keitayamamoto by Keita Yamamoto

YAM KEITA YAMAMOTO Architecture Portfolio Address: 25 Rue de lâ&#x20AC;&#x2122;Argonne , 605 , Paris , France ,75019 E-mail:

yanmo4869@gmail.com

Mobile:

+33 7 83 53 68 77

First Publised:

January,2020

-Personal statement-

KEITA YAMAMOTO From Tokyo, JAPAN (1/December/1995), 24 years old

I have considered the following three important things. Always use my hands to think about architecture. Thinking about architecture in a place. Be sincere. The urban structure of Japan differs greatly from that of European cities, and it is thought that there are various ways to interact with architecture and cities.

Waseda University, Tokyo, JAPAN, Master 2

However, I would like to be persistently involved in the future

ENSAPLV(Ecole Nationale Supérieure d'Architecture de Paris-La Villette), Paris, France,Exchange student

after the construction was completed.

-CONTACT-

-BIOGRAPHY-

-SKILLS-

Mobile:

Dec/1995

Born in New-jersey, U.S.A

Program

Apr/2014-Mar/2018

B.A. Waseda University/ Departament of Architecture, Tokyo

Rhinoceros

Apr/2018-Sep/2019

M.A Waseda University/ Departament of Architecture, Tokyo

Vector Works

Sep/2019-

Exchange student in Architecture

ArchiCAD

Ecole Nationale Supérieure d'Architecture de Paris-La Villette, Paris, France

AutoCAD

+33 7 83 53 68 77

E-mail: yanmo4869@gmail.com

Adobe Photoshop

Awards Mar/2015

1st Prize at Design Excersice B/C

Sep/2016

2nd Prize Kenchiku Shinjinsen 2016 (Contest of Architectual Rookie’s Award)

Address:

Feb/2018

Award at Diploma in WASEDA university

25 Rue de l’Argonne,605

Jul/2018

JIA fine work prize

Paris, France

Internships,Work experiences

75019

Apri/2015-Jun/2017

Azusa sekkei,Tokyo,Japan/Made models,Draw plans

Jul/2017-Sep/2019

Nikken sekkei LTD,Tokyo,Japan/Made models, Made 3Dmodels, Draw plans

Aug/2018

Takenaka corporation,Tokyo,Japan/Make models,Make perspectives

Jul/2019-Sep/2019

Mitsubishi Estate Company,Tokyo,Japan/Make models

International Workshops Aug/2017

Workshop de la Persiana /Waseda and ETSAB / Barcelona

Apr/2018

Tokyo together / Waseda and ENSAV / Japan

Apr/2019

Tokyo together /Waseda and ENSAV / Japan

Adobe Illustrator Adobe Indesign Model making

Personal Tenacity Scrupulosity Responsible Sociability Hand work

Language English French Japanese

Oct 20,2019 / AlvarAalto / Maison Louis CarrĂŠ

H A N D S C R I B B L E S

status : concept design(Diploma)

D i a l o g u e Dialogue with the small Mountain

program : Culture center

Urban development based on the capital economy will continue in the future

location：Atago,Tokyo,Japan

in contrast to the history of people reading natural topography and

floor area: 9600 ㎡

environment in cities and generating the characteristics of places. This

main structure : Steel frame

proposal tries to add architecture in response to the small terrain that has

term：November 2017 - Febrary 2018

accumulated history while being buried.

note：Award at Diploma in WASEDA

ASAKUSA

RYOGOKU FUKAGAWA SHIBA

Walking area(Radius300m) Attractions

▼

Genealogy of Linear Modern Urban Planning 1898

1951

Garden City (1898) England/ UK Ebenezer Howard

Pedestrian

1970

Chandigarh (1951) India Le Corbusier

1960

1923

Automobile Bus Train

Curitiba (1970) Brazil Jaime Lerner

2009

Urban planning road Road under maintenance Route 2 of the Ring

General Plan for The Reconstruction of the Imperial Capital (1923) Tokyo/ Japan

A Plan for Tokyo (1960) Japan Kenzo Tange

HIgh Line (2009) New York/USA Field Operations & Diller Scoﬁdio +Renfro

RETHINKING URBAN LANDMARK

VARIABLE CITY

Landmark is literally a land mark and it can be said as a symbol of urban culture

