KELLY NEILL Pre-professional Architect Honours BAS M.Arch Portfolio kelly.e.neill@gmail.com www.kelly-neill.com
CONTENTS
Flatiron District Mapping NY/P Design Studio
RESUME
4
DESIGN WORK Panoptic Performance - Circus School Fashion Atelier - New York & Paris Gowanus Pod Hotel - Modular Hotel Memoralux - Interactive Screen House Of Daedalus - Chapel
6 14 22 28 32
BUILT WORK UWSA Pavilion - Explore Design Daedalus’ Dream - Chora Venice Blvd - Arquitectonica Gallery House - Altius Architecture
40 46 54 56
KELLY NEILL Pre-professional Architect Honours BAS +1 (647) 222-4551 kelly.e.neill@gmail.com www.kelly-neill.com
PROFESSIONAL EXPERIENCE INTERN ARCHITECT Kasian, Toronto, ON INTERN ARCHITECT Altius Architecture Inc, Toronto, ON ARCHITECTURAL INTERN Diamond & Schmitt Architects Inc, Toronto, ON JUNIOR DESIGNER Whiting Design, Waterloo, ON JUNIOR ASSISTANT Brian O’Tuama Architects, London, UK ARCHITECTURAL DESIGNER The Walter Fedy Partnership, Kitchener, Ontario ARCHITECTURAL ASSISTANT Arquitectonica International, Los Angeles, California
March - August 2013 www.kasian.com February 2011 - February 2013 www.altius.net January 2010 - August 2010 www.dsai.ca September 2009 - December 2010 www.whitingdesign.ca May - June 2009 www.brianotuama.com September - December 2008 www.walterfedy.com January - May 2008 www.arquitectonica.com
Resume | 4
TECHNICAL SKILLS
VOLUNTEER EXPERIENCE BUILDING VOLUNTEER Habitat for Humanity, Toronto, Ontario
October - December 2012 www.habitat.ca
TWOFOLD FABRICATION ASSISTANT GALTstudio, Cambridge, Ontario
August - October 2009 www.galtstudio.com
UWSA PAVILION CODIRECTOR & DESIGNER Explore Design, Toronto, Ontario
July - October 2008 www.exploredesign.ca
MARKETING DEPARTMENT ASSISTANT Adamson Associates Architects, Mississauga, Ontario
January- May 2006 www.adamson-associates.com
- Well versed in Revit, ArchiCAD 16, AutoCAD 2013, Vectorworks, Rhino 5.0, VRay, Artlantis Studio, Aurdino, Grasshopper, CreativeSuite5, Adobe Premiere, Form Z, SketchUp, Google Earth, Microsoft Office - Completed comprehensive training course for Revit 2014 - Extensive first hand knowledge of the building permit application process - Model building experience of all mediums - Over 7 years of extensive hand and computer drafting instruction & 4 years of relevant work experience - Windows & Mac OS X platforms
EDUCATION
ACHIEVEMENTS
COLUMBIA UNIVERSITY September 2013 – May 2014 GRADUATE SCHOOL OF ARCHITECTURE PRESERVATION & PLANNING Non Degree, The Shape of Two Cities: New York / Paris
- Entrance Scholarship, University of Toronto 2014 - Awarded First Place for UWSA Pavilion Design Competition 2008. - $1000 Merit Scholarship, University of Waterloo 2006
UNIVERSITY OF WATERLOO SCHOOL OF ARCHITECTURE September 2006 - August 2011 Honours Bachelor of Architectural Studies, Co-operative Education Program
5 | Resume
|6
PANOPTIC PERFORMANCE Panoptic Performance is a newTYPEMIX TypeMix of surveillance, discipline and play which Def. The mixing of typologies to discover architectural opportunities that serve people.The aim ofschool, architecture isstudent to improve the housing lives of people and to value present and historical territory blends the programs of the circus and parking garage. This with its presence. project aims to create a functional machine that heightens the disciplinary rhetoric inherent to the circus school and its students to produce an environment conducive to regulated play . It achieves this by allowing the public monitor the students’ training CIRCus PARkINg sTudENT for performances at varying times ofhOusINg the day from either the public program sChOOl gARAgEor their car. An increase in discipline among the student body is beneficial because it provides motivation for optimal performance. PANOPTICON MORPHOLOGY
STUDENT HOUSING + PARKING/FLEX
“THEY ARE LIKE SO MANY CAGES, SO MANY SMALL
THEATRES, IN WHICH EACH ACTOR IS ALONE, GSAPP - Paris Studio PERFECTLY INDIVIDUALIZED & CONSTANTLY Professor: Alessandra Cianchetta &VISIBLE.” Antoine Santiard -- MICHEL FOUCAULT Individual Project
PUBLIC CORE
CIRCUS SCHOOL
MORPHOLOGY + PROGRAM
7|
Am
CLOSED
SuRvEILLANCE
DISCIPLINE
MACHINE
OPEN
INTERACTION
PLAY
FLEXIBILITY
TYPEMIX Def. The mixing of typologies to discover architectural opportunities that serve people. The aim of architecture is to improve the lives of people and to value present and historical territory with its presence.
