photo by Mikael Lundgren
Personal data Name Date of birth Citizenship Home address Telephone E-mail Skype
EDUCATION
Anna Kaydanovskaya 10 January 1984 Russian Prechistenka, 31/16-11, 119034, Moscow, Russia +7(916)0611298 kaydanovskaya.a@gmail.com, chimabue@mail.ru nja_kay
2010-2012
Master of architecture (with exelence) UMA - UmeĂĽ School of Architecture LSAP - Laboratory for Sustainable Architectural Production Professors: Walter Unterrainer, Jury Soolep
2008-2010
Bachelor of Architecture MARHI - Moscow Architectural Institute Department of residential and public buildings. Professors: Uriy E. Grygoryan, Alexandra L. Pavlova.
2006-2008
MARHI - Moscow Architectural Institute Professors: Valery I. Orlov, Elena V. Miroshnikova Foundation year, Moscow Architectural Institute Musical colledge for Moscow P.I.Tchaikovsky Conservatory (piano) Professor: Mikhail U. Karpov School â„–50
2005-2006 2000-2005 1990-2000
Working experience
2009 -10 06-07.2009
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Theatre in Zlonice, Prague (Czech Republic). chief: Theodor Tezhik position: assistant Stage decorations. Perm, Russia. chief: Theodor Tezhik.
Anna Kaydanovskaya
international workshops
Exhibitions
Competitions
Computer skills
Languages Interests
kaydanovskaya.a@gmail.com
07.2010 08-10.2009
Strelka institute - Bartlett school of architecture Moscow (MARHI) - Japan (SIT /Shibaura Institute of Technology/)
04. 2007 2006-09 2007 05.2012
Art wall, Photo exhibition. Organization and participation. MARHI, Moscow, Russia. Best student works award (3 semesters). MARHI, Moscow. Best student works award. House of architects, Moscow, Russia. Master student’s table. Bild-museum, Umea, Sweden.
10. 2010 04. 2010 10. 2011
Star’s house. House for Barak Obama. Clothes shop interior design. Japan. Star’s house. House-church for Steve Jobs.
ArchiCad Adobe Photoshop Adobe inDesign Adobe Illustrator SketchUp MacOs Velux Daylight Visualizer TRNSYSlite Heat 3 (thermal simulations) 3ds max English (good), German (B2.2), Russian (native) Architecture, Scenography, Modern Ballet, Theatre, Analog Photography, Music
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Laboratory for sustainable architectural production
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Anna Kaydanovskaya
September 2010 - June 2012
L s a p
kaydanovskaya.a@gmail.com
Professors: Walter Unterrainer, Jury Soolep
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introduction
There is a real intention to build Russian church and extend it to community centre in Umea (Sweden). The aim of community is to build an image of Russia for swedes, tourists and themselves. So “how to represent Russian culture abroad� became a basic question for my thesis. I went through history, typology, modern analogies, etc. to support my design.
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Looking back to all this themes which were touched to make my design steps deliberate, I see that practically it was done to educate intuition through visual experience. Many of decisions found through experiments fit better in the concept then considered actions based only on theory.
Anna Kaydanovskaya
Position in the city The project is located on the upper part of Ă–n-island. It is a peaceful and quiet place, at the same time site is visible from the whole city. New church has visual connection with central church of UmeĂĽ. So it is possible to speak about an old Russian tradition to see one church from another. This dialogue between two urban artefacts is associated with dialogue between two cultures.