There are two panoramic photos. The top photo is a panorama of Edo taken about 150 years

rooted in it. Therefore, focus on the natural topography that continues there

ago from British photographer Felice Beato from Minato-ku Atagayama . You can see the

unchanged in urban areas that change rapidly, think about the instrument that

Zojoji temple and the Hamarikyu on the lawn, and far from the sea in the Edo sea. On the

accepts the urban culture that has responded to it. As a starting point, this program

other hand, the bottom photo is the current panorama of Tokyo. As these two photos tell you,

tries to reconsider the way of city landmarks from Atagoyama where Beat reﬂects

in modern accelerated urban development the rich natural land of Tokyo.The shape is buried,

the city of Edo 150 years ago.

and the way of the landmark of the city changes a big appearance.

Mt.ATAGO Altitude 25.7m. Mt. Atago, Minato-ku, Tokyo, is the highest mountain in Tokyo's 23 wards. In the Edo era, it was known as a scenic spot because it overlooked the whole city of Edo and the view to Mt. Fuji in the distance. In addition, this area was the gateway for people who came into Edo through the Tokaido Road.

Dialogue

a with

o the

small

Mountain

ランドマークとは文字通り、土地の目印であり、そこに根付いてきた都市文化の象徴と言えるものである。そこで、急速に移り変わる都市部で変わらずにそこにあり続ける自然地形に着目し、それと呼応した都市文化を受容する器を考える。その端緒として本計画では、150 年前にベアトが江戸の街を映した愛宕山から都市のランドマークの在り方を再考しようと試みる。

S＝１/100 Project Model

The cultural center includes four functions: hall, hotel, museum and oﬃce. It can be used in response to weddings and festivals at Atago Shrine behind the scenes.