Potential Interaction With Site
1:4000
mASSING STudIeSToTO mAXImIze INTeRAcTION Massing Studies Maximize Interaction
Panoptic Performance | 8
ION B
URBAN VILLAGE Def. An urban village is an urban planning and urban design concept. It refers to an urban form typically characterized by: medium density development, mixed use zoning, the provision of good public transit, an emphasis on urban design particularly pedestrianization and public space urban villages.
GIVeN pROGRAmGIVeN pROGRAm Given Program
SelecTedProgram pROGRAm SelecTed pROGRAm Selected
pROGRAmmIc cOmpARISON pROGRAmmIc cOmpARISON
leGeNd
leGeNd STudeNT hOuSING STudeNT hOuSINGSOcIAl hOuSING SOcIAl hOuSING OpeN SpAce
Cross Section SpORTS ceNTRe
SpORTS ceNTRe cIRcuS SchOOl
leG
mA
STe
OpeN SpAce pROGRAmmed OpeNpROGRAmmed SpAce OpeN SpAce
cIRcuS SchOOl cOmmeRcIAl
Rp
cOmmeRcIAl mIlITARy fAcIlITIeSmIlITARy fAcIlITIeS pARkING
lAN
cIR
cu
pARkING
lAT
ION
eNd
9 | Panoptic Performance
eXI
1:1000
NOLLI DIAGRAM
Massing Strategies
Nolli Map
“They are like so many cages, so many small theatres, in which each actor is alone, perfectly individualized & STUDENT HOUSING + PARKING/FLEX MASSING SERIES constantly visible.” -- MICHEL FOUCAULT PUBLIC CORE
STUDENT ENTRANCE
CIRCUS SCHOOL
MORPHOLOGY + PROGRAM
Morphology
Existing Structural Grid Panoptic Performance | 10
Programmatic Analysis
PARKING SPACE
=
HOUSING UNIT
sTudENT sEQuENCE
LOUNGE
6m
6m
EXTERIOR GARDEN
KITCHEN CLASS ROOM
3m
STUDY ROOM
Unit Types 18 m 2
3m
18 m
2
STUDENT HOUSING CELLS
STUDENT HOUSING CELLS
Student Housing Cells
Public Circulation
Ramped Student Circulation
Student Program + Circulation
PUBLIC CIRCULATION
PRACTICE ROOM EXTERIOR GARDEN
GYM
LOUNGE KITCHEN CLASS ROOM
TRAINING FLOOR
STUDY ROOM
AuTOMOBIlE sEQuENCE
PRACTICE ROOM
STRETCH
GYM TRAINING FLOOR
CHANGE ROOM
STRETCH CHANGE ROOM
Student Program
STUDENT PROGRAM
RAMPED STUDENT CIRCULATION
Automated Parking Entrance
DAY TIME AUTOMATED PARKING
STUDENT PROGRAM
11 | Panoptic Performance
STUDENT PROGRAM + CIRCULATION SERIES
Automated Daytime Parking
STUDENT PROGRAM + CIRCULATION SERIES
RAMPED STUDENT CIRCULATION
FOR AutomatedPARKING Performance Parking
AUTOMATED
Ground Floor Plan
15.
