Adolf loos

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Was one of the most important and influential Austrian and Czechoslovak architects of European Modern architecture.

Hugo Steiner's house is one of Loos's most significant and well-known works. Because of its severe and advanced modernity of form it has been adopted in the histories of contemporary architecture as an example of the phase of transition and an anticipation of the language of Rationalism.


Casa Moller, Viena (1928-1929)

Casa Scheu, Viena, Austria. 19121913

Later architects ready to follow a similar direction in the search for a supposed universal style for modern times.

Casa Rufer, Viena (1922)


CUBISM DE STIJL NEW CONCEPTIONS OF SPACE:

THE INTERNATIONAL STYLE IN ARCHITECTURE

Inspiration: structure.

Mechanical

simplicity

and

Principles: Mondrian’s principles of dynamic equilibrium, basically the balancing of “unequal but equivalent oppositions.”

Inspiration: Mechanical simplicity and structure. Intention: To induce a feeling of “mystical harmony of humanity in the universe.”


CUBISM DE STIJL

This contrast of bright color was set against the white and black surfaces to accent the structure of the building. Another element of the International Style that was incorporated in this design was the use of continuous windows and reflective surfaces.

The interior of the International Style building was based on the use of boxes.

The Schrรถder House best demonstrated the International Style of architecture, and this architectural style became so popular around the world, that the style became known as the International Style. The Bauhaus, created by Walter Gropius, incorporated this style into its design.

The Rietveld Schrรถder House constitutes both inside and outside a radical break with all architecture before it.


CUBISM, DE STIJL AND NEW CONCEPTIONS OF SPACE: THE INTERNATIONAL STYLE IN ARCHITECTURE The Red Blue Chair represents one of the first explorations by the De Stijl art movement in three dimensions.The original chair was painted in the familiar De Stijl palette of primary colours that is, black, grey, and white. However, it was later changed to resemble the paintings of Piet Mondrian in 1918. The chair currently resides in the Toledo Museum of Art in Ohio. It features several Rietveld joints.

Child's Wheelbarrow, 1923. Gerrit Rietveld (Dutch, 1888-1964) Painted wood, (31.8 x 28.9 x 85.1 cm).

Side Table, 1923. Gerrit Rietveld (Dutch, 18881964)Wood, (60 x 51.8 x 50.2 cm).

Stool, 1923-24. Gerrit Rietveld (Dutch, 1888-1964) Painted wood, (45.1 x 44.1 x 42.9)cm.

Hoge Stoel Highback Chair, 1919. Gerrit Rietveld (Dutch, 1888-1964) Stained and painted panga-panga wood, (91.7 x 60 x 60 cm).


FURNITURE

Table Lamp, 1925. Gerrit Rietveld (Dutch, 1888-1964) Metal and half-painted glass bulb, (38.1 x 19.7 x 11.4 cm).

Military Side Chair, 1923. Gerrit Rietveld Deal and painted p lywood, (89.5 x 40.3 x 51.5 cm) , seat h. (45.1 cm).

Rietveld, Central Museum Utrecht Gerrit Rietveld (Dutch, 1888-1964) Printer: Steendrukkerij de Jong and Company, Hilversum. 1958. Offset lithograph, (59.7 x 59.7 cm).

Zig-Zag Chair, 1934. Gerrit Rietveld Wood, (73.7 x 37.8 x 40.6 cm), seath (43.2 cm).


The period termed "art deco" manifested itself roughly between the two world wars,or 1920 to 1939. This period of design and style did not just affect architecture, but all of the fine and applied arts as well. Furniture, sculpture, clothing, jewelry and graphic design were all influenced by the Art Deco style. If one is looking for an appropriate word to describe overall Art Deco as a design style, 'Speed' would be the best word for it. Art Deco designers use stepped forms, rounded corners, triple-striped decorative elements and black decoration quite a lot. The most important thing is that they are all in geometrical order, and simple formats. And simple formats.

•The most important thing is that they are all in geometrical order, and simple formats.

The perfect example of Art Deco is Chrysler Building, William Van Alen, New York.


A mahogany and gilded wood cabinet (1913) whit leather-covered door and drawers that bears the stamp of Paul Iribe.

Armchair designed by iribe (1913) in rosewood, carved on the sides whith a spiral motif that can be seen the detail

A small, curved-outlined cabinet (1925-1030) whose combionation of straight and wavy lines is emphasized the metal carnice and base; in green lacquered wood by Jean Dunand and Eugene Printz.

Art Deco Furniture, Chair, Ruhlmann



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