2.5

＝

10M

C A

Y7 Y7

1000

8000

階段室

Y6 Y5

8000

ギャラリー

8000

宿泊室

8000 8000

33000

用具室

宿泊室

8000

トイレ宿泊室

8000

33000

廊下

Y3 Y3

6000

調理室

ギャラリー

ワインバー

2000

Y2 2000

Ａ

1 0

P 10

S 25

＝

X10

X11

6000

6000 66000

6000

6000 66000

X10

X11

0 50M

2 0

P 10

S 25

＝

0 50M

3 0

P 10

S 25

＝

0 50M

4 0

P 10

S 25

＝

X10

6000

6000 66000

6000

X12

Ａ

6000

6000 6000

6000

6000 66000

6000

Y1 500

2000

X11

X12

0 50M

窓サッシュ Low-E複層ガラス 12+12+12 金属サッシュ

FB 厚10

85 アルミニウム製見切り材

22 3617 シール

アルミニウム製型受け @500

ステンレス製パラペット水切り L-50×50×2.3

軟質ポリ塩化ビニル止水板

L-50×50×2.3

130 450

290

軟質ポリ塩化ビニル補助シート t=0.9

化粧タッピングねじ M4×13 @500 ナイロンプラグ

300

358

FB-35×10 溶接固定

L-50×50×2.3 アルミニウム製立上り水切り

360

200

125

170 200

L-50×50×2.3

横引きルーフドレン防水層水切り金具ビス固定

150

金属スプリング

ガイドレール

コ-36×18×1.2

鋼製ホルダー @450 C-38×17×1.2

天井見切り材

100

2L-50×50×2.3

300

160 200

100

接合部見切り化粧板 t=12.5

300

600

アルミニウム製アングル L-30×30×1.2

200

ステンレス製カバー t=1.2

1000

DETAIL of EXPANTION JOINTS 1 0.5

0.25

Scale＝1/50

200

600

200

135 接合部見切り t=2

662

12 アルミニウム角管 60×30×1.2 見切り板支持脚 φ10

カバー t=4 ベースプレート

200

アルミニウム角管 38×30×1.2 @300

320

55 アンカーボルト

600

54 134

ベースボルト

受枠 FB-50×1 溶接固定金属スプリング

コ-50×50×1.2 コンクリートビス止め

121

150

940

位置定めフレーム t=1.0 ロックウール吸音化粧材 t=12.5

135 野縁コ19×50×0.5

1000

DETAIL of EXPANTION JOINTS 2 0

0.25

0.5

Scale＝1/50

S＝1/30 Section Detail Model

L-15×15×1.2 溶接留め

121

119 295

野縁受け吊り溶接止め鋼製ホルダー @450 野縁受けコ38×12×1.2

変位追従ピン天井見切り材

I tried to create a place to dialoge with the unchanging mountain of nature in a changing place

status : concept design(shool subjuct)

Diagonal harmony HYPER ELEMENTALY SCHOOL

program : elementaly school

I propose a master's plan for elementary schools and cities 30 years from now.

location：Kunitachi city,Tokyo,Japan

I planned a school beyond the school, such as having a relationship with

floor area:7500 ㎡

vacant lots in urban areas and surrounding residents. This plan focuses on the

main structure : Reinforced concrete

relationship between the diagonal shopping street and the elementary

term：June 2016 - August 2016

school. The harmony between the elementary school, the shopping street, the

note：school subject - museum - 1st Prize

front and the back side was created.

Kenchiku Shinjinsen 2016 - 2nd Prize

ďź&#x2039;

ďź?

BACKGROUND The site is a residential area on the west side of Tokyo. This town consists of a grid of south side and three boulevards from the station. I plan to focus on the shopping street that extends diagonally from the station. When the diagonal shopping street and the grid residential area were in the same block, I noticed a triangular open space behind the shopping street. So in planning a master plan, I tried to connect the open space behind them with the front side.

M A S T E R 0

100

P L A N 200

S ďź? 1 / 1 0 0 0 0 500M

PHASE1

PHASE2

PHASE3

FORM CONCEPTS The existing elementary school building was located on the site, and a belt-shaped arrangement plan was carried out that took a distance from the shopping street. Under this plan, the angle of the shopping street in front of the site and the width of the shop are aligned, and the school building is drawn to the shopping street side, and the conversation between the school space and the shopping street will be tried.

L A Y O U T 0

P L A N 40

S ďź? 1 / 2 0 0 0 100M

TWO WAY FACADE I thought about the architecture with two way facades. This architecture is a shopping street and an elementary school. This building can remain as part of the shopping district if the function of an elementary school is lost in 30 years. It is also conceivable in the opposite case. My architectural concept is to create a space without boundaries. By doing so, diagonal harmony can be realized.

1 F P L A N 0

S ＝ 1 / 1 0 0 0 20

80 X7

01 classroom 02 artroom/art school 03 cooking room/cooking school 04 library 05 toilet 06 small classroom

4600

8800

07 classroom

08 gymnasium

09 shop room/shop school

10 cleaning room/cleaning school

X4 X3

11 shop room/shop school

110

12 shodo studio/shodo school 13 wa-shoku resturant/wa-shoku school 14 print shop/print room

0 60

2 F P L A N 0

S ＝ 1 / 1 0 0 0 20

X8 6

01 classroom 02 artroom/art school 03 cooking room/cooking school 04 library 05 toilet 06 small classroom 07 classroom

0 00

08 gymnasium

09 shop room/shop school

X4 X3

10 cleaning room/cleaning school 11 shop room/shop school

12 shodo studio/shodo school 13 wa-shoku resturant/wa-shoku school 14 print shop/print room

床：レッドシダー t＝40mm 木材保護塗装

00 70

00 35

00 70

S E C T I O N

D E T A I L

S ＝ 1 / 1 2 5

屋根 : ガリバニウム鋼板 t＝0.4mm 小波

1.25

2.5

アスファルトルーフィング

7.5M

構造用合板 t＝12mm

天井：シナ合板 t＝5.5mm 捨て貼 t＝5.5mm グラスウール t＝50mm 屋根 :

