

1st. engineer

Electrician

LINEN

RESCUE BOAT

GYMNASIUM

CREW

MOORINING DECK

B-DECK UHF/phone: loading/unloading, land/rig

CREW

2ND. OFFICER 2ND. OFFICER

B-D

AC-ROOM

GALLEY MESS CREW

SMOKER’S DAY ROOM

CREW

UHF/phone: errors/loading/motor consumtion

CREW

DAY ROOM

A-DECK

B-DECK

2nd. officer

Chief steward

Sailor

A-DECK

CREW

PROVISION ROOMS

CREW

A-D

CREW

MORGUE DECK PANTRY WARDROBE RESEPTION

Sailor

Chief steward

MAIN DECK

HOSPITAL RESQUE AREA PROPULSION LOWER

1st. officer

1.ST OFFICER

C-D

PROPULSION UPPER

2nd. officer

ELECTRICIAN

RESCUE BOAT

ENGINE CONTROL ROOM

DECK PANTRY

LAUNDRY INCINERATOR ROOM SWITCH BOARD Electrician

ENGINE ROOM UPPER

Sailor

TWEEN DECK

WORKSHOP

THRUSTER ROOM

ENGINE ROOM LOWER

1st. engineer

Chief engineer

Engineer

TANK TOP

TA N

REM HRIST HAS 14 EMPLOYEES. MINIMUM STAFF IS 13 PERSONS ACCORDING TO SAFETY REGUALTIONS PEOPLE AT WORK

Filtering Maritime Traditions 19

TANK TOP

Chief engineer

Sailor

TRIP TO THE NORTH SEA

Findings

signage no clear There is selected the one

on which

Platform location

zone that

Higly concentrated

Drone zone

Positive features

Coffee consumption

Negative features

are

Observations

Connections

Movement

Repeated activity

Connected devices

The Yerkes–Dodson law

s sta g device the steerin put into a ant that are It is import sition when they po the right mode

Performance

A claimed empirical relationship between arousal and performance

Ex ha

yt al t He

Intended Performance us

tio n

e on which

signag no clear There is selected the one

Actual Performance

n si o en

C zone (Creative Calm)

Fatigue Zone

t are

zone tha

VHF r

DP monito

Breakdown & Burnout

Ill Health Arousal

UHF

zones ich of the defines wh m front bridge, selector fro The mode . Have to change g ive e win that’s act the bridg and e, back bridg

Panic Zone

Performance Improving

moving they are e baly when zone hav cates ver The new Communi e to the other. officers zon from one over by one of the en to be tak

WHAT?

ning

ic Positio

01 Dynam

ector

c rm Communi 02 with platfo

Mode sel

WHERE?

UHF

Control ch rm with platfo

Backbridg

nts

Instrume

w to Calling cre

get

d things fixe

nds

. and familiy

h frie Talking wit

Watching etc.

movies,

en g time wh 04 Loggin platform zone of going out

and tic time, a lot of sta ing There is of time sitt nd a lot they spe

h y place wit is the onl The office connected to the er a comput the bridge on tt, rne inte

footbal gam

DP monito

most of the (p4) is on the The radio all the phases of ing time dur trip

unication

03 Comm

ths

WHAT?

holder The cup other pens and

02 Azimu

ning

ic Positio

01 Dynam

ndl od and frie Have a go rm tfo on the pla

Backbridg

to h Would like o the closer to

rkers

h the wo

y tone wit

WHERE?

on The mouse orly p chair is po

WHO?

VHF Thrusters

Radio ok

04 Facebo

aper

03 Newsp unication

WHO?

02 TV

WHERE?

01 Comm

03 Meetin section

WHERE?

Frontbrid

e Back bridg

WHO?

ridge

ge,

brid on front e is placed les recque zon m all ang The fire and is not good fro ess so the acc

01 Frontb

and classifi area a lot, bridge meeting Like the gs on the best thin one of the

WHO?

placed ent sensor a movem the crew fall a There is cabin f, if one in in the roo rm goes of in the ala s cer sleep, an offi the other to one of

es it as them to they’ll tell rk centrate us on wo e to con y can foc If they hav irs so the downsta go back

on the working that’s not with them. the crew Like that e up and hang out bridge com

GOING OUT FROM PLATFORM

h the

often wit trol chair, In the con the panels feet up on

tral

SAILING

WAITING

cen ced more to be pla rview the zone Would like have a better ove ld so they cou

ced in the often pla pen. , the cup of coffee nts. Accidents hap Drink a lot me the instru middle of

THE WHOLE TRIP

DAY 4

DAY 2

DAY 3

s o record ckbox, wh also a bla bridge. So if There is nd on the go back all the sou occurs they can pened nt what hap an accide ck che and in the log

nt bridge

dge to fro

m back bri

Move fro

LOADING TO/FROM PLATFORM

WHAT?