16.
17.
18.
5.
13.
C 8.
9.
8. APPROACH FROM SOUTH EAST
19.
20.
B
ND FLOOR PLAN
1 2 3 4 5 6
KSHOP ING SPOT GE ENTRANCE TUB RAULIC LIFT
Workshop 6. LAP POOL Parking Spot 7. TRAMPOLINE 8. CHANGEROOM Garage Entrance 9. PUBLIC CORE 10. TRAINING FLOOR Hot Tub Hydraulic Lift Lap Pool
7 Trampoline 11. POOL 8 Changeroom 12. STUDIO 13. W/C 9 Public Core STORAGE 14. EQUIPMENT 15. GYM 10 Training Floor 11 Pool 12 Studio
8.
17.
21.
22.
A
13 W/C 19 Physiotherapy 16. PUBLIC RAMP 21. QUAD STUDENT HOUSING 26. ADMINISTRATION OFFICES 14 17. SINGLE Equipment Storage 22.20CIRCUS Public STUDENT HOUSING SCHOOLStair ENTRANCE 27. ADMINISTRATION LOBBY 18. STRETCH 23. JUICE BAR 28. PASSAGE 1519. PHYSIOTHERAPY Gym 21PUBLIC Quad 24. LOBBYStudent Housing 29. EXTERIOR GARDEN 20. PUBLIC STAIR 25. MEETING ROOM 30. CLASS ROOM 16 Public Ramp 22 Circus School Housing 31. STUDENT KITCHEN 17 Single Student Housing 18 Stretch
| 12
8. STRETCH SPACE
Section A
1 2 3 4 5 6 7 8
3. 1. 4. 2.
6.
5.
8. 7.
13 |
Flex Space Public Core Hydraulic Lift Single Student Housing Passage Administration Boardroom Circus Training Floor Stretch Space
| 14
FASHION ATELIER - NY & PARIS Throughout the semester a real New York and a virtual Paris offered the framework of each project through varying scales and methodologies. Examination of sites associated with the local history of fashion design, manufacture, and retail prompted the first phase of this project - a New York Fashion Atelier at the Lincoln Centre’s Metropolitan Opera. In the second phase the original New York Atelier would adapt, adjust, extend, mutate and otherwise custom-tailor to its new location, as a result of re-siting and inserting it into the cross-section of the Garnier Opera House.
GSAPP - New York Studio Professor: Jane Kim & Babak Bryan Individual Project
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15 |
Timelapse Diagram
Conceal
Screen
View
Walk
Tessellated Material Studies Fashion Atelier - NY | 16
Plan
The bench structure that straddles the Lincoln Centre site acts as a subtle threshold into the central square and by documenting how people occupy and move around it, it becomes apparent that it plays an integral role in creating moments of pause and movement. The main objective is to blur the thresholds of public & privilege spaces through the use of inversion while still maintaining the link to the park and ultimately reinvigorating the space.
