Kathryn Stankus 2017 Portfolio by Kathryn Stankus

Kathryn Stankus

Portfolio

Education Pennsylvania State University

Masters of Architecture Anticipated graduation date - May 2017

Boston Architectural College

Bachelors of Design Studies - Architectural Technology September 2009 - May 2013 Transferred 2 years of credits from Rutgers University.

State College, PA

Boston, MA

Achievements 2014-2015 Academic Year

Fall Semester Scholarship and Teaching Asst. Position First-Year Graduate Design Excellence Award Outstanding First-Year M.Arch Student Award (Cash Award)

2015-2017 Academic Years

Fall Semester Scholarship and Teaching Asst. Position

Skills Marketing layouts and design, organization and maintenance of office collateral material Orthogonal Drafting: Plan. Section, Elevation Perspective and Axonometric 3D computer modeling for design collaboration and marketing materials Rendering techniques used to created photorealistic images and other project presentation materials

Program Experience Proficient: AutoCAD, Revit, Sketchup, Adobe Creative Suite, and Podium rendering Developing Skills: Rhinoceros, Python, and 3ds Max

Resume Experience Timber Rock Homes, LLC Drafter

Bellefonte, PA September 2016 - Present

Pennsylvania State University

State College, PA Teacher’s Assistant (Nathaniel Belcher - Fall 2014, Ross Weinreb - Fall 2015) Fall Semesters 2014 and 2015 Teacher’s Assistant - First Year Studio (James Kalsbeek, Cathy Braasch) Fall Semester 2016 Stuckeman Wood Shop September 2016 - May 2017

The Home Depot

Customer Service Representative, Head Cashier, Millwork Specialist

Natick, MA and State College, PA May 2010-September 2015

Gorman Richardson Lewis Architects

Hopkinton, MA Marketing/Graphics Coordinator, Designer, Administrative Assistant September 2011-July 2014

Boston Architectural College

Teacher’s Assistant (Richard Griswold), Student Development Team Member

TMP Consulting Engineers Secretary/Office Assistant

Boston, MA January 2010-January 2011

Boston, MA August 2010-December 2010

Contact A. 1 West Lake Shore Drive Tunkhannock, PA 18657

P. 908-227-4947

E. kathryn.stankus@gmail.com

Professional Experience

Gorman Richardson Lewis Architects Hopkinton, MA

In the different positions that I held while with GRLA I was apart of their marketing team where I collaborated on new material to be distributed, helped to prepare and deliver proposals of various size and scope, organized media for client presentations, and worked with the principals on any graphic work such as posters, banners, brochures, etc. As a designer I was part of various size project teams and worked through each phase of a design project from schematic to design development, construction documents and construction administration. The firm worked exclusively in AutoCAD but I was part of a team to start implementing Revit into the work flow and I was the only team member to complete a small project in Revit for the firm. I began in the firm as an administrative assistant where I maintained office filing, ensured general organization of supplies and materials, catalogued documents, transcribed field reports, and developed office standards.

CURVED WALL 3' - 1 5/8"

1' - 2"

CURVED WALL 3' - 1 5/8"

2' - 10"

1' - 2"

CURVED WALL 3' - 1 5/8"

3' - 2 5/8"

SIDE WALL 1' - 2"

SIDE WALL 4"

7' - 2 1/4"

2' - 4"

SIDE WALL 10"

5' - 11 7/8"

SIDE WALL 10"

2' - 4"

SIDE WALL 10" 8' - 6"

4' - 11 3/8"

B.O. GWB CEILING 3 3/8"

5' - 0"

4 1/4"

7' - 0"

1 3/4"

6' - 0 5/8"

9 3/8"

8 1/8"

4 3/4"

4' - 0"

8 1/2"

7 1/4"

7 1/2" 4"

7' - 0"

4' - 0"

6' - 0"

7 5/8"

5' - 0"

2' - 0"

7' - 0 5/8"

4 1/2"

5 3/4"

8 1/8"