AMOUT OF TIME SPENT IN THE DIFFERENT ZONES 13,5 H

LOADING TO/FROM LAND GOING IN/OUT FROM DOCK

2,5 H 51 H

SAILING WAITING ON PLATFORM

6,5 H 11,5 H

LOADING TO/FROM PLATFORM

2,5 H

GOING OUT FROM PLATFORM

and in active

e time, nam 03 Loging and destination rm of platfo wn the log

hair m

lot ing up a zone is tak ral The log is uncent placement

operator bar on the bad. mics are the handle the ergono placed and

of space,

p with Have a lam on visi the night

and the

which red light,

Can

Write do

is good for

panel, and

to the connected te no chair wri There is there and to stand is to low

ok. ly in a bo

over the

lights off have the Need to ht ing at nig while sail

VHF

UHF

Clearance platform

from

Sailors on

deck

t an alarm

VHF ilot

The autop

st of is used mo

the time

from the

ector

ced e to be pla w panels hav Steering to get a proper vie at of the bo

r ers

03 Thrust

unication

nts

Instrume

02 Comm

WHAT?

Conning,

pulsion,

RpM, pro

to sho reference sea as a boat Use the ion of the and direct

dle in the mid

direction

01 DP ridge to

m frontb

Moves fro

cating Communi WHO?

bridge to

y when y to clearif

verbal

el of

ilot

05 Autop

dge front bri

Bri

move a lot

ol chair

Contr

around the

Frontbrid

ile being

n wh cooperatio

in this

The digital

WHO?

map is a

ning the

all for pla

bit to sm

the el where in the pan to be, they use the hole sed To cover is suppo ate panel Bridgem el wood pan

in front of

en h land wh cation wit Communi from dock. ut boat, going in/o e of the the nam destination Reporting and e tim departure

the emer-

VHF

trip

unication

WHAT?

ments 02 Instru ate to Bridgem

eMate

WAITING

01 Bridg

dge wing

m the bri

dge

to front bri

SAILING

Moves fro

05 Mode

selector

04 Comm

03 View

connected

WHERE?

g Bridge win

WHO?

Telephone

UHFUH

DAY 1

Ship O`hoi! 6H

03 Map

unication

WHAT?

01 AIS

02 Comm

idge inly backbr

rkers

Dock wo

Sailors

WHO?

DUSAVIK

mputer

WHAT?

02 Co

01 AIS

WHERE?

DAY 5

e, backbridg screens on to frontFour IAS be moved one could bridge

Harbour

Deck

WHERE?

the differe

lean ck. Has to that ut from do form going in/o per view. Exept side when ing for a pro bridgew e to get to the sid t they can use the tha like y . the in and out navigating

ths

WHERE?

ced right

is pla dgemate

01 Azimu

ht from

High lev zone

HF/phone

04 VHF/U

03 Map

02 Radar

WHAT?

back bridg

ar sig have cle Need to idge to backbr

WAITING ON PLATFORM

Thrusters

one of

sition of

ay fro move aw Have to and UHF. the VHF

s nt device

are ble, and el is porta dgewings bri emate pan The Bridg be used on both to supposed

backbridg

Backbridg

GOING IN/OUT FROM DOCK

WHERE?

ering to

m the ste

see the po

Need to

, y can use ch fuel the on how mu to give this info trictions important Have res ments are the instru

on device

placed in nnels are d to cation cha dge, but are har els. bri Communi ces on the by wire to the pan many pla connected reach and

display

ecially size, esp d The font hard to rea is small and

sion

w propul

DP monito

s delivering -supplier k of the erent sub loo a lot of diff t make the total There is tha sp devices, cult to gra different ssy and diffi me ge brid

the y to see so it’s eas ppliers e lights, usters hav - different sub-su Some thr n’t . Some do ons siti po

ling

while sai

ning on the con

en ce, and oft in it’s pla piments are never other equ and UHF The VHF joystiks or und the aro rled twi

