Cincinnatus Scholarship Recipient 2010-2014 Dean’s List Honoree 2010-2014 “Good Works” ICFF Award, by Hyland Magazine May 2014 Participant at the International Contemporary Furniture Fair May 2014
ROK_Cincy Traveling theater troupe that raises awareness of arts program cuts in schools.
PROFESSIONAL ORGANIZATION
ADOBE PHOTOSHOP
Cincinnati Dance Marathon An all-night fundraising event held on UC’s campus that benefits Cincinnati Children’s Hospital.
CREATIVITY
ADOBE ILLUSTRATOR
VERBAL COMMUNICATION
ADOBE INDESIGN
WRITTEN COMMUNICATION
LUMION
RESPONSIBILITY
MICROSOFT OFFICE
TIME MANAGEMENT
SKETCHUP
Ronald McDonald House Participated in helping the Cincinnati location prepare meals for residents. Lexington Leo Club Member and president of an after school, volunteer-based community service club.
TECHNICAL
ARCHICAD AUTOCAD REVIT HAND MODELING DIGITAL RENDERING
Post-Grad Job #1 Assisted the Architecture, Marketing, and Interior departments. Was heavily involved with the design and production of project presentations, both digital and print. Designed and implemented branding graphics for multiple project interviews, alongside the interior designer. Provided some assistance with the digital modeling and editing of construction documents in multiple phases. Often helped with postproduction efforts on digital interior and exterior renderings.
THE COLLABORATIVE
Co-op #3 Assisted the Architecture, Interior, and Branding Departments as well as the Marketing Team and Administration. Tasks included architectural digital modeling, assistance with various presentations and printing design, proposal assembly, physical modeling, cut sheet documentation, and assistance with other administrative tasks.
PERKINS+WILL
Co-op #2 Worked with the Commercial Architecture team and sometimes with the interior and environmental graphic designers. Tasks included master plan documentation, digital modeling, assisting with the production of architectural drawings, and other environmental graphic based tasks.
BHDP ARCHITECTURE
Co-op #1 Worked closely with the architectural designers. Participated in initial design charette meetings, and schematic design phases. Tasks included designing and developing site analyses, the production and printing of project renderings, and master plan documentation.
AMERICAN STRUCTUREPOINT
TOLEDO, OH
September 2014 - July 2015
THE UNIVERSITY OF CINCINNATI CINCINNATI, OH
Class of 2014 College of Design, Art, Architecture, and Planning: Bachelor of Science in Architecture
WASHINGTON, DC
May 2013 - August 2013
LEXINGTON HIGH SCHOOL
LEXINGTON, OH Class of 2010 College Prep
CINCINNATI, OH
August 2012 - December 2012
INDIANAPOLIS, IN
March 2012 - June 2012
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1 2 3 4 YEAR 2 UC: DAAP
page 7 1A Site Studio Summer 2012 Grailville, Ohio Professor Elizabeth Riorden
YEAR 3 UC: DAAP
page 9 2A Culinary Institute Spring 2013 Mount Adams, Cincinnati, Ohio Professor Renee Martin
YEAR 4 UC: DAAP
page 11 3A Kroger Digital Grocery Fall 2013 Cincinnati, Ohio Professors Michael Zaretsky & Edson Cabalfin
page 13 3B Disaster Relief Shelter Spring 2014 Case Study: Haiti Professors Stephen Slaughter & Brian Davies page 15 3C International Contemporary Furniture Fair May 2014 New York City, New York Professors Stephen Slaughter & Brian Davies
BHDP ARCHITECTURE
CINCINNATI, OH CO-OP #2
page 17 4A Break Room Concept Fall 2012
5 6 7 PERKINS+WILL
WASHINGTON, D.C. CO-OP #3
page 19 5A Ripples in the Park Summer 2013 Washington, D.C. page 21 5B Various Graphics Spring 2013 Washington, D.C.