高学年教室

屋外テラス

ガリバニウム鋼

2000

耐水合板 t＝12mm 通気層

2400

2800

アスファルトルーフィングアルミ遮熱シート

SUS PL t＝1.6mm 曲げ

スチールパイプφ48.6mm

デッキ：

900

巻き上げテント：

雨

米ヒバ t＝27mm 構造用合板 t＝15mm

200

スタイロフォーム t＝50mm

天井：

シナ合板 t＝5.5mm

捨て貼 t＝5.5mm

グラスウール t＝50mm

2000

富士見通り商店街

寝室

グラスウール t＝50mm

セランカンバツ t＝24mm

2400

2800

スギ板 t＝12mm

背もたれベンチ：

500

3000

壁：

中学年教室

2100

ルナファーザー

2800

バルコニー

柱：

天井：垂木構造用合板現し

フローリング：米ヒバ t＝27mm 構造用合板 t＝15mm

6100

スタイロフォーム t＝50mm

片引き戸 : アルミサッシュ木板（栗）天井：

天井：

ルナファーザー

シナ合板 t＝5.5mm 捨て貼 t＝5.5mm グラスウール t＝50mm

レッドシダー t＝40mm 木材保護塗装

床：

低学年教室

2350

1950

2950 床：

2750

エントランス

玄関

乾燥室

2000

クリーニング屋

下駄箱

ボルドーパイン

床：

無垢材 t＝20mm

ボルドーパイン

250

無垢材 t＝20mm

3800 7500

2300

基礎：

3750

ベタ基礎 t＝200mm 捨てコン t＝60mm 防水シート t＝0.15mm 砕石 t＝60mm

8600

基礎：

1050

ベタ基礎 t＝200mm

5215

捨てコン t＝60mm 防水シート t＝0.15mm 砕石 t＝60mm

7275

4925 4926 12200 12201

9400

板 t＝0.4mm 小波

2400

校庭

I tried to describe a future in which I would go to elementary school to live in the city.

status : concept design(shool subjuct)

Ridge of the scenery ANTONI GAUDI I CORNET MEMORIAL MUSEUM

program : museum

It plans a memorial museum for the architect Antoni Gaudi in Japan.

location：Aomi,Tokyo,Japan

Following Gaudi's inspiration from the shape of nature, he worked on the

floor area:500 ㎡

modeling expression that made use of the surrounding natural environment

main structure : Steel frame

and scenery. The site is a landﬁll in Tokyo, where logistics containers gather

term：April 2016 - June 2016

and the landscape changes every day. I tried to draw the ridge of scenery.

note：school subject-museum- 2nd Prize

Sculputure

1852∼1926

▼ Palau Güell 1886∼1889

Casa Mila 1905∼1910

▼

Sagrada Família 1882∼

情に

BACKGROUND

VARIABLE PLACE

Gaudi's architectural works are inspired by the scenery of the Catalan region where

The site is a landﬁll located at Aomi 2-chome, Tokyo. The port area of Tokyo is shaped by

he was born and raised. And his architectural work has become part of the

straight containers.I hope that gaudi's work, which has no particular history and has been

landscape of the city of Barcelona. The ridges of scenery connects beyond the place

constantly returning to form in this place where the landscape changes day by day, will

and time.

provide clues to explore the scenery of the Aomi in the future.

CENTRAL PARK

GREEN BELT

WATER LINE

BAY BELT

L A Y O U T 0

FORM CONCEPTS The plan consists of 5 components. It is a memorial hall, BAY BELT along Tokyo Bay, WATER LINE, GREEN BELT, and CENTRAL PARK. The memorial hall consists of a wall parallel to the road from the inland side to Tokyo Bay and a wall that converges to a bronze statue.

▶

P L A N 25

S ＝ 1 / 1 0 0 0 50M

1 0

P 2.5

ďź?