3
5
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Studio Fabrication & Prototype Entrance Catwalk & Circulation Spine Archives
17 | Fashion Atelier - NY
Analysis of Expansion & Compression
Avenue de l'Opéra - Amplitheatre
Conceptual Section In its second phase, the atelier adapted its new siting of the Palais Garnier by further examining the use of thresholds to create heightened experiences of expansion and compression, in both plan and section. The intent of the intervention is to combat the symmetry of the plan by providing a unique & varied experience through the inversion of compressed & expanded volumes, while still being respectful of the opera house in its original programmatic intent. Formally, the project is inspired by the simplicity of the Lincoln Centre’s bench as a monolithic structure but as the public moves under, within and above, only then do they appreciate it’s dynamic and highly tailored environments of movement and pause. Fashion Atelier - Paris | 18
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19 | Fashion Atelier - Paris
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Sectional Study Matrix
Storage
Archive
Programmatic Plan
PRIVATE STORAGE
DRESSING ROOM
DESIGN STUDIO
ADMIN DISPLAY
DIS PUBLIC ARCHIVE
RETAIL
Admin
FABRICATION
Fabrication
Surface Material Studies
Fashion Atelier - Paris | 20
Admin
Fabrication
Admin/Fabrication
Studio Cafe
Retail
Dressing Room
Cafe/Studio/Fabrication
| 22
GOWANUS POD HOTEL The worlds urban population was estimated at 2.86 billion in 2000 and is expected to rise to 4.98 billion by 2030 and as a result, a transformative change in the way we design our buildings will be necessary. This project seeks to investigate a modular solution to this growing issue. The Gowanus Modular Hotel celebrates the efficiency of its parts and the cohesive form of the whole by developing global standard of the shipping container module but with opportunities for mass customization to create uniquely individual projects.
GSAPP - Modular Housing Professor: David Wallance Project Team: John Kim, Kelly Neill, Tianhui Shen & Ruth Wang
23 |
1
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4
5
6
A
B
C
D
1
E
2
3
4
5
6
Level 2
A B
Level 2
9' - 0"
9' - 0"
6
5
"2/1 6 - '0 2 leveL "0 - '9
"1 - '0
C
Level 1
D E
Level 1
0' - 0"
0' - 0"
Level 0
Level 0
-1' - 0"
-1' - 0" 1 leveL "0 - '0
0 leveL "0 - '1-
Basic Module CIRTEMONOXA - TINU CISAB ”0-1 = ”8/3 ELACS
1B
2B
4B
3B
5B 6B
AB
BB
CB
1C 1B 1A 1
DB EB
AB BB
2C 2B 2A 2
3C 3B 3
3A
4C 4B 4A 4
5C 5B 5A 5 6C 6B 6A 6
Level 2
Level 2
9' - 0"
9' - 0"
A6
"6 2 leveL "0 - '9 "6 - '1 "6 - '6
CB
"2/1
"2/1 0"2- -'1'0
1 leveL "0 - '0
-1' - 0"
Premium Module
2A
"01 - '0
Level 0
-1' - 0"
1A
"0 - '1-
0' - 0"
0' - 0"
Level 0
AA BA
0 leveL
Level 1
Level 1
DB EB
CIRTEMONOXA - 2 fo 1 TINU DEDNETXE & MUIMERP ”0-1 = ”8/3 ELACS
3A
4A
5A 6A
AA
BA
CA
DA EA
1A
Level 2 9' - 0"
2A
3A
4A
5A 6A
C B66 C A B A
"6 - '0
Level 2
2 leveL "0 - '9
9' - 0"
"6 - '1 "6 - '6
CA
0 leveL "0 - '1-
Accessible Module
Level 1 0' - 0"
Level 1 0' - 0"
Level 0
Level 0
-1' - 0"
-1' - 0"
CIRTEMONOXA - 2 fo 1 TINU ELBISSECCA ”0-1 = ”8/3 ELACS
Gowanus Pod Hotel | 24
"2/1 0 - '1 "2 - '0 "01 - '0
1 leveL "0 - '0
DA EA
"2/1 9 -
1 Framing
6 Fixed Appliances
2 Concrete Base
5 Insulation Panel
7 Transportation
8 Assembly
Interior Renderings of Premium Module 3 Stud Frame
9 Rain Screen Panels
25 | Gowanus Pod Hotel
4 Drywall
Modular Components
Gowanus Pod Hotel | 26
North Elevation
1st Floor Plan
FACADE DESIGN woven interlock pattern panel catalogue and aggregation
drywall
rigid insulation
for balcony units where side facade is exposed, the panels match adjacent coloring that is most represented at the edge. In this case, dark grey.
num channels to hold mullions
Glass tinted turquois to match the balcony railings.
lobby modules using same family of colored panels. Dark grey continuing vertically down the sides and turquois on the horizontals.