THE COLLABORATIVE
ARTWORK
page 23 6A Site Plans Spring 2015
page 33 7A Personal & Professional Ongoing
TOLEDO, OH JOB #1
page 24 6B New HQ Cafe Sign Spring 2015 Monroe, Michigan page 25 6C College Athletic Center Graphics Winter 2014 Newark, Ohio page 26 6D Campus Athletic Gateway Sign Summer 2015 Ada,Ohio page 27 6E Furniture Tour Booklet Spring 2015 page 29 6F Collegiate Science Center Graphics Winter 2014 Wilmington, Ohio page 31 6G New Athletic Facility Wall Graphics Fall 2014 Alma, Michigan
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LIGHTING
GRID
Site plan showing juxtaposed grids, studio units, and elevated path. (SketchUp, graphite)
Studio unit scale models. (paper boards)
SITE STUDIO
SUMMER 2012 GRAILVILLE, OH PROF. ELIZABETH RIORDEN
RETREAT
Floor plan of studio unit. (graphite, ink)
This project focused on the design of an artist’s retreat on a secluded, rural site. It was required to draw inspiration from a specific architect’s or artist’s style or theories and also relate heavily to the site. • Inspired by Sol Lewitt’s infamous cube study that questioned the number of edges necessary to visually imply a cube, my project uses three different grids that were juxtaposed onto the site. The resulting intersections, when extracted, implied livable areas and space. • Also inspired by Lewitt’s cubes, the variations of the studio units themselves were meant to challenge the viewer; as they morph from regular to irregular, they test the recognizability of the cube.
Section through studio unit. (graphite, ink)
• This project of mine was a personal favorite. Inspired by the humble nature of the site, I heavily used graphite for hand-drawn images on recycled paper, rather than computer generated images for documentation and presentation.
YEAR 2 UC: DAAP
MORPH
Evolution of studio units. (SketchUp)
Section through studio unit. (graphite, ink)
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ORIENTATION
Site plan and floor plan representation. (AutoCAD, Photoshop)
CULINARY COMPLEX
SPRING 2013 MT. ADAMS, CINCINNATI, OH PROF. RENEE MARTIN
VIEWS
Building section showcasing entrance level and service access. (AutoCAD, Illustrator, Photoshop)
Building section showing circulation glazing. (AutoCAD, Illustrator, Photoshop)
The objective of this studio was to design a culinary institute and incorporate an adjacent restaurant or dinner theater. The challenge was considering the radical topography, as it sat atop the Mount Adams peak in Cincinnati. • My design considerations included scenic views into and out of the site, sharp entry approaches formed from the existing road, the challenges of utility access, and extensive program requirements. • The concept for my proposal was a very directional, grand circulation ramp that leads to anywhere in the complex all the while providing generous views of the surrounding area. • This design was entirely mine and perhaps my most well-critiqued project.
Building section showing entrance portal and theater. (AutoCAD, Illustrator, Photoshop)
YEAR 3 UC: DAAP
CIRCULATION
Building section showcasing circulation ramp. (AutoCAD, Illustrator, Photoshop)
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Food pod diagram. (SketchUp, Photoshop)
The studio book cover and various pages showcasing the research and student projects. (InDesign)
N
ACCESSIBLE
Store entrance and connection to the street and passersby. (SketchUp, Photoshop)
service corridor
storage loading dock
meat/seafood
coffee bar
dairy
Food pod diagram. (SketchUp, Photoshop)
storage & back of house
TRUSTWORTHY FOOD
HONEST ASSESSMENT pharmacy
office
elev. customer service
cafe
SIMPLE EDUCATION sidewalk pop-up window
food demo audience
front desk
checkout & bagging
waiting
transparent overlay: second floor seating & management offices
Overall proposed floor plan showcasing the three distinct service areas. (SketchUp, Photoshop)
“TRUTH IN ONE STOP” DIGITAL GROCERY
SIMPLE
FALL 2013 CINCINNATI, OH PROF. MICHAEL ZARETSKY PROF. EDSON CABALFIN
Interior perspective showing the main circulation aisle. (SketchUp, Photoshop)
INFORMATIVE
Interior perspective showcasing the educational demonstration area. (SketchUp, Photoshop)
This was a sponsored research studio with The Kroger Company. The goals of this study were to identify global trends, digital and otherwise, in order to push the envelope of “the grocery store” to anticipate the inevitable digitalized future. • A studio of fifteen students presented to Kroger’s Research & Development staff in a way that all our concepts were linked by theme, yet all separate projects. • I derived my concept from the booming trends of digital technology and especially wearable devices, as well as the decreasing nutritional knowledge of consumers. • This proposed store would provide three main services: personal nutritionists, on site cooking seminar experiences, and a small grocery selling Kroger’s Simple Truth brand products. • I was heavily involved with creating weekly presentations to Kroger that included all our design progress.