4 1/2"

5' - 11 3/8"

7 1/2"

5' - 0"

5 3/4"

4' - 0"

3' - 6"

7' - 0" 8 1/8"

4' - 6"

2' - 8"

6 1/2"

1' - 0 1/4"

6' - 0" MID LINE OF THIRD LEVEL 4' - 6" MID LINE OF SECOND LEVEL

2' - 0" MID LINE OF FIRST LEVEL

0' - 0" 4' - 0"

5' - 0"

Spa and Salon Salem, NH Interior Renovations

6' - 0"

7' - 0"

4' - 0"

5' - 0"

6' - 0"

5' - 9 3/8"

LOWER LEVEL

Primary Software: Revit with AutoCAD support

The salon project was the first project that the firm chose to implement Revit Architecture. I am the only person in the office with the greatest knowledge of the program so 85% of the construction documents I created in Revit. I collaborated with my project manager to incorporate additional details and MEP drawings. The initial design was produced by the firms Design Principal. My responsibility involved taking existing condition measurements, developing the existing drawings and putting the new interior floor plan into Revit. I did however draft and plan out the wall elevation for the â&#x20AC;&#x153;Salt Caveâ&#x20AC;? so the wave pattern could be achieved.

Theater and Multipurpose Center Hopkinton, MA Restoration and Addition

Project Software: Renderings - Revit and Photoshop Construction Documents - AutoCAD

My involvement with this project started midway through the design process. Another associate started the Revit model and developed the basics. I went in after updated materials, added details such as windows, beams, lighting etc. The post processing was a joint effort between myself and another associate. My contributions to the renderings totaled 50%. Following the design phase, I became the only designer working on construction drawings so with guidance from my project manager the construction documents including the elevations below are my work. The project is currently in a Bid Phase and work on the drawings is expected to continue

Office Building and Warehouse Norwood, MA New Construction

Project Software: Renderings - Sketchup and Photoshop

Initially, I started in the middle of the design process for this project, with the model already completed. However after significant design alterations done by the design team, a new model was necessary. I developed the site model and building model for the redesigned project. I was responsible for the exterior and the lobby space of the building. Post processing was a joint effort between my design partner and I.

Academic Experience Graduate Work

Pennsylvania State University State College, PA

I made the decision to return to school to obtain my Masters in Architecture in order to work toward becoming a licensed architect. Participating in the Penn State Masters Program was a change from the environment I experienced at the Boston Architectural College in that it is a full time program which allows me time to work almost exclusively on studio projects as the supplementary classes often support the studio project. I have had the opportunity to learn new skills in the woodshop and with model making as well as developing my presentation and graphic material skills.

07 Seventh Floor 75' - 3"

06 Sixth Floor 64' - 3" 05.5 Athaneum Roof 58' - 0" 05 Fifth Floor 53' - 3"

04 Fourth Floor 42' - 3"

03 Third Floor 29' - 9"

02 Second Floor 17' - 3"

01 First Floor 2' - 5" 00 Ground Plane 0' - 0"

000 Basement -8' - 1"

0000 Basement -20' - 7"

---

St. James Place E1

EA Storage Mens

Auditorium Lobby

Coat Room

S. Randolph Street

Womens

6th Street

DN 2' - 5"

Entry

Grand Stair 0' - 0"

DN UP

Auditorium

Bar / Lounge Area

EB NA -

Open Offices

2' - 5"

EC NB

---

0' - 0"

Elevator 2

Storage

Stair 2

Conference Room

Mens

0' - 0"

Jan. Stair 3 DN

Bar Storage

Womens

Mechanical Plenum

Project Semester: Spring 2016

An Architectural Intersection Addition to the Philadelphia Athenaeum

Back Office Area

Project Software: Revit, AutoCAD, Photoshop

As one of my larger full design projects, this studio allowed me opportunities to advance my skills in Revit by choosing to model and diagram completely in the program. This project invited us to design within a historical setting that was connected in a unique way to the history of architecture. As a hub for integrative learning and study, the addition to the Philadelphia Athenaeum included a gallery space, auditorium, short term housing for resident scholars and additional storage and library space. We were able to work closely with the team at the Athenaeum and finished the studio with a reception in Philadelphia to present our projects to visiting members.