Facade Components exploded facade
window and door frames
window
drywall 4’ tall glass railing. colored to match panel behind. rigid insulation
aluminum channels to hold mullions vertical extruded aluminum mullions (with slots to hold horizontal bars)
27 | Gowanus Modular Hotel
1.75’ tall kickboard painted to match adjacent panel.
colored anodized aluminum panels (horizontal bars welded to inside edge of each panel. )
| 28
MEMORALUX As society demands more responsibility on architects to design sustainable built environments, the implications of adaptive and interactive architectural systems have been brought into focus. The purpose of this project is to explore and react on these possible implications through the lens of architecture as an embedded and active participant. For this reason the proposed installation in Avery Hall will not only enhance the chosen environment but also perform as a tool to document data and begin to inform the space through the output of its recorded intelligence.
GSAPP - Intelligent Systems/Interactive Architecture Professor: Andrew Payne Project Team: Kelly Neill & Sareeta Patel
29 |
ing Intelligent System
Prototyping Copper Tape
Thred
SMA Wire .005
Dynamic SMA Lighting
Thread Holes
Sareeta Patel & Kelly Neill
Exploded Axonometric of Lens
Panal Material (Mylar)
Wooden base (Upper)
LED
Wooden Base Motion Sensor LED Housing LED Housing (Lower)
Memoralux | 30
Panal Material (Mylar)
Proposed Axonometric
Partial Elevation
Use of motion and light will act as the variables in which to manipulate the environment and record data. The design intention is to input multiple motion sensors that will be triggered as the participants walk up or down the staircase, sending a signal to turn on designated areas of the light wall. A layer of perforated nitinol foil will be fastened over the light grid to create a series of lens apertures to release the light into the stairwell at a controlled rate.
31 | Memoralux
| 32
HOUSE OF DAEDALUS The parti of the project is quite clear in its division between the sacred, shared, and secular program. The program in a sense is mirrored along the shared axis and it is the armatures of the chapels and the community spaces that shape the exterior spaces. Upon entry individuals have to make a choice as to which path they will take but ultimately they will end up in the same shared space of either the courtyard or the contemplative garden. As a result the project is one that is inwardly focused and through the use of slot windows and screens the mystery of these outdoor shared spaces are not fully understood or appreciated until one arrives at them. Like the three stages of walking a labyrinth, an experience of releasing, receiving, and integrating drives the project.
UWSA - Comprehensive Building Design Studio - 4B Professor - Andrew Levitt Individual Project
33 |
Ground Floor Plan
Parti Diagram
A
CIRCULATION
1
2
3
4
5 6
7
11
8
9
10
12 SECULAR
13
SACRED
14
15
16
17
18 19
SHARED
20
21
A
1 2 3 4 5 6 7
Men’ s W/C Women’s W/C Front Desk Foyer Cloak Room Storage Library
8 Peace Garden 9 Private Chapel 10 Storage 11 Exit Stair 12 Retention Pond 13 Private Office 14 Project Room
15 16 17 18 19 20 21
Open Office Courtyard Main Chapel Copy Room Recycling Pantry Kitchen
House of Daedalus | 34
Elevations
35 | House of Daedalus
Interior Bridge
Section A
Main Chapel
Interior Courtyard
| 36
Wall Section
37 | House of Daedalus
Private Chapel
Structural Diagram
| 38
2
7
Roof Detail 1 - Pv Panel Concrete Support Blocks Gravel Filter Cloth 50Mm Drainage Plane Vapor Barrier Sloped 100Mm Rigid Insulation Air Barrier 12Mm Sheathing, Exterior Grade 38Mm Wood Decking 80Mm X 250Mm Purlins 215Mm X 494Mm Glulam Beams
Exterior 3
1
4
2 - Double Glazed Fixed Skylight Unit 5
3 - 12Mm Sheathing, Exterior Grade 4 - 215Mm X 494Mm Gulam Beam
6
Interior
5 - 250Mm Concrete 100Mm Rigid Insulation Fibre Composite Connector 150Mm Concrete 6 - W250mm X 400Mm Steel Section 7 - Flashing Parapet Cap
39 | House of Daedalus
Sun Studies
| 40
UWSA PAVILION In an effort to expose students to opportunities and challenges outside of the classroom, the final project of the Graphics & Industrial Design course mandated that groupings of 2-3 students leverage their digital skills to develop an integrative recruiting pavilion for the University of Waterloo, School of Architecture (UWSA). Ultimately, the design proposals were presented to the administration and pedagogy for examination. As first place winners of the competition my partner Han Dong and myself were granted a budget of $5000, allocated to material and labour costs for the design’s inaugural use at the second annual Explore Design exhibition in Toronto’s Metro Convention Centre.