Existing bridge
Project Car access
Visual connection
Proposed bridge Art campus
City church
City centre
Site model. Scale 1:1000.
kaydanovskaya.a@gmail.com
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Priest’s family entrance
Entrances to the shop and cafe
Main entrance Entrance to the church
Site plan. Scale 1:1000
Floating platform Access to the river
River bank
Gates to the river Courtyard Square
Path to the complex
Parking
Car access
N
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Anna Kaydanovskaya
Typology | Felt models. Scale 1:1000
monastery
dvor
fence
gard
PROGRAM Birch sticks model. Scale 1:100 Shop Bakery Cafe Priest’s family flat
Church
Library
Sunday school
Kitchen
Vestibule Multifunctional hall
Stage
DETAILS Kraft models. Scale 1:100
wall kaydanovskaya.a@gmail.com
window
corrydor
stair
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Sketch models. Scale 1:200
Replica. Scale 1:200
Key model. Scale 1:200
Final model. Scale 1:100 (wood) Altar Church Sacristy and font Prechurch
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Anna Kaydanovskaya
structure
Skin
Ribbs
Sceleton
Light
Interior
Sketch, aquacolour. kaydanovskaya.a@gmail.com
Replica model
Final model
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Long section. Scale 1:1000
24 000
3 600
72 000
3 600
21 600
34 000
Groundfloor plan. Scale 1:1000 7 200
7 200
14 200
18 000
18 000
14 200
7 200
9 600
7 200
6 000
7 200
24 000
3 600
12 000
12 000
12 000
12 000
12 000
12 000
3 600
5 400
Workshops >> museum
Classrooms >> auditoriums
Sketch model. Roof detail Cardboard and fabric. Scale 1:100
Final model. Scale 1:200
5 400
5 400
5 400
14 200
9 000
10 800
The school is an indoor street from tha kindergarden to the lake, that is the main magnet for public in the town. The hall, library, cafe and museum of the school are opened for public and have entrance from the lake. Pupils enter from the kindergarden side, that is common playground.
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Anna Kaydanovskaya
Site model, Scale 1:50
Densification exersizes. Foam models. Scale 1:500.
Existing situation
Densification +25%
Densification +50%
Densification +75%
P u
Proposal: Multifunctional tower, model scale 1: 200 b l i c f l o o
residential level, 1:200
r
Living unit, model scale 1:50
s
kaydanovskaya.a@gmail.com
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During the Masters we participated in several workshops, which include: structure, wood, light and energy.
Construction
workshop
Tutor Friz King Duration 1 week In collaboration with Jenya Khvan. The workshop involved the study of new structural proposals for big buildings, such as a skyscraper, a stadium and an airport, resulting the construction of large scale models, tested for their stability. The main aim was to find a ballance between the vertical and horisontal elements of the airport. Our V-shape structure devides the waight between the tower and main hall tent.
Final model. Cardboard + 2d-cutter use
Sketch model. Cardboard, thin thread
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Anna Kaydanovskaya
Wooden structures Tutors: Ehrling Degermark, Walter Unterrainer Duration 1 week In collaboration with Jenya Khvan, Pasha Rueda.
kaydanovskaya.a@gmail.com
We developed a wooden bridge with 5 meter span, only using 3cm x 5cm x 250cm wooden pieces and no nail, screw or glue allowed, and supported a person crossing through. All the fixings were geometrically solved and reinforced with 6 mm diameter wooden bars. These was an incredible experience to test the material qualities, and pushing its characteristics to the limit, allowing to build the structure with the least of material possible.
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department
16
of
residential
and
public
buildings
Anna Kaydanovskaya
September 2008 - June 2010
studio
iii - iv
kaydanovskaya.a@gmail.com
Professors: Jury Grigoryan, Alexandra Pavlova
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Site plan The museum is an extention of the existing museum of architecture in the centre of Moscow. There are plenty of drawings and old photos of architectural masterpieces, that does not exist any more. This pieces should be seen from close distance and hidden from sunlight. The first step was to grow a shape from the site. I got mold as a result. This is the only substance that can naturally grow on this place. So my proposal was to make the museum without a phisical building.
Exhibition
Site model (plywood, plexiglass)
The museum is a graveyard and a public square at the same time. Visitor comes to the glass box and plunges into history of architecture. Orientation of this hypostyle openair complex conforms a demolished church, which foundation is still underground. The museum can be constantly extended, that means as soon as an architect becomes history, a new “grave� is digging for him/her.