Structural Diagram

ADA Diagrams

Auditorium Lobby Womens

Mens

Bar / Lounge Area DN

Auditorium

Newspaper Room

Reading Room

Public Computer Clusters

Gallery Area

Life Safety and Occupancy Diagrams

Womens

Mens Coat Room

Storage

Mens

Womens

Auditorium Lobby

Entry Grand Stair

Bar / Lounge Area

108

Open Offices

Bar / Lounge Area

108

Auditorium 163

Elevator 2

Conference Room

Mens Stair 3

Jan. Womens

Bar Storage 1

Back Office Area 5

Stair 2

Mechanical Plenum

Governing Occupancy Category: Max. Exit Access Travel Distance: Longest Exit Access Travel Distance: Min. Linear Distance between Exists: Distance Between Exits: Max. Common Path of Egress: Longest Common Path of Egress: Req. Number of Areas of Refuge: Total Number of Areas of Refuge:

A-1 250’ 106’ 67’-4” 159’-10” 75’ 52’ 0 1

Occupant Load = 403 Required Egress Width: Total Egress Width: Required Stair Width: Total Stair Width: Required Exits: Total Exits:

Residential Components

City Model Gallery

05 Fifth Floor 53' - 3"

Guest Room

Closet

Toilet Room 04 Fourth Floor 42' - 3"

Sink Area

---

Suite Entry

Shower

403 x 0.2 = 80.6” 216” 403 x 0.3 = 120.9” 126” 2 5

05 Fifth Floor 53' - 3"

Guest Room

Closet 04 Fourth Floor 42' - 3"

---

ROOF GARDEN

HOUSING

ADMINISTRATION HOUSING

1 GALLERY

ATRIUM

Daylighting Analysis

AUDITORIUM

STORAGE

Longitudinal Building Section

Summer Solstice - 4pm (Altitude = 90, Azimuth = 30.7)

2 Vertical Sun Shades

http:/www.kawneer.com/kawneer/north_america/en/news/ releases/KawneerVersoleil_small.jpg;

3 Transparent Solar Glazing

http:/www.architecturalrecord.com/ext/resources/archives/ projects/lighting/2011/08/8_Novartis_Campus.jpg;

Low Profile Solar Roof Panel

http:/www.architecturalrecord.com/ext/resources/archives/ projects/lighting/2011/08/8_Novartis_Campus.jpg;

01 First Floor 2' - 5" 00 Ground Plane 0' - 0"

000 Basement -8' - 1"

Technical Systems Analysis

Project Semester: Spring 2016 Project Software: InDesign, Revit, Climate Consultant

Shading Study

Acoustical Analysis

02 Second Floor 17' - 3"

As I developed the project for our Studio I also engaged in researching and applying methods to aid in the efficiency of the building systems and functions. We analyzed site, wind, sunlight, thermal properties, interior lighting both by means of daylighting and artificial, and acoustical properties

Site Photos Precedent

The Library of the Long Now Project Semester: Fall 2015

Project Software: Sketchup, Illustrator, AutoCAD

Set 10,000 years in the future, our task was to develop a â&#x20AC;&#x153;libraryâ&#x20AC;? that would be relevant for years to come. This stemmed from the Long Now Foundationâ&#x20AC;&#x2122;s mission to preserve and maintain time and history. Our site was an established landmark, home to a rock shelter where they have found artifacts dating back 16,000 years. My design was reflective of the sight and the other elements on the site. I wanted to make a connection with the rock shelter and did this by orienting the main views in the building toward that building. The shape of the building was derived as forms of the earth relating back to the land the dynamic natural topography.