UWSA - Graphics & Industrial Design - 2B Professor - Vincent Hui Project Team - Han Dong & Kelly Neill
41 |
1. Gallery 2. Inquire 3. Information/Facts 4. 1st Year Work 5. 2nd Year Work 6. 3rd Year Work 7. 4th Year Work 8. LCD TV 9. Laptop Display 10. Storage 11. Seating
UWSA Pavilion Presentation Kelly Neill & Han Dong | 42
Timber Framing
Hard Board
Experience
n g 43 |
UWSA Pavilion Presentation
Black Bristle Board
Framed Mylar Projection Screen
Corrugated Cardboard
Construction Process
UWSA Pavilion | 44
Final Construct at Explore Design The original design using wood frame design had to be replaced with 1� aluminium sections which offered the rigidity and lightness required for the large spans and 6 foot cantilevers. Custom fittings, provided by Kee Klamps, allowed for quick assembly and disassembly.
45 | UWSA Pavilion
| 46
DAEDALUS’ DREAM
Version 2.1
Chora - a collaborative performance produced by the 2B students in an effort to harmonize the design rigor of Design Studio and the linguistic nature of our Iconography course. Scene 4 progressed into ‘the dream scene’ in which the audience found themselves completely immerged in Daedalus’ mind. They felt the rising action of events, the overwhelming pressure of his life just as Daedalus felt in previous scenes. This compassion took them into the final scene, searching for a sense of understanding or acceptance of things passed.
UWSA - Design Studio - 2B Professor - Geoff Thun
’
Project Team - Scene 4
47 |
Version 3.1
Iterative Prototyping
Though several variations were explored, the final singular module was selected for mass production on basis of its strength and efficiency of its production. Corrugated plastic is most desirable for its lightness in weight, resilience, workability in fabrication, and memory of the material. The materials’ ability to hold an conceal light provided further explorations with light projections. Here clarity of design intentions and architectural language were resolved through further exploration of prior design resolutions due to limitations imposed by actual construction.
Site Construction of Form Daedalus’ Dream | 48
Audio & Visual Plan
Construct >Final Final Construct > The Performance
Daedalus’ Dream | 50
Scene 4 - Project Team:
Photo 1: Main Floor Stair Entrance
62
Carlo Pasini, Catherine Westgate, Christopher Mosiadz, Daniel McTavish, Emma Ma, Erika Podlovics, Geordie Manchester, Jason Smith, Jeddiah Lau, Justin Breg, Kelly Neill, Mark Tam, Matthew Barbesin, Matthew Lemay, Oleg Kostour, Patrick Burke, Richard Lam, Sayjel Patel, Tiffany Chiag
51 | Daedalus’ Dream
| 52
VENICE BLVD Located minutes from Venice Beach and just a short commute from downtown Los Angeles, Culver City is an ideal location for residents of California. Still in its early design phase, the project strived to achieve the appearance of an upscale residential tower, while providing affordable studio apartments.