0 20M

00 Central Park 01 Entrance 02 Reception 03 W.C 04 Repository 05 Exhibition 06 Cafe 07 Exhibition 08 Exhibition2

Palau Guell Drawings

09 Exhibition3

Palau Guell Drawings2

10 Repository2

03 03 Palau Guell Drawings3

00 04

Palau Guell Drawings3

Sculputure

Sculputure2

Sculputure3

Sculputure5 Sculputure4

6000

Casa Mila Drawings

Y'2

9100

Sculputure6

7050

1600

18000

X'1 X'2

12000

7060

3050

40000

4000

Y''2 Y''1

Y'1

Sagrada Familia Statue

00 Entrance gate

01 Machinery 02 Entrance 03 Reception 04 W.C 05 Repository 06 Exhibition

A - A

S E C T I O N

2.5

S ＝ 1 / 2 5 0

20M

00 Cafe

01 Exhibition1 02 Exhibition2 03 Exhibition3 04 Exhibition4 05 Exhibition5 06 Exhibition6

B - B

S E C T I O N

E 0

2.5

A 2.5

S ＝ 1 / 2 5 0

N 5

20M

＝

0 10M

Entrance gate of memorial museum. The stairs that were born by scraping the ground and the walls of the two diďŹ&#x20AC;erent layers are shifted to give the space a multilayered depth.

The ďŹ rst ďŹ&#x201A;oor exhibition room, a staircase that was born by bending a single surface. The drawing exhibition is designed to emphasize one side as well.

You can see the scenery of Tokyo Bay changing from the window together with the exhibition room and drawing exhibition on the second ďŹ&#x201A;oor.

The third exhibition room, the interior of the alcove and the external three-dimensional exhibits correspond, and visitors can move to see diďŹ&#x20AC;erent exhibits.

The pillar becomes a frame and cuts out the bronze statue of Sagurada Familia and the Aomi s landscape.

Underground exhibition space. Following Gaudi inspired by nature, the museum is integrated with the surrounding landscape by drawing in the water of Tokyo Bay.

The bridge that leads to the bronze statue. A place where obserevers are aware of the future scenery of Aomi

The curved surface surrounding central CENTRAL PARK reï¬&#x201A;ects the scenery of Aomi.

Harajuku is a place to promote fashion and youth culture. In 2018, it was status : concept design(shool subjuct) program : station

T r a n s i t i o n HARAJUKU INFORMATION SQUARE

location：Harajuku,Tokyo,Japan floor area:1500 ㎡ main structure : Steel frame

decided that Harajuku Station Building, the symbol of this town, would be demolished.Harajuku station building with the iconic gable roof that remains from 1924. I planned a new station building with the gable roof in succession. There are two reasons. The ﬁrst reason is the preservation of the station building, which is a cultural property. Another reason is to connect the east

term：May 2018

and west divided by the railway line with one roof, and to realize an

note：school subject-station-

integrated internal space.

New Harajyuku station

Meiji zingu

Harajyuku station

Takesita Dori

BACKGROUND Harajuku is a place to promote fashion and youth culture. In 2018, it was decided that Harajuku Station Building, the symbol of this town, would be demolished. In planning a new Harajuku station, the connection between Meiji Jingu and urban areas, which were divided by railways, and the function of Information Square for the 2020 Tokyo Olympics were required.

04 05

B 07

02 06

1 F 0

屋根01: 複合アルミパネル t=3mm 00 キーストンプレート t=30mm □-100×50mm H-200×200×8×12mm

2.5

P L A N 5

S ＝ 1 / 5 0 0

2 F

20M

P L A N 5

S ＝ 1 / 5 0 0

20M

00 Central ticket gate

03 temporary platform

06 station master's room

01 South exit ticket gate

04 Concours

07 Tourist information center 10 W.C

02 shop

05 platform

08 shop

09 Exhibition 11 platform

屋根: 樹脂モルタル補修の上トップコート躯体防水コンクリート直押え 1.5 1

A-A 0

1.5

2.5

SECTION S＝1/500 5

20M

屋根01: 複合アルミパネル t=3mm キーストンプレート t=30mm □-100×50mm H-200×200×8×12mm

屋根: 樹脂モルタル補修の上トップコート躯体防水コンクリート直押え

The gable roof of the existing Harajuku station appears to the inside of the new station building, creating a connection between the urban area and the Meiji Jingu side that has been cut oﬀ by the railway. ▽TOP GL+5,700