Executive Office 1

Small Office 1

Small Office 2

Large Office

Admin 920

Executive Office 2

Large Conference Lobby

920

Reception UP

File Storage W

Kitchen Cafeteria

920 Receiving DN

908

916

Medium Capsule Unit - 250 sq. ft.

Small Capsule Unit - 125 sq. ft.

Transportation - 15' Wide Flat Bed Truck

Lower Level Plan Scale: 1/2" = 1'-0"

OPEN TO BELOW

Upper Level Plan Scale: 1/2" = 1'-0"

Section B

Scale: 1/2" = 1'-0"

Upper Level Plan Scale: 1/2" = 1'-0"

Section A

Scale: 1/2" = 1'-0"

Section C

Scale: 1/2" = 1'-0"

Bicycle City

Project Semester: Spring 2015

Project Software: Sketchup, AutoCAD, Illustrator

Large Capsule Unit - 500 sq. ft.

Lower Level Plan Scale: 1/2" = 1'-0"

3 8

7 2

6 4

M 1

Area Map

Map Key:

Scale: N/A

Site

Metro Stop

Citi Bike Station

Designated Bike Path

Proposed Bike Route to Building Site

Upper Level Plan Scale: 1/2" = 1'-0"

Typical Floor Plan Scale: 1/6" = 1'-0"

Building Perspective

Section D

Scale: 1/2" = 1'-0"

Section E

Scale: 1/2" = 1'-0"

Scale: N/A

Geared toward the a younger generation of workers and commuters, the neighborhood of Vinegar Hill in Brooklyn, NY was the setting for the ‘Bicycle City’ we were designing. A multi family, multi use project incorporated specific unit types for bikers and commuters so that they could house their bikes specifically. The project also incorporated public spaces to integrate the new biking community into the existing one. My goal specifically was to create an urban environment that would be able to grow and expand into a small city within itself as the neighborhood redeveloped. The integrated system of units created various “meeting points” for residents, aiming to encourage the friendliness of suburban neighbors.

TYPICAL ROOF CONSTRUCTION: 1/2" G.W.B. (IF SHOWN) 2X8 WOOD FRAMING 3/4" PLYWOOD SHEATHING WEATHER BARRIER LIGHT COLORED SHINGLES

3 A3

35'-10" 1X6 TRIM BOARD

24'-0"

6'-6"

EL. 19'-6" T.O. FRAMING

24'-0"

STAIR

3/4" PLYWOOD SHEATHING

ST-1

WEATHER BARRIER VERTICAL CEMENT BOARD SIDING

FREEZER CHEST

WTR. 3'-0"

6'-0"

5'-0"

REF. #1

REF. #2

STORAGE

1/2" G.W.B.

102

10'-8"

2X6 WOOD FRAMING

UNEXCAVATED

13'-8"

A7 10'-0"

FLASHING

1X6 TRIM BOARD

1 A5

SLUSH

100

2 A3

MICRO.

MAIN CONCESSION

SLUSH

101

BEV. COOL.

OUTDOOR PATIO

14'-0"

EXTERIOR STAIRS

103

EL. 9'-6" SECOND FLR.

4 A3

101B 3'-0"

6'-10-1/2" ROUGH OPENING

11'-0"

2 A6

25'-4"

EL. 19'-6" T.O. FRAMING

ENTRY 100

DOOR FRAME

4 A3

11'-6"

101A 101C

2X6 WOOD FRAMING

1'-11 1/2" T.O. FRAMING

12'-0"

1 A3

1 A6 3/4" PLYWOOD SHEATHING

9'-2"

WEATHER BARRIER FOUNDATION PLAN

SCALE: 1/4" = 1'-0"

VERTICAL CEMENT BOARD SIDING

EL. 9'-6" SECND FLR.