Conceptual model (brick, plexiglass)
Vozdvizhenka street facade. Scale 1: 1000
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Kaydanovskaya Anna Anna Kaydanovskaya
4th year Museum project Long section. Scale 1:500
Cross section. Scale 1:200
Plan. Level -1. Scale 1:500
kaydanovskaya.a@gmail.com
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| community centre Site plan This is a typology from USSR times, which does not exist any more. Program is similar to community centre, that is not popular in Russia so far. The project is located in the centre of Moscow, on a small island in the park. The spatial openair labirinth brings visitor to the entrance, that goes underground. The long way down and up ends with a foyer, overhanging above the small lake.
Phisical model. Scale 1:75
Foyer window
Entrance
Program: 1. Consert hall 2. Foyer 3. Vestibule 4. Cloak-room 5. Cafeteria 6. Toilet 7. Library 8. Hall 9. Classroom 10. Dressing room 11. Store 12. Equipment room
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General view
Anna Kaydanovskaya
3rd year project South facade
Groundfloor plan. Scale 1:500
Long section. Scale 1:500
East facade.
First floor plan. Scale 1: 1000
kaydanovskaya.a@gmail.com
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house for Barak Obama In collaboration with Denis Brezhnev, Setha Leakhena.
presentation: Photoshop, Sketch up, Archicad, 3ds max.
Our projecr is located partly inside the existing White house in Washington. The black glass volume goes through the sliping zone of the house and extends it by two long balconies. New villa contains all basic functions: such as bedroom, bathroom, kitchen and living room. So Barak Obama can have his private apartment inside the house for mr. president’s family.
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Phisical model (foam and plexiglass) Scale 1:75
Anna Kaydanovskaya
home church for steve jobs In collaboration with Denis Brezhnev
presentation: Photoshop, Sketch up, Archicad, 3ds max.
Steve Jobs became one of the key persons in the modern society. He is not only a head of corporation, but a medium between virtual and real worlds. He established Apple religion and became a priest for the people. So his private villa can be a church. Altar is  Steve Jobs’s meditation room, lit by natural light with apple tree in the centre. The light goes from this room through the applelogo-shaped door to the completely dark auditorium for Apple presentations-sermons.
kaydanovskaya.a@gmail.com
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department
24
of
basic
graphic
and
design
Anna Kaydanovskaya
September 2006 - June 2008
studio
i - ii
kaydanovskaya.a@gmail.com
Professors: Valery Orlov, Elena Miroshnikova
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The project is located on the sloping site. Its outdoor space is devided on two parts: the entrance zone with cercular area and tha private courtyard behind the house. The house consists on two main volumes.A cube, that contains a living room, entrance area and home cinema. And a prism with slipping zone, dinning area, kitchen and garage.
First sketch model
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Abstract model Base: 55 x 75 cm (cardboard)
Anna Kaydanovskaya
2nd year project
Layout 55 x 75 cm Hand drawing, chinese ink kaydanovskaya.a@gmail.com
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Erekhteum Lokation: Acropolis, Greece. Build between 421 and 407 B.C. Architects: Mnesicles (?), Phidias.
Reconstruction model (kraft model, 3d printer was used only for columns and caryatides) tutort: Alexey Musatov in collaboration with Denis Brezhnev II year/2008 Western facade
Northern facade
South-East view
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Anna Kaydanovskaya
TEMPLE DE VESTA A TIVOLI, Architectural detail
Layout 55*75 Hand drawing, chinese ink kaydanovskaya.a@gmail.com
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Ppacsitel, Aphrodite of Cnidus 363 B.C., Roman copy Pensil drawing
Novodevichiy monastery panorama Aquacolour, pensil Layout 55*150 in collaboration with Denis Brezhnev
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Charcoal drawing
Anna Kaydanovskaya
Clay & wooden base
kaydanovskaya.a@gmail.com
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Anna Kaydanovskaya Master of Architecture kaydanovskaya.a@gmail.com tel: +7 (916) 061 12 98