HONEST
YEAR 4 UC: DAAP
• In addition, a book was made to document the compiled research as well as the student proposals, and I was one of three that took sole responsibility of designing and compiling the finished product. Interior perspective showcasing the honest display food pods. (SketchUp, Photoshop)
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TEMPORARY
Artistic rendering of shelter on display, with studio. (Rhino, Photoshop)
MULTI-USE
Scale model of final shelter design, with studio. (Rhino, laser-cut basswood)
Sectional elevation of shelter showing human scale and adjacencies. (AutoCAD, Illustrator)
SENSITIVE
Artistic rendering of shelter community in use, with studio. (Photoshop)
EFFICIENT
Interior plywood joint detail, with studio. (Rhino, Photoshop)
DISASTER RELIEF SHELTER
SPRING 2014 CASE STUDY: HAITI PROF. STEPHEN SLAUGHTER PROF. BRIAN DAVIES This senior capstone studio, entitled “Out of Failure”, was a rigorous study to explore digital fabrication techniques and how they can be utilized for the design of temporary disaster relief shelters. • The semester began with a studio-wide ergonomic research effort followed by six individual case study projects from groups of three students.
ASSEMBLE
• My group’s proposal was a case study in Haiti and it won the studio “competition”, based on financial feasibility, cultural sensitivity, and other design efficiencies. • Exploded axonometric diagram of the shelter components, with studio. (Rhino, Photoshop)
The studio then became a collaborative effort of eighteen students, under the direction of the initial three members.
• Our final relief shelter was made entirely of milled plywood pieces held together with minimal fasteners. The idea behind this design was to be able to flat-pack, ship, and assemble a habitable structure as easily and efficiently as possible. • • I was responsible for the design and creation of group presentations from day one, and then led a group of students to design additional graphic materials once the groups combined. Representation of plywood sheets for milling, showcasing project efficiency. (Illustrator)
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Final wall graphic showing design process, from research to fabrication, with studio. (InDesign)
Various pages from final book. (InDesign)
Poster graphic detailing entire design process, with studio. (Rhino, Photoshop, InDesign,)
“Out of Failure� Studio logo. (Illustrator)
INTERNATIONAL CONTEMPORARY FURNITURE FAIR
Three case study finalists on display at ICFF, with studio
INHABIT
SPRING 2014 NEW YORK CITY PROF. STEPHEN SLAUGHTER PROF. BRIAN DAVIES Interior of final shelter on display at ICFF.
After professional consideration, the Haiti case study was chosen to advance to become the class project. The studio culminated in a fullscale production of the shelter to be displayed at ICFF in New York City. • At DAAPworks, the senior showcase at the end of the semester, we presented our fullscale prototype and a full range of graphics summarizing our entire design process, beginning with ergonomic research and ultimately the fabrication of the shelter. • I was one of four students to design and create each graphic component, large and small scale, for both DAAPworks and ICFF. I also played a major role in designing the project logo that was used across all of our graphics and presentations. • Our studio project was blogged about several times by fairly major design publications, including “Greenest Design at ICFF 2014” and “Top 20 Things to See at ICFF 2014”.
FABRICATE
The final, full scale prototype and furniture on display at ICFF.
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WARM Rendered perspective of design concept. (SketchUp, Photoshop)
COMFORT
Inspirational concept images.
BREAK ROOM CONCEPT FALL 2012
The sterile break room of a manufacturing plant in the heart of Pennsylvania desperately needed a facelift to make work breaks more comfortable and enjoyable.
RUSTIC
• When asked to assemble an inspiration board for a break room in the middle of a vast manufacturing plant, my concept was deemed “exactly what they had in mind.” • Conceptually, I was going for more “rustic refinement” rather than simply a log cabin themed interior.
BHDP ARCHITECTURE CINCINNATI, OH CO-OP #2
CHIC
Inspirational concept images.
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ENGAGING
PLAYFUL
Rendered site perspectives of ripple concept, with Perkins+Will. (SketchUp, Photoshop)
RIPPLES IN THE PARK SUMMER 2013 WASHINGTON, DC
This pro-bono project was initiated by the DC Building Industry Association which rallies the forces of local architecture or engineering firms to design a proposal for the beautification of a local public park every year. • I had the idea to draw inspiration from the undulating forms similar to those of water ripples, the Ohio Serpentine Mounds, and sculpted golf courses. • The ripples are designed to be enticing and playful, fully intended to be walked and sat upon by guests.