FLASHING 2X6 PT SILL PLATE 1X6 TRIM BOARD

3 A3

OARD OARDS

ANCHOR BOLT SET IN GROUTED BLOCK

8" GROUTED CMU BLOCK COMPRESSION JOINT

3'-3"

4" POURED CONCRETE SLAB ON GRADE

4" POURED CONCRETE SLAB ON GRAVEL BED

EL. 0'-0" GRADE

THING

11'-4 1/2"

ON:

FLASHING

8" CMU BLOCK

POURED CONCRETE FOUNDATION

1 A5

VAPOR BARRIER

EL. 0'-0" GRADE

E.Q.

E.Q. CL 2'-0"

4 A3

2 A3

TYPICAL WALL SECTION SCALE: 1" = 1'-0"

1 A3

POP.

18'-10"

12'-0"

1 A3

1 A6

FIRST FLOOR PLAN SCALE: 1/4" = 1'-0"

3 A3

21'-4" 19'-0"

UP 27'-4"

6" PERIMETER DRAIN IN GRAVEL BED

LITTLE LEAGUE CONCESSION STAND - FINAL DRAWING SET - FEBRUARY 24, 2015

2'-11 1/4"

3'-0"

2X10 WOOD FLOOR JOIST 1/2" G.W.B.

4 A3

Local Little League Concession Stand Project Semester: Spring 2015 Project Software: AutoCAD and Rhino SECOND FLOOR PLAN 3 (Model completed by teammate) 1 A6

SCALE: 1/4" = 1'-0"

Working with a team of three, we were tasked to design 1 A3 a new concession stand that would better attend to the needs of the patrons and workers. The assignment was ROOF PLAN 4 geared toward understanding and developing construction drawings and details. 1 A6

SCALE: 1/4" = 1'-0"

Travel Abroad - Japan and South Korea Project Semester: Summer 2015

Part of our studies include the option for a 6 week study abroad semester. The 10 days that I spent in Japan during that trip were memorable and influential.

Studio Project

Project Semester: Fall 2014

Project Software: Sketchup Model Materials: Chipboard and Acrylic

During our first semester in the program we spent about 8 weeks studying a assigned house and translating the elements and concepts to our own folly design. After studying and analyzing the Eames House, I developed a small studio space that could be transformed with the seasons and the needed applications. The transformations occurred through the translucent planes that were all hinged on one side and could be “open” allowing for a larger entertaining space and gallery or “closed” when the space translated into a personal studio space during the cooler months.

Academic Experience Undergraduate Work

Boston Architectural College Boston, MA

An education from the BAC is unique in the fact that I learned both in the classroom and in the work place. Through a Co-op program we were required to fulfill part of our credits with work experience. Having this opportunity allowed for a more well rounded education as I was able to implement the theories I was learning into practice. My degree in Design Studies with a concentration in Architectural Technology allowed me to experience design as well as study more in depth the technical side of the field. Studying in Boston also was important to me with its rich architectural history. As many of our instructors were practitioners as well we had an inside look into some of their projects around the city and we were able to experience more about design and architecture through this interaction.

Site and Project Analysis Project Semester: Fall 2010

Project Mediums: Building Plans - Hand drawn Model - Chipboard and Modeling Wood

Stemming from the previous semesters avenues of inquiry, this project was primarily directed at site and building analysis. I was assigned the Berkowitz-Odgis House by Steven Holl located on Marthas Vineyard. I spent time collecting building data, site information, developing a set of plans and elevations and performing analysis. We were required to identify three questions we wanted to explore and answer them through experiments. (See example below) Upon the completion of the experiments and with conclusions drawn we were asked to take a step further and transform the building while still maintaining its original purpose (not shown).

Site Analysis and Project Development Project Semester: Spring 2010

Project Mediums: Initial Plans - Hand drawn Revised Plans - Autocad Model - Chipboard

As a project to meant to work with in the boundaries of a unique site, this design project was meant to develop our skills of site analysis and program development as we were basing our design on a ceremony or tradition that we were familiar with. I chose the oplatek, the Polish Christmas tradition of breaking bread. The actions of going from one person to the next sharing a piece of your wafer and then coming together as a group in the end are what drove the design and circulation of this space in downtown Boston.