Mode sel

ment

k environ

the aut al to use rofession tforms. ered unp pla It’s consid ters or near the wa in narrow

d for

s placed and device

and a dar

opilot

e to receip

e emerg also receiv

rces from

light sou

physica

ulary hav They reg autopilot ency calls

rest is use

on the arm r placed gs r small thin

panels have the chairs operator

peting a lot of com There is s at night the device

st guard

With coa

tform

With pla

LOADING TO/FROM LAND

cation m

chinists

With ma

on deck

With sailors

WHO?

kbridge

Mainly bac

and

DUSAVIKA Planning the route

DUSAVIKA

from the avaiable w AIS is also m, the whole cre roo e informa machine to the sam has access . tion

03 Map

ming

and progra

is ital map of the dig it’s The screen planning and for a bit small operate coto d har

Would like

ng zone

ted planni

a dedica

Dusavika

Stavanger

access

We tried to gather all the information we gained through the research phase, with the research trip as a main reference. We combined concrete info on use and patterns of movement etc, with observations and findings. GIGA-mapping is a refined method for visualizing information, that need a good platform.

NS TIO DI

T FI L

Systems Oriented Design is an approach on systems thinking where especially, visual methods are used differently in the processes. â&#x20AC;&#x153;The uniqueness of this approach is bringing together generative visualization based processes with large amounts of real life information.â&#x20AC;? (Systems-oriented design and sustainability by B. Sevaldson, M. Hensel, B. Frostell p.6)

ING ARI M

Drawing Rem Hrist x Bow

all the

FRONTBRIDGE Fire alarm central GMDSS alarm system Watermist system Wather tight doors overview Engine telegraph PS/BS Lantern controller

Log book

INMARSAT message terminal Protocols VDR remote panel Gas detection control panel Defroster Istrument light dimmer Fire doors switch MF/HF/DSC radio

Emergency fire pump start/stop

Emergency stop 1-5

Central alarm/fire alarm Azimuths/thrusters

L: Echosounder/AIS/speedlog

Input connected to instrument

R: Gyro operator 1+2/gyro change over distributor

Autopilot

Alarm panel Mode selector

Digital map and camera

Digital map

Typhon controller T

Radar (3/10 freequence)

Ulstein IAS alarm system

Keyboard attached to map/radar

L: GPS navigator 1+2 Bridge Alarm Control Panel (BAS)

Oil detection & vision system joystick Light switches and windscreen wiper

R: Direction finder/power/propulsion/ thrust/rotation/dimmer/wind display Conning display

Dimmer light concole/typhon Searchlight controller

Speedlog repeater Outdoor lightning

Phone

UHF

VHF

Soundpowered telephone

MF/HF/DSC radio

Phone list

Joystick Dynamic Positioning (DP)

ULSTEIN IAS

Dp monitor

Command system

BACKBRIDGE

Filtering Maritime Traditions

5 Through a long study of the maritime design, we found some important explanations for the existing design: 1. concerning money 2. the maritime conservativ traditions. These are two important reasons why a lot of the functions and layout on the bridge have not had any revolutionary changes, even though advanced technology has revolutionized the profession. Due to technology, we are now able to design in completely different formats. But the design has so far stayed in its same cover with just small changes. We challenged the existing paradigme by filtering the traditions from a new and critical point of view.

BRIDGE WING 180 CM

180 CM

View Plan View Section Render Interiour 24

Filtering Maritime Traditions

Arctic villa

Medium / small Scale 5 year AHO / Spring 2012 Prof. Neven Fuchs-Mikac Teacher team: Torun Stensheim, Jonas Norsted joana Sa´lima. Guest Prof. Harry Gugger / EPFL Duration: 1 semester

Considering the enormous distances in the Barents area we believe that commuting will eat up far too much time from the daily life. We looked upon an “arctic architecture”. The extreme nature in the Arctic poses the greatest challenges, but humans have already settled and created micro climates liveable for themselves in many different climates, from the harsh cold of the arctic, to the moon. Somehow the architectural introvert expression remains the same in all cases. In research about settlements in the far outposts, we found housing generated through high tech knowledge and low tech architecture.

