Architecture Portfolio: Kelsey Willis Spring 2017

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KELSEY WILLIS SPRING 2017 ARCHITECTURE PORTFOLIO TULANE SCHOOL OF ARCHITECTURE


ABOUT KELSEY

I AM AN ARCHITECTURE STUDENT AND FRENCH DOUBLE MAJOR FROM THE CITY OF BELLINGHAM, WA, NOW FINISHING UP MY THIRD YEAR AT TULANE UNIVERSITY. I AM EXTREMELY INTERESTED IN THE INTERSECTION OF ACTIVISM, SOCIAL, AND EVIRONMENTAL JUSTICE WITH THE FIELD OF ARCHITECTURE, AS WELL AS THE NECESSITY OF COMMUNITY INVOLVEMENT IN THEIR BUILT ENVIRONMENT. OUTSIDE OF STUDIO & ON CAMPUS, I WORK WITH TULANE’S FOSSIL FUEL DIVESTMENT CAMPAIGN, COORDINATE SERVICE LEARNING AT THE TULANE CENTER FOR PUBLIC SERVICE, AND HEAD “THE CHARRETTE”, AN ORGANZATION DEDICATED TO EXPLORATION THROUGH INSTALLATION ART AND PRINT MEDIA (AMONG MANY OTHER THINGS!)


CONTENTS

(CHRONOLOGICAL ORDER IS BORING)

1 - BARONNE & EUTERPE HOUSING, NEW ORLEANS, LA (3RD YEAR) 2 - RESIDENTIAL ANALYSIS, OPORTO, PORTUGAL (3RD YEAR) 3 - FUN WITH MODELS, (1ST AND 2ND YEARS) 4 - VISITOR’S CENTER TO LECA POOLS, PORTUGAL (1ST YEAR) 5 - MUSEUM OF THE CITY, NEW ORLEANS, LA (2ND YEAR) 6 - THE CHARRETTE MAGAZINE & INSTALLATIONS 7 - MARDI GRAS INDIAN CULTURAL CENTER, NEW ORLEANS, LA (2ND YEAR) 8 - SCHEMATIC DESIGN: SNOWBOARDERS HOSTEL, LAKE TAHOE, NV (3RD YEAR, IN PROGRESS) 9 - MORE ADVENTURES (1ST - 3RD YEAR)


BIKE STORAGE

YOGA/DANCE STUDIO

LOBBY COMMERCIAL

LARGE MEETING SPACE

SMALL MEETING SPACES

FITNESS

COMMERCIAL

GALLERY / GATHERING SPACE CAFE

GROUND FLOOR PLAN EAST FACADE & SECTION SOUTH FACADE & SECTION

A REIMAGINATION OF AN EMPTY LOT IN THE RAPIDLY TRANSFORMING (GENTRIFYING) CENTRAL CITY NEIGHBORHOOD. THIS PROJECT CREATES A NEW URBAN COMMERCIAL AND RESIDENTIAL NODE IN THE HEART OF THE CITY, BLURRING THE LINES BETWEEN PUBLIC AND PRIVATE SPACE WHILE ENGAGING THE FORMAL ELEMENTS OF THE EXISTING COMMERCIAL CORRIDOR.

APARTMENTS ON EUTERPE & BARONNE NEW ORLEANS, LOUISIANA


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FELIC

O.C .H

EU

ES RP TE

AL EY

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TE BA

THE CORE OF THE PROJECT IS A CENTRAL PUBLIC PLAZA WITH OPEN GROUND-LEVEL CIRCULATION AND A DENSE COMMERCIAL LAYER ON THE GROUND FLOOR. ELEVATED PRIVATE ROOF GARDENS AND RESIDENCES INTERACT WITH, BUT ARE SEPARATED FROM, THE BUSY STREET FRONT.

RO N

NE

ST .

SIC RP

S RE HO

T.

SITE

BLV D.