Conceptual sketches. (Graphite)
• My concept was accepted with much enthusiasm and continued to be the central theme of later iterations.
PERKINS+WILL WASHINGTON, D.C. CO-OP #3
Conceptual inspiration images.
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Principal Architect presentations re-design. (PowerPoint)
VARIOUS GRAPHICS
SUMMER 2013 WASHINGTON, DC
As an intern of a large office, I was often tasked with the design and production of different graphics for a variety of jobs. • One of the firm’s principal architects requested a major overhaul of his twelve traveling presentations that he gave frequently around the world, to give them a fresh look and to bring them up to the company’s brand standards. • The office was in need of an athletic tee shirt for the company sporting events in which they participated, including a volleyball league team, a dodgeball team, and the “Office Olympics”.
Initial conceptual sketches. (Graphite)
Final winning athletic shirt designs. (Illustrator)
Employee baby announcement card. (SketchUp, Illustrator)
• I played a major role in organizing the shirt concepts drawn by the employee. I also organized an office-wide decision process where the employees voted for their favorite shirt, my concept being the most voted for.
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BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH BRUSH BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
BRUSH
SCALE
BRUSH
BRUSH
BRUSH
BRUSH BRUSH BRUSH
University of Toledo Main Campus site plan. (AutoCAD, Illustrator)
DETAIL
Magnified view of site plan at left. (Illustrator)
SITE PLANS SPRING 2015
As The Collaborative had a high number of collegiate master plan project interviews, large graphic site plans were necessary for a solid and easy-to-read presentation. • A community college desired a new building on their nicely spread out campus, and I illustrated the site plan and each building option provided by the designers. • For a master plan project at the University of Toledo, a scaled site plan of each of the university’s seven campuses were required, the Main campus being the most detailed and complex. • • I illustrated each campus site plan and created two eight-foot banners, displaying each at a comparable scale.
THE COLLABORATIVE TOLEDO, OH POST-GRAD JOB #1
VISUALIZE
Campus site plan with proposed new building. (Photoshop)
Proposed building configuration. (Photoshop)
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NEW HQ CAFE SIGN SPRING 2015 MONROE, MI
One of The Collaborative’s biggest corporate projects to date was the new headquarters of a major furniture manufacturer. • The large, central, open cafe needed a bold sign that reflected the company brand as well as the future direction of the corporation and their values. • I created and presented many design concepts, both in the company blue and the cafe magenta. Ultimately the magenta sign in the bottom right corner of this page was chosen and installed in the cafe.
BRIGHT
Space in which the sign is installed.
Sign design concepts, the final of which is above. (Photoshop)
COLLEGE ATHLETIC CENTER GRAPHICS
BOLD
WINTER 2014 NEWARK, OH
Proposed athletic graphics in gymnasium. (Photoshop)
Wall elevation of the locker room hallway. (Photoshop)
A small community college in central Ohio requested the renovation of their tired athletic building, as well graphics to liven up the old space. • I created big and bold new graphics that were extracted from the current athletic logo design. The logo was becoming outdated and tired, so the result had to have a modern flair. • My fresh and loud graphics, paired with the bright blues of the interiors, breathed new life and spirit into an otherwise dark and mundane facility. • I created many rendered interior and exterior perspectives, with the help of TCI, in which to apply my original graphics. I also helped design and compile the weekly presentations to showcase them all.
FRESH
Renovated athletic lobby (with TCI) with added branding graphics. (Photoshop)
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CAMPUS ATHLETIC GATEWAY SIGN SUMMER 2015 ADA, OH
A small university’s master plan called for the addition of several gateway signs as part of a beautification project for the lesstraveled side of campus. • The client requested three options for new signs: concepts that referenced the current sign, some that referenced current campus architecture, and some concepts that were new, bold, and modern. • I personally took a trip to the campus and was able to see first hand how to address all of these needs in my design concepts.
Campus context for sign precedent.
Sign design concepts. (SketchUp, Photoshop)
FURNITURE TOUR BOOKLET SPRING 2015 CHICAGO, IL
Sample page of tour booklet showcasing topics of importance. (Illustrator, InDesign)
One of The Collaborative’s major corporate clients were visiting the Merchandise Mart with an interior designer to browse through furniture for their new headquarters. • I designed and created a tour booklet that was meant to provide the clients with a simple note pad that was easy to hold and easy to write their thoughts and ideas in on their tour. • The booklet then became a means in which the interior designer could remind the clients of previous discussion points about what to look for in the display furniture.