Through research, exploration and development of a sustainable strategy and new patterns for territorial and urban constitution for the Barents sea Topics divided into groups as ecology & environment, economy and energy, governance, spatial organization and transportation viability. Considering the North East route as a active base for building physical and economically.

There is no tradition of arctic living for the modern human, settlements are developed through need of space and as a shelter for the arctic climate. Arctic architecture is currently characterized by compact pragmatic design similar to space capsules. The design is optimised to meet the extreme conditions, but are limited in the architectural approach. The design is high tech and introvert and doesn’t have any clear connection to the surroundings and the context.

The work continued into individual architectural design in several steps, based on different architectural programs, discussed and negotiated during the development of urban constitution. Requirement to research, analyse and document conditions and personal architectural arguments lead to the choice of the project on a given site.

The idea of an arctic villa is an attempt to create an architecture for the rural and remote places, and was developed through discussions. Architecture for people that values the proximity to nature and wildlife and the extreme changes through seasons. We don’t believe the urban setting is the solution for this, rather that small communities appear. An adaptation that enables and value the qualities in the north.

The last frontier of human occupation on earth, in an extreme geographic situation was used as my base for the project. A “solid space” crossed at different depths and in different directions by distinct flows of people, goods, energy, information and money. Sustainable habitation was the base for «Arctic villa»

This is where they settled. The people. Inbetween two eternities

The Sea : Endless

Vidda : Endless

Illustration from BAS

SYNTHESIS

NAGURSKOYE

KRENKEL

A Territorial Motion NY-ALSUND

LONGYEARBYEN SVEA

HORNSUND

DEEP SEA DELTA

POLAR PIONEER

AKER BARENTS

BELUSHYA GUBA

SEVAN FPSO HONNINGSVAG

TROMSO/

HASVIK

ANDENES

SKJERVOY STORSLETT

FINNSNES BARDUFOSS SORTLAND HARSTAD NARVIK HENNINGSVEAR

HAMMERFEST

GAMVIK KJOLLEFIORD VADSO

BATSFJORD VARDO

LAKSELV KARASJOK

BJORNEVATN

KIRKENES

ZAPOLYARNY ZAOZERSK POLYARNY SEVEROMORSK

PRIRAZLOMNAYA

NIKEL

KILPYAVR

MURMANSK

OLENEGORSK

KIRUNA SVAPPAVAARA

KOVDOR

MONCHEGORSK APATITY AFRIKANDA

GÄLLIVARE ALAKURTTI

OSTROVNOY

KOLGUEV

VARANDEY

ARCTIC VILLA BARENTS AREA / KATHINKA MAGNUS

FROM

All elements of the module in portable sizes, estimated to and big elements with The idea of the Arctic Villa was created through discussions about the future development of the Barents area. Its hard to predict how future sivilasation will live in an area with extreme conditions and with huge distance from sivilasation.

WEATHER High humidity Almost always cloudy Low temperatures Strong winds Snowstorms

The idea was to create homes for people who live in the most remote places, eather by wish or need in terms of work.

Container 6m x 2.59m x 2.89m

NIGHT AND DAY 75Â°N SVALBARD

A house to live in the Arctic. Shaped to cope with harsh conditions. Prefabricated and put up on prefered site simple and fast in different configurations according to need.

A J

69Â°N TROMSĂ&#x2DC;

THE PROGRAM AND ITS FOCUSPOINTS

INSIDE

OUTSIDE

ENTS

BAR

The relation between inside and outside // Avoiding commuting // Focus on the qualites in the north

FLEXIBLE WALLS

THE IDEA OF A MODULE

Flexible walls enables furniture to be a part of the interiour or be hidden to free space.

Halley VI The British Antarctic Survey

A more symphatic expression

Moudul as a system

Modul as a house / home

Limit outdoor spaces

Expand according to demand

plan

Interiour wall folded out

SPACES EMBRACED BY GEOMETRY

Branching

Embracing Creating microclimate or secure zone in areas with f.eks polarbear.

Adapting Konfigurations placed by need, with natural or wanted division according to surroundings.

Scattering Placed by need, or naturally divided by topography.

Interiour wall folded out

Shaped through a need or wish to expand. Creating zones or longer arms to free view to the landskape.

Possible future scenario at sea

4240mm

Hallyey VI The British Antarctic Survey

5680mm

M FACTORY TO SITE

CROSS SECTION 1 : 20

fit for transport by truck and ship. Small elements stacked in containers, the same dimensions as a container.