Arquitectonica - March 2007 Scope: Produced renderings and site models
53 |
Typical Floor Plan PERSPECTIVE ELEVATION
VENICE AND DUNN - DESIGN OPTIONS LOS ANGELES, CALIFORNIA FEBRUARY 5, 2008
Rendering
Site Model
STREET VIEW
OPTION D 3D VIEWS
NOT TO SCALE
Venice Blvd | 54
55 |
ga | 56
GALLERY HOUSE Gallery House is a commercial gallery space that spans 1200 square feet and is devoted to the work of senior artists. Creating a “home base� for artists to present their bodies of work, the gallery is situated at Dundas Street West and Morrow Avenue in Toronto. The gallery enjoys an intimate relationship between the street front and passers by, as well as providing a functional platform to view artistic works. The intent was to provide our client with a full living space over top of the gallery as they sought to integrate themselves on a full time basis within their new neighbourhood.
allery house Altius Architects Inc - April 2011 Scope: Produced renderings and building permit package
57 |
17'-8"
17'-8 1/2"
NEW INTERIOR PARTITION 2"X4" WD STUDS @ 16" O,C. ON SOUND INSULATION WHERE NOTED 1 LAYER OF 5/8' OF TYPE "X" GYPSUM BOARD, PAINTED (TYPICAL) NEW FOOTING (SEE STRUCTURAL)
UNEXCAVATED CRAWL SPACE B02
12'-5 1/8"
B01
NEW FOOTING (SEE STRUCTURAL)
UNEXCAVATED B03
2 A401
19'-10 1/4"
12'-5 1/8"
19'-10 1/4"
Preliminary Sketch
STORE
EXISTING FOOTING (TYPICAL)
1 A401
EXISTING FOOTING (TYPICAL)
B
29'-3"
A
Priority was placed on depicting the diagram of the spaces within on the exterior facade, as it was of key importance being the only fully exposed facade; thus we were mindful that the living accommodation which was to be more private should be situated up and away from street level with heavier massing, while more open and inviting public areas would be exposed at the lower level; a band of vertical circulation to the side expresses the link between the two. -- www.altius.net
NEW CEILING FINISH 2 LAYERS OF TYPE 'X' GYPSUM BOARD (TYPICAL) PAINTED
3'-1/2"
18'-8"
B A5 01
3'-9"
3'-9"
A5 01
A
EXISTING FOUNDATION STRIPFOOTING
9'-8"
12'-5 1/8"
1'-3 3/8"
18'
16'
8'-3 5/8"
16'-8"
104'-1/2"
1
2
3
4
5
6
7
3 A402
7a
8
9
Basement Plan - Proposed SCALE: 3/16" =
Ground Floor Plan
1'-0"
1
2
3
4
5
4 A402
6
7
7a
8
9
104'-1/2" 3'-1/2"
18'-8"
9'-8"
12'-5 1/8"
1'-3 3/8"
16'
VENT KITCHEN & WASHROOM EXHAUST TO EXTERIOR
EXISTING STAIRCASE TO REMAIN
NEW TOILET, VANITY & SINK
16'-8"
PROVIDE 2 LAYERS OF TYPE 'X' GYPSUM BOARD, ON EXISTING 2"X6' WD STUDS W/ MIN 4' CC SPF INSULATION (MIN R22) PAINTED (TYPICAL)
NEW INTERIOR PARTITION 2"X4" WD STUDS @ 16" O,C. ON SOUND INSULATION WHERE NOTED 1 LAYER OF 5/8' OF TYPE "X" GYPSUM BOARD, PAINTED (TYPICAL)
NEW CABINETRY & APPLIANCES
8'-3 5/8"
NEW 5/8" TILE FL. FINISH (SPEC TBD) ON EXISTING CONCRETE FL.
