Journal: Collection of Scents

Page 1



Contents

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Introduction


‘Manifestation’ definition !"#$%$"&'#()&*+"#+,#+-.$)&#&/(&#)0$(,01#2/+32#+,# $4-+5*$2#2+4$&/*"6#(-2&,()&#+,#&/$+,$&*)(07


!"#$%&"$'($)*"#$+"$,"-,.&/&*."-," 01.#".#&"$/.*"$,+"*2-&,2&*3"$,+" !"($,.&+"4)"21''&2.-1,".1"0&"$" #)0/-+"15".#&".(16 Molecules



1.

Scent


Scent

!0(&+2"%"'2(&+(25"(')&"+)"'( 6"/(#"(2$(,*'"(#0( )$66")2&$+($+(')"+2'<(8&25( *(7*%2&)96*%(1$)9'($+(25"&%( #$6")96*%('2%9)29%"'3

Initial thoughts on a collection of scents. 45"(%"6*2&$+'5&7(,"28""+( /&11"%"+2(')"+2'(*+/(25"&%( #$6")96*%(1$%#96*'3

:)"+2'(*%"(%*%"60()$+'&/"%"/(&+( /"'&;+(*+/(*%)5&2")29%"<(85"%"( -&'&$+(&'($12"+(25$9;52($1(*'(25"( /$#&+*+2('"+'"3

!"#$%&"'()*+(,"( "-$."/(,0(/&11"%"+2( ')"+2'3


Memories

!"#$%&'%&$()$%*&++$,%$-#(.&%%&/$01$23&$ %4*&$-4#2$()$23&$0#4,'$2342$34'/+&%$ *&*(#,&%$4'/$&*(2,('%5$23&!"#$%#&!'(')*$+ 6&*(#,&%$&7(8&/$01$%*&++$4#&$()2&'$*(#&$ &*(2,('4+$234'$23(%&$&7(8&/$01$(23&#$%&'%&%5$ DQG VR FDQ JUHDWO\ LQテ々HQFH RXU PRRG 6&*(#,&%$()$%.&'2%$.4'$4+%(5$23&#&)(#&5$0&$ "',9"&$2($&7&#1$-&#%(':



Interior design and the senses

The eyes of the skin by Juhani Pallasmaa

!:$%($$;%,(&6%$14#)%',&$02&$*%,-%*2<*).(0$%),%)/144$/% .(%1'=2&*$%,-%*'$&&%1(%.%($/3$%$(;1(49+ !"#$%!$&$'$()*+%,-%./0#1)$0)2/$%./$%(,)%31*2.&%2(1)*% ,/%4$*).&)5%)#$6%./$%$(0,2()$/*7%0,(-/,().)1,(*%)#.)% 1()$/.0)%81)#%'$',/69+


Sensing Spaces


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Kengo Kuma

!"#$%&'('#"%))*"+,-"./" 01)-+,23-0"'43,.,-'#"-3,(" .$*.))"0-%,10",(560'#"7,-3"-3'" 08'(-0")5"9$1$('0'"8/1%'00"$(#" %,8'"0-%$7:



Other collections of scents


;(./#$()$<(=/$ %0/'#&210

!"#$%&'$()$*+#,' -./#.0$()$%&'$1,2$3#/45,6$7#8$9(&:

>,$>/+#,+41$?@$A1B4#&$%=#C1,2&#$D$A.=41$A(&5#$ E>36$-12&42


Molecular formulas of scents

Esters

O C O

!"#$%&'#()*+)#, !-)*.,&/",*#

O C H

O

'#($%&0,#()*+)#, 123&/",*#


3#0"4".02#5-4"&%02,#.(26.-/%#-7"-8,9#'-7"0:""#./"#0.-%#'-0("24-+,&"/9&%4-8,4+9&%.;<,+"-.2+2&%4202".-2#-+,&"/9&%4-.049/094".-/%#-&"%'-0,.2+2&%4-./"#0.=-:(2.0-/,+6&"0"&)-'288"4"#0-./"#0.-/%#(%>"-%-.94642.2#5&)-.2+2&%4-/,+6,.202,#.;

Aldehydes

O C H

!"#$%&'"()'" *&+,#'-./"#0

O C H

12##%+%&'"()'" 12##%+,#-./"#0



2.

Site Location


Former Partick Marine Prison


!"#$%&'()'*+$',$(-./0#)$/1-*+,0$/$2/'3(4$ 3#,')#*0'/($/3#/5$6'0"$(-0,$-2$,&33-&*)'*+$ 7/38,$/*)$+3/,,$/3#/,$/*)$6'0"'*$.(-,#$ 73-9'1'04$0-$03/*,7-30$('*8,:

!"#$;.'#*.#$<&,#&1$/*)$0"#$='>#3,')#$ <&,#&1$/3#$/(,-$.(-,#5$6"'."$0'#,$'*$ ZHOO ZLWK P\ VFLHQWLÀF DSSURDFK WR WKLV .-((#.0'-*:


Interior photographs



Centre for Sensory Impaired People

!"#$%&'()(*)+,)-.(&/)(0&)1*2+&2)3$2(.%4) +$2.'&)32.-*')0$-)5&&')3$2(6,)2&1725.-0&")$-) (0&)8&'(2&)1*2)9&'-*2,):+3$.2&");&*36&< 8*'-."&2.'=)(0&)7-&2-)*1)(0.-)-&2>.%&)$2&) 3$2(.$66,)*2)%*+36&(&6,)56.'")*2)"&$1/):) 5&6.&>&)$)%*66&%(.*')*1)-%&'(-)?*76")5&)$) %*+36.+&'($2,)$"".(.*')(*)(0.-)%&'(2&<


!"#$%&'()*+'*,'%-.,'/)&0')1'#2,-0'&)'2,.,/)3'&%,'4,(&5,6' 7,85,'/))9#($'&)'#(:5,-0,');5')3,(#($'%);50'-(2'%-.,' -'35)$5-<<,')1',.,(&0'-(2'*)590%)30'&%-&'-33,-/'&)' -'<)5,'2#.,50,'5-($,+'0)'*,'%)3,'&)'5,-:%'3,)3/,'*,' :;55,(&/='2)(8&6>

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2.

Design Development


Initial thoughts on layout.

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Suspended Molecular structures



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Release of Scent


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Thermo bimetal


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Stop Motion

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