Pressure equalization chamber and ventilation channel for the construction 84mm Massiv wood 90 mm Vacum insulation plates 54 mm Massive wood 20 mm Laths Grp metalskin Metalangles carved into massivewood. Bolted together on site Sandwichvelement of inner 84 mm massive wood, 90 mm insulation and the outer layer of 54 mm massive wood. Joined together by metal bolts inbetween the insulation. Koldbridges avoided by double layer of windstop plates at critical joining points Brackets of the metalskin joined together by bolts. 200mm steelpoles Steelfoot boltet directly on the elements

HIGHT OF POLES

ENERGY UNIT Providing the structure with energy, wather and recirculates grey wather

0.5M

1.5M

E E

Sewage

6000mm

1 2

3 4

10 m 1 : 200

BRANCH

HING

EMBRACING

ADAPTING

1 2

3 4

10 m 1 : 200

JORGE AMADO STAMP

Design de Comunicação 3 FAL Lisboa / Fall 2010 Duration: 10 Days

Envelope C5 (165 x 229mm)

€ 0.64

Noway

LISBOA CTT

2010 . 10 . 18

CIMENT

Jorge Amado

100 Anos de Nacimento

0ANOS D

CIMENT

0ANOS D

RGE AMAD

Olive Amalie Magnus Gustav vigelandsvei 9b 0321 Oslo

LISBOA CTT

Jorge Amado

100 Anos de Nacimento

2010 . 10 . 18

Portugal

Jorge Amado

100 Anos de Nacimento

€ 0.64

4 Stamps & seal; 2012: 100 Años do Nascimento de Jorge Amado The stamps included; Value of stamp, “Portugal” & the theme. Jorge Leal Amado de Faria (Aug. 10, 1912 — Aug. 6, 2001) Brazilian writer of the Modernist school. He was the best-known of modern Brazilian writers. I took inspiration from his most famous work Dona Flor and her Two Husbands (Dona Flor e Seus Dois Maridos). Which was made film of in 1978. The movie is known for the erotic moments with her first husband and how she miss it in her second marriage.

Jorge Amado Dona Flor e Seus Dois Maridos 36

€ 0.64

Portugal

€ 0.64

€ 1.92 Jorge Amado

Jorge Amado

100 Anos de Nacimento

Portugal

€ 0.64

Jorge Amado

100 Anos de Nacimento

Jorge Amado Portugal

2010

Anos de 100 Nacimento

Jorge Amado Stamps Design de Comunicação 3

“My Arcadia”

Invenão do Espaço através das Artes e da Imagem FAL Lisboa / Fall 2010 Duration 1 week

Invenão do Espaço através das Artes e da Imagem 39

“My Arcadia”

The course focused on Invention of space through the Arts and Image. We where given the free task to show our arcadia. At that moment I was a bit homesick, I missed the cold winter and the dark. Though I was enjoying my stay in Lisbon. The idea behind the book is that “my arcadia” is a balance between home / away, job/spare time, Cold/ warm winter, friends, family / and time for myself

“My Arcadia”

CULTUREHOUSE IN GRORUDDALEN

Urbanism small scale 3 year AHO / Spring 2010 Prof. Peter Hemmersam Teacherteam: Mirza Mjezinovic, Halvor Ellefsen, Ellen Hellsten & Carl-Julius Claussen

Culturehouse in Groruddalen

Ba rri er er

/B ar

rie

re r/ ba rri er er

/b ar r ier e

Groruddalen is a confused multitude of small imagined community. Shopping centers act as a substitute for cultural meeting places. The valley consists of lagre areas of variation in the low / high density, based on the topology. The distances seem large, but the reality is that it is walking distanceto most areas. Bicycle and pedestrian paths are then dominated by heavy traffic.

Buss

Kino

Ă¸vingslokale

Undergang

Parkering

Situasjon 1:500

Culturehouse in Groruddalen

The valley has the same qualities as the Oslo West, such as the forest and proximity to the center. Inherited by the RED politically working class society. The current situation is made up of large percentage of young immigrants, and other socio-cultural factors have a poor service to young people, in terms of numbers and need. The Grorud trainstation is located central in the valley. It joins industry, nature and has a possibility to be a central point for public transportation for train and buses. The Culture center aims to attract these young people, so that they have a safe and healty place to “hang out”.