1.5

天井: 硬質ウレタンフォーム t=20mm 吹き付け

HAND RAIL DETAIL S＝1/50 0

2.5

10M

内壁: 複合アルミパネル t=3mm キーストンプレート t=30mm 柱 H-200×200×8×12mm

1.5

2.5

10M

スチール丸鋼 φ=22mm SOP スチール丸鋼 φ=12mm SOP

steel rod φ=22mm SOP

屋根: 強化合わせガラス t=21mm C-45×70mm I- 150×50mm

INNER WALL DETAIL S＝1/50

ROOF DETAIL S＝1/50

10M

高圧プレステラゾタイル t=25mm

stee rod φ=12mm SOP

現場溶接

山手線 Yamanote Line

Laminated safety glass comprising t=8mm

臨時ホーム Extra Platform

山手線 Yamanote Line

Naked weathering steel t=6mm to Shibuya, Shinagawa

stainless steel poijnt ﬁxing

渋谷・品川方面

C-30×60×t=3mm

Balance arm, 8mm steel plate.

山手線 Yamanote Line

上野・池袋方面 to Ueno, Ikebukuro

現場溶接

中央改札

臨時ホーム S

上野・池袋方面

南側階段

屋根: Laminated safety glass comprising t=8mm stainless steel poijnt ﬁxing Balance arm, 8mm steel plate. Tie, φ6mm steel rod, adjustable in length Steel beam, HEA 120, trussed on underside Steel edge beam, HEB 120

渋谷・品川方面

スチール丸鋼 φ=22mm SOP 基礎: スチール丸鋼 φ=12mm SOP コンクリート t=400mm 床: 捨てコンクリート t=100mm 高圧プレス捨て栗石 t=100mm テラゾタイル t=25mm

山手線 Yamanote Line

渋谷・品川方面 to Shibuya, Shinagawa

3番ホーム

X'11

1820

上野・池袋方面 to Ueno, Ikebukuro

455

50M

X'10

3640 X'12

910 X'11

1820 X'10

13885 X'9

天井: 硬質ウレタンフォーム t=20mm 吹き付け

上野・池袋方面

山手線 Yamanote Line

渋谷・品川方面 to Shibuya, Shinagawa3

臨時ホーム Extra Platform

13885 8190

3番ホーム 455

屋根: 強化合わせガラス t=21mm C-45×70mm I- 150×50mm

▽GL±0

床:

高圧プレステラゾタイル t=25mm

山手線 Yamanote Line

▽1FL=GL-1,000

上野・池袋方面 to Ueno, Ikebukuro

天井: H-150×80×7×7mm PB t=3mm

南側階段

展示空間内壁01: 対候性鋼板裸使用 t=6mm C-30×60×t=3mm

雨受け

X'8 X'7

雨受けピット

通路

中央改札

臨時ホーム

水勾配

スチール丸鋼 φ=22mm SOP スチール丸鋼 φ=12mm SOP

山手線 Yamanote Line

水勾配

床仕上げ: 磁器質タイル t=8mm

X'6 X'5

X'9

6370

2番ホーム

渋谷・品川方面

S＝1/200

山手線 Yamanote Line

渋谷・品川方面

ピット

内壁: 複合アルミパネル t=3mm キーストンプレート t=30mm 柱 H-200×200×8×12mm

スチール丸鋼 φ=22mm SOP スチール丸鋼 φ=12mm SOP

9555 910 B-B SECTION

スチール丸鋼 φ=22mm SOP スチール丸鋼 φ=12mm SOP

床仕上げ: 磁器質タイル t=8mm 床仕上げ: 磁器質タイル t=8mm

1.5

現場溶接

スチール丸鋼 φ=22mm SOP スチール丸鋼 φ=12mm SOP

屋根: 樹脂モルタル補修の上トップコート躯体防水コンクリート直押え ▽TOP GL+5,700

ピット

2番ホーム

屋根01: 複合アルミパネル t=3mm キーストンプレート t=30mm □-100×50mm H-200×200×8×12mm

1.5

床仕上げ: 磁器質タイル t=8mm

展示空間 3番ホーム

床仕上げ: 磁器質タイル t=8mm

ピット

1820

2番ホーム基礎: コンクリート t=400mm 捨てコンクリート t=100mm 捨て栗石 t=100mm

床: 高圧プレステラゾタイル t=25mm

X'4

9555

455

X'6 X'5

8190

床仕上げ: 磁器質タイル t=8mm

ピット

X'3

X'4

1820

910

455

上野・池袋方面

▽B1FL(ホーム高さ)=GL-4,880

1820

ピット

X'2 X'8 X'7

▽B1FL=GL-6,980

X'3

910

X'2

1820

X'1

X'13

天井: 硬質ウレタンフォーム t=20mm 吹き付け

屋根01: 複合アルミパネル t=3mm キーストンプレート t=30mm □-100×50mm H-200×200×8×12mm

内壁: 複合アルミパネル t=3mm キーストンプレート t=30mm 柱 H-200×200×8×12mm

屋根: 強化合 C-45× I- 150×

屋根: 樹脂モルタル補修の上トップコート躯体防水コンクリート直押え ▽TOP GL+5,700

▽GL±0

1.5 ▽1FL=GL-1,000

高圧プレステラゾタイル t=25mm 1

上野・池袋方面

山手線 Yamanote Line 臨時ホーム Extra Platform

天井: 硬質ウレタンフォーム t=20mm 吹き付け

中央改札

臨時ホーム

内壁: 複合アルミパネル t=3mm キーストンプレート t=30mm 柱 H-200×200×8×12mm 床仕上げ: 磁器質タイル t=8mm

B1FL(ホーム高さ)=GL-4,880

床: 高圧プレステラゾタイル t=25mm 高圧プレステラゾタイル t=25mm

ピット

南側階段

基礎: コンクリート t=400mm 捨てコンクリート t=100mm 捨て栗石 t=100mm

展示空間

屋根: 強化合わせガラス t=21mm C-45×70mm I- 150×50mm 内壁01: 対候性鋼板裸使用 t=6mm C-30×60×t=3mm 床仕上げ: 磁器質タイル t=8mm ▽GL±0 ピット

ピット

▽1FL=GL-1,000 ▽B1FL=GL-6,980

臨時ホーム

山手線 Yamanote Line 臨時ホーム Extra Platform

9555

中央改札

455

南側階段

8190展示空間

X'6 X'5 X'4 The platform and concourse can be used together. A large staircase wide enough to get on and oﬀ people and a landing on the stairs where people can accumulate 内壁01: 対候性鋼板裸使用 t=6mm C-30×60×t=3mm

1820

X'3

910

X'2

182

KOFU-PROJECT K O F U

O F F I C E

P R O J E C T

status : concept design(competition)

The image of "Forest" for the oďŹ&#x192;ce is the beginning of the design, and with

program : Office

four goals of diversity, wellness, sustainability and connectivity with cities to

location Kofu,Yamanashi,Japan

acquire location and active usage Set."Forest of trees and pillars" is a wooden

main structure : Wooden and Steel frame

tree that exposes the pillars that stand in the forest to the exterior. It was

termďź&#x161;June 2019

constructed based on the pure ramen structure of the shaft assembly method.

▶

The entire site is overlaid with a 4-mat half-grid of 2.88 m square, assuming a forest in the city.