EXISTING GARAGE DOOR TO REMAIN
104'-1/2"
1 3/4"
RE-FRAME EXISTING CEILING JOISTS (SEE STRUCTURAL) PROVIDE NEW 1 LAYER ROXUL "SAFE AND SOUND" INSULATION 2 LAYERS 5/8" TYPE "X" GYPSUM BOARD, PAINTED (TYPICAL)
GARAGE G05
4"
7'-2 3/4"
5"
8'-7 7/8"
5"
6'-2"
B
4'-10 3/8"
1'-10 1/2" 4" 4"
21'-10"
4"
6'-1"
4"
24'-3/8"
9 1/8"
1'-11 7/8"
A 103'-10 7/8" NEW 5/8" TILE FLOOR FINISH (SPECTBO) ON 3/4" PLYWOOD SHEATHING EXISTING JOISTS (SEE STRUCTURAL) 1 LAYER TYPE "X" GYPSUM BOARD, PAINTED (TYPICAL)
3'-1/2"
18'-8"
NEW FURNITURE SUPPLIED BY CLIENT (DETAILS TBD)
PROVIDE 2 NEW LAYERS TYPE "X" GYPSUM, PAINTED (TYPICAL) ON EXISTING 2"x6" WD STUDS W/ MIN 4" CC SPF INSULATION (MIN R22)
12'-5 1/8"
1'-3 3/8"
NEW GAS FIREPLACE (MODEL TBD)
18'
16'
2
Ground Floor Plan - Proposed SCALE: 3/16" =
1'-0"
3
4
5
6
3 A402
8'-3 5/8"
INTERIOR PARTITION 2"X4" WD STUDS @ 16" O.C. 1 LAYER OF 5/8" TYPE "X' GYPSUM BOARD, PAINTED
104'-1/2"
1
A
NEW RAILING SYSTEM (SPEC TBD)
NEW STAIRCASE TO COMPLY WITH OBC 9.8.1 NEW HANDRAIL TO COMPLY WITH OBC 9.8.1
9'-8"
A5 01
3'-9"
3'-9"
22'-9 1/8"
6'-1 1/4"
9'-4 7/8"
2'-2"
9'-3/8"
B
2 A401
9'-4 7/8"
4'-11 7/8"
4"
15'-2 5/8"
DN
15'-11 7/8"
5"
G04
12'-5 1/8"
G01
C
19'-10 1/4"
12'-5 1/8"
19'-10 1/4"
OFFICE 13'-5 7/8"
GALLERY
1 A401
1'-10 5/8"
3'-9 5/8"
4"
2'-7 1/2"
5'-1 1/2"
3'
8'-11 1/8"
3'-1 1/2"
G03
8'-5/8"
5'-6 5/8"
5'-9 5/8" KITCHEN
G02
NEW POST (SEE STRUCTURAL)
3'-1"
2'-7 1/8"
4 3/4" 4" 2'-6"
7'-3 1/4" WASHROOM
NEW CABINETRY
5'-6"
4 7/8"
4"
NEW POST (SEE STRUCTURAL)
D F
2'-6"
DN
2'-10 3/8"
2'-8 5/8"
UP UP
3'-8 1/4"
3'-8 1/4"
C
3'-5 1/2"
D
A5 01
18'
7
7a
16'-8"
8
9
Gallery House | 58
Design Development Renderings
59 | Gallery House
Construction
Gallery House | 60
Wall Section
WALL DETAIL EXISTINGEXTERIOR EXTERIORWALL WALL EXISTING
WOOD DECKING ON PT STRAPPING WATERPROOF ROOF MEMBRANE EXTERIOR SHEATHING ON STRAPPING TO CREATE 2% SLOPE TO SCUPPERS RIGID INSULATION (TOTAL R-28 REQUIRED) PLYWOOD SHEATHING - EXTERIOR NEW CEILING JOISTS (SEE STRUCTURAL) 6 MIL POLY VAPOUR BARRIER 5/8" TYPE 'X' GYPSUM BOARD, PAINTED
2"X6" NAILER
NEW 2 LAYERS TYPE "X" GYPSUM BOARD, PAINTED ON EXISTING 11 7/8" LVL'S EXISTING 3/4" PLYWOOD SHEATHING
2"X6" NAILER
Photography Credit: Altius Architecture & Gallery House 61 | Gallery House
KELLY NEILL
info@kelly-neill.com www.kelly-neill.com | 62