Gang fra tog

Resepsjon // Billett // Cafè

sitt

lasse

The site is at the old train station. Analyses shows the natural closing line between being at / or not being at the station. The borders close eather by the highway “østre aker vei” or naturaly by the topography and sight of the site.

KINO

Kiosk & billett

Kontor

Bar

Liten sal

Black box Bar Lager

Black box

1 plan 1:200

Øvingslokale // Kafè

Kino

Parkering

Kino

Foajè

Greenrom // sminke

2 plan 1:200

N 1

Culturehouse in Groruddalen

3 &4 plan 1:200

The consept of the Culturehouse was to create a contrast with the industrial landscape that passes when you take the train. The base was a forrest that acted as the hall between the different functions. The buildings where divided into Cinema, Theather, youth house, cafĂŠ and a car park. The Construction was mainly brick and glas.

Tekst tekst tekst tekst tekst

Culturehouse in Groruddalen

CREATIVE PRODUCTION

Urbanism 3 year AHO / Fall 2010 Prof. Lars Haukland Teacherteam: Mirza Mujezinovic, Floir Daub & Sondre Gundersen Collaboration with: Camilla Erikstad & Rebecca Calder Duration: 1 semester

Creative Production

The goal was to create a district with room for creative production. We used the theory of the creative class importance for economic growth in the city. The vision was to trigger contrasts the application and user, to create diversity and frictions.

P f p li s m

With a plan to make a high densitiy area, we wanted to establish three specific zones, controlled by a particular organ, preferably The municipality, this achieved to preserve the building, hold back gentrification and to make holding room for creative production. Keeping away from private investors and keep public availability. The areas are seperated by green structures and different textures on the ground bordering areas. The rooms are protected against building and can be beautiful performances of the uninhabited green, popular and creative. experienced.

FRA VEIKRYSS TIL EN SKAPENE OG IMPULSIV BY Moss ønsker å bygge en identitet som kulturby. Dette videreføres, men ikke i den tradisjonelle galleribyånden. Momentum biennalen for nordisk samtidskunst er allerede etablert og et godt utgangspunkt å bygge videre på.

G OG G BL OG G BL OG BL

I MOSS

Som småby er det nødvendig å skille seg ut, Moss har behov for nye livsformer, rytmer og attraktive rom for å skape en positiv assosiert identitet.

BLOGG

REBECCA CALDER // KATHINKA MAGNUS // CAMILLA ERIKSTAD // GK 5 // FREMTIDSBYER PARTY

GERILJA

IN ER IS TR IF

TILFLYTTING 60 000

50 000

40 000

Ca 30 000

FLOATING MARKED hver helg i kanalen SYKKELVEI / PROMENADEN FORTETTING FORTETTING ATELIE ATELIE/BOLIG utviding av atelie

G EN

Målet er å skape en bydel med rom for kreativ produksjon. Vi har tatt utgangspunkt i teorien om den kreative klassens betydning for økonomisk verdiskaping i byen. Visjonen er å trigge kontraster i program og brukergrupper, for å skape mangfold og friksjoner.

KREATIV PRODUKSJON

BOLIG bolig bolig boligboligbolig BEPLANTING FISKETORVET / BONDENS MARKED ÅPNER GANG OG SYKKELBRO VED FISKETORVET TUNGTRAFIKKVEG legges om BAND ØVING i teglbygg Eget øvingshotel GERILJA MOMENTUM får fast lagringsplass på tomten 2010

2015

2020

2025

2030

2035

For å grunnlegge et område med kreativ produksjon blir en gruppe mennesker med ulike egenskaper innen levende kunst og kultur plassert på tomten. De vil med jevne mellomrom utføre forskjellige stunts. (Gratis utekino, konserter, lys show, temporære installasjoner, dans etc.) Målet er å skape blest om området. Engasjere og skape interaksjon mellom ulike brukergrupper.

fortettingfortettingfortetting lattelige dyre atelie SYKEHJEM

2040

2045

TIDSLINJE

BESTEMTE SONER: Det etableres 3 bestemte soner, styrt av et bestemt organ, fortrinnsvis Kommunen, med dette oppnår man : Å bevare bygg, Å holde igjen gentrifisering Å oppretteholde rom for kreativ produksjon. Å holde unna private investorer Å sikre variert utnyttelsesgrad av innhold og miljø. Sterkere offentlig tilgjengelighet

MANGFOLD

Grønnstruktur og ulik tekstur på grunnen avgrenser områdene. Rommene vi beskytter mot bygging kan bli vakre forestillinger av det ubygde – grønt, populært og kreativt. Gjennom tomrommene kan det mest kjære og verdifulle oppleves. Igjen ligger de ubestemte sonene, hvor private aktører kan regjere fritt.