▶

Replace trees with pillars and ﬁnd places where people gather with various characteristics

By inserting roofs and walls, architecture is born between trees and pillars.

1 階平面図 S=1:200

菜園の野菜を提供

カフェに立寄る

社内コミュニケーション

屋外コンサート

調べ物をする

キッチンカーで昼食

2 階平面図 S=1:900

屋外でミーティング 1 2 3 4 5

カフェ図書室ワークショップルームラウンジ / イベントホールオープンキッチン

6 7 8 9 10

オフィスエントランストイレ駐輪場機械室ワークスペース

11 12 13 14 15

フリーアドレススペースミーティングスペースキッティングルーム倉庫テラス

外部にも活動が点在し街と繋がる平面計画

社員が育てた野菜でスムージーを提供。家族を待ちながらカフェに立ち寄る。

活発な社員同士の会話が生まれる。

休日に中庭で様々なイベントを開催。

子供が本を読みながら父の帰りを待つ。お祭りの時は屋台が開かれ賑わう。

カフェのコーヒーを飲みながら打合せ。

事務所機能を 2 階に集約し、1 階に共用スペースやオープンキッチンなどを地域住民にも開放する計画とした。前面道路側のキッチンカーやカフェは市営公園のお祭りとも連携し、日常の拠り所として機能する。軒下空間をデッキ状の基壇として東西方向に連続し、使い方の異なる多数の場所を緩やかに接続する。

230

480

250

R.PL-6@300 通しボルト M12@300

H-100×100 ブレース :ST Φ 25

柱 : スギ製材 180 角梁 : スギ製材 180×240

林立する柱のみがそのまま建築の骨格となる構造

180 90 45 45分耐火性能燃え代45㎜

柱の耐火性能

埋木連続材（梁と同材）

補助材 : ST □ 100×100

太根 : スギ製材

梁 : スギ製材ブレース :ST Φ 25

R.PL-6@300 太根 : スギ製材 105×108

通しボルト M12@300

梁 : スギ製材 180×240

埋木連続材

ブレース - 梁接合部詳細図

補助材 :ST □ 100×100 梁 : スギ製材 180×240

ブレース概要平面図

柱 : スギ製材 180 角

人々の日常生活と、働く場が混ざり合う空間。

構造模型

応力解析モデル

【構造の考え方】「木と柱の森」は、林立する柱を外観に露出した木造軸組構法の純ラーメン構造を基本とし構成した。また林立する柱をそのまま建築の骨格としてビジュアライズするため、水平応力の耐震要素は木造フレームからオフセットした鉄骨造のブレース構造として設計し、「柱」と「壁」の分離を行った。【耐火性能】自重および積載荷重などの鉛直荷重を木造フレームが、水平荷重を鉄骨フレームが負担しているため、鉄骨部分には耐火被覆不要で必要最小厚の耐力壁の構築に寄与している。一方で、木造部分は 45 分耐火性能（製材）性能を満足している。【材種選定】 180 角の柱を製材として加工できる工場が全国的に限られるため、木材加工工場の状況と樹木の育成環境により、九州のスギ製材が強度面とコスト面から最適であると判断した。一方、梁や根太等は山梨県産材を利用し計画を行なっている。【防腐・耐候性】外部に露出した柱の防腐・耐候性に対して、紫外線劣化と雨がかりを特に配慮し、南・西面に薬剤加圧注入を行い、北・東面には防腐剤塗布処理を採用し必要コストの縮減を行った。【基礎構造】川に近く軟弱地盤でかつ建物の平面形状が平しているため、PHC 摩擦杭を採用し不同沈下を抑止し液状化の際の建物安全性を確保した。

Nov 20,2019 / Le Corbusier / UnitĂŠ d'Habitation

KEITA YAMAMOTO Architecture Portfolio Address: 25 Rue de lâ&#x20AC;&#x2122;Argonne , 605 , Paris , France ,75019 E-mail:

yanmo4869@gmail.com

Mobile:

+33 7 83 53 68 77

First Publised:

January,2020

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