FRONT FACADE


S

VERY BRIGHT LIGHT: CLERESTORY / SKYLIGHTS, TRANSLUCENT CIRCULATION SPACES, HEAT GAIN REDUCTION

W

EVENING GLARE: FLEXIBLE WINDOW SHADES, TREE COVERAGE

IRESIDENTIAL UNIT

E

SUNDOWN GLARE:

N

DOWNTOWN “PICTURE WINDOWS”, LIMITED RESIDENTIAL UNITS

CONSISTENTLY DIFFUSE LIGHT: WINDOW MAXMIZATION, ORIENTATION OF PRIVATE LIVING SPACES AROUND LARGE WINDOWS

parking

euterpe st

baronne st

INTERIOR GALLERY


RESIDENTIAL

COMMERCIAL

CAR ENTRY

CIRCULATION

STREET LEVEL

PRECEDENT ANALYSIS

STRUCTURAL SYSTEM

EDUARDO SOUTO DE MOURA: APARTMENT BLOCK IN RUA DO TEATRO

MASSING

UNDERSTANDING CONCEPTS OF BUILDING USE, STRUCTURE, AND CIRCULATION THROUGH DIAGRAM

FLOOR PLATES

PED

EST R

IAN

PAS SAG E


THE CHARRETTE A STUDENT ORGANIZATION DEDICATED TO BUILDING COMMUNITY AND CREATIVE EXPRESSION AROUND THE SCHOOL OF ARCHITECTURE THROUGH INSTALLATIONS, A YEARLY DESIGN AND TEXT PUBLICATION, AND POPUP PROJECTS AROUND THE CAMPUS AND CITY.


MAKING THINGS THE PROCESS OF PHYSICAL MAKING IS CENTRAL TO THE DESIGN PROCESS HERE. THE POWER OF A TACTILE MODEL OR A HANDMADE COLLAGE TO REPRESENT A CONCEPT IS CELEBRATED.



VISITOR’S CENTER

AN INTERVENTION IN ALVARO SIZA’S LECA POOLS OPORTO, PORTUGAL

FINAL PROJECT


INTERPRETIVE SITE COLLAGE


MUSEUM: CORNER RENDERING

MUSEUM OF THE CITY NEW ORLEANS, LOUISIANA

A NEIGHBORHOOD MUSEUM IN THE HISTORIC TREME, BASED IN ISTUDIES OF THE COMMUNITY AND ITS GEOGRAPHIC HISTORY


DRAWN AND COLLAGED INTERPRETATIONS OF A MARDI GRAS INDIAN SUIT PIECE

WE WERE CHALLENGED TO DEVELOP A MUSEUM AND ARCHIVE SPACE ON BLIGHTED SPACES IN HISTORIC NEIGHBORHOODS. THIS PROJECT IS SITED ON A HIGH-TRAFFIC CORNER OF BASIN STREET IN THE TREME. BUILDING DESIGN WAS BASED OFF OF A GEOGRAPHIC STUDY OF THE DEVELOP OF NEW ORLEANS AS A WHOLE, LEADING TO A MORE COMPREHENSIVE UNDERSTANDING OF THE ASTONISHINGCHANGES IN THE AREA.

SCALES OF SPRAWL: DRAWINGS OF NEW ORLEANS’ EXPANSION AND DENSITY


A CENTER FOR THE COLORFUL”MARDI GRAS INDIANS”, WHOSE TRADITIONS ARE ROOTED IN THE HISTORY OF NEW ORLEANS’ BLACK INDEPENDENCE MOVEMENT. MEMBERS OF THE “TRIBES” ARE SOCIAL AND POLICITCAL LEADERS IN THEIR COMMUNITIES WHO HELP DEVEOP LOCAL PRIDE AND PRESERVE CULTURAL TRADITIONS.

MARDI GRAS INDIAN CULTURAL CENTER NEW ORLEANS, LOUISIANA

THE CENTER CONTAINS WORKSHOP SPACES, ARTIST HOUSING, PERFORMANCE AND PRACTICE SPACES, AND TWO LARGE GALLERY / GATHERING AREAS, AS WELL AS A ROOFTOP SPACE. THE FORM IS DERIVED FROM TRADITIONAL NEW ORLEANS “CORNER STORE” TYPOLOGY TO RESTART A BUSY COMMERCIAL CORRIDOR IN A SENSITIVE, COMMUNITY-SERVING WAY


THE BUILDING IS IN DIRECT DIALOGUE WITH THE INTERSTATE, ACTING AS A BEACON TO THE NEIGHBORDHOOD ON THE OTHER SIDE AT NIGHTTIME, ACTIVATING AN OTHERWISE EMPTY AND SOMETIMES-UNSAFE STREETSCAPE


I DO LEAVE STUDIO SOMETIMES...



THANKS!


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