KREATIV PRODUKSJON

52 MODELLFOTO

TION IN MOSS

G OG G BL LOG GG B LO B

d ”. L ” of o s h

BLOGG

PARTY

s s al g n

GUERILLA CULTURE

Creative Production

mellom ulike brukergrupper.

Grønnstruktur og ulik tekstur på grunnen avgrenser områdene. ATELIER/KUNSTHALL BARNEHAGE Rommene vi beskytter mot byg-BONDENSMARKED ging kan bli vakre forestillinger avBÅTHOTELL det ubygde – grønt, populært ogFORLAG KLATRESENTER kreativt. Gjennom tomrommeneKUNSTERBOLIGER kan det mest kjære og verdifulleKUNSTERBOLIGER LITTERATURHUS oppleves. OG Igjen ligger de ubestemte sonene,METALL GLASSVERKSTED hvor private aktører kan regjereMOMENTUMS HOVEDKVARTER fritt. SLIPP SYKEHJEM ØVINGSHOTELL

KREATIV PRODUKSJON B

B C

BONDENSMAKED

MODELLFOTO

Cityscape

SpeciďŹ c zones

Roads

Plot

Elevation from sea

Creative Production

LITERATURE AND STUDIOS:

MUSIC AND METAL:

plan and section AA

Music and metal

Litterature and studios 17

LITERATURE AND STUDIOS: THE SPECIFIC ZONES

Cityscape

FOOD AND ART PASSAGE:

Food and Art Passage

The existing butcher and ﬁsh shop are expanded into a farmers market with a restaurant. The passage has changing exhibitions, and the open space provides room for temporary installations.

Speciﬁc zones

Music and Metal:

This zone also composes different artistic expressions.The hall with a vaulted ceiling is for metal and glass workshops. The brick building on the waterfront is a rehearsal hotel for musicians. The brick building behind the Boat hotel is the headquarters of Momentum, the Nordic Biennial of Contemporary Art. The large open space allows for monumental sculptures. There are also studio dwellings connected to the various ﬁelds of artistic enterprise in this zone.

Roads

Plot

Literature and studios:

Audiatur is a publishing company already established in the area. Printing facilities ﬁll the old brick building. The enormous plan andexhibisection BB white hall is used for studios, tion hall and storage. The north end of this zone has many studio dwellings. A house of literature opens directly out to the promenade.

plan and section AA

plan and section CC

Food and artcenter 17

Elevation from sea

Nordhavnen

Medium Scale 2 year AHO / Spring 2009 Prof. Bente Kleven Teacher team: Arne Eggen, Einar Dahle, Solveig Sandness and BjĂ¸rn Sandaker. Duration: 1 semester

BUKT, PERSPEKTIV MOT NORD

FISKEBRYGGE

HALVKLIMATISERTE MELLOMSONER

ANKOMST FRA VEST

UTENDØRS GALLERI OG ATLIEER

Nordhavnen

informationcenter at the harbour

The given area is situated south-west on Nordhavnen in Copenhagen. In the end of a fictitious cruizship port. INTERNASJONAL

INFORMASJON Mediatek Resepsjon Infosenter, havn

One of our most important focuspoints was to create a place REGIONAL with social sustainability.

KULTUR Bibliotek Galleri Amfi

NORDHAVNEN, DANMARKLOKAL

The main action was to explode the program to a pavilion structure to achieve greater flexibility. This move links the buildings around a new public space with fishing pier, swimming, skating rink, outdoor gallery and amphitheater. The organization was intended for local, regional and international influx, then given primary needs.