BRANDED
• My booklet was a success in gathering all the first impressions of the clients, regarding different furniture pieces and manufacturers. The Collaborative was able to use this handy tool to pinpoint the overall opinion of the client and what products would suit them the best.
The client’s corporate branding used throughout booklet. (InDesign)
• I designed, printed, and bound each booklet myself, and also created correlating name tags for the clients.
Sample page showing first impression notes and ratings. (InDesign)
Sample name tag. (InDesign)
Cover of tour booklet. (InDesign)
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Proposed wall elevations of main lobby, showcasing donor name. (ArchiCAD, Photoshop)
Proposed wall elevations of main stairwell, (geometric design by client). (ArchiCAD, Photoshop)
Proposed wall elevations of main hallway. (ArchiCAD, Photoshop)
COLLEGIATE SCIENCE CENTER GRAPHICS WINTER 2014 WILMINGTON, OH
The renovation of a collegiate science center called for fresh and relevant wall graphics in hallways, stairwells, and the main lobby. • Considering the science center is specifically geared toward the chemical and genetic nature of agriculture, my inspiration for this concept is an abstracted chemical strand that is both fun and sophisticated.
ABSTRACT
• I used the three distinct colors, per the college’s branding standards, which pose the opportunity to become wayfinding throughout the building, leading guests both around hallways and also up and down stairwells.
Inspirational illustration. (Illustrator)
• I created a presentation showcasing my original “strand” illustration, and its applications throughout the building on wall elevations.
Proposed wall elevations of various hallways. (ArchiCAD, Photoshop)
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Proposed wall elevations, with TCI (ArchiCAD), of the wrestling addition. (Photoshop)
Varsity football locker room proposal. (Lumion, Photoshop)
Varsity football locker room floor plan, showcasing “A� graphic. (ArchiCAD, Photoshop)
New concept graphics for athletic center renovation. (Illustrator)
NEW ATHLETIC FACILITY WALL GRAPHICS FALL 2014 ALMA, MI
A small college desired to add a two-story wrestling facility to their current athletic building, as well as incorporate modern graphics throughout to boost school spirit and exercise morale.
Proposed wall elevation of renovated multi-purpose room. (ArchiCAD, Photoshop)
• The new addition created the opportunity for a fresh start and to incorporate their recently modernized athletic brand into wall graphics throughout the facility, which I fully utilized by illustrating new designs. • The college requested to include historical photos of their successful wrestling program for the current students’ inspiration during workouts. • My concept is bold, especially for a small humble college, yet it portrays all that their athletic programs envision for the future. • I helped render many interior and exterior perspectives, utilizing my graphic concepts, as well as compiling weekly presentations as updates for the clients.
SPIRITED
Varsity football locker room proposal. (Lumion, Photoshop)
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Installation made of arranged paint chips, 2014.
Impressionistic piece, “Northern Lights”, 2009. (Oil paints)
Visual stimulation, “Spherical Sophistication” 2010. (Illustrator)
ARTWORK
Framed monograms, a gift, 2013. (Illustrator, paper)
Typographic self-portrait, 2011. (Photoshop)
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PHILIP ENDERLE THE COLLABORATIVE
Landscape Architect ASLA, LEED AP penderle@thecollaborativeinc.com 419.242.7405
KEITH RUSSEAU
NAME Keegan Riley
DEGREE BS in Architecture The University of Cincinnati Class of 2014
THE COLLABORATIVE
EXPERIENCE
Principal / Architect AIA, LEED AP krusseau@thecollaborativeinc.com 419.242.7405
3 Co-op jobs: 3-4 months each 1 post-graduate job: 1 year
BROOK JONES
THE COLLABORATIVE Director of Marketing bjones@thecollaborativeinc.com 419.242.7405
CONTACT kriley714@gmail.com 419.565.7066 www.linkedin.com/in/keeganr
CHARITY HOGREFE INTERFACE
Interior Designer Sales Representative charity.hogrefe@interface.com 419.351.5250
BRANDON ANDRZEJCZAK THE COLLABORATIVE
Senior Design Professional bandrzejczak@thecollaborativeinc.com 419.242.7405
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