REKREASJON

Restaurant/ Cafe

TILSTRØMNING

INTERNASJONAL Fiskebrygge

INFORMASJON

REGIONAL

KULTUR

Badeplass Skøytebane

TILSTRØMNING

INFORMASJON Mediatek Resepsjon Infosenter, havn

PROGRAM REGIONAL

KULTUR Bibliotek Galleri Amfi

REKREASJON

LOKAL

TILSTRØMNING

Mediatek Resepsjon Infosenter, havn INTERNASJONAL

Bibliotek Galleri Amfi

PRIMÆR BEHOV

HOVEDINTERRESER

The ambition with the project was to create a new typologi that would cultivate the “deserted” park. In the social sustainability for the public building we put a focus on activating different users to different hours of the day and seasons.

Restaurant/ Cafe Fiskebrygge LOKAL Badeplass Skøytebane

PRIMÆR BEHOV

PROGRAM

TILSTRØMNING

REKREASJON

Restaurant/ Cafe Fiskebrygge Badeplass Skøytebane

PRIMÆR BEHOV

PROGRAM

Given the program’s relationship to public space, other building volumes and needs, as well as the desire for proximity to the water, the landscape differansiert in levels. As a formal catalyst, we chose to use seaweed, algae and various microorganisms. These were abstracted to physical models, which were then interpreted based on the spatial units and structures they gave.

HOVEDINTERRESER

EXTERNAL PARK SIRKULASJON

EXTERNAL PARK SIRKULASJON SKØ Y TE &

BADE

OFFENTLIG PLASS M PROGRA

EXTERNAL PARK SIRKULASJON

ANKOMST FRA VEST

SKØ Y TE &

BADE

OFFENTLIG PLASS

M PROGRA

SKØ Y TE &

BADE

OFFENTLIG PLASS M PROGRA

Konkretisering

SITUASJONSKART

snitt B

sni

Lokal tilstrømning - restitusjon - restaurant / cafe / fiske / bade / skøyte Regional tilstrømning - kultur - galleri / atlier / bilblotek / amfi

snitt A

Internasjonal tilstrømning - informasjon - informasjon / mediatek / møterom

KATHINKA & JAN, GK4

HALVKLIMATISERTE MELLOMSONER

KATHINKA & JAN, GK4

KATHINKA &

UTENDØRS GALLERI

Nordhavnen

SAL

TOALETT & BADEHUS BADEPLATÅ

AMFI

STUPETÅRN

SCENE

FISKEBRYGGE FISKEBRYGGE

TOALETT & BADEHUS

BADEPLATÅ

SAL

TOALETT & BADEHUS BADEPLATÅ

AMFI

STUPETÅRN SAL

SCENE

Snitt

Snitt AA

Snitt BB

Snitt CC

Snitt EE

Centre for asylum seekers

Medium Scale 2 year AHO / Fall 2008 Prof. Bente Kleven Teacher team: Arne Eggen, Einar Dahle, Solveig Sandness and BjĂ¸rn Sandaker. Duration: 1 semester

centre for asylum seekers

Centre for asylum seekers in the middle of a high densitiy area in Oslo. The given area had a triangle form. I wanted to create a home for the temporary asylumseekers. A positive and welcoming atmophere throughout the building and to the surroundings. A welcoming groundfloor for users, workers and neighbours. Inspired of Eileen Gray folding screen. In the first fase I was fascinated by the light it gave to the room and how the pieces could be used as constructing walls in solid woodz.

Moddel facing south. Lightstudy in model

centre for asylum seekers

KLEDNING

ISOLASJON

VINDSPERRE

1 ETAGE PLAN 1:50

DETALJ A 1:20

SNITT 1:50

KJØKKEN BAD VASKEROM HEIS

DETALJ B 1:20

2 ETAGE PLAN 1:100

DETALJ B 1:20

2 ETAGE PLAN 1:100

3 ETAGE PLAN 1:100 3 ETAGE PLAN 1:100

2 ETAGE PLAN 1:100 2 ETAGE PLAN 1:100

4 ETAGE PLAN 1:100 4 ETAGE PLAN 1:100

ASYLMOTTAK Overgangsbolig for asylsøkere på adamstuen

A A

SNITT 1:50

KJØKKEN KLEDNING

SNITT 1:50

BAD

VINDSPERRE ISOLASJON

VASKEROM DETALJ A 1:20

HEIS

KJØKKEN B

KLEDNING

BAD

VINDSPERRE ISOLASJON

VASKEROM DETALJ A 1:20

DETALJ B 1:20

B 1 ETAGE PLAN 1:50

2 ETAGE PLAN 1:100

HEIS

centre for asylum seekers

end // start